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ellecdc · 3 days

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so what if im ovulating 🙄 doesnt change anything

anyways closer to a full moon remus would be so mean and rough and sirius would have to be the one thats soft with you and praises you and its such a 180 it makes you feel even dizzier than you were already feeling, hed coo and tell you how “youre doing such a good job for our moony, sweet girl” and remus would just be grunting “mine mine mine mine”

ive not rly studied for my exam do u think theyd pass me if i wrote this instead? xoxo

....... I'm not proud of this.......

wolfstar x fem/afab!reader close to the full moon (nsfw, 18+)

CW: pure filth, 100% smut. little fluff in the aftercare. p in v sex, cumming inside someone, over stimulation, slight subspace mention (?), slight dom/sub dynamics if you really squint and look at it sideways, writer is still new to writing smut and not well versed so be nice

There were quite a few things that Remus and Sirius had in common.

They were both very mischievous, they were both funny and teasing, they were both very protective and possessive, and they both seemed crazy about you.

But there were also a lot of differences between your two boyfriends.

Remus was calm and assured; he was your rock and safe space when life got crazy. He was the good cop to Sirius’ bad cop, he was always down to leave the party early, and he was so incredibly soft with you.

And Sirius, whilst soft on you, was rarely ever soft with you. He was boisterous and excitable; always down for fun and adventure. He was quick to anger but just as quick to fold when your lip wobbled or you bat your eyelashes at him, and he knew how to push all of your buttons like a professional pianist’s fingers dancing along the keys of your soul.

And it was because of this that you found your current predicament quite contrary to the norm (and thus, so much hotter).

“I…I can’t, I can’t.” You cried breathlessly; currently held upright by a strong arm around your ribs and another hand gripping your neck.

The only response you got from the boy behind you was a low grumble as he tightened his grip on you and thrusted into you with new vigor.

“Can you give Rem one more, sweetness?” Your usually very brazen boyfriend murmured softly, pushing some of your sweaty hair away from your face so he could see you.

You keened and shook your head as you felt Remus move his hand that had been roughly gripping your waist down to your clit; every muscle in your body strung taut in response.

“She’s close.” Remus gruffed from behind you before replacing his teeth gently into your neck.

“Are you close, sweets?” Sirius confirmed.

It was too much, too much. You were very quickly reaching your… (third? Fourth?) orgasm of the evening and you weren’t even sure you’d been going at it for that long.

Sirius was in much the same state, currently soft and satiated below you where he’d just spilled down your throat before you were pulled back up vertically to the sound of steady chants of “mine” by Remus.

That had been his third of the evening too.

“You’ve been so good, baby; so good for our Moony, yeah?” He cooed at you softly as he sat up. You felt tears form in your eyes as Remus shifted you in his grip so that your knees were barely touching the bed any longer.

“Tell her she’s been a good girl, Moons.” Sirius encouraged gently, taking your hand in his that you quickly held in a death grip.

“S’good.” Remus nearly growled behind you. “My perfect girl.”

You cried out as you felt yourself fall over the edge one last time, tears falling down your cheeks as Remus fucked you through it.

Remus shifted his hands again to grip each of your wrists behind your hips and let your torso fall forward into the bed as he sped up his already merciless pace into your sopping cunt; the sound of his skin slapping against yours echoing against the walls of the room.

You felt Sirius’ hand push hair away from your neck and rub a thumb against your temple.

“Gonna fill your good girl up, Rem?” He purred to your boyfriend.

Though you couldn’t see it, you could hear the two of them share a deep kiss which never even slowed Remus’ thrusts.

“Mine.” Remus repeated as he pulled away from Sirius.

“All yours, Moony. Show her how much you love her, hm?”

And with that, Remus’ thrusts stuttered before he was spilling deep inside of you.

He came with a sound that bordered a whine and a growl as he fell forward; his body blanketing yours and burying his face into your neck as you both fought to catch your breath.

You’re not sure if you had fallen asleep, but the next thing you knew you could feel gentle kisses being pressed to your shoulder as Remus pulled out of you as gently as possible; with how oversensitive you were, it still caused you to hiss.

“I’m sorry, I’m so sorry, dovey.” He whispered; pressing more kisses to your neck. “Are you sore?”

You whined in response and tried to shove your face further into the bed.

“Talk to us baby, are you okay?” Sirius added, appearing beside you and encouraging you to face him.

“M’Okay.” You mumbled, staring what you were sure was rather dopily at your long-haired boyfriend.

“I think Pads ran you a bath, sweet thing.” Remus murmured quietly, rubbing soothing strokes up and down your spine from behind you. “You feel okay to get up?”

“Yeah.” You sighed, though made no movements to rise from your current horizontal position.

You heard Sirius chuckle but Remus made a sympathetic cooing sound. “I’m so sorry, dovey. Are you sore?”

“No. Just sensitive.” You grumbled as you pushed yourself up to sit back on your ankles. “That was a lot.”

Remus sighed and brushed some hair away from your face. “It was a lot, but was it too much?” He clarified; tone inlaid with a subtle vulnerability completely at odds with the relentlessness he’d just treated you with.

“No.” You said as you offered him a sleepy smile. “Not too much.”

“I, for one, had a ton of fun.” Sirius said with a clap of his hands, causing Remus to snort a laugh.

“Yeah I bet you did.” He responded teasingly.

“Wanna take a bath, princess? Go pee and then you can climb in with moons.” Sirius instructed as he helped you stand up on slightly wobbly legs.

“No, she can climb in with you.” Remus argued.

“Why would she climb in with me? I ran the bath for the two of you.”

“I was the one who took things too far, so-” Remus started, causing both you and Sirius to squawk in protest.

“She just said it wasn’t too much.” Sirius drawled. “Let me take care of you guys!”

“No!”You listened to the two boys argue over who got to perform the aftercare for the other (and thus, who loved each other the most, according to Sirius) as you went pee and then sunk into the perfectly drawn bath alone.

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its-avalon-08 · 2 days

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Can you write one where lando has a crash and you are his best friend. lando isnt responsing over radio and you are freaking out and about to cry. the first thing he says is "tell y/n im ok" and you get together at the end of it. thanks and love ur works !

ruin our friendship (ln4)

y/n chewed on her bottom lip, anxiety gnawing at her stomach. the race had been chaotic from the start, a downpour creating a treacherous track. but nothing had prepared her for the radio silence that followed lando's crash. every tense second echoed in the sterile white of the garage.

"lando, lando, come in," the radio engineer's voice crackled with barely concealed panic. y/n squeezed her eyes shut, picturing lando's trademark grin, the one that never failed to calm her down. images of fiery crashes from past seasons flashed in her mind, each one a shard of ice in her already churning gut.

then, a voice, weak but undeniably lando. a strangled cough broke through the static, followed by, "tell y/n... i'm okay." relief washed over her in a tidal wave, threatening to spill over into tears. tears of gratitude, of terror temporarily subdued. she grabbed the radio, her voice thick with emotion, "lando, you scared the living daylights out of me!"

the crackle of a weak chuckle came through. "just a little spin, nothing serious." a beat of silence, then, "i'm okay guys. all ok. tell y/n to get back to the flat."

the flat. their flat. a shared haven in the whirlwind of the f1 circus. relief morphed into something more, a fluttering in her chest she couldn't quite define.

two days later, y/n helped lando, stiff and sore, out of the car after his hospital release. his arm was in a sling, but his smile, though weak, was genuine.

"careful there, clumsy," he teased, a familiar spark in his eyes. y/n rolled her eyes, guiding him towards the elevator.

inside their flat, the familiar smell of home greeted them. as she helped him settle onto the couch, a comfortable silence settled. then, lando cleared his throat.

"y/n," he began, his voice serious. y/n met his gaze, a million unspoken things swirling in her own blue eyes. "this whole crash… it made me realize something."

he paused, his hand reaching for hers, sending a jolt through her. "i can't… i won't lose you, not like this. not when…" his voice trailed off, a blush creeping up his neck.

y/n's heart hammered against her ribs. "when what, lando?"

