Tumgik
#in the beginning when i first saw him i was like wow cool character design but then it went to sir
clay-tries-his-best · 11 months
Text
! atsv spoilers !
when i sat down in my theatre seat to see atsv im telling you i was being the most autistic fuck you've ever witnessed. you could practically see the sparkles in my eye, dude.
the spot. my godddd he's so silly. the marketing ploy to make him seem like the side villain from the trailers was so fucking smart. I really thought that Miguel was going to be the main villain considering him fighting miles in pracgjcalky every trailer ever and being in the post-credits scene of itsv. and miles dealing with having to be everywhere at once was very realistic and gave me the classic "oh my god this poor boy this is painful to watch". oh and gwen's beginning scene of the drums just gave me the feeling that the movie was going to be fantastic. like, betrayal, amazing visuals, more gwen?? already a wonderful start. also the fact that the spot's whole reason to turn into a major villain is that nobody, not even the person who caused his disfigurement, would take him seriously- like- HUH???? perfect. wonderful. bro just wanted miles to pay attention to him for a little while.
Pavitr and Hobie were also really great additions to the spider team. Despite the fact that Hobie's accent was so thick and deep that I couldn't understand what he was saying a good third of the time, he still managed to work his way into my top 5 characters of the movie. THAT is good character building. At first I thought he was going to be the stereotypical love rival, considering his first mention was miles getting jealous of him and gwen being friends. I was worried that was how the story was actually going to go when he upstaged miles by breaking done the collider force field, but hes actually a really chill and cool guy. pretty sure he even roots for gwen and miles, so that's pretty funny. Pavitr was also super funny with a great character design. " Chai means tea, you're just saying tea tea! " was probably one of my favorite lines / jokes from the whole movie. His world was also very pretty and SUPER detailed. Props to every artist for Mumbatten.
Miguel and Peter B.'s dynamic was really fun to watch as well. This cryptic emo ass mastermind vampire who has watched people die and destroyed a universe next to this middle aged man in a pink fuzzy bathrobe who's oogling over his daughter. also, the line where Miguel said " I've had the right amount of you today " to peter b instead of " I've had enough of you " like the normal saying goes was kinda queer. just saying. but yeah, great villain, and I do want to see him in the final battle against spot, but I eventually don't want him to be the one to beat spot, y'know? If it was to be anyone, it's obviously going to be miles. Whether it's just miles or miles and gwen or miles and the gang gwen assembled at the end of atsv (WHICH HAD SPIDERNOIR YESSS SPIDERNOIR FANS LETS GOOOOOOO I HAD THE STUPIDEST SMILE ON MY FACE WHEN I SAW HIM IM TELLKNG YOU), in the end it's still gotta be miles.
the collider scene with the spot was really cool. spot may be silly, but he's not dumb enough to be " saved " by his archnemesis who only cared about him when he was about to become a transdimensional eldritch horror. boss move. his final form was really pleasing to look at because you can just see the detail that went into it. Looking at some screenshots, I noticed there were a lot of eyes and I'm pretty sure I saw a version of spiderman (original world 1610 peter, possibly?) staring at miles / the audience. despite him not showing up for another hour, hour and a half, I wasn't mad. If a movie can avoid showing the main villain for that long and still have them integrated properly, just, wow. blown away. oh and this part made me even more interested because his beginning ost, spot 1, I think? his random beats and tunes sounded more silly and disorganized and clumsy, like him trying to take the atm. near the end, he got spot 2, which was more shrill and frightening. I'm not musically trained, and I could still tell that it was scarier, and to me, they sounded very similar. To not have too far of a difference between the two and stroke two entirely different chords is just. ugh. wow.
don't even get me started on prowler miles... RAHHH THE CHARACTER AND WORLD DESIGN FOR UNIVERSE 42!!!! it was so beautiful and scary and breathtaking because there is. no. spiderman. when miles's mom didn't know what he was talking about and gwen wasn't really outside, it hit me like a brick in the head. and alternate aaron??? hello??? he made me physically uncomfortable because of how terrifying his face was. i couldnt even tell if he was wearing makeup or he was just that dramatjcally shaded. the turn miles does to see that it was his dad painted on the wall instead of aaron.... GRAHHHHHH
as an aspiring artist, I can say nothing but wow. that movie, the fact that it was 2 HOURS AND 20 MINUTES???? HELLO??? DO YOU KNOW HOW MUCH WORK THAT MUSTVE TOOK??? unbelievable. and you know that sony felt bad for making us wait on a cliffhanger, so they probably were around 3/4 done with atsv and started working on beyond, so we didn't have to wait as long as we would've if they finished atsv and then started beyond. I'm so glad that those 5 years in the Sony team paid off, because that. was. amazing. my depression is vaporized. im going feral, going wild, going insane. i will not think of anything else until beyond is out. can't wait to see my bbg spot have his villain moment in March 2024!!! <333
267 notes · View notes
soopest · 4 months
Text
SO GUYS. I FINISHED III
GOD DAMN DO I HAVE THOUGHTS GUYS. but i'll just cover things i think are relevant to the doodles i made afterwards. if you have any questions on my thoughts on things i wouldn't be impartial to asks or replies to the post :3 i just need to rant for a minute im so mentally ill please
knife is only there because my friend watched ii s2 and he LOVES knife and i was like. word. hes awesome so i drew knife for him
HOOO BOY OKAY nickel and balloon. it was a bumpy ride fellas. going immediately from s2 where nickel was kinda a POS to s3 where they suddenly became acquaintances was a little weird to me. (especially in that one episode where silver & candle interrogate nickel about baseball. no suitcase mention?? huh???) but it was cool to see their journey! the buddy-buddy thing seemed weird throughout earlier episodes because in s2 balloon and nickel kinda hated each other's guts so i'm glad that was covered in a later episode and that their friendship was actually solidified. BUT that doesn't leave nickel off the hook if he dont march his ass up to suitcase and say sorry the minute they go back to season 2 i'm gonna have a WORD with that boy
BOT!!! OH BABY BOT they are SO adorable and i loved the reveal that they were a robot! i was so mystified on how bow was magically alive at the beginning and seeing that it was just a product of tt and fan's grief was very heartbreaking... but seeing bot evolve into their own person was genuinely so so so beautiful and the representation for queer folks is done very gracefully and it's very wholesome. seriously im not even trans and i was tearing up like a little bitch y'all. fan and test tube are the parents ever it's so cute and they are the cutest fam ever
silver spoon and candle.... hrrrmmm you are certainly funny little guys.... i would like to put you in a jar and study you.... their sudden intense craving for winning was a little jarring but their dynamic is funny. i didn't like silver much at first but he def grew on me especially in the finals, and candle's friendship with yinyang was really cute too (still bawling he got out i really grew to love him.) AND dont think i didnt see ur blushing in ep 17 silver. im onto you
i already covered bot but i just needed to say their friendship with painty is the BEST THING and for some reason painty just stating they were nonbinary made me unnecessarily happy like YES KING (NONGENDERED) GO LIVE UR TRUTH WE LOVE YOU
cabby... oh you are an interesting little gal. i saw her design before ever watching iii and i was like wow! what a critter! but i'll be so honest at first i didn't like her because her information obsessed demeanor seemed very cold and calculating to me (and i'm so biased for fan and tt so when she got them out i was like. Girl.) but now that i understand her whole character arc, how she learned that its not always about the "facts" and how to lean on people, it was really heartwarming and shes rly grown on me. im a cabby appreciator
blueberry's whole fiasco was interesting. errrrrm u tried buddy that's all i gotta say. respect the hustle man
AND FLOORY IS THERE TOO i love him he's in the club of my favorite brits he's a silly guy
okay. if you read this far i'm so proud of you. also the whiteboard doodle was before i finished the series LMAOOOO um hope u enjoy that. thanks for reading my insane ramblings it might happen again i am not sorry
Tumblr media Tumblr media Tumblr media Tumblr media
37 notes · View notes
starbage · 6 months
Note
2 3 4 7 10 11 12 20 for lillian woods (saw it on your neocities, but the page isn't finished yet) it's okay if you don't wanna answer all o' these (and i imagine a decent number of these will get answered upon completion of the page) but the thumbnail's got me very interested in what's going on there (<- lover of plants who are people)
wow i've been putting off that page (and the others) for basically forever but knowing someone out there is interested has added like +10 points to my motivation stat. thank you so much anon. okay let's see what we got here
--- 11.) give a general summary of the plot/world/characters. (putting this one first to help with the other answers!)
Lillian Woods is a story set in a kingdom where a monster-filled forest begins growing and overtaking the land's edges at an alarming rate for unknown reasons. Most say it has something to do with a beast lurking deep within the woods...?
Sarn, a quiet mercenary, has been making do with the difficult situation. They are staying in a mostly-abandoned town on the forest's current edge. However things become tricky when a knight named Florin arrives from the center of the kingdom, over-zealously determined that he can defeat the beast and save everyone. After showing Florin some humility, then some pity, Sarn and him make a tentative team to track down the beast in the forest's heart and end the kingdom's suffering. ---
2.) if you gave an in depth description of your story to someone who was not all the way paying attention, what would their takeaway be?
probably something like "two guys kill monsters in the woods". ---
3.) any recurring images/elements?
Hydrangeas appear often-- the characters live in the 'Hydrangea Kingdom'. Florin is also a Hydrangea person, as are some of his fellow Knights. of course, the Queen is as well. ---
4.) what would you say is the message, if there is one.
generally, ideas of not letting past grief consume your future. But there is some other stuff. ---
7.) how would you describe the relationships between the characters in the story within eight words or less?
(between Sarn and Florin) difficult at first, polar opposites, but gets better. ---
10.) if your story is titled, why did you choose that title?
Lillian is the name of the aforementioned "beast" who is making the woods grow; ergo, Lillian Woods. ---
12.) okay be honest. pick a favorite oc from this ocverse.
Sarn probably. I like a troubled nonbinary swordsman. The fact that they are so cutesy/simplified jsut makes it better for me (even though i created them when i was like 16 so this fact gives me grief sometimes).
i also designed a girl named Benta back in the day who is cool and cute, but we'll see if she stays around. I would link her but i guess i haven't put her on my toyhouse, oops ---
20.) your ocverse just got a movie trilogy a la hunger games style. how have they horribly mangled your message/theme so that the movies are now a showcase of what the original was condemning?
Probably something like actually portraying beginning-of-story Florin as noble and capable instead of the clueless fool he is
4 notes · View notes
holdthegirlboss · 4 months
Text
watching doccy who for the first time x
2x04 — the girl in the fireplace
ok before we begin i have 2 things to say:
1. i watched this the other day at my friends house so i kind of already know what happens but i wasn’t paying attention AT ALL 😭
2. my other friend when he found out i was on this episode said it was one of the best ones and …. sawray i do not agree xx but maybe i’ll like it more second watch ok hwfg
- madame de pompadour my beloved 💘 she’s so cool wish we could’ve seen more of her x
- this is the only show i will NEVER skip the intro for it’s incredible
- ‘it’s so realistic’ wow mickey nothing gets past u!
- ‘we’re in deep space they didn’t just nip out for a quick fag’ love early 2000s shows there’s no way they’d say this now (to be fair i don’t know but i doubt it x)
- rose has a very slow reaction time considering she’s been doing this for like year why didn’t she just follow the doctor through the door 😭
- me personally if i saw a strange man in my room at night and he told me not to scream i think i would scream anyway x
- when i first saw the doll people in this episode i actually SCREAMED they’re so scary wtf ??? idk how reinette wasn’t shitting herself
Tumblr media
- me taking 0.5s of my friends
- OMFG i forgot about the horse 😭😭 this is so funny
- so interesting that the doctor didn’t anticipate reinette seeing into his mind too
- the irony of rose calling the doctor their designated driver and then him showing up drunk two minutes later loool
- speaking of which i feel like the doctor wouldn’t usually ditch his friends who are in danger to drink with a bunch of french aristocrats but what do i know x
- just found out steven moffat wrote this episode. INTERESTING! i don’t know much about how he writes doccy who but i know what he did to sherlock in the end so will be keeping an eye out x
- it is very sad that reinette waited until she died for the doctor to come back :(( bless her rip babes u would’ve loved telescopes
- now that i’ve actually WATCHED the episode my thoughts are that the monsters were very scary and visually it’s stunning but everyone seemed very out of character so that puts me off a bit :// def not my fav episode but oh well on we go x
3 notes · View notes
cocoabubbelle · 1 year
Text
Watching “Scooby Doo, Where Are You?” (1969-1970 CBS) + Thoughts
Episode 22: Haunted House Hang Up
A headless man?
Shaggy can play the guitar, and Scooby drums.
Asha Shanks, a slouching big guy with a lantern, giving Scooby and Shaggy war flashbacks with the last big guy who held a lantern on their first meeting.
