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#it's not a big thing but i do think the fact that they're different has some significance. or at least like. symbolic meaning.
max1461 · 19 hours
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The natural-rights-flavored Libertarian position is that people have property, and they generally don't want to give it up, so taxation requires the state coming in and using the (implicit or explicit) threat of violence to make them give up some of their property. And this is unjust because coercing people into doing things by force is unjust. I don't exactly think they're wrong about this. But the left-libertarian counter is that holding onto private property in the first place requires the (implicit or explicit) threat of violence, because you have to keep everyone but the property owner from accessing/utilizing the property. Like, people generally want to use stuff, and if you claim that you own something and nobody else is allowed to use it, then you need force to prevent them from doing so. And, again, coercing people into doing what you want by threat of force is unjust.
And, because property rights in our society are enforced by the state, it's generally the same institution providing the threat of violence in both cases! The state comes in and says "we recognize various people as the owners of various things, and we will use force to prevent others from using those things without the owners' permission. And also we want a cut for ourselves and will use force to make the owners give us a cut".
It's all part of one big system!
As I always have to make clear when I talk about this kind of thing: I'm not saying we should knock this system down (or knock it down overnight, or whatever), and I'm not even sure that I could come up with a meaningfully different replacement. I'm just saying that a sensu lato libertarian ethos of "coercing people into doing things by force is per se kinda fucked up", which I endorse, doesn't really get you very far in debates about the nature of property and the just way to distribute resources. A lot of right-libertarians think that it does, but they've just sort of prima facie misunderstood the nature of what property is. The "hard" anarcho-communist take, as articulated in e.g. the Conquest of Bread, is not prima facie insufficient as a realization of this libertarian principle, but it is I think just plainly empirically flawed; like I just don't think that Kropotkin is right about a number of crucial issues of fact.
The point is that if you endorse something like this classical libertarian principle, you have to keep contemplating how to implement it, because nobody has come up with a very good answer yet.
Me. I have to keep contemplating how to implement it. You are me, in this hypothetical...
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lillybearrie · 1 day
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Guys- guys! I need to talk about this because omfg arararara
Ok so I was watching sherb's most recent hardcore stream, or more accurately got not even a minute in and ran to Tumblr because I have thoughts, and maybe it's because I just binged Icarus's pov post-centross death but the first like 30 seconds or so of the hardcore stream made me realize the difference between someone like hardcore!Sherbert and Icarus.
Icarus is in a deep state of self loathing and needing to grief so so many things so many people they need to process so so much but their own father has convinced them that it's pointless that it's not worth it that they should just focus on other things like helping him in his endeavors and so they don't and instead they bear the weight of this feeling of guilt and dread that they carry it around all day every day and they use it like armor because they don't have much else anymore. They pour all of the doubt they used to have into blind faith in fable's cause because they will not process and they will not grief over the fact that in only the past 4 months they have either indirectly or directly been at fault for 2 of their friends deaths and that their very existence prompted the destruction of so many peoples lives fable caused the resets for them to save their life fable destroyed reality over and over and over until the universe was delt what is likely irreparable damage all for them and honesty we really don't talk enough about the guilt they must carry for that. Icarus wakes up and even if it's been a few weeks is immediately so so tired the weight of everything going on in their life waking up with them waking up with the voices that constantly tell them what they already know the voices the yell and scream that their wrong that their hurting people again that their acting corrupted The voices that never shut up day in and day out. And they stretch because sometimes keeping a routine in times like this is key to keeping sane and yk stretching is just generally a good habit. Their alone except for the emotionally distant basterd of a previously immortal man that dares call himself a father ( we're not gonna talk about how the stuff he instilled in ick when they were little influenced a large part of how the corruption presented itself in them during season 1 because this is not that post but if it was I would have so many words you don't even know) life right now is one big distraction and when it's not they either have a break down or they're chasing the next distraction and you can see that when they wake up because you get 2 kinds of Icarus in the morning angry Icarus who will take it out on quixis or us because they need that emotional release and we're easy targets or planning Icarus who is only thinking about what they need to do today they do mindless chores or talk with co-workers or are figuring out how to complete task fable asks of them.
Hardcore!Sherbert on the other hand is for better or worse alone completely and utterly aside from the things their's not a single actual person in their life. they farm they build they vibe and weird shit happens around them sometimes and they hear voices, they wake up and look forward to the next day even when they've been asleep for months they look in the bright side "not a bad thing tho it's important to get your sleep" they are so... free in comparison with Icarus and you can hear it in the way they talk its lighter you can see it in they way they move it made me realize how little Icarus actually truly smiles nowadays hardcore!sherbert has their fair share of struggles don't get me wrong but at they end of the day they're happy they enjoy life for the most part.
And Sherb does such a good Job acting out this fundamental difference between these two variations of the same guy. I go ababababa it think it's neattt anyway go appreciate Sherbertquake56's phenomenal acting after this long ass post psychoanalizing they way their minecraft characters wake up which is a total sane and normal thing to make a Tumblr post about at 4 am mhm
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sal-absinthii · 2 days
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Rewatching AtLA cuz I'm cranky
Something that really stands out this time is how alike Zuko and Sokka are. They don't interact much directly in the series, but notably, they are the first each of them encounters immediately after their worlds come into contact. Sokka is standing alone at the front of his village when Zuko's ship lands, and Zuko deflects his attack with an ease that makes us feel a bit embarrassed for Sokka, who has been preparing for this his entire life. It struck me that really, it's the same for both of them -- they have both been preparing for this for a long time, and to the exclusion of everything else; it's their entire identity and reason for existing. They are set up as parallels before they meet, too, when we see each of them preparing for battle. Watching Sokka put on his makeup and gear, I was thinking how different it would feel to have seen this as a kid or teenager, when Sokka and Zuko seem grown-up enough to be doing this, than it is to watch it as an adult nearly twice their age and be aware of the elephant in the room that these are children. I don't want to say that they're playing dress-up, because that implies that it's their choice and that there's something innocent about it, but the reality is that it isn't for either of them; they are gearing up for a role that was placed on them by their fathers, by their cultures, by the circumstances, but it is not either of their choice even if they think it is. They are children fighting an adults' war, and even worse, it's a war that goes back generations. Aang draws attention to this pointedly, when Zuko, who in typical teenage fashion seems to think of himself as an adult, expresses surprise that the Avatar is "just a child" and Aang says "well you're just a teenager," a fact that is obvious to everyone except teenagers.
Sokka has to get ready on his own, Sokka has prepared himself, while Zuko is helped to get ready and has been trained more professionally, but Zuko is also alone; his helpers are faceless servants. The one person he has who cares about him, he pushes away. Sokka has his tribe and his family around him, but when he goes to fight it's only him, he puts himself out in the front, alone, because he thinks it's what he's supposed to do. Neither seems to know how fucked up it all is that either of them should be expected to live like this.
Zuko seems much more proficient at fighting than Sokka, but we also know that it's an illusion caused by being a big fish in a little pond, because in a previous scene we saw him struggling to master even the basics of firebending. Similarly, Sokka is the oldest "man" in the village, absurdly trying to teach little boys how to be men when he isn't even one yet himself. As we see later, Sokka struggles with feelings of inadequacy and some kind of impostor syndrome as the only non-bender in the group, feeling the conflict between trying to fulfil his role as the oldest boy and therefore supposed to be the strongest and the protector and being constantly aware that his little sister and this child are destined for great things and only at the beginning of coming into their full power, whereas he is "just the guy with the boomerang" (a boomerang that does manage to get one in against Zuko even after getting his ass immediately kicked, though). Zuko is the crown prince who was never as talented as his younger sister, who is in a certain role only because of an accident of birth while being always aware that he's second-best, that he isn't the most powerful and that his position, whether it's a good or bad position, is not due to merit, and that he is a disappointment.
Both are trying to impress absent fathers. Sokka's father is gone for legitimate reasons and has not intentionally hurt his son, but he is still not there to support and protect Sokka, and the pressures that he puts (or allows to be put) on Sokka still hurt him, even if the case can be made that they're justified because they are a small tribe at war with a big empire and Sokka will inevitably need to step into the role of warrior. Not only does Sokka not have his father, he doesn't have ANY adult male role models who are actually present in his life. Zuko's father is, of course, a raging abusive cunt who should be shot like a dog, but the effect on him is the same, because Zuko does not see him that way, at least not at the beginning. Zuko only internalises that he has failed, and that this makes him a failure, and "correcting" his "mistake" is all-consuming.
They both are impulsive and their pride is easily wounded. They both want the world to see them as disciplined warriors, but they are easy to set off, and this gets in both of their ways. Sokka's main character flaw that he overcomes is his pride. I would argue that even things like his sexism are just an extension of this, because he feels that if women and girls are skilled at things he wants to be skilled at, this is especially shameful, because it attacks his image of himself as a man according to his idea of what a man should be. But while it is something he needs to overcome, it is not his fault that he is like this. He is not sexist or prideful because he's fundamentally an asshole. This was taught to him at least implicitly by the messages given to him by his culture and family and the people he looks up to, that there are expectations of what it means to be a man and he must fulfil them, and it makes sense that he feels this as being threatened when challenged or shown up by girls or people younger than him. His entire idea of what masculinity is has to be constructed from the things he's picked up as a child, because there are no men in the village to be examples for him. Zuko is also prideful, and it comes from his obsession with honour, something taught to him by his culture and family and position, and it is also not his fault that he values this, or that he acts in a way that is consistent with what his idea of honour is. He was cast out by his father, and while he does have a potential/eventual role model in Iroh, it is a while before he is able to see him as one, because the values Iroh embodies are not the values Zuko was taught to have, and so for all intents and purposes, Zuko also has no role model in how to be the kind of person he's trying to be. He only gets that once he is able to see that his entire worldview has been flawed and that the things he thought were important to find and achieve were actually not good things. When children have shitty caretakers, they don't say "my parents are wrong," because if their parents are wrong, that's dangerous, because they depend on their parents for survival. So instead they think that they are the ones who are wrong, especially when their parents are actively telling them so. It's much easier to believe that you're wrong, because then you at least have power and control and the ability to change to keep the abuse from continuing, than it is to accept that the people you depend on are unpredictable or unfair or abusive or wrong. It is not Zuko's fault that he is trying to live up to the things he was raised to believe any more than it is Sokka's for having weird ideas about masculinity and pride. Neither of them have ever seen any different and have no perspective from which to start thinking that maybe they've been taught wrong.
Now I have other thoughts that are too digressing from fandom and so I will make that a separate thing but I wanted to get this out of my head because I'd never really considered these two characters as having much to do with each other, but they really do, and there are intentional parallels, and I think that's interesting.
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thewigsnatcher764 · 2 days
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--A TRASH BEAST ANALYSIS--
{-BY THE SNATCHER-}
°~INTROOO~°
Okk sooo remember when I did a post Chapter 94 and went on a little rant about how trash beast could operate? Well, In this post I'll take that idea and expand on it more. I'll also be adding more ideas...! (This post is mostly speculation and pondering but I hope you still enjoy my mess of ideas!!)
/×/——//×//——//×//——//×//——//×//——//×//——//×//——/×/
ALRIGHT, SO THERE ARE THREE MAIN IDEAS I WANT TO EXPAND ON HERE:
— Contaminated/Polluted areas and how that could affect the trash beast's forms and characteristics.
— The different types of negativity that supplement the creatures and how that can possibly modify their traits.
— The plausible reasons as to why trash monsters are so aggressive and violent towards humans.
LET'S GOOOOO!!
//×/——//×//——//×//——//×//——//×//——//×//——//×//——/×//
°~HOW CONTAMINATED AREAS AFFECT TRASH BEASTS~°
We all remember the first few chapters right? Rudo landed in the intensely polluted area, so unbreathable you had to put on a full-face gas mask just to not choke.
When we first see thrash beasts, THEY'RE FUCKING GINORMOUS. BIG, SCARY AND VIOLENT. The walking definition of a monster. They attacked on sight and don't give up on their targets easily.
At this point in the story, we simply assume that all trash beasts act this way. We haven't learned of the different levels of contamination so we just go along with it.
UNTIL... WE GET TO THE MOST RECENT CHAPTER.
All of a sudden, trash beasts are smaller, slimmer, faster and... Animals!?! The beasts are suddenly mimicking real-life species. In this case, their cheetahs (I think...)and act exactly like them.
But what makes this interesting is that we're not in the intensely polluted zone anymore! We're in the semi- contaminated zone, an area where you only need to put a normal face mask.
This insinuates the fact that a trash beast's physical power is altered depending on the level of contamination in it's area.
-So the power level should look something like this-
INTENSELY CONTAMINATED: These are the most powerful creatures we've seen so far. They're humongous creatures that hunt alone or in small packs possessing monster-like physique and power.
SEMI-CONTAMINATED: Animal-like creatures that hunt in extremely large packs possessing characteristics of real-life animals. (But It could be possible that there are monster-like trash beasts in the semi-area that are simply smaller)
NON-CONTAMINATED: Given the lack of pollution, this is the only area that has actual animals like cats, rats, horses, etc. Though it might be possible that there are miniature trash beasts(Though I doubt that fact...)
