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erosuguru · 10 months

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Bimbo doll

MINORS + AGELESS BLOGS DNI, Satoru gojo x reader, all characters are 18+, reader is heavily bimbo coded and loves pink, satoru's gross here, 1.3k words approx

CW: Masturbation, satoru gets horny over reader sending him pics of her dresses, satoru has fantasies of reader and she's unaware, again satoru is gross here you've been warned, some proof reading but very little

Notes: I'm so sleepy and I'm too lazy to fix any other mistakes so if you see mistake no you didnt. had to write sth for Satoru, as wit all of my creative works I hate this but I hope u like it though!!

Satoru thinks you're absolutely adorable. From the moment he was blinded by the absurd amount of pink you were wearing, he thought you were the cutest thing on this planet. The coordinated color palettes of your clothes that always had a splash of pink, that shiny layer of gloss on your lips that you regularly reapplied, he gets so happy when he hears the clack of keychains because that means you're near.

Of course he couldn't keep himself away and you both exchanged numbers at one point, you gladly gave it to him after he shot you a lame pick up line— to which you laughed and smiled, simply telling him "you're funny! Sure!"It was almost too good to be true.

You got along well with each other, you both liked sweets, complimented each other's fashion sense, shared a similar sense of humour— when satoru asked you to describe him, you told him that you love being around him because he's fun (you said something about how he 'gets it', a quote about girls.. getting it and others not getting it..? He didn't understand, but he deduced that you like him, and that's all that matters.)

Satoru notices you love sharing tidbits of your day, and most of the time, you usually share a photo related to it in some way along with multiple typos, abbreviations, and emoticons.

"(Name)💘: Toru omg look at these shoes! Super cute right :3" Attached image sent.

"(Name)💘: I went 2 that cafe u told me, the strawberry shortcake is soooo good" Attached image sent.

"(Name)💘: I have 2 go 2 a party tonite, which dress should i choose!1!!??" 4 images sent.

Being friends with you had its benefits, you were comfortable with Satoru, so comfortable that he almost dropped his phone when he opened the images you sent; all of them were minidresses, all of them different shades of pink, all of them hugging your figure so tightly and snuggly he was tempted to stalk your social media to know where this party is.

He couldn't see the details that differentiated each dress, or at least he didn't focus on them as he felt his cock throb in his sweatpants.

"Ooooohhhhhfffuuck..." he mumbled longly to no one in particular, Satoru almost choked on his spit as he sat up from his position in his bed, all the heat rushing to his face as he examined your photos closely. Your poses so cute as you stared at your phone screen in the photos with a small pout, you had the pretty sparkly gloss on this time, that's his favorite..

(Name)💘: TORU OMFG PLZ ANSWEERRRR MY RIDES ALMOST HERE >:(

he almost forgot your little dilemma.

"Sorry lol I was eating, go with this one!!" he forwarded one of the four dresses with his response and sent his text, he felt guilty about lying but what was he supposed to say? 'My bad! You were so hot I got a little hard like some Virgin!' No way in hell.

You answered back quickly, how did you type quicker than he did with nails longer than his? He has a hunch it's because you don't care about typos but the dedication is admirable.

(Name)💘: TGANK UUUUU ill text u after the party!

(Name)💘: thank* lol

He let out a small laugh at your typo, scrolling back to the photos he zoomed in on one of the four he hadn't picked, and the reason why he didn't choose this dress is that he knows no sane rational person with a sexual libido would be able to resist you in this.

You looked so cute, so perfect, Satoru let out a small sigh as he pulled his dick out of his pants hissing at the cold air, his thumb smeared the precum over his tip. He should feel bad– terrible even, but how can he resist? There's no way you have no idea what you do to him, he tried justifying in his mind as his cock throbbed desperately in his hand.

Biting his bottom lip, the image of you in his phone fueled his imagination as he envisioned arriving with you at this party you mentioned, having such a pretty thing like you on his arm would be a major ego boost too. The length of your dress could easily allow him to pull down your panties (did you even have a pair on under that dress?), bend you over the host's bathroom sink and slam his cock balls deep inside you, relentlessly filling you then demanding you to pull your panties back up and come back to the party with him as his cum would be dripping between your thighs.

As Satoru bucked his hips up into his hand, he stopped briefly to spit into his hand, deciding there's no time to look for lube, he went back to fucking his hand to the thought of you. If only you knew your new friend got off to these innocent pictures you sent him, if only you knew what he wanted to do to you– he's confident you wouldn't wanna be friends anymore. Shaking his head he pushed aside those thoughts and focused on his current pleasure, his fantasy, his goal of cumming from the pictures of you in those dresses you handpicked to show him.

He mumbled words of encouragement as if you were there with him right now bouncing on his dick instead of the reality of his hand moving up and down, mutters of 'good girl's and praises like "so good, baby" and "yeah? You like that?", desperate to convince himself of his fantasy. Satoru tossed aside his phone long ago after making sure the photos were engraved in his mind, he wasn't expecting you to update him until sometime near midnight.

his eyes closed as his other hand slid up his stomach pushing up the material of his shirt until it reached his collarbone, his fingers trying to find any weak points on his body to rub, pinch or entice as his hand rubbed his dick to the pace of his imaginary storyline; where he dreamed of driving you back home and stuffing you full of his cock until the only word that was in your vocabulary was his name.

"Yesyesyes, (Name)..! Mmmmmhffuck..!" He groaned out as he felt his end near already, his face warming up to a soft reddish pink reminiscent of the tip of his dick as he fucked his hand, soft gasps and groans escaped him as he imagined all the filthy things he could do to you, all the filthy things he wanted to know about you.

What type of panties do you always wear? What type of men make you horny? Who have you been with? Would you let him fuck you? 'Please lemme fuck you, lemme fuck you..! Wanna fuck you..!'

The vulgarity of his desperation made him blush but brought him dangerously close to the edge, squeezing the base of his cock Satoru covered his mouth instinctively, he bucked up his hips as his cum coated his abdomen, stomach and some droplets even reached his chest. He moaned behind his hand as he felt the waves of pleasure shock through his body. He slowed his hips, mumbling for the imaginary you once more. "Take it, take it all, baby.."

He didn't want to move, he knew he had to but he wanted to relish in his fantasy a little longer, he wanted to pull you close and sloppily kiss your cute glossy lips and praise you for being a good girl, taking his load like that. He imagined his cum oozing from your slit but he wouldn't let it go to waste, he'd use his finger to slide it back in where he knows it belongs.

He remembered to save those photos for.. 'next time', reaching over to get his phone, he paused as he received a notification.

(Name)💘: party was lame, coming 2 ur place!! >:3c

Sitting up, the sweat that collected at his back from his 'session' cooled him off, he cleaned himself up and couldn't help but grin at your adorable message.

You don't need to worry, he'll entertain you more than any dumb party could.

#gojou satoru x reader #gojo x reader #satoru gojo x reader #gojo satoru x you #satoru gojo x you #gojo x you #satoru x reader #gojo satoru x reader #jjk x reader #jjk x you #jujutsu kaisen x you #jujutsu kaisen x reader #jjk smut #gojo smut

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beaulesbian · 1 month

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[egghead spoilers, up to chapter 1110]

Sanji's humanity & Zoro's strength

(or lack thereof) - a theory of possible conflict between Luffy's wings before the end of Egghead arc. Long post ahead. Like.. very long post.

So the new chapter had a very interesting new "banter" between Sanji and Zoro, but no, actually just Sanji, because there was no usual back and forth quips followed after.

Yes, this whole post started because of these few panels: (" ...!!")

After rereading the chapter more times I realized, Sanji's not even speaking to Zoro or knows that Zoro can hear him. He's talking about Zoro, and calling him a burden to the team.

Which is just baffling to me? (fair, maybe I'm looking too much into it and next chapter it would be explained in different way) but for now, I need to put this out there and make my own small (long) theory on this.

There's lot to be said about the word burden here, and I will get to it later in the post, but for now, let's start with Sanji and his eyebrow!

It wouldn't be a perfect story if Oda didn't tangle threads of each respective characters from multiple arcs before and brought them up together later on during one of the most difficult times when Strawhats and Luffy are facing off with so much danger (reminds me of Sabaody but in a very different way).

In this instance Sanji's past could be brought up again, something that started worrying him since his fight with Queen in Wano, and especially given that his left eyebrow has been changing its shape quite a lot during the run of the Egghead arc.

Here's just few panels throughout end of Wano up to current Egghead chapter, where Sanji' left eyebrow is in the focus on the pages:

Chapter 1029 was the first part where Sanji was thinking his body might be undergoing some changes he couldn't control -broken bones insantly healed, stronger and faster than ever before, due to him beforehand using the Germa suit which possibly triggered this sort of superhuman modification he wasn't really aware of until then. When he realized he couldn't remember certain memories, he panicked, thinking he might be changing into something similar like his brothers, a scientific weapon created by his father. The worry and panic was all the more present because he thought he hurt someone without his knowing, and that'd slowly take away his kindness and sense of humanity. (Too bad I hoped the changes his body might be undergoing would only be realization of his non-cis gender status, but maybe that's still on the table for sometime in the future.):

^In this second panel his face is on purpose shadowed, which was the last time he was shown in that chapter,

and only again was in chapter 1031 - where his eyebrow changed:

and it takes him to think about Luffy and what his purpose would be if something so important of him would change. He knows why Luffy went after him in WCI, he knows what values are important for Luffy and his crew, and of course he doesn't want to be reminded of his family and his brothers and act as they did. He chooses the humanity, the kindness that Luffy loves in him.

Even to the extent to call Zoro and make a deal with him - to kill Sanji if anything would go wrong with him. "If I'm not in my right mind, I want you to kill me." That much trust he has in Zoro to protect the crew and Luffy!

Of course Zoro wouldn't do anything reckless without a good reason, but part of their banter and understanding each other would be to promise something like that - echo of Thriller Bark and the range of how far Zoro would go to take on someone elses pain. It's a promise to win their separate fights, but also this was something that Sanji put out there for Zoro to take notice of. (I will come back to that later.):

(still the "bad eyebrow" - he had that the whole chapter 1031).

After his fight with Queen (where it was also cleared what his actions were and weren't), he was only shown two times until he woke up, and both times he had his eyebrow back on good side.

1036 & 1044 (hearing Luffy awaken his powers):

All the way up to Egghead he seemed to have his eyebrow drawn this way, and it started to change only during fights -

ch 1075, still good eyebrow, tho.. ehh this behavior.. whatever:

ch. 1078, protecting his crew from Seraphim, bad eyebrow:

in between chapters 1090 - 1105 (most of which were flashbacks and Sanji nor Strawhats were shown) he appeared with his typical eyebrow:

and it changed again in ch 1107 - when he was again protecting Bonney / fighting against Kizaru:

interesting was chapter 1108 where he's standing between Saturn and Vegapunk, and he's describing Saturn with "he's less and less human by the minute" while his own face was obscured, (I mean.. interesting choice of words and what character said it, huh?):

and the next page he still has the bad eyebrow:

in chapter 1109 it's back on his typical side, where it continues from previous chapter of Sanji carrying Vegapunk- so at some point it must have shifted back (and I'm curious if these changes would be noticable in the animation). At this part he's watching how Saturn is summoning the other Gorosei to Egghead:

Which leads me to the point from above with Zoro.

chapter 1110 and their interactions (for me) was just off. I like their usual banter and bickering, it's funny (if it's in the manga and contained to few panels to make sense, not so much in the anime, but i'm not going into that now), but the thing to call anyone of their crew a "burden" just doesn't fit right. (Especially after WCI... c'mon Sanji, and especially to someone like Zoro, who's always the first one to think about the crew.)

I would understand it if he laughed along with the words to elevate their seriousness, or said something like "Finish it up, Mosshead, we need to get moving." but no. He calls him a burden. And again as I mentioned, it pretty much could have been even Sanji not realizing Zoro can hear that.

These words (in my opinion) were chosen on purpose for multiple reasons:

First we have the Zoro vs Lucci fight that goes on for a while in the real world - in the One Piece world it might be just few minutes - plus we don't know how tough were the fights with the Seraphim which let others be injured.

When Lucci attacked, Zoro immediately thrown himself with him away from the rest of the crew. Zoro was possibly stalling with the fight for time to leave. I feel he could have finished that fight earlier but that wasn't the point. The point might have been to hold him back from his crew.

also this was possibly the only fight after King where Zoro could test the limits of his powers and haki, just like Luffy in the Udon prison in Wano was basically training, this (and the Seraphim fights we haven't seen) could be something similar for Zoro.