"when i've been a complete idiot for the past five years," he blurted out. "i… i like you, y/n. more than just a friend. i have for ages."

the words hung in the air, heavy with unspoken feelings. y/n's breath hitched. "you… you like me?" she whispered, a smile blooming on her face.

"like you? y/n, i'm in love with you," lando confessed, his gaze intense. "always have been, scared to ruin our friendship."

y/n's smile widened, the last remnants of fear dissipating. "scared? lando, i…" she leaned forward, her lips brushing his ear, "i thought i was the only one going crazy."

a laugh, genuine and relieved, escaped lando's lips. he pulled her close, the warmth of his body seeping into hers. "so, what does that mean?" he asked, his voice a husky rumble against her cheek.

"it means," y/n whispered, her voice laced with newfound confidence, "that you're a bigger idiot than i thought, for waiting so long."

the kiss that followed was filled with the unspoken words of years, a promise of a future brighter than any podium finish. they weren't just teammates anymore, they were something more, something exhilarating and terrifying – a love story finally taking the checkered flag.

🏎️🏎️🏎️🏎️🏎️🏎️🏎️🏎️🏎️🏎️🏎️🏎️🏎️🏎️🏎️🏎️🏎️🏎️🏎️🏎️🏎️🏎️

well i hope you liked it! thank you for sending in your request and do send more <3 happy reading!

leave a like! leave a note!

🏎️🏎️🏎️🏎️🏎️🏎️🏎️🏎️🏎️🏎️🏎️🏎️🏎️🏎️🏎️🏎️🏎️🏎️🏎️🏎️🏎️🏎️

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bidamonalbarn · 10 hours

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PLEASE infodump about drake

okok this is specific to the drake/kendrick drama but i can also do a drake one too - im assuming you know basically nothing. & i barely know this shit so correct me if im wrong. also this will be routinely updated so! check in :D

2011 - Take Care (album) by Drake features Kendrick Lamar on the track Buried Alive Interlude

2012 - Drake has Kendrick open for his Club Paradise Tour. The same year they both feature on A$AP Rocky's song Fuckin Problems (also with 2 Chainz)

2013 - Kendrick called out a few rappers (J. Cole, Pusha T, Big Sean, etc.) including Drake. Drake responds saying he had no response, basically. They do this again the same year (Kendrick says shit, Drake doesnt respond)

2016 (ish) - They continue subtle beef (Kendrick saying Drake has ghost writers, Drake saying Kendrick "sold out")

2023 - First Person Shooter by Drake and J. Cole drops (their first collab since 2013). In the song Drake mentions "the big three" in reference to himself, J. Cole, and Kendrick

2024, Mar. - Like That by Metro Boomin' and Kendrick Lamar drops. In it Kendrick responds to Drake, saying "the big three ... it's just big me", implying that Kendrick is above Drake and J. Cole.

2024, Apr. - Push Ups by Drake is released. The song is about how Drake believes Kendrick is being extorted - the track referencing the phrase "drop and give me 50".

2024, Apr. - Taylor Made Freestyle by Drake is released, his second diss track at Kendrick. Here Drake disses Kendrick for "selling out" specifically in reference to Bad Blood by Taylor Swift ft. Kendrick Lamar. Drake also used AI vocals of Snoop Dogg and Tupac - this resulted in him almost being sued by Tupac's Estate. Drake wiped the song from his sites

2024, Apr. - Euphoria by Kendrick Lamar is released. The track is 6 minutes long, cut down from its original 19 minutes. The title is in reference to the TV series Euphoria which Drake is an executive producer of - it's also referencing the sexualisation of underage people, something done by the show and (allegedly) Drake himself. Within the track Kendrick makes fun of Drakes accent, how Drake says the n-word, how Drake dresses... and a fuck load more

2024, May. - 6:16 in LA by Kendrick Lamar releases, less than 72 hours after Euphoria dropped. This track specifically disses Drake for having ghost writers/lots of co-writers. He also implies that Drakes friends are stabbing him in the back and selling his info. This track is co-produced by Jack Antonoff, who co-writes and co-produces for Taylor Swift.

2024, May. - Family Matters by Drake is released. I want to be honest with you, i didn't listen to this until i got this ask. This track implies Kendrick beats his wife. Drake also disses other rappers such as A$AP Rocky, Future, etc.

2024, May. - Meet the Grahams by Kendrick Lamar is released. In this track (which is by far my favourite of all the tracks) Kendrick calls Drake a deadbeat dad and accuses Drake of having another secret child (apart from Adonis). Kendrick has a verse dedicated to this supposed child in which he basically parents her - teaching her all the things Drake wont. He also implies Drake struggles with alcohol and gambling

2024, May. - Not Like Us by Kendrick Lamar is released. The fourth diss track from Kendrick. In this track Kendrick alleges that there's pedophiles and trafficking within OVO (an indie record label founded by Drake). Kendrick also says that every rapper who's complimented Drake is lying and now hates him for using Tupac's vocals through AI. This track includes my favourite line "Tryna stike a chord and it's probably A-Minor"

#oh god.#anyway i hope this helps!!#kendrick lamar #drake #questions that i'd ask you #anon

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dewdrops-whammy-bar · 1 day

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Anesthesia Ramblings

Dew gets top surgery and says some things while loopy on anesthesia.

(Not part of mushy may, though I’m considering writing something for it.)

Words: 877

Rating: T

Warning: mild description of surgery and medical procedures

Dew’s surgery had gone well, the doctor had told him as she‘d led Aether to Dew’s recovery room. She’d waited until the door was closed before letting him know that they’d had a few problems regarding the more supernatural elements of Dew’s body, but they were able to work around them.

Surgery on ghouls was extremely uncommon. Quintessence was the main tool in helping ghouls heal from sickness or injuries, so they rarely needed a physical procedure. Not to mention, ghouls couldn’t hold a glamour while unconscious. Their bodies healed themselves very quickly as well, which wasn’t ideal in surgery.

Through a stroke of luck, one of the few top surgeons in Sweden was a Clergy member. She’d previously lived at the Ministry headquarters, so she had full knowledge of the existence of ghouls. She had pulled together a surgical team who were willing to operate on a ghoul.

As a precaution, they had to have a Quintessence ghoul in the operating room to make sure Dew’s body didn’t try to fight the surgery. Omega had volunteered- he was the oldest Quint, had the most medical experience, and wasn’t about to let Aether go through the experience of watching his husband get cut open.

But now Dew was safe and sound, newly boobless and knocked out in the hospital bed. Aether was happy to have Dew back, but he was a little frustrated at how long it was taking for him to wake up. The doctor had assured him Dew would be fine despite the higher dose of anesthesia needed to knock him out, but Aether was still anxious.

He reached over and took Dew’s hand, lacing his fingers with the other man’s. He instinctively gave it three gentle squeezes- I love you.

Dew’s fingers twitched and Aether released his hand, worried he’d caused Dew pain. Then Dew’s hand moved again and he let out a soft grunt.

“Dew?” Aether asked, touching his husband’s arm. “Can you hear me?”

Dew grunted again in response. He moved his head to the side and cracked his eyes open. Aether smiled brightly.

“Hi, love. How do you feel?” Aether took Dew’s hand again.

“I…” Dew mumbled. “You’re… nice. But I… married. Sorry.”

“Yeah, married to me.” Aether snorted. He sneakily pulled his phone out of his pocket and started taking a video- the rest of the pack would definitely want to see this. It wasn’t every day that Dew was off his ass on anesthesia.

“Nooo…” Dew rolled his head back and forth, his eyes still barely open. “He’s… big. Strong. Makes good…” he trailed off, seemingly searching for a word. “Yellow fruit. Bread out of that.”

“Banana bread?” Aether chuckled.

“That’s the bitch.” Dew mumbled. Aether snorted.

“Alright, tell me more about your husband. He sounds pretty cool.” Aether teased.

“‘S… strong. Biiiiig arms. Size of… damn big arms.” Dew tried to gesture but couldn’t manage to lift his hands more than a few inches off the bed. “Sexy. Ooooh… he plays guitar, too. He’s sooo cool.” Dew grinned sleepily.

