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#it is their duty as siblings
dc-and-damirae · 8 months
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dick: Is it a crime if I throw salt in someone’s face? I think it would be really funny to do that and then go ‘You look a little salty’ jason: It’s assault. dick: I know it’s a salt, but is it a crime? jason:... how the fuck were you a cop. dick, frantically: can we please not bring that up I wasn't in the best place emotionally! damian: tt' pig
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mammutblog · 1 year
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damian is like this is so stupid i do not need to be accompanied by two idiots
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catsharky · 7 months
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I got impatient and started on Rolan before finishing Astarion's colours, woops
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moonilit · 2 years
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Brotherhood is you pulling an elaborate prank on your brother letting him believe he truly blinded you all this time when you can see just fine
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gettingwormed · 1 year
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doodle comic to destress from ap work
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rivvode · 26 days
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id die for them idk
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cheeseproducts · 23 days
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caught in action
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queermentaldisaster · 2 months
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Ghost cuddling with Soap when his anxiety gets really bad, so bad that he's genuinely crying and dead silent. He knows Soap is horribly overstimulated, and Ghost's room has always and will always be sensory safe for both of them.
So they cuddle on those rare nights, when Soap's hit his limit and just needs to cry in someone's arms, because Ghost's the only one who understands.
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abrahamvanhelsings · 8 days
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listen i don't think edward little was actually a bad first lieutenant. when we see him in the first episode he's calm and confident. he does not say much but he's amiable enough. crozier likes him, and i don't think crozier would like anyone he doesn't think capable in some way. generally he's dependable and knows what he's doing. however unfortunately for edward he has these qualities because he has a major case of eldest daughter syndrome, which means he both wants to please his mum (crozier) and has an overdeveloped sense of responsibility for his younger siblings (crew), so when they get stuck in the ice and crozier starts going (more) alcoholic, he enables his mum bc he doesn't want to disappoint her even if he doesn't agree with her, and he has to pick up the tasks and care for his siblings she's not doing, but he can't let his siblings know about their mum's situation because they'll get worried and restless. and like a true eldest daughter he has to bear the brunt of mummy's anger for being a disappointment but he also doesn't want to seek refuge with the man she divorced (fitzjames) because that feels like a betrayal. also while this is going on there is a giant bear who hunts his siblings for sport so they're dying left and right and also a changeling master manipulator who's making his siblings mad at their mum and who wants to fuck said mum before eating her like some sort of praying mantis. anyway i think i would start being miserable and anxious too.
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mockerycrow · 9 months
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Hi new little weird anon,, but HOLY FUCK THE SIBLING ANGST???? Ty for feeding us omggg 🫡🫡 I'm over the edge for this shit,, please just destroy me emotionally already, legit love you sm ( platonically ofc but still )
OFC ANON!!
It hurts Simon when he sees you for multiple reasons—he left you, and fuck, you remind him so much of himself. The anger, the dead look, the harshness—fuck, your face. He sees himself, the similar jawline, your eyebrows scrunch the same way his does—your gritting tone being the same as his—what the fuck happened to you?
He doesn’t reveal himself to you for a long time—he was told you were a temporary addition to the team, so he keeps his distance. It doesn’t stop Soap and Gaz making jokes that you two are too similar. He knows Price knows—Price had taken him aside to show Ghost your file personally after welcoming you to the team and introducing you to everyone. Ghost tensed when he reads “RILEY, [NAME]” At the top of the file.
For some reason, it hurts even more when he watches you purposely separate yourself from everyone. When the 141 is doing a group activity, you opt to be first to get it out of the way, or maybe you just straight up don’t arrive to different events. And it hurts worse when he hears your panicked breathing through the walls—hearing the same tune he’s sung for years.
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avariceaside · 1 day
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We were ROBBED of Zagreus getting to be an annoying older brother
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guardianspirits13 · 5 months
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My 12yo brother is reading the Burning Maze for the first time and I told him to let me know when he gets to “the part” and he is going insane about it lmao
The last time I did this to him was when reading the House of Hades with Nico coming out, so Jason’s death is gonna give him whiplash for sure
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comradekatara · 3 days
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sokka, katara, and the paradox of “the gifted child”
something i’ve noticed is a tendency to (mis)characterize sokka as someone who is dismissed due to being a nonbender, when that’s only partially true. sokka is certainly dismissed by some for not being a bender (namely, by benders), but i think there’s a key difference between being dismissed and not being valued in one specific way. katara was valued by her tribe for being a waterbender for the very crucial reason that she was the last one left. had she been a dime a dozen in her tribe, which would have been the case were it not for the systemic extermination of her people, she would not be valued as highly for possessing this skill. that said, while sokka clearly does hold some resentment over his lack of bending ability, calling himself “the guy in the group who’s regular,” i think it’s folly to assume that this means that sokka was dismissed and discarded as “average” while katara was put on a pedestal for being special. because while katara obviously was considered special, sokka is also clearly considered special by his family, merely in different ways. and if anything, sokka embodies the archetypal struggle of the so-called "gifted child” far more than katara does.