Headless Specter? Was the Dullahan too hard to pronounce??? (Dullahan = Headless Horseman monster from Irish folklore)
“The non-material embodiment or essence or organism that’s seen as a specter, wraith, or apparition has been scientifically proven to be a sheer myth. In other words, there’s no such thing as a ghost.” “Yeah, but does the ghost know that?” I now know why Velma wasn’t chosen to be part of Scooby Doo and the 13 Ghosts.
Floating candle! Will they actually explain it this time?
Cue Old-painting-of-an-older-person-but-if-you-look-away-for-a-moment-then-it-changes-in-a-creepy-way gag.
Is it just me or has the animation/design for the Scooby gang become significantly more wonky since they’ve entered the mansion?
We watch Headless Ghost using secret passageways to travel in the house. Seems interested in a jewelry box?
Shaggy pranking Scoob so that the poor dog accidentally volunteers to open the jewelry box for everyone. Maybe I shouldn’t be so hard on him for swiping Shaggy’s food from now on 😅
Bruh. Is it weird that when I saw a man’s head in the opened box, my first thought was “Oh, that is a nicely rendered head. Look at the details in the lines and values 🤩” , and then “Oh. That’s a HEAD?”
False alarm. ‘Tis a wooden dummy’s head.
“Aren’t you curious [about this mystery]?” “NOT ONE BIT.”
A random though popped into my mind. It is NOT CANON, but I wondered momentarily if Fred kept splitting the gang up the way he usually does because he’s always had some kind of crush on Daphne and was hoping to impress her. Occasionally he invited Velma so no one would notice, but all of them know but don’t want to embarrass him by pointing it out?
Velma shoves Shaggy and Scooby ahead of her into a dark room instead of going in first.
“I feel like I’ve been dipped in ink and let loose in a coal mine.”
Ah, the let’s-hold-hands-in-a-dark-room-so-we-don’t-lose-each-other-only-to-discover-we’ve-gained/lost-a-member-in-our-team-when-the-lights-are-on gag
I’ve said it before, but I’ll say it again: Animation is WONKY this episode.
Cue this episode’s chase scene’s theme song.
“Headless” Specter has to bend super down low to look at specific things bc the guy who made his own costume didn’t think to create incognito areas/fabric to see (and yes I’m saying he made his own costume bc I believe Trick or Treat, Scooby Doo to be part of a different canon universe than the series and the older movies, just like how I view the live action films, the live action series, and the other adaptations. I think some fans arguing over which versions of the Scooby Gang’s are the “true”/“actual”/“correct” interpretations of these characters are a tad silly because even the original show had trouble pinpointing their personalities at times. Have fun and be cool.)
I know it’s in the name of good fun and shenanigans, but seeing all of those books being shoved off the library bookshelf by Shelma and Scooby made the book lover in me wince.
Headless Specter loses whatever little dignity he thought he had by jumping on the bed and angrily bouncing and stomping on the “bodies” (actually pillows) of Shaggy, Velma, and Scooby. Wow, dude.
A spinning wheel also serves as a bicycle. Shenanigans.
The well that was shown earlier has a secret passage.
We finally see what Fraphne is up to, and lo and behold, they are actually looking for clues and being useful as opposed to the writers usually having no clue what to do with them when they split the gang up.
Animation Goof: Daphne’s eyebrows disappear until she speaks.
Oooh! A trapdoor.
“Let’s take a look and be careful.” Me: *immediately begins countdown.* “Whoops!!” Only two seconds for Danger-Prone Daphne to slip 😅
I accidentally paused to talk to someone, and I have to restrain myself from laughing at the horrible twisted wince/scowl face Daphne is making as she is talking. Not sure why the animators are doing more in-betweens here between poses when the earlier episodes were just fine without them. Can’t fault them too much for making an attempt though.
Methinks the artists didn’t want Velma getting hit when Fred and Daphne are about to chuck jars at her, Shag, and Scooby out of self-defense, as we see in previous episodes Shaggy usually gets throttled from a misunderstanding.
I vaguely remember a scene where Shaggy and Scooby accidentally chew on non-inflated balloons thinking they were treats when I was younger; didn’t realize it was from this episode.
Animation Goof: Shaggy’s eyebrows are too thick for any man to handle.
Don’t know why later adaptations dumb Freddy down; he’s just as smart as Velma. There’s room for multiple smart people who are knowledgeable in differing areas! This is why I ship Frelma *gets slapped*
Why on earth would you give a Scooby Snack to a Flytrap, Shaggy? That’s just asking for an early version of Little Shop of Horrors.
Where did the Headless Specter come from?
Show is inconsistent with Shaggy and Scooby’s weights.
No chickens were harmed in the making of this episode (I hope 😅)
Huh. The Headless Specter isn’t Asha Shanks. Also, Headless Specter man isn’t the bad guy? He’s just trying to ward off grave-diggers and robbers?
Asha Shanks is the criminal, but he has nowhere near the same level of creativity or drama as the Headless Specter man.
“And I’d have found [the treasure first] if it weren’t for you snoopers!”
Day 22 of no “And I would have gotten away with it too, if it weren’t for you meddling kids!”
Tumblr media
12 notes · View notes
mylifeincinema · 1 year
Photo
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
My Best of 2022: Non-2022 Films
My Best of 2022 is a series of annual lists in which I pick the best of the best from 2022, all leading up to my official picks for My Top 10 Films of 2022.
Only a handful of these even belong on any sort of ‘best of’ list. But, as I only saw somewhere like 20 first-time non-2022 films, here we are. Oh well...
1. Drive My Car (Ryûsuke Hamaguchi, 2021)
A staggering cinematic achievement. How not one second of this three-hour film is anything less than enrapturing is a true testament to the power of humanity in film. All aspects work together beautifully, here, to bring a refreshing, heartfelt, emotionally cathartic story of mourning and the connection between life and art. The source material lays a rock-solid foundation upon which Ryûsuke Hamaguchi & Co. build a quietly compelling piece of cinema. With the Academy’s love for this, I really see no logical reason how Hidetoshi Nishijima wasn’t nominated in the Lead Actor category over Javier Bardem, he was magnificent.
2. The Raid: Redemption (Gareth Evans, 2011)
Oh… damn… badass action flick is badass. How the hell did I not see this sooner?!?
3. The Cincinnati Kid (Norman Jewison, 1965)
I’ve long loved Rounders, so its really strange it took me this long to see this one. McQueen is solid, but Robinson steals the show. Jewison’s direction sets a fantastic pace. And then there’s Ann-Margaret… yikes!
4. Cyrano (Joe Wright, 2021) 
That “Wherever I Fall” sequence, though... That scene tore my heart right out of my chest. Wow.
The rest of this is quite phenomenal, as well. Dinklage’s performance was stellar, and despite his singing voice not being the strongest (especially when paired against Haley Bennett’s), his numbers made for emotionally overwhelming pieces. On the technical side, this was an all-around feast, boasting production design, costumes, cinematography - not to mention the abundance of music not singled out - that were nothing short of beautiful.
5. Kodachrome (Mark Raso, 2018)
Holy shit… Elizabeth Olsen is so effortlessly gorgeous, here. Damn. The beginning features a giant, don’t-fucking-do-it move on Sudeikis’ part when he gives the venue security guard attitude for telling him he needs to have his pass on, and that seriously annoyed me, so the fact that I ended up liking his character at all throughout the rest of the film is some solid character work on his part. Ed Harris was unsurprisingly solid. Overall not the best, most original or insightful film of its kind, but the cast is really good and living in both the live music world and the photography world as I do, there was a bunch here for me to like. Especially Elizabeth Olsen, though. Seriously… Damn.
6. The Shop Around the Corner (Ernst Lubitsch, 1940)
James Stewart really is one of my all-time favorite actors. He’s just always so damn good. I also love me some Lubitsch, yet for some reason I have so many blind spots with him. Anyway, I know we live in completely different times, but even looking through the scope of the time, that ending seemed a bit forced. Still a delightful film overall, but she must’ve been really desperate to let the shit he pulled go.
7. Timecrimes (Nacho Vigalondo, 2008)
A cool, little contained time travel thriller. I’d almost rented this dozens of times back when I worked at Blockbuster Video, but never pulled the trigger. It’s weird and twisty and surely ridden in plot-holes, but damn was it an enjoyable ride.
8. Red Rocket (Sean Baker, 2021)
I was surprised by how much I actually ended up liking this despite totally despising our lead character. There’s a white-trash charm to it, I guess? Or, at the very least, a clear sense of authenticity that pulls you into the film effectively. I’m still not a fan of Baker’s tendency to use non-professional actors, though. It’s distracting in the wrong way.
9. Parallel Mothers (Pedro Almodóvar, 2021)
I don’t really have a lot to say about this one. Cruz was magnificent, and more than earned that Oscar nod, but other than that I had trouble getting emotionally invested, and was therefore left cold by the end.
10. The King’s Man (Matthew Vaughn, 2021)
It has its moments, and Ralph Fiennes is awesome, but mostly it left me wanting for more. The first of these movies was so wonderfully over-the-top that the few scenes that come near that level, here, just don’t quite satisfy.
Enjoy!
-Timothy Patrick Boyer.
Next Up: Assorted (Animated Feature, Foreign Film, Editing, Screenplay, Etc.)
More of My Best of 2022...
5 notes · View notes
llycaons · 1 year
Text
I saw les mis live today (special treat). I’ve seen the show in high school and read the book a few times, but not recently
it’s such a gut punch to think that the social issues the books addresses are still a massive problem. idk about france but at least here in the us
I haven’t been listening to any music recently so when they started singing I was like “oh shit! this is great! cool how they do that!’
I didn’t cry, but at the beginning and at the end I got very close. ‘look down’ is such a fucking visceral song series
I forgot they have a live orchestra so halfway through I noticed the conductor and went ohhhh yeah there’s people down there playing instruments. sweet
my first les mis experience was the 2012(?) movie, which may have been bad musically speaking (didn’t love the valjean) but I have a lot of fondness for javert’s nasally voice and samantha barks’s eponine
I always had a crush on eponine when I was younger because barks was that beautiful, and in the books the ways she was described really appealed to me because I was 15 and didn’t think about how tragic her life was and sad it was that she’s been hardened by her experiences at such a young age. but I also think I connected with her loneliness a lot...leave marius and I’ll treat you right etc.
the theater songs are slightly differently delivered than in the movie, which I found sounded unnatural. they really have to sing fast, wow
live theater is really cool!! I haven’t been able to see any in years, and the lighting, effects, design, etc. are all so different from film and tv, they have so many more limitations but also unique opportunities that tv doesn’t. and I really loved to see how they put together each set right there on stage and how nothing looked *realistic* but the performance has its own character because of it
les mis has some of my favorite theater songs of all time, but also some of the most boring :/ ‘bring him home’ and ‘drink with me’ barely have real melodies. also im sorry but all the lyrics to ‘I dreamed a dream” are very juvenile. I get that fantine is young but those lyrics just sound ridiculous
but I really loved master of the house and lovely ladies, those are SUCH fun songs. I think the thernardiers were some of the first villains I saw onscreen who were just really fun with it
so fucked up that they killed gavroche. SO fucked up. I think his death scenes, in both the movie and the theater, were just gutting. I get why they did it! it was a good choice! but wow
I like how the movie had javert give gavroche that medal in recognition of his courage, but why did they actually have rain during ‘a little fall of rain’? the point was that eponine was so soaked in her own blood she just thought it was raining
the movie is the most pared-down version of the story that can still be comprehensible. it’s impressive how condensed they made events. the theater had several scenes I remember from the book that couldn’t fit into the movie
watching made me want to read the book again, it had so much detail that i really enjoyed when I had energy to get through it
god, anyone remember the les mis fandom ca. 2012? naturally people would flock to the shippable college students with one-sentence personalities and repeat the catchy songs and make memes rather than actually consider the social messages in the book or talk about the actual main character
speaking of messages, this is the only story where I watch it and feel I kind of get people being into catholicism to which
even so something that drove me crazy about valjean was in the books he would just not enjoy himself or let himself be happy. catholics will love to suffer. catholics will present suffering as a noble thing to do in life so you get rewarded in heaven. drove me up a wall. in the book he literally had no reason not to be with cosette he just felt unworthy of her or something and would just stop visiting her even though they missed each other so bad
oh wait it’s because he told marius about him being a convict but not about anything else in his life and it made marius cut him off because he thought he was evil or smt even though valjean later revealed that his wealth was from an honest idea he had and they reconcile just before he dies. so what was the fucking point, anyway? be as miserable and noble as you can die and then get to heaven because you were Good (tm) ugh
also, why didn’t valjean just tell marius who he was? he knew cosette loved marius back, what need was there for him to do this elaborate sewer crawl after marius was injured? what if marius had been shot dead, huh? like I know the character reasons for his determination to do everything in the most secret way possible but it would have made things so much easier
don’t love how women and sex workers are treated about by any of the versions or how cosette is treated by valjean or marius like she can’t handle the truth but for 1860s, not as bad as it could have been?
but the themes of just...kindness and second chances and forgiveness and sympathy for the most oppressed and mistreated members of society and doing right by others and loving them is so fucking good anyway
2 notes · View notes
pumpkinpot · 3 years
Text
MHA at a CON or FEST
Hi, so over the last couple day I have been going to the local Fan-con in my state and I was curious while there what some of the MHA characters would be like as panel or meet and greet guests and you as a vendor. 
