there is something so healing and comforting about watching dan and phil reflect on their past. i feel like for years they avoided ever mentioning anything from their past or making any reference to younger versions of themselves, or if they did it was in a mocking tone, but hearing them talk so sweetly and sincerely about their past selves is so nice. it feels like they're giving their younger selves a warm hug
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Gourmand why are you like this. How can you make living things out of the blue fruit you ate 3 minutes ago. How do you make a living breathing fucking snail? You can't even eat it, and yet you can spit it out, how the hell does that work? Put that thing back!!! Why is it alive??
And how can you make a goddamn neuron from an overseer and. What was this.... Hold on
AND KARMA FLOWER. And how can you make an overseer from neuron+ANYTHING!!!!! FROM ANYTHING!!!!!!! WHAT IS WRONG WITH YOU!!!!
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I bit God's hand and now he wont even feed me
This ones inspired by a picture of Mary holding Jesus but, since Virgil grew up in foster care and never knew his mother, there's no one there. Just the hollow space where someone should be.
It speaks to his relationship (and subsequent disconnection) with his heritage and culture as the orphaned child of immigrants and his difficult relationship with religion, having grown up religious but feeling betrayed and abandoned by god after his injury.
I wanted it to look like an old post card, it says return to sender but unfortunately they didn't leave a return address. It's probably just gonna sit at the post office until they throw it away. :-(
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i know i keep saying it in like a hopeful half-memeing way, that we could have pete & ted on stage together if nick played pete and joey played ted, but like. for real just imagine it for a moment. imagine the height difference. imagine how adorable. like
ignore joe & darren in this picture for a second. that is ted and his baby brother. think about it. think about the visual storytelling of these people playing brothers with such a big age gap between them. i just think it would be lovely
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"Stop saying Crowley won't help Aziraphale in S3 he'd go back to him in a HEARTBEAT and nothing would stop him" I get it no one likes the idea of Crowley being bitter after what happened for a long period of time but like can we at least acknowledge that he's currently going through probably the most emotional pain in his life since falling? Can we agree that he's opened his heart entirely - something you couldn't pay him to do unless the world is literally ending and he's desperate - to Aziraphale, and got shot down? Can we understand that he did it AGAIN only to lose Aziraphale again? Not that what Aziraphale did isn't without Crowley's own shortcomings (hiding the truth of Heaven's cruelty from him) but like,,,,
The appeal here isn't Scorned Crowley Doesn't Love Aziraphale Anymore, or Never Wants To Help Him Again, the appeal here is Crowley learning enough self respect to not just walk back right to Aziraphale like nothing happened after Aziraphale has had a pattern of consistently refusing him. Going years ping-ponging between "We're not friends I don't even know him" to "That's what friends are for right?" and "We're friends, why would you even say anything?" and "Friends? We're not friends. We are an angel and a demon!"
Like I get it, Crowley is a heartbreakingly forgiving person. Of course he's gonna forgive Aziraphale, I'll be surprised if he didn't forgive him by the time he walked out the bookshop door, but gdi he could at least grant himself the luxury of being at least a little irritated for longer than however long it takes to make a globe and some books float and angrily cry out to God in his flat. But due to the change of pace and dynamic that is establishing part of the conflict for Season 3, I just really like the idea of him for ONCE prioritizing himself and being like "Okay, fine. We'll get back at it when you're ready, then," instead of just taking Aziraphale back like his words and actions meant nothing to him, when clearly they have an effect on him.
What is Aziraphale going to learn if Crowley just accepts what he did so quickly, like he always has the entire time they've been friends? Idk maybe I'm just projecting too much darkness on their dynamic but I mean, if the pattern of Aziraphale pushing Crowley away/disrespecting him one day and then being fine with his friendship the next + Crowley never stopping to be like "Hey, that's not cool, at least give me a little credit" or smth was fine all along and will continue to be fine in the future, then why, after 6,000 years of being friends and loving this demon, can Aziraphale still not accept that Crowley is just fine the way he is, and instead got excited to promote him to an angel in a heartbeat once the opportunity presented itself? You can't blame all of it on Heaven when Aziraphale has demonstrated his free will/defiance to Heaven so many times. Or, I don't know, I guess maybe we can? Maybe I'm just craving too much angst to the point where I'm letting it cloud my analysis of canon. Idk.
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I kinda want to get into digital painting, how do you make your paintings look so good? Do you have any tips?
its really all about practice id say, and understanding shadows and light sources.
my mom has studied art for years, she no longer does it, but she told one of the most important advices when it comes to shading. draw a small ball on where you want the light source to come from, and draw from there. imagine how it will effect every small thing in the drawing, how little or lots of light it will have.
this is something i made while explaining this to someone a few months ago, this is what my mom told me what to do, and i learned a lot about shading from this. studying from real life is also very important, seeing how light interacts with objects, how light is reflected off to other objects, how blurry or sharp the shadow can be. its endless amounts of knowledge when looking at real life subjects.
when rendering, light sources are one of the most important things, learning the fundamentals can help you in the long run. thinking of what you want your shadows to look like too, do you want them soft or sharp, or even a mix of both? finding something right for you is important, and that's why experimentation is key for finding what you're happy with. trying so many different techniques is possible when going into digital art, take things from artists you like, redraw your favorite piece to see how they've made it, try new brushes or programs, its all up to you!
color is important when it comes to rendering, that could be said for any piece. color dictates the feeling of the piece, using many different colors in your shading can make it pop out. going back to experimenting, trying new different colors and palettes is very helpful too! play with saturations, values, try using only one hue. i stick to warms usually, but seeing what else you could be using can be fun too! color is limitless, try all that you can :D
in art, i believe experimentation is one of the most important things, it leads to your growth as an artist. i would be nowhere without it, and i very much encourage anyone to try all they can. digital art is one of the most expansive artforms, you can get almost any look with it, you can do so much with it that makes creativity limitless.
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Two Undertale Yellows
With this power in my hands
I can do both versions of pacifist route :D
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