while sokka clearly believes himself to be disposable and intrinsically worthless, i don’t think that he was actively neglected by his family. even if katara was clearly marked by her bending as embodying the last hope of their tribe, that doesn’t mean that she was seen as more gifted than he was or was designated as her family’s obvious favorite. for example, the way hakoda talks about sokka (saying he trusted him with leading and protecting the tribe when he was thirteen, calling him a genius, and other such insanely high praises to heap on a child) shows that he clearly views his son as particularly exceptional and has never been shy about showing that. sokka is distinctly insecure around his father for assumptions he makes regarding hakoda's faith in his abilities and his insecurities when it comes to his perceived failure in not measuring up as a man, but from the second we meet hakoda, it's evident that these insecurities are entirely internal and completely unfounded, at least in terms of his father's perception of him. hakoda is nothing but incredibly proud of sokka, constantly emphasizing just how capable and brilliant he believes him to be. whether or not sokka is capable of internalizing it is another story, but it's clear that hakoda is not stingy in his praise and affection, not even a little bit.
moreover, while katara is clearly kanna’s favorite on an emotional level, she nonetheless affords sokka far more respect. she admonishes katara and tells her to do her chores, and notably, she also impresses the importance of “listening to her brother,” and backs up sokka’s decision to banish aang from the village. you can claim that sexism plays a factor in how sokka views his own supposed position of authority, but kanna is a woman who traveled the entire globe as a teenager because she wanted to escape patriarchal impositions dictating her life. she’s simply far too smart to treat sokka as any sort of authority within their village if she did not fully entrust him with that responsibility. she treats sokka almost like a peer, as if she is legitimately co-running the village with a fifteen year old boy.
katara is only a couple years younger than sokka at most, but her dynamic with kanna is very different. on one hand, kanna clearly sees more of herself in katara, can identify with her sense of adventure and rebellious spirit, but on the other hand, it means that she views katara as a child to be taken care of, who needs to be reminded to do her chores and bailed out when she gets herself into trouble. sokka doesn't want to be viewed as a child, and so he does everything in his power to position himself as kanna's equal rather than her grandson. he takes his duties and responsibilities very seriously, and is obedient to a fault whenever he is submitting to any authority he actually respects, especially his father and grandmother. to be honest, a lot of what katara considers coddling is probably just sokka never being bossed around by their grandmother because she never actually has to tell him to do his chores. because despite katara's claim that he simply faffs about "playing soldier," sokka's problem is actually that he takes himself too seriously for her liking. and with the exception of kanna saying "be nice to your sister," which is the kind of teasing a parent says to their child, she clearly respects sokka's position in the village. when katara tries to run away with aang, kanna takes sokka's side and forbids her from acting impulsively, but when sokka is the one who packs supplies and plans to save aang, kanna gives them both her blessing.
katara is the only person who takes umbrage with the notion of sokka running the village and telling her what to do all day. and those frustrations have likely accumulated up from a lifetime of being told to “do as her brother says” and “why can’t she be smarter and more responsible and levelheaded blah blah blah.” she clearly thinks that she’s punching up when she yells at or mocks him, which may seem crazy to anyone who understands that sokka’s entire identity and existence revolves around being katara’s protector, but katara doesn’t actually know this. in her mind sokka is merely the perfect child who has always represented this impossible standard of “genius.” and what's more, he's absolutely insufferable about it.
