Tumgik
#individual values
Text
the fact that shakespeare was a playwright is sometimes so funny to me. just the concept of the "greatest writer of the English language" being a random 450-year-old entertainer, a 16th cent pop cultural sensation (thanks in large part to puns & dirty jokes & verbiage & a long-running appeal to commoners). and his work was made to be watched not read, but in the classroom teachers just hand us his scripts and say "that's literature"
just...imagine it's 2450 A.D. and English Lit students are regularly going into 100k debt writing postdoc theses on The Simpsons screenplays. the original animation hasn't even been preserved, it's literally just scripts and the occasional SDH subtitles.txt. they've been republished more times than the Bible
#due to the Great Data Decay academics write viciously argumentative articles on which episodes aired in what order#at conferences professors have known to engage in physically violent altercations whilst debating the air date number of household viewers#90% of the couch gags have been lost and there is a billion dollar trade in counterfeit “lost copies”#serious note: i'll be honest i always assumed it was english imperialism that made shakespeare so inescapable in the 19th/20th cent#like his writing should have become obscure at the same level of his contemporaries#but british imperialists needed an ENGLISH LANGUAGE (and BRITISH) writer to venerate#and shakespeare wrote so many damn things that there was a humongous body of work just sitting there waiting to be culturally exploited...#i know it didn't happen like this but i imagine a English Parliament House Committee Member For The Education Of The Masses or something#cartoonishly stumbling over a dusty cobwebbed crate labelled the Complete Works of Shakespeare#and going 'Eureka! this shall make excellent propoganda for fabricating a national identity in a time of great social unrest.#it will be a cornerstone of our elitist educational institutions for centuries to come! long live our decaying empire!'#'what good fortune that this used to be accessible and entertaining to mainstream illiterate audience members...#..but now we can strip that away and make it a difficult & alienating foundation of a Classical Education! just like the latin language :)'#anyway maybe there's no such thing as the 'greatest writer of x language' in ANY language?#maybe there are just different styles and yes levels of expertise and skill but also a high degree of subjectivity#and variance in the way that we as individuals and members of different cultures/time periods experience any work of media#and that's okay! and should be acknowledged!!! and allow us to give ourselves permission to broaden our horizons#and explore the stories of marginalized/underappreciated creators#instead of worshiping the List of Top 10 Best (aka Most Famous) Whatevers Of All Time/A Certain Time Period#anyways things are famous for a reason and that reason has little to do with innate “value”#and much more to do with how it plays into the interests of powerful institutions motivated to influence our shared cultural narratives#so i'm not saying 'stop teaching shakespeare'. but like...maybe classrooms should stop using it as busy work that (by accident or designs)#happens to alienate a large number of students who could otherwise be engaging critically with works that feel more relevant to their world#(by merit of not being 4 centuries old or lacking necessary historical context or requiring untaught translation skills)#and yeah...MAYBE our educational institutions could spend less time/money on shakespeare critical analysis and more on...#...any of thousands of underfunded areas of literary research i literally (pun!) don't know where to begin#oh and p.s. the modern publishing world is in shambles and it would be neat if schoolwork could include modern works?#beautiful complicated socially relevant works of literature are published every year. it's not just the 'classics' that have value#and actually modern publications are probably an easier way for students to learn the basics. since lesson plans don't have to include the#important historical/cultural context many teens need for 20+ year old media (which is older than their entire lived experience fyi)
23K notes · View notes
robobee · 4 months
Text
if trc was a visual medium and I was a tiktoker i would go insane talking about quiet luxury and how Declan and Adam both fall into this position of people with OBJECTIVELY less money compared to their peers and how both of them are trying to replicate luxury (ie: clothing=persona/identity) to varying levels of success. adam wears old gifts from the ganseys and declan is very clearly called out by other characters to be overcompensating. neither are fully seamless and even though thats not an overt plot point it is DEFINITELY very significant since plenty of their story beats echo each other down to their relationship with ronan, who is a different fashion debate (eg. how punk can you get off of a bank account you dont need to look at and a shaved head which needs to be constantly maintained and a BMW you stole w no repurcussion). again I DO think stief implies fascinating plot points that she doesn't focus on but her display of class and economic variation is very very cool & obviously people w more context of specific USAmerican culture can have this debate better than I can
editing to link the video that finally helped me put this thought into words
193 notes · View notes
radiantmists · 5 months
Text
the whole "it would be kinder to kill them" exchange re-contextualizes murderbot's initial willingness-- even eagerness-- to kill other SecUnits in an interesting way, doesn't it.
257 notes · View notes
Text
We can’t go on like this. Between oligarchs directly squeezing employees to their Republican puppets cutting and blocking aid were on the precipice of a catastrophe. Possibly more than half the population could be broke, without insurance, and homeless in a few years.