“Mhm. You really love this guy, don’t you?” Aether chuckled. Dew nodded emphatically.

“Mmm… love ‘im lots. He’s reeeeally hot.” Dew giggled. “Good ass. Better dick.” He yawned and nuzzled into his pillow. “Fuckin’… balls, too. Real set of hangers on ‘im.”

“Yeah?” Aether could barely contain his laughter. “Anything else about him?”

“Mmmm… no. You can’t have him.” Dew replied stubbornly. “‘M sleep now. Night.”

“Alright, goodnight.” Aether chuckled and patted Dew’s hand. He ended the video, looked over at Dew (who was now drooling on the pillow), and burst into giggles.

He’d never let Dew live this one down.

—

“I said what?” Dew asked incredulously. He’d woken up from his nap fully lucid and immediately demanded food, which Aether had delivered from the hospital cafeteria. He’d devoured his tasteless burger with surprising speed, considering he couldn’t move his arms very much.

“Let’s see… you said I made good banana bread, had nice arms, and had, and I quote, ‘a real set of hangers.’” Aether grinned, another round of giggles threatening to make its way out of him.

“The fuck does that mean?” Dew snorted, taking a cautious bite of a lukewarm fry and making a face. “Ugh, these have like, no salt on them.”

“You wanna see the video?” Aether handed over his phone. Dew watched the video, his expression slowly morphing into one of surprise and horror.

“Oh no.” Dew muttered. He handed Aether’s phone back to him, glaring as the other man laughed at his horrified face. “This can never see the light of day, understand?”

“Uh… about that…” Aether composed himself, though he was still grinning.

“You didn’t.” Dew gasped and tried to grab the phone back with his T-Rex arms. “Give it!”

“For the record,” Aether laughed, slipping his phone back into his pocket. “The general consensus was that ‘hangers’ was an excellent way to describe my balls.”

“I want a divorce.” Dew huffed, pointedly turning back to his food.

#I went on a tangent about how ghoul surgery would work but oh well #cw surgery #nameless ghouls #the band ghost #dewdrop ghoul #aether ghoul #transmasc dewdrop #dewther #dewdrop/aether

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andypantsx3 · 1 year

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A few months into your relationship, Shouto catches on to your weird behavior around his apartment.

“I don’t want to ruin anything,” you finally admit when he notes his observation—about how you tiptoe around his living room of designer furnishings, how you never seem to settle comfortably into his couch, how you carry his glassware with all the pomp and ceremony of an Olympic torch.

“They are just things. This is a home,” Shouto says, like that at all negates the fact that you could break a single one of his salad bowls and spend the rest of your life repaying the debt.

“Hella expensive things in a very nice home,” you reply. “I am not falling asleep and accidentally drooling onto your ten bajillion dollar couch, Shouto.”

Only the tiniest of creases between his brows tell you he’s displeased. “I would like you to be comfortable here. I do mean that they are just things.”

You shake your head. Shouto can be as unfussed as he wants, on his pro hero salary with his fat inheritance slapped on top like a dollop of cream on life’s richest slice of pie. But you were raised in a hand-me-down home, furniture and housewares either inherited or thrifted from generations past, and you are not about to play any kind of game that would leave his couch as worn down as your family’s ancient, squashy sofa with the tears hidden on the undersides of the cushions.

“I’m good, Sho,” you say reassuringly. “I’m just going to take my best care of your things.” You pat his couch ever so lightly for emphasis, so gently it almost doesn’t make a sound.

Shouto watches you for a long moment. His eyes pick over you carefully, and he says nothing, until finally his expression shifts.

You watch with suspicion as his face suddenly goes meticulously blank, and you realize you know that look. It’s the perfectly unreadable poker face that almost always precedes peak little shit behavior.

“Whatever thought you are having is a million percent no from me,” you say quickly, but Shouto’s hand is already closing over your thigh, tugging you closer to him across the luxurious fabric of the very couch you have tried never to crease.

“Shouto, do not fuck with this couch,” you tell him as the material of your pants makes a fwip across the sofa fabric. Shouto arches a perfect brow at you.

“If you will not believe me that I do not care about the state of this couch,” he pronounces evenly, “then I will just have to show you.”

Before you can even demand an explanation, he’s rearranging you to his liking, stretching out over you and pressing you down into the sofa with intent.

Then it dawns on you exactly what he’s about to do.

“Wait, Sho—the bedroom—” you garble out, as your heart rate picks up into double time under his anchoring weight.

Shouto lowers his face to yours, mismatched eyes glittering like gemstones in the low light. “We’ll get there love,” he says, his low, soft tone shivering right up your spine. “But first, we’ll start here.”

His gaze grows heavier with promise, and a long-fingered hand skims up the side of your shirt. Your breathing stills.

“I’m going to have you over every single surface in this apartment,” he says. “Again and again, love. Until you understand that there is only one thing in this house that I consider priceless.”

His mouth presses to yours, softly, as he shifts into the cradle of your thighs.

“And that,” he says against your mouth, sounding satisfied at the little shivery exhale this draws out of you, “that one, single priceless thing...is you.”

#i have no idea what this is #class differences/sugar daddy sho got ahold of me again idk #im not responsible for the things i write #andie's writing #character: todoroki shouto

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strawberrystepmom · 7 months

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okay so i do have a question for everyone and it's do you think that the smut you write directly reflects your own personal sexual tastes and interests or do you change what you write a little bit to make it more palatable for bigger audiences?

#im only asking bc i rly thought about it the other day and tbh as far as kinks go i rly do not write about a lot of mine bc i feel like #they have a lot of responsibility in how they're written bc they are not like super kinky or weird #but things like restraints #and heavy dom sub dynamics i feel are better written by someone else #like dont get me wrong i love missionary i love the stuff i write about too #but like my heavier kinks idk i dont always feel comfortable writing about them but i feel like that's just me

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topaziraphale · 7 months

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"Stop saying Crowley won't help Aziraphale in S3 he'd go back to him in a HEARTBEAT and nothing would stop him" I get it no one likes the idea of Crowley being bitter after what happened for a long period of time but like can we at least acknowledge that he's currently going through probably the most emotional pain in his life since falling? Can we agree that he's opened his heart entirely - something you couldn't pay him to do unless the world is literally ending and he's desperate - to Aziraphale, and got shot down? Can we understand that he did it AGAIN only to lose Aziraphale again? Not that what Aziraphale did isn't without Crowley's own shortcomings (hiding the truth of Heaven's cruelty from him) but like,,,,

The appeal here isn't Scorned Crowley Doesn't Love Aziraphale Anymore, or Never Wants To Help Him Again, the appeal here is Crowley learning enough self respect to not just walk back right to Aziraphale like nothing happened after Aziraphale has had a pattern of consistently refusing him. Going years ping-ponging between "We're not friends I don't even know him" to "That's what friends are for right?" and "We're friends, why would you even say anything?" and "Friends? We're not friends. We are an angel and a demon!"

Like I get it, Crowley is a heartbreakingly forgiving person. Of course he's gonna forgive Aziraphale, I'll be surprised if he didn't forgive him by the time he walked out the bookshop door, but gdi he could at least grant himself the luxury of being at least a little irritated for longer than however long it takes to make a globe and some books float and angrily cry out to God in his flat. But due to the change of pace and dynamic that is establishing part of the conflict for Season 3, I just really like the idea of him for ONCE prioritizing himself and being like "Okay, fine. We'll get back at it when you're ready, then," instead of just taking Aziraphale back like his words and actions meant nothing to him, when clearly they have an effect on him.

