Really fucked up that, when they’re young, Patrick and Art are SO tactile with each other, so comfortable sharing the same space. Art lets Patrick touch him and move him and physically overwhelm him and easily acquiesces to it, if not outright enjoying it.
Then in the present, they’ve been so far out of each other’s orbit for so long, held such animosity that when they have their moment alone in the sauna, Art physically recoils from Patrick’s close proximity! It’s so painful to watch because even as Patrick’s goading him, it’s so obvious he wants to be able to get back into Art’s space. But Art has erected all these walls around himself, he refuses to give Patrick an inch or even admit to missing how close they used to be!
AND THEN we see Art and Tashi later and he wants her to hold him, to be gentle with him, and just TOUCH him. Like, he does miss that kind of close physical contact! He either doesn’t know how to ask for it or is uncomfortable being that openly vulnerable. Worth noting that he pretty much always defers to Tashi in regard to initiating physical intimacy (with their first kiss, though he does state his desire, SHE has to be the one to make the first move). And it seems pretty obvious that Tashi herself isn’t comfortable providing that intimacy, whereas Patrick actively seeks to provide it (the hug/forehead kiss after their win together in the early years, dragging the stool closer to him).
Art has tried very hard to act like he doesn’t need physical affection and even though his discipline and devotion to Tashi has made him a stronger tennis player, it’s made him a hollow person, which, in turn, has kept him from becoming a GREAT tennis player.
All of this, of course, is why the ending hits so damn hard.
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I hate so much that calling Izuku a crybaby has become the main criticism people have to call him a "bad mc" like it's supposed to be bad thing. It's one of his more endearing traits! I love that he is emotional and cries easily and intensely and isn't some stoic tough guy, and when he tried to be it was incredibly harmful to his mental health! (Of course some people took that as him actually becoming "good"). They just hate that he isn't catering to their toxic masculinity standards.
I really hate it when some of the fandom calls him a crybaby in a derogatory tone. Like, oh, sorry he's not some expressionless protagonist!
It's not like Izuku cries all the time! In earlier parts of the story when he does, it was mostly a heartwarming and/or funny gag... something a lot of anime characters have gone through in their stories!!
When it's serious, it's not very often. I can probably count on one hand how many times his crying was meant to be taken as a more touching, tearjerker moment.
He doesn't even just cry. He has showcased other emotions and I love that.
I'm also an emotional person and seeing characters express other emotions just feels nice. When they feel, I feel. I want a character to make sense something. It means their story has captivated me.
It's why one of the reasons Izuku became my favorite BNHA character.
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Why do you ship Sans x Frisk? As a person who ships them myself, what do you see in them, like about them? Personality traits, situations, tropes etc, anything that comes to mind, what makes you enjoy them and continue to breathe life to them?
Omg ok sooo... When I realized I was already shipping Sans and Frisk, maybe because I love the trope of the funny ironic character who has secrets and the silent protagonist who have a lot of will and power. I also have a soft spot for monster x human interactions, relationships and seeing several AUs with the two of them was what made me like it even more.
I think I liked them visually because the sprites in the game are so cute and the same size and the colors match and so on. I also see Sans more as a teenager and Frisk as well so i almost always draw and write them close. Frisk have a lot of secrets that Sans knows about and vice versa, and both have this drama about fate, about powers that can destroy, judgment and guilt, responsibility and determination i found super interesting.
I absolute love the concept of Frisk being a "more than a simple human" thing, a deity, some powerful force that can be either benevolent or dangerous when in contrast with Sans that's "just a normal boss monster" or something like that. I'm in love with Frisk being a god what just wants to live a normal life, having a normal family and a happy life and find this wish coming true with their monster family, and they find love with that one monster who has kept his eye socket on them all this time, seeing the sweetness and love that they share.
I also love the angst in the forbidden love thing, like, monster and human love being a taboo...
Frisk It's a character that ended up growing in my hand while I was drawing and creating, so to speak. I didn't want to let Frisk become that cliché of cute and lovable, so she/they transformed a little too quickly hehe. Today It's very different and that adorable cover is just a disguise for the real Frisk. Which isn't a terrible evil being either, it's just harder to comprehend and morally gray. They're determined still, to being a better person and changing the order of things and changing fate.
