350 notes
·
View notes
Au where Dipper is deadass blind (working at the library) and cannot see the tall lanky monster thingy in front of him and just kinda assumes it's a human - he knows somethings a bit off about the guy, but he stops his assumptions there bc it's rude and he got over his paranormal phase years ago. (He didn't)
1K notes
·
View notes
Tomas & Liu Kang
I’m trying to put things into right perspective about Smoke, Liu Kang’s approach to Tomas and how pushed into background he was during story mode so bear with me while I’m connecting dots.
Also, to be clear, I’m not here to morally judge the characters, just to talk about the dissonance between Smoke vs Liu Kang intro dialogues and the story mode.
For one, the pre-fight dialogues imply that Tomas lost his family due to Liu Kang (Keeper of Time)’s choice:
Smoke: "Did you intend for me to be orphaned?"
Liu Kang: "Some threads must be cut to weave time’s fabric."
and
Smoke: "I'm not sure I can forgive you."
Liu Kang: "Being Keeper of Time meant making many hard choices."
When Tomas was orphaned, Kuai Liang & Bi-Han’s father adopted him and made one of Lin Kuei. If the accusation is true, then we can assume Liu Kang wanted Tomas to join Lin Kuei, as he did in the past timeline(s). So, in theory, Smoke for whatever reason was important enough for the Keeper of Time to get involved and steer events to get the wanted result.
Which raises a question, why did Liu Kang not bother to recruit Tomas into Lin Kuei the same way he recruited Kung Lao, Raiden, Johnny Cage or Kenshi, by like, actually talking to him and taking for training? Or even why not just ask the befriended Grandmaster to take the boy (and Tomas' family) under his wings, which I think the man would do without further question.
Instead, Smoke was orphaned, taken in by Lin Kuei, adopted as son of Grandmaster and trained in magic to equalize his chances in the fight (in contrast, Bi-Han’s ice powers seems to be a natural part of him, related to specific bloodline).
Now, if Tomas was so important, if not in the greater scheme of things, then just for Liu Kang (and Kuai Liang), isn’t it weird, he is so sidelined and omitted by Fire Lord in the story mode?
Again, not judging characters, solely pointing out this choice of storyline, as this is especially visible during collecting the champions for the tournament arc.
In Chapter One, when the test was over and Liu Kang came to Kung Lao and Raiden to explain things, he specifically called only Bi-Han (the current Grandmaster) and Kuai Liang (Bi-Han’s blood-brother)
while Tomas was totally omitted and stayed behind with the rest unnamed Lin Kuei warriors.
Which, visually speaking, is weird, as just before that scene we could see Smoke walking alongside his adoptive brothers (with Bi-Han leading the group, Tomas and Kuai Liang walking a bit behind their leader, but before the unnamed warriors);
In the next chapter, again, only Bi-Han and Kuai Liang assisted Fire Lord in his quest to recruit Johnny Cage and Kenshi. Again, both Lin Kuei were addressed by their birth names, instead of codenames
while there is no information why Tomas was left behind. He likely was entrusted with escorting Kung Lao and Raiden to Shaolin Monks, yet the lack of proper mention emphasizes the pushing into the background.
We didn't learn officially Smoke's status as adopted brother of Kuai Liang and Bi-Han until Sub-Zero's chapter (#8). Unless I miss something, the first person on screen to actually address Smoke by his birth name was surprisingly Bi-Han.
Which makes even weirder the lack of including of Tomas from Liu Kang, as the Fire Lord and Smoke stayed allies through the story mode and intro dialogues (with some resentment on Tomas' side for death of his family) while the relationship between Bi-Han and Tomas was much more complicated to begin with.
We could make an argument that Liu Kang didn't want to antagonize Bi-Han by including adopted Tomas too much, however:
A) Bi-Han has never denied Tomas right to consider himself one of Grandmaster's sons - seen especially in Sub-Zero's speech pattern, as Sub-Zero always says just "Father", the same as Tomas and Kuai Liang, never putting emphasis on "my" as a reminder Smoke is adopted. The real conflict is not about whether Tomas is his and Kuai Liang's brother or not, but about him being a true Lin Kuei. What is also worth to keep in mind, any tension between brothers happened only in privacy (here and during the mission), never around Liu Kang.