We need to remove the Republicans and start passing drastic social legislation to stave off this impending crisis.
132 notes · View notes
wild-at-mind · 2 months
Text
I would honestly call the left's inability to accomodate people with morality-based OCD compulsions an accessibility issue at this point.
88 notes · View notes
shadowtraveled · 13 days
Text
this is a largely meaningless observation but, based on the fleki uniform demonstration comic, mithrun seems to wear the default style of the canary uniform, probably because he has no desire to personalize it or preference for how to do so, etc. when he does seem to pick his own clothes, though, they don’t look super in-line with what we’re shown of elven clothing styles in his region: high collars look like they’re fairly popular with elves in general, but out of uniform he tends to be a lot more covered up than everyone else—long sleeves, long pants, boots rather than sandals, and he dresses that way both prior to getting eaten and after the events of the series. anyway it’s kind of cute that after everything that happened to him, someone cared enough to remember what his clothing preferences used to be.
93 notes · View notes
pratchettquotes · 8 months
Text
"The thing is...I mean, there's times when you look at the universe and you think, 'What about me?' and you can just hear the universe replying, 'Well, what about you?'"
Unity appeared to consider this.
"Well, what about you?" she said.
Susan sighed. "Exactly." She sighed again. "You can't think about just one person while you're saving the world. You have to be a cold, calculating bastard."
"That sounded as if you were quoting somebody," said Unity. "Who said that?"
"Some total idiot," said Susan.
Terry Pratchett, Thief of Time
185 notes · View notes
0hmanit · 1 month
Text
When you think about it the memory crypts by concept alone are like a graveyard, and the cabinet beasts are like some kind of tombstones. Lifeless tissues manipulated to contain the memories and experiences of beings far gone, in ways that we are unable to fathom. Well the last time I checked graveyards didn't have giant scissor birds protecting large plant like beings with the qualia of the deceased, stuck in cabinets. But there is still a comparison to make, like graveyards the memory crypts are a grim and dark mark on the world, a constant reminder that even the cycle is not eternal, since the ones once roamed the world found a way to depart from it, leaving stories and memories never to be experienced again, inserted into bio-engineered tissues purposed to this and this alone. Perhaps the cabinet beasts vividly dream of it, the same life over and over again, but I highly doubt it. They are like the physical bodies of those who ascended in a poetic way, since while ascending there isn't a body left behind, but their earthly possessions are. Maybe it was their way to store memories of specific individuals, knowing well after ascending that only their superstructures and the leftovers of their civilization will be left, a general look on their culture and accomplishments as a civilization but not enough detailed about their day to day lives. So they left physical traces that are even not part of their own, with the memories of faceless individuals, in hope to bring their memories to rest but not entirely forgotten, placed in grey boxes scattered around, like tombstones. Buried under the shadows casted by one of their greatest achievements, where they used to live before.
54 notes · View notes
Text
my toxic trait is i get really annoyed when ppl make atsushi and akutagawa's relationship about dazai
85 notes · View notes
whosthatfunkyrat · 4 months
Text
I think there are two types of Soc fans.
The Kanej shippers and the Wesper shippers.
Helnik is also there but they most likely hardcore ship either Wesper or Kanej too.
I don’t mean to say you have to pick one, for instance I ship all three.
But you will have a favorite, and that will determine what kind of fan you are.
71 notes · View notes
spacecasehobbit · 7 months
Text
Thinking some Azula thoughts today, in particular about her mindset during that final Agni Kai with Zuko and why it wouldn't have been a positive thing for her recovery if Zuko had refused to fight just because she was in a bad mental place.
When Zuko and Katara arrive at the palace, the audience knows that Azula is in the midst of a paranoid breakdown because she is feeling betrayed an abandoned by the people she trusted. We also know that the reason she trusted people like Mai and Ty Lee to stick by her side, the reason she expected people like her ship crew at the start of s2 or her servants in the palace to obey her commands and be loyal to her, is because they fear her.
She expects people to fear her because she's a prodigy who has been treated by Ozai as the golden child who can do no wrong all her life. She expects that fear to motivate loyalty and obedience because she's also been taught by Ozai that strength and power and the use of those things to instill fear are the only way to prove one's value; she's bought into Ozai's view that life can only ever have winners and losers, that the winners deserve absolutely loyalty, that the losers deserve to be hurt and used and tossed aside whenever they're no longer of use, and that up until recently she has unquestionably been a winner.
And now she's seriously questioning that view of herself for the first time.
She brought Zuko home to the palace and Ozai with the belief that she knew how to control him, that she could treat him however she wanted because she was stronger and smarter and better than him. Instead, he kept secrets of his own from her, revealed to Ozai that she'd brought him home on a lie, and ran away to join the Avatar. Then Mai and Ty Lee turned against and refused to let fear keep them loyal to her anymore when she demanded things they weren't willing to do.