Sans I don't even know where and how to start because he has been my main and if not my most intense and prolonged hyperfocus. I have a lot of fun writing and drawing it in many different ways, with my favorite being this ironic, calm and funny little guy, but who carries a huge weight on his shoulders for the people he loves, a guy who worries too much about simple things and is a bit anxious and uncertain about the future.
Soo... Well i think that's a lot of reasons people like them two. They're two little guys, they go around the time and space, (like sans can teleport in space and frisk teleports in time thats so cool aaaa) them both like papyrus and toriel very much, they two are poker faced deadpan funny faces
I find them fun and even more fun is seeing other talented artists in the community doing their own interpretations of them in such unique ways. I love seeing fans making content for fans and how the characters change drastically in each person's hands, it's beautiful
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you know, i can handle a little bit of fun "Nandor is dumb" talk, but i have a net-zero tolerance for any implication that Nandor is not educated.
Nandor would have been incredibly educated in his lifetime.
even (or especially) as a soldier in the Islamic World. being a soldier was more like getting sent to boarding school that's also a military camp. they weren't just concerned with creating loyal fodder for war. they were building the next government officials, generals, accountants, advisors, etc. it was important that young men knew how to read, write, speak multiple languages, learn philosophy...sometimes even studying art and music was mandatory.
if he was nobility (and its most likely he was), take all that shit and multiply it exponentially. Nandor would have been reading Plato at the same age most people are still potty training. he would have been specifically groomed in such a way to not be just a brilliant strategist and warrior, but also diplomate and ambassador of literally the center of scientific and cultural excellence of the age.
so like yeah, he can be a big dummy sometimes, sure. but that bitch is probably more educated than any of us will ever be.
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been thinking about the liyue gang and how id draw their physical builds so here are some thoughts i had for xy cy and gm in particular
- xingqiu, unsurprisingly, would be quite lanky. i like to think he has broad-ish shoulders, like a thin athlete's build? hes a long boy to me haha, long face, neck, limbs, fingers etc, so naturally hes stands (comparatively) tall at 5'6" or 5'7"
i like to think hes most physically attractive one and has that handsome princely and boyish charm to him because it adds a lot to his fuckass duality LOL
- chongyun is a lot like xiao imo! short stature but with muscular arms. he seems nimble and flexible because of his normal attack animations (which bears a lot of similarities to xiao's actually! this + the fact that chongyun's normal attacks create gusts of wind further reinforces my hc that xiao trains him). sometimes i watch high energy choreography vids on youtube and some dancers look incredibly light on their feet, almost like their body is inherently bouncy? and i imagine chongyun to have that agility to him. chongyun has a delicate face and aura and i let that bleed into my hcs for his fighting style and physical capabilities hahaha. hes kind of like a cat who's deceptively strong. as for height.. just a few inches taller than xiao, so perceptibly short at 5'4"
- ga ming my new beloved. pretty much similar to chongyun but more muscular and stronger just because he wields his claymore with ease. theres a noticeable weight different between cy and his claymore the way he lugs it up after he swings (or even other claymore users like razor who, on his last hit, bounces from impact). meanwhile ga ming literally slams his to the ground LOL. i love his movements though hes very swift and expressive and radiant.. if cy has delicate movements then ga ming's is fierce and (charmingly!) assertive
ga ming is wonderfully charismatic though, i know hes not well known in liyue harbor yet, but he seems like the type to gain a reputation from his friendliness. how could no one adore him hahaha. 5'5" for height! just between xy and xq
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One of my favorite aspects of Nico is how ruthless he can be in his selflessness. Like, this kid was directly told: You keep pushing yourself like that, you are gonna die, and he immediately, without a moment of hesitation, answered "if it kills me it kills me" and kept going.
And same thing with getting Hades, Demeter, and Persephone, to help during the war, he had a task to fulfill, and he was very well aware that if he annoyed them, any of them, they could have simply snapped him out of existence, but he did not allow that to stop him.
He's so ruthless in that aspect, he knows this needs to get done, and he doesn't care the harm that comes to him in order to achieve it
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