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reiderwriter · 5 months

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Can I request a Spencer babying the reader BAU and everyone on the team is so done with it but reader is confused and oblivious...?

A/N: Thank you for your request! I've been very much feeling post-Prison/ later seasons Spencer recently, so I hope you enjoy this fic!

Warnings: mostly fluff, implied age-gap, slight mentor/mentee dynamic.

Your first year in the BAU would've been tough had it not been for Doctor Spencer Reid.

It was tough still, but without him, you don't think you'd have been able to handle much of it. He'd been your mentor through each case, taking you under his wing when he wasn't on academic leave, teaching his criminology courses at the FBI Academy.

Those weeks were the hardest, and you found yourself moping about in the office, texting him once or twice a trip for advice.

On one particularly hard case, he'd come back into the office after you'd text. Not to consult on the case, but just to drop you off a chamomile tea and a pastry to brighten your day that little bit.

When he was back, your days were great. He knew so much, and you learnt so much from him so quickly, eagerly consuming his every word. You were so eager to please him that you often forgot others around the two of you.

“Spencer, if you're done fawning after Y/N we have a case to work on,” Emily gently chastised the man as he pulled out your chair for you, ready to sit down to hear the details of your next crime.

“Oh, Emily, thank you, but it's okay. Doctor Reid was just being considerate, I'm sure he'd have done it for anyone.” The shared glances around the room were filled with glib secrecy, but no-one commented further, leaving you slightly baffled.

Those shared looks between the other members of your team had become more common as of late, with each one more worrisome than the next. There was something unsettling about being the only one out of the loop, and as the newest member of the team, and the youngest, it often felt disheartening.

“Y/N, don't worry. Being the youngest member of any team is tough, but you're smart and you're holding your own.” With a pat to your head he walked away, lifting the weight off your shoulders slightly but not fully. You needed to get to the bottom of the BAU's non-verbal communications, and you needed answers.

Your first technique was interrogation. Surely one of them would break and tell you if you laid out your thoughts and feelings clearly.

Surely not, you found, as each member casually and softly blew you off.

“Y/N, you just need to think carefully about how certain members of the team act towards you. How familiar they are. How overly familiar they are.” Tara had at least told you that much, bit it had left you just as confused as the radio silence from the others.

“Everyone has behaved very professionally with me. You've all been very welcoming up to this point, which I appreciate greatly.”

“I wouldn't count gifting you flowers for your first successful case as the most professional act, Y/N,” she said as she sipped her coffee. “But I suppose that is just up to interpretation.

Doctor Reid had sent you flowers after you finished your first case. But there had been extenuating circumstances in that case. You'd both worked on the geographical profile on that case, and together had figured out the species of flower the unsub was using was only cultivated on one local flower orchard. It had cracked the case open and you'd found your unsub hours later.

So the flowers were an extension of that small joint success. That was all.

Your second attempt at figuring out what was going on was observation.

Partially taking Tara’s advice, you tried your best to track the moments when each of the weary looks would come your way.

Overwhelmingly, they seemed to be directed towards Doctor Reid whenever the two of you interacted.

You had to gently inform him of this, before it interrupted both of your abilities to work.

“Doctor Reid, do you know why Emily and Rossi are both currently watching us from between the blinds in their offices?” You whispered to the man, leaning in close to his ear. You were quite sure he didn't know, but a question seemed as good a way as any to broach the topic.

“I do, yes. It's best if you ignore them.”

His nonchalance in the matter shocked you, so sure you were that this would be news to him. You waited for him to elaborate, but he didn't.

“Why are they staring at us?” You finally managed to force the words out in a small squeak, forcing his eyes back to yours.

“Don't worry about it for now, I'll handle it.” He smiled down as you, and the bright gesture washed away more of the tension you'd been feeling in the office. You smiled back at him as he rose from his desk chair and carried himself to the stairs. You giggled when he winked down at you, just as you noticed Emily frantically hurrying away from her office window as Spencer knocked on her door.

As much as he told you to not worry about it all though, you really couldn't help yourself. You found yourself growing more clumsy under the watchful eyes of your entire team, galling more times than you'd care to admit into Doctor Reid's arms. He always caught you, though, and you were thankful you never did yourself serious injury.

You finally got the answers you'd craved out on a case about a month into your struggles.

There was something slightly unsettling about the way the female Sheriff was paying attention to Doctor Reid, and it made you uncomfortable. Your mouth ran dry when she touched his arm, but a small part of you warmed up again when he shrugged her off. Until, at least, you heard him explain why.

“I'm sorry, I'm a germophobe, so I'd really prefer you not touch me.” His voice was calm and steady; it really didn't seem like he was lying.

“You're not pulling my leg? I'm sorry if I came on too strong, but-”

“Why would I pull your leg, I said I don't like physical touch?”

“Well, there was that young girl earlier, Y/N was it? You had your hand on her back as you walked in, so I didn't think…”

The woman had made a good point, and you crept closer to the edge of the door to hear Doctor Reid - Spencer's response.

“Sheriff, if we're done here, do you think I could get back to my job?” You were almost disappointed in the change of topic, but you weren't all that sad to see the Sheriff remove herself from the room. Slipping in behind her you decided to test the new theory that had slipped into your mind in the last minutes.

You called out to him to grab his attention as you walked into the room but before he had the chance to turn and greet you, you threw your arms around his shoulders and pressed your body down against his, enveloping him in a back hug.

It was quite possibly the most familiar position you'd been in with him, but really it wasn't all that different from your usual proximity.

Unlike when the Sheriff casually brushed against him, he didn't stiffen, didn't pull away, but instead melted into your touch, looking up at you with a large grin.

You stood shocked for a minute before grinning back.

“Spencer, I think I know why everyone has been watching us for the last few weeks.” You said, causing his eyes to panic slightly as he acknowledged your words.

“The, uh, the Sheriff was just in here talking about a development either some of the DNA test results-” He desperately tried to change the subject, but you were locked in now, spinning his chair around to face you more as you came eye-to-eye with him.

“I know why the Sheriff was in here, Spencer, I heard it all.”

“It's not what you think,” you paused for a moment as your brow furrowed, trying to figure out if you'd somehow caught the wrong end of the stick.

“So our coworkers haven't been waiting for you to ask me out, having noticed large changes in your body language and attitude around me?”

“It's….exactly as you think.” His face was flushed with pink and your heart skipped a beat at the man in front of you. But you still had some questions.

“And you knew, but you didn't say anything to me despite the fact that I bought it up multiple times?”

“I'm…I'm not good with words," he frowned

“Are you good with dates?”

“Excuse me?”

“You're going to take me on a date when we get back to Quantico. After giving it some thought, Doctor Reid, it seems I've become quite enamoured of you.” You dropped into his lap then, sitting there like a cat pleased to take up residence on its owners legs. He stuttered for a few seconds but then found his voice again, face lighting up.

“Spencer. Please, Y/N, call me Spencer.”

#spencer reid #criminal minds #spencer reid x reader #spencer reid fanfic #mgg #criminal minds fanfiction #criminal minds fandom #spencer reid x self insert #spencer reid fluff #spencer reid x you #spencer reid x y/n

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ponderingmoonlight · 3 months

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Satoru Gojo purposely keeping the scar you gave him instead of using reversed technique

Pairing: husband! Gojo x reader

Word Count: 1,6k

Synopsis: When his skin gets busted by your sheer excitement, it doesn't feel right to Satoru to use his reversed technique and simply heal.

Warnings: fluff fluff fluff, Yuji's "death" scnene in season 1, blood lol

Thank you dear anon for aggressively reminding me that it's canon for Gojo to not have any scars, it really helped me cooking up that fic! 🤍

Every step feels like hell, the only thing that keeps you from collapsing onto the floor being the reassuring hand of your husband on your shoulder.

This can’t be true, it’s just impossible. Yuji Itadori was a member of Jujutsu High for a few weeks, just started to get to know this world better. This was supposed to be an easy mission, the three of them should have made it out alive with ease. But apparently, Sukuna decided to show up. And apart from injuring Megumi, he violently took Yuji’s life by ripping his heart out. A heart made of pure gold, a heart so precious that you couldn’t help but care for that boy the minute you saw him.

But now he’s dead.

Your hands start shaking immediately the minute you step into this cursed room you visited far too often, gazing at Yuji’s body covered by a cloak. This isn’t a bad dream. No, the blood covering the white cloak tells you more than urgently that Yuji Itadori isn’t there anymore.

“Please tell me that there’s a chance he’ll come back”, you mutter.

Oh, how much both Shoko and Satoru hate to see you like that. It’s not a secret to anyone at Jujutsu High how deeply you care about your students, loving them like your own children. Of course, this isn’t the first time you’ve seen a student die in front of your eyes. In times like these, jujutsu sorcerers pass away like flies. But Satoru knows what you’ve seen in Yuji, that he somehow reflected parts of yourself. And still, you weren’t able to protect that boy, both Satoru and you coming too late to rescue him.

“I really wish I could, but he shows no signs of life. I’ll move on to autopsy now. If you want to say goodbye…Maybe do it now and leave afterwards.”

Satoru wraps his arms around you just in time before you slide onto the ground, holding you tightly against his chest.

“This is not fair”, you breathe out, head still not able to accept Yuji’s farewell.

He was so young, so full of life. He doesn’t deserve to die, he still had so much ahead of him. There needs to be something you are able to do. Aren’t Satoru or Shoko able to use their cursed technique?

“He didn’t show any signs of life for hours by now, (y/n). Not even Shoko or me are able to bring him back to life. I’m so sorry”, he mumbles against your ear out of nowhere.

So this is really how it ended? With Yuji getting killed by none other than Sukuna himself? Like in trance, your wobbly legs carry you to the autopsy table his lifeless body lays on. You want to stretch out your arm, want to look at that precious boy one last time before Shoko does her job.

But you can’t.

“I can’t look at him”, you blurt out.

With a swift motion, you turn around and burry your face against your husband’s chest.

“It’s okay babe, just look at me, okay? You don’t have to do this.”

