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#in short: a horror story
nataliesscatorccio · 7 months
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YELLOWJACKETS
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yandere-writer-momo · 1 month
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Yandere Short Stories:
Let Me In
Yandere Francis Mosses (Doppelgänger) x GN Reader
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Swish. Swish.
You leaned back as your foot steadily rocked the cushioned seat of your desk chair from side to side. It was yet another boring day of being the doorman for this apartment complex. Yet you couldn’t help the shudder run down your spine from time to time since you constantly felt under surveillance. Then again, perhaps you were going slightly insane from working such long hours in such a narrow space? There was no way someone would stalk you of all people… right?
You let out a low chuckle at your thoughts. You recently felt as if your days melt together. It was the same routine every single day. Stop the doppelgängers from entering the apartment complex. Check their IDs and entry requests. Call their room. You were tired of this consistent repetitive pattern! You wanted some excitement for once-
“Hello.” You jumped to attention when a handsome man stood before you. Your eyes nearly shot out of your head at the blood that stained his face. Was it macabre of you to find that attractive. “I just got off work and I’d like to call it a day in my apartment.”
“Y-you have a little.” Your breath hitched when he wiped the blood off with his thumb and gave you the faintest of smiles.
“Ah. I hadn’t realized I made a mess earlier. Thank you.” The man then handed you his ID and entry request. Francis Mosses was it? He was indeed a looker and his ID checked out… but he wasn’t on today’s list.
“I’m sorry, Francis. You’re not on the list today-“ you scream when he slammed his hands on the window. His half-lidded eyes now wide open and bloodshot. This man no longer looked like an angel, but rather a demon. A demon that would no doubt rip you apart and swallow you whole.
“I’m not on the list? I’m sure you could let me in.” You quickly push the emergency button but his large hands grab the metal doors before you can shut them completely. You gulp when you spot the veins bulging from his gray hands. “Haven’t you been bored lately? You always look so lonely at your desk… I’m sure I could show you a good time.”
Well, Francis wasn’t wrong- no! You can’t endanger the residents! You dialed the D.D.D’s number with haste which made the doppelgänger sigh.
“Fine! Have it your way.” Francis casted you one last look. “But I will be back. And you will let me in. Remember, I’m always watching.”
You deflated like a ballon and sunk back into your chair. Your body felt as if your bones had completely melted from how scared you were… you’ve never encountered such an aggressive doppelgänger before…
“You have contacted the D.D.D. A group of agents has been sent to your building.” The garbled voice on the other end of the line brought you back down to reality.
You sighed and leaned forward to put your face in your palms. What on earth did Francis mean that he would always be watching?
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qrowscant-art · 7 months
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MY BROTHER ; THE PARASITE
People die, and sometimes they come back. Your brother is one of those. Even as his body rots and his mind unravels, he still has control over you— just like when you were kids.
A short, interactive story about a corpse, a complicated sibling relationship, and the things we forget. Made in Twine. Written, illustrated, and coded in about three weeks for the IFComp.
Content warnings included on the itch.io page and in the story itself.
|| PLAY HERE! ||
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sabrebash · 1 year
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A short poem-type-thing I wrote last year and then took wayyyy too long to finally complete as a comic. Not entirely autobiographical, but close. I put many hours in on this one, so I hope you like it.
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nkjemisin · 10 months
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Well, it's official, and now I can talk about OUT THERE SCREAMING, a new anthology of Black horror that's edited by Jordan Peele. I have a brand-new short story out in this, and I'll be sharing a Table of Contents with Dr. Chesya Burke, Nnedi Okorafor, Cadwell Turnbull, Tananarive Due, P. Djeli Clark, and more!
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toxooz · 30 days
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🍔 borgir 🍔
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atomic-chronoscaph · 7 months
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The October Country - art by Joseph Mugnaini (1955)
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see-arcane · 1 year
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DRACULA IS BACKULA BABEYYY
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marisashorror · 3 months
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Recently finished commission for Ellis Reed on Twitter. From his short story 'Not Even the Ghosts' which you can read here. His short stories are fantastic and spooky, I can't recommend them enough if you like atmospheric horror.
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the-modern-typewriter · 10 months
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The Art of Turning 30
“So, am I allowed to talk?” Annabelle gave an awkward little laugh, that she immediately wanted to stuff back into her mouth. “I’ve never done this before!”
“You can talk.” Julian flashed her a quick, reassuring smile. “At least until I tell you not to.”
They both laughed, then. Julian’s laugh was not awkward.
It was six months until her thirtieth birthday.
She had met him at her girlfriend Camille’s twenty-ninth birthday party, a few weeks ago, only to be surprised that they’d somehow never crossed paths before. London was big, but it wasn’t that big surely, and Julian was an artist.
Annabelle felt like she spent half her free time at artsy bohemian parties and amateur gallery openings, though maybe that was why. He wasn’t an amateur, was he?
She’d looked him up online after and seen several shining reviews of his first exhibition, and a rosy buzz of anticipation at what he’d do next.
She remembered that buzz. People used to get that buzz when they talked about her. Apparently, his work was ‘visceral’ and ‘felt startlingly alive’.
It seemed impossible that he wanted to paint her, of all people.
Annabelle shifted on the stool, glancing around Julian’s studio space as he finished setting up his easel and paints. Oils. He’d said he was using oils. That mattered in painting, didn’t it?
The studio was everything she’d always imagined a professional artist’s studio to be. It was quite large, with clean wooden floors and white walls crowded with stacks of sheet-covered canvases in progress.
There was only one that was ready and visible; a painting of a beautiful blond man, probably nearing thirty too, lounging on the same stool that Annabelle was perched upon. He gazed out at the viewer with a hungry sort of hope. Like they were the best thing he had ever seen.
The studio smelled like drying paint and the sandalwood diffuser wafting its calming scent from the window sill. Sunlight coated the room like honey, or gold.
“You’re not going to make me look ugly, are you?” she asked.
He smiled again, meeting her eyes. “I couldn’t possibly.”
He probably flirted with all of his models, but she still felt a blush of heat rise to her face.
He looked like he could be in a painting, or one of those classical sculptures still concerned with archetypal ideals of beauty. Of course, she was with Camille, so nothing would happen…but still. The attention made her heart pound. Camille was usually too tired from work to flirt with her anymore.
Annabelle wasn’t sure how good she’d be at seeing a painting of herself that she hated, and not letting it show on her face. She’d probably tear up. It would be embarrassing for both of them. She shifted on the stool once more, and tugged at the hem of her summer dress.
“This is for your next exhibition?”
“I think I’m going to call it ‘The Art of Turning 30’.”
“Explains why I’m your muse instead of some gorgeous twenty two year old ingenue.” She laughed again. He did not. She continued, even as she willed herself to stop babbling, because he wasn’t looking at her with the expectation that she do anything. He plucked up a pencil, beginning his work. “It’s like, when you’re a woman, after you turn thirty your life is over, right? It’s like with my acting. And then by the time you’re forty all of a sudden all you can possibly be is, like, a mother or a witch. Or, you know, the dead wife. It’s all downhill.”
“You wouldn’t want to be a witch?” He raised a brow. “They always seemed pretty powerful to me. I could see you as a witch.”
“But do you know what I mean?”
“Can you turn your head a little the left, please?”
“What? Oh. Yes.”
She turned her head to the side, towards the window, and hoped the sunshine made her seem younger rather than highlighting every growing crag and wrinkle.
She could only watch him out of her periphery vision now; a wistful muse, seemingly unaware that she was being observed. She tried to look deep and mysterious.
“Perfect,” he said. “Thanks. You’re just perfect.”
The canvas of the blond man fell to the floor with a soft thump.
Annabelle jumped.
“Sorry.” Julian shook his head, another easy laugh on his breath. “The landlord never lets me put proper hangings on the wall here. Says it wrecks them. I guess so long as they don’t do that at the exhibition?”
“I don’t know, you could probably play it off as a stunt…lean into the photorealism.”
“Now, there’s an idea. Genius.” 
She probably didn’t look deep and mysterious. She probably just looked smitten.
***
She sat for Julian three times a week for the next several months.
It became a pocket of peace in her life, the hours when it was okay to finally stop and be for a while, because everything else seemed to be hurtling through her fingers faster than she could clutch hold of it.
She’d always imagined that she would be a successful, or at least up-and-coming, actress and screenwriter by the time she turned thirty.
Sure, women only made up around 30% of the directors or writers behind the camera, but back in school everyone always said that maybe she’d be the one to change that. She wasn’t entirely sure when they stopped saying it, but they had.
It was three months until her thirtieth birthday.
“Here.” Julian caught hold of her chin, featherlight, angling her back towards the sun. The days were getting shorter. Time was running out for them both. “You were like this.”
She had got in the habit of always sitting a little wrong, because he’d always adjust her, oh so careful and attentive, like she was his masterpiece.
She would have probably preferred to be her own masterpiece, but being his seemed like the second best option. She could practically feel the ghosts of forgotten, underappreciated female muses-past screaming at her that no, it was always better to be somebody than someone’s, but frankly she wasn’t sure she could be picky.
She’d been getting less and less call backs, and was starting to feel more like she was a part-time waitress dabbling at film than a part-time actress-filmmaker working hours in hospitality to make ends meet.
It was like a window was closing. Her window. That morning she’d found an honest to the devil grey hair on her head!
Camille told her that she was being ridiculous – that she’d become increasingly vain since Julian started painting her.
Annabelle had snapped back that vanity wasn’t vanity for an actress. Her looks were her currency.
It hadn’t always been so hard, had it?
All in all, it didn’t seem like a sin to let him touch her. It was nice to be touched. There was nothing untoward in that.
She peeked up at Julian, standing over her, his star ever on the rise. Their stares met again. He smiled that quick, reassuring smile of his.
“You look tired,” he said softly.
“Sorry.”
“No, no.” He widened his eyes. “I didn’t mean—” he huffed gently, and let go of her. “I haven’t got to your mouth yet. If you want to talk about it.”
Annabelle grinned back before she could stop herself.
It had become a standing joke. She sometimes felt she spent their whole time together talking about herself, but he always said it was interesting and made the hours fly. He was a very good listener.
More privately, she sometimes suspected that he was leaving her mouth for last just so they could continue chatting, but she wasn’t allowed to see the painting to check. The thought was thrilling though.
 “It’s nothing,” she said, even if she already knew she’d probably tell him everything on her mind. “I don’t know.”
What would she do when the painting was done? She’d see him at his exhibition opening, probably, but there would hardly be a reason for them spend time together like they did when she was sitting for her portrait.
Maybe it was silly to consider him one of her friends. She’d miss it, though. She’d miss him.
Maybe he’d want to do another one of her, but who was she kidding? Maybe in ten years, when he did a gimmicky but charming follow up. The Art of Turning 40: Where Are They Now?
What did he know about turning thirty anyway? He couldn’t be more than twenty-five. He had loads of time.
“There’s an intimacy,” he murmured, “to painting someone. Especially like this, in the old fashioned way. A lot of people use photographs and quick studies because they’re more convenient and you don’t have to catch the right light, you know? But I love it.” The air filled with their breathing, and the soothing dab of his paint brushes on his palette, mixing up the colours of her. “You really get to know people this way. It adds soul to the work. It’s magic.”
She felt, more than saw, his gaze cut over her again.  Her blood was electric beneath his scrutiny.
He continued, softly.
“I knew from the moment we met that I wanted you to be my centrepiece for this one.”
“Flatterer.”
“It’s true!” He laughed. “You have this great energy. I knew you were going to be interesting, and I was right. And you know how to model well. Because you’re an actress, right? You’re used to people looking at you.”
An actress, no ‘wannabe’ or ‘aspiring’ or ‘failed’ tacked on front. She couldn’t help but sneak a glance at him as best she could without turning her head.
“My boss always says I should have more energy, then I’d wait tables faster.”
“What does Camille say?”
“Camille—” Annabelle blinked in surprise, then swallowed. Her hands curled in her lap. She resisted the urge to sigh.
“Uh-oh.”
“No, no,” she said. “It’s fine. I just – she thinks if I’m not happy I should do something about it. She’s always telling me about other things I’d be really good at that have better pay, or more sociable hours.”