and to be clear, this isn’t to say that katara herself isn’t highly intelligent, capable, competent, and skilled. she’s not only an incredibly talented waterbender, but also clever, quick, witty, creative, resourceful, practical, mature, and thoughtful in other ways. at one point, toph calls her a genius (“a stinky, sweaty genius”). and she is, indeed, an extremely powerful and innovative waterbender, both due to her hard work, but also because she is genuinely brilliant. that said, she’s smart in the realistic way that a kid is smart; she works hard to be good at what she cares about (and she has an existentially devastating reason to care about being a good waterbender, mind you), and she’s also good at thinking on the fly when she needs to. however, unlike sokka, or even toph, her intellect may be impressive, but it isn’t astonishing. sokka’s mind functions completely anomalously. i wouldn't say he's unrealistically intelligent, because i do know some people in real life who are similarly adept at processing all kinds of different information with the ability to deftly apply it near-immediately, but it is certainly abnormal, both for real world standards and within his universe.
i normally bristle at this term and its applications (for multiple reasons), but since it is explicitly stated multiple times across the show, it is important to acknowledge that sokka is referred to as a genius multiple times, including by his father. katara is referred to as being a genius by toph for using her own sweat to waterbend (which, as hama points out an episode later, isn't even that clever because you can literally bend water from the air around you); conversely, sokka is referred to as a genius for helping to invent hot air balloons and for figuring out multiple escape routes from the world's most secure prison in less than a day. we don't know the exact timeframe under which katara trained with pakku and earned the title of master, but she clearly worked incredibly hard to earn that title, not only as a master, but as the greatest waterbender in the entire world. i assume it was any time between a few weeks and a little over a month in which zhao would organize a fleet to arrive at the north pole, which is, of course, extremely impressive in itself and a testament to her passion and determination. however, on the other hand, piandao claims that sokka has basically mastered the sword and is ready to make his own within less than a day. it's important to remember that katara is also brilliant in her own way, and possesses great skills that sokka lacks: not only bending, but also midwifery, and an ability to locate her own emotions and allow herself to be vulnerable with others, two skills which should never be looked down upon for their association with womanhood and femininity, and are also particularly impressive considering just how young katara is. she is brilliant in her own right, and in any other family, katara would easily have been "the smart one." and yet, sokka is simply in a league of his own.
so, yeah, he can stand to get thrown around and yelled at; everyone her entire childhood just kept on impressing how special and perfect and brilliant he is, he can handle it. she has no idea that he is depressed, depersonalizes, loathes himself, and thinks he’ll never be good enough, because he never actually communicates any of that to her. the closest he ever comes is admitting that he’s jealous due to not having bending abilities, and even that shocks katara, even though it’s such a small and obvious admission in the scheme of things. she has no idea what’s going on with him psychologically, how he views himself in relation to others, and specifically in relation to her, so she kind of just assumes he’s entitled because surely he must know how special he is and thus feels owed accolades by the world at every turn. he deserves to be humbled, and she is in fact righteous for humbling him.
when she makes fun of him for being stupid or miserable or paranoid or cynical, she thinks she’s owning him the way a righteous underdog fights against an oppressor. it's similar to how zuko wants to "put azula in her place." in katara and zuko's minds, they are both the valiant underdog siblings who had to fight and struggle against the siblings for whom everything came so easily. and in katara’s mind especially, she is always punching up, and she always has a moral justification in lashing out at anyone she pleases. so she couldn’t fathom that the reason sokka puts up with her antagonism without complaint isn’t because he’s so above her that he can simply ignore her taunts and gibes without a care (if that were the case, he wouldn't bother to taunt and gibe in return), but rather that he feels so detached from his own personhood that he would never think to actually explain his feelings to the person whom he has defined himself through since childhood. and if he did ever, somehow, communicate that to her, she’d have to reevaluate their whole entire lives and dynamic. but he never will communicate that to her, so she’ll never actually have to do that.
moreover, even though katara often does tease sokka and cast doubt upon his competence and abilities in low-stakes situations constantly, whenever they are actually facing a real problem that requires an immediate solution, katara seems to forget that sokka is supposedly an unhelpful, lazy, immature idiot because she immediately turns to him to fix all their issues. and then once that issue is resolved, katara goes back to finding his existence bothersome. sokka, on the other hand, falls into this role of problem solver instinctually, with the one exception that when they actually name him as the idea guy, he jokingly complains that it’s a lot of pressure to be one who is always expected to come up with solutions. and while he is joking during that conversation in “the drill,” he’s being honest to an extent, because his perfectionism and fear of failure is truly dire.