Satoru’s arms keep you from losing yourself completely, soak up your falling tears while his head rests against yours. Oh Yuji, you’ll never be forgotten. All the laughter’s both of you shared, his potential, how he always cared about others. You will think about him every time the sun starts to rise, when new students get greeted, when you kill another curse-

“Hey, what’s up? Huh, what are both of you doing here, Gojo-sensei?”

This voice…

That was Yuji Itadori.

Out of instinct you turn around rapidly, not even noticing how the back of your head crushes into Satoru’s forehead with full force. He sees starts, blood taking his sight in an instant while his mind isn’t even able to comprehend it was Yuji who just spoke.

“Yuji! Are you okay? Are you hurt? You’re back!”, you babble out, embracing the boy in a tight hug.

“To be honest I don’t even know what happened last and I’m pretty hungry…Oh, you’re bleeding Gojo-sensei!”

You’re…bleeding? You turn around in confusion, following Yuji’s eyes.

“OMG SATORU!”, you cry out, the sight of your husband covered in his own blood shocking you to your core.

When did that happened…Was it…you?

“I guess you were so happy to see Itadori that you’ve forgot about me standing behind you”, he mutters amused.

“Babe I’m so sorry, I didn’t mean to hurt you. I just got so carried away and-“

“Don’t worry about me. Reversed technique, remember? I’ll be whole in seconds. Just look after Yuji, I love you.”

You let out the breath you were holding, the bright smile forming on your gorgeous face making Satoru forget the world around him for a moment. You are so caring, so passionate. And you are his wife.

“I’m a lucky man”, he mutters to himself while pressing the tissue Shoko handed him against his wound.

There you sit, gently caressing Yuji’s cheeks and asking him over and over if he’s okay.

“You really are. This isn’t a problem for you, right?”, Shoko questions with one glance at the laceration on his forehead.

The shocked look on your face replays itself over and over in his mind, lets a chuckle escape his lips. With the help but his reversed technique, it would be way too easy to get rid of that minor wound. Within seconds, there wouldn’t even be a scar left, just his flawless skin. But…it was you who did this to him out of sheer excitement. It sure would be nice to look into the mirror and get reminded of you daily, right?

“Oh, I might as well keep that”, he replies with a sly grin.

- a few weeks later -

You sit on the edge of the couch, desperately waiting for that time of the day. Even after being married to that force of a man for 4 years now, you find yourself getting all excited when he announces that he’s going to shower. Because going to shower means that he’ll come out just wearing boxers with his body still a little wet and his hair sticking to his face in that delicate way.

“Still waiting for me, huh? It’s not like you can see me naked every time you want, babe”, he finally purrs.

Your heart skips a beat. This man…How is it even allowed to look so breathtakingly gorgeous? The way a single droplet of water runs down his cheek, how he gently strokes his damp hair back.

Wait. You squint your eyes a little harder. What is that on his forehead?

“What do you have there?”, you question, rubbing your own hand against the ride side of your forehead.

This almost looks like a scar. But Satoru shouldn’t have scars. After all, he’s able to use reversed technique, healing himself in the matter of seconds. Is it just dirt? No, that definitely looks like scar tissue.

“Oh, it’s nothing”, he immediately tries to brush you off, pulling his hair back into his face.

“No way Romeo, come back here right now”, you demand.

With a swift motion you lift yourself off the couch and hunt after him.

“Is that a scar?”

“It might be…”

“Why didn’t you just heal it? Show it to me!”

When you finally catch him, you slick his hair back again. Only to be greeted what indeed looks like a middle-sized scar. But why and how did this happen, why didn’t he just heal like he usually does?

“You really don’t know where this came from?”, he challenges you.

You blink a few times. What the hell is your husband talking about?

“Why would I know where this came from?”

“Because it was you, (y/n)?”, he playfully bites back.

You? Your mind races, searching for a single moment you ever hurt your husband. You were never really able to even hurt him, no matter how berserk you went in training. When was the last time you even wounded him? But wait, there was this one time you made him bleed, that one time when…

“This was when Yuji woke up-“

“EXACTLY!”, Satoru cries out and gives you a round of applause.

“But why did you keep it? You said you’d be able to heal it…”

“Because I didn’t want to. This scar right here”

Gently, he takes your hand in his and traces the soft scar with your fingertips.

“will always remind me of what a wonderful human being you are.”

Oh. Your eyes turn glossy in an instant, staring up at your loving husband while he gifts you with the most breath-taking smile you’ve ever seen.

“Satoru”, you breathe out.

There is no time to waste. You wrap your longing arms around his tall frame tightly, aiming to never let him go again.

“Every time I look into the mirror, I think about my wonderful wife”, he mutters into your hair.

“Y’know, you could just take a picture of me or something-“

“No. I would rather just keep that scar of my wonderful wife smacking me over a student.”

You hit him playfully over his comment, a giggle escaping your precious lips.

“Come on, it wasn’t like that…”

“I’ll always tell the story like this.”

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Dividers by @saradika 🤍

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garoujo · 6 months

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✩ ˛˚ . GOJO SATORU — sometimes satoru uses his technique to tease you, even though he’s the one who always seems to give in first.

ஜ ˖ ࣪࿐ྂ contents! fluff, just satoru being a menace, some smooches! that’s all me thinks! ♡ ˖ ࣪࿐ྂ note! he’s been on my mind so often, i’m being attacked with all of these thoughts of him <3

“satoru i swear, put it down!” you whine before you frown up at your ridiculously tall boyfriend, he’s wearing a lopsided grin and you’d take great delight in kissing it off of his stupidly handsome face if you could get passed his even more stupid infinity technique.

“oh? you can ask nicer than that, sweet girl.” gojo goads as he leans over you, deliberately close because he knows you can’t close the distance. he liked teasing you like this, liked seeing the way you would pout and groan whenever he did, he liked the way you wanted to touch him— to kiss him, to love him. so he took great pride in seeing you get a little wound up in your want for it.

“satoru!” you hiss as you push into him again, a little closer than last but still not enough to feel the warm press of his skin against yours. he tilts his head as you call his name, his crystalline gaze narrowing as he scratches at his snowy hair, and you give him another sharp frown before you stomp over to drop yourself on the sofa instead.

“come on~ can’t you just tell your good looking boyfriend you want a kiss, hm? just gotta ask.” gojo hums as he follows you, only needing a few long strides before the cushion next to you is dipping under his weight and he’s letting his arm rest behind you— so close yet so far.

“you’re so annoying.” you huff again as you turn to face away from him, refusing to make eye contact this time because you know he’s wearing one of his more handsome grins, one that you know he does deliberately to lure you in— to make you crave the press of his lips with yours. just so he can take it away so rudely.

“don’t be like that. my lips feel so cold, i’ll die here.” gojo’s pouting now, like it’s not his fault he’s still not gotten his kiss. he lets his head fall and rest back against the couch as he groans, whining about how cruel you’re being, hurting his feelings and rejecting his love like this.

“yeah well so do mine!” you retort back quickly and you feel a vein pop when he chuckles, trying to hide it behind another smirk when you shoot him a sharp look from over your shoulder, inching yourself further away on the couch.

but gojo can only resist your adorable little frown for so long himself.

“hm? then you know what to do, let me hear you..” his words take a lower sort of drawl as he follows you along the space, easing himself into your side until you can finally feel the warm press of his skin— finally releasing his technique enough for him to be able to press kisses along your shoulder blades.

but you’re far too petty to give into him now.

gojo groans when you keep yourself facing away from him, his lips making their way from your shoulders, to your neck, then across your jawline before he’s peppering a few sweet kisses to your cheeks and giving you a soft look from underneath his pretty lashes, “..or are you gonna leave me here to suffer?”

“can i have a kiss, satoru.” you mumble between your lips, giving him an inch when you feel his hands press into the dip of your waist— his touch so warm you can’t help but melt into it as you feel him smile against your skin, smugly you’re sure.

“oh, didn’t hear you, baby. little louder f’ me.” you groan at that, and gojo squeezes you closer— pressing you into his chest as he leaves a soft kiss at the corner of your lips, so close to where you want it, to where he needs it. he’s held out for long enough, he’s pretty satisfied with his teasing now.

“can i please have a kiss, satoru.” you finally give in and he’s on you immediately as he presses his lips to yours, exhaling like he’s been starved of you for months. your lips part and he takes that as an invitation as he pushes his tongue between them, groaning when your own comes to meet him and he already feels lightheaded as he closes his lips to suckle languidly.

another few moments, blissfully dreamy moments with your lips on his— his hands are on your hips now and your fingers are in his hair, pressing deeper into eachother as your mouth moves with his. he pulls away to breathe, as much as it pains him, despite the way hes kiss drunk and flushed— already leaning in for more.

“see? was that so hard? always holding out on me. so mean~”

#݁ . ࿓ : sealed#jjk x reader #jjk fluff #jjk x you #jujutsu kaisen x reader #jujutsu kaisen fluff #jujutsu kaisen x you #gojo x reader #gojo fluff #gojo x you #gojo satoru x reader #gojo satoru fluff #gojo satoru x you

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she-who-fights-and-writes · 2 months

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“Show, Don’t Tell”…But This Time Someone Explains It

If you’ve ever been on the hunt for writing advice, you've definitely seen the phrase “Show, Don’t Tell.”

Writeblr coughs up these three words on the daily; it’s often considered the “Golden Rule” of writing. However, many posts don't provide an in-depth explanation about what this "Golden Rule" means (This is most likely to save time, and under the assumption that viewers are already informed).

More dangerously, some posts fail to explain that “Show, Don’t Tell” occasionally doesn’t apply in certain contexts, toeing a dangerous line by issuing a blanket statement to every writing situation.

The thing to take away from this is: “Show, Don’t Tell” is an essential tool for more immersive writing, but don't feel like a bad writer if you can’t make it work in every scenario (or if you can’t get the hang of it!)