What is Aziraphale going to learn if Crowley just accepts what he did so quickly, like he always has the entire time they've been friends? Idk maybe I'm just projecting too much darkness on their dynamic but I mean, if the pattern of Aziraphale pushing Crowley away/disrespecting him one day and then being fine with his friendship the next + Crowley never stopping to be like "Hey, that's not cool, at least give me a little credit" or smth was fine all along and will continue to be fine in the future, then why, after 6,000 years of being friends and loving this demon, can Aziraphale still not accept that Crowley is just fine the way he is, and instead got excited to promote him to an angel in a heartbeat once the opportunity presented itself? You can't blame all of it on Heaven when Aziraphale has demonstrated his free will/defiance to Heaven so many times. Or, I don't know, I guess maybe we can? Maybe I'm just craving too much angst to the point where I'm letting it cloud my analysis of canon. Idk.

#derpy speaks #good omens #good omens 2 #no i dont think crowley is gonna ever hate aziraphale for what happened but he's allowed to be angry #he's allowed to be done with it all. he's allowed to be exhausted. just look at his face when he drives away.#meh. idk. but i dont know how i'll feel if crowley just INSTANTLY accepts aziraphale back in a situation involving #idk - ''hey help me stop the new apocalypse''#at least. without like. SOME pushback? it can even be something small like ''are you SURE you want ME to help you? do you really need me?''#doesnt have to be a straight refusal but i'd like SOME kind of action to show that crowley is putting his foot down for once #he deserves that self respect #do NOT reply saying that im insinuating that aziraphale is actively malicious or doing it on purpose.#everything he has done up until now is his own complicated response to all the trauma and guilt he's been through #but despite that crowley is STILL allowed to be upset... it's messy. i can write a whole paper about how this whole thing #is just unfortunate on both ends. again. we didnt get queerbaited we got communication baited 😭#but help me out here. am i just too fandom-brained to have these expectations from the story?#is there something obvious im missing that is making me sound like a complete asshole here? do i need to get my head out of the gutter?#someone please explain it to me if so because whatever it is‚ i can't find it #not queued

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sacchiri · 1 month

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Hellsing 2002 calendar illustration.

Ein wunderliche und erschröckliche Hystori von einem großen Wüttrich genant Dracole wayda Der do so ganz unkristenliche marrter hat angelegt die mensche, als mit spissen als auch die leut zu Tod geslyffen

A wondrous and frightening story about a great berserk called Dracula the voivode who inflicted such unchristian tortures such as with stakes and also dragged people to death

#hellsing #alucard #kouta hirano #translation was found in a comment by u/lazyfoxheart on r/Kurrent #fun fact this is the highest quality version of this image that exists online #i know because i've been looking forever for a version that's clear enough to actually read what hirano wrote under '1443'#but there weren't any so i had to take matters into my own hands #the real image on the back of the guidebook is only 2 inches tall so i had to take this with my smartphone and will my hands not to shake #anyway i'm pretty sure it's supposed to say Eğrigöz (the location vlad was imprisoned) so yeah. thank you hirano very cool #if i might rant for a sec it took me an embarrassingly long time to figure that out because i didn't have the guidebook at first #and in the images i could find online that part was just a blur that looked suspiciously like a person's signature and i was like. who tf #i was thinking matthias corvinus since he issued some political propaganda against vlad iirc but it didn't match his signature on wikipedia #then i thought it might be vlad II dracul's since he probably had to sign an agreement to send his sons over as hostages at some point #but that didnt seem right either so i kept skimming vlad's wiki page #and then i was like goddammit...hirano.....you just misspelled Eğrigöz didn't you.. ....#i maybe should've made a separate post dedicated to this instead of writing a novel in the tags but eh #the hellsing brainrot runs deep #also- i put it in the source link at the bottom of the post but the german inscription is copied off a real woodcut of vlad from 1491 #except instead of depicting him as an adult hirano drew him as a child which gives the inscription a very different feel imo #the one final thing that interests me about this is the fact that hirano published this calendar in 2002 #which is REALLY early in the series. like this was before volume 5 came out??#i have no idea why he decided to do a massive spoiler drop in a random piece of japan-only merch #sandwiched between a drawing of alucard as john travolta from saturday night fever and integra as a fish no less #it makes me really curious to know what the fan response to this was back then. like did people even know who this was #maybe im just an idiot and everyone back then was like 'ah yes its alucard as a 12 year old. how very informative'

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stevethehairington · 6 months

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really fucking sick and tired of people who really fucking love the eddie book jumping on people who don't like or are even remotely critical of it's posts and like crusading their opinions around from the top of their high horses and shoving it down our throats.

if you like the book, great! that's awesome! love that for you! i am genuinely glad that you were able to find good in it and enjoy it!!

but not everyone did, and not everyone is going to agree with you. so, instead of going on some grand crusade where you find every single post that includes anything even remotely negative or negative adjacent or even neutrally critical and spending ALL this time and effort trying to provide unwanted rebuttals to every single thing, maybe you should just stay in your lane and find people who DO like the book and chat about it with them.

because i can PROMISE YOU, none of us appreciate it when you come onto our posts and start accusing us of "hating on" the author or "being rude" about her and her work and RIDICULOUS shit like that.

being critical of something and pointing out it's flaws is NOT inherently hating on it. i, frankly, do not know where people got that notion, but it's not fucking true so can we fucking quit assuming it is? and, critiquing something is also NOT the same as saying this is shit and it sucks and the author is a piece of garbage. again, where the fuck that came from is beyond me. you can be critical of something and still enjoy it. as soooo many of you love to point out, it's not perfect, why should it be perfect? so D U H. of course that means criticism can and should arise???

also. hot take (by which i mean ice fucking cold because it's NOT a fucking hot take), but going around toting FALSE facts as part of your "defense" does not make you or your argument look good. you, like the author, should maybe do a basic fact check first. 🙃

tldr, if you like the book, that's genuinely great, but stay in your fucking lane and stop seeking out posts from people who didn't like it to start shit in the notes.

#flight of icarus #stranger things #this has happened to me and to so many of my friends and im fucking SICK of it #i didn't even hate the book either!! i thought it was just okay #and yet i STILL get all these book lovers jumping down my throat about things i say about the book #things that - HONESTLY are not even like that scathing!!!!!#like god damn all im asking for is a little BASIC effort from the author and they all think thats me asking for her head on a platter #its NOT #i have no problem with the author #she's whatever to me honestly just a vessel through which the book was given to us #ALSO she is some nebulous blob way outside my orbit. AS IN any critiques i have of her and her work are NOT direct assaults on her???#like i dont fucking KNOW her #im not saying any of this to her face #she is a published writer she should KNOW the risks she is taking when she publishes her writing #not everyone is going to like it! there are going to be people who are critical of it! there are going to be people who hate it!#critiques and pointing out mistakes and wishing for things to have been different is not a fucking direct attack #those things are actually pretty fucking common responses to ANYTHING #and a lot of times theyre actually meant as useful helpful things geared towards improvement and not something to tear someone down with #some people on the internet need to go touch grass and learn how to CRITICALLY THINK again #the world is not as black and white as you think #n e ways. rant over. if you stuck around through all of that kudos to you. i am just. at the end of my rope with this bullshit.

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birdsong-warriors · 1 year

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SwiFT, WE CAN SEE YOU.

First | Previous | Next

Part 1: Friend and Family

See up to thirty pages ahead, with timelapses, on Patreon!

Backgrounds, brushes, and other assets for sale on my Ko-Fi!