✨MINI TANGENT✨ I did research on this and apparently, cheetahs will only hunt in groups if they're in a coalition to attack larger or more dangerous prey. This suggests that trash beasts (or at least the semi-contaminated ones) View humans as dangerous. Because if they viewed them as simple prey, the cheetahs wouldn't bother creating a coalition since they only bother with that if the prey is big and dangerous. (Normally cheetahs are solitary hunters) So why do they view humans as dangerous? ✨ END OF TANGEANT✨
//×/——//×//——//×//——//×//——//×//——//×//——//×//——/×//
°~DIFFERENT TYPES OF NEGATIVITY (ANIMA) AND HOW THAT AFFECTS THE MONSTERS~°
In the early chapters of Gachiakuta, Enjin explains to Rudo how trash beasts are made:
" Here on the ground, trash accumulates quickly...And so do feelings and emotions...Anima. Sometimes, that gets converted into energy which causes a variety of unusual phenomena. One of these is the birth of trash beasts. They always attack humans on sight. Generally, they live in the garbage dump outside of town... but every so often they'll invade the cities."- Enjin
I'm not gonna put the whole thing since some of it doesn't connect to what I'm saying. Essentially, negative Anima fuels trash beasts and positive Anima fuels Vital instruments(Jinkis).
But could the percentage of the types of negative feelings in the converted Anima affect the trash beasts physically?
What I mean by this is for example: the percentage of negative emotions in a polluted area is 50% sadness, 40% anger and 10% fear. When they get converted to Anima, instead of the beasts resembling a ferocious monster. Do you guys think it could look more... sad? Its roars would sound more like cries, more sluggish movements, you guys see the vision?
The main emotion making up the Anima could be reflected in the monster's demeanour.
Now if my theory is right, why haven't we seen trash beasts with a more melancholic or scared demeanour? Well, it's simple: trash beasts reflect the population's feelings, right? The story has made clear that the people of the underground are angry: They're mad at what they have been reduced to because of the ones living above them. So obviously all that anger is concentrated on the MAX which affects the monster's power.
AND FINALLY...
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°~THE PLAUSIBLE REASONS AS TO WHY TRASH BEASTS TARGET HUMANS~°
Ok so for this part of the essay, I'm really pulling stuff out of my ass😭😭. I wouldn't be surprised if I was wrong on all of these but it's fun to make! I'm theorizing there are two reasons why trash beasts are targeting humans: for energy or due to the projecting of the citizens of the city.
-HOW CAN HUMANS FEED TRASH MONSTERS, WELL I HAVE TWO IDEAS-
- FOR ENERGY: All humans possess some amount of negativity in them. Whether or not they are a good person, it wouldn't be surprising if they hunt them for energy purposes. After all, animals hunt for sustenance, right?
- PROJECTION: Remember when I explained that trash beasts could be reflecting the population's anger? We all know that the majority of that anger is towards the people on top. Whether it's internalized or forward, anger is anger. You can imagine that a lot would wanna cause pain to them...So what if those violent thoughts get turned into Anima which powers up the beasts? Given that Anima is something that was converted, some of the specifics of that anger might have sorta got lost in translation. So when a trash monster sees a human, they won't be able to differentiate between the underground and the people on top.
All the creature really knows is that the anger is towards humans, and so they attack.
//×/——//×//——//×//——//×//——//×//——//×//——//×//——/×//
°~OUTROOOO~°
AAAAAAHHHHHH THIS WAS SO FUCKING LOOOONNGGG. I hope you guys enjoyed my overthinking brain!
See you in the next one!
💕💕💕💕💕
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shimmershy · 5 months
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Buttercups and Golden Flowers
#i drew this mostly because i noticed that a lot of people mistake buttercups and golden flowers as being the same thing.#so i wanted to try drawing them like. distinctly different in the same image.#it's not a big thing but i do think the fact that they're different has some significance. or at least like. symbolic meaning.#my art#undertale#chara#chara dreemurr#safeutdr#something about the fact that they both look similar at least in color but one of them is poisonous.#the way golden flowers are clearly a positive symbol throughout the game and clearly heavily associated with Chara.#contrasted with the very negative connotations buttercups have. with asgore getting sick and chara using them in their plan.#you never see buttercups in the game. which makes it even easier to mistake the two. because we've only seen one kind of#golden/yellow flower. who's to say 'golden flowers' aren't just referring to buttercups? well.#why would there be golden flower tea if they were poisonous? why would chara want to see the golden flowers from their village if they're#the same kind of flower? they clearly have buttercups in the underground.#it feels almost intentional the way golden flowers are so easily mistaken for buttercups. or at least that the difference is so subtle.#it goes well with the way they're associated so strongly with chara who's also a very subtle yet important part of the narrative.#from a surface-level perspective the flowers that took their life and the one's they actually like/are important to them are the same thing#but when you pay closer attention to the narrative you can see the different symbolic meanings.#well. uhh I've thought about it too much don't mind me.#see i think about it from the perspective of chara being super adamant about them being two different flowers#and frustrated when anybody gets it wrong. because clearly. CLEARLY they're not the same.#'STOP confusing buttercups and golden flowers. i literally used buttercups to kill myself do you think i would still like them after that?'#'do you think i want to be associated with them? they're not the same!!'#<number one golden flower enjoyer number one buttercup hater.#i need a badge that says 'i have strong opinions about chara dreemurr because i kin them. i apologize for the wall of text' at this rate.
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withahappyrefrain · 9 months
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The 5 Times You Flirted With Bob + The 1 Time He Picked Up on It
Summary: You've fallen for your friend and have decided to drop some hints that you're flirting. Unfortunately, Bob doesn't realize that immediately.
Warnings: Language, no y/n, female reader, reader has a callsign (Honey)
Thank you to @dissonannce for this amazing idea. Thank you @acewritesfics for the dividers!
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"Your hands are so big."
It took Bob a moment to register that you were in fact, talking to him.
"Oh! Um yeah. My ma made me do piano because she felt I was given the hands for them," Bob wiggled his fingers for extra effect, "Y'know, since they're so long."
Yes, they were quite long. It was one of the first things you noticed about Bob. Well, after you noticed his beautiful blue eyes, his endearing lopsided smile, the way he was so considerate of everyone else, so gentle, and yet there was an underlying confidence about him. He was sure of himself, but he didn't feel the need to brag.
Who could blame you for falling head over heels for him?
You flashed him a smile, hand reaching towards his.
"It's just, your hand is so much bigger than mine. See?" You propped his arm up, allowing your palm to press against his, both your fingers spread out to showcase the difference in size.
"See? My hand is so small compared to yours," You giggled. Bob looked down at your hands. Your breath hitched, your fingers twitching, dying to entwine with his.
"Yeah, there is quite a difference in size," Bob said, giving you that small smile you adored so much. That smile gave you the confidence to entwine your fingers with his.
"I think they fit pretty well together, see?" He wasn't letting go. He was still smiling as he looked down at your hand holding his.
Maybe this was finally it, he'd finally realized that you liked him and would-
"I'm gonna go get some more peanuts, can I get ya anything?"
You mustered up a smile, trying to cover up your disappointment, "I'll take a water. Thanks Robby."
As soon as he left, you shot Jake a dirty look, "Seresin, you said that shit would work!"
Jake, who had been pretending to play a game of pool with Bradley, Javy, and Mickey, put his hands up in defense, "Because it usually does! Everyone knows when a girl compares hand sizes it means she wants you!"
"Everyone but Bob apparently," Javy muttered.
"Maybe you just need to be more obvious?" Mickey suggested.
You sighed. You knew Bob. The last thing you wanted was to be so blunt it would overwhelm him. But at the same time, you two had been doing this whole 'friends but also more than that and I'm pretty sure we're flirting?' for the last month and you were getting annoyed with it how seemed to be going nowhere.
Perhaps Mickey was right. You were going to have to be a bit more obvious.
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"Bee? You ready?" Bob called out from your living room. Bob's nickname of your callsign (Honey) always brought a smile to your face, as well as heat to your cheeks.
"Almost! Can I get your thoughts on this top?" You asked as you walked in.
"Yeah, I'm sure you look-oh." Bob's eyes widened as he took in the green top you were wearing.
It was tighter than the shirts you normally wore, highlighting your breasts. The fabric stopped right at the end of your rib cage, showing off your stomach and bringing attention to your high waisted jeans, which according to Jake "did wonders for your ass".
"What do you think?" You clasped your hands together, the action causing your breasts to stick out even further.
"Um the uh, the color is really great on you. B-brings out your eyes," Bob said, his eyes looking everywhere except you.
With the way his cheeks were bright red, it gave you confidence to step forward, your body now inches away from his, "I was hoping it would bring out something else besides my eyes Robby."
"I mean you you look great in everything you wear! So mission accomplished," Bob said quickly, his hands fidgeting with his car keys.
"Anything else you want to say about the outfit Robby? I really value your opinion." You stood on the tips of your toes, bringing your chest closer to Bob's face.
It was the first time since you walked in that his eyes landed on your chest. He cleared his throat, as if he was gathering up the courage to say it.
"You should grab a jacket, it's supposed to go down to the low sixties tonight," He said, turning around to head out the door.
God damn it.
You grabbed your phone, quickly texting the group.
Honey: We need to go to Plan C.
Rooster: Plan C?! You're saying the top didn't work?
Bagman: Dude, your tits were like out.
Rooster: Maybe they weren't out enough?
Coyote: If they were out any more, Honey would be getting a public indecency charge.
Phoenix: Maybe we shouldn't use clothes to express our feelings? Just a thought 🤦🏽
Fanboy: Yeah Nat, that's plan C.
Payback: Can we not blow up the group chat tonight? The finale of Insecure is on.
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Your right leg bounced up and down in nervous anticipation, your eyes never leaving the entrance to the Hard Deck.
"You don't think this is too much, is it?" You asked your friends/coworkers.
"Nah, it'll be perfect!" Mickey reassured you.
"You and Bob are going to walk out of here holding hands by the end of the night, guarantee it," Jake commented as he lined up the balls for a round of pool.
It took all your strength not to jump out of your seat when you saw Bob walk in. His iridescent blue eyes scanned the room, landing on you. He always seemed to search for you, which had to be a sign that he wanted more, that he felt the same way as you did.
You greeted him with a smile, patting the empty seat next to him.
"Hey Robby! I got something for you!" You called out.
Bob just smiled as he sat down, "I see you got my signature: water and peanuts. Thanks Bee!"
You giggled, shaking your head, "Yes, but that's not just it. These are for you!"
Bob stared at the bouquet of flowers you were holding out for him.
"For me? These are for me?" He asked, eyes wide as saucers.
"Yes! I was just thinking, like why is giving guys flowers not a thing? Because it totally should be! And no one deserves these flowers more than you Robby," You explained, a hopeful smile adorning your face.
Bob gently took the bouquet, admiring each flower.
"I thought they would go well with your eyes-that's why a most of them are yellow," you explained, trying to hide how nervous you were.
"These are perfect," Bob said before leaning down to smell the flowers.
"Really? Each flower has a different meaning," you began, hoping that by fidgeting with your hands, you'd be able to conceal your nerves.
Bob simply smiled, his face the epitome of saccharine, "Oh, I already know."
Your breath hitched, "You do?"
Bob nodded, "Oh yeah! Alstroemerias symbolize support, sunflowers are for loyalty, and violets stand for intuition!"
He wasn't wrong. You couldn't tell if you were upset by that or the fact that Mickey forgot flowers can have more than one meaning.
Time for Plan D.
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"Hey Robby! You ready to watch hot people make poor decisions?"
"Ready as I'll ever-that's new," Bob said softly, taking in the new loungewear you had on for your biweekly Love Island watch.
"Oh this? I think I got it last week," you said as you let Bob into your apartment, "It's super comfy and it has pockets!"
It also was cut low, showing off your cleavage, as well as the tops of your thigh.
"Yeah, the uh, color looks really good on you Bee," Bob commented. The compliment brought a smile to your face. He noticed you, noticed you were wearing something new, and seemed to be noticing your now exposed skin.
"Well, let's go see if these folks gain any common sense," you grabbed his hand, practically beaming at how your hand fit perfectly in his.
"Somehow I doubt it," Bob chuckled.
When he offered to hold the popcorn for while you two watched, you weren't disappointed. Sure, it meant you weren't able to hold his hand. But it did mean you could move closer to him, your thighs practically touching.
"I really hope he doesn't take her back," Bob muttered, his eyes glued to the screen.
"He will. They always do," you sighed, gently moving your head so it rested against one of his broad shoulders.
If your action had any effect on Bob, he didn't show it. Which was the problem.
"I would pick you in the recoupling," You revealed, hoping that would be enough, would finally be enough.
Bob smiled, placing a hand on your knee, "That's kind of you Bee. But I think friendship couples go against the nature of the show."
It took everything in you not to scream.
The rest of the night was just a typical Love Island watch night, no touching, no initiating, no declarations of love, and ending with Bob giving you a friendly hug goodbye.