1. What Does "Show, Don't Tell" Even Mean?

“Show, Don’t Tell” is a writing technique in which the narrative or a character’s feelings are related through sensory details rather than exposition. Instead of telling the reader what is happening, the reader infers what is happening due to the clues they’ve been shown.

EXAMPLE 1:

Telling: The room was very cold. Showing: She shivered as she stepped into the room, her breath steaming in the air.

EXAMPLE 2:

Telling: He was furious. Showing: He grabbed the nearest book and hurled it against the wall, his teeth bared and his eyes blazing.

EXAMPLE 3 ("SHOW, DON'T TELL" DOESN'T HAVE TO MEAN "WRITE A LOT MORE")

Telling: The room hadn't been lived in for a very long time. Showing: She shoved the door open with a spray of dust.

Although the “showing” sentences don’t explicitly state how the characters felt, you as the reader use context clues to form an interpretation; it provides information in an indirect way, rather than a direct one.

Because of this, “Show, Don’t Tell” is an incredibly immersive way to write; readers formulate conclusions alongside the characters, as if they were experiencing the story for themselves instead of spectating.

As you have probably guessed, “showing” can require a lot more words (as well as patience and effort). It’s a skill that has to be practiced and improved, so don’t feel discouraged if you have trouble getting it on the first try!

2. How Do I Use “Show, Don’t Tell” ?

There are no foolproof parameters about where you “show” and not “tell" or vice versa; it’s more of a writing habit that you develop rather than something that you selectively decide to employ.

In actuality, most stories are a blend of both showing and telling, and more experienced writers instinctively switch between one and another to cater to their narrative needs. You need to find a good balance of both in order to create a narrative that is both immersive and engaging.

i. Help When Your Writing Feels Bare-Bones/Soulless/Boring

Your writing is just not what you’ve pictured in your head, no matter how much you do it over. Conversations are stilted. The characters are flat. The sentences don’t flow as well as they do in the books you've read. What’s missing?

It’s possibly because you’ve been “telling” your audience everything and not “showing”! If a reader's mind is not exercised (i.e. they're being "spoon-fed" all of the details), your writing may feel boring or uninspired!

Instead of saying that a room was old and dingy, maybe describe the peeling wallpaper. The cobwebs in the corners. The smell of dust and old mothballs. Write down what you see in your mind's eye, and allow your audience to formulate their own interpretations from that. (Scroll for a more in-depth explanation on HOW to develop this skill!)

ii. Add More Depth and Emotion to Your Scenes

Because "Show, Don't Tell" is a more immersive way of writing, a reader is going to feel the narrative beats of your story a lot more deeply when this rule is utilized.

Describing how a character has fallen to their knees sobbing and tearing our their hair is going to strike a reader's heart more than saying: "They were devastated."

Describing blood trickling through a character's fingers and staining their clothes will seem more dire than saying: "They were gravely wounded."

iii. Understand that Sometimes Telling Can Fit Your Story Better

Telling can be a great way to show your characters' personalities, especially when it comes to first-person or narrator-driven stories. Below, I've listed a few examples; however, this list isn't exclusive or comprehensive!

Initial Impressions and Character Opinions

If a character describes someone's outfit as "gaudy" or a room as "absolutely disgusting," it can pack more of a punch about their initial impression, rather than describing the way that they react (and can save you some words!). In addition, it can provide some interesting juxtaposition (i.e. when a character describes a dog as "hideous" despite telling their friend it looks cute).

2. Tone and Reader Opinions

Piggybacking off of the first point, you can "tell, not show" when you want to be certain about how a reader is supposed to feel about something. "Showing" revolves around readers drawing their own conclusions, so if you want to make sure that every reader draws the same conclusion, "telling" can be more useful! For example, if you describe a character's outfit as being a turquoise jacket with zebra-patterned pants, some readers may be like "Ok yeah a 2010 Justice-core girlie is slaying!" But if you want the outfit to come across as badly arranged, using a "telling" word like "ridiculous" or "gaudy" can help set the stage.

3. Pacing

"Show, don't tell" can often take more words; after all, describing a character's reaction is more complicated than stating how they're feeling. If your story calls for readers to be focused more on the action than the details, such as a fight or chase scene, sometimes "telling" can serve you better than "showing." A lot of writers have dedicated themselves to the rule "tell action, show emotion," but don't feel like you have to restrict yourself to one or the other.

iv. ABOVE ALL ELSE: Getting Words on the Page is More Important!

If you’re stuck on a section of your story and just can’t find it in yourself to write poetic, flowing prose, getting words on the paper is more important than writing something that’s “good.” If you want to be able to come back and fix it later, put your writing in brackets that you can Ctrl + F later.

Keeping your momentum is the hardest part of writing. Don't sacrifice your inspiration in favor of following rules!

3. How Can I Get Better at “Show, Don’t Tell”?

i. Use the Five Senses, and Immerse Yourself!

Imagine you’re the protagonist, standing in the scene that you have just created. Think of the setting. What are things about the space that you’d notice, if you were the one in your character’s shoes?

Smell? Hear? See? Touch? Taste?

Sight and sound are the senses that writers most often use, but don’t discount the importance of smell and taste! Smell is the most evocative sense, triggering memories and emotions the moment someone walks into the room and has registered what is going on inside—don’t take it for granted. And even if your character isn’t eating, there are some things that can be “tasted” in the air.

EXAMPLE:

TELLING: She walked into the room and felt disgusted. It smelled, and it was dirty and slightly creepy. She wished she could leave. SHOWING: She shuffled into the room, wrinkling her nose as she stepped over a suspicious stain on the carpet. The blankets on the bed were moth-bitten and yellowed, and the flowery wallpaper had peeled in places to reveal a layer of blood-red paint beneath…like torn cuticles. The stench of cigarettes and mildew permeated the air. “How long are we staying here again?” she asked, flinching as the door squealed shut.

The “showing” excerpt gives more of an idea about how the room looks, and how the protagonist perceives it. However, something briefer may be more suited for writers who are not looking to break the momentum in their story. (I.e. if the character was CHASED into this room and doesn’t have time to take in the details.)

ii. Study Movies and TV Shows: Think like a Storyteller, Not Just a Writer

Movies and TV shows quite literally HAVE TO "show, and not tell." This is because there is often no inner monologue or narrator telling the viewers what's happening. As a filmmaker, you need to use your limited time wisely, and make sure that the audience is engaged.

Think about how boring it would be if a movie consisted solely of a character monologuing about what they think and feel, rather than having the actor ACT what they feel.

(Tangent, but there’s also been controversy that this exposition/“telling” mindset in current screenwriting marks a downfall of media literacy. Examples include the new Percy Jackson and Avatar: The Last Airbender remakes that have been criticized for info-dumping dialogue instead of “showing.”)

If you find it easy to envision things in your head, imagine how your scene would look in a movie. What is the lighting like? What are the subtle expressions flitting across the actors' faces, letting you know just how they're feeling? Is there any droning background noise that sets the tone-- like traffic outside, rain, or an air conditioner?

How do the actors convey things that can't be experienced through a screen, like smell and taste?

Write exactly what you see in your mind's eye, instead of explaining it with a degree of separation to your readers.

iii. Listen to Music

I find that because music evokes emotion, it helps you write with more passion—feelings instead of facts! It’s also slightly distracting, so if you’re writing while caught up in the music, it might free you from the rigid boundaries you’ve put in place for yourself.

Here’s a link to my master list of instrumental writing playlists!

iv. Practice, Practice, Practice! And Take Inspiration from Others!

“Show Don’t Tell” is the core of an immersive scene, and requires tons of writing skills cultivated through repeated exposure. Like I said before, more experienced writers instinctively switch between showing and telling as they write— but it’s a muscle that needs to be constantly exercised!

If I haven’t written in a while and need to get back into the flow of things, I take a look at a writing prompt, and try cultivating a scene that is as immersive as possible! Working on your “Show, Don’t Tell” skills by practicing writing short, fun one-shots can be much less restrictive than a lengthier work.

In addition, get some inspiration and study from reading the works of others, whether it be a fanfiction or published novel!

If you need some extra help, feel free to check out my Master List of Writing Tips and Advice, which features links to all of my best posts, each of them categorized !

Hope this helped, and happy writing!

#writing tips #writing advice #writing help #writeblr #booklr #writers #writing #show #creative writing

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cowsabungus · 3 months

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Art Hacks for Physical Disabilities!!

I know art can be inaccessible to physically disabled people for a lot of reasons, and I think art should be accessible to everyone, so here’s a couple of the things I found to help for a few different issues you may face that stop you participating!

I have a link to all these items (UK) in my link tree!!

IMAGE DESCRIPTION

Slide one: illustration of a white woman with pink hair, wearing a pink outfit, sitting in a power wheelchair, looking at the viewer with thumbs up. Text Reese “hacks to make art more accessible”

Slide two: illustration of three different kinds, using three different types of pencil grips. One hand uses a circular grip. 100 is a large, rectangular grip. Another uses a grip that is ergonomic and fit into the hand. Main text reads “Paul, grip, strength and dexterity”. Subtext reads “there are loads of different types of pencil, grips or design for different disabilities and conditions. Increasing the width of the pencil can give more texture for a better grip using a pencil with a thicker with also reduces the amounts of pressure needed to hold a pencil you can make your own using items like pool noodles. KT tape an air dry clay. You can also put these groups on things like paint brushes.“

Slide three: illustration of a hand using a tool that looks like a wrist support with a paintbrush connected to it text next to it reads “this talk next a paintbrush to your hand in a way that means you don’t need to hold the paintbrush with your fingers and you will need to move your arm around“ on the bottom right hand corner is in photograph of a guided hand device. Text read “regarded hand as a tool designed to reduce the need for moving your hands and fingers and relies on the movement of your shoulder and upper arms and can be used with different materials like paintbrushes, pencils, pens and styluses.