(A similar thing can be noticed in intro dialogues. In Smoke vs Sub-Zero, Bi-Han specifically says "Because your blood is not Lin Kuei" however in Liu Kang vs Sub-Zero, when Fire Lord claims brothers (plural version!) miss him, Bi-Han doesn't correct his opponent about Tomas not being one. He instead says "Then they shouldn't have disobeyed my commands.")
B) Liu Kang did not show Bi-Han any special respect, especially not the kind of respect and friendship offered to Sindel and her husband, Jerrod. And yes, Fire Lord mentioned Bi-Han before Kuai Liang, and addressed him during the meeting before the mission (while the Sub-Zero's younger brothers - subordinates - stood together in silence)
but that basically it? Bi-Han didn't seem to be favored in any special way, I don't think he even was addressed as Grandmaster by Fire Lord at any moment in story mode.
Which is why I personally don't see why Liu Kang would omit Tomas solely to not hurt Bi-Han's ego or to not antagonize the man further - especially since Bi-Han himself didn't push the matter in any specific - openly - way nor didn't deny Tomas the right to consider himself one of Grandmaster's sons in the first place.
Frankly, as we don't see how Lin Kuei were informed about the upcoming meeting, we should ask, did Liu Kang call Bi-Han and specifically Smoke and Scorpion for the mission, or was that choice made solely by Sub-Zero? Because Lin Kuei for sure must have much more experienced warriors that Tomas (and Kuai Liang for that matter) but also sending on dangerous mission the Grandmaster AND the second* in line of succession seems impractical from the perspective of clan' inner safety.
*second and third, if Tomas was allowed at all to be the heir. Considering how neither Smoke nor Scorpion even for a moment considered that option and how Sektor & Cyrax would choose Bi-Han's corruption of the clan before accepting Kuai Liang as a new leader, the inner clan politics may not be so simple.
During the Lin Kuei mission (Sub-Zero's Band of Brothers Chapter) and during Bi-Han's betrayal (Scorpion's Civil War Chapter), the three brothers didn't address each other by codenames and as much as the situation allowed, freely interacted with each other.
However once Bi-Han is removed from the story mode, Smoke is even more pushed into the background. When asked, he will answer and make some (one?) observation however he barely interacted with other characters, mainly sticking to his brother. The most important exception is the scene when the heroes were wondering what to do after the big revelation and Tomas on his own talked about Lin Kuei and Bi-Han.
The story mode at that time was focused on other characters (like Mileena & Shang Tsung) so understandably, Lin Kuei brothers were put aside however even then Scorpion played a vital part, as it was Kuai Liang making the plan of attack, when Liu Kang wasn't around, while Tomas for most part was just there.
Again, no moral judging of characters just a mere observation how Tomas interacted the most freely with his brothers while was omitted by Liu Kang - and like, never(?) addressed by him in story mode, either by name or codename, even if the intro dialogues strongly imply Liu Kang was the one pushing Tomas into Lin Kuei in the first place.
Which makes an interesting contrast to Bi-Han & Smoke’s relationship but also shows how without intro dialogues, the relationship between Tomas and Liu Kang seems… non existing? I mean, even at the end of story mode, Liu Kang mentions Bi-Han
and his brother Kuai Liang building a new clan,
yet there is literally no mention of Tomas and his participation in the creation of Shirai Ryu and training its members (something confirmed in Scorpion and Smoke's endings).
Which only add to the weird feeling of alienating Tomas in story mode, not by Bi-Han but Liu Kang of all possible people?
122 notes
·
View notes
first @yeehawgust prompt was 'gather the posse' and since I'm using this challenge as a way to explore new characters I just took that to mean "design the fuckers"
anyways, Whiskey and Tago. Tbh this pose was meant to be more a metaphor thing than literal, but it's making me strongly consider changing Whiskey to being a they/them(plural) instead of a they/them(singular).