#gosh the response to rhe last page set genuinely made me cry #im so blown away by your guys' support #like i try really hard not to directly reference too many specific cultures/histories because i dont feel it would be my place to do so??#tiger's tyranny is inspired by a LOT both real and fictional and its a bit scary to write given his soft spot for his family #i dont want him to seem too relatable hes still awful #gonna stop talking i feel like im probably making no sense #or worse making sense but not saying things right #hhhh okay #swifthawk's chance #blood and bone #implied racism #ask to tag #comic pages #in case its not clear swift is only half joking but tiger assumes its all a joke lol #featherpaw #feathertail #leopardfur #leopardstar #swiftpaw #swifthawk #tigerclaw #tigerstar #tawnypaw #tawnypelt #brick #bloodclan #they just sittin there like 'man this is fun to watch lol'

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vorestarr · 5 months

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thoughts on vampirism as a symbol of trauma

i've been thinking about this in relation to Astarion's story arc for a while and started writing this post a couple times, only to have it become much longer than expected, so for now this post is just going to be about the different paths of ascension vs spawn from the end of his personal quest. (i think there are multiple ways to read his story, and this is just the way i've been reading and thinking about it.)

the basic idea of this post is that Astarion's vampirism is a physical manifestation or symbol of his trauma, and therefore the two different ending paths for him are distinguished by how he addresses his vampirism (and therefore trauma).

it's pretty clear that the vampirism itself is a traumatic experience for Astarion, from how he describes almost dying, then actually dying, and then everything that comes afterwards at Cazador's hands. but i think of this a step further, in that the actual symptoms of vampirism are also part of this. there's an idea that there are physical manifestations of traumatic experiences held in the body, even if the trauma itself was psychological in nature (i.e., the body keeps the score). this is how i read vampirism for Astarion, specifically.

to start, he's turned into a vampire after a traumatic experience (almost being killed by a group of people one night). he's "saved" from this by Cazador turning him into a vampire, but still his body literally dies when he turns into a vampire, which is another separate traumatic event where he feels himself die and then has to climb out of his own grave. (also noted, i believe it's hinted that Cazador orchestrated the attack on Astarion that almost killed him in the first place, so Cazador is the cause of all of this trauma in one event that is Astarion becoming a vampire.)

his body is physically changed by the experience. he loses things because of it, maybe things that were not particularly important to him but now seem incredibly important once they're gone (like walking in the sun) or things that were previously important to him and now he can no longer enjoy (living indulgences and pleasures like food, or his own reflection). also critically, he cannot get those things back. his life is changed (literally ended) and there's no fixing it.

he learns coping strategies during the subsequent 200 years, which i will not get into in this post, but suffice to say that he learned things that he believed would protect him in the moment.

after the tadpole when he experiences freedom from Cazador's influence for the first time, there are some critical shifts that happen to start him on a path to address these things, or not. the recent interview where the devs mention that the ascended path is one of fear, i really agreed with and have said similar things in previous posts, because to me, i think the main difference between how Astarion acts in those paths is that for ascension, he relies on the methods he learned in those 200 years to survive in the moment, while in the spawn path, he learns new ways to cope.

to elaborate on that, i think the ascension path specifically is about avoidance.

in trauma, avoidance is what it sounds like: avoiding any triggers or negative emotions related to the traumatic experience. the avoidance can manifest in different ways, but a key idea is that by avoiding those negative feelings, they are never actually addressed.

i think there are two big ways this manifests in Astarion's story, related to vampirism:

ascended Astarion is avoiding those negative feelings of fear of Cazador (or someone else doing what Cazador did) by focusing on seizing power and control. if he's more powerful, in control of a situation, then nothing bad can happen to him again. the way this ties back to vampirism as a symbol of trauma is that this is literally described to us in the game as the natural course of life for vampires: they live in fear of other vampires, fear of their own spawn seizing their power, etc. this is the story of Vellioth and Cazador, and then later Cazador and Astarion (regardless of the choice he makes to ascend or not). we even get a list of vampires where ALL their life spans/eras of power are timed so that we can infer that each subsequent vampire has killed the previous vampire to dethrone them. so, vampirism itself is trauma and the known course of vampirism is this same cycle we see repeated with multiple vampires and histories in game. by taking a different path and not becoming a full vampire, spawn Astarion has started to learn a new way of dealing with his vampirism/trauma, rather than avoiding it.

the OTHER major way i see this manifest in the game is how ascension and spawn paths deal with the literal symptoms of vampirism: walking in the sun, Astarion's reflection, food versus drinking blood, the vampiric state of undeath, etc. these are all things that changed about Astarion when he became a vampire, and things that (in the normal course of events) cannot be changed back. he died, he's dead, there's no curing his vampirism. in other words, there's no going back to who he was before the traumatic experiences. that by itself is a neutral statement, the same way that there's no going back to who a person is before any major event (be it meeting someone important, choosing to take a certain job, etc etc), because we are all constantly changing and growing. HOWEVER, i think the places with Astarion where this stops being neutral is how he addresses that fact: with acceptance or avoidance.

to elaborate on the second point, which is my main reason for making this post:

on the spawn path, Astarion learns new ways to be and to live with his vampirism. in his epilogue, he can mention that he's not bothered by losing the sun again, he can describe finding a sense of belonging with others who share his vampirism, and he can define himself in new ways that he's picked for himself rather than stay in the definition of vampire that Cazador held.

in the ascension path, Astarion avoids all of those difficult realizations and choices. he falls back on the same strategies that helped him survive in the moment for those 200 years, but which can and do hurt him after escaping that environment. he's working hard to keep from addressing those negative feelings -- and on the surface, this works! he can walk in the sun without the tadpole! he has new vampire powers and he can do all the things he lost when he died! he can see his own reflection again! but, he's still a vampire, still has his fangs, still has his red eyes.

this is why i think the route is characterized by fear and why i found that interview with the devs interesting: by focusing on all those avoidance behaviors, Astarion ends up being stuck in a state of mind that's all about fear because it's all about avoiding that feeling. he feels great in the moment because he has been able to claim back some of what was taken from him, but this is not a solution because he's still a vampire.

personally, i do not read the ascension path as continuing a cycle of abuse, but as the continuation of avoiding the painful process of healing from trauma.

ascended Astarion is elated after killing Cazador because he feels the power flowing through him and it makes him feel safe in the moment, and because he is avoiding addressing any lingering feelings of pain or negativity, including avoiding addressing that he just killed 7000 people.

spawn Astarion meanwhile looks absolutely miserable immediately after killing Cazador when he cries and breaks down, and then he feels numb later because he's so overwhelmed. this i think resembles something that can happen in trauma therapy, where a person feels worse when they initially start addressing and working through their trauma, because it means actually feeling all of those negative emotions they've been avoiding.

in the end, ascended Astarion has not changed how he addresses his trauma or vampirism, and the ascension has actually given him more tools to continue avoidance. spawn Astarion meanwhile is exploring other ways of living with his vampirism, and can be experiencing success with that by the time the epilogue rolls around (even if there are some bumps and regressions along the way, like losing his ability to walk in the sun again).

because this is my main reading, i also don't think this makes ascended Astarion evil or irredeemable -- i think he shows that he does still have all the emotions that he's displayed through the game and therefore he still has the potential to follow the same path that spawn Astarion did in healing. but, the critical thing with the ascension path is that he does not have the clear motivation or triggering event to start him down that path. he's further away from that, and it will take more work to get there. everything he did after all comes back to the ways he learned to survive under Cazador, so those behaviors helped him at one point. the issue is that he's past the point of those things helping him, but he can't let them go.

tl;dr: i like looking at vampirism itself as a physical symbol of trauma and as a way to read Astarion's potential storylines, because it provides a context for me to view how the ascension and spawn paths treat his vampiric symptoms -- avoiding them in the ascension path by giving him an "out" of sorts to avoid addressing how those symptoms impact his life because of the extra abilities granted to him by the ritual, versus being forced to grapple with them and figure out a way to life with them and even enjoy them on his own terms in the spawn ending.

if you read this whole post, thanks for sticking with me and feel free to share your thoughts too. :)

#astarion #meta #astarion ancunin #i have a whole other post related to this about some specific in game events so i will link it here when im done writing that...#but for now this is just a brain dump of some things ive been thinking of when i think about his story #i really love ascended astarion tbh and i find his path really cathartic and validating when it comes to trauma responses #but i also love and appreciate the way that the game shows how spawn astarion hurts and has to hurt in order to heal #idk i just really enjoy his character and both paths and i haven't been viewing them as 'good' or 'bad' paths/endings #and just wanted to share my thoughts and framing for how i approach him :)