Some people think that just because of these characters getting new powers it means they already understand how to use them/how it works, but that's usually not the point of how stories go - there can be progress and there can be setbacks, growing up but also falling back down, which makes the stories more interesting.

The words that Lucci used against Zoro were basically the same thing that Sanji said to Zoro few chapters later:

Amongst them he pointed out the Strawhats inability to cut off one of their own out of their crew to save others - like Lucci left Kaku behind just chapters before this fight when he attacked Vegapunk and Stussy (and Sanji trapped Kaku in the bubble prison). It's a play on very different characters and how they think and act to show clearly how they different they are.

The words burden or dead-weight really stood out, already when Lucci said it in chapter 1107, and the fact that they were targetting Zoro - someone who always blames himself (in his mind, not usually out loud) for not being strong enough, and someone who always has protecting his crew at the first place, was interesting in the connection to Sanji repeating basically the same words in the latest chapter.

I will probably make a different separate post only focusing on Zoro and his fear of being weak, but for the purposes of this post, just to pick a few moments where it's important in the manga:

One of the first time I've noticed how much Zoro keeps berating himself with words like "not strong enough" "too lax" "still too soft" "if I'd been stronger/ faster/ better..."

was just after Little Garden arc, where he almost cut off his ankles just to keep fighting. Time after time the crew encounters strong enemies and Zoro gets a new understanding how far up is the limit that he has to reach to keep the crew safe, so he keeps training. ch. 129:

When Luffy went to fight Crocodile and Zoro was worried and kept training on the way to Alubarna, this banter between Sanji and Zoro felt typical between them - it's about the two way street, the back and forth (that's why that new chapter and insult from Sanji feels so foreign, there's no reply, not quip back - only silence and some sort of determination, which isn't good nor bad, just.. weird.) ch. 179:

and after the final fight of Alabasta, possibly one of the first times I really started paying attention to how much it gets to Zoro, this question of how strong he needs to be. (along with what possibly was one of the first introduction of his haki and how he began training the Observation haki, disguised as meditation in the terms of the early manga) ch. 213:

Thriller Bark was one of the biggest arcs in this sense of Zoro and his protectiveness towards the crew and Sanji knows that - he knows what happened there, he even wanted to sacrifice himself in stead of Zoro for Luffy (but this is beside the point here, and I talked about it in other post before).

Zoro took on himself Luffy's pain, and after that arc he still went right to train as soon as he could despite being still injured, ch. 490. "still too weak!"

which goes through to Sabaody arc.

Chapter 510 until the end of that arc is just painful to go through again. Luffy was worried for Zoro and didn't know the scope of his injuries, while Sanji knew and was concerned in his own way too - that is another thing of how they care, sometimes wordlessly but there is that understanding of what to mention or not. ("Burden" still shouldn't be one of the words to use between them, not that far into the story.)

Now - fast forward to Punk Hazard where one of similar moments played out - Zoro telling Luffy not to goof around because they got in the New world and needed to take things seriously.

It was one of those small moments where Sanji was actually one of the few people shown with reaction to Zoro's words and his urgency, ch 678:

Sanji saying "He's so tough on himself" really puts into perspective how he sees Zoro - he knows what he's been through, and knows to what extremes he's willing to go to protect his crew.

He's definitely not someone who would carelessly call Zoro "a burden" even in the time and place and situation they found themselves on Egghead, if anything, he was supposed to be one of the first ones to know how serious is Zoro always about protecting the crew. (Even in the beginning of Egghead, Zoro stayed at first on the Sunny because "who will save them when they will need saving.")

There's few others scenes and parts where Zoro questions his worth and strength, especially in later Wano, calculating what needs to be done so they have strength to face off with Kaido, ch 980:

and later against King, ch 1033 "it was my strength that was lacking!" while unlocking his Conqueror's haki, still unknowingly:

The fact that it's been happening pretty much since the beginning of the story - how Zoro views himself as not strong enough, yet persisting in always getting stronger and protecting his crew - means so much for what character Zoro is and how much he values and loves his crew (just like all the other Strawhats in different ways), and also, as I've been catching up so quickly with the manga, there's been that hope for some call out of this behavior, to poke it where it hurts, to see what would happen if someone turns those words Zoro possibly feels in his mind against him out loud. And that's kind of what's been happening lately - and I'm curious what impact will this have on both Zoro personally and on the other Strawhats, depending who will be around for the conclusion.

Zoro is one of the few strawhats really thinking about the future, plans and what they need to still fight through, carefully calculating what his opponents might be doing, how strong they are and how much of a problem it would be to go through them.

And Sanji normally understands that, he knows how Zoro works and the other way around, that's why he still protected him when Zoro was injured, (if anything, in this moment Zoro could have been something like hinderance or annoyance to Sanji, yet he never said something like that), ch. 1015:

Even on Egghead, where there was temporary truce with Lucci and Kaku, Zoro pointed out how to recognize the Seraphim's weaknesses, and apologized for 'wasting their stamina' - again, calculating on his strength, ch. 1077:

Zoro isn't just fighting for the sake of a fight, he does have his dream and does know what's important to focus on (he himself always keeps the crew in focus when it's important!)

So it's difficult to have a conclusion about the whole Zoro vs Lucci fight without knowing what is Zoro thinking - hopefully in next chapter we will have more info on it (that is number 1111 - Zoro's birthday and bounty! so I hope it will be a big focus on Zoro again). But even beside that, it was obvious in such short time two people around him suddenly called him a burden to his team - something he takes very close to his heart and mind, something that will hopefully have some consequences for us to see and read, because as Oda is choosing words definitely carefully to have the right impact, two very similar words like "burden" don't seem like a coincidence.

To wrap this up - with Sanji telling this to Zoro felt different than their usuall banter, and as I said before - maybe because Sanji wasn't even speaking to Zoro. At the same time, on Wano Sanji gave Zoro a clue that somehting was happening with him, the fact that there was a panel with just Zoro's ear twitching and then being silent, thinking, and not replying to Sanji with anything that would hint to us about his state of mind, and it could mean he's also aware of some difference in Sanji's acting.

The way he says this reminds me of the what Sanji was thinking during his fight with Queen - "what would be more useful to Luffy, regular flesh-and-blood body? Or a cruel, cold emotionless warrior of science." Even for this small part of seeing him speak with Jimbei and hearing what Zoro was up to until then, he speaks without almost any emotions beside anger? Even with his eyebrow not indicating the change, precisely, it doesn't have to be connected in this way, except physical fights, but there could be something still changing within Sanji to make him act this way, a way that really isn't something we've seen before. I think if in next chapters he speaks to Nami, Robin or some other woman without his typical over-the-top pleasanteries, it could indicate how much of a problem this could be for the Strawhats.

So we have Sanji's need to stay human and kind, the pact created with Zoro to kill him if anything felt wrong; and we have Zoro - someone who's biggest purpose from the beginning was to protect the crew and Luffy, while many times we've seen him question his own strength, and now two people in the span of like 5 minutes in the One Piece time are calling him a burden.

It will be interesting to see if this is heading towards a clash or conflict between Luffy's wings while Luffy needs the support to fight / flee from the Gorosei.

To end this too long post, I feel it's very on point for One Piece not to have a sole focus on just one character going through it™ in one arc, but it's always a few crumbs here and few hints there. This sort of conflict would be perfect to deal with both of Zoro and Sanji's respective fears - because this is very much about fears in their minds, while at the same time if they can resolve this, it would only strengthen their crew once again.

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jessequinones · 2 months

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Writing Advice: Chapters

A lot of my advice comes down to, having beta readers, and “it’s up to you” which doesn’t sound like good advice but when it comes to writing, everyone writes differently so there are different ways of doing the same thing. So, what’s my advice when I talk about chapters?

To me, a chapter is a section of the book which talks about a certain event. There’s no right or wrong way for how long the event should be, and there’s no right or wrong way of how the event can start or end. Here’s how I write my chapters and what I’ve learned along the way.

Starting the chapter:

Before I start the chapter, I need to figure out what the main event is gonna be. Will this event be informational? Action pact? Suspenseful? It can also be a combination of a few events as well, such as having my characters find information, but something goes wrong and now they have to escape.

After I figure out what the main event is gonna be, I start writing and once I complete that event I end it and move on. I try not to carry on too much after the main event has finished because I feel like my chapters might drag if I do.

Writing the chapter:

When it comes to a chapter, I try to have a beginning, middle, and end section. (Keep in mind this doesn’t work for every chapter.) Let me explain what I meant about those sections. The event in this example is Nix and Dante are tryna get information, but something goes wrong after they get said information. So the chapter starts at the beginning where Nix and Dante enter a secured location. The middle is where they get passed all of the alarms and hacked into the network. The ending is they got the information but an alarm gets triggered anyway.

Expanding the chapter:

So, I wrote the beginning, middle, and end, the event is done, but it was kind of boring. Let’s expand it to them escaping. This is where I think chapters start to become long. Some people combine two events into one chapter and some events are longer than others. Escaping a secured facility sounds more difficult than sneaking in. So, adding an escape attempt can spice up the chapter, but you need to be careful with how you do it.

I think when people complain about long chapters, one of their reasoning is “This feels like it could’ve been split into two chapters”. It might be the fact there are two separate events, both with their beginning, middle, and ends. If you want to expand upon your chapter, I would change how the beginning, middle, and end originally played out so it feels more natural when you go from one event to the next. This will take practice and beta readers can help if a chapter sounds too long or just right.

So instead of sneaking into a place, getting the information and having to escape. I would get rid of the middle part where Nix and Dante were sneaking and just show them entering the building, maybe talk for a few paragraphs before they reach their end goal because I already know escaping is gonna add several more pages. It’s a trial and error, and some readers might prefer the sneaking portion, while others might enjoy the fast pace. The end result is what do you like?

Continuing chapters:

What about chapters that don’t need a beginning, middle and end? Those chapters are what I call, continuing chapters. The most obvious examples of continuing chapters are the final climax of a story, like a big battle. The big battle might take multiple chapters to get through, and starting at the beginning, middle, and end of each chapter where the main event is the final fight, might get a bit tiresome. A simplified way of taking a large event, like a big fight, and breaking it over several continuing chapters is having each chapter be its own thing. Let’s say it takes three chapters to finish the final confrontation. The first chapter is the beginning, so there’s lots of build-up, but nothing too bad. The second chapter is the middle and is normally the longest out of the three. It’s the one with the most fighting and maybe a character dies at the end as a cliffhanger. The third chapter is where the villain is defeated and the fight is over thrust concluding the three sections.

That was a very simplified way of explaining continuing chapters, but yeah, not every event can be told in a single chapter, sometimes you have to space them out a bit. I would recommend letting the readers know that said event will most likely take a long time to complete so they'll be aware it's gonna be a long read.

Length of a chapter:

People often ask, how long should a chapter be, and there’s no real answer to that. Some can be a page, and I’ve seen others that are thirty. (Looking at you DragonFire). I personally don’t try to go for a word count or page limit. Often times when I try to make my chapters reach a certain goal, I find there’s a lot of filler that could’ve been cut. This is why I like to write my chapters as if I were writing an event and just focus on the event itself. If I need to expand or get rid of something, I can do that later.

My chapters are normally three pages in length, whenever I go over that, I try to tell my readers the next upcoming chapters will be long. This kind of tactic will depend on your story of course, but let’s go back to Nix and Dante.

In the example, Nix and Dante went into a secured location, took some information and got caught, now they needed to escape. If I want to add the escape portion in the same chapter because breaking in was kind of short, I might tell the reader before said chapter even began that “This mission won't be an easy one”, or “You’ll need to be real careful stealing the information because if you get caught, guards will come.” So, by the time Nix and Dante do get caught, the reader should be aware, the chapter will continue for a few more pages.

Oh yeah, if you’re gonna write a long chapter, make sure to have at least one smaller chapter to break it up. (DragonFire) Having long chapters, after long chapters, is, at least for me, very tiring. I don’t like to stop reading midway through a chapter, but reading thirty pages in a day is very difficult. So if you know you have some long chapters, throw in a few short ones.

Readers might also hate long chapters because they feel like there’s a bit too much filler in them. (Filler-in chapters aren’t the same thing as filler chapters).