149 notes
·
View notes
ATSV Spoiler-ish Doodle Page under the cut
Hey, I Love the Mains but I saw Peni for like 3 seconds and Latched On
253 notes
·
View notes
completely unrelated thought to literally anything i've been doing today:
canon Sanji getting swapped with a Sanji from a genderswap AU. key point is that everyone's p much the same personality wise
there are crises going on. but mostly for canon Sanji lmao
this includes:
Luffy still likes to walk around w/ an open shirt
Franky also still likes to walk around w/ an open shirt
Usopp, guess what, also likes to walk around w/ an open shirt
granted, Usopp at least wears crop tops sometimes
Brook looks pretty much the same except for speaking mannerisms / voice pitch; startles the hell out of Sanji bc he keeps expecting it to be his Brook until a Skull Joke comes out of those chuckling teeth
The knee jerk reaction to Robin and Nami keeps crossing wires- one moment Sanji will just register a guy in his peripheral but not who he's speaking to and cuss and complain and shit. then the realization will kick in and he'll be caught up trying to apologize, but then wondering if he does need to apologize because uh, Nami and Robin are guys here right?? and they're not his Nami and Robin, but at the same time he can't just be rude to Nami and Robin-
he ends up staring into space for a while thinking in circles about it
Zoro is now of the gender he typically dotes on
"H-Hey, Moss-chan-"
"Don't call me that"
"Right. You want a smoothie?"
"I'm not gonna fuck you."
Usopp is the easiest to dote on, followed by Chopper, Franky, and Luffy. funny thing is, aside from Zoro, none of them have complained about/refused said doting. Sanji is reassuring himself that his list doesn't mean anything. he's not falling for Usopp just because of a pair of tits. that'd be ridiculous. after all his Usopp has got plenty big tits already-
he slams his head into a wall trying to forget that thought
also. he has no outlet for any frustration/anger/overwhelming feelings because he's got his code of chivalry thing. so he can't fight Zoro and he doesn't want to fight Robin or Nami. he starts smoking more to compensate, but then he either runs out or Chopper intervenes and gets him to promise to limit his use
in short. suffering.
This Nami and Robin do notice though & while Nami very much does not want to fight Sanji on account of, yknow, not wanting any broken bones or terrible injuries, Robin on the other hand-
He knew it'd help Sanji and it'd be nice to have a sparring partner to practice the more deadly things he can do on someone who can handle it, so he's kinda like "if it'll help, i don't mind sparring"
Sanji is caught between "oh fuck yes, finally someone to kick" and "I CANT HURT ROBIN-KUN"
the sparring ends up very pathetic on Sanji's side of things- think his fight with Kalifa but without him trying to bluff and looking openly stressed- Usopp listens to Sanji's woes about it later while she tinkers on inventions lmao
Usopp is also oddly clingy with Sanji, more so than his own Usopp. However, Sanji doesn't even bother thinking about it, just happy to soak up all the affection. He always has some sort of crisis thinking about his own Usopp later though.
Zoro, and I cannot stress this enough, is a woman. a buff, sweaty, mossball of a woman.
so yeah, suffering.
fem sanji, on the other hand:
having the time of her life
proud bisexual woman going "dear god, so many hot guys- wait shit, is that mosshead"
starts getting "overly friendly" with Usopp- laying his head in her lap, playing with his hair, carrying him around, calling him pet names, making him special snacks, etc.
everyone else puts it together real quick, except Usopp. who doesn't realize the answer until fem Sanji gives him a goodbye kiss on the cheek before going to prep for dinner
The answer: fem Usopp and fem Sanji are dating
fem Sanji: he's Usopp, therefore he's my partner in this flipped world, therefore I gotta treat him right while his own Sanji isn't here
Usopp wants to tell her the truth. but also. doesn't.
he is a mix of guilt and happiness every time he doesn't speak up and gets some gesture of love from her
in conclusion: one way or another, there is suffering all around <3
36 notes
·
View notes
Carracosta and Dalia, 13 (roleswapped)?
