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#it’s not that difficult i promise
wackylittlegal · 4 months
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i am begging begging BEGGING for people to start using archive warnings properly
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egophiliac · 11 months
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Did peepaw come home?!
HE DID! :D! luckily it only took me three ten-pulls; I think my past experience of being so thoroughly denied a Fairy Gala Ortho made me more worried than I should have been. may the gacha blessings pay forward to everyone else! (ノ◕ヮ◕)ノ*:・゚✧
so far this is hands-down the funniest Lilia card, because he'll say something all edgy and badass in that deeper ~General Vanrouge~ tone and then follow it up immediately with one of the non-card-specific cutesy Lilia lines, and it gets me every time
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Bad News First, Eddie
Part One 🦇 Part Two🦇Part Three🦇FInal Part
A continuation of Bad News First, Eddie. I am absolutely floored by the responses I received, and I will try my best to tag everyone who asked. I know it's not Eddie's part, but chronologically, Wayne's part felt right.
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Of all the things Wayne’s been called, unobservant isn’t one of them. He’s lived in Hawkins his entire life. He knows who is who, what is what, and to keep his head down and believe there’s a cougar in the woods when he’s told.
So, when Nancy Wheeler shows up, asking questions, Wayne has answers. Is willing to give those answers because he remembers when little Will Byers went missing, and how Nancy and her friends had done more to try and find him than the entire police force of Hawkins. Nancy and her friends always seemed to be in the orbit of whatever terrible thing was happening in Hawkins these last few years.
So, foolishly, terribly, he doesn’t intervene. He thought they were like that Scooby Doo cartoon Eddie used to love; kids solving mysteries. If he’d known the true extent of the horror, he wouldn’t have let those kids go it alone. But he didn’t know then.
-
Still didn’t know the day he pretends to not know who Dustin Henderson is while swapping out Eddie’s missing poster. It’s easier than having to face someone who knows Eddie, someone who had been looking for him but failed to find him.
Until Dustin calls after him. Until Dustin speaks to him. Hands him Eddie’s necklace. Wayne can’t stand anymore, this breaks him. Dustin says he was with him, in the end. Calls Eddie a hero, said people would have loved him had they known him. It’s nothing Wayne doesn’t already know.
Eddie is his hero. He loves Eddie. And if he’d stepped in sooner, chased down these kids and asked just what the fuck was happening, maybe he could have changed the ending of this story.
-
Hawkins explodes into a hellscape days later and Wayne sets out to find Nancy Wheeler. If Eddie gave his life to protect these kids, then Wayne must strive to do no less.
Nancy’s got a good head on her shoulders, willing to accept any help offered. He can see how she’s survived this long. She gets in in touch with Hopper, who introduces him to Doctor Sam Owens and Lt Colonel Jack Sullivan.
-
He doesn’t think it’s fair that the fate of the world rests on the shoulders of a fourteen-year-old girl.
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It’s Dustin who tells him the whole story, the night before the end. Either Eleven will win tomorrow, or she won’t, but the outcome gets decided then.
“I’m s-so sorry, Mr. M-Munson. We just… just left him there!” Dustin breaks down crying and Wayne reaches out to him, an arm around his shoulders, pulling him into a hug. If Wayne sheds a few tears, too, well. Who can blame him?
“Doctor Owens, a word,” Wayne pulls the man aside after the kids have gone to bed. “Dustin said… my boy is just yards away from our trailer. He didn’t even get out of the park. I understand it’s an all hands on deck situation, but can anyone be spared? Can anyone bring my boy back? I’ll go myself if I have to.”
Doctor Owens, a genuinely kind man, Wayne can tell, has tears filling his eyes just at the request. “Mr. Munson, we will do everything in our power to bring your boy home.”
-
Doctor Owens pays for the headstone. Said it was the least he could do since his team failed. Wayne tries not to be bitter about it.
The graffiti starts up almost immediately. Wayne doesn’t understand why.
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He thinks he’s caught someone in the act, grabs roughly at the perpetrator and yanks. The Harrington boy stumbles up and back, a little bit of fear in his eyes but no paint in hand. He’s holding a rag and small container of paint thinner. A quick look between Harrington and the grave, he can see the half-cleaned headstone.
He’s never spoken much with Harrington, but Dustin has nothing bad to say.
“You know my boy?” because he can’t bring himself to say ‘knew’ just yet.
Harrington looks just about as haunted as Wayne feels when he says, so quietly, “Not as well as I would have liked, sir.”
-
Wayne is observant, but even he can admit it takes longer than he thought to figure out Steve Harrington. That boy had put himself between those kids and danger again, and again, and again, and lived. Eddie did it once and… well, Wayne reckons Steve thinks it should have been him. He won’t say so out loud, but Wayne sees a lot of his younger self in Steve, knows him in much the same way he knows himself.