Filler-in chapters might appear in one of two ways, either there’s too much filler to get to the main event, or there’s too much filler and the chapter should’ve ended already. Beta readers are a good way of telling you if there’s filler in a chapter or not. Keep in mind, that you, as the writer know what’s best for your story. Readers can only tell you how they feel. If you feel the “filler” part isn’t filler, but a lot of people say it is. Finding a workaround can be difficult. Unfortunately, I don’t have any advice on this kind of topic because this kind of writing problem is unique for every writer. Writing groups might be able to help as they’ll have your text and can help figure out what's going on.

Filler chapters:

There’s nothing wrong with filler chapters. Not every chapter needs to focus on the main story. I personally like filler chapters. They’re fun chapters which explore the characters and the world. A bit of a refresher after an intense fight is fine. When people complain about filler chapters, it’s often because there’s a bit too much of them. Or they came out of nowhere and killed the pacing. For example, if everything has been dark and gritty, having a chapter that’s more on the upbeat side is strange. Also if the chapter ends with a character's death and the next one ignores it, readers might not like that. This is one of the reasons why I don’t like POV swapping between every chapter. If someone dies in character (A) POV, and the next chapter switches to character (B) POV where they’re on the beach…I might get a bit annoyed. Even if Character (B) POV isn’t filler, I just witnessed someone die, I wanna know what’s going on and not swap to another POV.

Also filler chapters tend to be on the shorter side as well. If a filler chapter goes on a bit too long, then it might feel like the story is losing its focus a bit.

Beta readers can help point out which chapters are filler and where to add in filler if that's something you want to do.

Chapter Endings:

Ending a chapter is always interesting, do you want to end it with a cliffhanger or not? Does your chapter flow smoothly from one to the other? I don’t mind cliffhanger endings but try not to make every chapter a cliffhanger. At some point it becomes a bit much for some readers such as myself, I prefer to stop reading at a good stopping point. Cliffhangers aren’t a stopping point, I need to see what’s gonna happen next. Creating a cliffhanger after a long chapter, for me is a bit much. Long chapters already drain me, and forcing me to continue to get to an actual stopping point will make me enjoy your book less. (I understand no one is forcing me to read a book, but I just really, really hate stopping at cliffhangers). Not to mention if there are multiple cliffhangers in a row, I might put the book down and not pick it up for a long time because I’ll have no idea how many cliffhangers I’ll have to deal with before getting to an actual pause in the story. Personally, as a reader, I feel like there needs to be good stopping points. Places where it’s safe to stop reading and the reader can pick it back up later.

If you end a chapter in a city and the next one starts in a jungle, that kind of scene change might be a bit confusing so again, just send it through a couple of beta readers and see how you did with the transition portion of going from one chapter to the next. The same thing goes for tone as well. If the last chapter ends with a death, and the next one is in a circus, the tone shift might be a bit much. Just pass it along with a beta reader.

That’s about it for chapters. If you want some more detailed advice on certain chapters then let me know, but chapters are one of those things where it comes with practice. The length, the event, the ending, all of this stuff will be determined by your ability to write. Beta readers are a great way of pointing out how they felt while reading a chapter and you can go from there.

#writing #writeblr #writers on tumblr #writers of tumblr #writer #writers #writerscommunity #creative writing #writing advice #write

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nothingbynova · 2 months

Text

halloween with luke castellan

summary: planning a halloween party with your boyfriend luke castellan at camp half-blood :p

pairing : luke castellan x fem!reader, reader's cabin not specified.

word count: 2.1k

warning(s) : summerween vibes, lots of fluff, probably too much plot, kissing in the dark, mentions of alcohol, underage drinking, borderline smut but not really, and use of y/n

✩ ‧₊˚ author's note: let me know if you're interested in a part two! it would be covering more of the party itself, moments with luke and also a few other mixed characters.

dedications: my bestfriend @dalgonacafe !

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you and luke have been together for over 2 years now. the entire camp loves you guys together, for multiple reasons. one of these being your incredible ability to throw halloween parties, and you always have the best couples costumes there.

“okay how about bonnie and clyde?” you roll over on the bed and glance in luke’s direction. he’s currently laying on the hermes cabin floor, keeping his focus on the paper in front of him.

“too basic, anything else?” he replies.

this is at least the 30th option you’ve given him, and his responses are all “no” “that's bad” “(blank) did that last year” and so forth. you accept defeat and throw yourself into the pillows, letting out a heavy sigh. luke notices this and stands up, walking over to your spot on his bed.

“we still have a couple days before we need the costumes, its okay y/n” he kisses the side of your head before laying down next to you. the both of you sat in silence for a few moments before a lightbulb went off in your head. “CHUCKY AND TIFFANY” you shout at him excitedly. this is the first idea that he doesn't immediately shut down. you can visibly see the wheels turning in his head before he replies. “yes, you’re a genius, my love!” he wraps his arms around you and pulls you on top of himself. he places playful kisses all over your face while you laugh and try to push him away. “okay okay, we still need to plan luke!!” you peel yourself off his chest and begin thinking about how the costumes will look. although luke isn't much help with the planning, he does get his half brothers, the stoll twins to sneak in some items you needed. after a week of playing with fabrics, costume paint and fake blood, they are finally ready. all you have to do is make sure they fit now.

*time skip brought to you by: clarisse la rue’s curl routine*

you’re walking around camp with a small backpack, all of luke’s costume aspects are hidden inside. you stumble across the dining pavilion, only for him to not be there. you check the 12 cabins, the medical building, and even the vineyards. luke is nowhere to be seen, and the clock is ticking.

“annabeth! annabeth chase!” you sprint toward the poseidon cabin doors, catching her right before it closes. “hi y/n! can i help you?” a light blush is spread across her cheeks, knowing you caught her going to visit percy. they’ve been dating for a few weeks, but refuse to tell everyone. it’s still obvious, and almost every camper knows, even chiron.

“have you seen my boyfriend? i’ve lost him again and we have to finish these costumes for the party tomorrow night” you sigh and rub your forehead, obviously stressed.

“uhhhm, yes actually. i think clarisse was using him as a training dummy for the new kids. they should be up in the fields!” she smiles sheepishly. you thank her for her efforts and walk off, heading toward the training grounds.

annabeth is right, per usual, as you approach the hill, you can see a horde of children gathered in small circles learning how to wield multiple weapons. luke is in the center of one of them, twisting and turning his sword.

his brown curls are sticking to his forehead, his face is red and tired looking. seeing as it's already mid day, they’ve probably been working out here all morning. his clothes are damp and stick to his body, making his abs visible through his shirt. even a completely sweaty mess, he still looks incredibly good and it makes your heart flutter.

he turns around at perfect timing, almost as if he can feel you approaching. he smiles your way before dismissing the kids for a break. you happily walk your way to where he stands.

“hello handsome, how’s training?” you wrap your arms around his waist and beam up at him. he reciprocates the action by looping his hands into the back pockets of your pants.

“hi y/n'' he smiles before leaning down to kiss you, his lips are warm and welcoming. it’s a small moment that’s cut short by a group of nearby kids giggling in awe. you pull away from him and tuck your head into his chest in embarrassment.

“how much longer are you needed?” you pull away and glance up at him “we have a halloween party to throw tomorrow!” you add on, smirking and wiggling your eyebrows excitedly.

“can i shower before you steal me away..?” he sighs and smells himself before fake gagging. you laugh at his actions before nodding your head yes.

you begin to walk away down the hill and back into camp, looking back at him and shouting “YOU HAVE 30 MINUTES CASTELLAN! FIND ME IN 30 MINUTES, GOT IT?” before giving a funny thumbs up and storming off.

*time skip brought to you by: walker scobell’s ginger allegations*

“lucas castellan, i swear if you keep moving i’ll give up right now and you're going to have to figure out this costume on your own!” his small movements are making it nearly impossible to check the sizing and fit for everything needed. although there's not enough time to fix any of the sizing anyway, as long as it's not too small everything should be fine!

“pleaseeee y/n, i'm bored, how much longer do i need to stand here??" he pouts, and kicks, and whines like a little child.

“as long as i say so” you snap the behind of his shirt and then walk back to stand in front of him. smiling innocently at the move you just pulled. luke gives you an upset look but his stare quickly fades back to normal.

“we’re all done now, thank you!” the smile on your face beams happily. luke, thankful to finally be free, picks you up bridal style.

“did you speak to clarisse about the forest being cleared? i know they’ve been working on it for a few days now.” he questions, carrying you over to a small corner of the cabin where your bed stands.

“yeah everything is ready, i'm waiting on the twins to find that alcohol dealing cyclops.” you sigh, bringing your hands to cover your face stressfully, as he gently places the two of you on the bed. within seconds you find yourself wrapped up with luke, hands around waists, legs intertwined, and your head tucked into his chest.

*time skip brought to you by: grovers cgi hoofed feet*

you carry the last of the drink coolers toward the main table, and set them by the others. some of the camp kids have been helping you set up the forest for the party tonight. there's bushes and trees that perfectly block off where camp adults could possibly see what's happening. the beach shoreline is sprinkled with log chairs, a couple snack tables and a lit campfire in the center. nightfall is setting and people will finally be arriving soon

“so clarisse, are you coming with chris?” you turn in her direction and smirk when she meets your eyes. chris rodriguez is a son of hermes, so he’s technically luke’s half brother. he’s also clarisse’s crush, but she won't make a move on him.

“oh shut up, you know he doesn't even like me y/n” she glances at you and gives a mean looking face. all you can do is laugh before replying back “well that’s not what luke told me last week!” you smile cheerfully and hold up a bag of plastic cups toward her. “you are making a move tonight or else i will tell him myself!” clarisse just sighs before nodding her head, silently agreeing.

a few campers start to trickle in, wearing a mixture of homemade and store bought costumes. some of the girls have turned their everyday makeup into scary face paint and fake blood. the twins must have worked overtime smuggling in so many wanted items for the party. annabeth walks in alongside percy, and they’re matching together, prince eric and ariel. it's cute and also funny, ariel is a daughter of poseidon in the mortal made movies, but not in a demi-god way.

“hey i'm gonna run down and fix up the beach tables, can you help me host til i get back?” you smile towards clarisse as she nods her yes. you walk back towards the shoreline, passing the young lovers on your way.

“this, this is amazing!” you bow in awe, annabeth blushing slightly and percy laughs. “i was forced into it, but thank you” he beams happily at you before looking down to beth.

“where’s your boyfriend?” she looks at you, and then around the party, confused.

“uhhhhm great question, running late i assume? i’m gonna go fix up the rest of the tables but feel free to grab some drinks and hang out!” you shoot a reassuring smile toward the two before walking off.

suddenly someone wraps their arms around your waist and rips you into the air, spinning you around. you scream loud enough for a couple nearby kids to glance your way concerned.

“HELLO?? GET YOUR HANDS OFF OF ME!!” you screech and try to wiggle out of their grasp. by the hands gripping onto you, it's obvious this isn't a girl. unless it was clarisse…but you know she wouldn't dare touch someone unless she really had to. “PUT ME DOWN!! WHAT ARE YOU, CRAZY??” you kick your feet and flail your arms. the boy chuckles and places you back down in front of him, you look up and sigh. “really luke??? you scared the shit out of me!” you push his shoulder and scoff, rolling your eyes and turning to walk away. he laughs to himself and reaches out grabbing your wrist, he spins you back toward his body and into his arms. “i'm sorry, it was funny!” he said in between laughing. “i didn't even know you could scream that high! it was amazing baby!” he tries to make you feel better, but all you can do is stare at him.

his hair is normally brown and curly, laying messy over his forehead. but now its carefully slicked back, like an 80’s greaser boy. theres orange hair spray covering the top as well, completing the appeal. the scar he once got from a past quest is highlighted by the fake blood around it. one of the camp girls must have helped him do his additional makeup, because it looks amazing. he’s suited into the costume you helped make him as well, wearing a colorful striped shirt and overalls on top. somehow everything fits just right, he looks good and he knows it too. a sly smirk sits on his face when he notices how your eyes are practically jumping out of your head.

“earth to y/n, you okay down there?” he shakes your shoulders carefully, a small attempt to grab your attention again.

