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frenchphobic · 3 years

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long fucking post on why a c!dream is a shitty person and probably should not have a redemption because it is unpog

honestly i just want to refute dream apologists thats why im making this post. i think that dream as a villain is interesting but i think that trying to make him out to be secretly a good guy is just bad ngl. also /roleplay and all

tw for abuse and mentions of suicide

dream as a villain

dream is a villain. he is chaotic evil according to wilbur, deliberately does not stream to appear less sympathetic (and yet), and is set up as an antagonist to tommy who bears the title ‘hero’. dream is not a good person, no matter how you look at it or try to justify his actions.

‘but he wants to unite everyone to be a big family :((’ the ends dont justify the means believe it or not. having a vaguely positive goal does not excuse the actions you’ve done. it also goes hand and hand with saying dream is correct for punishing tommy the way he did because he acted up. if i socked you across the face and then suddenly said ‘sorry there was a roach on ur face’ does that make it okay? probably not i still punched you, enacting an unnecessary amount of violence. thats a very simple analogy i will admit and there are more complex comparisons. another example off the top of my head is say a child just scribbled all over you walls with crayons. would hitting them be a justified answer? if u said hes thats really fucked of u go seek help u loon. violence as a punishment is very toxic, just because it gets the job done does not mean it is okay. at the end of the day, you still committed this act and the harm you caused is real, having a good motive doesnt suddenly make it okay.

‘but tommy causes all of the conflict’ the disk war wasnt even caused by tommy, it was sapnap and then tommy got involved. and the reason why tommy even caused conflict was because of the discs, because he wanted them back. and most of the time there was a level of antagonism from another party, such as schlatt exiling him, dream taking the disks in the first place, dream threatening l’manberg. and if dream wanted to end the conflict so badly, why didnt he just give tommy back his disks? tommy upfront said everything started with the disks, so he wants them back so he could end the conflict. notice how after tommy got his disks back he has been staying out of conflict, apologizing to everyone, and the only bad thing hes done is try to scam people but everyone does that. this would have been the most peaceful option, yet dream chose the path that would further antagonize tommy which then draws everyone else into conflict. why did dream need to have leverage over tommy so badly? why did he want to hold power over tommy so badly? its because of control, and that’s ultimately dreams end goal. sure he wants a big server family, but would said family have a free will?

‘but dream is sad’ the thing is dream is completely at fault for everything that happened to him. he pushed away sapnap (and george ig). he tried to take control over the server and their possessions. literally everything that happened to tommy. literally everything involving ranboo. villains can be sympathetic, i am not arguing against that. but it does not mean that they should be left off the hook. that doesnt mean u should ignore the shit theyve done because ‘oh no theyre sad’ because it doesnt make anything better. dream had this shit coming for him.

now people also skirt around calling dream an abuser. which is fair ig, its a very loaded word. its much easier to say manipulated. that being said, dream can classify as abusive. and no, tommy is not abusive. abuse is about control and a power imbalance. dream has power over tommy, but tommy does not have power over dream, at least not in the way dream does. he’s taking back power to stand up for himself, dream uses power to control.

the reasons i listed for why dream is from the Domestic Abuse Intervention Project so if u want a source on that, there you go.

using coercion or threats: dream often threatened tommy, such as the pit thing and often employed violence on him. while normally this could be attributed to Normal Minecraft Player Go Smack. minecraft mechanics cannot always translate to real world since violence is pretty normal in minecraft however we also need to consider the context of the scene. dream gave an order, tommy refused, dream applies violence, tommy submitted. thats why its a threat, it has tangible effects that can correlate to real life.

using intimidation: dream blew up logsteadshire as a punishment. dream also destroyed tommys items anytime he visited. dream also hit tommy with his axe i believe. he killed mushroom henry, one of tommys pets.

Using Emotional Abuse: dream guiltripped the shit out of tommy for just hiding things and pinning the blame on tommy for just wanting his own private items. he definitely played mind games on tommy, pretending to be his friend. honestly i probably dont even need to go as in depth because it was so obvious.