Steve lives with a guilt he shouldn’t; this was Eddie’s choice. His reckless, dangerous, courageous choice. And they’ve got to learn to live with it. Steve’s parents are absent, and Wayne’s nephew is gone. Without any conscious decision about it, they’ve adopted each other.
Steve wants to know everything about Eddie. Every little story Wayne can come up with. And he, well, he loves that someone wants to know. Wants to remember Eddie with him.
“Bad news. I regret not knowing him sooner,” Steve confesses to him one day as they scrub the headstone clean again.
“Good news. You know him now,” Wayne replies.
“Do I?”
Wayne can’t answer that. Not honestly one way or another. How well can you know someone from secondhand information? Steve spent a total of five days in his nephew’s company but he helps keep his memory alive. “I don’t know. What I do know is that Eddie Munson won’t be forgotten when I die. And that matters.”
-
He gets in an accident at the plant. He doesn’t remember what happened, not fully, but he knows that Steve never left his side. Demanded his come stay in his big empty house. Easier to move around in, with all the open space.
Wayne wasn’t really attached to his apartment anyway. If he was going to live the rest of his life in a home that had never known Eddie’s presence, it could at least be with someone who had known Eddie’s presence, however briefly.
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Wayne wonders if he’s done the right thing sometimes. Indulging Steve’s need to know Eddie. At first, he thought it was fine, because learning about Eddie seemed to alleviate Steve’s guilt. But now.
He’s watching the boy fall in love with a ghost.
Helping it happen, even.
Robin and Steve aren’t nearly as quiet or subtle as they think, and Wayne’s observant. They seem to forget that Wayne’s just old, and not deaf and blind.
Or maybe, they’re comfortable enough that they don’t truly hide from him.
And it hurts his heart to think this (because he’s thinking it about his Eddie, wonderful, loving Eddie) but Steve deserves to love more than a ghost.
-
And then the kids graduate. Start to go to college. Steve acts fine, but he’s not. Wayne knows. It’s like he’s losing his purpose, but Wayne’s just as broken. Not strong enough to push Steve away. To make Steve go, too.
Honestly, he’s a little afraid that if he tried, then Steve would follow right after Eddie.
So, he doesn't. He decides he needs Steve, and perhaps even more so, Steve needs him.
-
Then, five years after Eddie’s death, the call happens. It’s about his piece of shit little brother, Wyatt. He’s gotta go, though. Because this is one last strand of Eddie. Eddie’s mother has been gone longer than Eddie, and fuck, Wyatt deserves to know. Wayne doesn’t claim to be a saint; if his brother wasn’t being released, he’d probably never tell him. He’d let him die in that prison believing his son is alive.
He doesn’t even know if Wyatt will care that Eddie’s gone. But he’s got to find out.
Steve drives him to the airport and no matter how many times Wayne says he’s coming back, Steve doesn’t seem to believe him.
-
But it’s not his shitty little brother waiting to greet him in Tennessee. It’s Eleven.
“Sorry for the lie, Mr. Munson,” she says. “I wanted to tell you as soon as I learned but Doctor Owens said that, this one time, we needed to be right before we could be honest.”
It’s Eddie. It’s Eddie Wyatt Munson, who looks at him shyly, almost as if afraid, from the apartment doorway Eleven takes him to. “Hey Uncle Wayne.”
It’s five fucking years too late but he pulls Eddie in a bone crushing hug. “I love you so much, you little bastard. Don’t you ever, ever do this to me again.”
-
Wayne learns.
They had found him, barely alive. It was better, they said, to take him away. Let the town cool down while Eddie healed, but he was catatonic for the better part of these last five years.
“Eddie woke up empty,” Eleven says softly, apropos nothing sitting next to Wayne as they watch Eddie discuss next steps with Owens. “He could be told to do things. Drink this. Eat that. His eyes never focused on anything. Doctor Owens called him a shell. I asked what that means. He said that Eddie’s body worked, but his mind did not because Eddie was not in his own mind anymore. But I knew he was in there. I had to get him back.” She reaches a hand out, waving in the general direction of Eddie’s head.
This surprises Wayne. “You brought him back?”
“Memory by memory,” Eleven says, picking at her pants leg. “Even the painful ones. Doctor Owens says every memory shapes who we are, even tough ones.”
Wayne looks at Eleven, a young woman of nineteen now, but remembers how scared and brave she’d been at fourteen.  “Words cannot express how thankful I am for you.”
“I did it for you. And maybe a little bit for me.”
