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#i'm going insane fr.
yhwcomeback · 14 days
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I miss him, this one comes with a small speedpaint so enjoy idk
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nyerusnova · 9 months
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Glad to see that Tim being a giant Dick Grayson fanboy is finally being highlighted again, and sparking more discussion especially on their early relationship! (Please gimme more!!! I love them so much, augh!)
Probably as a result of that surge, there seems to be reciprocal chatter on the topic of how young Tim actually felt towards Jason, too. It's honestly pretty interesting, because it's more nuanced than it appears at first glance.
Which means it's very fun to dissect! ✨
There's a degree of subjectivity to keep in mind, because readers are going to have different interpretations of the same scenes, or will pull from entirely different scenes than one another to form their individual view on this topic. That's just how it is in comic book fandom, for many things! Regardless, in this case... if the scale ranges from the extreme of "Jason was Tim's Robin" to the other extreme of "Tim actually hated Jason [as Robin] or thought he was a loser that got himself killed" — the actual truth is closer to the middle, as is often the case.
At least, in my opinion.
Mainly I want to focus on those relatively early days with this post, to highlight Tim's initial(-ish) feelings towards his heroes, and touch on the point at which they really begin to change. This turned into a very long post, though. Brevity is beyond my skill, so grab snacks and water lol. Transcripts for each image will be posted at the very end under the cut.
So, the two storylines I want to cover are "Rite of Passage," which is rolls into "Identity Crisis." (NOT to be confused with the major crossover event "Identity Crisis™" which came years later, and is where Jack Drake dies.... But it sure is an interesting coincidence that Tim deals with the loss of each parent in two similarly named stories!) These take place before Tim is even Robin, and I'll be considering them as one arc for this post.
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Detective Comics vol. 1 #618 (July, 1990) -- Pages 1 & 2
"When Gotham needed him, he was there. When the Batman needed him, he was there. He was a hero."
"One day, I'll be as good as Jason. One day I'll wear the suit."
To start off, we have this opening from "Rite of Passage." Tim is still in training here, mainly helping Bruce with minor stuff from the cave. His parents are off traveling, alive and well as of these next few pages. He's still bright-eyed and full of wonder. An extraordinarily weird but ultimately innocent kid.
So his view on Jason is positive and fairly simple: a hero, and someone to look up to as Robin. Clearly, Tim here doesn't think Jason was deficient in his role, either as a protector of Gotham or as Batman's trusted partner.
Moreover, Tim already held Dick in very high regard because he was amazingly skilled before he became Robin. To Tim, that's not something he'll ever be able to achieve. Meanwhile, Jason wasn't like that. He was a regular kid without crazy acrobatic training since practically birth. Yet he still went on to be a hero—which is obviously motivational for Tim who finds himself in similar shoes.
It's true that Tim only ever knew or thought of Jason as Robin, and idolized him in that regard. But that's kind of all that mattered to him at that point, because he was this kid who was utterly star-struck by his heroes. Even if he's technically aware of their shortcomings as people, it's overshadowed by the hero-worship.
It was kind of the same with Bruce as Batman at first. (Which was still enough for Tim to risk life and limb to help his beloved hero, before Bruce even knew his name.) Dick was the only one Tim had any sort of "personal" relationship with beforehand, so there is an extra level of attachment—and hence why it was the nidus for his obsession with Batman. Yet even then, it wasn't like he actually knew anything about Dick as a person until later. Until then, Tim's ideas of him were all he had, too. With Jason, Tim just didn't get to know him at any point before his return (oof), apart from what he heard over the years secondhand (also oof).
Ultimately, it's the loss of innocence—along with the ricocheting bullet that is the unresolved guilt of those around him—that begins to change Tim's perception. Not just of Jason, but of things in general.
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Batman vol. 1 #455 (Oct., 1990) -- Page 13
"I know why they do it now. Why they put on the suits, and the masks, and go out into the night. They're angry, they're full of rage. They want to hit back."
Losing his mother was a major shift for Tim, obviously. This is right after the previous storyline, and Tim's had the worst week or two of his life (so far). His monologue here is a reference to what happened to both Dick and Jason. The unbearable pain of loss, the rage masking the grief underneath. And importantly, that he feels both of them were justified in their anger. (And Bruce too, indirectly.)