Using Isolation: putting him in exile in the first place. destroying the bether portal so no one could visit tommy anymore. i really dont think i need to expand upon that.

Minimizing, Denying, and Blaming: dream in tommys stream when he got trapped said that exile wasnt that bad. he does shift the blame onto tommy for logsteadshire being blown up, even though dreams reaction was entirely unjustified for not listening and hiding.

Using Economic Abuse: see this is where i attempt to parallel minecraft mechanics to real life. obviously, there is no monetary system in place, so when i mean economic, i will use valuables such as armor, food, etc in place of currency. the idea behind economic abuse is to limit the victim’s resources so that they are dependent on the abuser and cannot escape. dream only really allowed tommy to have the armor he gave him while not giving access to armor so he does not regain a sense of power, and in the prison stream, dream holds all the potatoes which puts him in a position of power over tommy. this argument is more ambiguous i feel cause the whole minecraft mechanics thing is kinda weird so u don’t necessarily have to take this part in.

i feel like i need to emphasize this very strongly because dream is not a good person. abuse cannot and should not be a response to someone. its an awful mentality to have. i just want to prove the point that dream is not a good person, his reasons absolutely do not justify his actions.

what makes a good redemption

redemption arcs are tricky. when done right they are great. when done poorly, its a slap in the face. rn im going to establish a formula to what makes a good redemption with an example.

the most well known example of a good redemption is zuko from atla. first, its the magnitude of what theyve done and why. zuko did commit some shitty actions, since he was in a position of power in the fire nation but its because he is a child being abused and wanted to regain honor. zukos real awful acts was season 1 and the whole betrayal thing. thats not to say that zukos actions suddenly are okay, he did shitty things. but its something that can be traced to a higher entity or seem less malicious then the other villains. the thing also about the magnitude of actions is that there is a certain point of atrocities that there is no redemption. some people simply cannot be redeemed because the actions they commit are so ingrained in their character or the action itself has serious moral issues that it would just be wrong.

the next is acknowleding what they did was wrong. a genuine reflection on the self and analyzing what they did and why it was not okay. zuko realized what he did to uncle iroh was bad for example. he turned his back on his father, realizing he didnt and shouldnt seek acknowledgment from someone as heinous as him. its pointing out your actions and going ‘hey, this wasnt right i should not have done this’ and not even excusing ur actions. its also going straight for the root of the problem and figuring out to stamp it from the source. just because a character is sad does not mean they are reflecting, sometimes they are attempting to garner pity. it has to be direct and clear acknowledgement of the injustice.

and finally, an important part about redemption arcs is the actual redemption part. its when you make amends. zuko made amends with katara by trying to help her get revenge, he fought against the fire nation and tried to make things more peaceful in his rule. he apologized to iroh. an important part of the amends section is that it does have to be a genuine desire to change and become a better person, not to change a person’s perception of you. the thing is u cant expect a person youve hurt to forgive you. you cant expect people to be sympathetic towards you nor should u attempt to make urself sympathetic. u shouldnt be expecting a pat on the back or an award. redemption is about internal and character change.

why dream should not be redeemed

ive already established the key points to a good redemption (imo) but heres where dream falls short. his actions are extremely heavy so redemption may not even really be possible. abuse is not something you can wave off so it does cross to the point of fucked up. acknowledgement of what he did was wrong? all he said was that he changed, yet never explained why he changed or was too vague. he needed to label specifically what he did and bring it up. attempting to make amends? he’s been doing the exact opposite in fact he continues to manipulate tommy and ranboo. its not a genuine change. he is still repeating the cycle and has given no indication of ceasing. at the moment he does not have any signs of redemption.

and the thing is most of the attention around a dream redemption comes from either justifying his motives (which i do want to emphasize does not make anything suddenly okay) and because he is sad in prison sad face. these are not good reasons. its gonna pain me severely to bring this up but snape from harry potter does have some form of sad character ig yet he very much abused his authority to bully children as old as 11 just because he said ‘aight gonna die’ doesnt suddenly make his general bigotry and abuse suddenly okay there is a threshold. again im so sorry for using harry potter as an example none were coming to mind and i needed a popular one i do not like harry potter please dont say i do i would pass away.