Hawks- He is a fan favorite. For him I’d imagine the tickets to meet him would sell out almost immediately and if someone was lucky to catch one late, it would likely be from a peddler outside the stadium. He is so good with his fans very professional in his hero costume, taking pictures and signing things. (he kind of has to be.) As sort of a subliminal messaging thing, he’d keep some of your merch just strewn on his table, like it was just left there and would send feathers to you periodically throughout the day to let you know he’s thinking about you, or has some major tea about a crazed fan. You’ll know which depending on the frantic-ness of the delivery. 
Mirkou- She is so unashamed about her nerdiness. You cannot convince me you two don’t ren and, "women with swords" is her aesthetic. So don’t expect her in her hero costume. Not the one she actually works in at least. Her meet and greet costume is a modified knight-core version with chainmail and leather. She had a special bit of her armor etched with a little symbol of your two’s design. like a crest of your love... lol... nerds.... Preferably she can see your table from where she is, so she can point you out as her (royal title). “for I am their knight, and they are my Queen/King” is what she says all Stokely. Don’t expect to much professionalism from her, she’s too excited.  
Aizawa- How TF someone got him to do a meet and greet is beyond me, but he’s not happy about it. Its too loud, too crowded and he’s often asking himself why this big of an event is important to hero work and if its safe to have so many heroes in one place. (its a pretty big target.) But he’s amiable enough. He does it mostly because some of his students are there and so are you. At first he’s rather fitful, but when a little kid hands him a picture of a kitten drawn by them he softens. Its a complete coincidence he became the children's favorite. Parents wondering why their child chose a homely gremlin over Hawks. When he has any time free he’s watching you wow people with your own products just in awe of your passion, but behind that is a small excitement building for the epic sleep that yall are having tonight after such an involved day. 
Bakugou- You cannot convince me he isn’t into this. For a couple reasons. One he gets to show off a little bit. I feel like the Bakugou that would get big enough to have a meet and greet is not the “I’m better than everyone,” guy we’re used to, but he does like the idea of seeing what kinds of people flock to him. It’s def not what he expected. Book nerds, and introverts. If you’d have told him that was his fan base, he’d have laughed in your face, but now that he’s seeing it with his own eyes the pieces start to click. its very “every Hufflepuff needs a Slytherin” vibe. (though I don’t think Bakugou is a Slytherin, different post different time.) He actually begins to enjoy the time. Its not as loud as the other panels despite the doubled mass at his stand. When he has any time away from the greet table he’s with you, checking out the food truck district. of course their is a radius so he’s not swarmed, but he does tip the staff really really well.
Midoryia- Despite going to so many cons for Allmight stuff when faced with his own booth, and seeing his own fan art, Midoryia becomes very, very overwhelmed. This results in a lot of check ins with you and sloppy smiled pictures. It’s not that he tries to be awkward, but people constantly telling him how much they love him makes him wonder if he ever became so overbearing to his mentor. After a while you make some arrangements to move your booth into veiw of his and after that, his demeanor completely changes. Not having to stare at the art booth with only his face in various mediums staring back at him, but you with your passion sprawled out across a table and your friendly smile. It gives him courage to relax a little. Overall he’ll only do those kinds of events if you are there. If you’re not public with your relationship, how long will it take the public to realize you’re always so close?
Ochako- Baby girl is eating it up! Not because of the crowd per say, but because of the smiles. She’s had to use her quirk to save lives so many times, I could see her floating peoples hair and floating up to make funny faces behind people in photos. Her and some of the other hero's decided to get in on a corner of the meet and greets together so they can interact with fans together. (photobombing each others pics and such.) When she has the time she’ll sneak off to you with a churro in each hand with a social battery check in and a mandatory water check. If you’re feeling drained she’ll ask one of her assistants to watch your booth while she floats you both somewhere to watch the crowd from above.  
Mina- She is too hype for the occasion. Her and Ochako def got a space near each other. She goes above and beyond for her fans, decorating her whole booth in flower vines and twinkle lights. she did it for the gram for sure. She is great with her people and loves to ask them actual questions when they meet her. “how are you really babydoll?”, “tell me about your day.” and is the queen of complements. when she’s on break she’s with you hyping up your booth to anyone within hearing distance. “hey! have you all seen how amazing my love is?!” she def is out here to do the most in the best way.
Kirishima- Baby boy is nervous. He’ll never admit it if not forced, but he’s never been to an event like this, as a guest or greeter and the sheer magnitude of it all is.. daunting. It isn’t until he sits down and actually people watches the line of fans ready to meet him does he calm down. specifically a little boy with foam hands of his signature fist to fist in hardened mode. (Like the Thanos gauntlet you can buy at walmart) The kid was so excited to meet his favorite “shark” and it was that day that Kiri saw how far that comparison (him to a shark) actually went. He overall realizes his fan base is mostly made up of people like him. People who didn’t feel like they had the right bits in their bones to fit into society. He loved being that oddball for them. At lunch he sneaks away with you to eat junky foods hidden in an empty stage room or somewhere secluded. He’s got so many stories about so many cool people and keeps a copy of the pictures of his favorite fans for himself. to remind him why he does what he does. 
175 notes · View notes
i-like-eyes · 2 years
Note
Daroach for the ask 🐀
Anon I bring you cheese
First impression: When I saw the KSA Dream Friend trailers back when they came out I remember thinking "wow that's a Kirby character if I ever saw one". Man imagine if I actually played the Dream Friends when they released I could of found god sooner.
Impression now: Whoops new favorite. He's got a fantastic design and sassy dialogue making for one of the strongest characters. Nothing mind blowing, he's a fairly standard gentleman thief type, but still very well executed and confident.
Favorite moment: Stretching it here, but I really like how he plays in KSA. He has a wide variety of moves that need charging so every fight you have to think about what works best for the situation. I feel like he could of had more personality in KSA, especially in the animation department, but playing him feels like you're the crazy prepared leader of a team having to plan a heist on the spot.
Idea for a story: Oh god I have too many. One idea is a heist at Haltmann works where he runs into Susie and they get into a fight. He brings Doc along with him because Doc's more familiar with the tech-y stuff.
Unpopular opinion: How can there be unpopular opinions if a character isn't that popular to begin with
Favorite relationship: This is outside of the games but Meta Knight. I'm not a huge fan of the novels, but holy shit those two are chummy to a near comical degree. A problem I have with the novels is that they are really mean spirited, but they can't help but compliment each other whenever they're near. They'll also just stop and ask how they are doing and have each other's best interests in mind and wow that's really refreshing. Thinking outside the novels they have enough similarities for getting along but also some differences in personality to challenge each other with. I'd like to think Daroach would hesitate to trust people, what with being an infamous thief he probably has made a lot of enemies. He'd take an interest in MK because Cool and Mysterious dude but hesitate to reach out. MK's excuse is he's shit at communication so he just does Daroach a lot of favors which throws Daroach off. Daroach eventually realizes that MK is just being massive dork and they become fast friends then. More obvious is just Daroach is much open and flamboyant than MK is; Daroach would push him to have fun but wouldn't overstep any boundaries. I see hc's that they'd chat about their adventures over tea or go on heists together, but I'd like to see Daroach asking for help with hand-to-hand combat with some sparring.
Favorite headcanon: Less headcanon and more maybe canon/theory is this beef he and DDD have. DDD is (rightfully) pissed that Daroach has stolen from him and Daroach just thinks he's ugly lol
In the DDD Directory tweets he's said: And "Dark Daroach" is a form he took on when he got taken over by some strange black smoke at the end of the story. That HAD to be his punishment for daring to steal my treasure!
And Daroach spits hard facts in Mass Attack: I used to steal the hearts of young ladies by the seaside here. But that was long ago, before King Dedede came to spoil its shores.
Dedede Resort has a castle that King Dedede had built. It’s supposed to be beyond tacky. This is the most petty and pointless conflict in the series and I love it. Throwing out some more, I like stuff in the Dreamy Gear novel like how Vul hates his guts or how he's apparently a really good chef/baker and I just apply that to the normal canon.
45 notes · View notes
stars-self-ships · 3 years
Text
Tumblr media
Y'all wanna see how hard I can gush over Centaurworld?
First of all... wow. Ever since I had made that post about expressing interest in starting Centaurworld when the weekend rolled around, I literally could not wait until Friday night to eventually sit down and watch as much as I could until I knew I had to get to bed. I was growing more and more intrigued as to what the show held, and knew full well that, worse case scenario, that I would think Centaurworld would be 'just alright'.
Centaurworld is phenomenal, and I'm not even done with it.
As I'm writing this, I'm halfway through the series, being on the fifth of the ten episodes of the first season. With that being said, I ask anybody who intends on interacting with this post to please not spoil anything, as it's super rare that I not only find a modern animated series that I like, but am as invested in it as I am.
Centaurworld tells the tale of a warhorse named Horse that is separated from her rider after a near-fatal fall. Somehow, Horse is transported to a strange, colorful world that is inhabited by centaurs with an affinity for singing. Horse immediately wants to find a way back to her own world to reunite with her rider, but finds that it's necessary to enlist the help of Wammawink and her herd if she wants to get anywhere.
I usually don't tend to listen to a lot of music with vocals (Or partake in musicals in general), but trust me when I say that the soundtrack for Centaurworld is, no joke, exclusively made up of absolute bangers. I think my favorite musical number so far is the one at the start of the second episode, Fragile Things, which I HIGHLY recommend you give a listen.
You might also notice that in the video I linked above that Centaurworld also possesses some nice animation; I find that the fluidity of Horse's animation is absolutely stellar. Before I watched Centaurworld, I wasn't expecting the animation to look as nice as it does, and in all honesty, I think that was because of how the show's general artstyle looks.
Which, need I remind you, goes from the first image below to the image underneath it in the span of five-ish minutes.
Tumblr media
Like, how are these even from the same show? It's amazing.
Some people aren't very fond of the artstyle of Centaurworld, and while I can understand why, I personally find it endearing and befits its whimsical world. Between the immensely creative designs of the centaurs and the really cool scenery design, I quite like how the show itself looks.
Plus, there's a great deal of facial expressions throughout each episode's runtime that are nothing short of hilarious. Just look at these.
Tumblr media
That last one comes completely out of left field and it actually got me to laugh embarrassingly loud when I first saw it.
Centaurworld's main cast (And characters in general) is just so good, too. It's really hard to pick a favorite from the six main characters, because there's something I like about just about all of them!
Wammawink (The pink alpaca taur) is high up on my favorite list because of how caring she is as well as how expressive she can be, and Ched (The finch taur who's in the second image under the cut) has a really good voice actor and boasts an outright hilarious 'tough guy' personality. Dude's signature magic power is that he can look handsome for eight seconds. Now that's comedy.
Though my interest in watching Centaurworld to begin with would not have blossomed if it weren't for one man... or, in this instance, taur...
Tumblr media
Zulius.
One single piece of fanart of him was all it took for me to realize that not only had I fallen for him, but that Centaurworld also warranted a watch. Legitimately every second he's on-screen, I can't help but smile like a dork. I cannot get enough of his overly extravagant and egotistic personality.
Zulius was indeed the character I was referring to in the original post I made about Centaurworld a few days ago, and I can say with full confidence that he'll absolutely be on the F/O list in a good few days— really all I have to do is finish the ten episodes to narrow down the perfect image to use for his icon and think up a tag for him.
Once I finish Centaurworld, I plan on designing a S/I for its universe— how could I not? I feel like the artstyle would be very easy for me to replicate, and before even watching the first episode I had a pretty solid idea on what my Centaurworld S/I would look like; I'm thinking it should be a taur with a fauna-based bottom half, kind of like what Glendale has. I was going to settle on a sheep bottom half, but I've got plenty of sheep-based S/Is already.
Overall, what more can I say but what has already been said by a majority of those on tumblr who have given the series a chance: go watch Centaurworld. You will not regret it.
42 notes · View notes
umisabaku · 3 years
Note
Hi! I'm a huge fan as of a week ago when I discovered designation miracle and speedread through all of it. I really love your writing so much, so I had to ask: please please write a reki/langa piece? It can be AU/scifi/fantasy anything you like, and doesn't have to be long but I would so love to see your fic/minific! also, i saw that you had posted about tying the kuroko fantasy AU together -- have you thought of looking at 1001 nights instead of grimms, they have a lot of nested stories
It doesn't take him long to figure out that 1) he died and 2) apparently reincarnated in the body of Kyan Reki, minor trash character in Ice Infinity, long-running web novel series he used to read because his younger sister made him. Which, holy shit, he did not think that actually happened, and apparently he should have paid more attention to transmigration web novels instead of skating. (Nope, that wouldn't have happened. He loved skating. Still loves skating. This is clearly his little sister's fault, for being fond of dark fantasy harem novels instead of transmigration novels.)