when katara is faced with failure, whether as the consequences for her own actions or otherwise, she simply gets back up and tries again. she can’t be knocked down, she can’t be deterred from achieving her goals. she has a very healthy approach to making mistakes, and while she doesn’t always learn from them in the longterm, she does always try her best to fix them and amend the situation as immediately as possible. katara is someone who is incredibly resilient and is constantly demonstrating the sheer magnitude of her inner strength, especially in particularly difficult moments. she has the ability to fail as many times as it takes without letting that failure affect her own self-esteem or desire to keep striving for what she believes in.
sokka, on the other hand, is very physically resilient (he gets beat up a lot), but his emotional resilience is actually quite pathetic. he has no tools for coping with failure. from even the slightest mistake, like not actually being able to open the doors at the fire temple with his makeshift explosives, to a catastrophic one, like his failed invasion, sokka immediately retreats inward. in “the boiling rock,” sokka demonstrates how his first ever real failure that rests squarely on his own shoulders is so devastating to him that he becomes totally irrational and suicidal in an attempt to “rectify” the situation. he does not know how to cope with failure, because he expects himself to be perfect at all times. and it’s not because sokka is overly proud, but rather that his guilt complex is so profound that he blames himself for every single thing that goes awry at all times, even when it isn’t actually his fault whatsoever. so that guilt and shame is magnified a thousand fold when sokka is actually culpable for those losses.
one of many ways in which it is evident that sokka is the older sibling is that he clearly lives with the mentality that if katara messes up or gets herself in danger due to her own impulsive inclinations, it’s always actually sokka’s fault for not being a better, more attentive brother. when she sets off the booby trap in the banned ship, sokka banishes aang from the village so as to protect katara from herself. when katara experiences the consequences of heedlessly blowing up a factory, sokka gets mad at her for her recklessness, but also immediately finds a way to help her fix this situation, because that’s his job, and in fact, his primary purpose on this earth. this is a dynamic sokka has probably internalized even before he was assigned the role of her sworn protector, because that’s just how being the eldest is.
sokka’s tendency to take responsibility for everyone else’s mistakes and his desire to shoulder everyone else’s pain at all times, coupled with his implicit belief that he, uniquely, cannot afford to mess up ever (if other people make mistakes it’s fine and he can help them fix it, but if he makes mistakes he no longer has a purpose on this planet, goodbye cruel world), definitely indicates that he was held to an incredibly high standard all his life. he expects himself to be able to handle a lot of responsibility with perfect ease because he always has. he isn’t used to making mistakes of any kind. if he puts his mind into learning a new skill, he always masters it within a couple of days, whatever that skill happens to be. unlike katara, sokka is used to things coming easily to him, and what he isn’t used to is failure.
katara and sokka are both exceptional, of course, but in very different ways, and for very different reasons. katara grew up with a lot of external pressure to excel as a waterbender, because she needs to embody her cultural legacy and prove that her mother’s sacrifice was not in vain. it’s an unfathomable burden to place on a child, and the rate at which she improves her waterbending once she is actually given the resources to hone her skills is a testament to her perseverance and untiring dedication. katara becomes the greatest waterbender in the world not because she is a natural prodigy (which is something she bristles at when aang does display prodigious skill), but because she is incredibly determined and no one can outmatch the strength of her heart and unshakable commitment when she is pursuing a goal. as pakku even says, raw talent isn’t everything, and katara’s abilities prove that despite not being “naturally gifted,” hard work and determination is far more important when it comes to excelling in any given domain.
however, if katara’s motivation to be excellent is externally imposed by the tragic circumstances of her life, sokka’s motivations are, at the very least, internally maintained. as aforementioned, i have no doubt that he received a lot of external validation and praise from the adults in his life as a child with a dazzling, brilliant mind. as has been established, sokka is constantly displaying an ability to synthesize new information at a staggering rate, which likely means that before katara had even discovered her ability to waterbend, sokka was probably being fawned over for the impressive rate at which he was picking up new skills as a baby. since pretty much everything (cerebral, at least) comes easily to sokka, i can only imagine that hakoda, who never hesitates to express to his children how proud he is of them, would constantly affirm sokka’s intellect. and by boasting that sokka takes after himself (hakoda also refers to himself as a genius, completely sincerely), he unwittingly plants the first seeds in fostering sokka’s belief that he must be exactly like his father in every way, and that any deviation from hakoda’s image would prove him unworthy. but he will never be the spitting image of hakoda the way that katara is "the spitting image of kanna" because sokka is already the spitting image of kya, if not – perish the thought – his own person entirely.