With a sigh, you flopped onto your bed to check your messages.
Bagman: Bee, please tell us it worked and you're marking sweet love to baby on board
Phoenix: you're disgusting Seresin.
Rooster: why would they stop fucking just to text you Bagman?
Bagman: so we can pop some champagne to celebrate
Fanboy: Why the fuck is would we do that?
Coyote: It's a big event! Bee told Bob how she feels AND Bob's getting laid!
Payback: Can I just get one night of peace? Just one night?
You: No one's doing anything bc it didn't work!
Rooster: Not trying to be rude, but weren't you like almost naked?
Bagman: Like 52% nude.
Phoenix: JFC, we're going to plan E folks.
Coyote: Is that when we just lock them in a closet?
Bagman: No that's plan G
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"Hey Bee!"
The cheerful, charming voice always brought a smile to your face.
"Hi Robby!" You greeted him with a hug, the comforting scent of rosemary filling your nostrils, "You smell really nice."
"Oh um thanks," A hand flew to the back of Bob's neck, a nervous (and also adorable) habit, "Wanted to smell nice after doing all those pushups out in the sun."
"Well it worked, you smell great," One of your hands reached up to the nape of his neck, toying with the hair that had curled at the end, "Look great too."
The tops of Bob's cheeks were now a dusty pink, "It's just a white Tshirt."
You took a step forward, placing your hands on his chest, "It's a good look Robby. Shows off your muscles. I like it on you.
Bob's lips parted, then promptly closed.
"Uh, t-thanks Bee." He had to know now that you were flirting with him. It was clear as day.
Feeling confident, your hands trailed down to his, grasping them, "We should dance!"
You didn't wait for Bob to answer, dragging him out to the middle of the floor. The sounds of Bradley covering Frankie Valli (begrudgingly, as apparently Jerry Lee Lewis was better) filled the bar.
After a few minutes, Bob's shoulders visibly relaxed, a smile spreading across his face. You threw your head back laughing as he bust out a goofy dance move.
Everyone thought Bob was shy, but that wasn't the case. He was observant, determined to get a good read on someone so he knew how to approach the situation accordingly. Once he was comfortable, his personality shined and he was a sweet, goofy man who you adored with all your heart.
The grin you had was so wide, your cheeks were beginning to hurt. But you couldn't stop, not when he was twirling you around.
"Where did you learn to dance like that?" You asked, having to say it into his ear so he could hear your voice above the music.
Bob shrugged, "I come from a big family. When you know you're going to a lot of weddings, knowing how to dance helps. That and my mom made me do cotillion."
"Well, all that practice paid off. You're a great dance partner Robby." You rested your chin against his broad chest, looking up to meet eyes bluer than the ocean.
In that moment, all you could do was focus on him. The way the corner of his eyes creased when he truly smiled, his comforting scent, his pink, thin lips that you were dying to feel on yours.
You wondered if he could hear your heart pounding, if he could feel it since your body was practically on his.
His hands found their way to your arms, gently placing themselves on your biceps. Was this it? It had to be.
So you stood on the tips of your toes, your lips now closer to his. Your eyes began to close as you leaned in to-
"I gotta go. Jake stuck his foot in his mouth again."
This wasn't a lie. But it still didn't dull your disappointment. Nor did it sedate your growing frustration at this whole situation.
Perhaps you didn't need Plan G or H Perhaps it was time to go with your original plan.
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The next time you saw Bob was when Nat threw a small get together to celebrate the end of a long week.
He was wearing that damn white Tshirt again. Whenever he brought his cup of water to his mouth, the fabric stretched across his bicep.
Was he doing this on purpose? Did he know? Consciously or not, that you had fallen for him ever since you two first met at training?
Either way, you were tired of this game you had been playing for the past month.
"Are you sure about this?" Natasha asked.
You simply nodded before taking a shot of vodka. A little liquid courage was always nice.
"Nat, he's oblivious. Honestly, I don't know why we didn't do this the first time," Jake commented as he took the shot glass out of your hand.
"Because we didn't expect him to be that oblivious," Mickey countered.
"Well everyone, wish me luck." You walked out of the kitchen to find Bob still sitting on the couch, glass of water in hand.
His eyes met yours and he gave you a smile sweeter than honey. Your legs began to wobble, whether it was from that smile or your nerves, you couldn't say.
You walked over, making a beeline for him. Bob's eyes widened, his fingers gripping his cup. Your gaze was so intense.
"Hey Bee-oh!" Bob froze as you sat down in his lap, your thighs straddling his lithe hips.
"Hey Robby," your hands found his shoulders, fingers toying with the thin cotton fabric of his shirt.
"Uh Bee, there's um, there's a seat right there," Bob weakly pointed to the empty space next to him.
"I don't want that," you leaned forward, your forehead grazing his, "I want you Robby."
His eyes widened once more, as if he just saw an incoming train, "M-me?"
"Yes. Wanted you ever since that first day of training, when you offered me a mint," you told him.
"I uh, you looked sleepy and mint is known to wake you up and," Bob paused, "Did you say since the first day of training?"
You nodded, smiling at how you were able to see him process this information.
"The first day of training?" He repeated.
"Yes Bob, all you did was offer me a mint and smile to make me fall head over heels for ya," your fingers now went up to the back of his neck, twirling the curled ends of his hair, "Been trying to tell you that for the last month."
Bob opened his mouth, then promptly closed it, his brain still processing everything.
"You good Rob-" You never got to finish your sentence, as Bob decided right then was the best time to press his lips against yours.
His lips were soft and tasted faintly of vanilla, no doubt from the chapstick you watched him reapply. His touch was gentle, his thick fingers ghosting over your thighs, trailing up to your waist. Every move, no matter how small, made your heart fluttered.
Being so close to him, you could smell his aftershave, a mix of eucalyptus and sage. It was intoxicating and you wanted to be surrounded by it all the time, wanted to kiss him all the time.
When he broke away for air, you had to hold back a whimper, your lips desperate for more.
"FINALLY!"
You turned your head to find Bradley, along with Mickey, Natasha, Jake, Javy, and Reuben standing by the doorframe, in perfect view of you and Bob.
You smiled and opened your mouth, ready to make a quick remark. But Bob's fingers hooked underneath your chin, turning your head back to meet his lips again.
Unlike the first kiss, this one was bolder. His lips moved against yours with more confidence. Your whole body felt warm, as if you were floating. His hands now cupped your jawline, which is how you learned that Bob's hands practically covered your whole neck, a discovery that sent you reeling.
Your hands trailed up to his head, desperate to feel his sun kissed locks, desperate to find out if they were as soft as they looked. But just before you could, Bob broke away.
"What?" Anxiety came rushing back, dragging you away from Cloud Nine, your previous location. Did he regret it?
"Let's go."
He moved your body to the empty space on the couch, quickly getting up. You took his hands, allowing him to help you get up. You held onto one hand as he led you to the front door.
"Bob! What are you doing with my backseater?" Javy called out.
"Making up for lost time!"
Maybe you should be a little embarrassed. But how could you? You had finally kissed the man of your dreams, he kissed you back. He wanted to leave with you.
The sounds of the house party fainted, becoming soft background noise as you went outside.
Bob stopped, turning around to face you. Before you could get out a sound, his lips were on you again. His hands pulled your body to his, closing the gap in-between.
You couldn't help but moan when you felt his tongue slide against your bottom lip, immediately granting him entrance. You could hear Bob's breath hitch, his hands roaming across your body, touching your soft skin.
Abruptly, he pulled away, leaving you desperate for more.
"Why do you keep doing that?!"
"I...." His face was flushed, "I meant to ask you if if you drove yourself here. But you looked so kissable. You still do, God I just wanna kiss you again."
"I'm not stopping you Robby," you grinned, stepping towards him, "I'm not stopping you at all."
"Oh don't tell me that darlin'" his Midwestern upbringing laced his words. You always loved his accent, having found it not just unique but also comforting.
Somehow, despite his lips pressed against yours, Bob was able to walk you back to his car, your back meeting the cool metal.
His broad body draped over yours, his tongue frantically exploring your mouth. Your fingers reached up, grasping his hair. It was soft and much thicker than you expected.
What else was there about Bob you had yet to learn? What kind of toothpaste he used, if he drank tea or coffee in the morning. Did he fall asleep to rain sounds or silence? How many pillows were on his bed?
You wanted to know everything.
But right now, you just wanted to kiss Bob.
Your fingers tugged on his hair in an attempt to pull him closer to you. Despite his chest being pressed against yours, it wasn't enough. You wanted all of him.
"We should get in the car," He said, voice breathless. With the way his chest was rising, one would think he had just ran ten miles.
Bob began moving towards the driver's side of his truck, but he stopped, turning back to you.
"I want to take you home," He stated. It sounded like a confession with the way guilt laced his eyes.
"I would love that Robby."
Instead, he just shook his head, "But I shouldn't because you deserve more than that. You deserve a nice date, like that Italian restaurant we always pass when we go to Bradley's. You deserve that and flowers and a lovely dinner with candles and wine that's older than both of us-"
You cut him off by gently pecking his lips, "It's okay Bob. You could take me to that diner up the room from your place tomorrow morning and I'd be elated because I would be with you."
He shook his head, clearly torn between continuing to talk and continuing to kiss you, "But....it's the least I should do. I mean, after all the hints you were dropping. I thought you were just being friendly and-"
"What friend asks another friend to look at their chest?" You asked incredulously.
"I thought maybe we were just really close! That you were really comfortable around me, which is why I didn't think anything regarding what you wore when we watched Love Island. I mean," his face reddened, "I did think about it. Um I thought about it a lot and if you ever want to wear it again, I would not mind-"
"Bob," you stepped forward, placing your hands on his chest.
"I mean, you got me Violets! Those mean loyalty and devotion, as well as delicate love! And believe me I wanted to kiss you at the Hard Deck, but that is entirely Jake's fault-"
"As most things are."
"And looking back it was so obvious and I can't believe I didn't pick up on it," He paused, "Sorry, I I had to get that out. I can take you home or back to my place, whatever you want."
You giggled, delighted by his ramblings. You wanted to hear more of it.
"And now I just want to kiss you. Like all the time," He confessed, his lips moving closer to yours.
"Robby, get in the car," you instructed.
"Oh, um, okay," Bob unlocked his car, moving towards the driver seat.
"No Bob. Get in the back of the car," you instructed.
Bob's brows knitted together in confusion, "But then how will I drive-oh!"
Who knows if you were going to make it back to his place or yours. All you cared about was getting your lips and hands back on Bob Floyd.
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certified-bi · 11 days
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Okay all my thoughts because some people have been saying that not supporting this change is not supporting artist and creators and as an artist fuck that.
1. Audiences owe you nothing. You have to convince them to engage with your creation not the other way around. This is something both the nonprofit theatre I work with recognizes and huge companies realize. It's just part of life. There are so many talented people in the world making amazing art, videos, music, writings, and on and on, and there's only so much time in the day. I'm not saying you shouldn't know your worth, just that being flippant about how little you care about those who can't pay isn't a good move. On that note...
2. PR is everything. If you haven't made a visible effort to push patreon, channel memberships or other avenues of making money, don't be suprised that your creation that was previously accessible to those without extra cash and to those who can't support foreign subscriptions due either to conversions or because it simply doesn't work, being made private isn't popular. There's a big leap from "We want to have more artistic control" to "We can't afford to make our content accessible to most of our audience," and people are smart enough to see this. You either have to make budget cuts or give into sponsors. This isn't unique to Watcher, it's part of literally every production from broadway, to Hollywood, to YouTube. Unless you can fund it yourself or get viewers to pay(which given how many are already strapped for cash...) that's life.
Not to mention they simply do not have enough followers to make the switch to a paid only site(dropping the first epsiode only on YouTube isn't going to draw people in, they're just going to say "oh why start if I'm not going to see the rest" and not watch) especially not one that is buggy and a security risk. Even if the switch had been supported its not going to end well. The only reason services like nebula and dropout work is because of the large amount of series and creators and the fact those creators still are partly on YouTube so new people are drawn in.
3. As for the price, 6 dollars a month is a not a good starting price for only their content and that's as someone who pays for nebula. I'd be paying the same amount for a fraction of the access to others work. Actually it'd be twice as much. And before someone says "it's only a coffee-" that's for you. Not everyone has your lifestyle. And with every other patreon and subscription service that says the same thing, it all adds up and I simply don't think 60 dollars for 48 videos a year on a subscription basis where you don't get to keep the videos if your situation changes, some of which don't appeal to every viewer is a good move. If you were able to buy physical copies of your favorite series they've made that'd be different, but that's not what this is.
4. I do believe that the employees deserve a livable wage. I also did not hire them. It is not on the viewers that they hired more people than they could afford to. They can charge that much if they want to to try and balance this out. They also shouldn't be suprised if not many can or will sign up. They also don't have to be based in L.A. L.A has ridiculous costs associated with it, and quite honestly it doesn't really add much to the content. I'm not saying they need to move to the middle of nowhere Kansas. Simply that living and basing your studio in a super expensive city and then being suprised money is tight is just weird.