He tugs his floofy red hair and thinks that this isn't the worst possible novel to wake up in, but it's pretty bad. At least he's familiar with the story line. Protagonist Hasegawa Langa, aka Prince of Ice and Snow, was cursed as a baby (although he doesn't know it) to have a frozen heart. He competes in a (very long, drawn-out) magic tournament, and becomes super awesome magic ruler of all time, but each battle brings out a darker side of him, and the more evil he gets, the more the world begins to ice over. This is, in part, due to the manipulations of Demon Lord Adam, who wants Langa's powers for himself. Meanwhile, various women try to "unfreeze the prince's heart" or whatever, with the implication that if someone managed to melt his broken heart, the world wouldn't be destroyed by ice.
(Reki gave his sister so much shit for liking this story. It was still ongoing, and the world was almost destroyed by ice. There'd been, like, fifty different women who were potential love interests throughout this saga, and the Prince still had a frozen heart. Also, he was pretty evil at that point. Reki's not sure what the appeal is, although now that he's in the book, he's at least grateful that he knows what's coming.)
The problem is, Kyan Reki dies in the first chapter. Killed by Langa, in fact, which Reki (now that he is Reki) does not appreciate. Reki was a brash, arrogant jerk, with low level fire magic. He was Langa's first opponent in the tournament, and had insulted the memory of Langa's dead father, which is what provoked the killing. Langa hadn't meant to kill Reki, but the accidental murder is what started the long path towards evil, frozen heart, and the end of the world.
So now that Reki knows what's coming he thinks, Well, I'll just not do that then.
Seems simple enough. He comes up with a Plan of Survival: He won't compete in the magic tournament, he'll stay away from the Ice Prince, and maybe move to a tropical island or something. He doesn't like the idea of the world freezing over, but that seems like a problem far in the future. And hey, this world doesn't have skateboards, but it has all the materials he needs to make skateboards, which means it's not so bad, as fantasy worlds go. Fire magic is pretty cool too.
Step one: withdraw from tournament. Easily done! Everyone looks surprised when he announces his withdrawal. Shadow says, "What are you talking about?? We're supposed to have our grudge match! Weren't you telling everyone that you were going to kick their asses?"
Wow, that's embarrassing. Reki wishes he woke up earlier in the book, before his character made stupid brags. "Nope, I'm good. Have fun, though!"
Step two: Stay away from the Ice Prince. This also seems like it should be fairly easy, since Reki isn't going to the magic tournament.
Except the very next day he practically runs into Langa on his newly made skateboard.
"AH! Ice Prince!" Reki says from the ground.
"What?" Langa says.
Oh right, no one calls him that yet.
"That's, uh, the name of my skateboard," Reki says. He gets up and dusts his pants, and then moves to retrieve his board. He spins one of the wheels and then, mostly to himself, he says, "I think I need to adjust the balance."
"Your what?" Langa says, looking over Reki's shoulder.
Reki tenses, feeling very close to death right now. Don't insult his dead father. Don't insult his dead father. "My skateboard," he says. "For skating." And then, because he can't help himself, he brags, "I made it."
"You did?" Langa says. His voice doesn't reveal a lot of emotion (frozen heart, and all) but he sounds impressed. "Is that what you were doing earlier? With the loops?"
"Oh, you saw that?" Reki says, embarrassed.
"Do you have wind magic?"
"Nope, just fire," Reki says. Then, remembering their fight to the death, hastily adds, "Low level fire magic. Very low fire. Practically nonexistent, really."
"And you still flew in the air like that?" Langa says.
"Because of the skateboard!" Reki balances on the board and circles around Langa so he can get a good look.
"Is it for transportation?"
"It's for a lot of things! But mostly, it's for fun!" If he accomplishes nothing else but introduce skateboarding into this fantasy world, Reki feels like he'll have made an important legacy. Then, because Langa still looks intrigued, Reki says, "Do you want to try?"
"Can I?" Langa says, sounding surprised by the invite.
"Sure! Anyone can skate." Reki hops off the board and shows Langa how to get on, all the while revisiting his Plan for Survival.
He doesn't really want the world to freeze over. And that Adam guy is a dick. Langa probably wouldn't have killed so many people if Adam hadn't been manipulating things in the background. Maybe... maybe Reki should stick around Langa, show him how to have fun, introduce him to some nice girls, and keep him from turning evil and destroying the world.
He completely misses the marveling look Langa is giving him, like he's just seen something wonderful.
A/N: Thank you, anon-friend! I'm glad you enjoy my stories. I've been wanting to write something for SK8 but wasn't sure what kind of AU I should do. Since I've been reading and watching a lot of Isekai lately, and I've never written that as an AU before, I thought this would be fun! Hope you enjoyed! (also, I kinda want to stick with Grimm, but would consider branching out for other fairy tale stories!)
26 notes · View notes
woeisme-iamwoe · 3 years
Text
an absolutely massive Haikyuu!! fic rec pt. 1
I went through my entire ao3 history because I’m insane, AND here’s my favorites. (There’s not a lot of aus because I’m not a huge fan of them, and there’s no sad endings. I’m a hopeless romantic leave me alone. There is angst though! Lots) 
Beginning with SakuAtsu (I’m a hoe for Atsumu): 
Hide and seek, by badreputation (10k. E. canonverse) 
It sure is a good thing Atsumu doesn't have a latex allergy 
It’s just a fleeting infatuation. As long as he pushes through it he’ll manage. So what if nowadays there isn’t a night where he doesn’t dream of Sakusa pinning him down on his own bed, in the shower or make Atsumu go down on his knees in the hallway? Those are just pesky details.
Some Memories, We May Keep, by mika60 (31k. T. canonverse) 
This is canon, fight me on it. 
The missing panels, the missing games, the missing moments.
The them we never saw.
*Now complete! :)*
 every action has an equal and opposite reaction, by akanemnida (10k. T. canonverse) 
Miya Atsumu gets a modeling contract with Calvin Klein, which sets Kiyoomi's heart in motion.
(Or: Sakusa Kiyoomi realizes that the rules governing the universe are absolute rubbish at explaining matters of the heart.)
 Ass-fingering as a prelude to relations of the emotional kind: a case study, by neverwere (2k. E. canonverse) 
Fucking hilarious, the imagery is absolutely hilarious. 
"Marry me, he thinks, as he comes around Sakusa's fingers and all over himself.
This. This is exactly why you don't let strangers or very attractive teammates finger you out of the blue.
Everyone knows that the ass is the shortest way to the heart."
Or
When it comes to sex, Atsumu has rules. Guidelines! SOPs! He swears they work, they've always worked.
Until they don't.
 parallax error: angle of inclination, by min_mintobe (10k. T. canonverse)
But now there's the one person Atsumu'd promised himself never to touch. His eyes leave Atsumu breathless with guilt at seventeen, and he spends the next six years safe in the satisfaction of making things right.
Feelings, of the physical kind, and one kiss.
ft. competitive spirit, childishness, and late night conversations.
Atsumu POV.
 autumn ends, but we remain, by wolfsbvne (5k. T. canonverse)
Author says in their ending notes that they're not an ‘author’, but methinks they should write more and pursue that career path because this was wonderful.  
atsumu stares at his ceiling at 2am. he stares until he can make out designs in his popcorn ceiling. a cat there, an onigiri here, and then something that suspiciously looks like a mop of hair, triangle eyebrows, and oh those two bumps are moles right above what atsumu just mapped out as an eye.
(or, atsumu is in kind of in love. sakusa is maybe in like.)
I left a taste in your mouth, by emso (26k. E. bodyguard au)
Because obviously 
Sakusa fixes him with a vague expression of something like distaste. There's a scathing edge to his tone when he speaks. "Contrary to what you seem to believe, not everyone who meets you is instantly dying to get into your pants, Miya."
"Lucky I don't really care right now what 'everyone' wants to do, then." Atsumu swivels his mug around on the tabletop a few times, and then brings it to his mouth to drain the last few dregs of his latte. Over the rim of his mug, he adds casually, "Just you."
Whoa hey Bodyguard Omi, I think Spoiled Rich Kid Tsumu might possibly have a teensy crush on you. 
 How do you know you're in love?, by spiritscript (12k. T. canonverse)
Pure art
“So, how did you know you were in love? How did it feel?” Atsumu felt nervous asking this, a slight wiggling in the pit of his stomach, unable to look at the man beside him who rolled his shoulders in an attempt to reset his posture. “I mean, you didn’t resonate with what I said, so, what is love to you Omi-kun?”
Atsumu thinks he must be in love with Hinata Shouyou and so asks the best person he knows to help him understand his feelings
 san'yo expressway, 6:17 pm, by yamabota (13k. T. canonverse)
Of violent forethoughts, and handheld car vacuums. 
Atsumu tilts his head to watch a slice of orange light bend over the impassive planes of Sakusa’s face. He is absolutely, ruthlessly beautiful. It makes Atsumu want to punch something—put his foot through the windshield—scream, maybe.
Kiss him again, maybe.
They have 344 kilometers to figure this one out. 
Different Kinds of Dysfunctional, by DeathBelle (Series, 5 works. T-E. Canonverse)
Honestly, I think this one is kind of famous amongst Sakuatsu readers but I can’t not include it. If I recall correctly, this is the fic that got me into Sakuastu, so thanks, DeathBelle. The characters are portrayed really well (i.e. Sakusa is disgusted and confused, and Atsumu is a little shit). You’ve got a good balance between conversations and descriptive thoughts and all-in-all it’s just a really good read. 
 Atsumu said into the heavy silence, “You can’t say you’ve never thought about it.”
"Thought about what?" said Sakusa.
Atsumu smiled to himself, smug. "You know."
"No, I don't."
"You know. Of course you’ve thought about it. There’s no reason to be ashamed, Omi-kun. I’m a real catch.”
Sakusa was appalled. "You're disgusting."
"You flatter me. I'm not judging you. I can't lie and say I haven't thought about it, too."
Sakusa shifted, slowly, to peer over his shoulder. He wasn’t scowling, but his expression was unreadable. “Please tell me you’re joking.”
Atsumu wasn't joking, and he was about to get more than he bargained for.
i'll do anything you say (if you say it with your hands), by liliapocalypse (7k words. T. canonverse):
Oh, god. This one was so cute. Super fluffy. Loved the metaphors and symbolism. Sometimes you just can’t say things out loud. 
When a bad injury shocks the whole V. League, Sakusa finds himself paired with Atsumu for more rigorous assisted stretches before every training. Atsumu then finds himself writing random letters on Sakusa’s skin to soothe the spiker, forcing Sakusa to reevaluate how his touch aversion became an irresistible yearning for more, and how the boy with the annoying hair somehow brought that hunger to life.
Or, the fic where Atsumu mindlessly writes a confession on Sakusa’s back when he thought Sakusa wasn't paying attention. Sakusa always did.
 mortality is found is the flesh of your sins, by novrik (10k. M. canonverse)
This is literally my favorite fic of all time. Not just of Sakuatsu, not even of the Haikyuu fandom. Ever. Favorite fic ever. Listen, I’m an atheist, but this fic took me on a religious experience that I haven't come down from yet. The symbolism had me actually shivering, and I had to put my phone down quite a few times. Just, oh wow, just read it. I’d like to share my favorite line; ‘And if Sakusa is Eve, if he takes a bite, what then? Perhaps, he is a little afraid of the knowledge he will gain’. My god, author, if you ever see this, this is not only a plea for you to continue writing, but also an offer of marriage. Your hand, author?
 dickhead one, sakusa kiyoomi. dickhead two, miya atsumu. neither understand how to communicate.
Pray tell, why are you drawn to him?
Are you drawn to him in the way he looks beautiful even when crying?
When his eyes are red, shiny tears streaking down, lips quivering, is he beautiful?
 sakuatsu domesticity simulator, by pseudoanalytics (75 words. T. canonverse)
75 words because it's actually a digital art simulator. An interactive fic! How frickin’ cool is that? The art is so beautiful and I love the plotline and ugh, just everything. Please read, or watch, or click around, yes. Good. 
Update: artist created another interactive fic and of course it is wonderful. SunaOsa this time! https://newttxt.itch.io/cheesecake honestly just check out @newttxt their work is amazing and I love everything they do. 
a vaguely interactive mixture of fic, art, and html, where you too can experience the inherent romance of a big fat jerk and a too-blunt jerk attempting intimacy
***
(this is the result of letting the sakuatsu brainworms really get to you...)
 Pas De Deux, by hatsuna (19k words. T. Ballet/college au)
There's just something about prim, proper ballet Sakusa and human-benign-tumor Atsumu that makes my heart burst. Seriously gorgeous writing style, loved every second. By the same author who wrote ‘liminal spaces’ (which is also just perfect) so that should give you a good idea of the style. 