unlike katara, who spent her whole childhood trying to waterbend by herself with little success (beyond, of course, isolated instances demonstrating her sheer raw power when her bending was being influenced by her incredibly strong and passionate emotions), sokka always felt like he could handle the amount of responsibility he was given, because everything came easily to him. until the day that his life changed forever, and suddenly the stakes were no longer abstract, but tangible and personally devastating. sokka had never learned that it was okay to fail as a child because he never had a reason to, and then suddenly, he could not afford to fail under any circumstances. failure of any kind went from being a (purely hypothetical) blow to the ego, to being something that could directly endanger the lives of his loved ones. and so sokka decides that the only way to not be culpable for his potential failures is to be a martyr.
of course, there are instances in which sokka is proven to be inept, such as on kyoshi island or with piandao, wherein his humility and open-mindedness are put on display and sokka puts aside his own standards of perfection to learn from a master, but i don't think these instances qualify as failures. for one thing, sokka happens to master the forms he is being taught in less than a day, at an unprecedented rate, and thus these initially humiliating blindspots in his knowledge become victories as sokka absorbs new knowledge. sokka is always eager to learn, and willing to acknowledge his lack of expertise in area, humbling himself to learn from others any chance he gets. no, what i mean by "failure" as it relates to sokka's self-perception and ego is not a lack of knowledge, but an inability to protect another. to sokka, his existence is defined by his ability to provide and protect, and thus, a failure is, specifically, when someone gets hurt under his watch. that is what it means to not be able to afford to fail. he is not overly proud (if anything he is overly insecure), but he also understands that the stakes of failure – real failure – are tangible.
so when it comes to failure that carries grave consequences, he would rather be dead than fallible (or, responsible for not adequately protecting his loved ones), one million times over. and so every time someone makes a sacrifice for him, he feels as if he has failed on a fundamental level, because simply being exceptional is not enough, he must also bear the entire world’s suffering alone – as (in his mind) hakoda instructed him to when he left him behind to protect and provide for the village. otherwise he has failed in his promise to be needed, which is his raison d’être. sokka’s complex is very obviously not informed solely by his upbringing as a “gifted kid,” and in fact largely informed by the dehumanizing logic of war as it necessitates sacrifice, but his inability to accept his own fallibility as a product of his self-dehumanization is, at the very least, compounded by his debilitating perfectionism.
thus, katara and sokka's dynamic within their family isn’t “gifted kid and neglected kid,” but rather “two gifted kids who are gifted in different ways, one of those ways being valued more on a cultural level due to its scarcity as a byproduct of genocide.” while katara was put on a pedestal her entire life due to her ability to waterbend, it doesn’t mean that sokka wasn’t put on a pedestal in other ways. if anything, the reason hakoda entrusted a child with the burdens he did was specifically because he put his son on a pedestal. sokka assumes that hakoda didn't think he was capable enough to join his army, but that couldn't be further from the truth. hakoda trusted his thirteen year old son so much that he genuinely thought it best to leave him alone with this duty to defend his village and protect katara at all costs. he didn't leave a single man behind, not even the other teenage boys, because that's how much faith he had in a child to take his responsibilities seriously and perform them competently. and if that decision gave sokka one million different complexes and fucked him up for life, it wasn’t because he wasn’t valued for his abilities, it’s because he was overvalued and given too much responsibility at too young an age.
both he and katara struggled to live up to the expectations placed on them, forced to fulfill the roles of their parents instead of being allowed to exist as children. but crucially, katara sees the injustice in that, and clings to her childhood even as she strives for greatness, and sokka simply doesn't. he's long accepted that injustice, and in fact feels guilty that he cannot better live up to the impossible portrait of an idolized father, an idealized masculinity, an illusory model of the infallible, unshakeable warrior. despite all his achievements and natural giftedness, he nonetheless feels totally inadequate, deeply flawed, and ontologically worthless. perhaps, in a world beyond the pressures of war and its dehumanizing logic, sokka would have internalized the praise he was constantly receiving his whole life for his gifts. but since he was only ever a prodigy in ways that didn’t matter (within that colonized paradigm), he doesn’t actually care about how clever and brilliant and creative and talented and unique and special he is, because that would first require him to see himself as fully human, and he can’t even do that.