The major theme of the aptly named "Identity Crisis" is to mirror aspects of Dick and Jason and Tim's lives—to show how they converged onto the same tragic road. It's something that Tim notices early in the story, and was frightened by. Now, horrifically, it's become a part of him as well. His parents are gone, and he was entirely helpless to do anything about it. Dick was the same way, Jason was the same way. The cycle is repeated.
In particular, the part about him wanting to go to Haiti for revenge—for his mother—sort of struck me as being an intentional parallel to Jason and Ethiopia. It's a bit of a stretch, especially in isolation, so others may see it differently (e.g. the angry ramblings of a grieving child that does sound like something anyone might say). But it always stuck out to me because of how much Tim is compared directly to Jason in this arc. More on that below.
It's not something I can really give an accurate feel of because it's a lot of subtle things that begin to add up, so I'd encourage folks to read this arc themselves to see what I mean. (Or maybe you'll still disagree which is fine too lol.) Again, many things are in reference to both Dick and Jason in relation to Tim, but it's weighted more on Jason's side.
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Batman vol. 1 #455 (Oct., 1990) -- Page 18
"You think my anger will boil over, the way Jason's did. I can assure you, it won't!"
Tim's grief has begun to pull away the veil of idealism that enshrouded his heroes in his mind. It doesn't apply only to Jason, but to the rest of them. Plus add the fact that Tim's keenly aware that he's being managed, even if the adults around him are careful to not outright say certain things. He still knows.
Bruce, Dick, and Alfred are all worried about Tim potentially turning into "another Jason." They (and mainly Bruce) caution Tim to not ignore his emotions, but they're still concerned that he may be overly eager to prove himself in order to cope, and could get hurt or killed as a result. While they aren't wrong for their caution—especially at how unsettlingly similar all the circumstances are—they aren't very subtle about the elephant in the room.
Imagine how that would affect Tim's perception of his predecessor, especially when he's in the midst of a traumatic event he hasn't had time to fully process. The negative association is pretty much inevitable.
Tim's known from day one that he's walking in Jason's shadow, and now it's become inescapable. Tim went from seeing Jason as a goal to reach, to feeling that unless he surpasses him, he wasn't going to be taken seriously by anyone. However, as of this arc, Tim doesn't even fully come to that point yet.
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Batman vol. 1 #456 (Nov., 1990) -- Pages 14 & 15
"Drop-outs don't make it. And dead heroes are no use to anyone!"
It's really easy to take away "Tim totally thought Jason got himself killed" as the main thing here, but I think that's missing the forest for the trees.
First some context: Bruce has gone out on a mission to get Scarecrow, and expressly forbade Tim from doing any shenanigans. Meanwhile, Tim is grappling with wanting to prove himself and trying to help Bruce from the cave, all while trying to deal with his emotions. At some point, he falls asleep and ends up having like... exhaustion-grief hallucinations of Dick!Robin and Jason!Robin who confusingly caution yet encourage him. The main theme of this part is facing your fears.
Depending on how you want to interpret the intent of Jason's dialogue here, you could go several ways with it. Ranging from "writer's feelings towards Jason" to "a peek into Tim's mind as his fears manifest as visions of his heroes" or some mixture thereof.
Though Tim argues with Bruce that Batman needs a Robin, we're shown that Tim is understandably scared of joining Batman's "war." He's still not willing to let Bruce go it alone, though, and that's something he feels more strongly than his fear.
Meanwhile, hallucination!Jason's warnings are a lamentation of what happened to him in a way, but it actually exactly describes Tim's current situation even more so. Unlike Jason, Tim is under-trained, under-experienced, doesn't even have a suit of his own yet. But like Jason, he can't sit by and do nothing while someone he cares about is in danger. Tim knows that if he goes out there, he will probably get himself killed, and it will be his own fault. So he's about to disobey Batman's orders, and fly right into danger. If that got Jason killed, then Tim—who is in a way worse position experience-wise—has every chance of ending up the same.
Like... it's about Jason, but it's also about Tim. It's Tim's worst fears made manifest, via the representation of why he is even here in the first place (Jason's death).