The mystery athlete gives Kiyoomi a once over in the mirror. “Yer pretty tall,” he observes. The twang of an accent rasps low in his throat. His brazen eyes drift to Kiyoomi’s legs, and something like exhilaration glints gold in his gaze. “Good quads, too. Ya ever played volleyball?”
 Ah. So it’s volleyball.
“I’m a dancer. Ballet and contemporary, mostly.”
 the affective presence of our black and white reruns, by kozumess (19k. E. canonverse)
Beautiful, classic misunderstandings, my heart actually physically ached at that one scene (you’ll know the scene when you come to it). Kiyoomi is so refreshingly relaxed(? Is that the right word to use? We all know Omi never truly relaxes). 
but the want, it's always there, constant like the static playing on every television channel, present even when the station disconnects.
 cut the conversation, just open your mouth, by meeksoo (E. 16k. canonverse)
Absolutely filthy...BUT WITH FEELINGS! Completely nails the Sakuatsu dynamic, and protective ‘Tsumu? Love it. 
Sakusa opens the door. He always does.
 They’re teammates first, barely even friends. But they hook up on the regular and it works. It’s simple, easy. But then a fan gets too close, Sakusa reacts, and Atsumu is swept up in how quickly things can get complicated.
__
As Atsumu palms himself over his briefs, still feeling off, he realizes it’s because he still wants it. Him. Sakusa. Even after already having him earlier.
He should probably feel self-conscious, mildly ashamed even, that he’s panting ‘Omi Omi’ into the dark beneath the steady thrum of the AC unit when Sakusa’s right down the hall, probably good for it if Atsumu ended up back at his door. Instead, he lays there, writhing and sweaty, alone in his hotel room bed thinking about Sakusa and touching himself.
Afterward, as cum begins to cool on his chest, Atsumu really can’t help but face the fact that things may be getting complicated.
 the hands that beckon me to come, by Ellieb3an (4k. E. canonverse)
So hot, what the fuck! 
The toss, the run, the spike-serve at the end of it all—Sakusa sees it happen in perfect clarity as if time has slowed and his vision narrows to the center where just Miya exists, all powerful muscle and extraordinary skill and that air of confidence.
Sakusa isn’t one of the best receivers in the league for no reason, so his body moves on muscle memory, forearms absorbing the sting of the hit. It’s not enough. But his eyes are still on Miya—on the way his shorts ride up his muscular thighs as he lands, on the bead of sweat dripping down his forehead, on the clench of his fist thrust into the air—when the ball ricochets out of bounds.
***
Atsumu stays late at practices to work on his new third serve, even when his frustration with it starts throwing off the rest of his game. Sakusa notices and starts hanging back to secretly watch him from the gym doors. He’s fascinated with Atsumu's determination... and more than a little turned on by it, too.
 you're the flame i use (when it gets dark), by starkartifices (55k. M. canonverse. Ongoing)
Everything is the same except the Sakusas are super rich. 
“Oh, if you want dear, you could bring a plus one. Though, I doubt you have a partner yet.”
“I do actually.”
“What was that, dear?”
"I do have a partner, I mean."
alt title: crazy rich sakusas 
 the inherent romance of classical conditioning (or; the fine art of emotional recognition), by pseudoanalytics (13k. E. canonverse)
Ah, yes. A Pavloved sex life. A Pavloved LOVE life?? 
It's stupid. Atsumu isn't a romantic, no matter how many times he's imagined laying Sakusa out and finally really touching him.
So there's no explanation for why Atsumu is constantly stuck thinking about brushing his fingertips against the meat of Sakusa's palms or the prominent tendons in his freaky wrists.
There's no explanation for why doing dishes sets off a warm burn in his ribcage, or why when he smells disinfectant he inhales like he's walking past a bakery.
Yer doin' this to me, he thinks furiously, as Sakusa derails his thoughts with kisses that come more and more frequently now. Yer conditionin' me, and I can't stop it.
 flutterbird (a collection of sakuatsu oneshots), by wordstruck (5 works. T-E. canonverse)
Works 1-3, I think follow a linear story, whereas the last two don't. 
All sakuatsu works are just the angstiest, most miscommunication filled pieces of absolute gold and this one is no exception. Wow. These men are assholes and they bring out the worst in each other, but I’ll be damned if they’re not soulmates. 
Collection of SakuAtsu fics. Several fics are loosely set in the same storyverse. Not necessarily directly connected and can all be read as standalones.
120 notes · View notes
sanstropfremir · 3 years
Text
kingdom episode 5 review!!! lets fucking go!!!!!
 look. was i insanely hyped for this episode? yes. was my hype justified? also yes. holy FUCKING SHIT. you’ll have to forgive me for going off the rails at some points because ateez and btob directly tapped into something primal in my brain and i am obsessed. i'm obsessed. there’s no other word for it I’m obsessed. 
 ok ok ok i'll focus. i'm focused. i'll do the stage breakdown first and then do my personal ranking at the end. i might do a quick runup comparison of the self and expert rankings for funsies but i'll see how i feel when i get there. instead of going in airing order i’m gonna reverse it, since that was the order i actually watched them in and also i will run out of brains if i talk about rhythm ta first.
skz
i feel for skz. i don't think this show is going to be as much of learning curve as it needs to be for them because the fan voting skews the rankings so much. I’ve said it so many times before, but letting something flop or getting a bad ranking is actually good, because it shows you that you need to improve. because skz keeps getting validated by the fan rankings and placing first in the last two stages, they aren't actually taking the time to evaluate what about their stages is or isn't working. and besides, we’ve now seen two very similar concepts in a row from them, just one is on a grander scale than the other. what they should be doing is what both ateez and btob did for this round, which was scale up production value, but scale down concept. i know this sounds weird but i'll explain. skz has done two very abstract and ‘grand’ concepts. first round we had ghosts/good self vs evil self, and this stage they just went straight for the throat with a deal with the devil type stage. now when you combine these very abstract concepts with an unclear narrative arc, you lose clarity of intent in the performance because there are no specifics that you’re playing off of. there’s a lot more places left up to personal interpretation and this is where people can get lost. btob and ateez both narrowed down their concepts to hyperspecific scenarios where they very clearly showing the audience the arc the stage is taking. audiences can be smart but also if you can lead them by the hand they like not thinking about highly conceptual ideas, and especially not so much in a pop song competition show.
 costume
this is so rare because generally stylists are pretty careful about this, but i genuinely think they got outshone by the backup dancers, especially in the ‘heaven’ sequence. those sash and skirt combos with the strapped white tops that look like straitjackets? the fucking angel wings?! these are some thematically fun costume designs and because they’re white they stand out so much more when skz are wearing black. i also think i've seen these tops on backup dancers before? i thought it was on the last stage but i might be going insane.
i am a sucker for beaded embroidery and the combined dyework on some of their sashes is beautiful. but again, thematically irrelevant? at least you can see the greco-roman inspiration in the backup dancers’ costumes. all this is telling me is that whoever the stitchers are at jype, they are fucking incredible, but they don’t actually have a good designer because the main costumes for all their stages have been both aesthetically similar and thematically irrelevant.
again, i applaud skz for trying more experimental makeup, but boys you have to go bigger, it has no impact right now.
set
well, i did ask for them to commit to the western art bit and they sort of delivered? the first space is not planned very well and combined with the wide wide camera shots instead of making the space seem grand and sweeping it just seems bare. the ‘heaven’ side was excellent though, there was much better control of the camera and the columns and altar scaled the space down so it was more believable. also the breakable columns were fun and corny and i love it when stuff gets destroyed onstage.
the child statue transformation into actual child was a neat trick that i think landed really well. i wish they had given that concept a little more grounding other than the flashback bit but it was still very readable.
i know using rodin's gates of hell is the easiest way to shortcut saying that like, “you are now entering hell,” but them being used SO literally feels a bit blunt when the last time we saw them used in kpop was by original blasphemous catholic lee taemin, who used them with such nuance and intelligence that i'm a bit put off by skz’s literalism.
on that note, i find it very interesting the conflation that happens between greco-roman/”classical” aesthetics and catholicism, because ideologically the two are opposed (see: the bible) and historically, they didn't exist at the same time. now i'm not going to go off on a tangent about neoclassicism because you are not here for an art history lecture but i thought i would make the observation about how catholics continued appropriation of greco-roman aesthetics without complete understanding or context of those aesthetics is as pervasive as it ever has been in the last several hundred years. 
lighting
generally the lighting is pretty good, but there’s an over-reliance on projections that cheapens the look of the stage but also devalues the intentions as well. at the core of it there’s a profound statement being made about trading away your innocence, but when you underscore that with like, clock graphics and a WoW looking demon, it loses that simplicity of message.
the thing about using this particular type of projection, which are actually screens and not typical projectors, is that screens always throw light. and due to where they are situated, this basically means that if you're using the screens at full capacity with a cool colour range, we are going to be able to see everything. this is another contributing factor to why the stage looks so empty; they’re lighting up everything and it exposes where the gaps are.
now i fully acknowledge that this possibly could have been a deliberate choice, since they do actually use some spot lighting at the beginning and end. however, if it was it did not land for me. 
i loved the intro of demon felix done in blue, that was a nice switchup from what we would usually see, but i wish there was more of a coherent colour arc. like the narrative it stutters around a bit.
sound
the arrangement was a miss for me. i found it a bit dissonant again, like their last stage, since the original i'll be your man has obvious lyrics about a good christian boy being sad about a girl. this gets a bit wonky conceptually as soon as you add a child self into it. i don’t know if they changed any of the lyrics in the singing to match this a little more because i don't speak korean, so i'll have to wait for episode subs for verification. 
i really applaud them for trying, and overall they didn't actually do that bad, but skz is not a vocal group. the most i'm going to say about it is that these boys don’t have the breath support. this is likely because they're trying to do choreographically complex movements, but also it's a training thing. you can hear the difference even just between eunkwang’s ‘vocal warmup’ at the beginning of back door, he’s not projecting full voice but he still has the breath support for his voice to sound full, whereas all skz boys sound thin in comparison, even when at full volume, because they’re trying to project from the throat and not the chest. that's all i'm gonna say about that. i don't think the cracked note was bad, i didn’t really clock it on first listen.
staging
thematically they could have had something really interesting here if they stuck to a more simple narrative arc. the genesis (i’m very funny) of the idea here is good, the whole mephistopheles deal with a devil + regret/loss of innocence is clear, but the arc isn't really an arc, and the colour story doesn't help. it kind of goes earth (green/blue) -> the gates of hell are opening (red) -> oh it's heaven now (blue) -> oh just kidding it's hell/lets destroy heaven (red) -> back to earth (blue). not necessarily a bad arc, just a bit complex for four minutes.
the choreo was a lot better this time, there was a lot more intention and relevance to theme and i didn’t feel like they were flailing for the sake of flailing as much as i have in their other stages. there was also a clarity in the overall blocking and movement patterns that was missing from their other stages. this stage has a really great handoff of each member playing the ‘main’ character, especially in the beginning. i especially liked the cut from falling off the stairs to laying centre stage. 
i think I’m right in assuming that it was a choice that the members were all playing the same character and demon felix was that character possessed rather than the actual devil, but personally i think it would have been a lot more fun if they had straight up just made him be the actual devil. there’s a bit of dissonance when you have a performer with such a specialized skillset that gets used in very specific instances, but then he shows up in the regular group choreo like any ol’ guy. they always put such emphasis on felix (as they should, he’s their most charismatic performer), but they never go the distance. i would have loved it if they had committed to the bit like TOO did in their magnolia stage from rtk, where they had a member just be blinded justice. that was literally the only thing he did and it worked so well. could have done the same here with felix and it would have been fun. that being said the felix parts were SO good. love love love him getting dragging in chains.
 btob
this hit every little one of the buttons in my tiny backstage crew brain. i'm in love with this stage. there’s so many true to life little details here that on repeat viewings you're still finding new things. i know i rag on and on about narrative every week but here is a good example of what i've been trying to get at this whole time: the stage needs a shape. an a to b. you don't need a whole pirates spiel or a game of thrones theme extended universe; all you need is a clear setting and a point a to point b. this stage has both those things perfectly. we have a hyperspecific setting, (american rockstars) and a basic arc (getting ready to perform -> performing). even though back door is outside of btob’s wheelhouse, they spun it in a way that played to their strengths and did a bit braggadocio, which is rightfully earned. i'm gonna be saying it every time but the experience shows!!!
 costume
good contemporary costume is SO difficult, i want to impress that here. because it's the the time period that we are currently living and seeing every day it's so easy for the audience to spot mistakes. although yes it's easier to source/shop for, to get it good enough that it doesn't pull people out of the immersion is surprisingly more difficult than you think. their stylists did an excellent job here. the backup dancers and btob are all in monochrome plus one and it adds a very clean unity to everything without visual clutter.