“So, give up on your dreams already.”
“Yeah.”
Annabelle deflated. She knew that Camille didn’t mean anything bad by it, but that was what it implied, right? She was never going to be a famous and successful actress or screenwriter, so she should settle for something manageable.
“Well, she’s not a creative, like us,” Julian said. “She doesn’t get it.”
Like us. Annabelle was a horrible girlfriend for feeling a swell of pleasure at that. It was true, though. Still.
“We’ve been together for a really long time, and she’s been really supportive. I think she’s just finding the whole ‘me turning thirty’ thing annoying. Mainly because I won’t shut up about it. Which I’m sure you sympathise with!”
Camille said that anyone who claimed life stopped at thirty was an idiot. There was no limit for potential, no one age where everyone had to have their life together and perfect by.
She was probably right, but Annabelle could still feel the panic of it clawing at her the closer her birthday got. Even if she was successful after thirty, she wouldn’t be one of those young geniuses that everyone had expected her to be. She wouldn’t be exceptional.
She would just be Annabelle. It didn’t feel like enough. Maybe if she could see herself like Julian apparently saw her, it would be better.
“Chin up,” Julian said.
Annabelle cleared her throat again. “Right, yeah.”
“No, I mean.” His voice was deadpan. “Your head. You’ve moved. Drooped.”
She shot him a look over her shoulder. The melancholy shoved itself down again in the pit of her stomach.
He tossed her a wink from behind the easel, to indicate he was joking. Only trying to cheer her up and lighten the mood.
“So, I still don’t get to see what else you’re working on, huh?” she asked.
“I’d have to kill you.” He switched to another, smaller brush in her periphery vision.
She snorted.
“It would be very inconvenient all around,” he said. “Rigor mortis sets in fast. I’d never get the painting done in time.”
“Well we can’t have that. After you’re finished with me then, I suppose.”
“Our art is a part of us, Annabelle.” He shot her another glance in turn, brush poised above his image of her, considering. “So how, then, could I ever truly be finished with you?”
Her breath hitched in her throat. She debated possible responses to that, and how he could have meant it. Her body felt warm and flushed.
He gestured that she angle her head left once more, not looking away for a second himself.
Annabelle turned.
The summer waned outside the window, but in the painting she would still be in her sundress, legs tanned and toes painted sky blue.
Thank god he kept his studio warm. The minutes ticked by, the air between them settling tranquil once more.
“Sometimes,” she said, softly, “I wish we could stay like this forever. Freeze the moment. Is that stupid?” It felt a confessional thing to say. Bold.
“No.” She could hear the equally soft smile in his voice. “It’s not stupid. Isn’t that how I got you to agree to do me this favour?”
She remembered the party; an adult version of what they all used to do, even if it still felt like they were all pretending to be grown-ups. Or at least, Annabelle felt like she was pretending. She didn’t feel twenty-nine.
She’d clutched her glass of wine and hovered near a somewhat strained conversation about mortgages and the state of the housing market, and how none of them were going to be on the property ladder before they were fifty, before she caught sight of Julian coming in. 
She echoed his words, and didn’t have to fake her wistfulness that time.
“To be remembered in art is the closest any humans’ get to immortality.”
He echoed the next line back at her. “Doesn’t that sound like fun?”
And she’d said yes.
***
“I’ve got a date for the exhibition,” Julian said, from behind his easel. “A few weeks after your birthday. Short notice, I know. Soz.”
“Ugh, don’t mention the B word. But that’s exciting! Can I come?”
“Of course you can come,” he said. “It’s why I’m telling you. This wouldn’t be possible without you.”
“I mean, while sitting here is terribly difficult,” she said, “I do feel like you should get some of the credit. Just some.”
She heard him laugh.
She’d grown to love Julian’s laugh; he was so ready to do it, at least in their sessions.
She couldn’t remember the last time she’d heard Camille laugh at something she said. Then again, she wasn’t sure the last time she and Camille had spent all that much time together.
By the time Camille got back from a day of teaching, Annabelle was usually already out for the night shift at the pub she waited in. Yet another thing in her life that wasn’t working like it was supposed to!
Camille said that could be worked on if, hey, Annabelle was willing to actually prioritise their relationship.
It had been one of their worst arguments to date.
“There’ll be thirty paintings in total, I think,” he mused, more talkative than normal. “Yours being the main one, like I said.”
“I’m sure you will perfectly capture the raw turmoil of turning thirty.”
He laughed again. It had been one of the most notable reviews of his first exhibition – except the exact wording had been that his work perfectly captured ‘the raw turmoil of adolescence, as an emotional and nostalgic period of change and growth’.
He’d finally caved and showed her some of his previous pieces, other than the ones she’d managed to find online, as a compromise of his refusal to show her how his painting of her was coming along.
Most of the individual pieces from his first exhibit had been sold off, but he’d kept the main one.
His main piece – Girl On Swing – got the most praise, so it had apparently been a bit of a scandal that he hadn’t sold it. He’d had offers.
It was a triptych (Julian’s word) of a girl, unsurprisingly, on a swing.
In the first of three paintings she was a child, carefree and giggling. In the second, a young teenager, her face a storm of emotion. In the final one, she was a young adult, caught mid-leap flying off the swing she’d been sitting on for seemingly eighteen years. Her arms were painted halfway to transitioning to a bird’s wings. She was no longer looking back at the viewer but forward, to all that life had to offer.
Annabelle wondered what people would say about Julian’s version of her.
People liked to fantasise about how amazing being a teenager was when they were an adult, but she hadn’t met anyone who fantasied about turning thirty. It wasn’t nearly as glamorous.
She hoped he made her glamorous.
“Of course,” he was continuing, “with the date so near, we might need a few more sessions to get finished on time.”
She looked over at him again, then, even if she wasn’t supposed to be moving.
The golden light danced across his handsome features, and caught the edges of the canvases behind him. There were twenty nine of them waiting.
“I make a pretty good lasagne,” he said, biting his lip. “If I say so myself. Compensation. If you don’t mind finishing late. There’s also a nice wine I got for Christmas that I really couldn’t drink alone.”
“I don’t mind,” she heard herself saying, before she’d even thought about it. “I don’t mind at all.”
“It’s a good venue,” he said. “A really good venue. Everyone’s going to love you.”
With him, maybe, the window wouldn’t close.
***
“I’m done, except for the varnish.”
The words sent a bolt through her, stirring away the sleepy content that came with posing for an extended period of time. She felt seen. Now, though, she wanted to see. Finally.
It was the day before her thirtieth birthday, and Camille had a massive surprise party planned, that Annabelle was both pretending that she didn’t know about, and dreading like a punch to the gut.
It was sweet that Camille was doing it. But also, maybe, if she didn’t celebrate the date she could still, somehow, be in her twenties for another year. That was how it worked, right?
“You are?” She leapt off the stool, and felt her joints click. “Can I see? I feel like I should have a right to see before everyone else. I won’t tell anyone.”
“It is top secret.” He pretended to consider.
She took the opportunity to relish actually looking at him for once; there was a kiss of red on the cuff of his painting shirt that hadn’t yet dried. It was the exact colour of her lipstick. She smiled.
He really had left her mouth for last.
“Fine,” he said, and gestured her over, eyes bright with amusement. “But only because I know you won’t tell.”
In the short space of walking over, Annabelle had time to feel her stomach clench. Her old fears boiled nauseously to the surface.
What if it was awful?
What if it wasn’t what she wanted, as if that had ever been the point?
What if her immortality looked like the part-time waitress she didn’t want to be?
She would have to keep a straight face, and not hurt his feelings. He’d been working on it for so long. It would ruin everything if he knew she hated it. It would no doubt be technically very skilled. She should have researched painting techniques she could comment on.
She rounded the easel, a little dizzy.
His hand fell on the small of her back, thumb tracing the curve of her hip, idly almost.  
She stared.
Her painted self was lovely. So alive, as if thirty couldn’t possibly contain her.
It was not as realistic as ‘Girl On Swing’ though.
She was caught in the motion of talking, hands gesturing animatedly in the air despite her best efforts of posing, and though her face was turned towards the light of the window it was as clear as confession that her eyes were always turning towards him, trying to steal a glimpse.
She looked at him, at the viewer, like he was the best thing she had ever seen.
Camille would see the painting too.
She had already said that she had to come to the opening, especially ‘after all the time her girlfriend had spent with this Julian fellow instead of her.’
Annabelle swallowed.
The perfect bubble burst.
She released a shaky breath, abruptly more aware of his hand through the thin material of her dress.
They hadn’t done anything.
Even the night when she ended up staying over at his, after lasagne and wine, they hadn’t done anything.
The painting made it look like they had, though. She wasn’t even sure she could accuse Julian of exactly making it up, either.
He had painted the truth. Raw. Even when it would have been politer to hide it.
“Oh,” she said. “Wow. Um. Julian—”
“Happy Birthday,” he murmured. “For tomorrow.”
His hand moved up to the back of her neck and all of the colours of the painting swirled and rushed forward to meet her.
“Oh, and Annabelle?” His voice sounded very far away. “This is the bit where you stop talking.”
***
Annabelle had been thirty for nearly a month. Well, not exactly.
They all said that she looked amazing. So realistic.
She couldn’t move. She couldn’t feel her body. But, she could watch, from her frame.
She’d watched as Julian approached her with a paintbrush dipped in varnish – to seal the work – and she’d watched with her world turned sideways as they carried her canvas from the studio to the gallery.
She’d watched as they hung her up on the wall and made comments about her like she wasn’t there at all.
She’d screamed, too, or tried to. They hadn’t been able to hear her.
Julian had approached her again when they were alone, hands in his pockets, perfectly relaxed and pleased with himself.
“It’s a good trick, isn’t it? I’ve always had the knack of turning people into portraits.” He’d flashed her the same quick, reassuring smile he always did as he peered up at her. “As I said, it’s all about getting to know the person. Getting them to pour their soul out to you.”
He’d laughed, like he so often did, only this time it was at his own joke instead of hers. Or maybe she had always been the joke. 
“I did worry for a moment that I wouldn’t be finished in time. But, don’t worry. We made it. You’re twenty-nine forever! Just like you wanted. Just like I promised. I’m not that cruel.”
She’d wanted to tell him that this was not what she’d wanted. She wanted to ask a million questions. She wanted to punch him.
Instead, Annabelle watched as Camille stepped into the exhibition room, on opening night.
She watched Camille scan the crowd, feverishly, expecting her to be there.
She watched as Camille’s attention snagged on the vast painting of her across the room.
God, Camille.
Her girlfriend made a beeline over. It had been an age since Annabelle had last looked at her, properly looked at her, hadn’t it?
Camille’s face crumpled a little as she studied the portrait; a myriad of regret and fear and confusion. Hurt. Her eyes were red and swollen like she’d been crying. She raised one hand towards Annabelle’s life-sized face, as if to touch, but didn’t. Her fists curled at her sides instead.
Guilt twisted in Annabelle’s gut. Camille looked exactly like how one might when learning that their girlfriend had cheated on them.
She felt an absurd surge of hope, despite everything, that Camille might see her where no one other than Julian had. The portrait, for all of its intimacies, suggested a grand love affair. People didn’t vanish fairly from grand love affairs, they just didn’t! It was suspicious, right? He was the last person to see her. The proof was in the painting!
Camille stared at her for a moment longer, her jaw set with grim determination. Then she scrubbed a hand over her face. Her shoulders hunched against some unbearable, undefinable weight. Her dark hair was greasy with worry.
“I’ll find you,” Camille still whispered. “I swear, I’ll find you.”
Annabelle’s stomach sank.
“No, Camille—” Of course, the words didn't come out. Nothing did.
She’d had been such an idiot, hadn’t she?
She felt a fresh stab of longing for that surprise birthday party.
How long had they waited for her to arrive? Waited for her.
Had Camille reported her missing? There would be no body to find, no evidence. The painting, the wanting limited eyes she looked out of, felt like a mockery.
Maybe the life she had with Camille hadn’t been perfect, not by a long shot, but at least they’d been alive. At least they’d been real.