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puppyeared · 6 days

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i think the reason why im so drawn to spirit tracks and pkmn scarvi is that having the legendary/princess as a companion rather than a goal that marks the games completion makes me feel satisfied the way i would after helping a friend

my brother always teases me about how I still havent finished botw after almost 7 years bc "id rather be out picking flowers" which i wont say is untrue. and yes i know Zeldas been holding off ganon for 100 years, yes i can get some sort of idea what her relationship with link was like by recalling memories and going through her diary. ive always loved botw for its unique storytelling and setting which makes it stand out, because it lets you get to know who you're saving.

but because theyre memories, it only works if theres something for the player to investigate that already happened. its retroactive (but effective nonetheless)

on the other hand, spirit tracks does something similar but instead of having the player try to piece together memories and interpret them as a spectator, you actually have an opportunity to get to know zelda yourself by talking to her and working together. besides making it a gameplay mechanic, giving the player control over how they interact with zelda makes it so much more personable.

and I find that making the goal feel personal instead of an obligation gives me more of a reason to work towards it. I know what kind of person botw zelda was but as the player, shes still very much a stranger to me. but spirit tracks zelda? thats my friend!!!! she invited me to go to the beach after we get her body back!!! i dont want to whip her to make her move faster thats mean :(

you know how hostage negotiators are trained to introduce themselves and get to know the person theyre negotiating with because its harder to hurt someone when you know what their favorite food is? its kinda like that, because it feels like im helping a friend than being told or led to do smth

and although i havent played scarvi myself, i feel an attachment to koraidon and miraidon even just watching playthrough clips because its like!! thats my weird scaly dog!! it loves sandwiches and we're friends!!! you know!!!!!!

#i dont normally write long posts like this but i think ive been trying to put this into words for a long time and it finally happened #my cloth mother spirit tracks zelda and my wire mother lttp zelda #ACTUALLY ANOTHER THING when i was a kid i always felt guilty when i had to catch the legendary at the end of the game #because to me it was like 'i know none of this is real but if i capture you and have you under my thumb am i robbing the world of something #normal thoughts for a 10 year old to have #when i talked to my brother abt this he was like 'i mean yeah the point is to dunk on the NPCs what were you expecting' and i mean i think #i get that its supposed to feel rewarding because the legendary is THE reward. but it doesnt feel right and i dislike he feeling of pushing #others down to get ahead. i guess u can argue sun/moon does smth similar where you have nebby with lillie #but lillie still ends up handing nebby over to the player and i STILL feel bad because im like shit man you raised that little guy #and koraidon/miraidon feels less like a reward but more like overpowered motorcycle lizard that is just so oupydog. and i love him #and in spirit tracks i went out of my way doing some of the side quests bc zelda asked nicely and honestly that was enough for me #i think all of this boils down to.. i feel very protective abt things i care abt so stories that give me a reason to care hits harder #this can also go the other way bc i CRIED when i finished links awakening because i KNEW every person and im responsible for #literally the end of their world. like. there was a family with 5 kids. marin loved singing and cared about me. she was my FRIEND #i just. ugh. i have too many feelings rn. i kinda wanna draw more spirit tracks link and zelda i think that wld make me feel better #yapping #diary #loz #pokemon

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worstloki · 10 days

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been thinking of Loki as a vengeful ghost/demon that tries to kill Thor after dying on Jotunheim except instead of killing Thor straightup Thor's on a quest following a trail of weird clues and strange happenings across multiple realms sort of? so Loki is just leading him around not showing himself but very much heartbroken in the distance about how Thor just 'moved on'. Meanwhile on Thor's end it's very evident in how Thor handles quests once Loki is gone that he still follows all the advice and suggestions Loki made, and tries to consider what Loki would have done when he does things.

#im not writing it because i have too many works in progress already but do you see my vision #do you understand the vibe i am going for #tragic death Loki and Thor who never processed Loki's death beyond 'he's not here right now'#and this is maybe like. way after Loki's death. like at least a century later so no Thor doesn't immediately suspect anything #is it strange that he's witnessed multiple similar occurrences and connecting clues across multiple realms like they're for him?#yes.#but he thinks he's being so suave and detective about solving this mystery and suspects a powerful malicious demon figure to be behind it #not his dead brother who he feels wholly responsible for having died since he was the one that dragged them to Jotunheim for fun #Loki who died confused and resentful about so many things and upon realizing he's Not Exactly Stayed Dead deciding he was abandoned #because no one returned for his body but they also never explained anything to him which meant he had to seek answers himself AFTER HE DIED #reasonable to say he wasn't happy about it and isn't out to hurt random strangers #but Thor and Asgard?#he has a vendetta and he has it planned out so neatly #sans the part where he actually. kills Thor. because he only thinks he wants that #he would do it too if Thor didn't get reasonable about Loki wanting revenge at the end #'when did Thor get mature' Loki wonders bitterly. like it's such a mystery

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angelpuns · 6 months

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I have spent all afternoon/night trying not to rot and I don't even know how to explain what that means but oh my god I'm so- urrgehfhrh I'm like- everything just feels so bad

#vent #tw vent #pls dont respond to this #i had a longer version of this earlier but deleted :)#also pls dont send messages saying youll pray for me #that is quite actually the opposite of what i need rn #sorry for venting on main i just have to write things and know that someone sees them #even tho i dont want responses i just #urgh #im literally rotting from the inside out #idk how else to describe this feeling #and i am trying v hard to keep it at bay

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unnerving-presence · 2 months

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im gonna be honest writing is so draining at this point and i don’t even enjoy it anymore

#i don’t know if people like what i do #it’s not even worth posting if i know i’m going to get absolute radio silence on all of my posts #it’s like i don’t want to leave this blog hanging but writing is such a chore #i cant enjoy it if i know i’m not going to get any feedback for the things i write #it just feels like throwing a note out into the darkness and not being sure you’ll ever get a response #anyways give me like a month or two and i might post another request this shits wack atp #i don’t care about likes or reblogs or whatever #just knowing people like what i do is enough #BUT I DONT KNOW #im absolutely in the dark here and i feel like i can’t work with any of the requests i have

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istherewifiinhell · 2 months

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IS FLYING GENDERED?

On the masculine default, typifying gender in genre, and women as the other in the transformers cartoons.

question for the ages

once again i said back in the halcyon days of watching g1 (aka 5 months ago) i was like. Nooooo, decepticon is NOT a gender that's Silly. It's funny, but as a Read Of The Text, I thought it largely unneeded. (The concept came about, as a joke, involving dismissing the bad guys using the same language you would abt women (sexistly) that they're emotional [heh, flighty], vain, and shrill) after all. If in the 80s era there are 5 whole named/speaking woman tfs, its only ever gonna get better from here right? (<- booboo the fool)

anyway

Let's consider the axiom that the assumed default gender is male, that maleness is often seen as LACK of gender, and femaleness and gender variance are the PRESENCE of gender. In certain reasoning and worldviews, of course (See Androcentrism). Then add that, for transformers, the assumed default thing a transformer turns into, is car. (Autocentrism, if you will)

(The most general term for what a tf turns into is "Alt mode" as some of them are not vehicles at all. The other mode is "Robot Mode", whether its humanoid or not)

So I will be laying out why I believe the cartoon iterations support: non standard alt modes = non standard genders. This is in spite of the fact that FIRST lady tfs were all cars. Sleek cyber cars, but still. For whatever reason, (possibly, the reason for everything in tf, toys) they might as well not exist for how woman tf characters presence in the cartoons progressed over time.

And, to be clear, this is a reading of how these works of fiction are created, not a new unified bioessentialism but for robots aliens I'm proposing for like. In universe lore reasons. I hate that idea.

That said, alt modes in order of most to least gender: Spider, motorcycle, flying (in general, with rotors, jets), tank, and then FINALLY, car. (water and space crafts are already too marginal to rank, but they too can be assumed in relation to default maleness, AND that in making one a woman, would still qualify as othering her).

The NUMBER one reason for this is the bizarre need to have an ESTABLISHED woman tf character before making new ones. AS YOU MIGHT IMAGINE. With a g1 gender ratio something like.... (counting even the most marginal cases for the ladies) 9:120? (That's a rough count from a quick scanning of the tf wiki g1 char list) Shits dire out here.