That's my theory anyway, but perhaps this is an overly charitable reading of this scene on my end. (Not that I think that makes me wrong lol.) However given that Grant wrote both parts of this arc, and the beginning of which is especially favorable towards Jason, it certainly is something to ponder. I have a lot of thoughts on it I can't expand on here tbh but perhaps that'll be another post.
Anyway, returning to the point of the similarities vs differences between Tim and Jason: since this is the arc that solidified Tim as the next Robin in comic continuity, it makes sense that the writers really pushed the comparisons between the two of them, specifically. (Even though Dick was pretty similar, as going against Batman's orders is the Robin thing to do, it's not his shoes Tim is directly filling.) So making Tim's "debut" story arc mirror Jason's "swansong" is an obvious narrative choice.
To drive home the parallels, I wanted to include this panel from just a few pages prior to the "daydream":
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Batman vol. 1 #456 (Nov., 1990) -- Page 9
"The suit is magic."
That so distressingly close to Jason's famous "being Robin gives me magic" line (Batman #385, page 6). Given all the previous context, it's hard for me to just dismiss it as pure coincidence. Even if it is, the point still stands. Tim is shown having the some of the same heartbreakingly naive views as Jason once did, right in front of Jason's memorial, just as he's about to go and run off into the night against orders.
I think that speaks for itself. There's a lot to take away from it, if you so choose. Especially given the context of that specific Jason arc.
Alright, back to the main course:
So in the end, Tim actually goes out in civvies and a ski mask because if he fails, then at least he wouldn't bring shame to Robin's legacy™. When he gets fear gassed saving Batman, it's once again both Dick and Jason that he hallucinates encouraging him to push past his fear. (Shout out to the fact that he's literally more afraid of tarnishing the legacy of Batman & Robin than he is of dying.... I'm sure this will not be a recurring thing for him in the future.)
Tim's ideology is shown to be similar to Jason's, and the actions Tim ultimately takes are similar to Jason's... but the outcome is different. And it really isn't just "Tim succeeded where Jason failed." At least, that's not what I took away from this. Rather, Tim had no reason to succeed any more than he had to fail, just that he did. Luck combined with caution because he knew what happened to his predecessor, and the fact that Batman was there to finish the job all made the difference.
You could say (and I know some will) that it's just classic Jason character assassination and the writers trying to implore readers that this new kid is different we promise pls don't hate us look how much better he is! But in this case, that feels like it undermines the whole point of this story. It doesn't fit with what the characters actually say.
Thus, we return to the question of how Tim felt towards his predecessor. And the answer is different from where we started, because Tim is different. Not that different though. Because even though at this point Tim—like all the adults around him—has probably attributed Jason "going off on his own" being what led to his death, Tim still thought of him as a hero to look up to. It's about Robin, first and foremost, yes. But Tim is fully aware of the people who made that suit mean what it does, because it's all intertwined.
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Batman vol. 1 #457 (Dec., 1990) -- Page 20
"I mean--Dick made it into a symbol the whole world knows. Jason gave his life for it."
Even further, Tim thinks of it in terms of Jason having given his life for what he believed in, for the legacy that now falls to Tim. There's a sense of gravitas there. He's afraid of failing both the Robins who came before him.
Ultimately do I think Tim adored and loved Jason on the same level as Dick or something? No. It's not comparable. (Dick was like part of some of Tim's earliest memories and everything! They have a really unique bond ok.) Yet Tim was also far from thinking poorly of Jason so early on. Frankly, it seems that Tim thought of Jason as a noble hero and a cautionary tale. Yes he took risks and sometimes went too far, generally stuff that Tim doesn't want to repeat and all that. At the same time, Tim still saw him as someone whose legacy and memory was worth honoring.
It's complicated, which is why I like it so much—because it feels real. Having conflicting feelings towards someone is... so human. Especially someone you never got to know, yet who plays such an integral role in your life via the shadow of their death. How can you feel anything but complicated towards them?
It has to be said that, yes, Tim's views—even before Jason's return—change over the years. He becomes more jaded as a person and is surrounded by people who are even more jaded than him... and who often mention Jason as the "failed Robin." It's something that's hung over Tim's head all the damn time. The curse of the Robin mantle.