Camille began to turn away.
“Please.” Annabelle’s voice broke. “I’m so sorry. I’m here, please. Don’t leave me! Camille!”
More attendees bustled to claim prime spot in front of the painting, murmuring about how talented Julian was, speculating on if Annabelle was his lover. Camille flinched.
“It makes me feel,” one of gallery attendees said, “like I’m interrupting them in a private moment, you know? Of course, it’s so Julian that she’s not actually a nude—”
She couldn’t see Camille anymore.
She was never going to see Camille again, was she?
CAMILLE. CAMILLE. CAMILLE.
Annabelle screamed it with everything she had, every atom of her, with the absolute certainty that if her girlfriend walked out the gallery door that Annabelle would never escape the painting.
She would never get to say sorry, or kiss Camille, or tell her properly that nothing had happened or would ever have happened, despite what she may have let her foolish heart feel.
She’d just liked the way he looked at her.
She didn’t want to stop the clock.
She wanted her life back, to live.
The painting hit the floor of the exhibition with an almighty crash.
Everyone scattered back. Red wine spilled like a crime scene against the polished floor.
Camille whirled back around too, alone a few metres away, her eyes wide and startled.
Julian appeared, clutching a glass of champagne in one hand.
“Goddamn these hooks. Who set this up? It’s a hazard. Everyone alright?” He looked around at his adoring fans, and summoned up a rueful smile. “I should have just got eyes to follow you all around the room instead, huh?” He looked down at her, where she stared up, in the same narrow periphery vision he’d painted her with. “Really leaned into the photorealism.”
Past him, past his taunts, Camille looked between the two of them. Uncertain misery flashed across her features once more. She opened her mouth, as if to say something, before closing it.
Annabelle willed her painted self to move again too, to speak, to do anything. She willed Camille to question, to press, to not give up on them and on her. Not now.
“Camille!” Julian had caught sight of her too, and straightened. He gestured for one of the gallery employees to get Annabelle back into position. “I’m so glad you could make it! Is Annabelle not with you? She was so excited for the exhibition…”
“You haven’t seen her?” Camille’s voice broke. “I – I thought she’d be here, at least. With you.”
“With me?” Julian spoke mildly. Innocently. “No, no. I haven’t seen her. I thought she was with you. Is something wrong?” His tone gentled, as he walked towards Camille. “She mentioned you’d been having some problems…”
“No – it wasn’t like that – Camille—”
Crowds swarmed Annabelle’s painted self once more. She was lifted back on the wall, as if nothing had happened.
"Let me get you a drink," Julian said. "You can tell me everything."
She caught a glimpse of Julian's arm wrapped around Camille's waist. The way she leaned into him, looked up at him. His lips by her ear.
"Camille—"
By the time the room cleared, they were already gone.
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whereserpentswalk · 6 months
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Imagine after a few months of dating your girlfriend tells you she's a demon. You laugh a bit at first, but she takes you back to her apartment and shows you her true form, something horrific and inhuman, but stunningly beautiful. You think she's going to kill you, but she doesn't.
She tells you that demons like her, who are sent to earth, have more autonomy then those who live in the underworld. As long as she sends a letter back to her demon lord every night, and doesn't invite the ire of any gods, she's basically safe. You ask if she needs you to leave, she begs you to stay.
You don't sleep together that night. You're both to afraid.
You go throughout the city the next day asking people who you think might be able to help. Scientists, scholars, priests of every faith, warlocks and witches of every school. They all tell you the same thing, they tell you it's impossible for a creature like her to feel something for a human, that she's just going to use you, even if she tries to do good. They tell you that you only love her human mask, that you'd run away from her true form, but you've seen her true form, and it was terrifying and inhuman, but it was beautiful.
When you next come to her you keep things you'd need to protect yourself from her. A cross, passages from the Torah, a pendent of Thor's hammer, a small statue of the Buddha, any holy force you could think to keep her at bay. When you lay eyes on her again you feel like you're betraying her just by taking such protective measures.
She seems afraid. Humans have tried to hurt her before. You hold her for a momment, pet her head, tell her that everything is going to be ok.
When you sleep with her that she doesn't need to wear her human disguise. She only needs it when other people can see her now, you're safe. It would prevent her from feeling anything anyway.
When you embrace her true form it's like nothing else on earth. Something you can't describe. Something terrifying, and inhuman, and beautiful.
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anotherscrappile · 10 months
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Here’s a reminder that I have a website where you can read 15 obscure horror stories found in mid-1800’s literary magazines. I’m always searching for more, so check back periodically :D👍
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yandere-writer-momo · 12 days
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Yandere Short Stories:
Knight in Shining Armor
Yandere Monster Knight x Princess Reader
TW: delusional Yandere, Yandere behavior, kidnapping (mentioned), etc.
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Ajax had always been princess (your name)’s confidant and source of solace… so why did he have her cornered on the bed of the inn? His large, muscular frame towered over her as his body trembled.
“I can’t do it… I can’t let you marry some other man.” Ajax whispered, his metal mask hiding his expression. There was no doubt in (your name)’s mind that he was shaken up about something. She had no clue why he’d be so upset about her getting married…
“Ajax, it was bound to happen eventually. It’s my duty as the kingdom’s princess-“ (your name) gasped when he closed the distance between them. Ajax’s large palms pulled her into a tight hug. The force of the hug caused them both to land on the small bed with a soft plop.
“Ajax-“ Ajax placed a finger on (your name)’s lips to pause her words.
“I won’t allow it… I won’t allow some other man to sully you.” Ajax’s deep voice made her body anxiously shake. “Not when I’ve wanted you for so many years…”
“Ajax-“ (your name)’s eyes widened when he finally removed the mask that’s concealed his face for over a decade. Ajax was half orc? (Your name) hadn’t a clue and she had been with him for so many years…
“I’m half monster, I thought you knew.” Ajax chuckled as his crimson eyes flitted over (Your name)’s frozen form. She was now a helpless lamb trapped in the maw of the wolf. “It’s why the other knights have been so cruel to me… why the maids avoid me like the plague and your father wanted to send me to war.”
(Your name)’s eyes can only take on his scarred and burned face in shock. Why was half the skin on his mouth missing and his tusks filed down? Who had hurt him so much that he didn’t confide in her, his best friend? What atrocities had he faced while she remained none the wiser?
(Your name) were shocked when he bent down to show you his teeth. His tusks were clumsily filed down to almost look like teeth but they were still rather sharp. “I did the tusk work, but they grow back rather quickly. The skin on my face is still healing from when there was an assassination attempt on you from your future husband’s concubines. Bastard was going to pour acid on your face.”
(Your name) reached up to trace the scars on his face while Ajax gave her a soft smile. “Ajax…”
“You’re the only one who’s never treated me like a monster… you’re so wonderful and kind.” Ajax moved his large, gloved hands to hold her hands. “That old king doesn’t deserve you. No one does!”
(Your name) blushed when Ajax brought her hands up to his lips to press tender kisses over each of her knuckles. Despite how badly Ajax wished to ravish her, he must keep his composure.
“You took this amount of damage for me?” (Your name)’s voice was barely above a whisper, yet it made Ajax melt into a puddle.
“Of course I did. I will do anything for you.” Ajax moved himself to crouch on the corner of the bed, his head in a slight bow. Yet (your name) could feel the burning obsessed behind his crimson gaze. “I am in love with you. Madly, deeply, entirely devoted to you and only you.”
Ajax grasped (your name)’s bare foot and brought it up to his mouth to press tender kisses across the top of it. “I will love you until my skin rots off my body and I am nothing but bones. Yet even death could not separate me from you for I will be in every corner of your life like a permanent shadow of protection. I will protect you with my entire being and soul. I will haunt and dismember your enemies if you so much as give them a glance of distaste.”
(Your name) felt her blood run cold when Jax gave her a bright grin that reopened a few of the stitches across his cheeks. The blood dripped down his face and onto her foot, but he merely lapped it up with his longer tongue. “Now tell me… is what I feel not love? I may not be a handsome prince but I swear I’m your knight in shining armor.”
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marypickfords · 7 months
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Kirei? The Terror of Beauty (Katsuya Matsumura, 2004)
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caffeinewitchcraft · 2 years
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Malevolent Spirits
Summary: Sylvia has two problems. One is a ghost in her house. The other is her husband. (Tw: domestic abuse, violence)
Morgan is not a malevolent spirit.
Her visitors treat her like one. They crawl through her rotting house with cameras clasped in sweaty hands, hissing about evil and violence. They bring out objects of prayer to ward her off. Some of them try to trick her into speaking. Into acting. They spend hours recording the whispering of the wind through the cracks in the attic or the creaking of her home sinking into a century old foundation.
Morgan watches them from the slanted chandelier in the foyer and never says a word.
Truthfully, she doesn’t hate them. They’re alive and addicted to the strange cocktail of hormones the body produces when afraid. She can’t hate what is created by nature. 
Perhaps that’s why she isn’t a malevolent spirit. She knows addiction and to be alive is to be an addict. Food, water, passion, lust, greed, love, fear. A complex array of cocktails all pumped directly into your receptive brain. The bad ghosts are jealous of it. Greedy for it. And Morgan simply…isn’t.
She has her routines. She stays well out of the way of the people who come to explore her abandoned and withering house. When those who need the shelter of her walls find themselves there late at night, she makes sure that the wind doesn’t blow the doors open, that they choose the rooms with the best windows, that the pests that have started to nest in the roofline don’t wander down.
On days she has no one, she stares out the window of the master bedroom - what used to be her bedroom - into the garden. Her neighbor’s houses shrink and expand, fall apart, get torn down, and then reemerge like new, brightly colored with gleaming windows, but her garden stays the same. The weeds bloom into late spring, pops of white false morning glory all along her wrought iron fence, and wither into long, thin stalks in the winter. The squirrels she once chastised for eating her tomatoes lay down to rest and their descendents descend on the new vegetable patches in the neighborhood.
Then, one day, a man in a white van pulls up. He cracks open the back door and pulls out a long orange banner. This he strings along her fence with precision, pinning it so that it lays flat. He examines his work, nods, pulls out his phone to snap a picture, and then he’s on his way.
When Morgan goes to investigate, she finds the words UNDER DEVELOPMENT emblazoned on the banner.
Thoughtfully, she returns to her window.
—————-.
“Under development” happens a lot faster than it did in her day. There used to be inspectors and specialists, a man for every facet of the job. Depending on the weather, the whole production could be waylaid if a single apprentice didn’t show up.
That doesn’t seem to be the case anymore.
Her floors are upheaved. The oak cabinetry that she’d once been so keen on oiling is torn down. The walls are stripped and the beautiful, winding staircase is wrapped in heavy layers of plastic. They unhook and dismantle her chandelier with a surprising amount of care. Over the years she’s counted the number of crystals that have fallen or been stolen. She assumed it’d be thrown in the large garbage bin parked in her garden with the rest of her belongings that had escaped the ravages of time.
Morgan watches with interest as her former home turns into a skeleton. She didn’t have the good fortune to see it built and she wanders the bones of it late into the evenin, imagining. This beam stood before she was the lady of this house, this foundation was stamped before she was born—
And then it’s covered. Startlingly white walls rise up all around her, so quickly she dreams it happened overnight. The foyer is paved with tile - a choice she would have had quite a few things to say about in life - which is transitioned into hardwood throughout the rest of the downstairs. Carpet is installed in the master bedroom, luxuriously deep, and the bathrooms are gutted and replaced.
“Wouldn’t I like to live here,” the plumber says. He’s installing a gleaming faucet in the kitchen, versatile so that the spout can become a handheld knozzle. He nods to the dove-tailed edging on the kitchen island. “Had to cost a fortune.”
The electrician, perched on a ladder and half in the ceiling, says, “Had to cost a soul.”
Men. Always thinking of price. Still, their words set off a round of questions Morgan would have liked remained unearthed. Would she have liked to live here, once upon a dream? Would she have opened the double oak doors to her home with a different sense of pride knowing what comforts lay beyond? Would things have gone differently with a new roof and new floors that didn’t require so many hands to maintain?