“what? yeah! yes, i'm great! sorry you just scared me is all.” you nervously spit back at him. “i have to finish moving some stuff around for the tables down by the beach. come find me later?” you smile up at him with such love behind your eyes

“oh yes ma'am, yes of course.” he nods quickly before leaning down to kiss you. one turns to two, then three and maybe even four before his arm drops down to your waist. he’s dangerously pulling you closer to him, grabbing onto any parts of you that he can. you allow it to happen as well, dipping your head lower and giving him access to deepen the kiss. your hands find their way to the back of his neck, playing with parts of his hair. the way he kisses you is out of pure hunger, and his movements easily become sloppy with lust the longer that the two of you are together.

you gently pull back, the both of you are breathing heavily and lips glossy.

“okay! okay!” you giggle in between a couple more of luke’s desperate small kisses. he finally pulls back and looks at you fully, eyeing you up and down a few times before replying

“i like the costume, by the way. if you couldn't tell” he smirks down at you before kissing your cheek and turning to walk away. “i’ll come find you later, pretty girl!” you blush and shake your head yes as you watch luke disappear off into the opposite part of the forest.

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#luke castellan fluff #luke castellan x you #luke castellan x yn #luke castellan x y/n #charlie bushnell x reader #luke castellan pjo #percy jackson #percy jackon and the olympians #percy jackson fanfic #luke castellan fic #luke castellan imagine #luke castellan x fem!reader #luke castellan x reader #luke pjo

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orionsangel86 · 11 months

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Hob Gadling - A Queer Romantic?

I have been listening to The World's End chapters of The Sandman on Audible lately and just finished Hob's Leviathan. I didn't pay this story much attention when I first read the comic, as I tended to read through the stories quickly and put more focus into the stories where Dream had a larger role. But one of the reasons I like listening to the Audible book is because it allows me to absorb each story more thoroughly and take my time thinking about each one and the (usually multiple) meanings behind them.

Hob Gadling is a character that fandom has fallen in love with. I think this is clear to anyone that takes even a partial glance at Sandman fandom. This isn't a criticism - Ferdie's performance as Hob in the Netflix show has done wonders for Hob's character. He has made his version of Hob very easy to fall in love with!

But the truth is that in The Sandman comics, Hob is a minor character who we only get to know very little about. The story Hob's Leviathan appears in The Worlds End Sandman book. We only meet him twice before this, once in The Doll's House, where we are introduced to him in Men of Good Fortune, and again in Season of Mists when Dream comes to let him know that he may miss their next meeting. In both these issues, Hob is introduced via the narrator, and therefore I like to think that we are given a fairly honest representation of the kind of person he is. We watch him grow and learn throughout the centuries in MoGF, but one of the major takeaways from this I believe is that he tends to always be on the wrong side of history. He makes bad choices and can be a bit narrow minded. He is rude and selfish and also rather self-absorbed. I actually think that the performance of the voice actor who plays Hob in the Audible book emphasises these character flaws making him even more unlikeable in many ways, though I am aware that this could just be my own experience and opinion.

But Hob's Leviathan takes a different view of Hob. Literally. The narrator of this story is a young boy of 16 called Jim. Jim met Hob on a ship travelling from Bombay to Liverpool in 1914. Jim was working on the ship as a cabin boy and Hob had bought his passage back to England - though it is revealled at the end of the story that Hob actually owned the ship they were travelling on. It is clear that at this point in time, Hob is extremely wealthy.

Jim attends to Hob throughout the journey, and grows very fond of him. In Jim's tale, Hob is a good man, who is kind and thoughtful and cares about others. He saves the life of a stowaway (who turns out to be another immortal). He is shown to be patient, and funny, and very intelligent. Jim waxes poetic about how smart Hob is, and how much he impressed him. It is particularly clear in the Audible book that Jim is taken with Hob, to the point that it could arguably be a crush.

It is fascinating how much more likeable Hob is when narrated from the viewpoint of someone with a crush on him, whether this story is exaggerated through rose tinted glasses is of course something to consider. All the tales in World's End are just that, tales. There is a constant undercurrent of exaggeration and make believe to them where even the other patrons of the inn question elements to each of the stories. We are not supposed to take these stories as absolute fact, rather they are supposed to reveal to us more about the narrators as well as their own experiences existing in this magical and strange world.

When it is revealled that Jim is actually a girl called Peggy in disguise so they can get work on the ships, the quite obvious crush makes more sense to a heteronormative audience, but what I particularly like about this story is its queer potential. See in the comic, it isn't really clarified if Jim goes by Jim because they feel more themselves as a boy, rather than a girl, or if they are disguising themself as a boy just to get work as a means to an end. I would argue that the latter is the more obvious interpretation. Jim tells the other World's End patrons that they are getting too old to keep up the disguise and will eventually have to stop working in shipping, and that when that happens, they will take on a new name, a new identity and do something else, but that for now, the patrons can keep calling them Jim.

*for a lack of clarity around the point in the comic, I am going to use gender neutral pronouns for Jim going forward*

Now from Hob's POV, he figured out that Jim was a girl, and they talk about it briefly along with the sea serpent they saw. I think that at this point, Hob is impressively progressive compared to the previous times we have met him. Now whether or not this is biased storytelling from someone who has a crush on him remains to be seen, but if we take Jim's word as truth, not only is 1914 Hob a fair and honest man who is willing to pay the way of a stowaway and fully respect the secrets of a young girl disguised as a boy so they can work on ships, but he's also totally comfortable flirting with them.

I like that he calls Jim the "handsome cabin boy". I like that this version of Hob, whether real or an exaggeration skewed by Jim's feelings for him, respects Jim's identity. Jim may be a girl in disguise, but Hob doesnt call her pretty, he calls him handsome.

It's all just a bit subtly queer and I like that for Hob (But then I would do, I'm a Dreamling shipper HA)

When Jim finishes their story, they state that they didn't see Hob again after that, but the comics later do give us a possible outcome to Jim's story...

We next see Hob in The Kindly Ones where he is mourning the death of his girlfriend Audrey. He briefly reveals that Audrey was the first person he had loved since Peggy, who was his lover until her death during the Blitz. Whilst it isn't made clear that Hob's lover Peggy is the same Jim that we meet in World's End, it is a bit too much of a coincidence. The timing adds up. If Jim was 16 in 1914, they'd be in their early 40s during the Blitz. Hob remains forever in his early 30s so I'd say its a safe bet that Jim eventually found Hob again and they were together. Hob loved them enough that he wasn't with anyone again until Audrey in the 80s. That's 50 years worth of mourning. A long time not to be with anyone, even for an immortal.

It's funny because we know so little about Hob, but one thing that I have seen commented on here a lot is that comic Hob is deemed to be as Straight as an arrow. Now I admit that the voice actor in the Audible book plays him very straight, but that is still only one interpretation.

All this is to say that I am fascinated with how the Netflix show will adapt this, since Hob in the show already comes across much kinder and more selfless than his comic counterpart. He already has an entire fandom viewing him as queer, and the comics certainly don't outright shut down such interpretations. There are moments in the comics that you have to wonder on. He does call Jim handsome rather than pretty, and when he talks to Audrey's grave he mentions his wives and loves as separate groups. He talks about finding it easy to get sex if you want it, and he talks about it in generally gender neutral terms. In Sunday Mourning Gwen reveals that she thought he was gay when she first met him, though her reasonings were that he knew so many dead people (a dark reminder that these comics were published at the height of the Aids epidemic). He reacts very badly to the news of Morpheus' death. He states on several occassions just how much he liked Morpheus, and he is one of the few people to wake up from the Wake with tears running down his cheeks. I would arguably state that its between Hob and Matthew as to who had the worst reaction to Morpheus' death, showing just how much both Hob and Matthew cared about him, and placing Hob on par with Matthew in the comics is a big deal. He seriously considers accepting Death's gift when she offers it, simply because Morpheus is dead. He doesn't, because at the end of the day, its just not in his nature to do so, and given he then dreams of Morpheus, I like to think that it was a test, that he passed.

When it comes to how the show will adapt all this, I genuinely think it will take a new approach with Jim/Peggy. I think they will be either a trans man, or at least non binary. But I think having Jim be a trans man is the better option. In the comics, Jim's tale is only very subtly queer, Jim clearly likes being Jim, but it seems like its a means to an end, a convenience in order to get work on the ships, rather than being something that is core to Jim's feelings on their gender. Besides, if we assume that Jim is indeed the Peggy Hob talks about in The Kindly Ones, then we know that Jim goes back to being Peggy when they get older and apparently continues living as a woman whilst they are with Hob, otherwise I doubt Hob would have referred to one of his greatest loves by a name they themselves rejected and only used she/her pronouns when talking about them. Nevertheless there is no reason for the show to take this approach, and if they DO decide that Jim should be a trans man, then their relationship with Hob is canonically a queer one. Trans men are men and if one of Hob's greatest loves is a trans man, then Hob is a queer man himself. I genuinely believe the show will take this route and I can't wait to see it.

Going back to my point about narrators bias, if MoGF, SoM, tKO, and TW are all narrated by a neutral third party, then this must be the true Hob. A not overly likeable rather selfish man. He has his good points, and he has certainly grown and changed over the centuries, and carries a lot of guilt for his past mistakes, but he is still quite self absorbed. Jim paints a picture of a rose tinted Hob that is far more the dreamy romantic older gentleman that took a young person under his wing. Which is fair enough.

The show is of course its own adaptation, with changes from the comics as it sees fit, but I do feel it's my duty to remind you that the show also has a narrator guiding the audience through its many stories. Dream of the Endless, Lord Morpheus, King of Nightmares and Prince of Stories himself. Take from that whatever you will.

;-)

#why yes i did just imply that show!hob comes across so likeable because we are seeing him from Dream's POV #what of it?#lmao #sandman meta #the sandman #sandman analysis #hob gadling #dreamling #dream of the endless #the worlds end #sandman comic spoilers #major sandman comic spoilers #the sandman comics

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nemastraea · 6 months

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Doormat extraordinaire: Andrew Graves is down horrendous for his own sister | Part 1

Or as I like to call it, actual literal word vomit attempting a proper character analysis!

Here's a link to the AO3 version for archive purposes: The doormat extraordinaire has a bit of a romantic streak,

Content warning: This will heavily feature spoilers from Episodes 1 & 2 of The Coffin of Andy and Leyley. Trigger warning: Abuse, cannibalism, child neglect, codependency, harassment, incest, murder, self-harm, and suicide. Disclaimer: I will occasionally reference an extremely normal essay from Sufficient Velocity commenter Leyleyfication (here). It would be a lot easier to read this essay first as Leyleyfication does a pretty good job establishing the following: - Ashley is dependent on Andrew to assure and validate her of her own insecurities, and - The game heavily implies that Andrew wants to fuck his own sister.

Anyway: The Coffin of Andy and Leyley! A game in early access where a pair of siblings are stuck through a seemingly never-ending quarantine together, desperate not to starve to death. When their cultist neighbor dies in a ritual gone wrong, they rationally resort to cannibalism. Fun!

I am definitely going to assume that you read Leyleyfication's extremely normal essay (I am on my knees, begging you to read that). Which is why this essay immediately starts with, "yeah, Andrew definitely wants to fuck his sister" as its baseline.

What I will be adding to that funny little cauldron of fucked up sibling dynamics in a horror visual novel are the following: Andrew's fixation and sexual attraction manifests as his desire to control, dominate, and possess Ashley. And it is framed as a fatalist attraction and the totality of his existence (for worse or even worse).

Because of Tumblr's limit for 30 images per post, though, I'm going to have to split this extremely normal and reasonably lengthy essay into... multiple posts! Yeah! I have no idea how long this will fucking go!

So first things first: how can we tell that Andrew is even attracted to Ashley in the first place?

Nemlei (Devlog 05). Note the hickeys above and below Ashley's choker and her left inner thigh, and Andrew's left hand creeping into her right thigh.

As Leyleyfication points out, the game primes us to believe that Andrew is a pushover and Ashley is his abuser. This occurs in the Steam page as it explicitly says Ashley is "in fact, very bad" and Andrew is a "doormat extraordinaire." Moreover, it's very easy to tell that Ashley is, on some degree, obsessed with Andrew:

She's happy to hear that Julia broke up with Andrew over the phone;

She repeatedly accuses him of finding the Lady from Room 302 attractive and he 'tried anything with her;' and

Her flashback to wanting to punish her friend Nina ("the Bitch in the Box") for crushing on Andrew.

Episode 1, dream and memory. Leyley previously said that Nina should know better than to 'steal from another woman,' referring to herself. The implication that Andy is hers is toyed with after this moment, when she says she'd put Andy back in the box.