Wayne makes a humming noise. Not truly questioning, but an acknowledgment of what she said. If she wants to share her reasons, he won’t stop her. He’s just not going to pry.
“I chose my friend. I chose Max.”
He knows. “You made the right choice.”
“I know. I am not guilty about it,” she frowns as she thinks about her words. “But Dustin is my friend, too, and I knew Eddie was his friend. But I cared more about Max. I had to do all I could to make it right. For you. For Dustin. For me.”
Wayne doesn’t have words, so he just pulls Eleven into a hug. It must convey all he needs because when she pulls back, she beams at him.
-
Wayne fills Eddie in on what has happened as best he can. It’s such a jarring difference, speaking to Eddie about Steve than it had been speaking to Steve about Eddie. Eddie just looks confused for most of it and doesn’t really ask followup questions, but Wayne understands. Eddie had known Steve for five days and he’s got time to really get to know Steve now. Steve thought all he’d ever have of Eddie is someone else’s memories.
“Just give him a chance, Eddie,” Wayne says.
“Give him a chance? As if I’d waste it,” Eddie breaths out, all wonder and awe and- Well, maybe Wayne isn’t as observant as he had always thought. “He took care of you when I couldn’t. He cares. I don’t think there’s a chance I wouldn’t give him.”
“How long have you had a thing for Steve?”
Eddie stutters over his words, eyes wide and wild. “That’s not- why would you think- when have I ever!?”
“You think I wouldn’t know this about you?” Wayne chuckles and lies, as if he hadn’t just watched all the pieces slot together in this moment.
“So, we’ll be living with Steve Harrington?” Eddie is blushing but he blows past Wayne’s question. “Will he… be okay with me being there?”
Steve’s been loving a ghost, is what Wayne thinks. Steve’s been in love with a ghost and this. This is a ghost story that can have a better ending. But he’s not going to make those declarations for Steve, so what he says is, “yeah. Steve and I had each other when we needed it. Now I need you, so Steve won’t mind at all.”
Eddie smiles to himself, pulling a strand of his hair to hide his face behind.
If he hadn’t just figured it out two minutes ago, that would have been a dead giveaway that his boy might be a little bit in love with Steve.
-
He calls Steve. Tells him he’s coming home and bringing a guest. Steve says that’s fine, he’ll fix up Robin’s old room into a guest room.
-
“This isn’t the way to the Harrington house,” Eddie observes from the passenger seat of the rental car Doctor Owens had paid for, to get them from Indianapolis back to Hawkins.
“Steve won’t be there. He comes here when he’s overwhelmed.”
“The cemetery?”
Wayne shrugs, “we both come talk to you. Steve always starts with the bad news, you know. I think you should start with good news. Just this once. Ah. See, there he is.” Wayne points and Eddie’s eyes follow.
Something akin to wonder passes over Eddie’s face and he all but falls out of the car before it’s even stopped.
Wayne thinks he’ll give them five or so minutes before following.
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wyrmswears · 7 months
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i finished aai2 (one of these is not like the others)
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stil-lindigo · 1 year
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the dredger.
a comic about closure.
(buy the digital copy of the comic anthology here)
creative notes:
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daily-basil · 5 months
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Could you please draw Basil holding Sunny? That would also be so adorable.
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Absolutely adorable :)
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detshin · 3 months
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Had to start drawing him too 🩷
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peaceandlove26 · 1 year
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general-cyno · 8 months
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today in more zolu thoughts: yet another thing I find fascinating about zoro and luffy's relationship, which I believe the LA managed to capture pretty well despite the differences between it and the og source material, is that while zoro's capacity for loyalty and devotion where luffy's concerned are insane (the all-encompassing, heartfelt, lay down my life and dreams for you, follow you until death or the very end of everything kind of crazy), they're not entirely unconditional per se. the condition here being that he has to measure up to zoro's standards - that luffy has to prove himself a man worthy of following.
there are plenty examples of this in the manga, but I'll stick to where it and opla intersect. so manga!zoro pretty much stands firm with this condition when he agrees to follow luffy, warning him about not getting in the way of zoro's dream right away. opla zoro is a lot more reluctant to join in comparison, and he just seemingly goes along with the whole thing in a more "might as well" manner; even so, there's these few subtle moments where you can see him being struck awe by luffy's faith in himself/his dream (the dinner at kaya's) and showing exactly why he's a "different" kind of pirate (ie freeing the folks from orange town).
still, the most pivotal moment is zoro's fight with mihawk in both cases. this is where luffy has to really prove himself to zoro, for the first time. because talk of dreams and promises and not hindering them is nice and all, but can luffy really stand by what he says when push comes to shove? when the life of someone he cares about is on the line? and man. the answer is yes.
in the manga, by stopping johnny and yosaku from intervening and refusing to do so himself as well, even though he was deeply upset by zoro getting hurt, luffy proved he wouldn't go back on his word nor betray zoro's trust and the faith he had placed in him. in a similar fashion, opla luffy letting zoro go ahead with the duel despite his own apprehension/doubts and nami questioning both of their choices, is what finally led to zoro recognizing him as his captain out loud and accepting his role as a first mate.