#analysis#sokka#katara#katara&sokka#hakoda#kanna#kya#hakoda&sokka#kanna&sokka#kya&sokka#kanna&katara#whew...! 20+ paragraphs about sokka and katara’s childhood. it’s more likely than u think (highly likely at all times)#see but this is why sokka is so clearly a mirror to azula to me#like not just in terms of crippling perfectionism and devastating fear of failure and being a child prodigy who is put on a pedestal#but simultaneously dehumanized etc etc#but also the fact that like. zuko treats her the same way katara treats sokka#he clearly thinks his immediate hostility and aggression towards her is like. him nobly fighting the battle against his tormentor#when that is literally his little sister and she is struggling so much and desperate for support from LITERALLY ANYONE#katara and zuko are like ‘let’s put azula in her place’ and high five#and that’s just so fucking apt because they truly do believe that it’s their duty to put their perfect prodigy siblings ‘in their place’#but those are truly two of the most miserable people on the planet#so to any outside observers it’s just like………. why are you being mean to them they’re literally suicidal and shaking like a leaf#but also everyone already knows that azula is the prodigious gifted sibling bc zuko says it like one million times#so there’s rly no need to argue that#whereas katara loves calling sokka an idiot so i do believe that some clarification is in order#but like. yeah there’s no way sokka was dismissed or neglected as a child#he’s dismissed and neglected by the world at large#but within his tribe he’s like a mini celebrity . he’s their young sheldon (sorry)#anyway im running out of room to write tags but um. perfectionism is a disease get well soon xoxo bye
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nerdy-stitches · 1 month
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Historian: People used to knit Morse code to tell people secret messages during the war.
Me: So you're telling me I can make my sister a hat that says "butt face" and she won't know unless she learns Morse code? Tell me more-
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imaginesheaven · 6 months
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GN!Reader x Valeria Garza – sibling’s love
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Synopsis: Valeria has her Las Almas Cartel. You are one of the Los Vaqueros. Unfortunately, the two of you are twins. So, one day when TF 141 comes to arrest El Sin Nombre, you are confronted with your own family. It will be a hell of a ride to tell your mother, when both of you visit her for dinner together.
Here, something quick I wrote because I couldn't get it out of my head *haha* Please, let me know if you enjoyed it :)
Callsign: Doberman
Warnings: Swearing; violence
Length: ~1.5k
It wasn’t really a pleasant situation how you found out that Valeria – your own fucking twin – is the leader of the Las Almas cartel. Alejandro and Rudy had a long conversation who is actually going to tell you in person, because they knew you would be mad. In the end they just flipped a coin. Alejandro lost unfortunately. It’s an understatement that you were fuming with anger.
“VALERIA!”, you burst into the conversation between Graves and your sister. “You two know each other?”, Phillip looks at you with dislike since you interrupted him. “Ah, we are even closer than that. Same bloodline, eh?”, Valeria winks at you.
Alejandro and Rudy have a hard time to hold you back as you curse a whole lexicon of Spanish swear words over her. “That’s how you greet your long-lost twin, (Y/N)?”, she still knows how to push your buttons. Such a sibling thing of her.
“You disgrace our family. Father would turn around in shame in his grave because of you, pendejo”, you reply playing the same game she does. Valeria leans forward now the one who swears in Spanish; ready to pounce any second.
Graves puts his hand on her shoulder to keep her in the chair. “Get your fucking hand of her, gringo!”, you yell at Graves hating him from the second you first saw him. Valeria leans back in her seat. Something like proud shines in her eyes, “See? Don’t fuck with my little Doberman. I’m well protected.”
For a second your hand curls around the handgun by your side, then you raise your hands in a defensive gesture, “Tell them what you know, Valeria.” With that you turn around to leave before your short fuse will blow up finally.
“Fine, I will. We see each other Thursday for dinner at Mother’s place~”, she yells so you still can hear her words. You don’t turn around or stop. This is going to be the worst week of your whole damn life.
Valeria called you her little Doberman for most of your life, since you were always there to protect her. She is actually the older one for about a minute, but you took your task of keeping your twin safe very seriously. Both of you are very dangerous soldiers. Back when you served together side by side, you were a dream team. Until the day she betrayed you and the army.
Valeria would never admit it out loud that she actually missed having you by her side. She is also a bit jealous how Alejandro and Rudy held you back. It’s like they are your family now. Well, she can understand it after what she has done.
After Graves’ betrayal you didn’t want to be on the team with Alejandro and Gaz to secure Valeria. But what can you say? She is still family. You hate how proud and confident she looks as you put her into the car to bring her to the next prison. “I will be free in 24 hours”, Valeria smiles at you innocently. Both of you know that she tells the truth.