So it shouldn't come as a surprise that Tim's idea of him becomes more akin to "sounds like a skill issue" as the years go by. All bets are off after Jason's return, and the Titans Tower Incident™. At that point it's firmly "I am better than you, loser" lmao.
And... that's all without getting too into things like authorial intent and general "moods" of different DC writers towards Jason at a given point. Or retcons that played a role in his characterization and how other characters talk about him, depending on what "era" you're reading. That's way beyond the scope of this post though!
TLDR; even though young Tim Drake was obsessed with Dick Grayson as Robin, he still looked up to Jason Todd as well. He didn't think of Jason as a cringefail loser until later. :)
(image dialogue transcripts under cut ↓)
Dialogue Transcript for Image 1 (Detective Comics vol. 1 #618 -- Page 1):
Narration box (Tim): When Gotham needed him, he was there. When the Batman needed him, he was there. He was a hero.
Dialogue Transcript for Image 2 (Detective Comics vol. 1 #618 -- Page 2):
(Scene continued from previous page)
Narration box: But he was nothing special, really. Just a boy, who was taught--trained--brought to his full potential by someone who knew how. Just a boy... like me. I know I can do it. I know I can. One day I'll be as good as Jason. One day I'll wear the suit. One day I'll be a hero.
Dialogue Transcript for Image 3 (Batman vol. 1 #455 -- Page 13):
Tim: I hate him! I hate him! I know why they do it now. Why they put on the suits, and the masks, and go out into the night. They're angry. Full of rage. They want to hit back. They want to fill the hole that's burning inside them.
Bruce: There's more to it than that, son. Much more.
Tim: I know. It's just--I feel--like going to Haiti myself and strangling that creep with my bare hands!
Bruce: The Obeah Man will spend the rest of his life in a prison hospital. He's history. Forget him! But don't fight against your anger. It's natural. Accept it. Live with it. One day it'll be your friend.
Dialogue Transcript for Image 4 (Batman vol. 1 #455 -- Panels from page 18):
Tim: Because you think my mother's death has upset me too much. Well, it did. But I've taken your words to heart. I can cope. You think my anger will boil over, the way Jason's did. I can assure you, it won't. But that doesn't make any difference, does it? Why can't you have a little faith in me?
Dialogue Transcript for Image 5 (Batman vol. 1 #456 -- Page 14):
Narration box (Tim): Blast it! My head's starting to swim. I'm about ready to give up. I almost wish I'd never heard of Batman and Robin!
Vision Dick: Heroes never give up, Tim.
Vision Jason: You know that.
Tim: Dick--! Jason Todd!
Vision Dick: You're training to fight in a war, Tim. It'll last all your life. No matter what, you have to go on fighting.
Vision Jason: Drop-outs don't make it. And dead heroes are no use to anyone! I thought I knew better than Batman. I thought I could run before I could walk. I killed myself, Tim. Because I couldn't wait. Because I couldn't think it through.
Dialogue Transcript for Image 6 (Batman vol. 1 #456 -- Page 15):
(Scene continued from previous page)
Vision Dick: Think, Tim. Concentrate!
Vision Jason: You can do it.
Both: You can do it!
Tim, waking up: What--? Robin...?
Narration box (Tim): I must have been daydreaming. They're right, though. There's a solution to everything. I can find it! So here I go again... Whim. Caprice. Doing something without forethought.
Dialogue Transcript for Image 7 (Batman vol. 1 #456 -- Panel from page 9):
Narration box (Tim): The suit is magic. It gives you power. It hides your weakness. It makes you give it everything you've got. It makes you a hero. If only I could!
Dialogue Transcript for Image 8 (Batman vol. 1 #457 -- Page 20):
Bruce: Are you afraid of it?
Tim: No. It isn't fear. It's more... the suit carries so much history. I mean--Dick made it into a symbol the whole world knows. Jason gave his life for it. Failing them--what they fought so hard to build--that's what worries me!
Bruce: I appreciate that, Tim. That costume weighs a whole lot more than any symbol should... and I'd be failing you if I expected you to bear that weight. So... let me know what you think.