5. Something that occurs to me is that they might get more views if their playlists were better set up. Only some series are given playlists. It'd be easier to find all of the series and binge them if they didn't just show off their more popular shows. Honestly the only draw the streaming site has to me is that the series are actually labeled well.
Do I think the weird ass energy towards Steven is necessary? No. He's not the only one at the company and they're all adults. I actually liked grocery run and homemade, and like to see them back. The parascoial attachment to Ryan and Shane is annoying in people's criticisms, but that doesn't make them completely wrong. If you're going to brand yourself as the anti capalist underdogs you can't get away with being dismissive of your poorer fans. The dissonance is what is causing this backlash and makes you look like hypocrites. I definitely think Steven is turning into the fall guy which is fucked up, his statement and the fact dish granted is one of those shows that make people uncomfortable about wealth flexs doesn't help matters.
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steddiealltheway · 7 months
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(I have just hit a very nice (silly) milestone of 6969 followers, so I wrote this little ficlet to celebrate and thank you all for always being so supportive 💛 I hope you enjoy)
Everyone is shocked when Steve and Eddie announce they’re moving in together.
But, to Steve, it’s really a no-brainer. Robin is going away to college, the kids are starting to get their licenses and no longer need a babysitter, and Eddie desperately wants to get out of Hawkins.
So, Steve bought a map, measured the distance between Hawkins and Robin’s college, and marked a spot right in the middle.
Okay, so maybe it ended up being in the middle of a river, but there was a town near there that was perfectly not too far from Hawkins while being far away enough for Eddie to feel safe. As well as being far enough from Robin to give her space at her new school while being close enough that she could easily spend the night at their place whenever she wanted.
But distance wasn’t a problem for anyone, they were mainly concerned about how Steve and Eddie would live with each other and not kill each other.
But after a few weeks, Steve can confidently say that living with Eddie is��� nice actually.
Really really nice.
Of course, he had been a little concerned about all their differences and adjusting to having someone always around, but Steve enjoys the company.
Actually, he specifically enjoys Eddie’s company.
Sure, he can be loud and a bit messy, but Steve loves that their small apartment actually feels like a home.
Whenever Robin stops by, she comments about how domestic they’re getting. Especially whenever Eddie randomly appears with a cup of water not even seconds after Steve mentions he was getting thirsty.
But what Steve fails to mention to Robin are all the little other things Eddie does, like when it’s late at night and Eddie brushes the hair off of Steve’s forehead and says, “It’s a little late for me to see those beautiful eyes still open."
Sometimes when they're watching a movie, Steve will fall asleep and wake up to Eddie carrying him to bed as if it's an easy thing to do.
And yeah, maybe Steve finds it overwhelmingly hot, and maybe he clings a little tighter whenever Eddie tries to put him down so they're stuck in a tight embrace that Steve can wave off as a result of being half asleep.
But sometimes Eddie's eyes linger on Steve a little longer than they should or Eddie will throw his arm over the back of the couch and let his fingertips lightly trace over Steve's shoulder or run through his hair gently as if he doesn't even notice himself doing it. And it makes Steve think that maybe, just maybe, Eddie might have feelings for him too.
But just when things are going great, and Steve is thinking about testing the boundaries of their friendship to push more into romantic territory, Eddie starts fucking with him.
The problem is, it's not anything big or obvious that Steve can just laugh off. Instead, Eddie starts messing with the thermostat. The thermostat Steve likes to keep strictly at 71.
But Eddie has decided to set it to 69.
At first, Steve just adjusts it, wondering why Eddie is bumping it down when he's always cold and wraps himself in a blanket, complaining that 71 is too cold.
After two days of back and forth, Steve wonders if the thing is just broken because he hasn't actually seen Eddie mess with it. So, he wanders to Eddie's room and knocks on the door lightly before opening it.
Eddie lays back on his bed with a smirk on his face that instantly alerts Steve that Eddie has in fact been messing with him.
He crosses his arms and leans against the doorway. "Have you been messing with the thermostat?"
Eddie shrugs and comments, "Maybe."
Steve frowns, not sure what the hell kind of game Eddie's playing at. "Well, can you maybe leave it at seventy-one?"
"And if I don't?" Eddie challenges, cocking his head to the side, "What are you going to do about it?"
"Change it back to seventy-one," Steve replies easily. He feels like he's missing something when Eddie's face falters a bit, but he hopes it's just him getting the message to not mess with it. And just in case he doesn't get it, he shuts the door a little more firmly than usual.
Only, two days later, Steve happens to notice that the thermostat is set to 69 again. He scowls and presses the button twice before going off to Eddie's room and knocking on the door again a little harder than usual, wondering why Eddie is trying to mess with him after they had been having such a nice day.
"Come in!" Eddie chirps.
Steve swings the door open and rests his hands on his hips. "You changed it again."
Eddie shrugs and leans back on his bed looking overly comfortable. "Just setting the mood."
"Yeah, you've set the mood, and you set it to annoyed. Stop changing it," Steve says as he starts to close the door. He stops as it's about to close and peaks his head back in. "Please."
With that, he thinks he's done with the whole thing. And after a few days pass, he's pretty much forgotten about the whole incident.
That is, until Robin comes to visit and suddenly asks, "Does it feel slightly colder in here to you?"
Steve groans and walks over to the thermostat, seeing the number 69 staring back at him. He's not sure when Eddie changed it, but he's not even currently there so Steve can yell at him. Instead, he just complains to Robin, "Eddie's been fucking with me and changing the thermostat."
Robin snorts. "Isn't he like perpetually cold all the time?"
"Yes! Which is why I'm so confused about him keeping it at sixty-nine all the time."
Robin pauses and glances over at Steve. "What is he keeping it at?"
"Sixty-nine."
Robin just cackles in response, and Steve glares at her asking, "What?"
"Sixty-nine!" Robin laughs again.
"Real mature, Robin," Steve says, rolling his eyes before the realization hits him. "Oh, Christ."
Robin only laughs harder, but Steve is stuck on the other conversations he had with Eddie which were... definitely miscommunications. Oh god, was Eddie trying to... proposition him?
Robin's laughter dies down enough for her to ask, "What's wrong?"
Steve gives her a look and sits down on the couch next to her, further realizing the thermostat incidents happened after days when the two of them got a little more... friendly than usual.
Steve sighs and explains the entire situation including the things he's left out before including his feelings for Eddie. He's glad that Robin holds in her laughter until after he's done.
"Stop laughing, it's not funny."
Robin manages to say through her laughter, "You both are disasters. But you're both so gone on each other that it's almost a little disgusting." She then stands up and grabs her bag, walking toward the front door.
"Where are you going?" Steve asks, following her.
Robin turns around and gives Steve a look. "I'm leaving before Eddie gets back and you two..." she gestures toward the thermostat.
Steve groans, "Get out, Buckley." He can't help but smile before he pulls her into a hug and digs some money out of his wallet.
"What's this?" Robin asks.
"Gas money for sending you away early."
Robin smiles and salutes him. "I guess this means I'll be coming back tomorrow."
"I'll call in case we're still-"
"Gross, dingus," Robin says with a laugh before she hugs him one more time and whispers, "Thank you for telling me."
Steve just squeezes her a little tighter.
After she leaves, Steve takes a minute to form a plan before Eddie gets back from whatever store he went to. He looks at the thermostat and sets it back to 71 degrees while he tries to think.
Unfortunately, he doesn't get far in his thinking before the front door unlocks and Eddie walks in with a few grocery bags in hand.
Steve just turns around and tries not to look too startled by Eddie's sudden appearance.
Eddie gives him a confused look and gestures outside. "Did I just see Robin leave?"
Steve nods but gives no further explanation, stuck on how the hell he's supposed to approach this subject with Eddie. God, now he understands the thermostat method.
"You okay?" Eddie asks before his eyes settle on the thermostat. "Oh, shit. Sorry, I did that late last night. Can we just forget that that happened? It was... dumb really."
Instead of forgetting it, Steve dramatically reaches up and hits the down button twice. "I think I finally get it." Eddie's eyes widen as Steve crosses his arms and continues, "Setting the mood, right? Or, tell me, what are you going to do about it?"
Eddie looks at him for a second then suddenly drops all the bags in his hands, practically racing down the hallway to Steve and cupping his face in his hands. "Am I reading this right?"
Steve slowly glances at the thermostat. "Well, it does say sixty-nine."
Eddie huffs out a laugh but quickly clarifies, "I don't just want that. I mean... I like you. And I just couldn't think of a good way to bring that up without it being some type of joke. Not that liking you is a joke, but oh god-"
"Eddie," Steve says firmly, stopping his rambling. "I like you, too."
Eddie's face lights up. "Yeah?"
Steve nods as his hands come up to Eddie's waist and pull him in a little closer.
"You like me enough to sixty-"
"Oh, shut up," Steve says with a big smile.
"Make me," Eddie replies, giving Steve an exaggerated wink.
Steve shakes his head and sighs before pulling Eddie into a sweet kiss, both of them smiling too much to make it anything more than a peck. When they pull away, Steve thinks he might murder Eddie when he whispers, "Nice."
But he wouldn't have it any other way.
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lady-raziel · 8 days
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and alright, here's my last (let's hope) and boldest take yet. lots of people have been talking about the level of staff (around 25-ish people) at watcher, and whether downsizing that number could have been a potential avenue of reducing costs before just jumping to a subscription model. at first i was like yeah, i'm not sure that there needs to be 18 people involved in making a lets play. i was in the fucking trenches in the unus annus days and i'm still amazed how markiplier and ethan nestor managed to put out pretty well edited videos every day for a whole year with only a handful of editors and a couple people filming. what unus annus was trying to do and what watcher is trying to do are obviously pretty different, but the point is that you really don't need a whole crew of people to make lots of different types of content and do it well.
i still think there probably doesn't need to be a whole production crew involved with the creation of some of the simpler types of content watcher puts out. however, i don't think the size of the staff is the real problem. in fact, i think the staff of watcher probably should have been larger.
let me explain. if i begrudgingly go to one of my most detested websites (linkedin. *bleeegh*) and look up watcher, i can see that pretty much every person on staff is in a creative role of some sort by their own admission. at first glance, its like, oh, that makes sense. they're making creative products, it's natural that they should all be in creative roles. however, once you think about it for a little longer from a business perspective, that fact is really concerning.
after all, by watcher's own definition, this is a production studio. this is a company. So in this sea of creative roles, who's doing corporate planning? Who's managing finance? Who's doing payroll? Or brand outreach? Or human-freaking-resources??? you can hire outside groups for all this. i'm aware. but those services cost a lot of money to contract too. i'm just finding it concerning that there is pretty much no one on full time staff that is there to at least do some of this stuff. if watcher wants to be a big-boy company, that's fine, but that means you have to pay some people to be part of your company to do the not-fun business stuff like accounting. or resource management.
if they want to be a real company, they should actually have a lot more people on staff to deal with all the non-creative parts of running a company. even if they contract out most of it, you want at least a few people that are your people and don't actually work for someone else. that's how you don't get screwed over or end up in a contract you can't get out of.
which leads me to my last train of thought. like, as i go through the staff of watcher and look at what they do, it really seems like one of the ONLY people who's job it was to look at the business side of things WAS steven lim in his role as CEO. and thinking about that, i'm like god, can you imagine?? here's a guy who just wants to create cool stuff too but as one of the few people who has to think about the realities of Brand and the Business, HE has to be the one to burst the bubble. He as CEO has to say no to people and make decisions to make sure the company survives. In a group of creative people who just want to make things they're interested in, no expense spared, he was probably the guy who had to stay at least a little tethered to reality.
I'm not about to say that steven lim isn't to blame here. everyone involved in making the decisions that have led up to this point is part of this. but shit, it absolutely sucks to have to be the person at the end of the brainstorm session when everyone is coming up with their best ideas and to have to say "guys, i don't think any of these things are possible unless we make some big decisions."
is that what happened at watcher HQ? i don't know. at this point, with radio silence from everyone, speculation is all we've got. but if you follow the thread of a bunch of creatives striking out on their own to make their own business after being burned by their former employer, despite not knowing really how to run a business, and then only hiring fellow creative people and not other people who actually run business things... well, all of this starts to make slightly more sense in WHY none of watcher's actions make sense. everybody wants to stick it to the man and be their own boss with their own business, until it actually comes to the hard parts of doing that. at that point people start to realize, "oh, maybe some of the things that existed at my old job were there for a reason, actually."
all this is why lots of creatives striking out and starting their own businesses don't work in the end. they're thinking about in terms of creative products still, when they really need to be focusing more on the "business" part of the "creative business." it's sad. it sucks. it destroys a lot of good ideas and good people, because one person in every company like that has to be the one who thinks practically. could this have been avoided if watcher had been hiring people all along to manage this business and not just adding people to add to the creative output? maybe. even then it might not have been enough to curb other predictable impulses that led us down this path.
i feel bad for watcher, and i feel bad for the fandom. but i can't help but wonder if this was always the kind of situation we were going to end up in, and we just missed some of the warning signs because ALL of us were thinking, "well, that could never happen to us. we're different. not the Ghoul Boys."