and the last thing to consider is the audience. keep in mind that the audience is composed of minors and while yes there are adults, minors are the main component of the fandom. keep in mind that there are quite a few people who can relate to tommys character because they might be in the same position or have gone through his experiences. tell me what kind of message does it send to that audience that abusers can be redeemed. this is not a narrative u should push to this audience in these situations and the writers are seemingly aware of it. remember how in exile tommy spiraled into a suicidal mentality? consider how fucked of a message it would be if he just committed suicide instead of escaping abuse and attempting to recover from his experiences. tommy did an excellent job in not going that route and having a message of ‘it will not get better’. its the same thing here. victims are not obligated to care for or forgive their abuser, and portraying an abuser as sympathetic might fuck with the message a lot, even change their perception in that ‘oh, maybe my abuser was right, maybe they had a reason for treating me the way they did’. this is not to say that every victim watching this will internalize this message, but people also look up to these characters. there can be a degree of influence from the story onto oneself and thats the dangerous part.

conclusion

all in all dream is a shitbag asshole and probably shouldnt get a redemption because it would not be pog thanks for coming to my ted talk.

#dream smp #dsmp #tommyinnit #dreamwastaken

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vaguely-concerned · 4 years

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The Mandalorian s2 ep1 Reactions Post That’s right I’m BACK

and none of you not even god himself can stop me from rambling about space cowboy dad and tiny green baby stuff for much longer than any sane person should

the TL;DR is that I still love this show SO MUCH, beware a bunch of spoilers under the cut!

- costume design wise I LOVE how badly the armour fits Cobb Vanth

especially when you get shots with him and Din side by side for contrast:

It’s not just that it’s clearly not made for him (it seems he’s a lot lankier and more wiry than Boba is), he simply doesn’t know how to wear it, and he doesn’t know how to take care of it, because he doesn’t know what it means. Remember when Din’s breastplate got bent completely out of shape by the mudhorn and he had it repaired to the best of his ability long before they even finished with the ship? That’s why he looks so grounded and natural in it and Vanth has sort of a clumsy Spiderman-in-his-first-home-made-costume air about him. (also Boba’s helmet has a beautiful heft and solidity to it in this, they make all the beskar have a Feel and weight to it, makes it feel important)

I like that Vanth is taller than Din; everything that drives home that Din’s strength doesn’t come from being naturally physically imposing or impressive is a joy to me

- Boba’s armour seems to be confirmed to be real beskar, which gives me so much hope that they’re doing something actually nuanced and interesting with Boba and Jango’s cultural identities as Mandalorians (whether they do consider themselves that or not, for example), unlike George Lucas’ inexplicable yet unbending stance of ‘They aren’t and never were lol get fucked Fetts’

the way the triumphant heroic part of the mando music sputtered and died when the man himself showed up tho... uh-oh this might be bad news

man but that’s a stunning and surprising way to introduce a well-known character divorced from what makes them so iconic, though, just from that I’m going to trust they know what they’re doing (AND they got temuera morrison back I’m so EXCITED!!!). without the armor there’s the face of someone who shared that face with literal millions and at the same time must be looking older than his father ever got to at this point, and that’s super interesting as a starting point to me. (I... guess there’s still a chance it’s a fakeout and that it’s actually another clone, but that would be such a letdown when they’ve already given us this haha)

- an excellent [mando sighs] moment

this opening scene did a great job of re-summarizing him for the audience -- establishing again that he gives you one chance at dealing with him fairly and if you insist on continuing to be an asshole about it, you’re toast, the fact that his fighting style is so much about being able to tank blows rather than not getting hit in the first place, the horror movie monster mando setup as he stalked the dude down and strung him up, the Poetic Justice predicated on some very careful word choices, and most importantly “where I go, he goes”... all wonderful, I’m sure I’ll watch this scene back for fine details and better looks at the background characters many many times

(word seems to have spread about him and the baby for real now, which makes me VERY nervous btw)

- Pulserifle’s back! Jetpack’s back! Razor Crest’s back! Grappling line’s back! PELLI’S BACK!!!!!! Tattooine... is also back *Finn voice* Why does everyone want to go back to Tattooine????