The second is, ofc, character design based. cis people [stand in phrase for the hegemonic world view] are not okay, and their opinions about how tf gender must need be depicted visually is. uh? Im not a fan. Size and shape dimorphism in general is a given, and specifically having women tfs as far more humanoid and curvy in specific. Also general cartoon lady face syndrome but, whatever. I think there's exactly one character here who doesn't have "lips" or "lipstick" as a distinguishing factor. I'm so tired.

Third is generally, the idea of The Girl Of the Team. When there's The Girl, she often isn't JUST a normal character, who happens to be a girl. See, of course, the Smurtfette Principle. But in my view there's also a trend to give The Girl "special traits" on top of "Girl", maybe even to directly combat the idea that the Girl Character has no other traits? To stop this from being a General Primer on Woman in Media, my explanatory focus is things specific to the tf franchise.

(A phrase I use for thinking about normative modes [in general, not just the Alt ones] in within the tf universe is "unique transformerdom" or, even more clunkily, "A transformer of unique transformerdom". The excessive verbosity is amusing to me personally. All I mean by it is to have an umbrella term for any of the ways tfs can be made unique from their peers in the non allegorical realities of the fiction).

I could, and do, and greatly want to, speak about this AT LENGTH. But it keeps spiraling away from me. So I'll say for now were looking at ways a character is being depicted different from her peers, not because she is the only woman (which she likely is), but cause she's a different kind of transformer, AND if she's othered for it.

(IN SOME forms of the lore. Being a transformer woman, IS A UNIQUE KIND of transformer unto itself. Let's just say I hate it and move on)

Fourth, is the gender of villainy. There is much to be said about gender presentation of villains, the ways they are allowed to be aberrant. We will get to it. There is also all the tropes specific TO evil women, and the modes of villainy open TO female characters. But a general thing I think impacting the gender ratios of the factions is the how "Good" and "Evil" female characters are written. I'll generalize and call this the "Damsel vs Temptress" dichotomy. (See concepts like the Madonna-whore complex). Transformers, is by and large, an action franchise. Unless special reasons are made, characters who can impact the action– have more screen time, and likely more memorable, and iconic presences. A villainous woman can be unchaste, violent, aggressive. While a heroic woman, even if not a literal damsel are more likely to be in a support role. The secretaries of the action genre: medics and techs.

(Another factor is that tfs are giant robots, and the good guys are often friends with tiny squishy little humans. These make very good damsel fodder, and can be taking up the spots on the roster that might, in a different franchise, go to women. Additionally, while woman characters in transformers overall is an interesting topic. When I say tf women, I'm referring to ones that are in fictionally, transformers.)

SO, now understanding our points of attack/obstacles for getting woman into transformers. (Getting established, gendering the designed, uniqueness of existence, and general villainy). Lets go over those alt modes, and the characters that have em, in more detail.

Spiders

The "Beast Era" (1996) intro-ed the spider ofc. And what don't we have with this one. She's a villain, but shes also misunderstood, the era and design style let to these more organic shapes. And they used them to make sure she was very sexy. She's genre aware, she's quippy, she's an absolute icon. So naturally. She gets ported to other later shows. Which means we just have sexy spider ladies running around when everyone else is a fucking truck and shit.

Her own origin is, well think of her as a "Bride of Frankenstein" to the resident evil scientist, also a spider. She was designed for, and manipulated by him in multiple ways. Her protoform (A blank robot base), was supposed to be one of the good guys (a Maximal), but was reprogrammed into a bad guy (Predacon). Even then, she eventually joins them, for her own reasons. She's not even the first predacon to do so, the difference? Well the characters are a lot more NORMAL about his autonomy. Both of these characters stress that being a predacon is an identity they still see as important. But only the woman is told that really, she is was was always MEANT to be a maximal. And while that's true in a sense. There's also a plot were she's forced (by plot contrivance, not the other maximals) to get corrective robot surgery for it. And when they think she died from, everyone's more sad for her boyfriend than for her. Ouch.

The second spider, in the 2007 show, is now one in a world where she is the only "techno-organic" transformer, hence, she is spider, everyone else is a vehicle. Similar to the first, her narrative is very gendered, but less in the way were, like, I do literally think the first was was experiencing in universe sexism from other characters. Here, they really focus on the "techno vs organic" narrative, and the tragic circumstances on how that happened. In this case its just real world sexist writing.

THIRD SPIDER, (2010), instead of misunderstood and tragic evil, this ones just super mega likes to cause pain evil. She also occupies a strange place between the typic vehicular tfs, and the insecticons. This is because she has a helicopter alt mode, and her robot mode is just, a lady with spider characteristics. And, more than just a passing bug like similarity, she has the power to control the insecticons (you know, cause evil woman mind control). However, she doesn't fit in with them either, as the insecticons are at the most insect like they've ever been, in look, living in hives and that most don't even speak.

They may vary in exact character, relationship to the story's moral conflict, and design. But they stay comfortably established, dimorphised, flirty and flirting with villainy. And bonus points, always, for black widow spider trope.

SO. SPIDERS. Established: ✅️ Gendered designs: ✅️ (Extremely!) Unique: ✅️ Othered: ✅️ Villainy: ✅️

Motorcycles

Tooooo my knowledge the first bike lady was in 2004, and fairly minor, in the actual plot, but rest assured, they did go the previously established woman route, by being pink, though, which one shes named after varies by language. But neither were previously motorcycles. (And yes, there is also this problem of mixing together or swapping out one woman tf for another. As if we have the ladies to spare). Even though motorcycle men also exist, this one just stuck for a bit. Maybe something to do with Those Movies. I think the Gendered Existence of a motorcycle is pretty evident though, general sex appeal, being smaller, the mode of riding a motorcycle is different, more physical and intimate. Mainly this ranks so high for the level of grossness they can pack in. Just how objectifying it can be, particularly with two instances where the human rider is an annoying teen boy. Naturally, I've also never seen a male and female motorcycle in the same room, but the approach to design tends to be different. And yeah most of em are Arcee, who's first alt mode was cyber car, but it's not just her.

Established: ✅️ Gendered designs: ✅️ Unique: ✅️ Othered: Depends on iteration, I do NOT like the way one gets called "tough, for a two wheeler". Villainy: ❌(they wouldn't need to be motorcycles if they weren't making them the Special Girl Autobot, after all)

Flying

General: It just tends to stick out when your one girl is only flyer in the group, even she's otherwise tactfully done. Only flyer of the Maximals, a falcon, only flyer of the dinobots, a Pteranodon.

Rotors

I can barely even figure this one. Maybe it's just a general, aesthetics and use case of the actually vehicles, the associations? None of these ladies (and special case) are very connected otherwise. As previously mentioned, the spider helicopter. ¯\_(ツ)_/¯

A big one for this is the preschool demo shows, which are rescue team focused. In the first one the only woman on the human response worker team pairs with the helicopter, they mention she does medical at times. The helicopter is male, like the other tfs. But also he's afraid of flying, and while not the first case of a flyer with a fear of heights, their personalities are, pretty different. As he's both fearful AND effeminate, fine as character traits go but, with the tone of humour used, marks him as Other.

In the second, Whirl (pointing to icon) becomes a girl for the first time, now with standard humanized face. I assume as move to keep with the previous show of having a girl one, as there's no human team mates. She's also the only one who really likes rescue school. Aaaand that's all know of her. What more do you want from me.

Helicopters: Unique: ✅️ Othered: ✅️ (milder than some)

But why'd I call this section rotors instead of helicopters? That would be because one of the latest Sole Female TF we just put in everything™ is a VTOL jet with rotors. She'll tend to be the only jet of her type, which is also smaller than the type of jet used for the villains.