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evie-sturns · 1 month
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no one has to know what we do - Chris Sturniolo
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summary: ever since you met the triplets in 3rd grade, youve had been closest with chris. you've never admitted it to anyone but you've been madly inlove with him for a few years now. the triplets 20th birthday comes around, they celebrate by inviting the friend group to their house for the weekend, what happens when you and chris are left alone in his bedroom, will things stay the same, or will you two be forced to sneak around.
contains: smut, fwb!chris, sneaking around friends, swearing, fluff.
------------------┌── ⋆⋅☆⋅⋆ ──┐-----------———-
♫.. no one has to know what we do, his hands are in my hair, his clothes are in my room..♫
I've known the triplets since i could walk, marylou and my mom met in highschool so i've grown up around the nick matt and chris my whole life. ive always been closest with chirs,
but i hate to admit the fact that i've been thinking about him differently, a lot differently. i've never though about matt in that way though, even though they're practically the same. it's something about chris's hair, i've always wondered how my fingers would feel laced through his brown locks while he rests between my thighs.
6:39pm, friday night.
i push open the sturniolos front door to find nick, chris, matt, madi, nate, and several other friends from highschool, hannah, grace and yolanda, leaning on the counter, all laughing with eachother.
''hey!!" chris says with a wide grin, running up to me and wrapping his arms around me. "chrisss" i smile back at him.
this weekend is the sturniolos birthday, they've invited madi, me, nathan, and 3 other friends round for friday night, saturday and sunday, for those three nights chris and i are sharing a room, alone.
he grabs my small tote brag i brought and chucks it into the spare room. i walk into the kitchen and greet everyone else, instantly getting dragged by nick into the living room.
"we're watching the grinch." madi declares, "fuck no! its the middle of fucking august" nick yells back, nate chimes in, adding something to the debate.
before i can open my mouth i feel a cold hand grab my arm, its chris.
my head swings around, my hair hitting his neck. "c'mon" chris says, taking me over to the couch and throwing himself down and patting the spot next to him. i flop next to him, cuddling close to his side as everybody else piles down, "so we're watching the grinch?" madi says with a cheeky smile, "no." nick instantly replies, switching the tv on.
the intro song to rapunzel blasts through the small room, a loud cheer comes from the 7 other people around chris and i.
i'm basically frozen, my mouth won't move and i can feel my heart pounding out of my chest. sure, chris and i have been friends forever but god hes been so physical the past few weeks its been hard to hold myself together.
"you okay?" chris whispers down into my hair.
"yeah!" i chirp back
"you seem nervous"
"im not."
im 90% sure he knows.
"im sorry this movie is ASS." nate says, interrupting the movie. "gotta say, i do kinda agree with you." madi replies, "i told you the grinch was better!" she says, earning a boo from nick.
nick leans over to me, "go get a boardgame from chris's room cause these fuck heads aren't happy with rapunzel." he tutts.
i heave myself up off the couch, "chris where do you keep your array of boardgames" i scoff, shaking my head with a smile. "first of all i dont have 50 boardgames i play" he laughs as he walks over to me.
i walk upstairs towards chris's room, him closley behind me still yapping about the fact hes not that big of a fan of board games.
i open the large wooden door to chris's room, the familiar sight filling my vision.
chris shuts the door behind us, i don't question it, he probably just wants to keep his room air conditioned. i look back at him,
"so where are the-" i start but get interrupted by chris's hand on my jaw, he looks at my lips then my eyes, then my lips before slamming his onto mine.
i kiss him back. of course i do? i've practically dreamt about this moment since i was 16.
"i know i make you nervous y/n" he rasps into my lips, his second hand grabbing my cheek as he walks us back, our lips still connected as my back hits the wall, pinning me down slightly with his mouth.
he pulls away for a second, scanning my face for a readable expression. "chris" i breathe out, running my hand through my hair.
"im sorry, im so fucking sorry i shouldnt've done that-" he starts, taking a step back, "chris." i interrupt him, reconnecting our lips.
"you make me nervous, really fucking nervous." i say into his lips, his hand finds its way to the back of my head, his fingers intertwined in my hair.
suddenly the door to his bedroom rattles, i instantly pull away, my head spinning round to look at the door which is being pushed open/
madi, matt, nick and 3 of our other friends walk in, all laughing with each other about god knows what, i scramble towards the closet, looking for any board game i can.
i pull out the despicable me version of 'game of life' which has several minions on the front. a small laugh exits my mouth before i join the small circle which has formed on the floor with our friends.
"y/n...." matt says with a laugh, grabbing the board game off me "despicable me?" hannah says with a scoff
"im sorry! chris doesn't have the collection of board games i expected!" i tease back.
"it'll be okay!" grace says, a somewhat optimistic smile painted across her face.
chris joins the circle of friends on the floor, sitting down opposite me. hes got a small panicked expression, his lips red and raw, his cheeks a deep pink. his eyes are fixed on mine.
"so whos gonna roll first?" nick chuckles.
(8:45pm)
madi won the boardgame about 30 minutes ago, i've been laying on the floor of chris's room with all of our friends, execept for chris.
he disappeared while everyone was celebratings madis 'epic' win.
"we've gotta play truth or dare.." yolanda says, "like the corny middle school shit you know?"
nick claps his hands with a goofy grin, followed by matt rolling his eyes but later agreeing.
"nick, truth or dare" grace laughs,
i stand up off the floor, walking out of chris's room while everyones distracted watching nick try to do a head stand.
the wooden stairs creak as i jog down them, i swing open the back door and im met with chris. he's sitting on the outdoor bench, scrolling aimlessly through his phone.
his head shoots up to look at me as i walk over to the bench, sitting under it.
"hey!" he says smiling, then putting his phone down on the armrest.
"how was despicable me game of life?" chris nudges me in the arm, a stupid smile on his pink lips.
"shut up!" i scoff, flicking his arm softly.
a silence fills the air, only sounds of distant cars vaguely humming in the background. chris runs a hand through his brunette hair, his long fingers peeking through the strands of his hair.
"um-" chris clears his throat.
"chris.." i whisper i start, then get off by his voice
"i dont think i'm ready for a relationship."
my heart sinks.
i didnt even say i liked him like that to his face?
"come with me." he declares, standing up abruptly grabbing my hand and pulling me inside.
everyone's hanging out in the living room, nobodys really paying attention to rapunzel anymore. nicks head shoots up "y/n come over!!" he smiles at me.
"we're gonna go get ready for bed, super tired." chris speaks for me. i run over to nick, giving him and matt a goodnight hug before returning to chris. he grabs my hand firmly then pulls me upstairs into his room, slamming the door shut behind us
my heart thumps as chris looks down at me, his hand reaches out for my chin, his other hand firmly gripping my waist as his fingertips lightly squeeze my waist. i stare at his lips, he stares at mine before colliding them for the second time today.
without another word his shirt is across the room, his necklace resting on his chest. my shirt follows, ending up somewhere around the room. "chris" i moan lightly into his lips as his hand snakes round to my back, unclasping my bra and letting it fall to the floor.
he frantically rips off his sweatpants, i shimmy my shorts down my legs.
the air surrounding us grows hot as i fall back onto his bed, "chris- we can't, nick always tells me that he'd kill me if i even though about his brothers sexually, i mean-" i ramble, but chris cuts me off.
"no one has to know what we do." he whispers, his hands intertwined in my hair.
my eyes switch from chris, to the amount of our clothes scattered across his room, the same room chris and i grew up in.
i nod "okay." a smile creeps across my face.
chris pulls off my panties, throwing them ontop of his desk. he pauses for a second, his eyes exploring every inch of my body. "oh my god." he mutters, "you okay?" he asks quickly while he pulls down his boxers, his hard length springing out. his dick is strangely perfect, "yeah, more than okay.." i whisper, my eyes fixed on his cock.
he nods "you've done.. this before right?" chris laughs slightly. "yeah- yeah" i giggle. "you're so pretty." he says, stroking his length while his eyes stare at my exposed body.
"ready?" he asks, his tip lightly pressing against my hole.
i'm not even fully processing whats happening right now, the boy i've secretly been practically inlove with for a few years is now about to fuck me.
"very." i tease, gripping the sheets for support. he pushes into me, a low whimper escaping his mouth "squeezing me so well." he stutters, bottoming out in me.
i let out a string of moans as i arch my back off the bed "so good, doing so good." he says, his thrusts rapidly increasing in pace and intensity. his fingers lace into my hair, tugging lightly but not painfully.
i let out a desperate groan "chris- fuck!"
he reaches a hand down and presses on my lower stomach, feeling how deep he is inside of me. "you feel me?" he says in between thrusts.
I squeeze my eyes shut, my vision fogged.
"i said you feel me?" he mumbles, his hair flopping with each time his tip hits my cervix.
"yes! yes-" i blurt out,
chris grabs my throat, pinning me down to the bed.
my eyes open in shock, a few short breaths exiting my mouth.
"finish, finish for me."
and with those words i do, i clench around him and release my built up orgasm. chris instantly lets go of my throat being careful not to push me too hard, he pulls out, painting my stomach with warm streaks of white.
"fuck...." he groans, throwing his head back.
i catch my breath as chris collapses next to me, he pulls me ontop of his body as he strokes my hair.
"you did so well." he whispers into my hair.
after a good 10 minutes of laying in silence i break it,
"um chris.."
"yes?" he replies.
"what are we.. now."
another silence fills the room "i dont know." he says, a bit of guilt in his voice.
he starts "i mean if you give me a few weeks we can put a label on us or we could just stay friends and forget this happened but i dont know if i want that because i really enjoyed this but i mean we could be friends with benefits-"
i interuppt his rambles "friends with benefits!?" i say with a small smile.
"if you want, could be fun like sneaking around.."
i nod frantically at chris's words "i'd like that."
-
(saturday 5pm)
after yesterday nights unexpected encounter chris and i have kept our promise, this whole day everyones been hanging out at the pool but currently we're in the bathroom, and hes fully inside of me.
"fuck-" he mumbles, slamming into me as i sit on the countertop. my bikini bottoms are pulled to the side as he pounds into me repeatedly, "close." he warns.
i clench around him, the knot in my stomach snapping as i release around his length with a scream of his name. he pulls out, orgasming on my thighs.
"you okay?" he asks, panting as he wipes my thigh with his hand.
i collide our lips together "yeah." i mumble into his mouth.
a few seconds pass before we pull away, he helps me down off the countertop as i catch my balance.
he grabs my hand and unlocks the bathroom door, he guides us both back to the pool, rejoining all our friends like we weren't fucking each other 3 minutes ago.
i lay down by the poolside, my legs shaking slightly from the intensity of the past events.
chris sits down next to me "you got a little something." he whispers with a laugh, quickly reaching down and wiping my thigh where we missed a spot.
(1 month later)
a month ago today chris and i were sneaking around at his 20th birthday party, for the past 4 weeks we've been meeting up at each other's houses, hooking up every time we get the chance. we didnt speak about anything, i think hes happy staying friends with benefits even though i want more, ive needed more for 3 years.
11:32pm
i roll over in bed, checking my phone one last time before i fall asleep. suddenly my phone frantically vibrates,
its chris?
i pick up the phone "chris its late..." i groan into the phone.
"i need to talk to you, can i come over.. please?" he asks innocently, "okay if you want to just talk, im so tired."
i hang up, after a couple minutes i hear the rumble of chriss car in my driveway, followed by his footsteps upstairs. he swings open the door to my room "hey!" he says nervously, jumping into bed beside me. "you alright?" i ask, holding his hand.
he stays silent for a few seconds, before starting.
"i think im in love with you?" he blurts out.
"you- what?" i repeat, confusion painted in my voice.
"i know, but for the past few.. years? ive liked you- alot.. and i dont just want you to be my fuck buddy anymore, i want to be more."
he takes a deep breath, i stay silent in shock.
"i feel the absolute exact same Christopher." i say, looking over at him.
"do you wanna.. make things official." he asks quietly.
i roll over ontop of him, smothering him in kisses "yes!" i laugh, wrapping my arms around him. relief washes over his face.
we lay still for a few minutes, "can i stay the night?" he asks with a laugh, "please do." i reply, my eyes fluttering shut.
we lay in silence for a few minutes, but a small laugh exits his mouth.
"yeah?" i smile into his chest.
"nothing it was just painfully obvious i was head over heels for you, how did you not guess" he laughs
"chris, im sorry but i was terrified to make a move purely because of how it wasnt obvious." i say, planting the 84th kiss of the night on his face.
----------------------------
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bunni-v1 · 8 months
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hii, can I request "First Years Finding Out Your A Girl" with sebek and ortho please?
Ortho and Sebek Find out You’re a Girl?!?!?! (NOT CLICKBAIT!!!)