I really enjoyed the way they fleshed out and (for lack of a better word) humanized the sand people, though, if you are going back to this desert hellplanet again that is a worthy reason to do it

- Din swearing :O!! and one of the less egregious star wars swears too, I’m fine with this

- in campaign star wars news: I guess there was sort of both a binbon and a jubna in this ep! what a time to be alive

- as usual I love the jawa. a bright spot in any day, just a bunch of lil goblin-y friends hanging out having the best time loving sparkly crystals and rescuing silver foxes.

get in loser we’re going shopping

I uh. Do you think. Hm. Is there maybe a metaphor here somewhere. Is there perhaps a hidden, one may say double, meaning, at play, right here, in this image? Who can say, it’s just niggling at me (there’s a very similar set of shots with Toro in season 1, but seemingly the show went ‘I fear we might have gone too subtle with it, let’s amp it up this time’ over the season break loool)

honestly though this dynamic really highlighted everything I love about the ways Din performs masculinity. It’s so much softer and more community/collaboration focused and more comfortable to be around than Vanth’s version -- and Vanth isn’t a bad dude by any stretch of the imagination, it’s not hard to see why he’s like that considering where he’s from, he’s just such a... man. The lone person who can protect this village! The only man who’s got what it takes! It’s all on his shoulders and no one else’s, so do exactly as he says or he’ll put a hole in you! (I think it’s telling that one of his first comments to Din is ‘I’m sure you call the shots wherever you’re from, but ‘round here, I’m the person who tell folks what to do’, because as we as the audience knows, Din very much does not call the shots of where he’s from lol) I guess it says some nice things about the tribe of Mandos Din is from that this is how he approaches things, and it says some good things about Vanth how quickly he comes around to this smarter and less confrontational/domineering style of doing things once he’s been exposed to it and sees how it works. it’s just neat

(it’s smart of Favreau to set his ~*lone gunslinger*~ character up like this, too, it makes him so much more interesting and versatile)

- With the way Din says ‘a Mandalorian Armorer sent me on my path’ it does seem confirmed that’s the equivalent of a priest role or a sort of shaman -- I wonder if he knows the name of ‘The’ Armorer or if they take on the role as a whole identity

- the sheer contrast between the two people who wanted Din to take his helmet off for them in this ep tho... wants Mando’s armour off for horrible awful reasons and got exactly what he deserved:

wants Mando’s armour off for entirely sympathetic and understandable, just culturally uninformed, thirsty thirsty reasons & also having drinks together:

(the sort of... little lick over his bottom lip he does there? keep it in your pants vanth my GODjflsadf he’s a good dude tho he understands and respects the ‘no armour removal before marriage’ thing and backs down gracefully)

- This is a nuanced thing: I don’t think I actually ship it (not in a requited way from Din’s side, anyway, Vanth I’m 100% sure about lol), but the incredible potential for out-of-context-taking of “Take it off, or I will”/”...we doin’ this in front of the kid?” is uh astounding

(anyone got the vibe Vanth sort of had something with the bartender too? no just me? well well)

- I was never really scared Din was actually dead or hurt b/c baby wasn’t scared and I figure he’d know lol, a very useful fear barometer

- “What’s the plan?” “Take care of the child” “What are you gonna do?” “I don’t know, but wish me luck *yeets his new bro out of harm’s way before diving in head first himself*” fksdjhfkjlashdfkjsldahfkasldjhfskldajhfsadkjfh WHAT a summation of Din’s entire approach to battle & life, dad please you carry a not insignificant part of my heart around with you be careful