Slide four: main header reads “when in bed“. Illustration of an iPad pillow with a iPad in it is next to text that reads “iPad pillows, put your tablet at an easier to access level when sitting or lying down“. In the bottom left hand corner is an illustration of a girl sitting in bed in her pyjamas with a pillow behind her and a bed table as she is drawing. On the left hand side is a photograph of a bed table with the text reading “bed tables are used to give you a flat tire up surface while in bed, and are often height adjustable”. In the bottom right hand side is a bedsit, a pillow with the text underneath, reading “ bedsitters of specially shaped pillows that you put behind you in bed to help you set up and give you a soft surface to lean back on”.

Slide five: maisie had a read out “at a desk left”. On the left hand side is a photograph of the document holder with the text “document holders put your paper at an angle to help prevent crane in your neck down”. On the right hand, middle side is an illustration of someone using a armrest and on the bottom left hand side is a photograph of the armrest. Text next to them reads “economic arm rests clip onto your table or desk and give you a surface you lean you’re forearms or elbows on. This can be used to steady your arm and reduce pain and fatigue while sitting at a desk”.

Slide six: maisie reads “foot and mouth painters” . on the right hand side is an photograph of swapping Augustine, an Indian woman with no arms, wearing a sari painting with her left foot. In the bottom left hand corner is an illustration of a woman with green hair painting using her mouth. Text reads “foot and mouth painting is a technique used by artists who do not have, or cannot use their arms so hold the paintbrush in their mouth or using their foot. Swapna Augustine is a foot painter who has painted with her feet and participated in multiple exhibitions of foot and mouth painters. Her art is stunning and I would definitely recommend checking some of help work out.“

Slide seven: main text reeds “art without brushes and pens”. On the left-hand side is a photograph of a spin art device. Text next to read it reads “spin out involves using bottles of ink and squirting them onto a spinning piece of paper to create spiral art. On the middle right hand side is a illustration of a laptop with coding art written on the screen. Text me next to it reads “coding art involves making programs that design and create art pieces digitally. This could be used in conjunction with an eye tracking software.“ On the bottom left hand side is a photograph of a child in a power wheelchair with paint on their wheels painting onto a large piece of paper. Next to this is text reading “wheelchair painting involves putting paint on your wheelchair wheels and moving around and large piece of paper. Sometimes you can connect a roller to create more marks.“

Slide eight: text reads “what do you do to make art accessible for you?”

End of ID.

#art #original art #artist #oc art #original character #queer #disabled #disabled rights #disability #disability pride month #disabled artists #disability art #art hacks #accessible art #accessibility #foot and mouth painter #foot and mouth painting

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ivyfox-illustration · 7 months

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I painted a Doberman named Wicked in watercolors!

Want a pet portrait done? My commissions are open!

I figured out a new technique with my watercolor brushes to make more realistic short/fine hairs. I am absolutely in love with this painting, I think it may be my best so far.

About my process:

So usually I’d use a cut up acrylic brush to get an uneven/jagged texture that creates strokes resembling when used to paint. This is great with long haired animals if they have flowing hair. With short haired dogs it doesn’t work as well because of the hundreds (thousands?) of tiny little strokes required to get the texture right. This time I used an actual watercolor brush (a smaller round brush) and would flick any excess water off so it was mostly dry (but with pigment) and splayed out kind of wildly (more or less depending on how sparse or heavy/dark I needed the hair to be in each area) I primarily used a Windsor & Newton Series-7 size 3 (finest sable). The paper is 9x12. Adjust your brush sizing accordingly. I used a white gel pen for corrections. Often it’s too bright for a particular area on a darker dog so I’ll often rub it in with my fingers to soften the contrast!

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ellestra · 2 months

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The Voice from the Outer World

Dune is a story of failure. SPOILERS for Dune Part 2 below

Power corrupts and all of that. We all know this. So we would be able to avoid it, right? If you know what happens you can chose another option. You would be different.

And here's a story that shows that even when you know all of this and more and can literally see the future it's still not enough.

I get why people often think that to avoid this the person in power shouldn't want that power. That this would make them somehow immune. And this logic has multiple faults (like - how can you be good at doing something you hate?) and one of them is that just not wanting to abuse power doesn't mean you would do right things with it.

We are reminded multiple times in the film (and the books also aren't shy about it) that Fremen religious belief in a saviour is not something that arose naturally. It's a belief seeded by Bene Gesserit's Missionaria Protectiva. They seeded superstitions and myths in different cultures so they could use them in a future emergency. Everything Fremen believe about their Mahdi was created so their faith could be used by a Bene Gesserit in need. And both Jessica and Paul are aware of this even before they even set a foot on Arrakis.

It's specifically made for the saviour to be a foreign one (Lisan al-Gaib is The Voice from the Outer World) because the people who made and planned to use this prophecy were ones from an outsider culture. Paul doesn't hijack Fremen beliefs to insert himself as their white saviour. These beliefs was specifically created for someone like him to use.

It was made with purpose of hijacking Fremen religion into protecting the foreigners who know how this prophecy was constructed. This is a parasitic belief (cuckoo-like faith) and the truth doesn't set anyone free. We see why with Stilgar as he wants to believe so much that everything becomes a sign. Even when he's told this has been fabricated and he was manipulated he warps it into something that supports his beliefs not undermines them. I'm sure you've seen this in real life, in real politics if not religion.

Jessica and Chani got changed the most from their book versions. They've become opposite sides of the ideological divide. Not between religion and lack of it - Jessica obviously not a believer - but between using people and letting them decide their own future.

Book Jessica is more apprehensive of Paul's choices. She's often more worried he may not survive the trials than pushing for them for power. In here she becomes the driving force of using the messianic belief Bene Gesserit implanted for Paul's benefit. She makes sure Fremen believe he fits the story. She doesn't care about Paul's wishes to avoid this burden. She knows it doesn't matter when he tells the people the truth about Bene Gesserit, their abilities and their manipulation techniques. Belief is impervious to proof and confirmation bias makes you reject all evidence to the contrary.

But then, in the film, Jessica is kind of possessed. Stilgar warns Paul not to listen to the djinn but neither he nor his mother can stop listening to the voices. The film removes Alia's book doings but replaces them with foreshadowing of what she becomes. She whispers the truths about the future to her mother even before she is born. Funny how this change make her, not Paul, the first fully prescient Atreides. She is manipulating the events when Paul refuses to and that's foreshadowing too. When Jessica took the Water of Life while pregnant she did it for the power this new position among the Fremen would give her. Alia never stood a chance. She was pre-born into this.

The only one trying to stand in the way of succumbing to the power corruption is movie version of Chani. She was never believer in a saviour. She wants her people to save themselves. They already have a plan for a better future that doesn't involve killing worlds for the Empire they never wanted anything to do with. They were not supposed to be warriors of the prophet. She sees this for what it is - a way to control her people. She understands this is another form of enslavement. The only difference is that this one is embraced. No one listens to her when she tells them the truth. They only see what they want to see.

The power that comes from being close to the rule is just as blinding when you stand close to the throne as it is when you sit on it.

And the sad part is she knows she played a part in this happening to as she convinced Paul to give this a try. She didn't see the visions he saw so she hoped he can remain the person she fell in love with. When he submits to the way prescience shows him and takes over the faith we feel her heartbreak. She watches him becoming what he feared and everyone around him stops her from trying to save him (not just other Fremen or Jessica - Gurney puts atomic arsenal in Paul's hands).

Paul doesn't bring freedom. He just changes who holds the power but in the end the structures of power remain (the similarities between Saudarkar and Fremen are not accidental). And billions die so it can happen. But billions is a an abstract number. It's much easier to feel the consequences when they hit close and personal.

Everyone around Paul gets to gain something - Gurney gets revenge on Rabban, Jessica and Stilgar get to destroy Harkonnens and Emperor. They are on top now. The power corrupts even before you even hold it. Just the promise of power is enough.

This film version of Chani doesn't let us forget that this is what we watch. That what is happening is not a good thing. We as humans have tendency to gloss over big numbers of deaths when it's unseen people with whom we have no emotional connections. Through her eyes the loss is so much more personal. She loses her Usul to Paul Muad'Dib. And he takes her people and her planet too.

As Paul says - they are Harkonnens too. And they do what Harkonnens do too. The difference was always cosmetic.

And one more thing. A lot is said about Arabic and Muslim influences in Fremen culture and religion but they aren't the only ones. One other is the word used for the places where Fremen live - Sietch. It comes from Zaporozhian Cossack name for their fortified encampments - sich.

In the West the name Cossacks invokes the cruel Russian Imperial forces that tsars used to pacify conquered territories. But this is not what comes to my mind first. In the Polish-Lithuanian Commonwealth they were free people living in the borderlands of the Commonwealth on the territories often attacked by the Ottomans. The constant raids from Turks meant they were warriors and constantly moving. But this also allowed for a lot of freedom as there wasn't a lot of direct control over these territories for the same reason. This meant that they were often joined by anyone wishing to have that freedom - from peasants escaping indenture to nobles escaping the law.

The dissatisfaction with Polish rule eventually lead to uprising and this part of Ukraine joined Russian Empire. That Empire destroyed all the freedoms Cossacks had and those independent warriors became just another enforcers of conformity for the Empire. They've become exactly what they fought against. I often wondered if Herbert chose the name Sietch intentionally to invoke this turn of events.

#dune #paul atreides #jessica atreides #lady jessica #alia atreides #chani kynes #stilgar #fremen #bene gesserit #harkonnens #lisan al-gaib #muad'dib #usul #dune part 2 #dune part two #dune 2024 #dune part two spoilers #dune part 2 spoilers #arrakis

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creatingblackcharacters · 19 days

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Lesson 4: "Do Black People Blush?" Bringing brown complexions to life

Inspired by this ask

So, do Black people blush?

We are human beans 🤣! Blood rushes through our veins! This isn't just a nonblack misconception either; I know plenty of Black people who think we don't blush. Stop saying that shit. It's not true! If you thought this at any point, I'm glad you learned, TAKE THIS L IN SILENCE! I am sparing you the indignity of saying this out loud, ever! 🙏🏾

Jokes aside, the actual issue usually lies with the depiction or description. Depending on our skin tone, most of us aren’t going to turn ‘bright pink’ with a blush (if you write that in your y/n or roleplaying fics, that’s an easy way to negate a good amount of your potential Black audience). Think of a cherry coke- how you still see the tint of red in it, but it’s still brown? Like that.