became way too attached to this au lol
31 notes
·
View notes
hot take moment cwilbur is literally just psychotic as all hell and i think people got way too comfortable villianizing the shit out of a man who was clearly portraying signs of severe mental illness. cwilbur was like im so fucking paranoid and scared and i think everyone is out to get me and hurt me and ive spiralled to the point i cant reach out to the people closest to me because im so afraid and lost in this spiral and im having constant panic attacks and hurting myself because i dong know what to do with myself and the only way out for me is to die. and everybody was like EVIL MAN WHO ENJOYS HURTING OTHERS AND IS ABUSIVE ON PURPOSE AND A VILLAIN AND SHOULD NEVER BE TRUSTED AGAIN. and then he came back and was like im still deeply troubled and afraid but im desperately trying to make up for the wrongs i did in the past and the people i hurt in my own way and communication is really hard for me but i hope people know that im truely sorry and i love them. im going to try my hardest to fix this in the only way i know how and then respectfully remove myself from the situation because i feel thats the kindest thing i can do to the people ive hurt. and people were like ABUSER ABUSER ABUSER EVIL MAN ABUSER. like girl
Yeah no based true real no questions asked
I'd hope I manage to portray Wilbur the way he deserves in my content, cause that man is heavily bpd coded and he just needs therapy and someone who genuinely loves him but also can handle his bullshit (which has exclusively and reliably been Quackity like, canonically)
But yeah no completely agreed. The man has issues and has definitely fucked up a lot but at the end of the day he really does need love and care and patience, but also boundaries (and therapy and meds, obviously)
40 notes
·
View notes
when adam says "no, john winchester was some guy who took me to a baseball game once a year. i don't have a dad" like yes SIR get his ass
1K notes
·
View notes
just generally musing to myself what makes thematic and plot sense for the link clink ending after reading some other people's takes the past few days. no real conclusions here, just some thoughts tied together with a string.
I've seen arguments that what needs to happen is that Lu Guang needs to accept Cheng Xiaoshi's fate and move on without regrets. This idea that the past has to remain as-is and you have to move on is a thread that the show has played with quite a few times. It's written into the very rules underlying the dives. The most obvious instance being the earthquake arc, where Cheng Xiaoshi was unable to save Chen Xiao's mum, but he *was* able to deliver the messages and thereby help CX gain closure. It's laid out by Lu Guang that it *was* worth it to deliver the words, and Cheng Xiaoshi takes this conclusion with him when he confronts Emma. (Of course, the fact this lesson was given by *Lu Guang* casts a different shade over the whole affair. I don't think it can be entirely discarded, given LG even admits he's going against his own rules, but it reads more like something he's trying and failing to convince himself of.)
So, the past has to stay as it is. We see a few different approaches to this idea in s2 - of people refusing to move on and trying to change the past. Qian Jin wants to force his wife "not to cheat"; he wants to alter her behaviour because she didn't act as he wanted. Li Tianchen wanted to change how *he* acted back then, even if indirectly, because he sees himself as his mother's killer, and thinks this is the point at which his tragedy was locked into place. They both thought their 'tragedies' were down to a single event. It's not that simple.
Lu Guang wants to personally protect Cheng Xiaoshi by controlling all scenarios. Not exactly taking his will, but limiting his choices. There's probably a whole post to be made on how QJ/LTC/LG each approach the agency of the ones they want to protect, but that's not for now.
Anyway, Li Tianchen as the foil to Lu Guang. At the end of s2, he has in theory let go of Li Tianxi but in practice he's just burying himself deeper by following Liu Xiao. Trying to entirely shun the past so he can believe that he still has some element of control. Both LTC and LG are at the extreme ends of clinging on vs letting go and that means the correct answer has to lie somewhere in the middle. Not shunning the past, but accepting it, and using that resolve to move forward.
So, Liu Xiao. We don't have much on him but what we do have is his belief that uncertainties should become certainties. He's deterministic and set explicitly as the counter to Lu Guang, whose own aim is to change events rather than lock them into place. They both want to *control* all aspects, but for differing reasons. In fate vs free will, it makes sense that our protagonist is on the side of free will, but it's interesting that he's presented himself so much as the opposite previously. He and CXS haven't exactly switched places, but to the audience, they've definitely taken on traits of the other.