Addiction. Morgan turns her mind away from such thoughts and goes to her window. The garden is bare soil now, rolls of sod stacked against a new wooden fence, but the sight still relaxes her. The earth is still the earth. Not everything can change.
The new residents of the house move in the next day.
————-.
Violence.
Morgan knows it. It’s why she laughed when those ghost hunters scuttled through her home, asking their questions to cameras and walls that would never speak. They didn’t know what violence was. The horror and the humiliation of it. If they did, they wouldn’t crow their questions with such suppressed glee. They wouldn’t investigate every dark corner of this house looking for it. They wouldn’t come here at all.
It’s been 85 years since the house last saw real violence. Morgan had been hoping to make it a century, as if the full weight of one hundred years could finally squash out what still echoed through her memories. But the new residents destroy that hope.
Morgan settles on the (new) chandelier. There are crystals from the chandelier her husband bought for her interspersed amongst carefully crafted dupes. The old ones are polished until they shine, the light playing through them in a way that Morgan only now remembers she loved. The new ones seem hollow in comparison. They glint rather than glimmer.
The new lady of the house is pacing the foyer again. Brunette hair cut short at a round and soft jawline, an attempt to introduce angles to a face that simply doesn’t have any. In Morgan’s day, women would have loved to have a face like that - like an angel - and would have taken care to frame their round cheeks with tight curls.  Everything this woman does seems designed to hide.  The curtain of straightened hair hanging on either side of her face slides to cover her expression and her clothing - well-tailored - is too loudly patterned for her simple features.
“Sylvia.”
Sylvia turns, the anxiety on her face melting into an easy smile. Morgan isn’t fooled even if the man coming down the stairs is. She can see the naked fear hidden expertly in the woman’s eyes.
“Robert,” Sylvia says. Her smile falters as she sees the man isn’t dressed like her — he’s in khaki shorts, a polo, a laptop bag strung over his shoulders. She straightens her cocktail dress with fluttering hands. “Is there— we were going to my parent’s…”
“Work,” Robert says. He has the same tone of self-importance Morgan used to hear around the snooker table. He’s already looking at the tiny phone all people carry around these days. “Make my excuses for me, Sylvia.”
There’s a flash of panic. “I-It’s Saturday and m-my mother is expecting us—“
“Sylvia.”
A flirtation with violence in the two syllables of her name.
Oh, he doesn’t touch her. No, he’s not quite brave enough yet. Morgan’s eyelids fall until she’s watching Robert through her eyelashes. His shoulders are pulled back, his chin up, one hand fisted at his side and the other wrapped tightly around the strap of his bag.
Can Sylvia see the violence in her new husband’s posturing? She must because she steps back, a tiny tap of her heels, before she forces herself to stop. She says, “Robert. This is important to me. This is—“
“Oh if it’s important to you,” Robert interrupts. He brushes past Sylvia, a mean twist in his shoulder that would have hurt if Sylvia had allowed him to touch her. He smirks when she skitters out of his way. “Make my excuses.”
Sylvia’s shoulders curve inwards. Strange to see a woman so young bending like that, spine a wilting flower and hands a tangled knot in front of her chest. She doesn’t watch Robert slam out of the house. She’s staring at the toes of her shoes. 
“I flinched,” Sylvia says. There’s shock in her voice. She looks dazedly towards the door as if it can give her answers. “I took a step back.”
“You should leave,” Morgan says. Maybe this is the regret that keeps her here. When she was Sylvia, she stayed. “Before he hits you.”
Sylvia stares at the door. Morgan isn’t surprised. Hardly anyone can see her, much less hear her. Her powers ebb and wane with the seasons and now, at the height of spring, she feels more like a breeze than the tempest she gets to on All Hallows’ Eve.
“You can see it,” Morgan says. She drifts down from the chandelier, eyeing Sylvia. Is the woman going to cry? Or will she suppress it long enough to go see her parents without raising the alarms. “Something changed. He doesn’t act like he used to. It’s nothing you did and you can sense it. No, this isn’t something you can fix. This isn’t something you can apologize way. Not something you can make excuses for. This was what was lurking underneath all along.”
Sylvia straightens. Her hair slides back to hide the nape of her neck. Like a marionette, she turns. Looks Morgan dead in the eye. Says, “Shut up. He loves me.” And then stalks up the stairs, leaving Morgan shocked in the foyer
—————-.
Sylvia knows the house is haunted the moment Robert parks the Bentley in front of it. She feels her smile freeze on her face as she catches sight of a woman in the second story window. A thin and severe woman with tumbling brown hair and a collared shirt buttoned up to her neck. Intelligent, black eyes linger on the car for a long moment before she fades away.
“Everything is perfect,” Robert tells her. He reaches over the console to squeeze her knee once before clambering out of the car. “Checked it all myself.”
He’s being sweet, like he used to be. That’s why Sylvia smiles and follows him up the beautiful path of paving stones through the bare garden to the giant oak doors. She takes his arm when he gallantly offers it to her and laughs through the chill that pervades her bones as they step over the threshold. 
He won’t believe me, Sylvia thinks. The thought shames her. She hasn’t given Robert a chance to believe her. Sylvia grew up in ancient places, swamps and moors and creaking cabins set afloat on them. Robert, on the other hand, has always grown up in places like this new house. Opulent, shining, ornate. He’s made this placein the image of his childhood. Fresh and rich. New skin over old bones.
I’ll tell him, she decides as Robert leads her up the sweeping staircase. He’s talking about the crown molding, how it’s real wood, not plaster, and doesn’t seem to notice how her eyes dart from the chandelier to the dark recesses of the “unfinished” hall on the other side of the one that leads to their bedroom.  She sees the dark hem of long skirts just as it disappears into shadow. We need honesty. Transparency. It needs to start with me.
After four months of marriage, she knows that Robert is…unlearned in that way. He needs her to take the lead, as much as he might protest against it. That’s why things have been feeling fraught lately. She’s not trying hard enough.
This house will help her change all of that.
——————-.
Only it doesn’t. The house is big. It takes a concentrated effort to find Robert within the sprawl even on days when he’s home.She finds herself longing for the cramped confines of her college dorm. She thinks of the sound of him typing, sitting on the edge of her bed, cramming for midterms, and sighs.
They’re not close anymore. 
Truthfully, they haven’t been close in a long time. Before the wedding, even. Oh, he said all the right words and she did all the right things, but neither of their hearts were in it. After graduating, they both faced the big question. What’s next? 
Whatever it is, I want to find out together, Sylvia said.
Might as well be marriage then, Robert said and then sighed as if it were an imposition.
Sylvia props her chin on her hand. She, in a fit of nostalgia, is wearing her college pajamas at the kitchen table. She’d thought to surprise Robert with breakfast - eggs and pancakes - but it wasn’t until she finished plating the meal that she realized he hadn’t come home last night.
The location of his phone, displayed on the screen of hers, puts him twenty minutes away at Arthur’s house. There are no texts, no calls, no carrier pigeons waiting at the window.
She is debating whether or not she’s going to be mad about this. No, not mad. Robert doesn’t handle mad from her very well. Is she even going to acknowledge it?
It’s not who she is to weigh her words and emotions like this. She used to be so passionate, but she’s learned to suppress that. She hides her desires until it’s safe. She needed the skill to handle Robert’s upper-class family, but she never imagined she’d have to use it in her own home with Robert.
It’s been six months since they were married, two since they moved in, and Sylvia sees the ghost more often than she sees her husband. Then the days she does see her husband have started to make the days she doesn’t feel like a relief.
Your fault, her mind whispers. She always catches him at a bad time. I thought you were going to try harder?
Movement draws her gaze to the window. Outside, in the garden, the ghost crosses from the exterior wall of the house to the fence. She stares out down the road with her hands clasped behind her. Her comportment tells Sylvia that she was from a distinguished family, sometime in the early 1900s. Did she live here? Did she get as lost as Sylvia in this giant house? Did she die here?
Sylvia shifts her gaze just before the ghost turns. She still hasn’t told Robert yet. She just needs things to be right before she does. They’re in a rough patch. That’s all. All they need is for Sylvia to try a little harder.
—————-.
  Sylvia stares down at the tips of her shoes. The sound of the door slamming is still ringing in the foyer. She felt the impact of Robert’s exit as vibrations through her soles. She stepped back. She stepped back.
“I flinched,” she says. The words make it real. Sylvia won a ‘gator wrestling competition when she was 13 years old. She traveled halfway across the country without any of her family to make her dreams come true. She once stood in front of an ex-boyfriend’s car while he revved the engine, threatening to run her over, and she dared him to do it. She stares at the door as if concussed. “I took a step back.”
The unease that’s been building these past few weeks suffocates her. There is something darker than she expected in Robert. That little voice in her head is chanting your fault, your fault, your fault. It doesn’t account for the sick fear that’s twisting in her gut.
It’s getting worse. There’s an instinct rising in her that says things are becoming dangerous. Sylvia refuses to believe it. She won’t believe it. Her instincts are wrong. She’s just not getting things right with Robert. That’s all.
“You can see it.”
Sylvia freezes. The voice comes from above. The ghost lays across the chandelier sometimes, treating it like a hammock. Sylvia hadn’t noticed her up there, a silent spectator. She’d only had eyes for Robert.
“Something changed,” the ghost says. Her words are a mournful whisper. She sounds like she’s coming closer. “He doesn’t act like he used to. It’s nothing you did and you can sense it.”
I’m wrong, Sylvia answers silently. Her heart is beating against her ribs. Getting involved with ghosts never leads to good endings. I just need to try harder—
The ghost says, “No, this isn’t something you can fix. This isn’t something you can apologize away. Not something you can make excuses for. This was what was lurking underneath all along.”
There’s a dreadful certainty in her words. Sylvia feels her tongue glue to the roof of her mouth. What’s been underneath all along? Robert hasn’t always been like this. He hasn’t. That would mean she married a man who demanded her time and never gave her his, who came home late every night while she swept from room to empty room looking for him , who loomed when he was upset with her questions, who looked at her like she was—
“Shut up,” Sylvia is saying. She doesn’t remember turning to look at the ghost, but she is. She’s glaring into the taller woman’s eyes, her hands fisted at her sides. “He loves me.”
The ghost’s lips part, a soundless question hovering there. You can see me? 
Sylvia flees.
—————.
Only there is nowhere to flee. The house that seemed so large suddenly isn’t big enough. Sylvia sees the ghost around every corner. She is the mirror when Sylvia goes to restock the guest towels. She is sitting at the kitchen table when Sylvia gets back from her run. She is hovering in the garden every time Sylvia looks out the window.
“Don’t talk to me,” Sylvia mutters under her breath. She says it like her grandmother taught her. Like a spell. “Don’t look at me.”
It half works. The ghost never speaks to Sylvia, but she watches. She is always watching.
The weight of her eyes makes Sylvia more conscious of everything else that’s going wrong. Robert laughs at the dinner Sylvia makes them for their six month anniversary, asks her if she really found meatloaf romantic? The ghost is a dark shadow in the corner, a silent witness. 
Sylvia trips down the stairs on her way to greet the guests. Robert snickers and says that she’s always been a klutz, he doesn't know how she’d survive without him. He doesn’t help her up and her face burns when it’s Robert’s boss who asks the question. The ghost raises an eyebrow from her seat on the chandelier.
Robert raises his hand when Sylvia asks which friend’s house he was at this time, changes the motion, scratches the back of his neck. Sylvia pretends that he was only scratching an itch until she catches sight of the ghost hovering outside the bedroom window, her dark eyes unflinching.
“He won’t cross that line,” Sylvia says. She can see the palm of Robert’s hand in her mind’s eye. Her lips thin and she says, “He won’t.”
The ghost, sitting primly on the window seat, doesn’t say a word.
The loneliness stretches. Sylvia busies herself with her freelance work, but she doesn’t have the connections for large jobs quite yet. So the time she doesn’t work, she decorates, she reads, and she researches.
Then, one stormy night, it happens.
———.
“I don’t want to hear you say I told you so,” Sylvia says.
The ghost stands behind her, only her silhouette visible in the window between flashes of lightning.