One way to dodge this in writing is to say “flushed”, or “ears/cheeks became hot”. This is describing the physical action of blushing, without having to describe the color of someone’s face. If you’re really nervous about not writing us correctly via blushing… there you go!

Colorism

Okay. So this is something I’ll likely do its own lesson on, because there’s no way I could encapsulate it into one little blurb and I’m not going to try! After asking the internet an admittedly confusing question 😅, one thing I was able to reaffirm is that people have different opinions on what ‘dark’/’darker’ skin tones mean. People recognize that different cultural upbringings and contexts will change what that means! And that’s good- that an important part of the larger conversation!

However, I want everyone to understand that you don’t have to be Black to be dark/’darker’ skinned- you can be Black and very pale! We discussed that in the last lesson! There’s no ‘singular point of brown-ness’ that designates a Black person as ‘Black’- there’s an entire sociological conversation behind that!

My point is, this isn’t a ‘oh Black people OVERALL aren’t depicted blushing properly’- because there are ‘lighter’ skinned Black people that wouldn’t suffer as much from this particular issue.

Blushes and Undertones

Three Links for Tips on Medium to Deep Skintones

Different complexions are going to require different colors, there's not a 'one fits all' option. However! What we want to do for deeper brown complexions is to focus on BOLDER, not lighter! Putting light pink or a white person’s ‘nude’ on our skin will often make us look ashy and undercolored. And we don’t like looking ashy.

"It looks like they're ashy!"

What do we mean when we say this about a piece? Well, worse case scenario, it looks like this:

This was NOT one of KD’s better days, and he was thoroughly mocked for this. He got more than enough money for lotion! Anyway, when we say that your art looks ‘ashy’, it means that it feels like the skin of your Black character is gray, or dead. Like a corpse. We don’t look like that unless things are dire.

In fan and professional art, you can sometimes find people user a grey undertone for deeper shades of brown on Black people: NO! We are NOT grey! We are not pitch! Many skin shades of brown can be found based in the oranges and the reds. Based on lighting and depth of complexion, you might even have to go into the blues and purple to capture the brown you’re seeking.

I’m begging us to stop desaturating the browns we use. We can see the difference. It’s usually one of those ‘White Man Painted Brown’ techniques I discussed before; an attempt to ‘make a character Black’ without really committing to it because the brown skin tone ‘doesn’t look good’ to the artist. Brown is beautiful! Commit to brown! Commit to the full design!

Put in the work to create the brown you need!

While this is a traditional art piece (follow Ellie Mandy Art, a Black creator), I want you to notice how she incorporated many colors to create the deep brown for her piece.

-8:05 for the list of paints

-8:05-17:29 for the process

She used black, yes, but it was nowhere near the base color. She incorporated blues and reds and other browns to capture that depth. It wasn’t ‘toss in a bunch of black or grey to get the brown darker’. (SKIP TO THE END TO SEE HOW GOOD THIS PIECE IS, BTW. I felt like I was in the presence of a master watching her do this, fr. We gotta pay artists more.)

I want to use this model as an example to show that while we might get very dark, we're still not 'pitch black'. You can see the flat of the black of their clothes versus their deep complexion. They're not the same!

Even if your character's complexion is very deep brown into black, you still need to incorporate ‘life’ into them (if that makes sense). And you know what? Even if you want to describe your characters as having ‘black’ skin, that’s fine, but there are still other ways to do it- obsidian, the night sky, velvet. Find a way to romanticize our skin (there’s an entire conversation about how ‘black’ is used in a negative connotation in language and storytelling, and we’re ALSO going to have that conversation later!)

A Real Simple Way (i.e. how I do it)

I tried, but I cannot find my skin tones palette link anymore. I’m sorry! But, it’s been essential to my character design. If you don’t ever buy anything else, I would HIGHLY suggest investing in a skin tones palette for your art program.

Everyone say hello to Philia, my OC! I’m used to drawing her, so I’m going to use her as an example. Now remember, I am still an amateur! But this is how I do it!

Admittedly, I do the one on the left when I'm feeling lazy, but more often I'll take the time to do the one on the right. Now here’s the thing- I’m not actually blending the red into the brown. This is on a whole different layer. What I’m actually doing is adding to and fading the color until it’s at a color that I feel is natural. There's definitely an easier, smarter way to do this, but that’s what I like to do- I like to see the stages slowly until I’m comfortable.

You have to mess around and practice; see what looks good and what doesn't. Go into the reds, the oranges, the pinks and observe how it looks- I may go through multiple before I settle on one. It’s really just a matter of getting used to drawing Black skin tones and how they look in different lighting. This one's not perfect for sure.

Resources

Here are some really good posts and Youtube videos on how both to paint skin, and to add blush tones. And remember, as per my usual, the best way to learn how the draw and paint Black people is to follow and learn from Black artists! Another good idea might be looking into Black makeup and Black SFX makeup artists. As people that work with skin on a regular basis, they would be a good place to study what colors can and should be used on different skin colors as a whole.

ami0amii

Likelihood Art

Tiara Anderson

Proko

Sinix

Ross Draws

In summary, focus on bolder colors, be willing to test until you get what you need, and practice! All you can do to get better is to practice! And as always: it’s the thought that counts, but the action that delivers!

#creatingblackcharacters #character design #black characters #black art #black artists #black character design

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badjokesbyjeff · 16 hours

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There were three race horses; ernie, bill, and ted.

the three of them were good friends; they enjoyed racing each other and generally won and lost to each other equally. every evening, after the races, they went to a local bar to relax and drink some beer. they would often discuss racing techniques, their families, etc.

one season, bill wasn't doing so well. he rarely beat the other two, and was worried that he'd be sent to the glue factory if his luck didn't change. one night, at the bar, he talked with ernie and ted about it.

"you know, guys, i just can't figure it out," he said. "everything's fine at home; the kids are doing great, my wife is being nice, the bills are paid, my mother-in-law rarely visits - nothing could be better. maybe i'm just getting old. if things don't pick up soon, they'll send me to the glue factory."

the bartender, a big llama from peru, overheard the conversation. he looked around, to make sure nobody else was listening, then said, "hey, pal, i got something for you that'll make you feel like a young colt again." he reached under the bar and pulled out an unlabeled bottle of beer. "here, drink this; i guarantee you'll start winning again. come by each night for a week and I'll give you one. if it doesn't work, i'll give you double your money back!"

bill looked at ernie and ted, who only shrugged, then drank the contents of the bottle. "oh, just one thing," the llama said, "it'll make your ass itch, but that's okay; it's just a side effect. don't worry about it." the three horses stayed a few hours, played a few games of pool and darts, and went home.

over the course of the next three days, they went back to the bar each night, and bill continued the regimen of mystery beer. his racing times did improve! he was slowly moving back up in the rankings, and was soon back into the top three with ernie and ted. bill was ecstatic, and thanked the llama profusely.

"hey, my pleasure," said the llama.

a few weeks passed by, and ernie started slowing down. after losing three races in a row, he sobbed to himself, "i just don't get it. my life couldn't be better. i can't believe I'm getting old! they'll send me to the glue factory if i don't get back in the groove!"

that evening, at the bar, he told the llama bartender about his troubles, and asked if he too could try the mystery beer. "okay, but remember, it'll make your ass itch - but don't pay it no mind. it's just a harmless side effect."

"no problem. it'll be worth it to get back in the groove," ernie said.

a few days went by. ernie's ass did indeed itch, but after a few more days, his races improved, and he was back in the top three with bill and ted.

at the bar one evening, ernie bought a round of beers for all the horses, and thanked the llama profusely.

"i just can't believe how great that mystery beer worked!" ernie said. "you're sitting on a gold mine, there!" the llama said it was his pleasure, don't worry about it, etc.

a few more weeks went by, and now ted started slowing down, losing races. he, too realized that he'd be shipped off to the glue factory unless his races improved.

"say," he said to the llama one night after a particularly humiliating loss, "i think i need to try that mystery beer too. they'll ship me off to the glue factory for sure if I don't start winning again."

"no problem," the llama said, pulling out an unlabeled bottle. "here. come back every night, and i guarantee you'll be back in top form again, or i'll give you double your money back."

over the course of the next few weeks, ted's races continued to improve until he was back in the top three with bill and ernie. he pranced into the bar, full of vim and vigor, and thanked the llama profusely. "you know, my ass itches a lot; it's almost unbearable. but i can't thank you enough. they would have turned me into glue by now if it weren't for you. anything you want, let me know and i'll see what i can do."

"no problem," said the llama, "i make this beer at home using an ancient inca recipe. it's just my way of thanking my regular customers for their patronage over the years."

"i'm not kidding," ted said, "this is the greatest thing that's ever happened to me. anything, you name it, anything you want, let me know, and it's yours."

"well, now that you mention it..." the llama began -

right then, a greyhound walked up to the bar. he was obviously depressed.

"barkeep, give me something strong. i'm on a losing streak you wouldn't believe," the greyhound said.

ted looked at the greyhound, then at bill and ernie, and said, "hey, look! a talking dog!"

#funny #jokes #humor #lol #comedy

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veetri-bitcrush · 1 year

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Alright! Let's actually talk about this waterfall thing. It is an amazing showcase of many things that I adore from late 90s graphics. I am replicating this in Blender, through mere observation of the final game, so some things might not be exactly accurate to what the PS1 does.

First off, this is what I started off with, straight from the Noesis exporter into Blender.

"Looks boring!" "What are those weird gradient quads?!" Oh we'll talk about those too, don't worry.

Let's start simple, figuring out the Layers.

We've got the base level geometry, then two layers of water, each with a different texture.

Let's focus on the bottom Water layer first. A waterfall's water falls, and the age old trick to replicate that behaviour is to scroll the texture along the mesh by offsetting the texture coordinates every frame.

Simple enough. Not too convincing yet.