And, of course, aside from alt mode, the thing that makes her stand out most in the cartoons? That she's very clearly a comics character. (I find the emphasize that she's "fan created" over done, as it only controlled minor aspects, and irrelevant cause tfs get completely overhauled in new versions all the time). From her design, which is a bit busier than most characters she stars with. And also uses Japanese aesthetic signifiers in ways that I think are a bit misappropriated and untactful. (VERY USamerican comics). Also, when she stars next to a guy, also from comics employing Japanese aesthetic, you can tell its not deployed in the same manner. (E.I she has hair and makeup, he has armor). Either way, her depictions have her either as badass sword lady on mission from god who's constantly getting hit on by an annoying guy. Or have her be from a different planet and has special telepathy.

Do we see how both her gender AND the cultural signifiers are having affects here? That the main woman tf in a series can be a literal alien even among our alien robots, with cultural signifiers they don't have?

Ratings Established: ✅️ (made the comics to cartoon jump) Gendered designs: ✅️ Unique: ✅️ Othered: ✅️ (SO SO EXTREMELY, using methods in fiction and real life)

Jets

I think my association of jets with tf gender is stronger, than some of the above examples, even if there's less reason to it. And why is that? Well, lets get socratic. Here's another question.

Is This All Starscream's Fault?

No. He's not real, he can't do things. But. His legacy as THE main stay transformers character that gets to subvert gender? Yeah. (Sure, the G1 autobots have their own effete, but he's not in every single cartoon they ever made now is he? Plus now that I think about it, he is a FLYING car...)

From the get, he's not a Man's man. He's shrill, he's manipulative and duplicitous, petty and emotional, cowardly and wheedling. He is, of course, the Perfect character. Now naturally, the 80s cartoon was not concerned with your paltry logics. Starscream and his ilk are the jets, but every decepticon can fly. The gun, the cassette player, the camera, the cassettes.

And each to a last, more masculine than he is. Vocally or behaviorally, physically. Every one of them fit the gender expectations more than he does. Even being a small time grunt, is a masculine trait, after all, more so than unchecked ambition. So its not femininity from flying, from jets. But direct relationship, reference, and descendancy from Starscream that makes it. I've yet to see female versions of Jet fire and or the aerialbots, for example.

So what to do when an effeminate male villain was less maltese falcon and more that man has effeminate hips? Well. We had to start getting his ass for being effeminate, explicitly. They made the female clone of him, which yeah, is an offensive joke stemming from the various The Gender Anxieties. (Transmisogyny, homophobia and sexism. General relation toxic masculinity. A heady mix of all and more).

But I mean. It's free girl tf... Once given a name in extra canon materials, she start's showing up in other things. Once you're in books, video games, comics, and most importantly, toys, you're real. And then eventually, her first non clone appearance in a cartoon, and how her presence shaped it.

That being, Cyberverse. Which is a cgi show, you need to know this for reasons of production. Making new models is expensive. This has always been the reason you just make recolours of Starscream and name them different things. Chicken or egg on this one, I don't know, But because CV has Slipstream, and the only difference between her and the generic "male" decepticon jet, is a more feminine face; Suddenly, any random decepticon goon can be a woman.

An absolutely revolutionary take for striving to populate a fictional world with gender parity. By at large it also means they're way more lady villains, and specifically flying model of villain. The show has other woman, but none who get the same androgynous body mold treatment.

Established: ✅️ Gendered designs: Mildly to NO. Unique: By design, no. Othered: Yes for the clone, and Screamer himself, I suppose. No, otherwise. Villainy: ✅️(That's, the whole idea)

Tanks

It needs to be said. Sometimes, when doing things that transgress a norm, anteing up is less subversive. This is another reason why gender variance, female agency and overt sexuality are more common traits of villains. When already defying strictures of society. What's one more.

That's Right. TANKS ARE THE BUTCH WOMAN OF TRANSFORMERS.

Alright. Let me back up. Strika is the stone cold knock out undefeated champ of lady tf designs that, actually has a reoccurring cartoon presence. She is, admittedly, only a reoccurring to minor character.

Her introduction is in another show with techno-organics, this one involved in the struggle between well, the techno and the organic. Strika as we see her, and as the design that will go on to be iterated, is not in her normal transformer body. She has been transferred into a 'vehicon' body. Without a preexisting essence contained in one, vehicons are not considered alive, in the way a transformer is. Visually, they lack the more human body plan, a standard face, feet and hand like appendages.

To further contrast Strika against the two techno-organic woman. Both of them are tall, and slender. Their softer organic shapes designed towards elegance or beauty, whatever your subjective opinion of that result might be. They both have romance subplots too. By the way. Or honestly one subplot and one main plot. Strika. In contrast. Is built like a brick shit house. Her face is. Minimal. And her goal: protecting her planet... by terminating the heroes.

Now, existing as a character that can be referenced for other media, and given the detail that she was a "Famous general", it's off to the races. She makes a wonderful big tank menace that can fill out a background shot, too.

Without her I hardly think we could have Clobber, also from CV. Who is. The true goat. The finest thing, the achievements of all we could ever hope for. A big fuck off woman, gender swapped from a previous male design with minimal faff, with now even more personality and show presence. Friends, wants, desires. Emotions. Thank God for Clobber, Thank Clobber for Clobber. Thank Randolph Heard and Mae Catt for Clobber.

Established: Depends if you want to count that Strika had so much swag they kept drawing/modeling her Gendered designs: FUCK NO Unique: ✅️ Othered: only originally Villainy: ✅️

Cars

So now you have the final piece of the puzzle. In transformers, Autobots are Cars. Yes, there are plenty of autobots that are NOT cars, and there are cars that are not Autobots. But they're exceptions, they're aberrances. They're unique. And Autobots are the norm. They oppose the Decepticons. Decepticons are Villains. And Decepticons can fly. Modal simplified binaries and false dichotomy abound!

And the thing about those original Autobot woman, the one's who largely did not influence all of this? They were cars, it's true, but not like how the men where cars. They've not been designed from transforming car toys, with a shellac of humanoid gender over top. Their designed in the way of human gender. With the car on top.

When the preexisting clause leads to the original designs to be revisited, which, has largely only happened in more recent years. They aren't car woman robots. The cars are literally not part of their bodies, they are additional. Instead of a unifying identity of a robot who is a car, its Arcee and her backpack. Parts of cars get grafted onto their petite lady bodies, and placed anywhere out of the way.

In order to make a transformer a woman, they have to give her a gender, not understanding that that's always been the case. And to give her a woman's gender, she's got to LOOK like a woman, not a transformer. And to look like a woman, she's got to act like a woman. She must be heroic but reactive instead of active, or else, villainous, conniving and or self centered. To be a woman, we must have some other previous woman to explain her presence, or else explain it anew with her unique, strange, or exotic origin. How could she ever be a woman if she simply, existed, looked average, talked average. How could she be a woman if her body is hunks of ungendered car. How can she be a woman if she's everything we expect a transformer to be.

A woman is transgressive, a woman is not normal. Autobots are normal. Autobots are heros. Autobots are men. And Autobots do not fly.

#some shit #its not called cisformers #<- IT SURE ISNT FOLKS #a note on how im using citations here u can read BEFORE getting into the post proper #I'm writing this in mind that someone might have NO idea about tf. or. god forbid.#the general perspective of media trope analysis im working from.#So the links can be considered additional or further reading with intent of 1. if a more thorough understanding of a concept might help #2. something im eliding the name of for search reasons 3. a referential example of what im saying #4. a specifc reference/bit of info that might be unclear. in which case im usually linking to a SECTION of the page #5. JOKE #ALright now normal tag talking space.#THIS IS. serious media analysis done casually for fun! in that. I mean it. genuinely. But also im here for silly fun and im not trying #to be SOOOO academically rigorous that its still not. Posting. u know?#MUCH inspired. or i suppose u might say. encouraged to completion and whole hearted commitment by (fandom) silly serious analysis and #math theroying thematics #i have NO idea if this thing will be searchable with all the links and the words i used. but i prepared for it it case it is #AND I PUT A LOT OF WORK INTO IT!!!!!!!! SO its okay if anyone reads it!#but im also braced for bad faithing inwhich case. I will not be held responsible for my actions. thank you.#i have been told to tag this #maccadam #transformers #if someone tryies to kill me for it im not taking responsibility

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