Liu Xiao's whole spiel about how all options will eventually lead to the same outcomes, with him set *against* Lu Guang, very much seems like it's a setup for a "defeat fate" type plotline though. It's hammered in that there is no escape, no other option. Are we expected to accept this? It doesn't seem so. It's something I'm struggling to reconcile somewhat with the earlier messages about accepting the past, but maybe that's not quite it. Maybe it's about control vs freedom?
Trust fall. Every dive with LG and CXS is an act of mutual trust where they need to act in tandem. Dives go astray when one party acts without the other. For CXS, this is about him acting against LG's instructions (texting Emma's parents, staying in the earthquake dive). For LG, this is about him withholding info because he doesn't trust how CXS will react.
Lu Guang needs to put his trust in CXS before his withholding of information creates an unresolvable rift. He needs to stop trying to control CXS in order to keep him safe. We saw how that spun out for Li Tianchen and Li Tianxi. LG needs to put the choice into Cheng Xiaoshi's hands and let him decide his own fate. It reminds me of how Cheng Xiaoshi laid everything out for Emma and let her decide whether to live. It was only outside interference that prevented her, but she did make the choice to survive. And she did it by remembering those small moments. By accepting that tragedy happens but there are still people that make it worth it.
For LG and CXS, they need to mutually trust each other and that's how they'll find their way through.
45 notes
·
View notes
my silly viera wol alt bc reasons uwu
37 notes
·
View notes
Goran Višnjić as Nikola Tesla in Doctor Who 12.4, Nikola Tesla's Night of Terror.
image descriptions below the cut
—
[1] A still from an episode of Doctor Who, showing Goran as Nikola Tesla in front of Niagara Falls with an audience of men in suits and top hats, only their backs shown to us. Nikola is gesturing towards the waterfall as he speaks. He's a tall, slim man of about fifty in an old-fashioned suit with a tailcoat, pinstriped trousers, a waistcoat and watch-chain. He has a moustache, and brown hair parted in the middle, a few inches long and styled neatly with a bit of a wave.
[2] Goran as Nikola Tesla gesturing towards a device I don't understand well enough to even describe except that it's two corrugated metal cylinders and electricity is arcing between them, blue and dramatic, while he gestures like a magician. His other hand is on a lever, his face obscured by a starburst of blue light.
[3] A close-up of Goran as Nikola Tesla with a lightbulb in the foreground gleaming with warm light. He's looking off-screen and smiling slightly, eyes large and grey-blue, eyebrows raised, creases in his forehead and around his mouth. He's wearing a butterscotch-yellow tie with a wing or tuxedo shirt collar.
[4] A side-on view of Goran as Nikola Tesla bent over a workbench doing something with a tool we only see as a faint gleam of metal. He's bent almost double, intent on his work, a curl of hair falling down above his forehead, his coat gone and his shirt sleeves rucked up to the elbow so that his arms are bare and evidently hairy. The scene's dark, lit only by a candle lamp.
[5] A view of Goran as Nikola Tesla looking at a figure mostly out of view, visible to us only as blonde hair at the side of the screen. Nikola's eyes are a little wide, his mouth slightly open, making him look bewildered, and perhaps wary - I thought of it as his "okay, either you or this situation is bonkers" face. His thumb is just visible at the bottom of the screen, suggesting he's gesturing or fidgeting with his hands.
[6] A view of Goran in a crowded street, no coat, standing almost a head taller than everyone else and gesturing with one hand in a way that signals frustration or defensiveness, his eyes closed, mouth open as he speaks. A few bowler hats are visible around him, and a few of Nikola's companions - Dorothy, a serious-faced woman of thirty or so with tightly curly hair and smart clothing; the Doctor, currently a woman with straight blonde hair looking curiously past Dorothy; and just a glimpse of Yasmin in the background in a flat blue hat.
[7] A side-on view of Jodie Whittaker as the Doctor and Goran as Nikola both paying rapt attention to a glowing green mechanical-looking ball in a dish, with the Doctor pointing her sonic screwdriver at it and Nikola bending down to watch at the opposite side of the desk, hands folded together as if he's fidgeting, intent on her work. The Doctor's in a long light grey coat with a hood, incongruous for the era, and it's clear she'd be a lot shorter than him if he weren't currently courting back pain.