Narration box: A mask has a double edged, he said. It hides your own anxiety as it strikes fear into your enemy.
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pestilentbrood · 5 months
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despite the warnings, you stare into the sun you're willingly blinded by its brilliance beauty enraptures you so comfortingly you miss the blood dripping down your back
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mintjeru · 1 month
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it probably wasn't the smartest decision to start an ongoing 1000+ chapter webnovel when i know it'll consume my every waking thought but here we are
open for better quality | no reposts
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redfieldkennedy2018 · 1 month
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If I had a nickel for every time House had snapped at his team because of a "Wilson situation" in this specific hallway, I would have two nickels, which isn't a lot, but it's funny that it happened twice
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hum--hallelujah · 8 months
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actually we're going to talk about Folie more because it makes me frickin insane that the two songs that took lyrics from to you unfinished are Coffee's For Closers and w.a.m.s. and in both cases the words are twisted to make them so incredibly painful. because to you is basically to my reading a huge love letter to the band's through all their ups and downs, "all us believers still believe every time we sing "two more weeks'," "you put my head in such a flurry," "send my love, to everyone above" etc etc etc and then not only does CFC take "preaching electric to a microphone stand" and pair it with the words I will never believe in anything again, but w.a.m.s. pulls "worry worry you put my head in such a flurry/ freckle freckle what makes you so special" from the heart of a poem about a band that is also a family and then IMMEDIATELY AFTERWARD says I'm gonna leave you, I'm gonna teach you how we're all alone. everything about the spirit of to you unfinished is flipped on its head, recontextualized and handed back poisoned. Folie is almost a breakup album and What A Catch, Donnie sounds like a farewell going into a hiatus that no one knew if they'd come off of. the way to you unfinished fits in feels almost like the same sentiment behind I Don't Care, lyrics taken and twisted around and pointed back, extra sharp, extra venomous, without concern for the harm caused. Pete going down with the ship, maybe. my love and hate for you are infinite, etc etc etc. do you get what I'm saying here?? *shaking you* do you get it?!
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johnslittlespoon · 25 days
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curtbuckbucky nightclub au .* :☆゚. ☽
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open for drabble/more pics! <3
alright, i've never done a proper 'intro' post for a fic/au i have in mind, but this one has been rotting in my brain for ages and i know there's no way i'm not gonna write something for it eventually so here goes, bear with me <3 made a lil edit (took me fucking hours to collect enough stock footage lmfao) to go along with it too >:)
a modern au where college student curt is a regular at a new–ish queer nightclub, showing up every friday night without fail to dance his heart out, his way of de–stressing at the end of every week and getting his pent up energy out. he's the prettiest little thing, dresses up so fun– some nights he throws on dresses or crop tops with skirts or short shorts when he's feeling it, other nights he goes for more of a relaxed baggy pants and flowy linen button up type of vibe– always with the same pair of scuffed up sneakers on for ease of dancing.
the bartenders and other regulars adore their bubbly little club bunny, always looking out for him, doting on him with free drinks and food. and even if some of them eye curt like he's dinner when he's out on the floor swaying his hips, eyes closed to fully lose himself in the music, the glitter on his eyelids and cheekbones catching the lights just right, curt's not there for any of that. he dances with people occasionally, he's confident and carefree and likes the attention and it makes him giggle when he catches newcomers staring, doesn't mind a wandering hand here and there, but he never goes home with anyone. the same routine, every friday, dancing until his dark waves are curling damp with sweat against his temples and his black eyeshadow is smudged and he leaves to make the walk back to the flat he shares with a few roomies.
enter john and gale, longterm boyfriends who sometimes like to go out clubbing and find someone pretty to bring home for a fun time, only an open relationship in that sense– they have no interest in actually dating other people, both adamant that it's no strings attached, too head over heels for each other to have eyes for anyone else anyway.
they decide to check out a club they haven't been to yet, usually sticking to the tried and true ones, but a couple of their friends recommend it, so they give it a go one friday night. they've barely sat down at the bar with their drinks when they see a boy who, john comments to gale, looks like the 'energizer bunny' (gets a snort out of curt when he tells him so in the future.) even once they're buzzed enough to head out onto the dance floor together, neither of them can take their eyes off of the bundle of energy, mesmerized.