(Also with the heavy implication that Boba was watching the whole thing... can you imagine him just looking on as Din throws himself down that gullet like a madman. There must have been some ‘o_-7 *headscratch headscratch* ???’ going on for him there)

it’s kind of sweet that din trusts vanth will take care of the baby if something happens though, they really bonded quickly huh

- the sand people who kept willingly going over to the krayt dragon’s cave are honestly braver and more admirable than anyone else has ever been, I kept just shouting in anguish as they were gobbled up, they deserved better

- can we talk about how clear it still is that Din’s just... lonely. When he thinks he’s found another Mando and he sounds almost reverent with relief... and then it gets odder and odder (’uh... drinks? I guess... does he have drinking straws with him or -- HE’S TAKING THE HELMET OFF???’ oh buddy)

I wonder if they’re building towards something about him realizing it doesn’t have to be Mandos for him to trust and bond with people longer term? Basically all the characters he’s met and we’ve watched him form attachments to and get help from are non-Mandos -- Kuiil :’^(, Cara, Omera, Cobb Vanth, IG-11 :^’’(, Greef Karga to a degree. Establishing so firmly what he’s looking for this early would be good setup for a ‘what a character thinks they want vs. what they need’ thing later on just on a writing level, anyway, Boba Fett could bring in some interesting points of view about Mandalorianness too

- baby’s happy gurgles when he sees pelli!!!!!! din speaking sand people language and petting alligator doggies!!!!!!

- pedro pascal’s voice work remains an utter joy to me. din’s measured, earnest, occasionally slightly stilted way of talking is still so good, and then he does things like inserting some more... idk life is the wrong word but that more charged and dynamic tone he took on when he said (”I thought you weren’t a gambler”) “I’m not”. *chef kiss*

- if the pulse rifle’s stun is able to do that to a fuckn krayt dragon... that’s some serious shit din is carrying around with him lol (interestingly the actual shooty pew-pew part of it didn’t seem to do much to it, but then I guess he was shocking it from the inside out and not through thick hide, so idk)

- my only real complaints about this ep: Vanth’s backstory ran a bit long, and not enough baby & dad interaction. the concept art’s got me tho:

(din often wears his original/old armour in concept art still, incidentally, don’t know what that’s about)

awwwwwww

+ omfg ;______;

- this sand people person conscientiously brushing a bantha’s teeth... blessed

- Customary flame thrower report: there was a rare useful deployment of the flamethrower. Good job Mando’s flame thrower for furthering the field of diplomacy

ETA: I CAN’T BELIEVE I FORGOT TO MENTION THIS: DIN BEING COMFORTABLE(ISH) AROUND DROIDS NOW!!!! GROWTH????!?! IG-11 WE MISS YOU??????????

#the mandalorian #the mandalorian spoilers #star wars #the mandalorian meta #meta #(I'm trying to label my meta more specifically these days b/c the general meta tag is a MESS on my blog lol)#mmmmmmmm feels good to break out the overanalysis goggles again it's time to OVERTHINK SOME SHIT my friends

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karihighman · 4 years

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I love this job more than I imagined I could. The day I stop giving it my all is the day I walk away.”

–John Nolan (Nathan Fillion), 2×14 “Casualties”

The quote above really encapsulates the draw of ABC’s police dramedy (that’s drama-comedy) The Rookie. The Nathan Fillion led series was ordered back in spring 2018, and aired its first season from 2018-2019. It’s currently in its second season, with a new episode airing this Sunday, April 26. In light of that – and because I’ve since managed to get 2 of my friends hooked on it – I decided I’d write up a few reasons as to why you should definitely check out this show…if you haven’t already!

Reason #1: The cast

(ABC/Andrew Eccles)

Yes, Nathan Fillion of ABC’s Castle headlines the series, but there’s a whole slew of cast members that carry the show just the same. Not to mention, you’ve probably seen them on other TV shows or films prior to their appearance on The Rookie.

CURRENT CAST (as of season 2–onward):

Nathan Fillion portrays John Nolan, the 45-year-old “rookie” who decided to pack up and move to LA to join the LAPD after a robbery at his local bank in Pennsylvania made him question his life decisions. You’ve probably seen him on: Castle, Firefly, Two Guys & a Girl, and/or Con Man.

