Fic Prompts: Free Day Thursday
(Picks up where Viper left off)
"You know you've got like a whole bucket of cactus paddles down there?"
Jak sauntered back into the throne room from the hidden door and tossed Damas a sealed bag of roasted crickets.
"I should hope it's a full bucket, considering I picked those this morning."
Damas pulled out one of the cooked insects, plucked off the legs, and popped the rest into his mouth.
"You don't eat the legs?"
Jak draped himself over the edge of the throne to snatch a handful of crickets from the bag.
"They get stuck in my teeth," Damas complained, "I save them for my birds."
Daxter snickered. "Even Pecker?"
"If Pecker doesn't like the food, he's free to fly back to Onin," replied the king with an almost mischievous look.
"Oye, you didn't mess with anything in the kitchens, did you? The head cook is...tetchy."
"She's a miserable old cuss and she threw a knife at me," Jak said indignantly.
"She throws knives at everyone. You're lucky it was only a knife."
Around another mouthful of crickets, Jak made an appalled expression. "What else does she throw?!"
Damas grimaced and rubbed his forehead as if remembering an old injury. "Whatever is closest. Pans. Porridge. Whole onions. Cactus paddles with the spines still on."
Daxter started to come closer, but glanced at the dead snake still decorating the dais and thought better of it. "Hey, Jak doesn't need to go to the kitchens to experience that! All he has to do is get distracted while on the Leaper again and he'll have a mouth full of prickly-pear!"
"That wasn't my fault!" Jak protested hotly.
Damas raised a brow. "Oh? I hadn't heard about this one."
Hoping to avoid retelling the story, Jak quickly changed the subject.
"Wait, can you actually eat cactus?" he demanded.
He moved to sit cross-legged directly in front of the throne, and began examining the viper's mouth to get an idea of how to harvest the fangs later. Absentmindedly, he reached a hand back behind him, and was too deep in focus mode to register that this wasn't Daxter or Keira he was non-verbally bumming snacks off of. Nonetheless, Damas made a goodnatured scoff and placed several more crickets in his hand.
"You can eat specific kinds of cactus," Damas clarified. By the emphasis he placed on "specific", it was fairly obvious he was anticipating Jak trying to eat random cacti in town.
"Only the ones with the paddles like you saw, understand?"
"Sure, sure." Jak brushed this off. "But what do you make with them, though?"
Damas inspected the bag of crickets and sealed it back up to ensure that they would have some snacks during the coming meetings. "You use them for just about anything you need a vegetable for, honestly. I tend to grill them with lemon. Some people boil them for salads. Sig's mother is known in the East Quarter for frying it in batter and selling it in little cups."
"Ooh! We still haven't met Sig's ma!" Daxter chirped. He grinned wickedly. "We should ask her about Sig's embarrassing baby stories."
"She has no shortage of them," Damas agreed.
Daxter glanced back at Jak, happily munching crickets, and shuddered.
"On a scale of one to "Jak eats things raw if he can't figure out how to cook them", how hard is it to cook?"
Jak looked insulted. Damas snorted.
"After the afternoon appointments, I'll teach you one of the simpler methods. You won't need much- Jak, don't touch the fangs. We still need the evidence intact."
"I was just looking!" Jak defended.
"With your hands?"
With a gusty sigh, the teenager scooted back to the right of Damas’s seat. He looked a little cross, but it faded soon enough.
"What appointments do you have, anyway?"
Damas stood up to stretch. Precursors knew he wouldn't get a chance in the next few hours.
"Third bell after noon through fifth bell is reserved for Arbitration Court," he said. "Which is why I do not usually call you during those hours. My job as king is to uphold the safety of my people, ensure the continued functioning of the Beacon and the water filtration system, mediate disputes not serious enough for the Arena, and enforce laws agreed upon by myself and my council."
Jak made a face. "That sounds like a lot of being stuck inside."
Dryly, Damas asked, "Why do you think I planted an entire grove of date palms in here? I would have died of boredom years ago if I did not."
He turned to fix both boys with a stern look.
"Out of respect for your fellow Spargans, try not to fidget during Arbitration Court unless you notice something suspicious. After five is a monthly meeting with the northern clifftop farmers to discuss rent payments."
"You rent farmland?"
"They rent from me," corrected Damas. "I didn't clear boulders until my hands bled just to abandon my land when I became king."