each of btob’s costumes have enough to give indication of character, along with the member’s acting, which i'll get more into in the staging section. regardless, never underestimate the power of a good fitting shirt and statement belt. oh and minhyuk in the stirrup motorcycle boots with the skinny jeans and the supreme boxers and the red satin robe? good bye.
i love love love a dyed buzz this was such a good aesthetic choice for peniel, 10/10 i have no complaints about the costumes.
set
oh my god i’m gonna french kiss this set designer. this is such a simple set but it’s executed so well. there’s the ‘backstage’ area, the corridor with four dressing rooms, and then the ‘stage’ that’s pretty much just velvet ropes. so simple, but all the detail is in the set decoration and props. the road cases, the monitor, the subtle flex of the posters of them on the walls, the clothing racks, all the booze. although this is not the actual layout of any theatre (they're normally much weirder than this), there’s so many little details here that really make the experience.
there’s a very straightforward path here and it works so well. i think this might be the best use of the gates so far? it appropriately suited the drama of the moment and they didn't have to do anything to them because they're already in a theatre. bada bing bada boom.
lighting
love the setup and continuation through the amber ‘BRRRMM.’ like with sf9 it gives a smooth transition into the stage. also loved no blackout. it's a general rule in current theatrical practice that you only use blackouts when they are absolutely necessary, because they can stop the pacing of a play dead in the water. so the lack of one here at the start of the stage was a really smart choice and makes the transition feel less jarring.
i will say that actual backstage areas are very rarely lit with amber because it travels far and it's bright. it's much more common to see running lights (the lights on during a performance) to be deep red or blue.
those blasting wash lights as the gates open? the DRAMA. such a seemingly innocuous choice that really cements the atmosphere of ‘we are about to perform.’
really smart use of the projections to accentuate the already existing stage facilities. it's pretty much unnoticable because it's very well done but i appreciate it.
sound
this ARRANGEMENT!!!! it's so good!!! back door has this premise essentially built into the song so it was so smart of them to put this gimmicky spin on it. loved the literal interpretation of the knocks into the structure of the stage, it makes the blend between the sound design and the staging that much more effective.
more rock versions of everything please and thank you. 
btob is just stunting at this point and i love it. i'll have to wait for subs but judging by the hands in front of the camera bit and the ‘your super high note’ i’m pretty confident the added rap lyrics are full of shots at the other groups and honestly? valid.
staging
there's some really sharp camera control here with the one take first half. It’s up very close and personal because there’s a lack of space but it really works for the ‘intimacy’ of seeing backstage at a venue. also this is such a simple movement track but it’s so effective. it backs over a couple spots but it doesn't feel repetitive because there’s a sense of urgency and drive.
there are so many good little details in here that are true to life and unnecessary to include but sell the performance as a whole. peniel flinging water onstage, minhyuk stripping down twice and flinging his clothes around, minhyuk closing the door on the standby’s face, the backup dancer as a dresser with the laundry basket, peniel stealing the hat off her but then not going on stage with it these are all things that I’ve either had directly happen to me or something very similar has happened. but the best one and the one that sets off the tone amazingly for the whole stage is eunkwang’s intro. that ‘vocal warmup’ with the quiet okay at the end? with the little jump? i see that moment of vulnerability before the transition between person and actor every time i watch someone go onstage for the first time and there’s no way to describe it other than magic. 
the luxury of only having four members, there was actually time in this stage to establish character. it also speaks to the performing strength of btob that they can establish clear character in this short amount of time. obviously it’s pretty one dimensional; there’s serious eunkwang, typical rocker minhyuk, fuckboy peniel (how many licks does it take to make your tootsie pop, anyone?), and comedian changsub. i’ve seen and met and worked with these exact dudes many, many times. ugh i love this stage
 ateez
the utter euphoria i felt at the proof that last round’s stage wasn't a fluke. this stage is so good. it's so good. i'm obsessed with how good this stage. as an unreformed pop punk teen who played a LOT of latin jazz i am LIVING. if you’ve only seen the episode cut and not the full version here i'll make it easy and link it for you because oh my GOD mnet destroyed the pacing by cutting in a full minute and a half of reaction shots. actually mnet fucked up the pacing for all of these stages but this one was the worst. and look. i know this is the closest these boys are going to get to being real punks and this is a carefully curated and artificial facade for narrative purposes only but oh the pandering tastes so sweet. regardless of that, i am IN AWE of the level of storytelling happening here. the narrative is so clear on just the first viewing even though there is so much going on and they use every possible element they can to further enhance that narrative. repeat viewings just add more and more little details. i’ll probably miss some things because there's so much but i'll try my best.
 costume
look, hanya and i were joking that my notes for this stage were just gonna be ‘san dog collar’ for a thousand words and i was so tempted to just leave it at that because.....woof. so here is a short list of things i am the most obsessed with:
san dog collar
san smeared lipstick
wooyoung cruella deville ponytail
hongjoong terrible blond crewcut
san crushed velvet cargo pants?!
seonghwa cropped fur jacket
yunho arm sleeve
hongjoong sockless in red derbys
but in all seriousness the costumes are so good. none of these are truly authentic punk looks but they capture the spirit right and that's what matters. all the right trappings are there; safety pins, patches, plaid, leather, and a lot of diy type looks. i love the painted masks, especially as a callback to the comedy/tragedy theatre masks. it was a thematic choice to have the backup dancers in black and the tac vests are a super simple contextual device.
also hongjoong’s quickchange hat/jacket combo is super fun and i hope that’s intentionally a preview of the next stage.
set
if you weren't convinced before that whoever is designing the ateez stages is a stage designer, i don't know what to tell you. it's hard to tell because there is so much environmental storytelling happening, but there is NO large scale set here. like with their last stage, kq smartly put money into two highlight pieces; the anarchist blimp and the van/wall, and the rest of the stage atmosphere is established solely through propwork and lighting. just think about that for a bit. every other group has some kind of large scale room or wall build. ateez has a bunch of tables, flyers, and a podium. i don’t know if i can accurately communicate just how difficult this kind of coordination is to pull off but holy fucking shit this is so hard to pull off. these are theatre people i see you and i see your work and i love you!!!
they fully used the gilt mnet stage as their pseudo government building and it works. everything about this (lack of) set is so smart i wish i could be more articulate about it but there’s so only so many ways i can say the same thing over and over again. 
lighting
the laser scopes. the LASER SCOPES!!! god this lighting designer is so good. whoever you are, i'm acknowledging your effort because you deserve it. there’s some really wonderful contrast and directional lighting: the van light, the pinlights/lasers/smoke as searchlights. a lot of atmospheric red lighting but it makes sense for the theme (alarm lights) and they offset it well (unlike in the other two predominantly red stages we’ve seen) by fill lighting the faces with blue or amber; this is what actually makes us able to see what’s happening on stage
the projections are used to augment the stage action in without being overpowering, they're at relatively low tonal value so they aren't lighting up the stage at full brightness like in the skz stage. 
the big brother eye on the tv screens (it's just a projection, not actual screens) combined with the government ban notice and the broadcast has to be the record for fastest visual explanation of fascist totalitarian state. 
sound
i love it. they really successfully made rhythm ta into an ateez song and it’s cool as fuck. i love that it isn't sonically very loud. a lot of the chorus is actually quite level tone and quiet, which is a bold choice and they pull it off. this is very comfortably in their range (excluding jongho) and they went more for style than range and that's exactly what every group should be doing. singing high does not equal singing good. yes i am looking at you jongho you should have stopped at that penultimate note, it was fine!!
using rhythm ta as a pseudo protest song against a fascist government that’s banned all music and art? galaxy brain. that intro of hongjoong whispering “hey hey hey hey, this is just a song so get on the rhythm” after gunning down military police/guards? king fucking shit.
staging
i will eat all five pairs of my fluevog boots if kq hasn't hired a bunch of theatre professionals to direct and design these stages because now it's been proven that last stage wasn't a fluke. the level of execution at work here is absolutely incredible. oh the gesamtkunstwerk of it all!!!  there is SO much happening so quickly in this four minute stage and it still manages to convey exactly the correct amount of information that it needs to on the first go round, and it only gets better on repeat viewings.
they use a really classic theatre perspective trick with san climbing the rope, and they absolutely didn’t have to do that. san probably could have actually climbed that himself, but here they made a choice for aesthetic artistry over tricking/other feats of skills we’ve seen the 4th gen groups do. instead of going with the more technically difficult and ‘impressive’ option, they chose the simple way that allows for more character to shine through. there’s actually very little tricking in this stage as whole, they're putting trust in the design of the stage and the raw performance abilities of the members to carry the stage and they stick the landing again. san has some breakdancing and so do the backup dancers, but it’s window dressing in the same way that the flyers are window dressing.
there’s a lot of really good little moments of acting that really sell the performance and dedication of the group as a whole to giving their all. hongjoong overall in his cocky aspirational leader role, seonghwa’s first verse and malfunctioning earpiece bit, san’s falsetto hostage interrogation bit. also i'm obsessed with how far yunho just hucks that mask. he gets like fifteen feet of air with that thing. also props to hongjoong barehanding that glass break.
the paper props are impeccable. the first notice sets up the situation right away, and then we get some further exposition with the newspaper wooyoung is holding (which says ‘the central government has defined the black pirates as a terrorist’ but honestly you don't really need to know what it says to get the point), and then we have raining anarchist flyers from the anarchist blimp. great atmospheric touches.
the blackout crash-to-mask transition is just so good. this is an example of a good use of a blackout. nothing else to add i just thought i would point it out because it's dope.
like with btob there's some really tight camera control here, that along with the lighting and the way they've laid out the space make it easy to follow the trajectory of where they're going and also make the space seem smaller than it is. this is a really big stage and if you don't control how you want it to be seen you end up like with what happened to the first part of skz’s stage. i wish they had tracked some of the one takes a bit better, but the end of that take where the camera followed the group movement laterally and then the formation swung around to face front? sexy. surprisingly the editing is pretty ok.
there’s probably still so much i could talk about but this is already so long so if i missed something just let me know.
ok finally lets do some rankings
personal ranking
this round wasn't as tough to rank because there were two clear top tier stages for me. i actually went back and looked at my ranking from last round and this is identical except the top two spots are switched, which i find extremely funny. however in contrast to last round, these stages were all leagues better than their predecessors. all the groups are improving, just some at greater speed than others.
ateez - i'm not even gonna explain this one.
btob - i won't explain this one either since i just did that.
sf9 - this would have been first if ateez and btob hadnt blow everyone out of the water.i still think they made all the right choices and played to their strengths.
ikon - this stage is so fun to watch but the others offer me more. that’s it.
skz - i like the idea behind it and i loved felix; i'm always down for some good catholic fuckery but like last round it just wasn't played out far enough.
tbz - double ding on the moulin rouge and the continued game of thrones references for me. there were a lot of strong elements here but when compared to every other stage it just doesn't have the same gravitas.
the self rankings i thought were fairly accurate, but again, what the fuck is up with these expert rankings? who are these experts? what stages are they watching?? i won't go more into it than that because then you'll be here even longer but i don't trust these experts who consistently rank btob at the bottom, do you have eyes??? ears????
 ok i'm done for real now im so sorry this 4.6k words......if you make it this far do something nice for yourself like eat a cookie or something. this is way too long you deserve a reward for making it through my nonsense. as always if you’ve got questions or want to share your opinions feel free to send me an ask!
54 notes · View notes
demonslayedher · 3 years
Note
Any Kny character you've grown to love/appreciate more??
Thanks for waiting, Anon, I have been trying to really, really hard to narrow this down, but the answer remains: the vast majority of the cast. The only character I loved right away was Tanjiro and that love kept me watching, as with almost every new character I was like, "ugh, I hate this guy. Here I was, having fun being emotionally invested in a high quality anime, and this might ruin it for me." But then the instant I see a different side of their character, I'm like, "...Oh." To go into some examples...