Alyssa Diaz portrays Angela Lopez, one of three TOs (training officers) at the Mid-Wilshire Police Department in Los Angeles, California. You’ve probably seen her in: As the World Turns, Army Wives, The Nine Lives of Chloe King, and/or Ray Donovan.

Richard T. Jones portrays Sergeant Wade Grey, who is the immediate boss of the TOs, and is also responsible for their rookies, as well as the remainder of the police under his command at the station. You’ve probably seen him in: Judging Amy, Why Did I Get Married?/Why Did I Get Married Too?, and/or Terminator: The Sarah Connor Chronicles.

Titus Makin Jr. portrays Jackson West, the second in the trio of rookies. His father is the head of LAPD’s Internal Affairs, so he’s struggled some with having to prove himself outside of his father’s shadow. You’ve probably seen him in: Glee, Starcrossed, Pretty Little Liars, and/or The Path.

Melissa O’Neil portrays Lucy Chen, the 28-year-old hotshot who completes the trio of rookies in the LAPD. She decided to become a cop on a whim, but she loves it so much now, even though it’s the opposite of what her psychologist parents want her to do career-wise. You’ve probably seen her in/on: Canadian Idol, Dark Matter, and/or as a part of the Broadway musical Les Miserables.

Eric Winter portrays Tim Bradford, the second training officer under Sgt. Grey. He’s first seen as the no-nonsense type, but has since softened some during season 2. You’ve probably seen him in: The Mentalist, Witches of East End, The Ugly Truth, and/or Days of Our Lives.

Mekia Cox portrays Nyla Harper, a former undercover detective turned training officer. She’s quite a badass, and does whatever she can to excel at work, as it’ll earn points in her favor, because she’s fighting for custody of her daughter with her ex-husband. You’ve probably seen her in: 90210, Chicago Med, Secrets & Lies, and/or Once Upon a Time.

CURRENT RECURRING CAST (as of season 2–onward):

Image Credits: (ABC/Christopher Willard); (ABC/Richard Cartwright); and (ABC/Eric McCandless)

Ali Larter as Dr. Grace Sawyer, a former flame of John’s from his college days. She now works at Shaw Memorial Hospital, and while she and John reconnect as just friends first, they eventually ramp it up to dating.

Harold Perrineau as Detective Nick Armstrong, a new night detective that assists the LAPD with their case load after their regular shifts. He becomes involved more so when notorious serial killer Rosalind Dyer is brought to Grey’s station per a deal with the DA.

Shawn Ashmore as Wesley Evers, a lawyer that is currently dating Angela Lopez. The two have been living together since the start of season 2, and are now engaged as of episode 16.

Jasmine Matthews as Rachel Hall, a social worker who is one of Lucy’s best friends, and currently the girlfriend of Tim Bradford.

Daniel Lissing as Sterling Freeman, Jackson’s boyfriend who’s (ironically? meta-ly?) the star of a cop show, Hot Suspect.

Sarah Shahi as Jessica Russo, who is an FBI agent that was brought in to work a biological terror attack. She and John have a brief relationship, but break it off by episode 6 of season 2.

FORMER CAST (season 1):

Mercedes Mason portrayed Captain Zoe Andersen, who was the tough but fair captain of the LAPD. She believed Nolan’s life experience would be good for the department. She was killed in episode 16 by a gang member who made an attempt on Nolan’s life.

Afton Williamson portrayed Talia Bishop, Nolan’s former training officer. She came off as brash at first, but she did help John a lot during his first six months on the job. She left the LAPD for a job with ATF; Afton exited the series after season 1 ended.

FORMER RECURRING CAST (season 1):

Mircea Monroe as Isabel Bradford, Tim’s ex-wife. She was an undercover officer, but got hooked onto drugs which made her lose her job, and consequently, her husband. Tim tried to help her numerous times, but they’d been estranged for a year. She did finally get clean; but they decided it’d be best to separate, as Tim did not want to remind her of her old life.