TW: Swearing (as usual lol); Ortho being creepy; Misogyny mention <3; Reader goes by she/her and is biologically female; Book 6 spoilers (very light, but still there); Bunni hasn't read Book 7 and therefore doesn't know what they're talking about :)
Info: Ortho x Reader; Sebek x Reader; Fem!Reader; Platonic
🍓Hi. If you’ve read the first part of this, I copy pasted the intro. Not because I’m lazy or anything (I’m a little lazy, but I’m a full-time college student who also has a part-time job, so I think I can be excused.) It’s mostly because… It’s a good intro. If people are just discovering this stuff then they can read it, but if you’ve read the first part you can just skip to the good good yk. Anyway, long-ass babble session, but I didn’t include Ortho and Sebek initially because they’re kind of new to the First year group so idk. Felt weird including them. Also, I haven’t read book seven so Sebek I bullshit a lot lol. Anyway, they’re here now, and I absolutely ADORE Ortho, so sorry if my favoritism shows.
First Years
Second Years
Third Years
Dorm Leaders
-Okay so, I know we’re all wondering, how the hell do you get away with hiding your gender for so damn long?
-Firstly, those ceremonial robes do great at hiding the figure. The only tell would maybe be your hair, but feminine men aren’t unwelcome at Nightraven College, so you mostly get a few questioning stares and that’s it.
-Secondly, Crowley wants to save his own fucking ass. He already has to hide from the press that he has a MAGICLESS student from ANOTHER DIMENSION here, he doesn’t need the fact that you are a woman ALSO on his plate. So, obviously, he helps you hide your gender from others.
-Grim knows, of course, and he keeps his mouth shut for a few yummy cans of tuna (and threats of being expelled from Crowley <3)
-Even when you were just a janitor, he couldn’t have the rumor that he put a “helpless” young woman to work. (Like it wouldn’t be expected.)
-So how do you two do it?
-Baggy ass uniform. Crowley gave you at least three sizes too big.
-Your figure is completely hidden. Sure, you look completely homeless, but at least you’re hidden.
-For your voice, you simply deepen it. After some point, you blackmail Crowley into giving you a potion to help with it, since it's so taxing on your voice. (Or maybe your voice is naturally deep!)
-Sam provides you (for an unfairly pretty penny (not too different from your original world…)) any feminine hygiene products you might need.
-Honestly, you’re set for being cared for, but it’s the adjustment period that’s the hardest part. 
-Truly, it’s very jarring to suddenly be thrown into both a magical world and be isolated in a man's world with nowhere to hide.
-At least in your world you had other women who could understand your struggles. Here though? You’re completely alone.
-You notice how… messy some of these guys could be. How some of them smell… really rancid. -How rough they were with you and each other.
-Honestly, it’s kinda eye-opening. The way men show affection to each other is oddly refreshing to watch and experience!
-Ace and Deuce specifically are a good… trial run.
-That’s not what we’re here to talk about though…
-For the most part, it's incredibly easy to hide yourself for the first while on campus. Everyone on campus is so self-absorbed that they don’t bother questioning you.
-Your only real risk factor is Savannaclaw, but it's easy to avoid those guys (minus Jack, of course).
-However, you can only hide your gender for so long… It’s mentally draining to keep up this facade all the time around people you care about.
-So… how do they find out?
Ortho 
-Okay, so Ortho is a little creepy weirdo. He’s a highly advanced robot who likely has autism, and loves his big brother a whole fucking lot. 
-(Side note: Can a robot, child, or thing have autism? Does that mean Idia programmed Ortho to be autistic? How silly of him.)
-It’s my personal head cannon that Idia DECKED this kid out in as much high-tech gear as he could get his hands on. 
-He’s equipped with some of the most complex medical features, therefore he has access to a database of all students at NRC’s medical files. (This is not legal, but he does not care for the law.)
-“But Bunni, what does that have to do with the prefect?” Well, Ortho is ALSO equipped with the latest medical scanner on the market.
-Think like Baymax, yeah? He can scan everyone one time and know every piece of medical knowledge readily available.
-Well, Ortho, the sweet little creep he is, automatically scans the medical information of any new person he sees/meets into his database — just in case it may come in handy.
-So, before he even KNOWS you. Before he speaks a single word to you, he knows you’re biologically a female.
-He scanned you without thinking and just shrugged his shoulders at it.
-You’re not from here, and you got thrown into this, so you being a woman doesn’t really matter too much to you being at NRC. 
-It honestly could’ve been anyone getting stuck here, so why should he question it?
-However, he notices that you are referred to with exclusively “male” pronouns, so he marks in your file that you are trans and moves on. 
-Again, who cares? He’s a magical robot guy based on his brother's dead brother. Who was he to judge?
-When he finally ACTUALLY gets to interact with you after being welcomed into the first-year squad, he’s very respectful of your gender.
-You are a man to him, therefore he refers to you with exclusively masculine pronouns.
-However, everyone in your little group already knows, and they assume that Ortho knows. So when they speak about you, they use feminine pronouns.
-Ortho, sweet as he is, immediately questions everyone as to why they’re misgendering you.
-Protective of the people he cares for at heart, he doesn’t like the idea that your so-called closest friends are misgendering you behind your back.
-Doesn’t believe them completely when they explain, so he goes to you because you’re the only one who knows who you really are.
-“Prefect!”
“Hey, Ortho! What’s up? Miss me?”
“Of course I do, but I have a very important question.”
“Sure, what do ya need?”
“Are you a woman?”
-At this point 90% of your friends know, but there is a handful that doesn’t… and you can’t be having that.
-You, of course, assure Ortho that you are not only a woman, but that your friends are not misgendering you behind your back.
-Relieved, he takes several of your friends off a hit list and removes the trans man label on your medical chart.
-Asks why you hid your gender in the first place.
-Promptly adds Crowley to a hit list (again).
-Ortho, out of EVERYONE at NRC, has absolutely zero behavior changes toward you. 
-He’s equally protective as he was before, he spends the same amount of time with you as usual, he doesn’t suddenly have some weird crush on you, and he’s still trying to set you up with Idia.
-Honestly, everyone should take notes from Ortho. He’s the best at this whole thing.
Sebek
-On the other hand… do not take notes from Sebek! He sucks at this! He sucks really badly!
-Out of all the first years, Sebek is not only the least close to you, but he is also incredibly mean. So you just… feel no obligation to tell him.
-In fact, you kind of… sort of… actively leave him out of the loop for a really long time.
-I mean, it's not an unreasonable thing to do. He is constantly berating you and putting you down for being human. You have no idea how he feels about women and you don’t want to find out first hand.
-In all honesty, he is the only person (other than Azul and the twins) that you’re really scared of finding out, and take extra precautions to ensure he doesn’t find out.
-However, you attend NRC, and nothing ever goes your way at NRC.
-Despite every precaution you take to keep your gender under lock and key, you overlook one thing.
-Malleus Draconia.
-His complete and total lack of social awareness is your downfall here. He finds out, and despite everything telling him to keep his mouth shut… he doesn’t. Because of course, he doesn’t.
-At this point, you’ve gone through most of your misadventures, and most — if not all — of your friends know you’re a girl.
-Hell, even Silver knows now. Everyone BUT Sebek knows.
-And he finds out because Malleus casually mentions it over dinner. Not even directly about your gender, he just uses she/her pronouns.
-Sebek, being Sebek, respectfully asks Malleus if he meant to say he. Malleus, of course, says no without a second thought.
-The shock and horror on Silver and Lilia’s faces was enough to be further confirmation.
-And Sebek’s world shatters.
-He was completely left out of the loop and also has a moral conflict now.
-As much shit, as I gave Sebek (as everyone gives Sebek) he RESPECTS women. His queen is a woman, and his mother is a woman. 
-In his eyes, women are some of the strongest people around. Regardless of if they’re human or not.
-You, on top of being a human from another realm who had successfully quelled several of the strangest students at NRC’s OVERBLOTS and came out on top, was also a woman.
-If that wasn’t strength, he didn’t know what it was.
-However, his bias against humans strongly clashes with his respect for women in this case.
-And it just… messes with his head. 
-He doesn’t treat you worse, in fact, he’s just… really awkward around you now.
-He doesn’t know if he should apologize or berate you for being a human, so he just stays stiff and glares at you.
-It's honestly more scary than him constantly talking down to you.
-However, once the two of you actually befriend one another, he apologizes to you. For everything, and explains where he’s coming from. Why he acted the way he did, how he really feels about you, and all that sweet shit.
-Afterwards, he is genuinely the best at keeping your secret (if he even needs to at this point).
-If there is anyone you can trust to keep his stupid mouth shut at NRC, it's Sebek. 
-His honor and pride force him into silence when it comes to secrets he promises to keep.
-In fact, if anyone is on your trail about it, he’s the first one to jump in the way and scare them off/shut them down.
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fandomfuntimem · 13 days
Text
Dp x Dc or just Dp things I (personally) want to see more of.
Just some stuff I've seen and really liked but never see enough of.
Danny is very casually a genius and/or skilled (engineering, gymnastics, really any skill you pick):
There isn't enough of it tbh. I dont think people realise just how smart and skilled he is. Being a ghost probably made him very flexible and gave him extra abilities the average human may not have. Also he comes from a family of scientists, yeah maybe up against them he doesn't seem smart, but being "smart" comes in different forms. More often than not the ability to be smart comes from your ability to pick up on things, retain information, understand information, and use that information accordingly. Danny does that, especially with his villains. He even finds outside the box ways to defeat his villains. Like tricking Freakshow into becoming a ghost.
I just think its under utilized. A lot of Teen heros are geniuses but no one ecknowledges it. Hell, you can make it that Danny doesn't even realise just how smart he is. He doubts it and often thinks he's one of the dumber people in the room. But when sleep deprived and running on a cup of coffee he can solve a problem he hasn't even seen before the konk out for an hour.
Danny has BEEF with the JL or isn't outright a fan:
In a lot of fics the JL (especially Batman) are huge hypocrites. Like they'll barge into Amity trying to solve problems that don't even effect them, screw things up more, then offer Danny more training. Hello????? You guys being there caused the problem???? Then, in other things Batman preaches about territory and Danny will get threatened or treated with suspicion for even stepping foot NEAR Gothem, but then barges into his territory like its his buisness.
Let Danny call them out. Let him point out that everything has been fine untill they showed up. Let him get MAD. This is HIS territory, HIS haunt, HIS people. These guys have done nothing for him! Why should he accept their help when their help only makes things worse? In fics where they help him because he needed it and ended up in Gotham let him be suspicious and careful. He doesn't need to be vivasected or hurt to be warry of the crime fighting furries he just met.
Mans has the experience to know you can't trust anyone untill they prove you can.
Danny should be casually overpowered and spooky:
This isn't even he has to be experienced. He is so used to his powers he doesn't realise how scary it is. He will casually stop a punch from superman, laugh, quipe, then punch back.
He accidentally breaks stuff, walks through things, glows, its so normal for him. He apologizes and does it again because he forgot. He genuinly has no idea how strong he is, he just knows he needs to be soft on humans.
Danny and Phantom are very different personalities:
I'm not saying they're two different people. They have the same mind same person. But the way they act is so different. Danny is grumpy, quiet, whimpy. Danny is a loser, and everyone knows it. Phantom, on the other hand, is confident, he jokes, smiles, makes a game out of his struggles, he's strong. Phantom is just a good guy. Everyone (minus others) loves him!
This happens because Danny is more comfortable as Phantom or Vise Versa. Sertant trates carry over, they're nerds, they're smart, they enjoy a good pun, they're sassy. But because Danny is a loser everyone sees it as lame, but with Phantom its endearing.
~~~~~~~~~~~~~~~~~~~~~~~
None of this means you need to get rid of silly nerdy Danny. You can have that but all these other things ad depth to his character. Hes smart but not confident, he's kind but not naive, he's powerful but not violent, and he finds comfort in the fact no one knows him.
Idk. I'm not a big fanfic writer so i thought i would just share and see what others do with it.
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dreorig · 8 months
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Oh wow, you just happen to be taller and broader than your mercenary boyfriend!
[ deadpool x dom male reader | nsfw under the cut | had this sitting in my drafts for a while now so uhhh forgive any mistakes :P ]
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First things first. He thinks that's so hot of you.
He brags about you to everyone. Everyone. Random people, someone's he's fighting with, a friend; they all will hear about how handsome and tall Wade's boyfriend is.
Wade gets heart eyes when you both are in public and you hold his waist or hug him from behind. A subtle possessive squeeze on him will also do the job.
Wade will steal your clothes. He is 6'2, do you seriously think he'd ever have another chance to feel smaller in someone else's clothes anytime soon? Yeah, he's not losing this chance.
How many times can he ask to arm wrestle with you until you threaten to cut his vocal chords?
"So we can't get to decide what we're getting for dinner and we both want different things..." "Wade—" "There's only one way to solve this situation..." "Wade. No." "ARM WRESTLING!" "NO."
You will give him piggy backs and carry him around in bridal style either you like it or not. It's a demand.
He jumps at you randomly. First time he did that he jumped from behind, but you didn't know that was him, so your instincts made you grab that apparently stranger and throw him across the room, making him hit a wall. Wade fell even more for you right then and there.