Jak blinked. "Fair enough. Man, we should've charged Sandover rent, Dax."
"Pal, they thought we owed them compensation for being allowed to sleep on their porches and eat a bare minimum of their food," Daxter pointed out sourly.
He caught a troubled frown on Damas’s face after the statement.
"Hm. I would like your attention to be on the visitors most during the rent meeting and the council meeting after evening meal. If anyone has a problem with me, specifically, that's likely where they'll turn up."
Jak eyed the snake again. "And if they blow their cover, I get to take 'em out, right?"
"No." Damas narrowed his eyes and pointed at Jak as he sat down again. "I need to determine how far the plot goes. No killing the assassin or accomplices."
"What about after?" Jak pressed.
"I'm the aggrieved party, I'm the one who deals with them," Damas said in mild reproof.
Jak folded his arms. "I dunno, we're feeling pretty aggrieved, right Daxter?"
"Positively outraged," Daxter added, sounding more bored than offended. "More Jak than me, but he's the sensitive type. You know him."
"Yes," Damas said, shaking his head with a small smile, "Yes I do. The answer is still "no", Jak."
Jak huffed and settled more comfortably against the throne. "You never let me do anything fun," he joked.
"I don't, I really don't." Damas reached over to prod the back of Jak's head affectionately.
"I'm a horrible, mean, adult who only lets you risk life and limb four days out of the week instead of every three hours."
"The folks in Haven would think that was the worst kind of tyranny, not being able to make us do all their work for them," Daxter scoffed.
The lift began to rattle, and Damas cleared his throat.
"Well, back to work. Eyes open, my boys. Let us see if we can't catch a would-be assassin. Jak, don't touch the fangs."
"I wasn't!" Jak protested.
Neither of his companions looked convinced.
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hi! i have a question, but before that i just wanted to thank you for giving such amazing sapphic rep in both of your games. as someone who's sapphic (Im a bi girlie) I'm always a little bit disappointed when the female sapphic characters are given not as much thought even when it comes to both female gender locked ros and the female/nb counterparts of gender selectable characters in comparison to the male characters/male counterparts of gender selectable characters in other ifs. i absolutely adore both of your games and the fact that you take such great care with each of the characters' identities, even if they share the same sexuality or gender, they express their gender and sexuality in different ways and i also love the stud rep with hana. And I love that your gender selectable ros in tnp present in a similar way regardless of gender, yet there are still differences in the way that they express it or experience it. my first language isn't English so if i get any terminology wrong please lmk. ❤️
as for my question I was wondering what your thoughts were regarding sapphic ros in IF. do you think gender selectability could be used in a better way to explore a characters' identity in some circumstances. i am curious as to what you think regarding gender locked and gender selectability especially regarding to female/nb ros. i always love to hear your thoughts on different topic so i thought i would ask. ❤️❤️
thank you so much! 💗 now, get ready for a really long-winded response!
honestly, my opinion on genderselectable ROs tends to fluctuate. it's kinda a love/hate relationship, hahaha. there are a lot of games that i think do a fine job handling it, and overall i prefer having the option as a lesbian because typically we don't… get sapphic/gay female characters… like, at all.
now for my controversial opinion: i don't really think most of these female genderselectable characters are actually sapphic. they're just playersexual. and this goes for the opposite, as well, for the male versions. they're not gay or bi they're just playersexual. genderselectable characters can only work if the author is willing to make an effort & flesh out both/all versions of a character as well as acknowledge their sexuality. if one version of the character is meant to be a bisexual woman, then you should be writing her as a bisexual woman. unfortunately i'm sad to say i've seen more than one author publicly admit that this is "too much work," but i suppose i can commend them for being honest about it…
it's been interesting to see this kind of stuff in the IF tag recently. for a while it seemed like we were actually moving more towards favoring genderlocked characters, with set sexualities, and then suddenly it feels like we've ended up in a worse spot than we used to be. i see some really egregious gender essentialism with some genderselectable ROs, down to even their sense of fashion and tattoos changing so the female version can be more feminine and dainty. it's very bizarre, and i really, really do not like it.