I just think it's interesting that these two kind of make each other walk on a tightrope. only the world's greatest swordsman can stand by the pirate king's side. the pirate king can have the world's greatest swordsman by his side, if he proves himself worthy of it. but the best part? for me, it's that zoro and luffy are able to challenge one another this way (or set the bar that high) because they absolutely believe the other can rise up to it and beyond.
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wizardofgoodfortune · 5 months
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THE SEVEN LAMPS OF ARCHITECTURE 15th century venice au by @quillingwords & @the-cloudy-dreamer
November, 1475. Hob Gadling arrives in Venice, explores a mysterious world of cosmic grandeur, trades ink-stained love confessions with his stranger, and embraces the most important lesson of all: that life is a story all on its own, past and present and an ending that isn't really an ending at all.
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caycanteven · 5 months
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I promise I’m not dead, I’m just overstimulated lol. For now take this food
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Baggs my beloved workaholic by @megalommi 🫶
Tiny update under the cut~
Lots of stuff going on with holidays and such, so ‘m sorry for the lack of any art or little doodles. Drawing outside comms (for myself mostly) has been difficult. I’m trying to avoid burnout while I’m working on comms, plus allergies have made me feel like I’m dying lmao. I’ve been writing in my down time to help myself relax, but even that has been pretty rough. However, I’m aight I’d say!
Thanks for sticking with me tho and hopefully everything will relax again.
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mumblesplash · 8 months
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me normally: my media consumption resonates with but does not directly reflect or alter my mental state, i have a healthy and robust ability to process human experiences through the lens of art without losing sight of reality ­:)
me watching the terror: i NEED to do some gay shit on a doomed voyage and then die of scurvy. to express myself
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starryguykai · 6 months
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only one thing is for certain.
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hydrachea · 3 months
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I can't stop thinking about Blade saying gifts are unfamiliar.
And I can't stop thinking about Kafka and Silver Wolf, hearing that, and making it a mission to bring him gifts whenever they travel somewhere for their script - even if he's there with them. About the confusion in his eyes when they steal buy something and turn right around to hand it to him.
About his room starting out completely empty except for the bare minimum necessities, a few spare clothes and what he needs to take care his Shard Sword, but filling up with little trinkets and gifts over time. Clothes and jewelry and perfume from Kafka and posters, figures and plushies from Silver Wolf. About them also bringing food back, expensive specialties swiped from a restaurant and the weirdest option they could spot in a lone vending machine, a category of gifts that doesn't leave anything behind (except the photos they both take of the three of them eating together, or of the faces he makes when Silver Wolf manages to trick him into trying a suspicious snack while he's distracted with polishing his weapon).
About Kafka spending hours finding clothes and jewelry she thinks would suit him, because that's her love language. She gets him makeup too, refusing to let his good looks go to waste. She knows he can't put it on himself, they both do, and he doesn't care for his appearance enough otherwise - but he'll let her do his makeup for him anyway, because she enjoys it, and because he finds it soothing.
About Silver Wolf also buying him clothes, but the ones she gets aren't his style at all, and just barely his size. She gets them for him, but just so she can steal them right back - her love language is quality time, and she fills Blade's room with gifts she can borrow along with a moment of his day. It still counts as a gift, she insists, practically swimming in an oversized jacket she swiped from his closet.
About how in another life, Yingxing gave gifts to the people he loved and in this one, Blade receives them from those who love him.
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gen-z-culture-is · 6 months
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younger gen z culture is wanting to cry and fight and scream bc u care so much abt a cause but ur too young to vote or do volunteer work or help organize anything or make ur own money to donate or have people rly listen when u talk abt it or rly do any except let the seething desire for a better world burn up ur thoughts
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humanmorph · 6 months
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Janine (as Thisbe): I will miss their cereals. Ali (as Brnine): Oh, yeah. [taken aback] Thisbe, you eat cereal? Janine (as Thisbe): No, the boxes. I liked to look at the boxes. Ali (as Brnine): [quietly] Oh. Yeah. Yeah. Janine (as Thisbe): I enjoy the mazes on the back.  Dre: Aw. Janine (as Thisbe): Phrygian made the best cereal box mazes. (PALISADE 29: Honesty and Integrity Pt. 2)
scene i liked :' )
(transcript courtesy of robotchangeling)
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