The game does prime us to think that Ashley is Andrew's abuser. It also suggests that Ashley projects an unrequited and incestuous love onto Andrew. Before we consider Episode 2's narrative, Episode 1 gives the initial impression that if Andrew comes to reciprocate her feelings, it's more of a reaction and subsuming to her will. That it may not be something he wants for himself and independent of Ashley's manipulation.

But again, I do believe Andrew wants to fuck Ashley. And always has been. He just frequently vacillate between 'subtle' and 'really fucking obvious' tells that completely take advantage of the game's third person limited POV.

Keep in mind that both Andrew and Ashley are extremely unreliable narrators. We aren't going to get information they personally do not care about and that is on top of our own choices as the player.

(A digressive example: you will not learn that the founder and CEO of Toxisoda's company was a former surgeon unless you interact with the television in Andrew's Episode 2 dream and memory of their blood oath. Otherwise, it neatly ties into the surgeon that Mrs. Graves conveniently says she was directed to regarding the siblings' quarantine in the main story.)

When it's really fucking obvious

When you play as Andrew in Episode 2, his post-dinner argument with Ashley carefully frames them both. They are cramped in the foreground and Andrew's left arm is conveniently blocked by Ashley and the kitchen knife, as seen here.

Episode 2, common route. Prior to this, you can interact with Mrs. Graves for her to pointedly comment on the siblings being inseparable.

At this point in the game, their physical closeness is something we're used to by now. After all, we've already seen Ashley on his lap at least twice; Andrew slept in her bed in Episode 1; and Ashley confirmed they've shared the same motel bed multiple times in the one-week interim between Episodes 1 & 2.

But the game abruptly shifts to Mrs. Graves' POV when she enters the scene and not only do we see the two as physically close, but we notice a few more details.

Episode 2, common route. The first picture transitions from Andrew's POV to Mrs. Graves as it introduces us to her entering the scene.

The contrast of how spacious the kitchen is from Mrs. Graves' POV to Andrew's cramped POV is obvious. More importantly, Andrew's fingers loop through Ashley's belt loops when the two are huddled together. When Mrs. Graves clears her throat, the two don't really separate.

Ashley pivots on her left foot so that her body is turned to their mother, not Andrew, but she doesn't step away from him. Andrew, meanwhile, recoils from Ashley and withdraws his hand. But he isn't turning his body to face their mother like Ashley does here. His attention, at least in this moment, is still towards Ashley (and, yanno, the sink).

Episode 2, common route. Two things to consider in the second picture: Andrew hides Ashley's bite mark on his cheek with his left sleeve and he conveniently moves the pillow from behind him to his front.

The 'tell' isn't so much as the two are unusually physically close. Again, we're used to that by now. But it's how the two siblings react whenever Mrs. Graves comes into the picture. Ashley doesn't really give a fuck about whether or not people assume the worst of her or even her intentions regarding Andrew. To Ashley, their proximity is normal and anyone who sees that as a problem is not worth an explanation or reason.

But Andrew is at least subconsciously aware it's 'not normal.' As far as these moments are concerned, Andrew instinctively tries to do damage control by either putting space between them or keeping his hands occupied so they aren't visibly touching Ashley. Still, he either does not mind or actively appreciates his physical closeness with Ashley.

When it's really fucking obvious (but only in hindsight)

In Episode 1, Ashley passes out after trying to clean up after the apartment. Regardless of her passing out in the living room, the bathroom, or their parents' room, she will wake up on the couch with her head pillowed by Andrew's lap.

Episode 1, Ashley's POV. Andrew's hands often hover over Ashley's head, but more than that—

I personally didn't notice this until I replayed Episode 1, when I basically have the hindsight of Andrew's fixation with hair. But yes, his fingers idly twirl through the ends of Ashley's hair as they watch TV. It's implied that Andrew can and will do this when Ashley pillows his lap, awake or asleep. He does not recoil from it when Ashley does wake up and later on, in Episode 2, even continues to brush it from her face.

Episode 2, common route. Ashley fell asleep at the passenger seat, so Andrew had to have transferred her to the back seat to pillow her head again. Though, technically, she's more cramped at the back seat than if he'd just reclined the passenger seat.

So far, we've seen that Andrew has a natural tendency to not only be physically close to Ashley, but to hover over her personal space and be in constant and direct contact with her. Whether it's by having her head on his lap, twirling her hair through his fingers, or even constantly grabbing her by the head in various states of comfort, playfulness, or outright threat (but let's put a pin on that for now).

The weight behind this candid contact shifts when Episode 2 draws a pretty explicit parallel between Julia and Ashley. Assuming that you interacted with Julia's landline and heard Ashley's voicemails, you know (and Andrew knows) that Ashley draws that connection herself:

DO YOU THINK YOU'RE BETTER THAN ME!? Just because you can fuck him and I can't? You think that's love?! Are you fucking delusional?? Cumdumpsters like you are just that. He will never love you. Not like he loves me. I am the only one. I am everything. I am the secrets you'll never hear. When he lies in bed at night, and when he needs someone to hold on to... It's not you he seeks out. It is me.

Episode 2, common route. Andrew's dream and vision implies that Andrew's heard these voicemails before.

That connection extends to the hair contact as well, as Andrew goes in to hug Julia, cards his hand through her hair and requests she tie her hair up.

Episode 2, common route. Andrew's dream and memory of Julia when they're older. From the use of Andrew's present-age portrait, suggests is closer to the timeline of the game's events than his and Ashley's memories as Andy and Leyley.

From this moment, we can have one of two assumptions: either Andrew wants Julia's (black) hair put up like Ashley's, or Ashley caught onto Andrew's hair kink and puts her hair up to imitate it.

Regardless, we infer the following:

Andrew teases affection through touching and even pulling on one's hair.

His fixation on ponytails and pulling on them does not exclude his own sister. It still stands and without reservation, perhaps more explicitly since he can do it so candidly, as we saw before.

The last of that Julia-Ashley parallel is self-contained within Episode 2. But only if you end up in the Burial route regardless of Ashley's platonic or incestuous vision.

Episode 2, common route (first picture) and Burial route (second picture). It's worth pointing out that Andrew is actually disinterested and moody during his conversation with Julia, and only perks up when he mentions Ashley or feigns care for Julia (since he extends his care of Ashley to her as well).

The game ends up drawing parallels on how Andrew treats Ashley, for better or for worse, with his ex (which is definitely worse, poor Julia). In doing so, the game blurs the lines between romantic affection for Julia and 'platonic and familial' affection for Ashley.

Y'all, this isn't even getting into how Andrew respectfully gives his parents space and only crowds them when he threatens them with his cleaver. In his mind, Ashley and Julia are in that same space of physical and romantic displays of affection; something he reserves only for them (only without reservation for Ashley) that does not extend to anyone else. His ex-girlfriend, and his sister. Shit's wild.

When it's obvious BUT it's violent!

That isn't to say that his hair fixation (hair kink?) is completely innocuous, though, as it rears its ugly head (pun unintended) in Decay. Which is what that previous pin was for! Yay!

You end up in the Decay route if Ashley doesn't trust Andrew with keeping an eye on their parents. Here, Ashley sleeps on their parents' bed by herself and has an alarming vision: an unknown party chases after her through the in-between and when they catch up to her, it's Andrew. Ashley has nowhere to run and Andrew eventually grabs her and threatens to kill her.

Whether or not Ashley can defend herself depends on Andrew expending all of her gun's ammo when he deals with the hitman, or not. But that outcome divergence will matter much, much later (so that's another pin for us to come back to).

The sequence of events actually mirrors the way the siblings ambush the Lady from Room 302 back in Episode 1. There, Andrew closes in on her and grabs the Lady by her wrist and uses his front to pin and restrain her. With his cleaver to her throat, the Lady is completely at his mercy.

Episode 1 & 2, common route (first picture) and Decay route (second, third, and fourth pictures). Note that Andrew restrains the Lady from Room 302 by the wrist while with Ashley, by her hair.

Andrew asserts control of the person and the situation through violence. Whether it's by killing them (the wardens) or by threatening physical violence (the Lady from Room 302 and Ashley). It's always on the table for him. As Leyleyfication puts it, "He's so calculated in how he approaches his use of violence [here]."

That violence includes Ashley. It's always on the table where Ashley's concerned. The game even juxtaposes when Andrew threatens violence and physical assault 'playfully' versus when he's seriously out for blood:

When you interact with the wall of call girls' numbers and Ashley jokes about leaving her number on the wall, Andrew 'jokingly' threatens to backhand her for even thinking about it.

When you interact with their parents' latched window for a second time, Andrew 'teases' slapping Ashley if she doesn't find a way to open it. (Ashley jokingly asks if it's on her ass or at her face, and assumes it must be the face when Andrew says she'll have to find out.)

The two other times that Andrew exerts violence against Ashley are both in Episode 1 & 2. We can remember when that happens in Episode 1, when Andrew's had it with Ashley's fits and threatens to kill her:

Episode 1, common route. Y'all, Andrew was choking her hard enough for his grip to bruise.

It happens again in Decay when he confronts Ashley about repeatedly calling him Andy and therefore, breaking the promise he coerced her into from Episode 1.

Episode 2, Decay route. Another thing to keep in mind is that Andrew's outburst is preceded by Ashley prodding him about his current state and insisting that Andrew was fine with 'Andy' during their home invasion.

In Episode 1, Andrew resorts to harming Ashley because he's fucking had it with her accusing him repeatedly of trying anything with the Lady from 302 and, in her eyes, his 'infidelity.' Where she accuses Andrew of not loving her enough that if his eye catches another girl, he'd leave her behind or flip on her. In Episode 2, she's poking and prodding on his boundaries on 'Andy' and whether or not, once again, he's with her on their now-committed life of joint crime.

If I can give another example, it happens in Andrew's common route memory of Nina's death and his blood oath with Leyley.

Episode 2, common route. Prior to this, Andy expresses immense exasperation at Leyley's tantrums over him 'thinking about that bitch again.' When he goes to grab the kitchen knife, cleans it, and returns to Leyley on his bed—he's briefly considering killing her.

Andrew threatens Ashley violently whenever he intends to confront her on her perceived brattiness, for lack of a better word. And keep Leyleyfication's essay segment on Ashley's insecurities and need for Andrew's validation in mind here—when Ashley does this, she wants and even needs Andrew to comfort her. But her aggression treads Andrew's patience and really, his tolerance of her behavior.

When Ashley's anger, clinging behavior, insecurities, and possessiveness of Andrew slips his control and tolerance, he resorts to violence to coerce or even dominate her.

I think (or hope, if it's clear enough) it reinforces what Leyleyfication points out:

The truth of the matter is, Ashley can only make Andrew do anything because he lets her. I don't mean in the sense that I'm saying abuse victims let their abusers emotionally abuse them, I mean in the sense that he is clearly considering his options on the table and choosing to discard those that could stop her, or bring an end to any of this.

It also reflects on another aspect of why Andrew resorts to violence: in all three situations, Andrew remarks on Ashley's behavior and her sake. If she acts up again once they're out of the apartment, it'll cause trouble for him while they're evading authorities. If she's going to call him Andy from hereon out, what's the point of running away with her. If she expects him to leverage keeping 'her secret,' he won't because it's for her sake.

Andrew rationalizes his attempt to control of Ashley's behavior as being for her sake. But really, isn't it him confining her behavior to something he can tolerate and personally handle?

I'd also like to point out that Andrew admits that he noticed Ashley push for calling him 'Andy' during the home invasion, and he did not argue with her on it while they held their parents hostage and readied to sacrifice them. We can infer that when Andrew calculates his use of violence, that can also factor when, where, and how he exerts it.

Well, that's where I can reasonably end this half of my word vomit! Now, onwards, to part 2!

#lia's conspiracy board #The Coffin of Andy and Leyley #TCOAAL: Andrew Graves #TCOAAL: Ashley Graves #ship: coffincest #character analysis

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absolutebl · 6 months

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10 Best BL Shows with the Hottest Sexitimes

Because this is English and word order matters, this title means the show itself has to be good AS WELL AS the scenes high heat, as opposed to the best sex scenes in BL. The two are not necessarily the same list. Anyway I tried to pick both high heat and a fun show. This was hard (pun intended).

FYI expect triggers with your high heat.

(Oh right. For me to get a 3/3 heat rating the BL has simulated sex in it or very close to it. And usually one or more other sexual acts like bjs, a-ply, etc...)