Sylvia watches the rain slide down the panes. She cleaned these windows herself last week and here they are getting dirty again. She can’t stop shivering. 
Robert’s voice still echoes in the room. Ugly and dark like she’s never heard it before. So what if Sylvia wants him home? He has a life! He has a job! She does nothing and the things she does do are done wrong.
No, Sylvia said. I can’t be the only one trying. You—
Crack!
Her cheek stings. 
“He won’t want a divorce,” she says to her reflection. Something is empty in her soul. Her perspective is slipping. It was only a slap. It’s not as if he hit her. “Neither do I. We can— we can take some space. He’s overworked. I can sleep in the guest room for now—“
“Butterfly milkweed,” the ghost says. It’s the first words she’s spoken since that day in the foyer. Her voice is low and a little hoarse. “There aren’t enough plants in the garden to attract wildlife. Milkweed will help that. Of course they’re rare in New England, especially these days. Hardly anyone has a garden with soil deep enough for their taproot.”
Sylvia’s mouth is dry. “You’re telling me to take up gardening?”
“Maybe on the east side of the house,” the ghost says, vaguely gesturing. “Away from the road. The butterflies won’t like the number of cars that come flying through here.”
Sylvia’s temper flares. This woman just saw— she was witness to— And now she wants Sylvia to start planting flowers? “Maybe you should have taken up gardening rather than with another man, Morgan Wright.”
Lightning flashes and the ghost - Morgan - is illuminated. Her lips are pressed into a thin, disapproving line, but that’s the extent of her displeasure. She smoothes her brown curls and drifts back. “Good night, Sylvia.”
Morgan fades away before Sylvia can decide whether she wants to apologize or demand Morgan disappear forever.
————-.
Robert comes home the next day with flowers. 
“I don’t know what came over me,” he says. He stands in the doorway of the kitchen and shifts his weight from foot to foot. The flowers are red and yellow and orange. “I never wanted to do that.”
But you did it, Sylvia thinks. She doesn’t know what she’s upset at anymore. The ghost, Robert, or herself. “Last night was…tense.”
Robert’s shoulders sag and he half-laughs. “Yes. Exactly.” He holds out the flowers. “Do you want to put these in water, or…?”
She has to go collect them from him. It feels odd to be this close to him after last night, but she hides the discomfort with a small smile. He didn’t say I’m sorry and she didn’t say I forgive you. “I’ll find a vase.”
Robert is sweet to her while she works, complimenting her arrangement as she builds it and taking note of the spider plants she set in the corners of the kitchen a month ago.
“It looks healthy,” he says. He pokes at one of the babies coming off a stem. “It’s producing.”
It’s invasive, she wants to say. All it does is produce. “Yes, I’ve discovered my green thumb recently.” A reckless thought creeps up on her. “I was thinking of starting to work in the garden. Since I’m between jobs.”
Robert nods. “I support that. It’d be good for you. Some fresh air.”
She nearly snips off the head of a flower. He makes it sound like she’s the sick one. Like it’s her fault that he— She breathes in through her nose. She’s being overly sensitive. “Yes. Fresh air.”
————.
Sylvia still doesn’t see Morgan by the time the gardening things arrive.
 She doesn’t know whether she’s angry or happy about it. On the one hand, it’s easy to pretend without her spectral audience. Robert comes home from work on time and they eat dinner together, sometimes at the table and sometimes on the couch. They joke about things that happened in college and Robert tentatively brings up plans to make up the missed luncheon with Sylvia’s parents. It’s good. It’s easy. It’s exactly what Sylvia hoped for before the slap happened.
On the other…
Morgan is the only one Sylvia can talk to about this. When she tries to tell her mother about what Robert did, her mouth dries up. The words stick in her throat. A heady mix of shame and fear choke her into silence. What would Mom do if she knew what happened? Would she kill Robert? Would she yell at Sylvia for letting it happen? Would she confirm that it’s Sylvia’s fault?
But Morgan was there. Morgan saw and already knows. Morgan knows about the darkness that sometimes moves behind Robert’s eyes - she was the one who told Sylvia it was there. She won’t call Sylvia a liar if she says that, sometimes, she thinks that Robert is only pretending until she lets her guard down again. 
Sylvia puts on her new sun hat and her new gardening gloves and heads out to the east side of the house.
The dirt on this side of the garden is hard-packed and inhospitable. There’s a stack of fertilizer and soil piled neatly in the shadow of the house alongside a gardening set, a shovel, and a small cart filled with seeds and saplings. Robert always buys too much when he’s feeling sweet.
“Not too late to hire the landscapers again,” Robert says.
Sylvia does her best not to flinch. She hides what she can’t suppress with a smile, turning to find Robert grinning at her from the edge of the lawn. “Not much of a green thumb if I hire others to do it for me, am I?”
“That’s right,” he says, rolling his eyes. He’s playing, but there’s a bite to his next words. “I forgot that having money means you can’t have any talent.”
There— there it is. Robert’s blue eyes look black as he stares at her, daring her to agree with him. She used to talk to him about the privileges he experienced growing up wealthy in a two parent household. She never realized how he took it to heart. Internalized it. Dwelled on it.
“I didn’t mean that,” she says. “I just - I want to do this myself.”
Robert hums. He’s trying to keep it light, but Sylvia knows him. He hummed like that when one of his fraternity brothers crashed Robert’s car. The boy apologized, Robert hummed, and the next day the boy was moving out of the dorms. “Don’t stay out in the heat too long, dear. You know how delicate you are.”
“Okay.” Sylvia watches him walk towards the driveway. It’s Saturday. Is he going golfing? To Arthur’s house? To somewhere she doesn't know? She resists the urge to track him and turns her attention to the dirt.
She’s got a lot of work ahead of her.
—————-.
Sylvia dreams while she digs. The garden will be beautiful once the milkweed is planted. She’s found pictures of the plant online. She had Robert order three different varieties. They’re supposed to bloom in orange, in pink, in white.
What will she be doing when the first bloom finally happens? Her trowel thuds into the earth. Will she be out here, digging a hole for another plant? There are small rocks in the way. She fishes them out, tosses them over her shoulder. Will she be at the range with Robert, finally allowed to see him in his natural habitat amongst his friends? Things have been…tense. Tense but better. Robert smiles all the time and jumps into action anytime she needs something. They have plans to go to the movies tomorrow.
Or maybe he’ll be screaming at her again, his wedding band flashing as he raises his hand, lightning crashing outside—
Maybe by the time the milkweed blooms, this unease will only be a bad dream, the product of an overactive imagination. She’ll remember how she loves Robert again and feel loved in return. They’ll celebrate their first year anniversary. They can go out so Robert doesn’t make fun of her meatloaf again.
Thud.
How deep is she supposed to dig? Sweat drips from underneath her sunhat. Robert called her delicate because that’s what he needs her to be. She’s not and Louisiana summers are hotter than this. The hole in front of her is expanding quickly despite the rocks and twigs catching the tip of her trowel. 
What were they thinking when they married? Barely two years into their twenties, bachelor degrees, money from his parents and nothing from hers. She can’t help but feel that their relationship has always been unequal. She’s never been able to give him all the things he’s given her. He says that isn’t true, that her love is all he needs.
Or maybe he loves feeling like you owe him. He never wanted a partner. He wanted someone that would say yes because they didn’t have another option—
Clink.
A rock. She throws it out of the way blindly. No. She’s being awful again, putting words into his mouth he didn’t say. She just needs to give him another chance, that’s all. She needs to continue giving him another chance. He only hit her once - slapped her. Not even a hit. Just a slap and she’s wrestled alligators before—
Clink.
The impact of the trowel against the object in her way stings her wrist. Sylvia throws the trowel away from her with a frustrated cry. How is she supposed to plant these flowers with so many rocks in the way? If she doesn’t plant the flowers then they’ll never bloom and she won’t have a way to measure the time it takes to trust Robert again—
She claws a piece of metal out of the hard-packed ground. It’s caked in dirt, but there’s a line gouged through the earth to reveal a shining bronze. What is it? She chips at the dirt with her nails until chunks of it fall into her lap.  It’s a half sphere, one side smooth and round and the backside flat except for a small metal loop. It’s a button. A metal button.
She’s seen this button before.
Sylvia falls backwards. There are more buttons in the hole. Glittering bronze buttons that jump out at her like accusations. Some of the “rocks” Sylvia found earlier are buttons too, and they lay scattered around her. There’s fabric attached to some of them - a dark brown fabric that has been eaten away in spots and stained by dirt and worse in others.
Morgan Wright left her husband for another man—
Oh god. Oh god. She didn’t leave. She never left.
A cold hand settles on Sylvia’s shoulder.
Morgan is more solid than Sylvia has ever seen her. Her tumbling, brown curls are artfully arranged but, for the first time, Sylvia can see underneath them. There’s a pit in the side of Morgan’s head as if someone punched a hole straight under her ear.
“He will bury you,” Morgan murmurs. Her eyes are on the buttons scattered around Sylvia. “That is who he is.”
And Sylvia can feel the spectral chill of Morgan settle into her bones like certainty. She’s right. Robert - sweet Robert - is capable of this. Maybe not today. Maybe not tomorrow. But someday. Someday.
Sylvia speaks through numb lips. “What do I do?”
“You let me help you,” Morgan says. She smiles down at Sylvia and the sun falls just behind her head like a halo. “That is what I’m here to do.”
Sylvia bows her head and weeps.
 -----
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phoebepheebsphibs · 1 month
Text
If we turn left enough times, we'll have gone in a circle.... and end up right back where we started.
@boots-with-the-fur-club @daboyau @littlemissartemisia @thevoidbrothers @noval1t (I hope they don't mind I added their characters into the story for special guest appearance 👉👈)
CW: fight scenes, blood/ichor, panic attacks, slight body horror, hallucinations, abuse, experimentation, surgery, torture... cardiac arrest and character death
(It's a really long one. I am so sorry in advance lol)
Also, just for clarification: UIFY = Until I Found You NFIF = No Fun in Fungus DvD = Donatello Von Draxum 'Phael = Raphael Jurogumo
Prev || Next || Illustration
Misa waddled along the corridors of the arena as she retraced her steps. She couldn't recall exactly where she'd left the portal sword, but she knew it was in the area... Her families were counting on her. Her older little brothers and sister April needed her help! And she was so excited to help them and prove Lee-Lee wrong about her being "just a little kid". She wasn't little! She was 4 years old! That was so grown up and big, she could do all sorts of things by herself... If she could only find her sword. She'd show him just how big she was!
Out of the blue, a familiar floating sensation took her and she watched with surprise as she was lifted up high into the rafters. Misa squealed with delight.
"Up, up!"
Waves smiled at her, returning her laughter with chirps and giggles of his own.
"Are you going to keep playing with your food, or what?"
Misa watched as a splash of pitch created another figure -- a version of Donatello but entirely grayscale -- formed in the rafters next to them.
Waves turned to look at his brother with a great big smile on his face, his eyes empty and black as he stared at Signal. He hissed a warning. Misa is off-limits.
"Fine. Just didn't see the point in wasting such a sweet little snack."
Waves hissed at him again before nuzzling his face into Misa's. She giggled with glee. These brothers didn't scare her. Waves might seem spooky, but deep down he was a silly little sweetheart and she adored him. Especially when he would pick her up and fly around with her.
"What exactly is the little Artemisia doing way out here all by herself?" Signal asked, leaning in close to her tiny face.
"Getting sword for my family!" she explained.
"Ah, weaponizing children now, are we? I think Static was handing out medieval swords and maces earlier..."
"Did somebody say 'best void brother'?" came a glitchy voice as another void brother appeared.
"It's like he's Beetlejuice or something..." Signal growled.
"I just thought the little lady might like this," Static stated smugly as he handed Misa her retrieved portal sword. He'd found it for her!
Misa cheered happily as she brandished the weapon, the blade glinting in the light and reflecting her image like a mirror.
"What's going on up here?" a fourth and final voice boomed. Radio slowly emerged from the shadows of the rafter corners. "Static, you're not giving minors weapons again, are you?"