Zenitsu: I could not stand him right away, I hate womanizers, and his conniptions would go on so long that they held up the story. But Gotouge/Ufotable strung me along perfectly, the first glimpse of Thunder Breath made me immediately pay attention and think, "oh, that was cool. I want to see more of that." Seeing him protect the box pretty firmly put him in the "I need to protect this child" box in my heart. And then the spider demon happens, and I'm sending desperate reaction messages to a friend like "NOOOOOO!!!! BABBBBBBBBBYYYYYYYY!!!!" And then he annoyed me all over again at the start of Functional Recovery, ahaha. It's hard to remember how annoyed I was because I'm such a Zen Stan now, and he was a very firm favorite of mine by the time I finished binging the anime up to the last couple episodes, which I waited for as they came out. Inosuke: He was one of the reasons I was curious about the series, I saw some promotional art and was super curious about Nezuko's muzzle (I was one of the people who thought it was some ancient scroll or something, haha) and the kid with the boar mask. The art I saw showed his face, and I assumed he'd be some kid with a cracking voice performed by a female seiyuu. As much as I love Matsuoka's performance now, initially, since I knew what his face looked like, I found it grossly off-putting the moment I heard it. Then every chaotic thing Inosuke did dug a deeper hole; I very quickly decided I hated him, especially when he started beating up on the kid I was starting to like. As his chaos subsided he just became a character I tolerated, and then this happened:
Tumblr media
Images you can hear, am I right? This immediately flipped the "BABY" switch in my heart. It was also a lot of fun to understand the Inosuke memes I was seeing everywhere. So by the end of the anime, I loved, loved, loved, loved the Tanjiro/Zenitsu/Inosuke interactions and desperately wanted more (still didn't like how Zenitsu bothered Nezuko, though). I was so impatient for more, but the manga art looked disappointingly off-putting. I figured the anime was successful enough that there'd eventually be more of it, and I wanted to be patient, but then I poked around, read some spoilers, got back into Tumblr to look at fanart and memes, saw a spoiler image of Tanjiro affected by Muzan's poison and the binge-read began. (That's kind of a lie, but I'll get to that.) Let's back up a few episodes. There I was, having a great time, the guy who I forgot about from Episode 1 was back and haha, I guess everyone hates him, and the chick who I figured was going to be a medic who saves Zenitsu in the nick of time turned out to be savage, awesome. I was sending reactions to my friends who were ahead of me, and then we left off seeing the Pillars staring down Best Boy. And I...
Well. Uh. Here, I've dug up an old convo for you, my comments are in blue.
Tumblr media
Immediately followed by a passionate vocal rant, which I have transcribed here:
“I feel like what happened was that the mangaka was sitting around with his assistants and was like, ‘welp, gotta make this whole cast of characters, they gotta be so-o-o-o many more levels of extreme than all the other characters I’ve had so far, which isn’t hard, because all of the background characters are cannon fodder and I’ve just gotta leave them all with black hair and no personality traits. So! Gotta go to the opposite of the spectrum with the BIG! POWERFUL! People so no-o-o-body can be normal.’ And so he and his assistants sat down, and they all wrote down just random words or traits, and them put ‘em all in a hat. And then for each character, they pulled out a few of them and said, ‘OK. We’re gonna put these things together, now we have a character.’ And he was probably also like, ‘Iiiiiiiiiiiii’ll flesh them out later. For now, they just need t’… be there, and make an impact. How do we make an impact? By making sure it’s super, super clear what their character traits are. Here, we’ll have this guy repeat the word //HADE//…. ////HA DEEE//// over and over and over… to show that he’s a /showy/ person. Because he /cares/ about that. And he //should// care because that is his character and that’s why he’s powerful.’ OH MY GOSH, it’s so dumb.”
......orz I feel like Genya looking back at how he acted at the end of the Final Selection. I'm sorry, Gotouge, I had not even encountered your love for these characters yet in your little alligator form. Nor had I encountered the yet unseen-sides of these traumatized dragons and tigers. ...*coughs* Um. So. I was pretty harsh.
So this was my mindset, I went into the manga not caring about most of these characters and just wanting more Kamaboko squad interactions and wanting to hurry up and catch up to the battle with Muzan. And it's worth stating that I didn't mean to read it at first. I encountered a few spoilers, and just wanted to look for the context surrounding those parts, and then hunt for the (non-existent) build-up to those parts, and so... uh.........
I read a lot of the manga out of order, and yeah, that did affect how much I cared about what was going on. I didn't actually properly process a lot of it until later re-reads. But to try to state some things simply about each Pillar:
Giyuu: He was just 'ok' to me for a long time, I could see the appeal for why people I knew were fangirling over him but he didn't do it for me. His soft spot for Tanjiro was indeed endearing, though, and I firmly liked him by the time chapter 200 came out and I was properly heartbroken on his behalf.
Shinobu: She was intriguing, and then I liked her as soon as I saw her savage side, she was one of the characters I went hunting for spoilers for.
Rengoku: That stare really put me off at first, but I fell for him over the process of Tanjiro falling for him. When I first finished the train arc I sat back and said, "wow! That's going to make for a good movie!" and then in psyching myself out for the movie several months in advance, I fell hook, line, and sinker and was totally excited for him each time I saw the trailers. And then the movie was *stunning* and I love him even more. Uzui: He was the Pillar I hated most upon first meeting them. I blame the repeated use of his catchphrase. But then when he let his hair down to sell the kiddos the change in design helped warm me up more to him, like, "oh, there was a human in there." It took a long time for him to become more interesting to me, and an uncharacteristically subtle journey to becoming a character I liked. I am currently getting more and more psyched out for him and eager to see how much more I'm going to like him with the shiny Ufotable treatment. Mitsuri: At first I didn't remember her name, I had code-named her as "Boobs." But I kinda had a feeling she was going to grow on me quickly, and I was right, she's one of my easy favorites now. Muichiro: Who? Oh yeah, that kid who always kinda fell to the wayside in my attention. I'd see a lot of Muichiro-themed blogs and hear a lot of little girls looking at merch and showing a clear favoritism of him, and I'd like always react like Muichiro and just be like, "...", and then when I read his major battles I was more emotionally invested in things going on concurrently with other characters, and I was still like, "...", and then two days ago I revisited a Muichiro scene and was suddenly like, "......OH!!! MUICHIRO!!!!!" Himejima: I never really hated Himejima, even if I found his first impression kind of wimpy (haha... oh, I was so wrong). I had a pretty easy acceptance of him too, so I would generally count him among characters I like, but if you were to ask me why, I'd draw a blank. It's kind of a weirdly mature, subdued appreciation for him rather than passionate fangirling. But weirdly when I was daydreaming the other day I found myself thinking, "if I had to marry someone in the KnY cast, it would be Himejima." So like, not a fiery romance, but I see him as my dependable, sturdy rock to grow old with??? What is up with you, sub-conscious?? Iguro: My interest in him rises and falls. Being a Mitsuri fan helped warm me up to his character in the first place, which was the emotional tie I needed since his backstory didn't grip me much (I found it a frustrating distraction while I was desperately reading weekly updates). Reading more subtle details about his character in the fanbooks has brought me around and made me more curious about him, like I'd really like to be a fly on the wall for the conversation he had with Uzui one day about their pasts.
Sanemi: Hahaha, wow. He was so unlikable in the beginning, wasn't he? His character design (yeah, the eyes) was really off-putting too. But then I got to know him and there was no going back, I got totally played. He's a character I'm pretty fond of now and one of the characters I've enjoyed delving into most in fanfic. To keep this answer from getting too long, for the vaaaaaast majority of the cast, I was initially like, "meh" or "OK" or "ew" but now am like, "EEEEEEEEE, I LOVE THIS TOTALLY RANDOM UNIMPORTANT SIDE CHARACTERRRRRRR" so you know... times change. And the more time I spend obsessed with Kimetsu no Yaiba, the more I like them all, so even the characters I'm lukewarm on will probably have their eventual days when they take over my heart and smash it.
53 notes · View notes
kittyprincessofcats · 3 years
Text
I finished RWBY Volume 5!!
Loved it!! After volume 4 was (understandably) a bit slower-paced, I didn’t expect things to get intense and serious this quickly, but I’m glad they did! I have so many thoughts I wanted to write down, so here we go:
[There will be spoilers for RWBY up to Volume 5 in this post (duh). Please don’t leave spoilers for anything after Volume 5 on this post, otherwise I will block you.]
- I have to say, I definitely liked Cinder more when she wasn’t talking. During Volume 4, I kind of started feeling bad for her on some level, but then she got better and started being her old condescending, power-hungry self and I was like… nevermind, I hate you again.
- Qrow being super drunk when he first brings Oscar home was absolutely hilarious.
- Yang is SO COOL. Have I mentioned that she’s so cool? Like wow, I wish I was that cool! The bike, the new (amazing) outfit, the way she just punched that creepy guy and walked right up to her mom’s bandit camp making demands of her – she’s so cool and I’m here for it.
- Yang and Weiss’ reunion was so sweet! 😭 I was waiting for literally any of Team RWBY’s members to reunite and that got me right in the feels! (Also, I loved the whole “Wait, your mom kidnapped me?” “Wait, you kidnapped her?” exchange - brilliant 😂.)
- Ruby’s reunion with Yang and Weiss was so sweet, too! 😭 Tears were definitely shed over reunions in this volume! And it was so nice to finally have most of Team RWBY and what’s left of Team JNPR back together and see them bond and catch up with each other 😭. Found family back together! It’s what they deserve!
- Yang being so angry at Blake for leaving makes perfect sense, imo, especially considering her own abandonment issues. And even more so considering that she lost that arm while protecting Blake. Also, I don’t think it’s reading too much into it to say that Yang and Blake’s interactions and their storyline together have had romantic undertones since volume 2. (And no, I’m not just saying that because I ship Bumbleby; it’s the other way around – I ship Bumbleby because those romantic undertones were there in the first place.) So yeah, Yang always tried to help and support Blake, lost an arm protecting her from her abusive ex, and then Blake just left – I get why Yang’s hurt and angry. And that moment where she goes from complaining about how she just wants to be there for Blake, before finally admitting “What if I needed her there for me?” - that’s a really good moment for Yang, even beyond the romantic subtext. It’s nice to see Yang admit that she also wants someone else to be there for her, that she wants to receive that same love and care in return.
- I also want to point out that it’s nice to see how far Weiss has come since volume one. She really took a level in kindness and became a lot more mature, to the point where she’s now giving Yang relationship advice. It’s really nice to see.
- Ruby’s talk with Oscar about Penny and Pyrrha really got me teary eyed.
- I wasn’t that fond of Sun at first, but he had some really great moments in this volume, so he’s starting to grow on me now. I still don’t ship him with Blake, but their friendship is sweet.
- And now, let’s talk about THE standout character of the whole volume for me: ILIA!! Holy hell, I love everything about her! You know how some characters grow on you over time, and then there are those characters that you see one episode with and they just become instant favourites? That second one was Ilia for me. I watched Blake’s character short before Volume 5 and the moment I heard her backstory she jumped right to the top of my favourite character list without question AND I started shipping her and Blake right away. (Yes, I love Bumbleby and all, but I’m a multishipper. I’m perfectly capable of equally loving two ships that contradict each other.)
- It’s just – Ilia and Blake’s dynamic got me hooked! Not to compare everything to my OTP (Catra and Adora from She-Ra and the Princesses of Power), but let me quickly make this comparison: Two girls who grew up together, were both members of a certain evil organization until one of them left it and the other didn’t, now they’re on opposing sides and have to fight each other, but they still clearly care about each other. Plus, there are confirmed romantic feelings from at least one side there. I know many people (including myself) have compared Bumbleby to Catradora before – because you’ve got one blonde jock and one catgirl – but when it comes to the dynamic and the backstory, Blake and Ilia (what’s that ship called? Catmeleon, I think?) resemble Catradora even more. And it’s just the kind of dynamic I’m weak for.
(Honestly, it’s kind of funny how predictable I am both when it comes to favourite characters and favourite ships. My sister, who got me into both She-Ra and RWBY, took one look at Catra years ago and immediately predicted that I would love her. And when she first saw Ilia, she also immediately knew she’d be one of my favourites. Basically, my sister once described my “type” of favourite characters as “troubled, cute and gay” and that pretty much sums it up.)
- Speaking of troubled, cute, and gay: I’m glad RWBY finally has some CANON LGBT representation! Hell yes for that! Honestly, I interpreted Ilia’s feelings for Blake as romantic right away, but I wondered if it was just bait or my usual tendency to see romantic undertones in any interaction between two girls. But then that “I wanted you to look at me that way” line happened and… WOW. Yes. Amazing, talented, brilliant, never been done before, showstopping, incredible. I’m 100% sold on both the ship and Ilia as a character.
(One more thing before I change topics: I try to keep these posts positive and not get into discourse too much (since I’ve heard there was (is?) a lot of discourse in the RWBY fandom – but I took just one look into the tag for Volume 5 and immediately saw people arguing that Ilia’s not good representation because she’s a villain. And I just want to quickly address why that’s nonsense, in my opinion (and before you ask, yes I am a lesbian myself): First of all, she’s not even a full-blown villain. She’s clearly shown as confused and misguided from the beginning. And her feelings for Blake are never portrayed as a negative thing. She also has a redemption literally two episodes after being revealed to be queer. And in general, I don’t think queer villains are necessarily a bad thing and I’m tired of queer characters not being allowed to be flawed. How come straight characters get to just exist, but any queer character better be a shining beacon of morality or else they’re bad representation? I agree that RWBY should introduce more queer characters to balance things out a bit, but I wouldn’t say Ilia was bad representation by herself, since she’s a character I think we’re meant to have sympathy for.
- Now I just hope that future volumes of RWBY don’t pull a Bury Your Gays and kill Ilia off... I’d really hate that. (No spoilers on this post, please!)
- The entire fight at the Belladonnas’ house had me so on edge the whole time. I thought someone (most likely one or both of Blake’s parents) was going to die any second. Basically, the ending of volume 3 burned me and now I constantly expect characters to die. I’m glad it all (mostly) turned out well!