i don't necessarily think it's a bad thing for selectable characters to be different. it makes sense in some cases, like if you had a character that was gender nonconforming in all variations. it would make sense that their clothes would be different and their experiences would be different. i even think it can be interesting to explore how certain characters are affected differently by society because of their gender. if you had a character like Lea that existed in a misogynistic society like ours, their experience as a butch would be very different from their experience as a masculine trans man or androgynous nb person… and they would also share a lot of similar experiences, too! but this is not what i usually see. it's usually just… woman: wears pink, is shorter and skinnier, has long hair. man: wears blue, is big and muscular, has short hair. nonbinary (if there even is a nb variation): thin and androgynous artbreeder mashup of the other two. and then in every other aspect they are the same. unfortunately, that's as far as some authors are willing to take it. the rare times i do see someone add in differences it's always just the female version experiencing some form of misogyny that her male counterpart does not, with very little elaboration or reflection.
i don't really think i need to explain why that kind of characterization is a problem.
i do think there is a lot of potential with the gender selection mechanic. i've tried to do something interesting with Lea, and i like to think i've been successful with it. but in my honest opinion, if you want to write a story about gay and/or sapphic characters, you should just genderlock them. for one, the IF audience at large is always going to favor the male version of your character. that is just a fact. if your only female or nb characters are selectable, they will be erased by the wider IF audience. i know this sounds kind of cynical, but this is my honest opinion & my experience as someone who has been involved in this community for almost four years now.
i think if you are someone who is setting out with the intention of writing a sapphic RO, you are doing them a disservice by making them genderselectable. just genderlock them! you may get people that complain, but they can suck it up or go play something else. and i don't think i need to tell you this but just to be clear, genderlocking gay or trans characters is not the same as a game with an all straight or all cis cast. it just simply is not. cis, straight, & white people are already considered the "default." most games already cater to this demographic. it is not the same to genderlock or even lock your characters race or ethnicity to something other than cis, straight, or white. cis, straight, white people are not a minority. you are not underrepresented. there are millions of games out there for you to play. & it's irritating when people pretend like someone getting upset at the exclusion of gay people (or any other minority, for that matter) from a game is somehow comparable to another game "excluding" straight people (or white people, or cis people). arguing this is just blatantly ignoring the reality of our misogynistic, racist, homophobic & transphobic society. again, straight people are not underrepresented. you are automatically included in almost everything except the gay media that gay people create themselves.
gay women especially are repeatedly left out of IF. unless you want to go read yuri VNs (which, no offense, but little anime girls are entirely sexless to me. i do not feel represented by feminine, bug-eyed little anime girls) you're pretty much shit out of luck. there are very few lesbian ROs out there, fewer gnc women, almost no butches and definitely no studs that i've seen in this specific tumblr/cog IF space.
so all of this to say, if you do really want to make your characters genderselectable, then just take your time with it. really think about how their gender may change their experiences within the world of your game. does it change anything at all? maybe not. there does not need to be a drastic difference at all if it's not applicable. don't loop back around into gender essentialism. but you should still think about it, and consider what the gender selectable mechanic can offer as a narrative and characterization tool.
what is my plan for this character? what am i trying to accomplish with them and their story? does making them genderselectable add to that narrative or does it hinder it? how can i explore the potential differences between these versions of this character without falling into and reinforcing harmful stereotypes? how does their sexuality impact their experience? i think these are some of the questions authors should ask themselves when deciding if they want to make their characters genderselectable.
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how do you think dean feels about aging? obviously we know he never expected to live very long, so when he does i’m sure he’s thankful as hell!! but things like wrinkles, hearing loss, bad eyes, other disabilities that come with age — how do you think he takes it? especially when he was such a physical POWERHOUSE in his prime.
AHH GOOD QUESTION THANK YOU!!!
In general, yeah, every day is a gift because he never would've thought he'd live this long, especially not to see retirement. It wouldn't hit him until his birthday, when he's now in his forties, mid-forties, his fifties, mid-fifties, and so on. Watching his kids get older too would really make him feel old.
But looks-wise, Dean is largely in denial, as we see here
(courtesy of arcanespillo)
I don't think that would change lmao. I think it would take someone else pointing something out to make him feel conscious about it. Like the "What's a dad bod?" moment that one episode (it's escaping me rn I can picture it clear as day). But I think generally he's confident enough in his looks that it doesn't bother him. Especially since he's in a loving, committed relationship.