Then she tried to go with Ozai to burn the EK down, and he effective tossed her aside the way that losers can be thrown aside and forgotten.
By the time Zuko arrives, Azula is in desperate need of someone she can use to reaffirm her own value by proving the lack of theirs. She's lost, she's spiraling, she's questioning her strength and her intelligence and her right to be treated as better than the people around her because of those things. Then along comes Zuko, the scapegoat, the weak and silly and stupid child, the one who would never catch up to her or earn their father's approval and respect like her.
The one who she could always count on to fail and make her look better in comparison.
To her, this Agni Kai with Zuko is "the showdown that was always meant to be," because it's the showdown that she was never meant to lose. If there was one thing Ozai taught her that she could always count on growing up, it was that she was strong and Zuko was weak. And maybe Zuko surprised her once when he ran off to join the Avatar instead of staying under her thumb at the palace where she wanted him, but that also wasn't a direct fight. If her recent 'failures' to keep people obedient to her through fear can be flukes, moments of weakness that don't make her weak, then Zuko's recent surprising behavior can be a fluke too. They can be moments of unexpected cleverness that still don't make him strong.
Or, more importantly, that don't make him stronger than Azula.
Refusing to fight wouldn't challenge any of this, for Azula. She could write off any reasoning Zuko gave about her mental state or concern for her wellbeing as Zuko trying to cover up his fear, and she could tell herself that she would have won, if Zuko hadn't been too afraid to fight. Not only that, but she was always taught that Zuko's compassion was what made him weak. Refusing to fight out of compassion for Azula would only confirm that view, in her mind.
On Zuko's side, refusing to fight out of concern for Azula would have been putting compassion for one person - one person who had repeatedly shown themselves to lack compassion and empathy for others, one person who had repeatedly shown themselves willing to use violence as a means to control and dominate those around them - above the needs of the rest of the world (including the rest of the FN) to have a Fire Lord who would be committed to peace with the other nations.
If Zuko can stop Azula and secure the crown for himself through an Agni Kai, then he only has to defeat one person before he can get on with the work of committing the FN to peace, instead of fighting his way through however many guards Azula can throw at him and Katara and still likely wind up fighting Azula afterwards anyway.
He knows that Azula backing down peacefully isn't an option he can reasonably expect or hope for, because he knows Azula. He grew up with Azula, he went through his own phase of trying desperately to mimic the lessons about strength and power that Azula had already been mimicking from Ozai when they were kids. And he knows very well that no matter how much love and compassion and empathy is shown to a hurting, frightened kid who is choosing violence and threats and fear to prove their own value to themself, that kindness alone won't stop that kid from lashing out at those who don't deserve it.
And Azula won't be ready to learn that her value doesn't rest on being 'better' than anyone and everyone else around her, that she can be loved without being feared, until she is forced to face the fact that she isn't strong enough to make the whole world bow to her without ever losing a fight.
77 notes · View notes
the-masked-artist05 · 5 months
Text
Tumblr media
Today I offer you another hairstyle and earrings I made for Orion. Tomorrow, who knows? (Hopefully a proper drawing or something since I finally have some free time for once.)
Previously version is under the cut. Let me know what you think!
Tumblr media
47 notes · View notes
engie-the-profit · 8 months
Text
Tumblr media Tumblr media
fleetfinite posting hours, look at my goobers
102 notes · View notes
philosophybits · 8 months
Quote
In 'the public' and the like, the individual is nothing, there is no individual, the numerical is constitutive and the principle of coming into being a generatio aequivoca [spontaneous generation]; apart from 'the public', the individual is nothing, and in the public he is not, in any profound sense, anything either. In community the individual is; dialectically, the individual is crucial as the prior condition for forming a community, and within the community the individual is qualitatively essential and can at any moment rise above 'community', that is, as soon as 'the others' give up the idea. What holds community together is that each is an individual, and then the idea. The public's cohesion, or its looseness, is that numerality is everything. Every individual in the community guarantees the community; the public is a chimera.