So, I went to the spreadsheet, and sorted it by high heat and then ranking, and here is what I got. I think #1 will surprise you. What will not surprise you is it's mostly Thai and Taiwanese.

10. TharnType (and follow ups)

Thai 2019 Viki

Should it still rank, all these years later? I am sorry to say, yes it should. University setting, great acting and complex characters, interesting friendship groups, enemies to lovers, seriously angsty coming out, high production values, AMAZING chemistry, multiple BL side couples with all the issues, damaging queer rep, strong seme/uke and husband/wife language, classic tropes and lots of them bad. But it's famous for a reason.

This was KinnPorsche before KinnPorsche.

9. Addicted: Heroin

China 2016 Viki

When Chinese BL was good it was very dirty good and when it was bad it was censored. This is the model for that statement: rich kid falls madly for the genius poor kid in his class, starts an aggressive pursuit, includes kidnapping for love, obsession, stepbrother trope, plus some cheating. I love this BL because of what I could have been. Just stop watching it after The Sex Scene. Okay?

8. Love Stage!!

Thai 2022 YouTube

This BL surprised me with its charm. The acting was good, the leads were appealing, support cast on point, and the production values high. It followed the original manga story arc relatively closely: boy falls in love with girl as a child, grows up to discover girl is actually a very pretty boy. Although there are some quintessentially Thai changes that mellowed, softened, and extended the romance arc and heat levels.

7. HIStory 4: Close to You

Taiwan 2021 Viki

Nancy Chen directs, the side dish plot is basically a pastiche of problematic BL tropes inherited from the above. Great chemistry, high heat, stepbrothers, dubcon, obsession, stalker etc… They sexy tho.

6. My Day

Pinoy 2020 YouTube

The set up on this one is enemies (also boss/employee) and they don’t like each other to start. But that gets resolved pretty quickly. And then they are some of the cutest, hottest, and best boyfriends ever. This is an under-appreciated BL, IMHO.

5. Cutie Pie

Thai 2022 YouTube

Very high production (and heat) and a lot of visual references to live action yaoi gave this show a whiff of Japan but ultimately it stayed firmly in Thailand’s BL camp veering from absurd to appealing to annoying and then back to absurd again. If you can roll with the arranged marriage conceit and very lifestyle D/s relationships, the chemistry is spot on even if the plot is naff and driven by miscommunication. Watch this one for the pretty, give it a pass on depth. (It has depth, it just depth of tongue kisses.)

Also the follow up: Naughty Babe

4. Bed Friend

Thai 2023 YouTube but for high heat you'll net to watch on iQIYI

Office frienamies transition a flaming hot one night stand into a f-buddy relationship that is built on a puppy/cat dynamic (and kinks into it at one point). Our puppy is loyal, smitten, and protective with endlessly longing eyes, while our cat is snarky, prickly, and deeply damaged (ALL THE TRIGGERS). NetJames give lovely high-heat with excellent chemistry and tuned-in performances of surprising depth, unfortunately the story ultimately failed them. Had the show had the strength of its convictions and kept to a tighter, darker, harsher 8 eps it would have been the first high heat to earn a 10/10 from me, but once they fussed with it, it dropped to a solid 8/10. Could have been great but was overworked. Still if high heat is your thing, this one will not let you down.

3. HIStory 3: Trapped

Taiwan 2019 Viki

Basically the definition of enemies to lovers from Lin Pei Yu. This is a cop + the mafia man he is chasing but WAIT, they fall in love. Added bonus side couple: assassin and nerd cop ALSO falling in love. It’s great. All the leads are stellar. Its high heat, fun action, and a bit of a mystery drama but pretty about all of it. My only warning is that the main couple doesn’t entirely end up together, it’s implied, but… amorphous ending.

2. Why R U?

Thai 2020 Viki

No one knows what’s going on, not even the characters, but absolutely no one cares 'cause it's so thirsty. The plot seems to be "great chemistry and make sure Zee's shirts are NEVER BUTTONED PROPERLY." We, the collective, have a pro Hawaiian shirt anti-button stance, so rah rah rah! Still the most confusing thing about this show is: why they didn't just title it YRU? The FighterTuror sex scenes still stand as some of the best every fielded in a Thai BL.

1. Be Loved In House: I Do

Taiwan 2021 Viki

A cute classy office set BL with a few plot raised eyebrows, but no other concerns. ALL THE TROPES plus a general sweet softness that’s pretty rare from Taiwan, who usually prefer to go hard, but all their signature domesticity. There is one high heat sex scene and it's great. But it's the whole package of classic sappy Taiwanese BL that puts this at the very top for me.

Generally just v high heat?

Hottest sex scenes in BL is frankly gonna be largely a matter of your personal taste.

But if the ones mentioned above don't work try:

KinnPorsche

Love in the Air

Big Dragon

HIStory 3; MODC (the BL that shall not be named)

Be Mine Super Star

Manner of Death (and anything else with MaxTul)

Oh My Sunshine Night (sides)

Secret Crush on You

Wedding Plan

Most dark JBL has very good high heat, but... ya know.

For @samara44 by request.

(source)

#best bl that is high heat #good bl with good sexitimes #recommended bl #taiwanese bl #thai bl #chinese bl #pinoy bl #TharnType #Love Stage!!#HIStory 4: Close to You #Cutie Pie #Bed Friend #HIStory 3: Trapped #Why R U?#high heat BL

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6-atlas-6 · 9 months

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Why do we all collectively never talk about Vega in depth (Imp! or not). Like he's so understanding and patient for no reason. He's genuinely so caring as well even if it's just for specific people

Examples

"I want to see you. Not that name badge you wear. Not that facade you drape yourself in." - getting closer to a sadistic demon

"As if I'd join up in their ranks after their treatment of you, and all the other demon department officers" - under a sadistic demons care

"is that department of yours hellbent on stripping you of everything that makes you a demon? How much else of yourself have you had to abandon to fit in with them? Well, thank you for sharing this true part of yourself with me" - under a sadistic demons care

Let's also talk about how sad he is as a character in general, or at least the potential he has to be a sad character

"You remain the only person in that god forsaken containment facility that expressed anything toward me other than resentment, fear, or disgust." - under a sadistic demons care

Notice how he called Warden a person.

I feel like it's been recognized how incubi (Gavin specifically) are used to not experiencing actual love because they are seen for what they feed off of and nothing else, but Vega is mentioned to be in the exact same situation and barely anyone talks about it.

He mentions multiple times how he's shocked when someone isn't afraid of him or immediately hates him. I feel like it's glossed over because he doesn't seem too upset by it, but if you really pay attention he definitely is. Both of his listeners in the normal universe and in the imperium have one thing in common, and that is that they were both generally unafraid of Vega, and did not hate him right off the bat which seems to be important to Vega and the reason why he liked them in the first place.

ALSO notice how in the imperium and I'm the normal universe Vega gives his listeners an excuse for being with him that both involve blaming him for everything? Even though he (presumably) dislikes being hated by everyone he has no problems with his listeners making him out to be the bad guy in a situation. I don't care what you think about Vega or his relationship with warden, that is caring for someone at its finest.

"I am born of cruelty but that isn't all I am" - this line may have been from the imperium but I think it suits both versions of him so well

‼️ Disclaimer: I am not defending his prior actions but I am begging people to stop characterizing him as just some evil villain when he has so much more depth to him.

#My blog is slowly just turning into a Vega fan page #he's my man and I love him #bring Vega back 2023 #redacted audio #redacted asmr #redactedverse #redacted vega #redacted demons #redacted carpe deus #redacted warden #redacted imp!vega #redacted imperium #redacted cataclysm #redacted pet

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weirdmarioenemies · 6 months

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Name: Honebon Debut: Super Mario Land 2: 6 Golden Coins

The year is 1992, and Nintendo is making a hit sequel to the video game Super Mario Land for the Nintendo Game Boy. The previous two games in the Super Mario series, Super Mario Land and Super Mario World were both massive hits, and if you know anything about video games, it's obvious why: both had Skeletal Fish Enemies!

If Super Mario Land 2 was to have a chance of succeeding at all, they'd have to include a Skeletal Fish Enemy. But they couldn't just bring back Honen or Fish Bone, no. It was the '90s! We needed a hip, new skeletal fish for Cool Teens!

And so, Honebon was born! Isn't the miracle of childbirth amazing? Unfortunately, Honebon was born a skeleton, which is always a bad sign, because as it turns out, Honebon was dead on arrival...

Now don't get me wrong, Honebon has a few distinct traits to separate it from its Skeletal Siblings. Its attack pattern is unique, since it moves in a zigzag shape instead of a straight line, and according to Perfect Ban Mario Character Daijiten, while Fish Bone is the type to hold a grudge, Honebon has an amiable disposition! So if you're ever looking to befriend a skeletal fish, let that be your guide!

I also think Honebon's name is really funny. It's a portmanteau of hone, the Japanese word for "bone," and the English word "bone". And despite the fact its name doubles down on this being a skeleton, all the official material seems to describe it as a Cheep Cheep's gh-gh-gh-ghost!

But even with all of that, it's clear that Honebon's story as a Mario enemy ended as soon as it began. Honebon was competing for a niche that had already been filled multiple times over. It's a real Spike Eel situation over here! Clearly, Mario games didn't need any more skeletal fish enemies...

Name: Jean de Fillet Debut: Super Mario World 2: Yoshi's Island

But just because they didn't need another, that doesn't mean they didn't want another! I mean, come on! None of the previous skeletal fish had names that were dated pop culture references, so clearly there was an untapped market there!

You think there wouldn't be much ground to cover with another skeletal fish enemy... and you would be right! There is not all that much unique about Jean de Fillet. Much like Fish Bone and Honebon, it is described as a skeletal Cheep Cheep, despite none of the three really having Cheep Cheep anatomy at all, and much like Honen, its attack pattern involves jumping up to attack Yoshi. They can swim through lava I guess, but I'm not really convinced the other skeletal fish can't do that.

You see what happened? They ran the well dry, and all the fish that were living in the well for some reason died. Nintendo was just left with a bunch of fish skeletons, and all they could do at that point was put them in Yoshi's Island! Sad! Many such cases.

But due to Yoshi's Island going on to become a whole series of its own, Jean de Fillet would have a little more staying power than Honen or Honebon. Which is to say it appeared in Yoshi's New Island, where it even gets a boss variant named Furious Fred de Fillet!

Now it's kind of debatable whether or not Yoshi's Island is mainline, but if you include it, that's four mainline entries in a row that each introduced a completely new skeletal fish enemy! Super Mario Land and Super Mario World both did it, and so would their sequels.

Did this madness ever end?!

Name: Bonefin Debut: Super Mario Galaxy

Not before they could sneak in just one more skeletal fish enemy! It had been over a decade since Jean de Fillet, and in that time it had become the future! That meant their next skeletal fish had to be made of metal. Everything is chrome in the future! (Reference to "Bob")

And since they had a whole new dimension to play with, we were no longer starved of unique attack patterns! Bonefins lock onto Mario, and charge in that direction until they either hit him or hit a wall and explode. (Reference to "Bob")

Bonefins solely appear in the Bonefin Galaxy. They serve as mooks to Kingfin, a giant Bonefin that appears to be actually made of bone! This boss fight is kinda all that exists in Bonefin Galaxy, but at least they got a whole galaxy to themselves, right?

This would mark the end of an era however, as when Super Mario Galaxy 2 rolled around, there was no new skeletal fish enemy to be seen. In fact, Bonefin would only cameo as a skeleton, which is obviously and very intentionally meant to represent the fact that regular new skeletal fish enemies are a thing of the past, a product of a bygone age...

Since then, the series has standardized Fish Bone as their skeletal fish of choice, as they made their grand return in New Super Mario Bros. Wii and have been a series staple ever since. In the process, however, they gained Bonefin's homing attack, letting them do a little more than be Cheep Cheeps for ghost houses and castles!

Is the lack of new skeletal fish enemies another disappointing example of Mario Homogenization? Or did they make the right call, picking a skeletal fish and sticking to it? I dunno. I am completely neutral towards this development.