they both know the other is equally enamoured with the boy, drinking up all the glitter and bouncy curls and blissed out smiles, already knowing they just have to have him– the prettiest thing they've ever seen. curt's confused when they approach him, because he's noticed them too, has been admiring from afar, but he's also noticed their hands and lips all over each other, dancing much too close and comfortably to not be a couple. but john purrs out "we just like to have a little fun every now and then sweetheart, don't you?"
and no, not really, he doesn't. usually a night of exhausting himself dancing is his idea of fun, not ever looking for anything else, not finding most guys worth his time. but john and gale sweet talk him just right, spend time actually getting to know him when he agrees to let them buy him a drink at the bar, and fuck, they're both the hottest things he's seen walk into the club in a long time, and they're giving him all their attention? he decides that maybe he'll be brave and flirt back. despite his confidence and lack of caring what other people think about him, he's so shy and easily flustered when someone he's actually into makes the moves on him, doesn't even know what to do with himself when he realizes he's blushing at their compliments and the combination of their heavy gazes on him.
obviously they all get each other worked up as the night goes on, and curt goes home with them and gets his world rocked, spoiled and pillow princess–ed and showered in praise, not at all what he expects hook–ups to be like after having only been with people he's been dating. he expects to walk back home after since they all live in the same vicinity of downtown, tries to ignore his wobbly legs when he finally crawls out of bed, gets dragged back down by gale for one last messy breathless makeout while john gets him an uber before curt can protest or offer to pay.
normally john and gale don't get the numbers of their one night stands, but they want to make sure he gets home safe, and they can both gauge how the other is feeling and they know they'll want to see him again if they're lucky enough for curt to say yes, so john puts his number into curt's phone and tells him "text when you're home safe, yeah? or, y'know, text whenever you want." and curt isn't sure if this is john saying they both want to see him again, because he's dense and shy and they made it clear beforehand that they're in a closed relationship, but next friday he texts to let them know he'll be at the club again, and john and gale tell him they'll be there, the three of them going home together for a second time that night, and they fall into a routine from then on.
curt gets giddy every friday, dolling himself up extra pretty for the two men, flushed at their attention every time and so thrilled to dress up for someone other than himself for once. he can already feel himself going all heart–eyes for them after the second or third time they hook up, but he knows where he stands, and he's having fun experimenting for the first time and having two experienced, sweet guys show him a good time every week, so he doesn't want to jeopardize that by getting his feelings involved.
little does he know that john and gale are falling head over heels too for this sweet energetic boy, loving how much he spices up their lives, both in the bedroom and out, realizing their flat feels so quiet now on the nights where they don't take curt home with them. so that leads to some serious conversations to see if they're on the same page about getting to know curt better, both of them learning how to navigate this new territory because neither of them expected to want to bring someone else into their world like this. they agree they'd like to take curt out on a cute date, during the daytime for once, to properly test the waters and see how curt feels– of course he slots into their lives perfectly, as if he's been there all along. <3
but along the way: lots of slow burn, miscommunication, endless filthy smut, curt trying to balance college and work and friends with his newfound feelings for john and gale, john and gale getting dragged to raves and festivals by their always adventurous bf, city night–life juxtaposed by early morning domesticity, etc etc.
this has been floating around in my head for a couple weeks since i got this vision of 2012–stalker–era barry with eyeshadow and glitter stuck in my brain and thus a whole universe/plot spawned from it. honestly would mostly be pwp, but would love to write a proper fic for it anyway eventually, each chapter littered with filth, obviously LOL. i have so many thoughts and so many little scenarios planned out in my head already... these three have me in a chokehold.
i need to make proper intro/drabble posts like these for my other aus too aghhh it just takes so longggg because i get carried away with the drabble and then i have to find the perfect clips for edits and the perfect pics to tie it all together and suddenly i've spent half a day on one post but. someday <3 leaving!bikeriders au next surely! thx for reading hope u enjoy this version of the boys and hopefully i'll have time to write it soon!