"How did you even get up here?" Signal asked incredulously. "You're practically the size of a dump truck, how can you even fit in these rafters?"
"Call me that again and I'll flatten you like a dump truck."
"Just worried for the structural integrity of the building, is all..." Signal sassed back.
Radio rolled his eyes as he made his way over to the others, specifically Static, who still owed Radio an answer.
"I wasn't handing out weapons, I was retrieving it. It already belonged to her!"
Radio's eyes shifted from Static to Misa, who nodded her head as Waves shook his (he wanted to get Static in trouble as a joke).
"Why would a little thing like you need a sword?" he asked cautiously.
"Family needs help! Misa gets her sword for them!" she explained. "Bad spores!"
"Your family? You mean that band of misfits and the anxiety-riddled shroomie teens?"
Waves nodded for her. Misa didn't really understand what shroomie meant. Radio scratched his chin as he considered the situation. He knew that there was an outbreak of fear spores going on, and the two AU teams had been working to find and destroy them. It wasn't looking good thus far. Even Signal had gotten spored, and though he wouldn't admit it... they knew it wasn't a pleasant experience for him. Radio couldn't say he was an expert on mushrooms, but he knew a thing or two about invasive beings and decay. And if that fungus was as bad as everyone was making it out to be, then it could mean disaster for every AU in this place.
"...I don't suppose we could be of any help?"
Donatello howled with maniacal laughter.
His prisoners watched with fear as he ordered the vines to wrap around Michelangelo like ropes, tying his arms to his sides and keeping a very strong grip around his throat just in case anyone got any funny ideas. DvD was screaming bloody murder and promising every kind of painful demise if Audrey III didn't release his baby brother immediately. But he could see the tears in his eyes, he could hear the panic and utter fear.
Oh god, the fear was delicious. He wanted more...
Raphael struggled against the odd vines that had sprouted from Donnie's shell, as he brought him closer towards the room where Leo and the others were. The vines were an amalgamation creation -- partially machine, partially Dee's ninpo, and partially... Raph could only assume it was the mushroom. Had it been growing inside of his shell?? He desperately tried to free himself from the terrible growth. He managed to get one arm out --
"Oh-ho-ho-ho, what are we trying here?" the plant asked through Donnie, smirking down at Raph and commanding several other vines to take ahold of his arms and pull, stretching him out in every direction as he yelled in pained protests. "You didn't really think you could get out that easy, did you?"
Raph grunted and growled as he fought against the vines.
"Donnie!! SNAP OUTTA IT! I know you like to play the mad scientist sometimes, but this is TAKING IT TOO FAR!!"
"I'll tell him you said that," Audrey III smirked. "He's on sabbatical right now, but I'm sure the message can get through... eventually."
Raph screamed in anger as hot tears streaked down his face.
"But in the meantime, I think I'd like to taste your fear again..."
The door behind them opened, and out came a stream of blue fog, followed by the Hand.PNG, which crawled up the vines and onto Donnie's shoulder like a spider.
"Let's invite our dear friends to dinner, shall we?"
The vines began to drag Micheal and Raph into the room.
DvD began to screech like a monster, the muscles in his arms tensing and flexing against the vines and finally breaking their hold. He ran towards the wall, screaming in fury as he spun the tech-bō and leapt. They would not take his brother.
A spark of light ignited in his eyes.
It spread across his body.
The light burst like flame at the end of his staff.
All eyes watched him in shock as he shouted a war cry and slammed the tech-bō into the wall Dee had created earlier.
It shattered completely.
A shockwave burst from the impact and threw everyone back, dissolving the vines that held everyone.
Mikey's limp body fell.
DvD rushed to catch him. He almost made it when Donnie/Audrey III stepped in front of him and kicked him back with one of his mechanical arms. The battle-shell-clad ninja crawled up the side of the wall and grabbed the child before he could hit the ground. Mikey's head bobbed, and he groaned in discomfort at having been thrown around like a rag doll.
"You duplicitous little --! HOW DID YOU DO THAT?!" Audrey III spat angrily.
In all honesty, DvD had no idea what he'd just done or how he'd done it. All he knew was that he needed to protect Mikey at all costs. And then the wall broke. In his shocked stupor, he failed to get up in time and suddenly found a new vine wrapping around his neck like a boa constrictor and tightening like a noose.
Mikey's eyelids fluttered.
Donnie/Audrey III brought the alt. version of himself close to his face.
"YOU HAVE NO MAGIC, YOU YOURSELF TOLD HIM THAT! YOU LYING LITTLE --" Donnie's eyes peered into DvD's as he choked. "...Perhaps you are more interesting than you let on. Shall we see what else is in your silly little head, my dear anarchist?"
Donnie gasped for air, kicking and clawing at his captor as he tried to free himself. He... he was blacking out...
Mikey's eyes burst open.
He screamed as loudly as he could, his entire body erupting into gold and amber light, blinding the entire corridor.
A shrieking sound came from the dark room. The door slammed shut.
Donatello turned around in shock, as a torrent of chains burst from the boy, two for each vine he'd created.
Oh. Now we play.
He'd seen this from the boy before; he'd been rooting around in his mind and saw the memories from the last time. He knew the child was afraid of these powers, he couldn't control them very well. Especially the really strong spells like this. He knew how this scene played out. He just had to either wait him out to spend himself dry -- or let him do what the previous poor, sweet Michelangelo had done, and turn himself into a monster. Either would work...
Mikey held his hand out. A series of chains came and sliced the vine choking out his brother. DvD fell to the floor, quickly caught by the chains -- which also grabbed NFIF Raphael -- and carried them away to the others who watched in utter shock as the child landed on the ground and summoned his mystic nunchucks.
"Well, well, well... look who finally woke up."
Mikey's eyes were wide and glowed burning gold. He said nothing, his face empty, devoid of expression. Mikey was not at home anymore, he was controlled by his ninpo. He simply tilted his head in response to Audrey III's eggings.
"I wonder... you tried to save Donatello from my clutches earlier. Did you know then that your efforts would be in vain? Did you know that in your absence, you'd leave your brothers and sisters to face me alone?"
The two circled around one another, preparing to duel it out.
"I sensed your connection; you'd discovered the truth, hadn't you? You'd discovered this pathetic boy's treachery, how he'd joined my cause."
Mikey's face never faltered. His knuckles tightened around as his weapon.
"I suppose 'joined' was the wrong word to use. He really was weak and pathetic, you know. It was almost too easy to leech my way into his mind. I highly doubt his consciousness could have survived from my invasion. I do hope you said your goodbyes."
Michelangelo charged.
Donnie/Audrey III swirled the staff in front of himself, deflecting the impacts of the little child as he battled the fungus infected version of his brother.
Mikey's movements were graceful, practically a performance as he flowed back and forth, throwing his chains at the purple ninja turtle, whose movements in contrast were fierce and sharp and violent and purely angry.
"Did... did you know he could do that?" 'Phael asked shakily, turning to look at Leo.
Leo simply stared in silence, mouth agape with awe and shock of his baby brother.
"Leo, did you know he could do this??"
"I... I-I mean... sort of... I knew he could do magic... but not like this..."
Michelangelo danced around Donatello, waving his arms and creating ribbons of golden light as he filled the room with light.
Wait a minute, light...
"The light... the light!" NFIF Raphael shouted suddenly. "The light! It's how we defeated the spores the first time, using mystic light! It disintegrates them!"
"How poetic, the light drives away the fear," DvD muttered, still rubbing his neck from the constraining grip of the vines.
"If we can get the door open, we can flood the room with his light and free them all!"
"Okay, solid plan, great effort from everybody, just one slight hitch -- HOW ARE WE SUPPOSED TO GET AROUND THE MYSTIC BATTLE WHERE OUR BROTHERS ARE TRYING TO KILL EACH OTHER?!" Leo yelled.
"Raph's still comin' up with the plan!! Cut me some slack!"
"I can try to poof you guys to the door," April offered. "It won't be completely accurate, but I can get you close."
"That'll have to do," Raph nodded. "And whatever you do, avoid the hand and the spores!"
April grabbed hold of NFIF Raphael, squeezed her eyes shut, and then - poof! - landed the two right in the middle of the fight.
"AAGH! Sorry, sorry!" she screamed, ducking under Mikey's advance against Donnie, as Raph created an enormous ninpo arm and shielded the two of them from Dee's barrage of ninpo torpedoes.
"Get to the door!" Raph screamed, taking her by the hand and pulling her away as he created two more clones to help in the fight.
Mikey danced and ducked under the glowing purple missiles shot at him. He gripped his nunchuck tightly, whipped it towards one of the Raph clones. It wrapped around his arm, igniting in flames, then swung over Mikey's head like a lasso. He flung the fiery clone at Donnie, who just barely managed to dodge the flaming brother, which created a crater in the ground before him. The second clone came and tried to keep him from firing anymore missiles at UIFY Mikey.
"I'm surprised at you," Donnie huffed, trying to keep up with the two attackers. "Why would you want to fight against me? We're brothers!"
"We don't want to fight you," one clone growled. "But you're not in your right mind, so we'll have to do what we can."
"I'm sure you will," Donnie snarled, changing his bō staff into a spear and skewered the clone straight through. It disintegrated into red blocks and pixels. He turned to the second clone, creating the oh-so-famed drill, and firing at the poor duplicate.
Meanwhile, Raphael and April had made it to the door, April gripping the handle as she waited for Raphael's orders.
"Get ready," she panted, out of breath from dodging both sides of the attack. "Once this door opens, a flood of blue is gonna come out."
"I'll get you out, don't worry," Raph said with a nod.
"It's not me I'm worried about. Donnie said the Hamatos are full of senseless martyrs."
"He's... not wrong. But I promise that I won't sacrifice myself."
April nodded, hoping that he would keep that promise.
"Okay, then."
April threw the door open. As soon as she did, a torrent of blue smoke fumed out, engulfing both April and Raphael. April kept her eyes closed, waiting for the nightmares to start. But they never did. She opened her eyes and saw the world from inside a red glowing giant. Raph held onto her, arms spread around her in a safety hold, his hologram form shielding them from the spores.
Donnie/Audrey III felt a pain in the back of his mind. They turned and saw that the spores were leaking out of the room. Okay, now they were getting irritated.
"Why, you little...!"
In this moment of distraction, Michelangelo's chains wrapped around the softshell's waist and pulled him in. Mikey reached out and grabbed him by his neck, holding him just mere inches away from his expressionless face, eyes still burning like melted gold, no irises nor pupils. Donnie's wide, icy blue-tinted eyes contrasted them sickeningly. Donnie smiled.
"Go ahead," he said, voice smooth and calm. "Kill me."
Mikey blinked at him, but that was all. Audrey III continued.
"That was your plan all along, wasn't it? This ridiculous show of power, the fight? You were planning on finishing the job, weren't you?"
Mikey's fingers squeezed softly. A threat.
"What, are you afraid? Why? Shouldn't it be easy? Are you even in control of yourself? Why would you be afraid to squeeze the life out of someone who looks just like your brother, could actually be your brother?"
Mikey's hand let go, his arms shaking. A soft golden glow started to seep through the bandages.
"Ah, and it looks like you may be out of time."
Michelangelo looked down. Golden ichor dripped off of his fingertips. He pulled the bandages off, revealing the scars on his arms, which were glowing white hot, tiny cracks forming from their edges and shimmering, glittery ichor was bleeding from the reopened wounds. The price to pay for his powers.
Some Mikeys cracked.
He didn't.
Not again... n-not again...
Donatello/Audrey III dusted himself off as he watched Michelangelo slowly come to. With his ninpo overdrive giving way, his mind leisurely crept back into place; the golden glazed over his eyes melting as his irises came into focus and his pupils dilated. The ichor dripping down his forearms began turning a deep red, the glowing scars on his arms becoming irritated open wounds.
No, no! Mikey couldn't give up just yet, not when his family still needed him! But... he knew he'd used up almost all his precious energy... he... h-he... Mikey's breathing slowed, raggedy respiration as his hands shook and his knees wobbled beneath him. The room started to spin as black spots entered his vision. He managed to catch a glimpse of Donatello, swinging his staff with great force and slamming it into Mikey's chest with a hideous cracking sound.