- Blake’s speech to the Faunus might have made me a bit emotional. That was a really great moment for her.
- And then there were those final episodes… WOW. Like I said, I really didn’t expect everything to go down so quickly (or for the ending to be that happy – like I said, volume 3 burned me.)
- Jaune unlocking his semblance was nice! And I’m proud of myself for having correctly predicted that he’d have some sort of healing powers. (I was waiting for him to unlock some healing semblance back when Qrow got injured in Volume 4 – I’m glad it finally happened!)
- I was worried about Weiss for a second, then I realized there’s no way she can die since I’ve already seen pictures of her outfit in later volumes. (Plus, I’m pretty sure if a main character had died, I’d have been unable to completely avoid spoilers about it. So those 4 are pretty much the only ones I’m not that worried about.)
- Raven is a really cool and interesting character, but an awful person. (I got so angry at her when she blasted Ruby after Ruby was just so nice to her*. How dare you, lady?) I love her design, though!
[*EDIT: I just rewatched it and realized that it was Cinder who blasted Ruby, Raven just created the portal. Point still stands, tough.]
- The plot twist of who the Spring Maiden really is was EPIC. Really loved that reveal! (And I honestly didn’t see it coming.) Though I have to say, I feel really bad for Vernal, and for the previous Spring Maiden.
- The Cinder VS Raven fight was absolutely epic and just stunning to watch visually. I was wondering if we’d ever get a maiden vs maiden battle, and that scene more than delivered! And while I don’t particularly like either of them, I was definitely rooting for Raven in that fight.
- I’m not sure if Cinder really died there. If so, I’m honestly not too sad about it, but I would be disappointed because I kind of expected her to become a more interesting character later on. After Volume 4, I expected at least a bit of growth there or something that would make her more interesting. And I’m not talking about a redemption, just to be clear! I just think the potential to make her more interesting as a villain was there, and if they just killed her off it’s kind of wasted now and she stayed a very flat character until the end. But I guess we’ll see.
- Raven and Yang’s confrontation was pretty intense. I liked that Raven finally had to admit that she’s afraid and doing all of this just to protect herself, and the contrast to Yang, who is also scared but still does what she thinks is right. And the fact that Raven was willing to let Yang have the relic despite the danger that would put her in – mom of the year indeed 🙄.
- Blake and the other Faunus are the real MVPs of the battle, tbh. The fact that they just completely stopped Adam and the White Fang by sheer numbers and didn’t even give them the chance to attack anyone? God tier stuff. And when Blake’s mom came in with the police? 10/10, we stan.
- Also, Blake telling Adam she’s not there for him? Hell yes, girl! I love how she’s taking power away from her abuser by showing she isn’t doing any of this for him. Really nice.
- Yang and Blake’s reunion in the last episode was super nice. I like how there was so much attention on that reunion in particular. And while I’m glad Yang wasn’t too angry at Blake and it makes for a nice happy ending, I still hope there’s a scene next volume where Blake properly apologizes to Yang for leaving and explains her side of things. And then, they should get together and live happily ever after and have lots of kittens. I mean, what?
- And finally, all of Team RWBY is back together! And they’ll have a lot to catch each other up on. Blake doesn’t even know about the maidens, the relics and Salem yet, while the rest didn’t even know about the White Fang attack. Also, I want Blake to introduce the others to Ilia and to her parents.
I really loved this volume. Lots of action, lots of really sweet moments, lots of epic fights and cool plot twists. I find it hard to rank them, but this might have been my favourite volume yet (volume 3 was also really good, though).
59 notes · View notes
felassan · 3 years
Text
Thoughts on Dark Fortress #2
(This post is under a cut due to spoilers.)
So late with this one! some stuff irl was keeping me really busy and hyper-distracting me lately, but it’s finally over now so I’m back on my bioware bullshit. :D
Overall there were a lot of beautiful or awe-inspiring scenes in this issue, and a lot of great, meaningful / poignant character interactions and moments between characters. It’s pretty impressive actually how much was able to be packed in. I posted some of my favorite panels here. also omg! the action sequences! the big reveal! the ending!! woww
cool scene-setting, panned out shot of Neromenian and behind it, the Dark Fortress, to immediately pull you back into the world and ‘where we left off’. the combination of ruined dead trees, red lights, lightning and fire/smoke is very atmospheric and hints at what’s ahead
“From this... city, if we can call it that” is a sick burn and reminds you that the Qunari are technologically more advanced than most of the rest of Thedas, from their cannons to their aqueducts
more individually distinct Qunari soldiers, sth I again appreciate
! last issue there were big ‘You haven’t seen the last of Tractus!’ vibes, naturally, but I didn’t expect him to escape by stabbing and killing the Qunari using a chair-leg..!!
the last panel on the first page of Karasten is really good. the way it’s colored, the way it’s lit, the light and shadow, the fiery backdrop, cinders floating, the details of his expression.. 👌 it also makes me think to the possible future, to DA4 when mainland Thedas may be continuing to face the entirety of the Antaam
in Vaea’s acrobatics scene on the bridge, I know rationally that she’ll be fine but couldn’t help but worry for her. again I like how they don’t shy away from showcasing Vaea’s specific abilities. also the attention to detail - you’d think some rocks are just some rocks, but it highlights the risk she’s undertaking that if she falls it’s into rough seas which could dash her against the jagged rocks :’S. Vaea, gooooo!
Fenris’ “Enterprising girl” line has big “Clever girl” meme energy :D
my heart can’t take Fran and Autumn leaning over the edge after Vaea in worry ;; or Aaron looking back in concern over his shoulder ;; or Fran’s tender reassurance ;; or Autumn’s Worried expression ;; the care and bonds which have grown between this group of characters ;;
notice Aaron starts drinking when Vaea’s away from them and they’re beginning to grow worried about her safety. the poor man’s nerves and stress levels
Fran touching the vegetation while she’s considering if she could use her magic to open the entrance from the outside is a nice touch
did Marius leap in front of Fenris and Fran there when the entrance opened?? damn, he’s quick. and the three of them look all scary and formidable here ready for combat. notice how the curve of the door and the spikes that go into the ground, and the composition of this panel, make it look like they’re standing in front of an opened dragon’s maw? ‘teeth’, a rumbling ‘roar’.. some nice foreshadowing here.
the reunion panels are so cute. Autumn’s lil tum as she jumps and Fran and Fenris’ lil smiles of relief and at Autumn’s reaction to seeing Vaea, then a rare happy beam from Aaron.. feel.. the love ;__;
red lighting in the tunnel sets a dangerous, dramatic build-up mood
👀 more info on Fenris’ past, on the specifics of the process which gave him his markings. in the panel where he says that it took a long time, his shadow on the wall behind him reminds me of the shadow of his past that has dogged him for so long :(
Fenris and Marius height difference
discussion of the process shows the power difference between blue and red lyrium. blue lyrium took a long time, red lyrium is almost instant
Autumn is such an intrepid little explorer and alert scout, tail and ears up, head forward. good girl!
“I just... worry about you, my girl”  ‧º·(˚ ˃̣̣̥⌓˂̣̣̥ )‧º·˚  I’ll be so sad if these are death flags for Aaron and he doesn’t make it out of here. also note Fran in this panel, who recently had to kill her own father and is still dealing with that, watching the strongly paternal moment between Aaron and Vaea :(
love Vaea’s faith in Aaron and her sense of humor. also I don’t know why, maybe it’s because Vaea met Sebastian, but her “Maker, no!”, although in a completely different and light-hearted context, reminds me of Sebastian’s “Maker nooo!” at the end of DA2 hh
the reference again to Hawke, who Fenris saw haunted by what they tried to do - save their mother - and couldn’t :’(. also with the shadow in this panel, here’s another person struggling with the shadow of his past qq. this is later emphasized again in Aaron when he continues to talk about his past and in the panel is a chain and manacle. smart visual metaphors, a must in the comic medium with limited space
mushroom skull 💀🍄
“It isn’t about what I’ve done. It isn’t about my failures. Or my choices. It’s about their impact” - he’s misty-eyed here as he thinks back to Ostagar.. does this line btw seem almost meta to anyone else btw? :D it feels like a meta reference to the experience of DA players and PCs, who are always having to deal with the impacts of their choices
I wanna point out that I was right on reading issue #1, when I said “I’m positive that in panel 2 here, it’s the exact moment when he sees Cailan die” ;;
So Aaron is also a veteran of the Battle of Denerim
reference to the Hero of Ferelden - “Those were someone else’s battles”. I’m being captain obvious here but I can’t help but [heart pitter-patter] at any and all references to the HoF
I like the.. parallel? is that the word? Aaron’s stories were him trying to inspire people to make a change, or him trying to convince himself of that. and now here’s Vaea, inspiring Aaron with her words in these panels. the little guys can make a difference! in the world of Thedas, you don’t need to be a big bombastic hero or a Player Character to have an impact 
lmao Fenris right on cue. the moments of humor/light-heartedness are nice because they break up the tension and are sprinkled throughout without derailing build-up or taking away from dramatic story impact. yknow?
yeah Aaron!! leave it behind. leave it to rot with mr mushroom skull (and hey the mushroom skull was there for a reason). again tho if this is a death flag i 
Fenris straight down to business with the tactics
its cute how close Autumn has been sticking to Fran
Tessa checking in on Fran again, as she did in issue 1
Could Vaea’s “Well, shit” be an homage to Varric? :D they have met
I also wanna point out that I was right on reading issue #1, when I said “My guess is that the thing Tractus shows Marquette and Nenealeus is probably a chained up dragon or similar”
the poor dragon :’( big dragon the Qunari had in Trespasser vibes
the sword has a really cool design, kind of reminds me of something a samurai might be depicted wielding
👀 lore-drop! so ancient elven arcane warriors used lyrium-infused swords. this seems to confirm the sarcophagus is an ancient elven artifact, no? makes sense, wasn’t it said that the sarcophagus’ design was based on the architecture/outfit-design type elements of a specific faction, and that this was done intentionally? it looks kinda ancient elfy in make, right? also about the lyrium-infused swords of the arcane warriors, well well well.. remember that the Evanuris and the ancient elves mined the bodies of Titans for lyrium, for power and to use as a resource. here’s an example of that use
as I read through this portion I became increasingly concerned for my boy Shirallas.. we really are in it now aren’t we 😭
the Qunari are launching STRAIGHT-UP ROCKETS ohhhh
pretty ‘lightshow’ over the wall in the “Let’s hope the fortress is as secure as Danarius boasted” panel hh
protective older brother Fenris, impish younger sister Vaea. love that dynamic, we love to see it. sheepish and exasperated Fenris is so cute
the Bone Pit dragon fight with Hawke and co reference!
I wonder how long the dragon has been captive here, and how Danarius/Tractus was able to capture it
lore-wise what are the implications here? when Fenris’ ritual was being undertaken, the sword and the sarcophagus were bombarded with magic, fire spells. in this one they aim to have the dragon bombard it with fire-breathing. is it just fire that makes it work/powers it, or is there magic in dragonfire, in dragons? it reminds me of “Your heart beats with the old blood, as well. Where do you think it comes from? It sings of a time when dragons ruled the skies. A time before the Veil, before the mysteries were forgotten. Can you hear it?”
purple color for the dragon’s growling sounds/typeset is a great idea
lets.. goooo!!!!
Marquette is such a nerd. later on when he activates the sarcophagus he has mad scientist vibes
the dramatic reunion face-offs begin!! as the prophecy foretold!!!!1
true to form, Marius DOES have nothing to say ahahaha, even at this, his personal climax. maybe Marius dies in the next issue, but Tessa lives and gets to go back to Charter
these Venatori look almost Star Wars
Shirallas my boyy.. nooo... don’t do it 😭
ah ah ah! try casting magic with no ARMS
Francesca a beacon of blue light and goodness
the splash combat page is masterful. everyone playing a part, so much going on, everything happening at once. a thing that sticks out to me about it is Aaron’s outstretched hand and alarm as he watches Fran fall 
Autumn with her lil hackles raised
“The Venatori have returned” dun dun dunn
goodbye Shirallas 😭😭😭
the composition of the second to last page with triangle/diamond-shaped panels and the framing of dragon wings is awesome
the Dread Wolf rises, “the Tevinter Imperium will rise again”.. on-point on-point cohesion
there he is, the red wraith
Super Saiyan Shirallas
what a note to end an issue on
wow wow wow!!
and separate to the above, some speculation based on the cover of Issue 3: the piece of metal looks like a broken collar coming off Shirallas, like the one there was on the cover of Issue 2 coming off the dragon. also he’s all bulky now with draconic talons/claws (reminds me of in-world legends of Reavers who dug too deep of their own power after drinking dragon blood and whose bodies consequently began to manifest subtle reptilian traits actually). I’ll be interested to see what results of this allusion between Shirallas and the dragon!!
25 notes · View notes