Let's do the same with the other layer.

Look at it goooo!

An often-used trick to enhance the waterfall effect is to increase the distance between vertices (or squash texture coordinates) as the geometry goes down.

This affects the scrolling velocity for the texture in each section, making it look like gravity is accelerating the water.

MGS pulls yet another trick on top of that:

Vertices are subtly animated to oscillate, making the water flow seem more irregular.

It seems to be something similar to what is done to geometry when the camera goes underwater in the docks or vents area.

One opaque layer of water on top of another is no good.

Alpha Blending is an expensive technique and it'd not give the desired effect.

Additive Blending is used instead. The lower layer is rendered first, the second layer is then rendered on top, adding the color values together.

Now we get to talk about those weird quads.

They are darkening gradients! Instead of using Additive Blending, they do the opposite, the color value from the texture is subtracted from the scene that was rendered below, effectively creating shadowed areas.

Who needs HBAO+ anyway?

Lighting pass!

I just threw a few point lights to try and replicate the original vibes of the scene.

MGS, instead, uses lighting information baked into the vertices of the scene to create this mood. And what a mood it is!

Here's an additional example of the same techniques used in the bottom part of the same scene. Although the game seems to be rendering that water mesh as (almost?) completely opaque, there is an actual floor mesh under it.

There, I fixed this post. If you enjoy my posts, shit or not, consider supporting me on Ko-fi, I will appreciate it a lot 💞: https://ko-fi.com/parametricpalta

#ps1 #playstation #metal gear solid #retro graphics #retro #vfx #blender #mgs #breakdown #waterfall #rex's lair #noesis #ripped #low poly #I fixed it!

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chaisshitposts · 7 months

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𝐏𝐒𝐘𝐂𝐇-𝐊 / 𝐖𝐇𝐎𝐋𝐄 𝐁𝐑𝐀𝐈𝐍 𝐒𝐓𝐀𝐓𝐄 𝐅𝐎𝐑 𝐑𝐄𝐏𝐋𝐀𝐂𝐈𝐍𝐆 𝐋𝐈𝐌𝐈𝐓𝐈𝐍𝐆 𝐁𝐄𝐋𝐈𝐄𝐅𝐒 + 𝐒𝐄𝐋𝐅-𝐇𝐄𝐀𝐋𝐈𝐍𝐆

what is psych-k? •°. *࿐

according to the psych-k frequently asked questions, PSYCH-K, "is a proven and safe way to change subconscious beliefs that perpetuate old habits of thinking and behaving that you would like to change."^1 dumbing it down, you are using psych-k to tap into your subconscious and conscious simultaneously, rewiring your brain with a single affirmation. and while doing this, you may begin to have a rush of negative, limiting thoughts, but instead of pushing them away in frustration, you will invite them in. think of it like this... you are the teacher and your affirmation is a brand-new lecture. you're standing at the front of the room in front of many desks, all filled with 'students' aka your thoughts, emotions, etc. as you are 'lecturing' (repeating this affirmation over and over and over) the 'students' begin to disrupt you with hurtful words or overall trying to debate with your 'lecture'. how do you handle this? you continue to 'lecture', you can continue to listen to your 'students', and eventually, the 'students' will quiet down until there's complete silence and that's when your 'lecture' has started to implement its knowledge into your 'students'.

how does psych-k work? •°. *࿐

"PSYCH-K® is a unique process, having evolved from years of brain research and thousands of sessions with individuals and groups. It creates a receptive, “Whole-Brain State” that dramatically reduces unwanted resistance to change in the subconscious mind. The subconscious can be accessed in a way analogous to a personal computer. PSYCH-K® works as a kind of ‘mental keyboard’ — a user-friendly method of communicating with the subconscious mind that is simple, direct, and verifiable."^2

has there been scientific research on psych k? •°. *࿐

absolutely. if you'd like to read more about this, you can go here and download the various articles and give them a quick read.

how does psych-k differ from other methods as well as other healing techniques such as meditation? •°. *࿐

if you're looking for a thorough answer to this question, feel free to look at this for reference as it better explains the answer to this question in its entirety. the bottom line, however, is that this technique is just as important as others and is not meant to replace any other methods, it is simply another addition. many healing techniques will depend on outside sources of the person, such as a psychologist, hypnotist, or anyone with similar titles. however, psych-k will depend on the inner-workings of those who are performing it, psych-k simply provides the tools and you, the one who is getting into this 'whole brain state' are the one actually doing all of the work. you will be the one taking apart your limiting beliefs and replacing them with whatever you truly desire.

will it benefit me? •°. *࿐

PSYCH-K, "[...] enables you to communicate with your subconscious mind so you can change beliefs that are limiting your self-esteem, relationships, job performance, even your physical health…and much more! PSYCH-K® is popularly characterized as a spiritual process with psychological and physical benefits. While the term “psych” is often used as an abbreviation for “psychology,” in our case it is used as a variant spelling of the word psyche, meaning “mind,” “soul,” or “spirit.” The letter “K” represents the Key to sustainable success."^3

why should i test out the psych method? •°. *࿐

just like anything else, you do not need to try this out, however, what do you have to lose? the results may shock you.

can anyone do the psych-k technique? •°. *࿐

absolutely anyone can do the psych-k, it is not limited to any particular group of people, and it can effect people differently depending on how they use it.

how do i do psych-k? •°. *࿐

there are many videos on YouTube that will provide a visual guide of instructions on how to do it, however, this is the video that I use and I highly recommend that you watch the entire video to get a logical understanding of what's happening (if you prefer logical info like I do). and if you're having trouble figuring out how to position your hands, watch this video as well. I'd also like to mention that if you're unsure of which side of your brain has more resistance to a new belief, set yourself a timer for 5 minutes and do psych-k with your left ankle crossed over your right and your left hand crossed over your right. after the timer goes off, switch your right ankle to cross over your left, and your right hand to cross over your left. a l s o, if you decide to have resistance against this method bc or any method in general (bc you're stubborn perhaps), take the time to do psych-k and affirm that all methods work for you, boom, fuckin' foolproof.

can i use psych-k to manifest anything i desire? •°. *࿐

yes, yes you can, you're changing your beliefs right in the moment, there are no fuckin' limits unless you create those limits for yourself.

can i use psych k to enter the void state? •°. *࿐

yes, you can do anything you want with psych-k. @urgurljodie has a bit more information on this, but, i am aware that they sent an ask to someone and stated that while doing psych-k you should affirm that you're in the void state/in the void etc.

how do i know if I'm doing it right? •°. *࿐

there's no need to overcomplicate this, don't fear the replacement. simply sit down, get into position as instructed in the videos provided above, and follow their words. stay in the psych-k position for as long as needed, repeating your new belief over and over, invite the resistance in, and simply keep thinking this new thought until you no longer feel resistance towards your new belief. you'll know if you did it right, promise. may sound unbelievable at first, but again, what do you have to lose?

can i combine psych-k with the laws of manifestation? •°. *࿐

absolutely, use any affirmations you want.

do i have to do psych k to eliminate limiting beliefs? •°. *࿐

nope! this is simply just another method of sorts, you don't need to try anything you don't want to. no one is forcing this shit down your throat...

notes •°. *࿐

i'd recommend this technique that combines psychology and kinesiology to anyone and everyone who thinks they are struggling to build new beliefs or manifest their dream lives. the worse that could happen is that it doesn't work or it just takes you a little longer to replace the programming in your mind. give it a try and report your results. a l s o, before anyone comes at me i will give proper and due credit to @urgurljodie for bringing light to this technique to the tumblr void community, ya should be thanking them for this. this particular technique has thoroughly pleased the logical and more scientific-based limiting beliefs I've had for a while. this post was simply meant to add onto what's already been established, all due credits go to the developer of the technique of rob williams as well as the tumblr user mentioned above.

references.

all of the quoted information comes from this site.

1. https://psych-k.com/faq/#what

2. https://psych-k.com/faq/#what

3. https://psych-k.com/faq/#what

4. here's some information on muscle testing and psych-k

5. clearer instructions for the correct posture (en)

6. more information on the whole brain state

#law of assumption #law of attraction #void state success #void state #god state #psych k #psych-k #limiting beliefs #manifesting #manifesation #manifestation method #laws of manifestation

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colleendoran · 1 year

Text

How Do I Do Stuff

The question was phrased a little strangely, and I don't want to embarrass the person by posting exactly what was said, but I'll answer it and hope this clears everything up.

I do almost all of my drawing by hand. No, I don't trace in Photoshop. Not a judgment on those who do, but I come from a generation of artists who did not use Poser programs or other digital tools. We learned to draw using a technique called the Sight Size method. I know a lot of people assume everyone - including the old masters - traced everything using optical tools, but while it is true some people did, it is just as true that most didn't, and you can draw with great accuracy if you learned how to draw the old fashioned way.

Sight Size breaks everything down into its barest components of geometric shapes and you build from there. Once you learn it, you never forget, and it applies to everything you will ever draw.

I learned it using a set of Famous Artist Course books my mom had since she was a kid, and they are still the gold standard. They're often on ebay. If I were you, I'd buy them.

I actually find using figure reference really annoying because I like exaggerations and modifications from reality in my final work.

This page from Neil Gaiman's Chivalry was drawn and painted without figure reference of any kind.

I don't know why people assume I trace all the time. If you were to try to use photographs to replicate these figures, you would find they are slightly off. There is no tracing here.

This is not to say I never use reference. This page, for example, was referenced from a photo of my mother. Isn't she pretty.

But this page of Sir Galaad was drawn and painted without reference.

He's pretty, too.

If he were real, I'm sure a lot of people would be very happy about it. But he's not. And had I reference, the art would have gone a lot faster. I had a time trying to nail this face that is very alive in my head but doesn't really exist.

Back in the ancient days, all cartoonists had to learn to draw and paint extemporaneously because reference was limited and digital tools didn't exist. While some high end artists had photography studios and professional models with costume and sets on hand, small fry like me were limited to what was in the house or available at my small local library, which was no bigger than a few rooms of my current house.