Wade was mesmerised. You desperate; so you ran towards him, already chanting an infinite amount of sorry's. "Shit. Sorry, sorry, sorry! I didn't mean to—" your apology was interrupted by the sound of Wade's laugh, which took you aback a little. Wade jumped to his feet and into your arms, this time you caught him properly. He wrapped his legs around your waist and arms around your neck, his chest still trembling with laughter. "Do you know how unbelievably hot that was? Never stop manhandling me."
Wade can reach the top shelves just fine but will ask you to grab the things instead. He just wants to enjoy his tall dog privilege.
He will always go to the gym with you if he's not busy re-killing former US presidents, slaughtering some asshole or pestering Logan. Hell, Wade loves to see your muscles flexing and your sweaty self after a good workout.
Asking you to pick him up (like this) became a part of your workout routine. He giggles and melts in your hold because he loves the fact that you pick him off the ground so effortlessly, like he's a piece of paper.
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Fuck him doggy style and slap his ass with your big hands and you'll hear the loudest moan ever.
So loud you'll probably need to slip a few fingers inside his mouth to keep him shut. You don't need any neighbours hearing what's yours only.
You know what they say about big hands, eh? Wade knows it better than anyone and God, he loves the way you stretch him. Naturally he's got a high pain tolerance, so you being big and making him see things without having to use a toy is just perfect.
Doesn't mean you never use toys, tho. Fuck Wade's face and make him gag on your big cock while he has a dildo deep inside him, he'll give you the biggest puppy eyes ever as he humps on your leg.
You reminding him of your size difference never fails to make him wet. Never fucking fails. Tell him he should stand in front of you to get a better view since you're taller and he won't hide the fact that his underwear is already stained with pre-cum.
No marks such as love bites will stay on Wade's body due to his healing factor, much to his and your dislike, but eventually you found a way to claim him as yours — he's got to wear one of your shirts while you so relentlessly fuck him and even after you're done. Your scent and sweat that lingers on the fabric make Wade's head spin, often leading him to beg for you to fuck him once again.
Plus wearing your clothes just feels right. The way they're always oversized on him serves to remind him of how much bigger you are. He's got a size kink, he can't help it.
"Aren't you my little bitch?" you increased your pace. "Fuck, yes, yes," he pushed his hips down, meeting your thrusts. "Did I fuck you dumb? Use your damn words," you growled in his ear. Wade's cock throbbed at that. He was indeed beginning to think you fucked him dumb, yet he replied, "Arghh— yes, shit, yes, I'm your little bitch~" "Yeah, that's right. Let me show you how a real man treats a little bitch like you," you slapped his ass so hard even your own hand burned a little. Wade came right away without even having to touch his cock this time. How many times was it now? Not that he cared, he just wanted more, more, more. You chuckled, pleased with your own work. "Look at what a slap can do to a little bitch in heat." Wade wasn't sure of what you really said, but his ears caught "little bitch in heat" and he smiled dumb, more than happy to know he was your little bitch in heat.
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sanguineterrain · 23 days
Note
Hi Sanne! I'm not sure if requests are open, but if you're up to it I'd like to request red hood x reporter! Maybe reporter reader is getting too close to a case and is starting to become a target and hood takes her protection into his own hands? ((Including lots of midnight rendezvous and rooftop bump ins))
i love this prompt sm! i've been thinking about a reporter reader ever since i read task force z :) thanks for requesting!
jason todd x gn!reporter!reader. tw: reader is attacked (but they're okay), guns, violence, fighting, jason being both a force to be reckoned with and a big softie. 2.5k words
****
"I don't need protection."
The Red Hood crosses his arms. You cross yours right back.
"Yes, you do," he says.
"No, I don't. I've lived in Gotham my whole life. I can take care of myself."
"Living around and being in the thick of violence are very different. You're already chasing this story; they will come after you."
And what a story it is. The story of the decade, at the very least. A task force of formerly-dead Arkham patients wielded against Gotham by a mysterious benefactor.
It's terrifying. It's dangerous. It's sure to win you your first Pulitzer.
And it all means absolutely nothing if the Red Hood keeps wrapping you in red tape.
Your jaw ticks. "This is my story, Hood. You can't turn it in, so I will. And I won't be scared off by some slimeball."
"Oh, please. You wouldn't even have known about this story if it wasn't for me, smarty."
Smarty. His favorite moniker for you because, according to him, you think you know everything.
Working with the Red Hood has been an unfortunate side effect of chasing your prize-winning story. Not only is he wanted in twenty-six countries (you Googled it) and is a ruthless crime lord (supposedly formerly, but you're doubtful), but worst of all, he's got an attitude to match yours.
He's also built like a tank, which is why you can't just. Outrun him.
"I can't just not publish the story," you say.
"I don't want to stop you from publishing the story. Hence the protection."
"I can't afford a bodyguard."
"Well, it's a good thing I already paid my rent this month."
You scoff. "The Gotham Gazette has a strict 'no armed and dangerous' policy. I'm afraid we all have to leave our gun-toting vigilantes at home."
You open the driver's door of your car, ready to end the conversation here and now. Hood calmly closes the door with his hip and leans.
You glare. "Get off of my car."
"Fact." He holds up a finger. "These kinds of people always strike before the story comes out. They know you're scared and stressed, and they wanna do it before the story gets out. Otherwise, it's obvious who killed who."
"And where did you read this fact? Crime Lord's Digest? We don't even know if they know I'm the reporter who broke into the lab."
"Listen, smarty, I've been in this game a lot longer than you. I know how they operate," he says, finally getting off of your car, only to lean on the hood. Jerk. "It's only a matter of time before whoever's behind this snuffs you out."
"I am not letting a wanted criminal nest in my apartment!"
"That's why I'd be there."
"I was talking about you, Hood."
"Funny."
"I'm not joking. Look, I appreciate your... help." You try not to show your exasperation. "But there's no way I'm inviting you over to my apartment. That'll set off more alarms. If anything happens, I'll call you. Until then, stay away. Deal?"
Hood looks you over.
"Hm. You're awfully comfortable with giving me orders, smarty."
Your adrenaline spikes for a second. But it quickly calms. You've worked with Hood for a month now. Sure, you were petrified the first week, but it quickly dissipated. You've fallen into an odd camaraderie with him.
It's actually kind of nice, having him on your side. No one at the Gazette gives you the time of day. You've become used to having a partner. Not that you'd ever tell him that.
"You take orders so well, I can't help but dole them out," you say, only a little smirky.
"Watch it," Hood rumbles, only half-serious. Probably.
You beam and wrench open your car door, sliding into the seat.
"See?" you say, turning the ignition. "No snipers waiting to take me out. I'll be fine."
He shakes his head and slides off the hood. "Ten bucks says they'll try by the end of the week."
You close your door. "You're on."
****
As it turns out, Hood doesn't need the end of the week to earn his tenner. Trouble breaks down your door the very same night.
You're on your couch with some well-earned Lebanese takeout when your door is ripped off of your hinges. You shoot up from the couch, chest immediately tight.
Your assailant is masked and isn't that typical, giving masked men everywhere a bad name.
You run to the kitchen, hoping you can grab a knife. But you're grabbed before you can get there. You slip on the carpet and trip further into your assailant's arms.
"Keep still so I won't make a mess," is all he says.
You start screaming. He covers your mouth and you bite his hand. That earns you a thump on your cheek, so hard your vision blurs.
Bang!
You freeze, expecting the warm drip of blood and the excruciating pain to accompany it. Instead, your assailant falls to the floor, clutching his ribs. You stumble backwards and see Hood at your door, gun still aimed. He stalks over and kicks the assailant in the chest as he does. The assailant groans.
"You okay?"
You're still staring at the man who very nearly killed you a minute ago. Blood roars in your ears. You think you might be close to fainting.
"Hey." Big, gloved hands hold your face. You flinch and hold the owner's wrists. Hood comes into view once more.
"Are you okay?" he asks firmly. "Look at me, look at me, sweet. Breathe. 'S okay. Does anything hurt? Did he—"
Hood cuts himself off as he touches your cheek, where you were hit. He lightly runs a thumb over what is probably a budding bruise.
Hood lets you go and whirls onto your attacker. He hauls him up and presses a gun to his stomach.
"Go ahead, shoot me!" the attacker shouts.
"If I shoot you, it won't be out of mercy. You won't get a quick death. You don't deserve it," Hood snarls, and you suddenly remember all of your good reasons for fearing the Red Hood.
"I ain't telling ya shit!"
"I don't expect you to," Hood says, and fires again.
The man crumples to the ground, but he's clearly still breathing. Still alive. Hood drags him to the door by his collar.
"You go back to your boss. And you tell 'em that they're fucking with the Red Hood now. And, in case I'm not being perfectly fucking clear through all that blood loss—" Hood grabs the man by his hair and wrenches his head back. "If you come for my reporter again, you'll wish I was kind enough to put a bullet in your head."
Hood hauls your attacker outside. You hear a car start a minute later, and it tears down the street.
You look at your guardian angel, spattered in blood.
Not nearly as much blood as I expected, you think manically.
Your body aches and shakes with adrenaline. You can't even get enough control to move to the couch.
"How–how did you get here so fast?" you ask, staring at your now cracked coffee table.
"I've been monitoring your apartment since you got home. One of the traffic cameras picked up a stolen vehicle turning onto your block, so I came here."
You look at Hood. He seems very collected, all things considered.
"You—how did you find my apartment? Have you been stalking me?"
"Please. Lend me a little credit, smarty. I don't need to stalk you to find where you live," he says, holstering his gun.
"Are you insane?!" you burst. "That is such a gross invasion of privacy! What the hell is wrong with you?"
Hood looks at you.
"What's wrong with me is I just saved your life," he says evenly. "And on that note, you owe me ten bucks. Maybe even fifteen, considering it took less than a day for them to do exactly what I said they would."
Your lip wobbles. You don't know what triggers it; maybe it's your scratched up door or torn sofa or the fact that the Red Hood is in your living room right now with blood on his suit.
The tears form quickly. You can't stop them.
You cover your face but a sob claws out of your throat. Soon, you fall into big, heaving cries.
"Whoa, hey." The floorboards creak under Hood's unsure footsteps. "Hey, I didn't mean that. Shit. I was just kidding about the bet part. Aw, don't cry, smarty."
A hand lightly touches your shoulder. You lean in, but don't dare to initiate more contact. So Hood eases you into a side hug, awkwardly patting your other arm. He's extremely warm and solid with muscle, but his chest is soft enough to rest your head on. He unclips his holster so it doesn't dig into your body.
"I was just kidding," Hood says quietly in your ear. He rubs your arm. "'M sorry. Didn't mean to make y'cry."
You sniff and shake your head. "No, it–it's not that, I'm just—God, I'm t-terrified, Hood. What the fuck am I supposed to do now? They're gonna kill me! I'm gonna die before I win my first Pulitzer!"
You try to suck in deep breath but it's not working. Hood leads your unsteady feet to the couch. You sit, fingers gripping his jacket. Hood carefully loosens your grip.
"They're not gonna kill ya, smarty. I won't let 'em. C'mon, let's have a seat. Where's your kitchen?"
You point, lashes still thick with tears. Hood leaves and returns shortly. A glass of water is held to your lips. You drink it, breathing stilted.
"'S okay. Take it easy. Breathe. That's right."
You swallow half of the water, and he sets the glass down on the coffee table. Hood hands you a wad of tissues.
"This is pathetic," you say, wiping your tears. "Can't believe I'm being nursed by the Red Hood."
"I think nursed is a strong word. But it's more than I usually do for my informants. Then again, they don't usually burst into tears."
"Don't make fun of me. I'm fragile."
"I wasn't making fun of you," Hood says, gentler than you've ever heard him. He puts the tissues aside and rests a hand on your shoulder. You turn into it, appreciative of the weight. "You handled this better than most people would. You didn't even pass out. Hell, I've passed out."
You're sure that Hood is leaving out important details behind that anecdote, like fighting off a hundred men or being swallowed by a whale beforehand. You're grateful nonetheless.
You turn to him, fresh tears in your eyes. "They're gonna kill me, Red."
He shakes his head. "No. Listen to me. Nobody is gonna do anything to you, okay? I'm not gonna let 'em hurt you, smarty pie."
"That's an impossible promise," you say. "One of these days, something will happen. You can't be everywhere at once. Especially not while I'm at home."
Hood tilts his head. "Well..."
"Well, what?"
He rubs his throat. An old injury, he'd once told you. The pain flares up sometimes.
"I could call in a favor. Get you into a safehouse."
"You would do that for me?" you ask. You probably shouldn't ask. Shouldn't look a generous vigilante in the mouth. But you can't help it.
"I can't very well publish the story myself, can I?"
You shrug. "I doubt that. You have your ways. Once you have the evidence, you don't need me."
"That's not true," Hood says fiercely. "I do need you."
Your eyes widen. Hood fumbles for a moment.
"That—I mean for the case. Obviously. I don't have any journalistic links besides you. And I wouldn't want the story to fall into the wrong hands."
"Oh." You have a strong urge to wrap your arms around him. Weird. "Well, um, thank you. I appreciate it."