Mikey was flung back several feet, dizzy and dazed and all the air knocked out of him. He vaguely registered multiple voices calling his name...
April screamed, NFIF Raphael screaming with her. April's teleportation powers activated without her realizing it, and she suddenly found herself by MIkey's side. Weak as he was, he had curled up into himself, clutching his stomach in pain and trying to catch his breath as he writhed on the floor. His brothers were also by her side in an instant, each one fretting over his injuries.
April looked up to see Donnie/Audrey III standing over them, the hand perched on his shoulder like a vulture.
Dee held out the severed arm, and gave it to the creature.
"Be whole again, dear disciple," he said with a smile, as the hand reattached itself to the limb, a flash of light combining the two together once again.
"That's gross," Leo grimaced. "Hey, DvD, you're a science experiment, can you do that?"
"No, but I can."
All eyes looked behind Donatello/Audrey III.
A black substance expanded and took form -- an adult version of Donatello, devoid of any colour whatsoever.
April cheered, whooping at his arrival. 'Phael screamed at a pitch that only dogs could hear. He was still convinced that these "Void Brothers" were the ones who'd sent him the ominous sticky note near the beginning of this entire adventure in the competition.
"So," Donnie/Audrey III said with a growl. "It looks like we have some more players in the game."
"Think you can keep up?" Signal asked, his form morphing into one of pure black, multiple arms expanding from his abdomen and several extra sets of teeth growing in his ever-widening mouth.
"The more the merrier," Donatello/Audrey III chuckled, letting the Hand.PNG crawl into his palm. "You know what to do," he whispered to it.
The hand instantly vanished, reappearing by the doorway behind Raphael, and scurrying into the room. A second later, blue chains shot out, slicing through Raphael's hologram.
"That's not good," he mumbled, forcing the hand to reach into the gargantuan stomach, pull him out, and fling him towards the others before the spores could seep through all the way.
Two figures emerged from the doorway, their movements somewhat sluggish. There were tiny mushrooms protruding from their skin. Their eyes glowed a neon blue, and their ninpo matched the shade.
Karai and Mikey.
"No..." Leo whispered, staring in horror. "Karai... what happened to her...?"
"Oh, Mikey," Raph whimpered. "Oh no, big man..."
"He's not gonna make us fight them, is he?" April asked nervously.
The two warriors charged.
"Yep. He is. He most definitely is. Shoulda seen this one coming, honestly. That's on me."
"Get outta here," Raphael ordered. "Me and... uh, these guys -" he said, gesturing to the four colourless adults that had already started combating against the swayed relatives, "- will keep them from following you."
"I thought you said you weren't gonna sacrifice yourself!" April yelled angrily.
"I know, and Raph is gonna keep his promise. But your little brother is hurt, he needs help now! I'm not gonna just hand myself over, I'm your cover. Now get going!"
April wanted to argue about it more, but before she could, she was taken by the wrist and pulled away. Waves was tugging her -- as well as the others -- off to a small clearing.
"Where do we go?!" 'Phael yelled, concerned that they had no real escape plan...
"Misa helps!" came a familiar voice. A sword slashed through the open air, and a bright portal opened in front of them...
...Donatello/Audrey III commanded a cloud of spores, hurtling them towards Radio.
"What are you, some kinda Avatar: the Last Airbender wannabe?" he joked as he dodged the cloud.
"I wonder why you would stand against me. Do we not fight for the same cause? Survival? We feed off of others, we only want to exist on our own terms... can you not see our similarities?"
"Nah, not really," Radio said, slamming his fist into the ground, only missing Donnie by half an inch.
"Such a shame. Then I suppose you must die."
"Happy to return the favour--"
"You can't hurt them!" Raphael shouted as he joined the fray.
"Whaddya mean, we can't? They're trying to hurt us!" Static shouted angrily, popping in and out of random spots, infuriating the heck out of mushroomed Mikey.
"They're not in control of their bodies, they're zombies! We hafta find a way to un-zombify them!"
"Well, no offense, but I don't think they share your mindset of 'no hurting the opponents'," Static sighed. "Besides, you're gonna have a hard time getting Signal to change his mind."
"Well, I'm gonna have to, those are my brothers and un-dead gram-gram from another dimension-- wait, where's Leo?!"
Raph looked around the corridor anxiously for the third zombie. He wasn't anywhere to be seen.
He must still be in the room. Raph darted among the others, rushing towards the dark room. There was still a huge cloud of blue smoke that surrounded the doorway, Raph couldn't go in without being infected. But he could see inside.
There was Leo, sitting up against the wall -- oh god.
Leo's body was half-engulfed in the biggest, scariest mushroom Raphael had ever seen. It's giant eye zeroed in on Raph. It... it looked too much like... his fingers traced over his own injured eye nervously. Why did it look so similar? Donnie had theorized that the fungus might've been kraang-related, but...
Leo. Focus on Leo.
He was there, being absorbed into the mushroom. He looked so pale and thin, like he was wasting away. Raph had to save him somehow, but --
"Enjoying the view?" Donnie/Audrey III asked, whacking Raph over the head with his staff as hard as he could. Raphael crumbled to the ground, clutching his skull and groaning in pain. Yeah, that was going to leave a mark... and a pretty nasty concussion, too...
While Raph was stunned on the floor, Donnie/Audrey III noticed the portal that had allowed for the Until I Found You group's escape. It was still open.
The hand appeared at Donnie/Audrey III's feet.
"This form has served its purpose," he said flatly. "I have what I need for now... But I require you to follow after them. Bring me back the scientist, I believe that he may be of some use to me. And even if not, he can't be left with them. He's too smart, he'll find some way to weaken me... I cannot leave it to chance. Bring him to me."
The Hand.PNG "nodded" at his master, then jumped away towards the portal.
Raphael struggled to keep his vision straight. He felt something wrap around his chest, tugging him backwards. He saw the Void Brothers driving the two zombified Hamatos back to the room... in Raphael's direction... the room...
Raph's head pounded louder than a drum. The ringing in his ears wouldn't stop. He knew April would have his head for giving in so easily... maybe she'd understand given the circumstances. He could barely hold his head up after that last hit... Donnie was a lot stronger than he looked.......
At least... he would be sleeping soon. At least he would be in good company. All the Hamato martyrs, together again. At least he was with Gram-Gram again.
At least he'd be with Leo, soon...
The door closed.
Leon recalled the feeling of portalling.
It was kind of like falling. Accidentally skipping a step down the stairs. An acidic scent that slightly burned the nostrils, a popping in the ears as you go from one altitude to the other in an instant and a half.
Leo hadn't done a lot of portalling, but he'd had his fair share of experiences with the activity. But he still wasn't used to the feeling yet. He stumbled through the bright blue splotch of light and tripped on his way out, finding himself in a brand new corridor. The others followed soon after, clambering out one by one and almost stepping on top of each other.
"Where... where are we?"
"Who cares! We have to go back!" April shouted. "Raph still needs us!"
"What exactly are we supposed to do? Go in, guns blazing? With what guns??" Leo yelled anxiously, waving his arms around to gesture to the obvious lack of firearms.
"P-Prilly's right, w-we haf-hafta... go... back..."
Mikey whined loudly, trying to push himself away from Donnie. The effort hurt his injured arms, which were still bleeding profusely.
"Micheal, hold still--"
"N-no, they need us, Donnie... th-they need us... they need..."
Mikey slipped out of his grip and fell to his knees, shakily trying to get back up.
"Michael, you're in no condition to be going into a battle like that!"
"Mikey all red," Misa whimpered. "Mikey's not s'posed to be so red..."
"No, he's not," Leo growled. "Dude, just sit this one out --"
"No!" Mikey sobbed. "I can't sit back and watch as the people I love and care about get hurt!"
"WHY DO YOU THINK WE WANT YOU TO STAY PUT?!" Leo shouted angrily. "I am NOT having you get hurt like that again! Donnie, take Mikey and go find him some first aid," Leo ordered.
Donnie nodded, picking up the angry box turtle and carrying him into a side hall that lead to one of the many lounge areas. "Raph, April and I will come up with a plan."
"What Misa do?" the littlest turtle mutant asked.
"...You have a very important job to do," Leo announced. "You got those ghosty guys to come and help fight... We're gonna need all the help we can get. Misa, you're the recruiter. Go find as many people as you can and get them to come. Tell them how important it is, okay? This is a big responsibility."
Misa's face lit up.
Lee-Lee trusted her! He knew she was responsible! Misa saluted him with a determined smile and nodded.
"Misa get all the families! Everybody comes!"
"Exactly, Misa. Everybody comes."
"So what, we're just gonna pull an Avengers Endgame on the shrooms? We need more of a strategy than that!" April groaned.
"What the heck is an Avengers Endgame?" Leo asked.
"It's a human reference for a movie. Basically it just means that everybody bands together against the bad guy for an epic finale," 'Phael explained.
"Then why not say that? It makes much more sense than 'Avengers Endgame' -- and how did you know what that meant??"
"I do live with humans, in a human hotel, y'know," 'Phael said, rolling his eyes. "I've seen human movies."
"Okay, well, the majority of our family has not, so maybe--"
"Can we get back to the matter at hand?!" April exclaimed loudly.
"Hand?" Misa asked, eyeing something behind them.
"She means the important stuff," Leo explained.
"Hand!" she yelled.
"Yes, yes, we're trying to get back to the matter at--"
"No, hand!" Misa pointed.
The group turned around to see the blurry trail of a small appendage rushing into the hall after DvD and Mikey.
"I don't just want to sit a-a-and do nothing," Mikey pouted, still shaking in DvD's arms.
"I understand that, you know I do," DvD sighed. "And you also know why I am requiring you to rest. You recall what happened the last time--"
"I know, I know, don't remind me. I was bedridden for days..."
"And yet you wonder why we won't let you go fighting."
Mikey grumbled and turned away from DvD. He was so mad, he could spit venom. He knew they were right, of course they were right. But that didn't make it any easier; in fact it made it worse. Because Mikey knew he was right, too! At least, half-right. He knew that they should go back and help. But he knew he couldn't do much, not with all his energy spent and his arms in the state they were now. They stung like mad, he could barely move them. Donnie had removed what was left of the bandages, doing his best not to gag at the sight and keeping his hands as still as possible, despite his aversion to the blood.
Mikey shouldn't feel guilty for this, right?
It wasn't his fault, right? It was just... how his mystic powers were. He couldn't help the way his body worked, just as much as he couldn't help when his hypoglycemia acted up. It wasn't his fault that he was the way he was... it wasn't a bad thing, right? Being Mikey? Being sensitive to others and sensitive to himself, having some few medical issues and mystic setbacks... that wasn't necessarily a terrible thing, right? Right...?
Mikey turned away so DvD couldn't see him crying. He didn't want him to think he was any more immature or any weaker than he undoubtedly did already. Than they all did. Leo had been taking care of him and his ailments since he was a baby. And Raph was holding on to that one special secret of his... and Donnie had cleaned up the blood and gone to get some more gauze and anti-bacterial supplies for Mikey's wounds. Mikey sighed and wished he wasn't so pathetic. He wished he was stronger, smarter, better. Anyone but himself. The only thing he was good for was his stupid useless mystic powers, and they always did more harm than good, especially self-harm. Mikey hated them. He hated himself--
NO, no, don't think like that! That wasn't kind, that wasn't fair! Mikey didn't actually hate himself at all, he was just mad. He needed to let it go. He needed to sit back and breathe...
Mikey leaned back, exhaled slowly, inhaled deeply.
And he saw it.
Crawling like a cockroach on the wall and up the ceiling.
With something blue in its grip.
"DEE, LOOK OUT!!"
The Hand.PNG shot the spores at Donatello Von Draxum.
Mikey jumped.
He had no time to do anything else.
He had no energy to summon mystic chains or make a spell or do anything clever like that.
He just jumped. Dove, really. Dove straight for his brother, in a desperate attempt to push him out of the way, move him aside, get him to safety!
The spores hit him.
"MIKEY?! MIKEY!!!"
Donnie grabbed his brother, holding him close, ignoring the hand as it disappeared into the shadows to watch the scene play out...