[8] The same scene as before, minutes later - the Doctor only visible as blonde hair in the foreground, Nikola's face transformed like he's realised something wonderful, eyes on the Doctor and leaning forward slightly, or still leaning on the desk. His mouth is open as he talks, his eyes bright, skin creasing faintly at the corners with a real smile.
[9] The same scene as before, seconds later. Goran as Nikola is looking to the side, no longer smiling but serious and thoughtful.
[10] The same scene as before, seconds later. Nikola is looking back at the Doctor and raising his eyebrows in a question at something she said, his forehead creasing, his expression perhaps a little doubtful.
[11] A close-up of Goran as Nikola in a room with warmer and dimmer lighting, his hair coming loose a bit as short curls on his forehead, frowning as he talks to someone off-screen. The angle exaggerates his nose, emphasises the lines around his mouth.
[12] A different view of the scene, zoomed out. Nikola is bent over a worktable beside Yasmin, a young woman with curled hair and a smart navy-blue jacket, and they're looking at each other as though discussing a problem, Nikola folding or rubbing his hands together. The desk of a mess of wires and oddments, lit bulbs in metal cages and what might be the odd green ball from earlier.
[13] Nikola and Yasmin in a very different location, dimly lit, with strange red lights in the background and a green light over their faces. (They're on an alien spaceship.) Yasmin is looking down at the floor like she's stunned, mouth open, and Nikola is holding her arm like he's just pulled her back, but his eyes are on something or someone else we can't see. His eyes are wide, his expression startled and openly afraid.
[14] Nikola and Yasmin still on the spaceship, blurry machinery behind them, but Nikola is almost level with Yasmin now and they're standing close, both looking at a third party off-screen. Yasmin's expression is one of distaste and a little anger, and Nikola's eyebrows are drawn down, expression somewhere between bewildered and worried.
[15] A different scene, different lighting - deep blue in the background, warm light on Nikola's face. It's an odd angle, his head ducked as though looking at something, his expression serious.
[16] A different scene, perhaps daytime with electric lighting, Nikola in conversation with someone off-screen who's clearly shorter than him. His hair's a little disarrayed, eyebrows raised and forehead creased, but there's something of a smile to his eyes and his mouth that gentles it.
[17] The same scene, seconds later, slightly zoomed in. Nikola's eyebrows are lower, forehead still creased and eyes a little scrunched, like he doesn't understand yet what the other person means. There's something tender about it still.
[18] A different room, darker, Nikola grinning while the Doctor is mostly off-screen, just a little of her hair visible, except she's raising a hand for a high-five that he isn't reciprocating. Creases are splayed out from his eyes, deep ones around his mouth, his nose sharp from this angle.
[19] A different view of the high-five moment, focusing on the Doctor as she realises he doesn't know to reciprocate - the high-five wasn't invented yet - and starts to lower her hand. Her mouth is wide open, teeth showing, somewhere between a grin and talking, and her body language is open exuberance. The creases around Nikola's eyes are still very visible from this angle, though most of his face isn't.
[20] A view of Goran as Nikola with his eyes closed as if he's blocking something out, and a look of forbearance and faint frustration on his face.
[21] A side-on view of Goran as Nikola, a shorter man in the background and the TARDIS behind them both, its windows glowing white. Nikola's expression is determined and a little grim, more hair curling messily against his forehead.
[22] A view of Goran as Nikola outside, trees in the background, a blurry blue-white sky and what might be yellowish grass. He's wearing old-fashioned aviator goggles on his forehead, where they're pushing his hair up so it's even messier, and he's looking down at something with a troubled expression.
[23] A view of the Doctor and Goran as Nikola in the TARDIS, the scene awash in electric blue and peach-pink, and no other lighting. The Doctor's leant over the TARDIS controls doing something there and looking back at Nikola, who has picked up some sort of contraption and is looking down at it, expression either troubled or focused. The light on his face is blue, throwing his features into sharp and unflattering relief.