"Don't thank me yet. It'll take me a few days to get the safehouse," he says.
You deflate. "Oh. So I have to stay here until then?"
Hood is quiet for a long time. So long, you briefly revisit your original theory that the Red Hood is actually an AI remotely controlled by a billionaire.
"Hood?"
You reach to touch him. He flinches, a tiny movement. You immediately draw back.
Nope. Still a man.
"Sorry," he says, hand slipping from your shoulder. "I was, uh, going over options. No, your place is toast until we find whoever's behind this. But, um, it would be possible for you to—if you want to, 'cause if you don't, y'know, I understand, but I—it would be doable for you to, uh, stay with me. Until I get the safehouse."
"Stay... in your apartment?"
"'S not far from here. And it's a hell of a lot better protected than your place. And, y'know, I'd be there most of the time, so like..." Hood clears his throat. "Uh, yeah. It'd be safe. I promise."
"I wouldn't want to impose," you say, nervously scratching your arm.
"Mm. If you're scared of staying with me, y'can just say so. I won't take it personal."
He does kind of sound like he's taking it personally.
"No, Hood, it's not that. I don't... I'm not afraid of you. That, uh, went away a while back," you say. "I just... I don't want to burden you. After all, it's your space."
He makes a sound that tells you he's rolling his eyes behind his helmet.
"Saving your life is important, smarty. Why you don't think so, I'll never know."
You make a soft, pleased sound. "Got a real bleeding heart there, Red."
He sighs. "Yeah. I'm working on it."
You grin. "Thank you for rescuing me."
"Part of the job. If you don't wanna stay with me, I could..." Hood hesitates. "With your permission... I could get the Bats involved. Ask one of them to house you."
"You mean Batman?"
Hood grunts. "Preferably anyone but him, but yeah, if it comes to that. He'll probably get involved anyway. Fuckin' busybody."
"The Bats would protect me? But they don't know me."
"Don't matter. If I asked them to, they would. If that's something you want."
You think. Is it something you want?
Sure, any reasonable person would prefer Nightwing or Batman to protect them.
"I don't want to stay with them," you say. "I'd rather stay with you."
He jerks like you've told him the sky is falling.
"You do?" he asks.
"Well, yeah. I know you, Red. And I know you'll keep me safe."
"At any cost," he says.
That simultaneously frightens and thrills you.
"Then I'd like to go home with you," you say. "If you'll have me."
"'Course, smarty. Anything to keep you safe. Go pack some stuff. I'll be out here. You're okay?"
"I'm okay." You stand and turn before he can see what he does to you.
Yes, it's an odd thing, being partners with the Red Hood.
You're starting to fear that you can't have it any other way.
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budgebuttons · 4 months
Text
There's a lot of reasonably frustrated but ultimately misdirected psa-style posting about how viewers NEED to start reblogging things rather than just liking them because that is the primary mode of post circulation on this site. The modern manifestation of this sentiment seems to miss the fact that, if you've been here for ~15 years, were here prior to, during, and after the exodus to the bird app, you already know that likes have always been more common than reblogs, that many people simply don't want to put your art on their blog, and that guilting end-users into using a microblogging site A Specific Way absolutely does not work. If it did, the trend would have shifted a decade ago. Because this conversation really is that old. Regardless, the modern discourse of how difficult it is to be Seen specifically on Tumblr isn't productive because I think it ultimately misses the reason being an artist online feels so Bad, now.
The social media era has funneled Looking At Stuff on the Internet into an economy of engagement that encourages end-users to treat everything we/they see as quick, cheap, and disposable. This is just another fun and flirty way that capitalism devalues art. It's nothing new. Trying to force masses of users to behave in a way that is healthier for the circulation of art isn't going to do anything to solve the discontent we all feel when we hurl something into the void and it is ultimately ignored. I swear up and down: A higher notes number won't feel better, either. Popularity is just as demoralizing as radio silence, but it manifests differently. Instead of 4 likes and maybe 1 reblog from Old Faithful Mutual, you get a horde of people who treat you like a content machine. You keep hoping for an impossibly Bigger Number. The notifs on the first Big Number Post haven't even settled, and people are already asking when the follow-up is coming. You get anons, but most of them are trying to passively convince you to give them More Content.
It's really, really hard to make people care about art. If there was a silver bullet for making the average person appreciate the enormity of human effort behind every beautiful thing they encounter, we would have found it centuries ago.
The best thing creatives can do for their lives online is to be friendly, or at least kind, with other creators. "Big" artists don't form in-groups because they're snobs. They find each other because they casually showed each other support, and their mutual appreciation for that Thing that wound them up in the same tag becomes a foundation for connection, and in many cases, the ever-illusive Bigger Audience as they introduce themselves to each others' circles. We get more eyes on our work by building community with each other.
Where does that leave people who are just here to look at things, not post them? I think the answer is almost identical: COMMENT!! Please, comment! The first step to engaging with art on a more meaningful level is to point out something you particularly enjoy about a given work. It can go in the replies, it can go in the tags, doesn't matter!! If you notice some symbolism or make some connection, there is all likelihood that OP put it there because they desperately wanted somebody to notice it. Let them know why you like it!
Reaching for the nebulous, impossible goal of better post circulation isn't going to make being a creator online in 2023 suck less. Meaningfully connecting with each other can, will, and does. You can make someone's day just by passingly letting them know that their effort is worth more than a number.
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Text
Everything we know about Project Apple (and, by extension, Anya's past) thus far
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thought i'd compile all of that now while endo's on break Just In Case the next chapter happens to start anya's backstory (i don't Think it will but endo likes surprising us LSDFKLFS)
important disclaimer that project apple and the organization in charge of anya's experiments have not been confirmed to be related! there's evidence that they have things in common, in particular employees, but that's our only real connection between the two thus far. still! worth looking into
more under the cut!
so, starting very strongly with the very first mention of anything related to the project: anya's introduction in chapter 1
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despite her being a main character, we know very little about her past at the moment, and this little blurb at the beginning makes up a very big portion of what we know.
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things to note here:
as an experiment, her name was "Test Subject 007". important to note that the notation differs between her and bond: she was Test Subject 007, bond was Subject 8, no zeroes in there;
she had been made thus by accident, the phrasing itself implying quite heavily that she was just a normal child before said accident (but this is the translation! i don't know japanese so i can't cross-reference with the raws to clarify if the phrasing changes anything, but the fanbook uses the word "gained" to describe her powers too);
because her mind-reading is an unintended consequence, that means the scientists were presumably not, at least initially, trying to achieve cognitive enhancements in humans, and were instead trying to achieve something else, whatever that might've been;
she escaped from the facility and then moved from institution to institution, looking for a family.
so, crucially, through this little introduction we learn that there is an organization, government-funded or otherwise, that is or was conducting human experiments for unknown purposes. we also learn that whatever family anya had prior to being involved in the experiments is more than likely unreachable, at least as far as she knows, and so she has settled for finding a new family to take care of her instead.
in terms of the facility itself, here we see they clearly drilled it into her that she can't ever reveal her secret (and the darn plush is there too -- in the anime it's even more emphasized, as you can see in the gif i made)
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through her reminiscing though, we get our very first look at the scientists that were in charge of her! they're in the gif above but here they are in the manga too. it's so interesting that the anime actually shows their eyes behind the glasses though, fascinating choice.
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the insistence on world peace is important, as it explains her own personal obsession with it and shows that it's not just because of twilight's own focus on preserving the peace. i also don't think twilight ever really talks about "world peace," only about "preserving the current peace between westalis and ostania" -- anya seems to be the only one talking about WORLD peace (even in the very first scene where either of them mention it in proximity to each other in ch 1, loid says "understanding the other party is the first step towards peace" and anya's interpretation is "understanding me makes world peace?") but take this with a grain of salt because i might be wrong! going through every single mention of peace in the story just to fact check this one little trivia fact is a bit much i think so i'm not doing it JSDFKLSD
but yes
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remember mr hair strand and baldy, we'll see them again. not her though, ig she wasn't in charge of bond
now, fast-forwarding to chapter 19, we finally get a name and a premise for the experiments:
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"but oana," you might say, "this is talking about animals only! how do we know it's the same project as anya's, which involved human experimentation?"
i don't think it is, is the thing! i think it's related to the experiments anya was a part of, which is evidenced by the same scientists being featured in project apple too, but there's more going on that we don't know about. there wouldn't be such adamancy on keeping the two separate in every official mention of them if they were just the same thing, imo!
back to the evidence, we learn that the project, conducted and funded by the previous ostanian regime (meaning donovan's related to it one way or another, since he was prime minister), was marked by franticness and desperation -- a prime place for accidents like anya's telepathy and bond's future vision.
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we also learn that the project was sacked by the new administration and that the former test subjects ended up on the black market.
(this makes it very important, imo, to learn when anya escaped the facility vs. when the project was sacked. it's clearly no longer in function, but while we've heard nothing from them thus far, i'm willing to bet the shady dealings around the desmond group are NOT related to the war, as W.I.S.E. has been led to believe, but rather to reignite project apple. that is speculation however so i'm going to refrain from theorising much on why the desmond group is focused on acquiring pharmaceutical companies!!)
ok speculation tangent over, back on track
so, that's already a decent amount of info! but moving to chapter 22, when bond is finally home, and we finally see some familiar faces
behold! baldy and mr hair strand!
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and 2 other guys we don't know but will see again in another bond flashback!
that's 2 out of the 3 scientists we've seen thus far from anya's own time as subject 007, confirming that there IS a connection between anya and bond's experiments, regardless of whatever the project anya was a part of might've been named.
this is also the chapter in which we learn that bond himself was subject 8 (or, if we take it from the fanbook, subject #8. still, diff notation from anya!)
in chapter 31, we learn an interesting tiny piece of trivia. we don't get any further info on it, but it IS mentioned as something that is known by W.I.S.E.:
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ostania is rumoured to have done human experimentation! and W.I.S.E., and by extension loid, are aware of that.
do i know how them knowing may be important later? not really!
the next droplet of info we get is in chapter 40. we see that project apple had collaborators that are still functioning unhindered.
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of course, born industries is only rumoured to have been involved with project apple, but regardless of whether or not they actually were, the rumour itself implies that the project likely pulled scientists from various other companies' R&D departments.
(this makes the desmond group's acquisition of glooman pharmaceuticals shadier, but anyway)
as a side note, twilight is emoting so much at just his wrong assumption that bond is seeking revenge against the scientists. imagine how he's going to react when he finds out about anya JKSDFKLFSD
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and now aaaaall the way in chapter 58, we see the bald guy who anya also knows, the two scientists from bond's previous flashback, and one whole new guy!
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and thus ends our current knowledge of it all!
the only other thing worth discussing is anya's knowledge of classical language
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but plenty people have already discussed these scenes, especially recently, so here are some links: 1 | 2 | 3
the only thing i can add is that i'm fairly certain that classical language is a lot more likely to be latin than old english, because it's a very common language to learn in school (in europe at least, and ostania is based on east germany so it makes sense to me. i learned mandatory latin in school for a few good years too, even if i wasn't that good at it lol) and because one of the most common modern usages of latin are in medicine and science, it would make sense that she'd be better at it due to exposure.
a possibility is also that the scientists would think in latin to conceal their thoughts from her, and that's how she ended up learning so much. she's not fluent in latin, she's just well acquainted and that cicumstance would explain the how.
BUT THAT'S SPECULATIONNN
also i don't think "ANIA" is an acronym, nor do i think anya's been misspelling her own name out of lack of knowledge. "ania" is a polish diminutive of anna and an alternate transcription of Аня, so i think it's far more likely that anya isn't ostanian or westalian than it is that her name comes from an acronym.
now,
TL;DR!
what we know about project apple (and the "mysterious organization"):
project apple was funded and conducted by what appears to have been donovan's regime and, from what W.I.S.E. knows, aimed to create highly intelligent animals for military purposes;
W.I.S.E. is aware that ostania is at the very least rumoured to have dabbled in human experimentation;
the project is presumably no longer on-going, though it is likely there are efforts behind the scenes to revive it;
it is rumoured but not confirmed that project apple had collaborating companies that are still functioning perfectly fine;
the same scientists who were in charge of bond were also in charge of anya, signalling that there is a very significant connection between project apple and the "mysterious organization;"
based on what they were telling anya, they were/are very focused on "world peace";
their experimentation methods include but likely aren't limited to electrocution.
and what we (vaguely) know about anya that relates to this:
she is at the youngest, 4 years old, and at the oldest, 5 nearing 6. we don't know her real age, all we know is she definitely lied about being 6;
she is very fixated on specifically world peace while twilight is focused on peace between ostania and westalis. the scientists are the very first we see talking about this, so it's likely their fault;
she is unreasonably well acquainted with classical language;
she has escaped the facility at LEAST 1 year ago;
and, one tidbit from the fanbook (page 29): "Anya has been reading minds for as long as she can remember," implying that her memory of a life before the lab is muddy at best and absent at worst.
that's all we know that i know of!!
if you got this far, thank you for reading :D hope any of this was interesting or sparked any theories >:] have a good day!
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