Artists kept extensive "morgue files" or "swipe files" which were collected from magazine clippings and photographs so we would have as much of what we might need on hand for quick reference. These ephemera collections could get unwieldy. I have thousands of photographs I've simply never sorted. I finally dumped most of my files this past year.

Have I ever traced anything? Of course, especially if I have to re-use a shot or setting over and over. Making extra work for myself is just silly. It's my job to make pictures, not to perform magical feats, like copying one shot after another over and over without making a mistake.

However, for almost 15 years of my career, I refused to copy or trace anything, and did not even own a lightbox. On the one hand, that forced me to learn to carefully examine what I saw. On the other hand, it was a stupid hill on which many deadlines died.

Only after I realized many professional artists had lightboxes and overhead projectors did I finally break down and get one.

The one thing I use my lightbox for more than anything is for tracing my thumbnail sketches to the final drawing paper. Instead of trying to capture the liveliness of the original sketch by copying what I see - only bigger - I blow the thumbnail up to the size I want the final art to be, then I trace over the thumbnail using a lightbox onto the final drawing paper.

Here's a look at thumbnails from the graphic novel Neil Gaiman's Snow, Glass, Apples.

I enlarged these on my computer to fit onto 11"x14" paper, and traced the thumbs before finishing the art which was drawn in pen and ink and colored in Photoshop.

While I obviously made some changes, the essence of the thumbs is there in the final work. Tracing my thumbs retains some of the looseness of the original sketches, which is often lost otherwise.

So, there is a valid purpose to tracing at times, though in my opinion, too much tracing can weaken drawing ability, substitute for developing skills, and make the work kind of stiff.

If you want to, I'm not your judge. But it's weird to me that people think I must be faking my skills in some way.

Ironically, the word cartoon comes from the Italian word cartone, which is a large heavy sheet of paper - also, the origin of the word carton.

Preparatory sketches were made on this paper which was then transferred to the final work surface via either tracing or by stamping little holes in the paper through which dust was sprinkled, recreating the contours of the drawing for the artist to follow.

So the origin of the word cartoon comes from a process often used...for tracing.

#snow glass apples #chivalry #neil gaiman #drawing

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jadeylovesmarvelxo · 1 month

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Eddie always notices the cheerleaders, he never notices you, so in an attempt to move on you go to Steve's party and one thing leads to another with him.

Perhaps it's the knock on the head Eddie needs to realise how he really feels?

Mdni, 18+, Fluff and angst, unrequited feelings or are they? Jealousy.

Eddie Munson X Reader.

Brief Steve Harrington x Reader.

💌🫶

Eddie was always flirting with the cheerleaders, it didn't matter if they never flirted back, or they only flirted back to piss off their boyfriends, obviously they were Eddie's type despite his intense hate of the dark side.

You watched Eddie moon over the impossibly pretty girls and sag. He would never notice you, you were just his friend, one of the members of Hellfire.

"Why do you flirt with them all the time Eddie, aren't they part of the dark side of whatever?", you ask him and the rest of Hellfire quieten, it wasn't often that someone challenged Eddie, if at all.

"Sweetheart, I like to extend my superior flirting techniques to all the ladies" he answers back with a teasing smile. All the ladies except you of course.

"Dude, you have no technique, unless technique counts at you making a total goofball ass of yourself" Gareth points out but quietens at Eddie's glare.

"Princess is a girl and you don't flirt with her" Mike adds and Eddie rolls his eyes at him.

"Because she's like one of the guys Wheeler" you still as you process Eddie's comment. One of the guys, that's all he saw you as.

"But I'm not Eddie, just say the truth that you don't feel like that for me and be done with it" you don't mean to be so snappy but Eddie's comment has hurt you.

"I just said that" he says impatiently and it sends a knife to your heart. It's the confirmation you need that he's never going to see you in the same way you see him.

...

Thursday is party night at Steve's, it's the first he's held in a while and what started as just a small intimate gathering has snowballed into tons of students finding their way to his.

He notices you at exactly the same time you notice him, you're new to the party scene. It was a spur of the moment to come here, fuelled by Eddie's comment and the need to move on.

Or to just get completely drunk and forget your heartbreak for a night.

"Hey, haven't seen you at many parties" he hands you another beer and you shrug.

"Just wanted a change, shouldn't you be mingling with the guests?" He makes a face and sits beside you, clinks his beer with yours.

"Yeah, I wasn't expecting this many people. It's not really for me anymore" you look at Steve, really look at him and realise how much he has changed from the Steve you've known for years.

The crowd cheers at someone using the beer keg, the guy is upside down and laughs with his friends as he finishes. The noise is beginning to give you a headache, Steve notices your expression and gestures to the door.

"You wanna get out of here?" He suggests and you nod. Absolutely.

...

For a while you and Steve talk, ignore the noise downstairs and you find yourself relaxing in his company.

"So Munson huh?" he asks gently and you wonder how he knows. Maybe it's the way your face lights up just at the mention of Eddie. Body flushing in embarrassment you nod and sigh.

"He doesn't even notice me" Steve scowls and gently places his hand on your shoulder, squeezes it tenderly.

"Unrequited love. I know all about that. Munson's an idiot" you peer up at Steve and his gaze lingers on your lips, desire floods through you and before you know it you and Steve are kissing.

Hesitant you break away, Steve gently strokes your cheek. "Do you want to do this? It doesn't have to be anything more than two friends seeking comfort honey?" you let that sink in for a few seconds then make your decision.

You lean forward and kiss Steve again.

As the party rages on you and Steve lose yourself in one another.

...

Bright sunshine wakes you in the morning and you groan, Steve is soundly asleep beside you and all the memories flood back.

Fuck. You slept with Steve. Steve groans as you rush out of bed and his hand gently tugs at your arm. "Hey, slow down honey" he mumbles sleepily.

Flustered you sit back down and he takes your hand, "You okay? Was last night okay?" you nod feeling a little bit shy.

"It was nice, really nice" he squeezes your hand and kisses your cheek and even though you're smiling there's a mix of emotions inside you.

You always thought your first time would be with Eddie, it was silly but that's what you thought. You know this was a one time thing but it would be nice if you got to know Steve more, he was a really great guy, nicer than you ever thought.

"I can drive you to school if you want? I need to pick up Robin anyway" you agree to this and quickly get dressed, following Steve out the door.

🫶💌

Movies sure did exaggerate first times. It was lovely but you didn't feel any different or look any different. As normal you head into school and make your way to your locker.

Whispers follow you, you begin to feel paranoid that it's about you and Steve, but the party was really busy last night so who would have seen you and Steve together?

Listening closely to the mutterings around you, you cringe when you hear your name and Steve's. Well shit. The cat was out of the bag.

You slept with Steve and somehow that fact has made it around Hawkins High gossip chain quicker than you could blink. Steve was out of high school so he didn't tell anyone, except maybe Robin but she hardly participated in school gossip. So someone must have seen you going up Steve's room at the party.

Fuck. You avoid the gazes of the rest of your classmates and just about make it to lunchtime to the safety of the Hellfire table. Rarely did any of them pay attention to any gossip, so you assumed you were safe here.

You were so very wrong. From the way that Jeff was staring at you, it was obvious he had heard what happened. Could anything just stay a secret without it making rounds? The perks of living in a small town, you grumble. Everyone knew everyone's business.

Determined you hold your head up high, you don't have anything to be ashamed of. If someone tried to do that then they were an asshole, you weren't going to pay any attention to them.

Eddie barely notices any of the stares heading the way of the Hellfire table, he's off on one of his rants and hyped up.

He winds up Jason as per the usual but Jason only smirks and his gaze rests on you. Bingo on who saw you going up to Steve's room then. You're tempted to flip him the bird but refrain from doing so. It was better to ignore the idiot.

"Hey Munson, I didn't think any of you Hellfire freaks had it in you but she's showing you all up" he points to you and you glare at him. Asshole.

Confused Eddie turns to you and Jason continues his tirade. "So how was it huh? Screwing king Steve?"

There's immediate silence in the cafeteria and you feel embarrassment flood through your body at the attention and the fact that Jason has said it publicly.

"Better than the poor girl who has to ride your tiny limp dick Carver" you reply sweetly and watch as his face goes red with rage.

"Could hear you from the other room couldn't we Chrissy? Oh Steve" he exaggerates moaning and crude gestures. Eddie has gone strangely quiet and he catches your eye.

"You slept with Harrington?" his face is blank and you don't know what to say, his reaction is strange and before you can reply the bell rings, leaving the conversation unfinished.

💌💞

You're faced with comments and giggles all through the rest of class, you put on a brave face but Eddie notices you discreetly wipe your face with the back of your hand at your locker.

All Eddie feels is rage. Steve must have let Carver know all the details of your night with him. There are other emotions churning in his body but he can't look at them too closely because they will change everything.

So he focuses on the rage and decides to go and see Steve.

...

Steve didn't expect a visit from Eddie Munson, he's stacking shelves with Robin and help from Dustin who's practically mooning over his new friend.

Then the guy walks in, his brown eyes flashing with anger and makes a beeline straight for Steve who can barely react when Eddie's fist hits his face.

The videos scatter and Dustin exclaims in shock as Robin rushes to help him. Steve clutches his nose and glares at Munson. "Dude, what the fuck?"

"Cut the shit Harrington. Did you tell Carver all about your night with yn? Spread all the details so people would hound her all fucking day?" Steve gapes and realises that Eddie has gotten the wrong idea.

"What? no way dude. That night was between us" he watches Eddie's anger deflate slightly. Grudgingly he helps Steve up but is still glaring daggers at him, gingerly Steve massages his nose and winces.

"Jeez Munson, that was a mean hit. Are you jealous or something?" Eddie's eyes widen and he scoffs.

"Jealous? I'm not jealous" Robin scrutinises Eddie and nods as does Dustin. He was totally jealous, even if he didn't want to admit it.

"Well you're acting like it dude, she's not your girlfriend so why do you care who she sleeps with" Eddie seems lost for words and opens and closes his mouth several times.