[24] A view of Goran as Nikola in the TARDIS still, the lighting blue, the angle of his shoulders suggesting his hands are on his hips, and his expression now one of open joy. His eyes are large, his mouth open and smiling slightly, soft creases on either side.
[25] A view of Goran as Nikola on the street, looking with his head tilted at someone in the foreground - barely visible, except for the bowler hat. Nikola's expression is tolerant, a restrained smile with narrow eyes, and his hands are probably clasped behind his back.
[26] A view of Goran as Nikola on the street, now talking to the Doctor, only the back of her head visible. Nikola's in the same pose as before, hands behind his back, only leaning slightly towards her now, his expression warm as he talks to her. The creases around his eyes are back, and it's another angle that emphasises his nose.
[27] The same view as before, only now Nikola's ducked his head, almost like he's shy, or needs a moment to collect himself. The creases have gone from his eyes, but the smile's still there at his mouth.
—
51 notes
·
View notes
you mean to tell me it took me over a year and a half and a rewatch of the toh finale with my friend to realize that the light spell broke the Collector's nightmare dream sequence because IT'S TITAN MAGIC. AND TITAN MAGIC CANCELS OUT COLLECTOR MAGIC.
23 notes
·
View notes
you absolutely already know this, but i adore your work. i think it's hard to avoid the pressure of being surrounded by people we might consider "true artists," but the fact is that, frankly, everyone who makes art is an artist.
before this year, i hadn't drawn a complete piece in nearly three years. the line work i did produce felt abysmal and i was tempted to give up. then, i saw your comic and i thought, "wow, that's really cute, and it looks like a fun style to emulate."
i drew you, pondering me, eating grass. and it WAS fun. i forgot how fun it could be. i can draw lesbian horses, or pony!WWX throwing a chicken, or me eating grass. i can even make shitty memes! and all of it, no matter how good or how bad, is fun again.
you bring a lot of fun to people here. that's something equally as important as people who cultivate fancy line work or expert level digital painting. i'm sure that's something you know, but i hope it never hurts to hear it.
happy first season, friend! i can't wait to see the rest.
As a chronic perfectionist, it's been a long journey for me to accept that 'done is better than nothing' and that the worst critical voice is my own. Sure there's people who've gone to professional art schools, and those with a more than a decade of experience on me, but honestly? Would I tell a child their sonic drawing isn't art? Just because they have no 'experience' or 'technique'? Absolutely not. So I'm no longer saying my efforts should not count as art.
At the end of the day, art is what we choose to make it. We have the power to create whatever we want. And we are going to use it to have fun! We never lost the love and fun for creation we all had as children, we just told ourselves it wasn't enough. But it really is B*)
79 notes
·
View notes
I've reached season 5 on my CSI rewatch and I'm a few episodes past "Swap Meet", where a woman is murdered after attending a swing party with other couples from the neighbourhood. Near the end of the episode there's a moment that made me jump from my seat:
(Grissom walks up to Sara and takes the seat next to her. He's holding two cups. He hands her a cup of tea.)
[INT. POLICE DEPARTMENT - BRASS' OFFICE]
Erin Brady: Everybody fantasizes about other people. (She glances at Grissom.)
Even you, Mr. Grissom. A neighbor, a friend ... girl at the office.
[INT. POLICE DEPARTMENT - HALLWAY]
(The door opens. Paul Brady walks out of the hallway. Erin Brady walks out into the hallway. Sara is sitting in the hallway chair watching them. She watches as they meet and kiss.)
(Grissom walks up to Sara and takes the seat next to her. He's holding two culps. He hands her a cup of tea.)
LIKE!!!!!!!
Right after Erin ends her sentence with 'girl at the office', the first time Sara and Grissom meet again, he brings her tea. This might be an innocent interaction but to me it seemed like a nod to this relationship they have where both are into each other, know about the other's feelings, but can't/won't do anything about it (although Sara has kind of given Grissom an ultimatum). I don't know if it was intentional - I'm guessing it is, because I picked it up immediately. I might or might not have squealed in delight.
19 notes
·
View notes