all posts about this au will be under #curtbuckbucky nightclub au :-)
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cowboysorceror · 1 year
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PART I:
1. The Department of Truth, #7. / 2. "Fantine's Death," Les Miserables. / 3. The Department of Truth, #7. / 4. King John, William Shakespeare. / 5. The Department of Truth, #7. / 6. "A Refusal To Mourn The Death, By Fire, Of A Child In London," by Dylan Thomas. / 7. Detective Comics, #533. / 8. King John, William Shakespeare. / 9. Green Arrow: Black Canary, #4. /
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kindahoping4forever · 1 month
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Ashton performing with Eternity Speedway @ Desert 5 Spot LA - 11 April 2024
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You know what else would suck?? If after Desperada, Luka said stuff like "the snake miraculous was super easy! Anyone who doesn't think so is just weak" to Adrien's face. That would suck, right? I am losing my mind someone please tell me that would suck
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maylovessyou · 5 months
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I might've done a thing because I can't fall asleep (i have school in 4 hours and I'll die tomorrow)
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I calculated his height ok.
The handwriting says "~2.10m IF the M4 is 1400mm". 2.10 isn't exact but is somewhere there and is like 6'10 and something and people on Reddit said that the gun is a modified M4 which by HOURS (not true) of research I found one that is similar and somewhere around 1360mm (if I remember correctly) so yea. His height 😃👍
(I'm going insane I need to be segregated in an asylum)
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rfxn-emulator · 1 month
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The most relatable Tuesday
⁽ʳᵉᶠᵉʳᵉⁿᶜᵉ⁾↓
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dracaelus · 1 year
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Ghostmaker is at his best when he looks like a bug <3
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tomriddleshoe · 1 year
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The way tomarry has the best dynamics if we ignore tom brutally murdering harry's parents and everyone he holds dear. (Ok that sounded insane but hear me out)
- they're the only two known parseltongue speakers. (they would be FREAKS in bed)
- tom has a piece of his soul inside harry. he marked harry as his equal.
- they're both incredibly powerful in a "i understand you best" kinda way
- ENEMIES TO LOVERS
- literally made for each other. harry grounds tom and makes him a better person, while tom brings out the naughty (dark) and unhinged side of harry
- tom values his life the most but he would die for harry. harry values his moral very much, choosing to rarely use dark spells or ones that could other people. but he would kill for tom.
- THE SLYTHERIN HARRY AND TIME TRAVEL AU OMFG
- possessive tom riddle+not an idiot who can protect himself harry>>>
- harry putting tom in his place (as he should)
- AUs where tom is the minister of magic who's intrigue with auror harry potter>>>
- harry being sassy as always and tom who would usually hex the shit out of someone if they said that to him but tom's a simp so he just smirks
- "i hate everyone except you" and "i hate no one except you"
- tom riddle. what else is there to say. tom alone should be enough to convinve you
*Ofc, its only ok when the fics are legal. We stan age appropriate tomarry. Harrymort is still a bit icky but oh well.*
I used to dislike the idea of tomarry too. But the fics are just SO GOOD😭 Mindblowing. Pls give it a chance🫶🏽
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mudcasper · 8 months
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MK was born a star
So consider this as I have yet to see someone made this theory or if someone did then I want to bring it up to light again-
What if MK was a fallen star? Hear me out, we get plenty of scenes where MK fall so many times throughout the show that my red flag starts waving at the implication. There are two noticeable scenes that spikes my inspiration to create this theory:
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From (2x00 - Revenge of the Spider Queen) to (4x00 - The Emperor's Wrath)
And he's constantly saved either by one of his gang or monkey king himself. What if it's implied that he might have fallen off from up above somewhere and landed on flower fruit mountain wherein he was born, then he continues his journey down to megapolis (probably literally tumbling over hence was covered in mud in that one shot lol) and that's where he met Pigsy
If let's say we are going to follow the Goddess Nüwa theory that MK was made from her
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In this scenario, she was making a clay molding of a little monkey because it was her duty to keep creating and it slipped off from her fingers that it fell right off from her place. Here's my evidence:
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(4x06 - Show me the monster)
We get a cutscene of a clay molded lion hitting the floor which could possibly represent Azure Lion that he fell from grace when the gang defeated him or when he got the powers from the Jade Emperor but this could also be a direct representation of MK falling off from his place up above but in a sad tragedy, it broke in half which pops out little MK - I also think it ties in his amnesia where he couldn't remember where he was from or his parents are.