Søren Kierkegaard, Journals and Papers
72 notes · View notes
aeide-thea · 1 year
Text
unfortunate that i've forgotten anything i'd ever half-started to learn about writing fiction, and also about creating anything at all, because the more i read recently published books, even books i largely quite like, the more i realize that what i actually personally want, i think, is for a SFF story to take things like eg transness for granted in certain ways, without feeling the need to set up any kind of clumsy, explanatory scaffold for shoehorning our modern, liberal notions of gender into genre?
that's not very clearly phrased, but i mean something like—the book i'm reading right now is pretty clearly Trying to Include Representation in a variety of ways, including trans rep; and it's more smoothly done than some things, but all the same, you can very clearly see the shapes of our modern touchstones and discourse and whatnot, reskinned and smoothed a little to fit the world of the text; and that's valid, absolutely, but really what i want from fiction (in this particular regard, at any rate; there are a lot of other things i want from fiction more generally!) is for people to just—be trans. just have whatever names and bodies and histories they have, and for those to come up as they come up, not defensively or otherwise preemptively, but for it to just be the truth of the characters, and arise in whatever way makes sense for them, whether it's clear on their faces or held close to their chests.
like—i don't know. i want to visit a world that's meaningfully different from the ground up: i want it to feel genuinely alien, a little, and expand my mind and my imagination in the way that engagement with something alien can, sometimes, if undertaken with open eyes and an open heart. and i want that to feel as true for that world's visions of transness and queerness and interpersonal relationships as it does for its visions of things less consciously fraught.
251 notes · View notes
adhdandcomics · 11 months
Text
adding to my tags because i’ve been thinkin a lot about the post i just reblogged and have more thoughts:
i’ll be real, the more i saw ‘hey adhd influencers are so annoying’ the more i worried that i was unconsciously contributing to the spreading reputation of adhd folks as annoying and over-pathologizing every symptom they experience
and then i realized. i am not a goddam influencer or life coach or representative. obviously i have some obligation as someone who cares about myself and the people that like my comics to not spread harmful ideology or blatant misinformation but i never intended myself to be a “’increase your productivity!!’ blog OR a ‘if you have XYZ you have adhd!’ blog. and i do this for fun, and originally started this blog bc i had a lot of internalized shame and self loathing about my adhd and thought if i could make it funny i might have less of that. let’s get real! and it worked!
i’ve obviously done this kind of thing— (hey these symptoms might be adhd!) a lot before in my life & on this blog, but there’s more to it than trying to be an “influencer” or whatever. a term that didn’t even exist when i started this blog!
i felt very isolated trying to find out if i had any mental problems & what have you originally because of large advice (etc) blogs with staunchly anti self Dx views at the time
so i overcorrected when i DID get dxed and tried to validate everyone who was like me. and of course. not the best course of action always for the ol mental health. tried to be the source of positivity and jokes that i didn’t see because the online adhd presence was near non-existent.
and anyway. i make a lot of fun of myself & the way m brain works in my comics obviously but it is not my obligation to... how do you say.... not be annoying online.
because if folks interpret MY little jokes as a strict guide to diagnosis. that’s on them, really, not me. i also believe “making adhd your entire personality” is a non-issue. so what if people find out they have it and get over excited with identifying as adhd. saying this as someone who DID do it. criticism of this gives the same vibes as people being annoyed that young queers make “being queer” their whole personality. im very obviously more than a guy with adhd, and id reckon other adhd comic artists are too. (im friends with a lot of them!) it’s fine to post about it online.
anyway. i just don’t take myself too seriously and i’m a comic artist for myself first! and you know what, i’ve been considered annoying my entire life. what do i care if a few more folks think i’m annoying. neurotypical or not
#i think the article did have some good points especially on the capitalism and marketing angle but i oft think it did venture into#being mad at individual folks who post jokes about adhd. which is literally fine thats what an opinion piece is for lol#i am just very tired of people pretending that a lot of reaction to online adhders is not in itself just an extension of the ableism#we already were facing#'adhd people are so annoying everyone does this youre pathologizing everything' ok and how exactly are you helping.#i hesitate to throw my hat in with hating on adhd tiktok because i am simply not on tiktok and have no way to back up my thoughts#that they may be annoying and oversimplifying a complex disorder on the 'drains your attention span' website.#and i think perhaps the value of each adhd resource varies widely depending on who made it and what theyre even posting.#sometimes its a joke made by a person with adhd. sometimes its sourced and cited research. sometimes its someone discussing their personal#experiences in depth. sometimes its someone talking completely out of their ass. sometimes its THINLY veiled ableism.#its up to the individual to research and determine the value of the memes and resources you seek#anyway. perhaps these points are tough to clarify on sites like insta and twitter. bless.#text#adhd#im punk now#oh and yeah i also agree lots of folks do not talk about the unsavory parts of adhd but rather the funnies and the sillies. but that is#once again a larger capitalism and marketing and ableism problem#r we not talking about them because we are actively trying to infantalize this disorder or is it because we collectively experience a lot#of internalized ableism and hesitate to talk about our worst symptoms for fear of the backlash#weve always gotten about them 🤔🤔🤔#much to consider#if youve read this far sorry for tangent number 56 about this. but also start being more unapologetic about your disorders. fuck it!#<3
128 notes · View notes