"Mikey, look at me, focus on me, okay? You can get through this, alright!? Just concentrate on my voice..."
Mikey nodded furiously, trying to listen to DvD. But there was a ringing starting, his head felt light and dizzy, the room began to spin and get darker. DvD was fading from vision...
NO! Stay, with me, Donnie, please! Donnie?! DONNIE!!
Donnie started shouting, someone was taking him away! Mikey tried to get up, go after him -- his leg caught on something. His arms, too! He looked down and saw titanium shackles, imprisoning him to a cold metal table.
A light shone in his vision. He squinted at the blinding brightness, wishing he could have a hand free to guard his eyes. Something stood in front of the light, casting a shadow over him.
"Well, well, well... if this isn't a surprise? Back again for more, are we?"
Mikey couldn't breathe.
It... it was him. It was him.
Baron Draxum.
"No... no... no --"
"I think we need to run a few more tests on our little friend here, don't you, Donatello?"
Draxum stepped aside and showed Mikey a view of DvD, chained by the wrists and gagged at the mouth. He was screaming at Mikey, trying to warn him, pleading with him to get out of here!
Mikey screamed back at him, begging wordlessly for Draxum to let him go, please, please!!
Instead, Draxum had one of his vines whip across the room and beat his son across the face. Mikey screamed, sobbing and wailing.
"STOP! NO!"
"He always was such a pathetic disappointment." Draxum turned to the other imprisoned turtle. "Perhaps you will show some promise."
No... n-no, this wasn't how it happened! Donnie w-wasn't -- he was never -- a-and Mikey wasn't awake for any of it, he was asleep for the entire thing! He shouldn't be awake now, he shouldn't be, he shouldn't -- H-he... no, no, no, no no no no nonononononononono!!
Draxum came forward with a needle and scalpel.
"Let's begin."
DvD couldn't stop crying, he just couldn't keep the tears from coming. Mikey was sitting on the floor, screeching his poor little head off, eyes wider than saucers and filled to the brim with fear. He couldn't move much, apart from shaking nonstop. He looked like he was constantly trying to wriggle away from something, but for some odd reason his wrists and ankles were invisibly anchored to the floor. Mikey's limbs twitched as he squirmed and struggled, screaming and begging for whatever he was witnessing to stop, please, please please please stop--
"WHERE IS IT, WHERE THE HECK IS THAT HAND, WHO'S SCREAMING, WHAT'S HAPPENING--?!"
Leon and the others rushed into the room, quickly inspecting the situation and coming upon the obvious conclusion.
"April, take Misa outside..." Leo said after inspecting the scene.
"Misa want to stay with Mikey--!" the little girl protested, but April quickly scooped her up and carried her off.
Leon and 'Phael immediately dropped to Mikey's side, Leo taking the box turtle's hand in his and trying to get him to wake up.
"Dee... fear spores, right?"
"...Yeah..."
"The hand."
"Yes."
"What... what is he seeing?" 'Phael asked nervously, eyes watering at the sight of his baby brother in so much pain.
"I... there's only one thing that could scare him this bad..."
"Draxum?" Leo whimpered.
DvD nodded.
"But... h-he doesn't remember anything from that, you said he was under heavy sedatives for the entire time!"
"He was! Draxum kept him under constant anesthetics -- perhaps his mind is creating an idea of what he thinks happened?"
Raphael started fidgeting with his hands.
"U-um... actually..."
The two boys looked up at him.
"'Phael? What... what is it?"
"...He told me not to tell ya..."
"Tell us what?" Leo questioned.
"H-he made me promise--"
"Raph," DvD said, his voice begging him in ways that words could not. "Please."
"He... he does remember. He does remember what happened in the labs."
Donnie and Leo stared. Mikey continued to sob and scream.
"...What... how... how could he know that... and how do you know that he knows?!" Leo asked, voice raising with each word.
"And why wouldn't he tell us?!" DvD asked in disbelief.
Raph swallowed nervously, a sweat breaking out across the worry lines on his brow.
"He... it started sometime after Karai arrived. H-he thought that m-might do with the mystic training she did with him -- but he started having... nightmares..."
"Nightmares?"
"He said he started dreaming memories about it. It was an out-of-body sorta thing, he said. Like he was watching from the outside... He could never get away from the visions, he said -- but every night, he saw a new one."
"And he... came to you about it? Why not ME?!" Leo yelled, tears rolling down his cheeks. "Or Donnie?! Why not tell us?! We're ALL his brothers!!"
"He told me... he said he didn't wanna burden you."
"...Burden?" Donnie whimpered. "...How?"
Raphael looked back and forth between them all. His eyes fell on Leon.
"...He told me he didn't want you to feel... responsible for another thing," Raph mumbled. "He said he felt bad enough about everything he's made you worry over already, he didn't want you to..."
"...He didn't want me to know...? Because... he felt guilty?" Leo wept, tears pooling and spilling from his eyes. "That... I don't... he shouldn't have felt that way, why did he..."
Leo's eyes glossed over, he squeezed them shut, clutching Mikey's tiny fist and pressing it against his chest.
"How could I make him feel like that...?" he wept. "I never meant... I never knew..."
"But... why not tell me? I could have helped," Donnie said in-between uneven breaths. "I already knew what had happened!"
"That's... actually why he didn't come to you, Don," 'Phael explained. "He s-said, he said he didn't want to hurt you. He saw how much you were struggling and wanted to wait until you were... doing better about the whole ordeal. To be honest, I agreed with him on that mark."
"But why did he tell you?" Leo asked. "Why only you, and not us?"
"I s'pose... because he knew that I knew what it was like to be afraid all the time," 'Phael sobbed. "He knew that I wouldn't judge him for his fears. He couldn't sleep at night anymore, he needed someone to stay with him and help him through his fits... But I told him! I told him to tell you both! I told him you should know!" he cried, whimpering nervously as he wrung his hands and rocked back and forth.
"Raph! Raph, it's okay..." Leo tried to reassure him. "I mean... it's not completely okay... I wish he'd told me, but... that doesn't matter now."
Leo held Raphael close.
"We just... we need to be here for him now... How much does he know?"
"...Everything."
"...This isn't going to be easy for him," Donnie exhaled.
"Or us," Leon added.
The trio gathered close to Michelangelo, each laying their hands on him, a sign that they were there and they were offering comfort in the only way they could.
Mikey kept screaming, he couldn't stop screaming. No matter what his brothers tried, they couldn't snap him out of whatever horrors he was experiencing. They just kneeled beside him, holding his hands and hoping their support made some leeway.
But Mikey just kept screaming, shrieking, crying, weeping, wailing, sobbing. He howled until his throat ran dry and his voiced cracked and went hoarse. He wept until his eyes were red and irritated and his cheeks were stained with saltwater and starting to chafe and the area around his eyes went puffy and soft. And on he went. For what seemed like hours, days, years, centuries even -- but was probably only 15 minutes. Mikey was stuck in a loop of fits and fear.
And then finally, he slowed. His breathing calmed, his sobs turning to hiccups and suck-ups and hyperventilation, as his eyes darted around, looking for something familiar.
"Is... is it over?" Leo asked, internally begging for it to be so.
Donatello was heaving along with Mikey, his cheeks also stained with tears.
"I... I think--"
"D-Donnie?" Mikey whispered shakily.
"Mikey? I'm right here, I'm --"
"No... no, not Donnie, please, I--"
"Is, is he --?"
"He's not done with the hallucination yet," Donnie realised. "It's about to get so much worse."
"NOOOOOOOO!!!!" Mikey screamed, bolting forwards. His legs tangled underneath him, causing him to trip over himself. His arms were strained behind him, his ankles struggling against the ground, as if something was still holding him back.
"WHAT IS HAPPENING TO HIM, WHAT IS HE SEEING DON?!" Leo screamed.
"Me," Donnie whimpered, holding back desperate sobs. "He's seeing what Draxum did to me. On the last day. When we fought...."
Mikey shrieked in agony, his eyes somehow producing twice as many tears as they had before in this one moment, pouring out for his brother's sake.
Mikey's screams were cut short, he gasped in horror. They all could assume what he'd seen. Draxum had killed Donnie in his hallucinations. Mikey went horribly pale. His eyes widened.
"No... no... no, no, no, get away get--!"
Mikey jerked suddenly. His body seized up, his eyes went wide, and then --
He fell backwards.
Back into the hold of his brothers, who caught him almost immediately.
"MIKEY!!"
Mikey didn't hear them, he simply lay in their arms.
Mikey stopped shaking. His limbs had gone slack. His body went limp. His eyes went somewhere far away from them all.
Mikey exhaled.
And he didn't inhale.
"...Mikey...?"
He didn't respond.
"What... what just happened?" Raph asked nervously.
"He didn't... he didn't just..." Leo begged, slowly placing his fingers against his neck. He paused. He tried the wrist next. He couldn't find any pulse.
"He didn't just leave us, did he?"
"...Michael...?"
Leo pounded his fist against the ground.
He wasn't going to give up his baby brother.
Leo placed his hands across Mikey's chest, applied pressure.
1, 2, 3, 4.
1, 2, 3, 4.
1, 2, 3, 4.
"Come on, Mikey, come on...!"
1, 2, 3 ,4.
1, 2, 3, 4.
"Come ON, Mikey, COME ON! I'm not letting you go!"
DvD was crying, holding himself tight as tears soaked into his shirt and vest.
"Leo, stop... Leo, he... he..."
"Leon, mate, please, he--" 'Phael reached for him, attempting to comfort.
"COME ON!" Leo shouted, refusing to give up.
1, 2, 3, 4.
1, 2, 3--
"WAKE UP!!" he sobbed.
Mikey gasped for air.
His eyes blinked wildly as he bolted upright, limbs flailing about in a mad panic. Three bodies pounced upon him, wrapping themselves around him and sobbing into him. Mikey said nothing. He simply looked around in confusion, getting his bearings and perfividly coming back to reality. He listened, but couldn't hear them. Everything was numb and strange, every sound and image baffled him. All he knew was he hadn't been here anymore. But he was here again, now. Here with his brothers.
... I did not intend for this ...
Yes, I intended to send the spores.
And yes, I intended to have them sent after Donatello.
I even intended for them to miss him entirely, for Michelangelo to rush in his place and take the hit for him.
But I never intended this.
Michelangelo was meant to see a different fear entirely.
Michelangelo is afraid of being the frailest, the smallest, the weakest of the brood. Dear little Mikey is afraid that he has nothing of importance to offer. He is always relying on the others to help him, to save him. He has nothing to offer them in return. Mikey tries to do what he can, but deep down he is afraid that one of these days, his brothers will discover that HE needs THEM far more than they could ever need him.
Truly, THAT was what he was meant to see. I had no idea he would see... all that.
They told me no one would get hurt. They told me no one would die. They promised me. And they lied.
It was a good game while it lasted. But I'm not having fun with it anymore.
No one was meant to be hurt like this.
No one was meant to die.
I suppose this means I'll have to do what I can to fix things, now.
"L-Leo," croaked Mikey, who slowly raised his hand and pointed a trembling finger. "Hand…"
“What... what are you saying, Mike?"
“Hand,” Mikey clarified, stressing his wobbly finger as he gestured behind them.
The boys followed Mikey's direction.
The Hand.PNG was crawling towards them.
"G-Get it away from Mikey!" Leo screamed, kicking his feet in the creature's direction.
"Don't let it come any closer!"
"WHERE'S MY TECH-BŌ?!"
"Please, if you could simply pause for a moment, I'd like to make you an offer."
Everything stopped.
Leo, Raph, Donnie, and Mikey froze, jaws dropping to the floor as they heard the hand speak at them.
"You... y-you can talk?" Mikey's voice came out grated and raspy.
"Yes."
"What... why are you just deciding to speak now?" Raphael asked.
"And why have you been tormenting us all?!" Donnie bellowed, gripping his tech-bō tightly as possible.
"And what did you mean, you wanted to make an offer?" Leon interrupted. "An offer for what?"
"I was wondering if I could offer you my services. How would you like to rescue your family and destroy the fear fungus?”
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