And that's where the end of my theory goes. I have so many things I wanted to add but I need to form my thoughts before publishing them cuz it's a mess-
“Without question, you were not born from the stone as he was. Who or what you are, even I do not know the answer. But of one thing I am certain. Fate has plans for you. Great plans or foul? Time will tell. ” ―Master Subodhi
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beanghostprincess · 3 months
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(tw shitty ass english) I JUST READ AN OLD POST ABOUT USOPP MAKING BEAD BRACELETS FOR SANJI, AND HAD A VISION OF USOPP HELPING SANJI (who is freaking the hell out) TO FIND A BEAD RING THAT HE MADE FOR HIM WHILE STANDING ON ONE KNEE, AND WHEN HE FINDS IT HE HANDS IT TO SANJI WITHOUT STANDING UP SO IT KINDA LOOKS LIKE USOPP IS PROPOSING AND SANJI GETS SUPER FLUSTERED AND THINKS ABOUT THAT MOMENT FOR LIKE A WEEK im delusional
NO BECAUSE YOU'RE SO FUCKING REAL FOR THIS I ADORE THIS SO MUCH QWJEBQJKBFJBFJEWBFJKWBF (<- crying shaking sobbing) (I am literally writing a fic with the prompt of that post and it makes me go INSANE).
And this is just so funny but so so sweet- Tbh, I always headcanon that Sanuso is already established when WCI happens, and right after WCI Sanji can't stop thinking about weddings and getting married. Whether it's in a positive way or just because he's still trying to forget his experience there--
So he won't stop thinking about it and he heavily considers marriage with Usopp because, I mean, after almost getting married by force and going through the worst time of his life, Sanji is starting to think about what he's going to do after finding the All Blue and the One Piece. And he knows that everything around them is going to change once they do find those, but there's this constant in every situation he imagines and it's that Usopp is always there.
So now I can't stop thinking about what you're saying: Usopp making a ring for Sanji just because (like seriously, there's not a deep, meaningful reason for that, he just makes it because he can and he thought Sanji would like it) and having to pick it up from the floor before giving it to him but it looks like a marriage proposal. Sanji freaks out so much his brain stops working. He's all red. He can't move. He's stuttering. Usopp doesn't know what he should do because he seriously thinks he has fucked up big time now. Sanji just takes the ring and runs to the kitchen without saying a word. I think Usopp wouldn't process what's going on until Nami says: "I'm not one to judge but perhaps it's a bit too soon for that?" and she points to Usopp's position and,, Okay, now Usopp is panicking too.
So he follows Sanji to the kitchen, trying to fix everything, and the first thing he sees is his boyfriend curling up on one of the chairs and staring at the ring. To which, of course, Usopp goes:
"I- I know what it looked like, but I was not- That was not what I was- It was all an accident so don't freak out-" / "I'm not freaking out" / "You kind of stormed off to the kitchen and you'll probably burn the ring if you look at it that much so, uh, maybe you are freaking ou-" / "I am not! Freanking out! I- I- It's not about you, love, my mind is just a mess ever since- Fuck. You know" / "I know... But I am not asking you to marry me. It was a misunderstanding. That's alright! We can forget this ever happened-" / "But what if- What if I don't want to?" / "Come again?" / "Not- Not right now but... But what if I did want to get married. Someday" / "You want to get married to me?" / "Is it that surprising? I thought it was obvious I wanted to get married" / "Yes! But not to me! I thought you'd end up with a pretty picture-perfect girl, not... Me?" / "That's dumb" / "Oh, okay, thank you? People have insecurities, you know?" / "No, I mean- It's dumb. I already had that girl and I don't think I've ever wanted to marry you more than when I was with her. Away from you... I missed you" / "I missed you too. But we don't have to get married now, so don't worry much about it, alright?" / "But would you?" / "Huh?" / "Marry me. If I- If we- If it ever happened. Would you?" / "Now, that's a dumb question".
And Sanji doesn't need Usopp to explain what he means by that because he already knows.
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