#honebon #jean de fillet #furious fred de fillet #bonefin #kingfin #super mario land 2 #yoshi's island #super mario galaxy #mario #weird mario enemies #mod hooligon

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tetsunabouquet · 10 months

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Ruby Gillman and what its reception showcases what's wrong with children's media today

Here is the link to the specific reblog that contains both a production fantheory about Chelsea and my initial review for anyone interested in that: https://www.tumblr.com/tetsunabouquet/722833498719879168/alright-considering-the-massive-heat-of-the-past?source=share Alright, as an aspiring children's author and as someone studying writing classes with children's literature as the particular focus, I have made a couple of posts about my issues with children's media already, or rather, the problems with the people making and critqueing it. Ruby Gillman's reception, like the reviews from critics and people who dislike the movie alike, actually showcases multiple examples of what makes so many movies/shows aimed at children or the family, poor nowadays: Ruby has been critiqued for being 'too cute', and that they should just 'embrace the monster'. Only this doesn't work when young children are also part of the target demographic. There's a reason to why bad guys are written to be ugly, and why good guys are written to be good looking: It's that the brain of the average child isn't developped enough to understand nuance. The younger the child, the more you have to REMOVE nuance. That's also why, when Queen Nerissa/Chelsea becomes all-powerful, she becomes ugly. It's because she's the bad guy in that moment. It's why she lacks a sympathetic backstory, as we see with a lot of villains nowadays. It's because, again, the more nuance there is to the character, the less a child will actually understand the character. It's why the Gillmans claim they're from Canada: because I've seen enough of American media to know Canadians are practically treated like another species. To a child, this explanation would actually somewhat work, especially to a 6 year old or younger The adults screaming about that and how anyone can see Ruby isn't human are thinking too much like adults. They don't try to see it from a child's perspective, and that's the main core to all the problems behind children's media nowadays: They don't 'dumb' themselves down enough to the perspective of a young child. When watching the movie, I definitely felt like the Gillman family was also close to its ideal target demographic: families with daughters ranged between 10-13 and younger siblings of about 5+ years old. And it did well for a movie aimed at such a group. It lacked enough nuance for young kids to understand, and the theme of womanhood would speak to pre-adolescent girls. Also, the way the media keeps comparing this to Turning Red because they were both magical metaphors for womanhood and female puberty and speaks of the generations of womanhood is annoying. Are you telling me that with the shitload of movies that America produce per year alone, they never produced 2 animated movies dealing with coming of age and manhood in the span of 16 months? This speaks once again, of how men have difficulty relating to female struggles and will hate on a movie centering girls growing up, opposed to how women have little to no difficulty symphatizing and relating to movies of boys growing up. Boys only want male protagonists, whilst we women can care less. The moment we get even more then one animated movie dealing with the idea of female puberty in the span of two years, the press immediately descends to pit one movie against another. Oh my god, imagine being that pathetic. That wouldn't be me.

#ruby gilman #ruby gillman teenage kraken #ruby gillman #children's media #children's brain #what's wrong with children's media #child's perspective #this movie was well written for its intended audience #these movies weren't made with adult brains in mind #allow children to have their thing #allow girls to have their coming of age movies

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stargirlie25 · 4 months

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so many people say that Elucien and Gwynriel would be boring but Vassien and Elriel would be so much fun!

NAURRNAURNAUR

There is nothing forbidden abt elriel lets be honest. The only reason rhysand forbid them is not because he hates them its because he saw that it is just lust. Not some emotional bridge between them. Do we remember when Feyre went into luciens mind and she sensed what he was feeling towards elain? Its safe to say Rhysand did just that with azriel and then forbid it because his feelings are not even serious!! Do you seriously think Rhysand would forbid elriel if Azriel was falling in love with Elain? No. If he saw that they were in love, he would accept it and protect them because in ACOWAR he said that Elain would be supported if she decided against the bond. If later in the series Azriel said, ''i love Elain and she loves me'' Rhysand would 100% be supportive. The only thing in the way of elriel is Elain herself.

Now that we got rid of the fake forbidden aspect, what about Elain and Azriel. No forbidden love. Just Elain and Azriel. They are both accepting each other with wide arms. There is nothing interesting about that. In real life sure. Although now you have to think. In a book that only has words and leaves everything up to your imagination how would Elriel be interesting besides plots? No in real life your partner does not have to challenge you. Although in a high fantasy novel with these specific characters, they do nothing for each other. Elain would not help Azriel grow and Azriel would not help Elain grow. Lets be honest they both need growth. Azriel would just try to protect her and push down the idea of Elain doing big things. Not that its her fault but his shadows would continue to hide from her. They are apart of him! Elain and Azriel do have an understanding between each other but so does cassian/feyre and nesta/rhysand. I never thought they were romantic until ACOFAS. Also reading about another sister finding herself in the night court and a bat boy will bore me to death. Elriels have no other reason to say they are interesting other than forbidden love and plots. Its gone so far to say Elain will be a spy like azriel. ''The hewn city troubled her'' and so will every place Azriel tends to spy in.

Why do i think Gwynriel will be more interesting?

Well first off the fact that we figured out facts about Azriel when he was with Gwyn. Eg, He sings and sleeps with a dagger. Obviously yes his shadows! Although his shadows have been intimate with others but they do something they have never done with anybody, they dance and sing. They lighten around Elain AND Mor. SJM made these two women take away the darkness of Azriel. Then she inserts another, who embraces this darkness and smiles at them. There is multiple times where his shadows are out and he is not happy or he is stressed. I see some people say this is a bad thing. No not really. Azriel is aloud to be upset without there having to be a deeper reason. Also his shadows hid from koschei but who cares about that! Its important to note that he is happy/calm with Gwyn PLUS his shadows are out. That is growth. Not only for Azriel but for Gwyn also. Cassian AND Azriel made Gwyn feel stronger. In the start of ACOSF Gwyn says shadowsinger but towards the end she says Azriel. After the traumatic event, she feels comfortable around him. A man. That is growth. Not to mention after Azriel showed her how, she was able to cut the ribbon and become the first Valkyrie. She had been trying for weeks but after that one little lesson with Az, she cut the damn thing. Lets also note the fact that Azriel likes his space (got that from gwyn) and he isnt ever really taken by suprise. Although can you just imagine all of Azriels walls are up yet Gwyn makes her way in? It makes sense! Azriel said he is never really taken by suprise but Gwyn does that. IMO Azriel showed no personality for a lot of the books till he is with Gwyn. Now i can make a little bit of sense of who he is. Gwyn can simply answer a question and he can simply answer. It's easier on him.

Now Elucien my babies!!!!!!!!!!

We know that there is canon proof that Elain does not belong in the night court and that it sucks the general life out of her. Lucien has been struggling to find a home for so long and yes he has found friends eg,jurian and vassa although i highly doubt the human lands are his home. Elain has also made friends (nuala and cerridwen) although the night court still sucks the life from her. It makes sense though, darkness does suck away lightness. Now ive said before that the day court makes sense for both lucien and elain. For lucien, He can live in a place full of light (which is what he needs) and he can have a proper father figure and find a place where he is fully excepted. For Elain it also makes lots of sense. The day court helps people grow and Elain helps flowers grow. Not to mention it is still connected to the night court because feyre says that rhysands full beats form is helions beast forms are parallel and perpendicular at the same time! So she would still be connected to her sisters and friends. Besides all of this, Elain and Lucien have not yet found themselves. They have tried to find a physical home but there is still something missing. IMO i think Elucien will have the bond in which ''Home is not a place, it's a person'' They have always been the light in dark families so them together? Perfect! I also think Lucien would help Elain blossom. The buds in her mind are closed but light can help them grow! I think it's important to remember that Elain likes to help. She would help the servants at her home back in the human lands and she would help nuala and cerridwen. Although as if right now, every single member of the ic (except maybe amren) coddles her. It always, Elain doesnt go near- or Elain shouldn't- as if she does not have a voice and choice. HAHAHAHA IT RHYMES anyways given how Lucien acts, i feel as though he would help her be stronger in a gentle way. He himself does not like to be coddled or underestimated and says safe is boring. He would for sure understand elain!

Anyways there is much more deeper reasoning but this was all i had energy to write!

#elucien #pro gwynriel #gwynriel #pro elucien #pro lucien #pro elain #pro gwyn #anti e/riel #anti elriel #acotar

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queen0fm0nsterz · 3 months

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Hey. I knew you're mad at Otto for hurting Noone and Noone deciding to join Nowhere, but have you ever considered hating the Ferryman for being the main reason why all of this started?

Like this man took away Otto's sister, Cici (Sisi? Cece?? or whatever the hell you spell her name as) away from him and making him obsess for answers, then later in Otto's life he met Noone and realize she is going through the same thing his sister did and became insane and thanks to that, Noone distrusts him and became an easy target for the Ferryman to take her away too and making Otto the bait to catch more children.

Blame can be on both sides. In this case, blame definitely is on both sides.

I understand your point of view, and you are right to say that the Ferryman was the one who started all this. But was it right of Otto to push Noone so far into the Nowhere that she "decided" that it'd be better to leave with the Ferryman than to stay with Otto? Who, mind you, deceived her multiple times, repeatedly breached her boundaries over and over again, used her and admitted that he was using her (when he said "I still need her" to the Ferryman taking Noone away) AND who did not show a single ounce of remorse for what he had done?

No. Of course it was not.

The Ferryman is the cause of the trauma. Otto's obsession with him is understandable, frighteningly human. So much so that I find myself disliking him because I have met people like Otto in my life. People who are nice on a surface level only to reveal later on that they capable of being manipulative and cruel, all under the pretense of past trauma causing them to act the way that they do. Trauma is not a justification for one to act like a piece of shit - an explanation, yes, but never a justifier. Which is exactly what Otto does.

You know who else in TSON has trauma and doesn't act like a dickhead? Noone. Noone, the victim in all of this, stuck between a kidnapper who will bring her to her doom and a man who is pushing her into the kidnapper's arms only to cry wolf when she calls him out on it.

I also find myself more upset with Otto rather than the Ferryman for another variety of reasons.

Firstly, I was not expecting anything from the Ferryman. We know how he operates, we know he's not a force of good; he's a liar and a kidnapper, literally a monster, taking children to their doom when they are at their most vulnerable. He was a bad omen from the very beginning and I never expected him to be anything more. Of course I hate him as a person and what he stands for, but considering where he started, I was not surprised to see him do what he did.

But Otto was different. Otto could have been different. He could have been an example of someone who manages to, if not overcoming, at least face their trauma with a positive outcome for both his own sake and Noone's. But no. He let himself go down a road so atrocious that he is now no different from the monsters we see in the Nowhere while not even being there.

Otto is a regular guy. He's not insane and he did not become insane. He, like everyone, has his own set of bad traits. He can be impatient, harsh, dismissive, insistent and immature. At the same time, he also has his good traits: he used to have a morale, kind, understanding, intelligent and friendly. All these things make up him as a person. As he said to Noone: once you are with someone long enough, you let out who you really are. And he did just that. He let his bad traits get the best of him. And as sorry as I feel for his circumstances, I really cannot bring myself to forgive him.

I suppose Otto let us down, like he let down Noone. And the Ferryman is the guy in the white van with its doors open, but Otto is the guy who threw Noone inside and watched it drive away.

He's a wonderfully written villain. My disliking of him as a person does not stop me from really enjoying his character! I do think he's the second best written LN antagonist.