"Dude, did you just realise now after you told her that she wasn't your type" Dustin rolls his eyes at him and Eddie looks sheepish. Robin gapes at him and whacks him on the shoulder.

"Oh my god, you're an even bigger dingus than Steve" she exclaims, Eddie winces and rubs his shoulder.

"I know I'm an idiot. I fucked up, I realised once I heard about you and her and that I've been hiding how I feel for months. So yeah you're right Buckley, I'm a dingus"

Dustin looks between Eddie and Steve, catches Robin's eyes and rolls his eyes. "So why don't you just get on with it and tell her?" He asks exasperated.

Eddie bites his lip, he knows he has to tell you but what if he's too late? He voices his concerns and Robin smiles. "You never know until you say something"

He nods still nervous but determined, and he also still has the urge to kick Steve but he puts that down to the jealousy still pulsing in his veins. He had to do this, had to be Eddie the Brave and win his princess.

...

Eddie's at your door with wildflowers he plucked from the forest, he hands them to you and you smile, feeling better already.

"What a shit day" you sag and he pulls you into a hug, you're exhausted with the wave of emotions that has been plauging you all day. Then you remember Steve's call and peer at Eddie.

"Steve told me you hit him" Eddie's cheeks turn pink and he ducks his head to avoid your gaze.

"I thought Steve managed to spread around about your night together and I kinda lost it, you were so upset and it pissed me off... I was totally jealous as well" he says this in a quieter tone and you're sure you've misheard him.

"You were jealous of me and Steve?" he nods and you're puzzled by this because he said he didn't see you that way. Noticing your confusion Eddie gives you one of his sweet dimpled smiles.

"Yeah, I'm a dumbass or a dingus as Robin said" you snort feeling exasperated. After all this heartache it turns out that he does have feelings for you after all.

"You couldn't have figured this out earlier?" his cheeks warm at your response.

"I know, I have now and I'm hoping I'm not extremely late and that maybe you feel the same way sweetheart?" you tug him to you, hooking your fingers through the waistband of his jeans and kissing him then breaking away secretly thrilled when he looks dazed.

He captures your lips with his again and you can't help but smile.

"You're a dingus Eddie Munson" he gives you the sweetest, goofiest grin and tugs you close to him.

'I know Princess, but I'm your dingus"

💞🫶

#eddie munson x reader #eddie munson x you #eddie munson fluff #eddie munson x female reader #eddie munson angst #eddie munson #eddie munson x y/n #eddie munson x best friend reader

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windvexer · 2 months

Text

If someone said to me, "I'm a beginner witch and I want to cover my bases in case I run into magical trouble," I would recommend:

One home ward for general protection, probably as a container spell or as an artificial spirit (perhaps using clove, red pepper, cinnamon, and soil or dust from the corners of the home/property), for the purpose of keeping out ill-fortune, ill-intent, and unwanted guests

One completely separate home ward, probably as a container spell (perhaps using dill, rosemary, and garlic), for the purpose of keeping out uninvited spirits, unwanted spirits, and malefica sent intentionally or unintentionally by other practitioners

One heavy-duty protective amulet, probably made of rusty nails or a piece of hematite or otherwise iron, for the purpose of behaving as a suit of heavy armor in case of spiritual alarm; to be carried about as you solve the problem; the effects of which may be encumbering and too imposing for everyday use

One more mild protective amulet (perhaps made of amethyst jewelry, or an acorn, or an oak twig cross), for the purpose of providing an immediate protection against ill spirits and energies; to be worn when a shield is desired, but a shielding energy-working technique is too draining or time-consuming; should be comfortable to wear as often as desired

Of all of these things, avoid repeating ingredients across charms, unless you are in special allyship with a certain spirit.

Those persons also suffering from nightmares or disturbed dreams may also benefit from:

One bedroom ward, probably a container spell or Witch's Ladder (perhaps containing star anise, amethyst, knotted cord, spiders or the forms of spiders, and rosemary), for the purpose of tangling up ill spirits and ill energies which inspire bad dreams.

Of any ward and amulet, feed it a minimum of once a season; if they're working often to provide assistance, or if the effects run out, increase feeding to once a month; in times of distress, feed weekly or as needed.

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yonch · 3 months

Text

it's been 15 years and you can see better than ever

(design notes under the cut) (there are spoilers)

ok this got really long. here you go

sif:

ditched the cloak. it was collecting dust in their closet until recently, but they realized they don't need to cling to their grief so much anymore. someone else will need it more soon.

ditched the eyepatch. the prosthetic eye is a labor of love designed by isa, as is literally everything else they're wearing.

they cut their bangs finally and started braiding their hair back so it wouldn't obscure their vision as much anymore.

they like darker/tighter clothing and prefer function over form but unfortunately their gay ass boyfriend keeps treating them like a dress up doll so they're stuck wearing waistcoats and a fancy cloak. (they don't mind. it's designed to look like loop.) they keep flowers in their many pockets to give to people.

they're a woodworker in their free time. they don't usually talk about being any sort of savior so he just becomes sif the guy who's really good at carving birthday presents for people and also tags along with isa to charity parties and fundraisers

41 year old 5'1" they/he absolutely zero intention of Changing. bonded to isabeau. they adopted a kid who leo or i might post about some other time i think. her name is estelle.

isa: i'm not taking credit for the design that's by my friend @fembard /@leoweooo. i'll include his design notes

isa dresses mostly for comfort, he doesn't like wearing stuff that might get stained or ruined when he's dyeing clothes or chasing stelle around in the mud or something, all his fashion sense goes into his handiwork

he Changed a few more times over the 15yrs, eventually settled. picked up she/her pronouns again on the side but was never really able to ditch the name isabeau and he kinda ran out of names anyways...

kept the long hair, kept a few inches in height, very happy to fulfill the role of male (space) wife

can't ditch the kimono jacket it's the piece de resistance. odile influence and Wisening Of Age means its made with a little more knowledge of ka buan technique but still very clearly an Isa Design. the fabric is imported silk sif!!!!!!

39 year old Tall with a capital T he/she "i swear i'm not a weeaboo i'm just really into ka buan fashion" vaugardian indie clothing designer in your area help support this man in his attempts to use his family members as living advertisements for his brand

mira: with design input from @jastertown thank you my friend

i took a lot of inspiration for the sparkly, sheer fabric on her dress from euphrasie. she's not head housemaiden yet because she doesn't feel like she's ready but everybody knows it'll be her

speaking of inspiration. she's been taking a lot of fashion cues from a certain lady in dormont that she thought was kind of scary, but it turns out she's very nice? they're besties now.

she got rid of the earrings for a little bit but then she realized she just liked how they look on her. so now they go ding ding! it's for her and nobody else, and that's how she likes it.

moved her ornaments to her skirt because they ding ding more often there. her necklace also jingles with merriment.

38 year old she/her advanced cisgender+ legend who's realizing that people are trying to get her to be the pope but all she really wants to do is write yaoibait fiction that looks like it came straight off of ao3

odile:

my glorious hag. she started shrinking about 3 years ago. all those years of bending over books has finally caught up to her. her hips are fuuuuuucked. but she has a sick cane that sif carved for her so everything's okay

she was already pretty comfortable and settled in her sense of style when she was nearing 50 so i don't think she would change much. darker clothing maybe. ditched the high-waisted pants for some looser slacks.

she's started writing a familytale of her own. the only person she's told about it is bonbon, who caught her up way past their bedtime, and scribbled all over one of the pages. she'll pass it on to sif when the time's right, after she's written down everything she can remember about their family.

64 year old she/her wasian researcher recovering from hernia surgery who's getting really into things like "political activism" and "body craft law reformation in ka bue" and "making sure people aren't sourcing their hrt from back alleys"

bonnie:

prefers to go by boniface these days. it's cooler. more mature. please stop calling me bonbon that's a nickname from when i was 10 guys c'mon guys ugh fine frin you can still call me bonbon but not around my girlfriends ok (nobody calls them boniface except for odile)

speaking of which they have 3 butch lesbian girlfriends. this got established as a joke but i think they have it in them. they're still young!!!!!!! they should be at the club!!!!!!!!!!!!!!!!!!!

they traveled for a while with everybody but eventually settled down back in bambouche to start a little family owned restaurant with nille featuring dishes from all over the globe. people travel from all over to get a taste of boniface's good eats... bambouche is bustling. (they have a few recipes that are sourced from the country. they meet people every once in a while who find something achingly familiar about it, and they usually direct those people to jouvente to get in contact with frin.)

26 year old they/them "i dont know how tall i am but i'm taller than za" chef cooker whose restaurant keeps lighting on fire because this time i swear nille i can figure out how to do cooking craft i swear i wont explode the kitchen this time please i promise

loop:

ok. this is where lozy gets to just talk about what he thinks happens post game. i think they stick around for way longer than they really should and follow the crew around on their travels (mostly invisibly) because they're sooo fucking scared of change they're sooo scared and they're so scared of their wish fucking up beyond belief. they're kind of incapable of aging or dying in this body and theyre like permanently 26 which is what spurs them to finally move on.

i think they go back to their timeline eventually after making a Brand New Wish to "go back to their real family." alas the universe leads and we can only follow. and it turns out loop has actually made a real family in stardust's world also. this is my justification for why they can pop in between sasasap and isat worlds without much repercussion. i think they're always permanently loop shaped in isat but i imagine they can probably go back to their original body in their home timeline... might design that later. who knows. i'm fucked like that

i just think they deserve a chance for their own happy ending you know. isat's a game about how it's never too late to communicate and how you shouldn't punish yourself forever and ever. and i think theyve punished themself enough you know.

ok tank you for reading if you read this far. it's really big and long so i would understand if you didn't. but i hope you liked it. thoughts appreciated. here's a little something for the people who read all the way through.

#isat #in stars and time #siffrin #siffrin isat #isafrin #isat game #postgame isat #loop #isabeau #mirabelle #odile #bonnie #boniface #spoilers are only under the read more #my drawings #etoile tag

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