Thursday arrived. You hoped with all you have that Valeria would not be at the dinner with your mother, but no one heard your silent prayers. Your mother opens the door more than happy to see you alive and in one piece, “Come in!”
There she is; sitting at her old place at the dinning table with a glass of wine in her hand. Valeria opens her mouth to greet you, but you raise your hand to stop her right away, “Don’t talk to me, pendejo.”
“What are those manners, (Y/N)?!”, your mother puts her hand onto her chest. “Yes, my little Doberman. Why did you arrest me?”, Valeria smirks knowing exactly how to turn a little flame into a breaching fire. Family is the highest priority for your mother.
“You are fucking El Sin Nombre! I’m militaria! I can’t let you go because we are family!”, you sit down opposite of Valeria. Your mother watches the two of you with furrowed eyebrows, “You arrested Valeria? And you are the cartel leader? Dios mio!”
Your sister leans forward to emphasize her statement, “I just do what it needs to protect you two!” For a second you can see the old Valeria sitting there. “You almost shot me last week”, a slight smirk appears on your lips.
Your mother gasps loudly, “VALERIA! THIS IS YOUR FAMILY!” Your twin rolls her eyes annoyed, “I did miss, right? If I wanted to shoot you, I would have done it.” Laughing you grab the wine bottle from the table, “You were never as good at shooting as me, Val. A few things will never change apparently.”
In the same moment both of you put your handguns onto the table, showing each other no mercy. Just like the fucking old times. Neither of you would hesitate for a second to pull the trigger. It has always been like that.
“NO HANDGUNS ON THE TABLE!!”, your mother yells through the entire room. Both of you flinch with the intensity she still rules the house. “Sorry, mother”, you mumble under your breath and holster your gun quickly. Valeria does the same without any apology just like always. There only two or three things she is actually sorry about.
“If you are going to kill each other, at least after eating! I cooked all day long for you”, your mother shuffles into the kitchen.
Valeria and you keep shooting each other death glares over your plates. When your mother doesn’t look you kick each other underneath the table. Neither of you is going to back down like a true Doberman.
The rest of the dinner actually runs way smoother than thought. Of course, both of you help your mother with the dishes. Your mother puts on her favorite record as she swells in the happiness to have you both back safely.
“You missed a spot”, Valeria exclaims and points her finger at the plate in your hand. “Shut up, it’s clean!”, you still try to suppress your anger at her, but she keeps pushing you. Probably hoping to find your breaking point.
“I will tell Mom that it’s not clean”, she grins at you. Without a word you slap her hand hard so she lets go of the plate. It shatters on the floor into thousand pieces. “MOM! VALERIA BROKE ONE OF THE PLATES!”, you return the winning smile at her.
“No! I didn’t! You did that!”, Valeria tries to explain as your mother comes into the kitchen to find the mess on the floor. “Dios mio! Those are the good plates, Valeria”, she leans down to pick up the shards. Smirking you flip Valeria off with your soapy hands. Of course, behind the back of your mother. She would get a heart attack for sure.
Your twin rolls her eyes annoyed and throws the wet rag into your direction. “No fighting in the house, you two! You can beat each other outside. Do what you have to do to get out your anger”, your mother shushes both of you out of the kitchen. Valeria takes her chance to trip you on the way towards the front door.
“FUCKING HELL! You make me go haywire!”, you raise your hand to smack her square in the face. Suddenly your mother grabs your ear and Valeria’s to bring you down onto her level. She will always have enough strength left to lecture you two.
“I want you to get things right. Like I said: fight, shoot or whatever. I don’t care, but no killing each other. I will see both of you next Thursday to dinner again, comprende?”, she releases both of you with a slight smile on her lips, “Great! Have a nice evening. Love you!”
Without a further word you stumble outside with Valeria right behind you. For a moment you stare at each other, ready to blame the other one for this mess. Valeria starts first to laugh and you can’t help but join her.
“Well, that was fun. See you next Thursday, my little Doberman!”, she makes her way towards the black car that waits already for her. You don’t want to admit it, but you kind of look forward to it.
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saintaemond · 8 months
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Afterward she would not eat, nor bathe, nor leave her chambers. Queen Helaena sank deeper and deeper into madness, whilst the king raged, and drank, and raged.
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