#little nightmares #the sounds of nightmares #tson #tson meta #ln meta #otto #the counselor #the ferryman #noone #{if u wanted to know the first best written is the lady LMAOOOO #otto is between her and the pretender #thin man is just under them #and then all the rest #i think he is very well done tbh i love how otto it written}

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blinkpen · 4 months

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i've seen actually a few different people/users leave comments or tags about wanting to check out scavenger's reign after seeing my glowing praise of it, but also being very nervous to do so, because they're excited for a lesbian who looks like them (azi), but despite my gushing, i keep mentioning how the show is full of body horror, brutal deaths and characters having a bad time;

this is a very valid concern to have, given how a character like azi might be treated in another show, i was going in with tempered caution as well

without spoiling too much, you can lay those worries down. the show treats her very well.

if you'd like some more elaboration, i've put it under this readmore!

azi is put into stomach-churningly dire "an alien is about to eat you/do a big big body horror/assimilate you" situations the least of any of the characters, and not even because she's being given a lack of stuff to do/experience in the plot!

i think we only see her get "afflicted" by something the way sam does once, and its very mild compared to everyone else (basically she gets a really bad itchy rash after successfully prying some weird would-be paralytic puffballs that get stuck to her) and even this one instance is quickly resolved by other fauna, in a very nice sequence of scenes that is clearly a healing/relaxing experience for her.

while she is put into danger and is trying to survive like everyone else, she gets tossed about in action setpieces she makes it through with minimal injury, more than enduring The Horrors;

she gets to have better luck because more of her narrative screentime is, by design, already dedicated to emotionally bonding with her robot buddy, levi, as they suddenly and rapidly attain self-awareness, and levi encourages her to find the beauty and harmony in this nightmarish nature documentary they got marooned in.

this helps her lighten up just in time, too, because she is, very understandably, stressed almost to her breaking point by the point the show starts, having one of the better crash landing sites of any of the survivors, and i bet the other survivors all wish they had a robot tagging along to help, but being stranded and lonely and trying to not lose hope of rescue. she misses her girlfriend, and is feeling increasingly vulnerable (negative) and afraid, especially when situations occur where she gets reminded she does need help. azi starts the series being kind of mean to levi, and having to balance her confusion, worry, and then awe of levi's transformation, and let herself accept she does need that help.

azi is not the gruff grr nothing phases me nothing hurts me the writers dont have to try giving me depth i'm just the badass butch who exists to fill the death quota later so a lighter/more fem character can survive;

her vulnerability reveals itself without much fuss, and is eventually tended to both by herself and others. we get flashbacks that show she was naturally introverted, but clearly wanting to overcome that in order to socialize and get closer to someone (girls...)

she goes through it for other reasons, but i promise you, the show treats her very well, i feel. she and levi are probably-nah, definitely, my favorite characters in it, and the show would not have blown me away the way it did without them here

SR has 3 main story threads; Azi and Levi, Sam and Ursula, Kamen and The Hollow. of the three, Azi and Levi's is the heart, and is the most romantic, in multiple senses of the term. i might right a breakdown of what i love most about all three threads? but yeah

now, if you still need the "okay but does she or her gf die" y/n:

azi and her girlfriend both survive the events of the show, and reunite in one piece! they may or may not throuple up with the robot.

i sure hope they do.

you can't tease us with scenes like this and Not

OH: also, when a new antagonist shows up later in the form of a lethally pragmatic blonde woman named Kris who tries to boss azi around, i did get nervous, but Azi soured to max on her and spoke exactly what i hoped was the intent at the exact moment i felt it was critical to avoid me going "hrrmmm don't like these Implications" (the Instant azi detects blondie is trying to haze her into being a new teammate to be bossed around, azi immediately gets rightfully pissed and rejects it, and schemes to get the tagalong kid to see this also and on azi's side in the long run, which plays out and kris gets rapidly shuttled out of the plot and then pretty damn well humbled in the only blatant Sequel Hook present. i Appreciated that. Would have loved to love you Kris I love evil women but then you pulled That Stunt and now you can go wither alone in the corner

#scavreign warbling #azi and levi my beloveds....

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blue-grama · 24 days

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A little Film/Jam requeim

Upon the news that these two are not planning any projects together in the future, I was pondering Thai actor pairings and why I liked this particular one. First let me say I'm very in favor of actors not getting joined at the hip forever -- I doubt that's why anyone gets into acting, and while I get the financial reasons this happens in Thai entertainment, I'm generally in agreement that it tends to limit creativity, since the brand often has to come before the story. My only gripe is that now they're off doing lakorns that will never get subbed in English and it's not fair and look, I need to see The Empress of Ayodhaya ok?? I don't think it's a bad thing to have actors with great chemistry appear together in multiple shows, however, and I wanna say that I think these two used that opportunity right. Look, we have Tian:

Utter cinammon roll, too pure for this world, total sweetheart. He's a little scared and a lot beaten down, but he still has a burning spark of respect for himself that he doesn't let extinguish. He spends 73% of this show in the throes of a mental breakdown but still manages to take control of his narrative in the end. It's actively insane that the murder glitter show has such fantastic characters.

And then you have Charn, who is...

... also beaten down by this world, but evil about it. It's all manipulation, manwhoring, and complicated smiles belaying his real feelings with this guy. Refreshingly, he only has to reform himself a little bit to get his happy ending.

Meanwhile, Jiu. Assassin, kind of a tsundere. Marshmallow center, obviously. I'll never be over how after he and Tian first had sex (under the influence of a beetle fungus, OBVIOUSLY), he got deeply hurt that Tian said it was a mistake and accused Tian of doing this to all the boys. Possibly my favorite Jiu moment. ANYWAY.

There isn't as much distance between Jiu and Tinn as there is between Tian and Charn (from what I've seen, Jam maybe doesn't have quite as much range as Film, or at least hasn't been asked to demonstrate it). But Tinn is a more open and straightforward character, the moral center of Laws of Attraction versus a guy who assassinates several people with scissors without remorse in Khun Chai.

Point is, we don't always get this with repeated actor pairings. A lot of the time, you have an underlying dynamic that comes through in all the pair's shows, and it can't wander too far from its origins - I was thinking about this specifically with regards to Only Friends after listening to this excellent debut of the Part 5 (of 4) podcast, which talks about the way Force's Top turned into a completely flat character, possibly because "interesting" would conflict with the whole True Love ForceBook dynamic that GMMTV needs to sell. An appealing dynamic can be great -- hey, I read fanfic, I get the joy of putting the same guy in situations -- but I really liked how Film and Jam went with/were given quite different characters in their two projects together. This could be a lakorn vs. BL thing, but it'd be cool to see more paired actors take on more disparate roles together!

My disappointment over no more shows from these two comes down to wishing I could see what else they might pull off. Jam as the rich jerk instead of Film? Both of them playing morally grey? It could have been fun.

Oh well; I'll just be over here lighting candles for English subs from One31, because at least this hot murderous royalty nonsense looks exquisite.

And if you've read this far, please feel free to drop me recs in the tags or comments of other pairs that have played really different roles or dynamics with each other. I love seeing actors show their range!

#jamfilm #jam rachata #film thanapat #laws of attraction #khun chai #to sir with love #the empress of ayodhaya #thai actors

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imustbenuts · 11 months

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Malice, Malevolence, Maous.

Kegare, Shinto Buddhism and how it gets reflected in Japanese video game writing. (Fire Emblem and Zelda Botw/Totk centric)

Gonna blab on a very specific aspect of Japanese Shinto :D. This is not talked about often despite the sheer amount of stuff out there so here's me talking about it.

So. It often goes something like this. The Hero gets a powerful magical weapon at some point. They fight through the Big Bad's army of mooks while they may journey throughout the land. Eventually, they, or the weapon mcguffin gets powered up by a higher power, and at the climax, the Hero/es comes through to take down the evil big bad Demon King-esque malevolent monster/dragon/non-human out, thereby succeeding in saving the world.

Any of that sound familiar? It should, for anyone who has engaged with just about any Nintendo media from Mario to Fire Emblem to Breath of The Wild.

This big bad character archetype is also known as Maou, or the Demon King. 魔王 can also be translated into Sorcerer/Magic King, but the negative evilness associated with it is more apt. TvTropes even lists this as a trope (link)!

The why they are often times taken down this way though, kiiiind of lies within Shinto Buddhism. (And by extension many of other culture/religion's concept of 'ritual cleanliness', but for this post I'm ignoring them! Sorry!)

I'll switch gears a bit to culture/religious stuff and talk about Kegare under the cut.

I think everyone who has ever touched any Nintendo or Japanese related media has ran into the concept of 'kegare', or 'spiritual uncleanliness' multiple times without realizing it.

Kegare (穢れ or 汚れ) is the concept of 'spiritual dirtiness'.

Translated as 'pollution' or 'defilement', to be kegare'd is to be dirtied in some form, often times through action. Generally speaking, kegare is a negative energy typically generated upon contact with death, childbirth, disease and menstruation. But it can also come into state through particularly powerful, negative state of emotions such as hate, jealousy, guilt and anger as well. Note that Kegare isn't by itself a moral or judgemental concept, but rather a force of nature. Kegare is not sin, and therefore cannot be seen as such!

You can think of kegare as bad vibes, bad juju, or even miasma. They're very similar concepts.

With enough bad vibes (basically), a place, object, or a person can be polluted so hard that evil spirits might manifest and cause harm to both them and their surroundings. Hence why Japanese media loves depicting places with bad vibes like the hospitals to be full of yokais or ghosts looking to cause harm.

This is why characters who harbor ambitions of taking over the world are seen as Maous. It's why characters like Hegemon Husk!Edelgard, Grima, Ganon, Mr. Grizz all fit into this evil, ambitious, resentful, almost force-of-nature-like beings who brings with them death to the world. Because they aren't just bringing death with them, they're about to unleash the largest tsunami of bad vibes they can into the world too!

But, the state of kegare can be purified away. There are 2 main ways to do so. Misogi, and Harae.

Misogi (禊)

By standing under a waterfall or washing the body with water, kegare can purified. Notably though, one must be dressed in white during this ritual cleansing. This specific concept is known as Misogi, and you might have come across it in botw already:

In BoTW, Zelda attempts to purify herself in order to unlock the power of the Goddess. By visiting important spiritual places and washing herself in its water in white, she's performing Misogi.

In Fire Emblem Heroes, Naga will suggest this to Kiran, the Player Character:

But misogi isn't exactly why big bads get the holy weapon whacking treatment. If you have noticed, misogi affects only the willing individual taking part in ritual cleansing. The real reason is actually...

Harae (祓)

Harae can mean 2 things. To drive out, or, exorcise. Consenting or not, harae essentially drives out or purifies kegare in another person, place, or object through rituals.

Harae can involve ceremonies, song and dance, using a ritual cleansing tool(!) such as the onusha.

As an example of the former, Azura in Fire Emblem Fates essentially embodies the power of misogi through her association with waters and purification. Here, she tries to exorcise the evil inside of Garon. She is actually performing harae!

youtube

As an example of the latter, the cleansing tools.... Why, it should be sounding familiar now.

Be it the Falchion, Yato, Fire Emblem, Breidablik, The Creator Sword, the Master Sword, Ocarina of Time, The Twilight Bow, they all share 2 very similar traits:

Be powered up by the good juju power/light

Whack the big bad maou with it, sometimes unleashing light in the process

In this context that I'm presenting, they are all tools of purification/exorcism. Sit down and think about this. Think about all the Japanese JRPGs you've played so far and see how much this clicks.

The Hero gains a weapon/tool/relic, powers it up in some way or is inherently already powered, and then uses that to smack the big bad and win. Sometimes the tools can be the heroes themselves, but it is often the very similar song and dance (heh). Hell, you can even extend this beyond Fire Emblem and Zelda. Maybe even extend it to anime and manga, and you might find the same themes in places you don't expect.

It's kind of neat to think about. Essentially, the hero not just defeats the big bad, but kind of purifies them as well.

But! There's another reason why weapons are often the divine relics needed to deliver the finishing blow in video games, and why they are almost always associated with characters of authority.

The Imperial Regalia of Japan/ The Three Sacred Treasures

There exists 3 treasures which represents 3 primary virtues and are part of the enthronement ceremony in Japan. They have never been shown to the public to symbolize authority, so no one but the authority knows what they look like. The above image is just an artist's impression of what they might resemble. They exist, supposedly.

The Sword is known as Kusanagi no Tsurugi, the mirror as Yata no Kagami, and the jewel as Yasakani no Magatama. They represent Valour, Wisdom and Benevolence respectively. They are said to be brought into this world by Japanese gods, passed to the first emperor of Japan, Emperor Jimmu, who said to be a descendant of Amaterasu, the Sun Goddess.

Yep, this is also why Fire Emblem is always about noble blooded people with divine weapons.

Yep, these are also the original inspiration for the triforce in The Legend of Zelda.

I won't get into the details behind the Regalia's story in this post, it's too long! Linfamy has done a video about the Regalia if you're interested.

youtube

Hopefully this was interesting. Again, feel free to take the ideas here and read up on it externally. So many, many videos and posts and I've not seen people talk at all about this. Sadge.

But before I close off this post, there is a negative side to this kegare concept, in which real people are discriminated against in Japan. ...Remember the association with death for kegare? Yeah... Uhm, someone needs to take care of the dead in any society and butcher livestocks for food, so what happens to those people? ...Messed up things, actually. If you are interested to learn about this, feel free to check this video out (link). Warning: it's a huge downer of a video.

And I think I've spent enough time writing this! Ty for reading this far if you did! ❤️

#fire emblem #fire emblem heroes #legend of zelda #fire emblem engage #apologies if the tags over reach a bit #culture stuff

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