His body degrading would be much more disheartening (as you've seen in my ficlet about his bad knees) Like, he loves his new quiet retirement life. He still works out regularly and stays in shape in case he does need to fight, so he definitely could be worse-off if he wasn't exercising, but he still lived a really hardcore lifestyle and that did some damage. I think losing his hearing and eyesight would be difficult but losing his mobility would hit him like a truck. At first, he just powers through (to his own detriment later on when he's sore for the next day or two) and he learns the hard way he's better off taking it easier in the first place. But that takes a mental toll as well. It's hard, adjusting to this new normal and letting go of things he used to do, letting go of how his body used to be. He really beats himself up for it. But he has a good support system in his partner who accommodates his needs and they figure everything out together 💖
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Margaret of Anjou’s visit to Coventry [in 1456], which was part of her dower and that of her son, Edward of Lancaster, was much more elaborate. It essentially reasserted Lancastrian power. The presence of Henry and the infant Edward was recognised in the pageantry. The ceremonial route between the Bablake gate and the commercial centre was short, skirting the area controlled by the cathedral priory, but it made up for its brevity with no fewer than fourteen pageants. Since Coventry had an established cycle of mystery plays, there were presumably enough local resources and experience to mount an impressive display; but one John Wetherby was summoned from Leicester to compose verses and stage the scenes. As at Margaret’s coronation the iconography was elaborate, though it built upon earlier developments.
Starting at Bablake gate, next to the Trinity Guild church of St. Michael, Bablake, the party was welcomed with a Tree of Jesse, set up on the gate itself, with the prophets Isaiah and Jeremiah explaining the symbolism. Outside St. Michael’s church the party was greeted by Edward the Confessor and St. John the Evangelist; and proceeding to Smithford Street, they found on the conduit the four Cardinal Virtues—Righteousness (Justice?), Prudence, Temperance, and Fortitude. In Cross Cheaping wine flowed freely, as in London, and angels stood on the cross, censing Margaret as she passed. Beyond the cross was pitched a series of pageants, each displaying one of the Nine Worthies, who offered to serve Margaret. Finally, the queen was shown a pageant of her patron saint, Margaret, slaying the dragon [which 'turned out to be strictly an intercessor on the queen's behalf', as Helen Maurer points out].
The meanings here are complex and have been variously interpreted. An initial reading of the programme found a message of messianic kingship: the Jesse tree equating royal genealogy with that of Christ had been used at the welcome for Henry VI on his return from Paris in 1432. A more recent, feminist view is that the symbolism is essentially Marian, and to be associated with Margaret both as queen and mother of the heir rather than Henry himself. The theme is shared sovereignty, with Margaret equal to her husband and son. Ideal kingship was symbolised by the presence of Edward the Confessor, but Margaret was the person to whom the speeches were specifically addressed and she, not Henry, was seen as the saviour of the house of Lancaster. This reading tips the balance too far the other way: the tableau of Edward the Confessor and St. John was a direct reference to the legend of the Ring and the Pilgrim, one of Henry III’s favourite stories, which was illustrated in Westminster Abbey, several of his houses, and in manuscript. It symbolised royal largesse, and its message at Coventry would certainly have encompassed the reigning king. Again, the presence of allegorical figures, first used for Henry, seems to acknowledge his presence. Yet, while the message of the Coventry pageants was directed at contemporary events it emphasised Margaret’s motherhood and duties as queen; and it was expressed as a traditional spiritual journey from the Old Testament, via the incarnation represented by the cross, to the final triumph over evil, with the help of the Virgin, allegory, and the Worthies. The only true thematic innovation was the commentary by the prophets.
[...] The messages of the pageants firmly reminded the royal women of their place as mothers and mediators, honoured but subordinate. Yet, if passive, these young women were not without significance. It is clear from the pageantry of 1392 and 1426 in London and 1456 in Coventry that when a crisis needed to be resolved, the queen (or regent’s wife) was accorded extra recognition. Her duty as mediator—or the good aspect of a misdirected man—suddenly became more than a pious wish. At Coventry, Margaret of Anjou was even presented as the rock upon which the monarchy rested. [However,] a crisis had to be sensed in order to provoke such emphasis [...]."
-Nicola Coldstream, "Roles of Women in Late Medieval Civic Pageantry," "Reassessing the Roles of Women as 'Makers' of Medieval Art and Culture"
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