Michael Beach as Commander Percy West, Jackson’s father who runs Internal Affairs for the LAPD. He and his son had their tough moments, but the two seemed to have reconciled in the season 1 finale after Jackson’s heroic efforts to stop a viral criminal.

*random fun fact: Mekia’s not the only one with a One Chicago tie-in. Alyssa Diaz actually worked with Chicago PD actor Jesse Lee Soffer on As the World Turns, and Michael Beach actually just finished a recurring role on Chicago PD as Darius Walker. Joelle Carter, who portrayed Shawn Christian’s character’s wife in the “Hawke” episode, has been on not one, but 3 One Chicago shows. Two of which portraying Laura Nagel (Chicago PD for 1 episode, and the spinoff Chicago Justice); she guested on Chicago Med this year.

Just wanted to toss that tidbit in there since quite a few fans of The Rookie have also been fans of the One Chicago franchise – at least that I’ve interacted with on social media!

Reason #2: The balance of dramatic cases with humorous banter between the officers

(ABC/Ron Batzdorff)

While The Rookie is no means a straight comedy, it’s also not technically a classic police procedural either. That’s a good thing, as the balance of the lighter comedic moments interspersed with the dramatic or sometimes gruesome cases is what makes the show so damn entertaining. Oh, and did I mention there are bloopers? Because there are bloopers, and they are hilarious. Click here & here to see those!!

Reason #3: The pairs (TOs & Rookies)

(ABC/Ron Batzdorff)

Ah yes, another reason why The Rookie works so well. The pairings of the training officers with their respective rookie is spot-on. In season 1 you had the new, upbeat, John Nolan paired with spunky Talia Bishop; and the two bounced off each other quite nicely. John’s new TO, Nyla Harper, is just as sassy, if not sassier than Talia, but in a way, she’s a little more grounded, as she has a young daughter to consider. That’s something they have in common, as John has a 20 year old son, Henry.

(ABC/Christopher Willard)

Another pair is Angela Lopez and Jackson West. Sure, you would think: oh, here are two ambitious, young, intelligent people, so they should feed off each other, right? Wrong…at least not at first. And that’s what was so refreshing about it. Was that you had the push-and-pull between them that made you wonder if West could really stick it out with Lopez. He eventually did get over his “stage fright” when gunfire was occurring, but it took time; and it was realistic to see Angela be tough, yet understanding with him when it came to things like that. Not to mention, Jackson’s helped her out on the relationship front a few times, as he’s listened to her issues with dating, and Wesley. He even was the one who put the idea of a proposal in her head when they were at a stakeout! The two are really jiving, and it’s fun to see!

(ABC/Christopher Willard)

Last but not least is the duo of Bradford and Chen. They couldn’t be more opposite from each other at first glance: you’ve got tough-as-nails Tim, who’s got to train positive, spirited Lucy. Sounds like a little bit of a clash, right? It seemed like it at first, as Tim was very tough on Lucy; but he’s since let down his guard a little, which has been cool to see. He’s balanced out Lucy’s energy, and the two have since been so in-sync, it’s a little crazy at times (but in the best way possible)!

Reason #4: The “ships” (couples) of the show

(ABC/Christopher Willard)

Image Credit: Twitter/TheRookie

Image Credit: IG @TheRookieABC.

(ABC/Christopher Willard)

Image Credit: IG @TheRookieABC

Ah yes, the part that a lot of fans (myself included!) love about our favorite TV shows: the couples that pair off in it! It’s also worth mentioning that fans usually get excited about “should be” couples aka: people that they think should be together/dating/a couple/etc.

As far as The Rookie goes, there are actually quite a few well-established couples on the show, especially in season 2! If you need or want a quick season 1 refresher: Tim was technically still married to his now ex-wife, Isabel; Jackson had a brief relationship with Gino; Angela and Wesley had begun dating; and yes, John & Lucy had a brief thing early on!

Now, for season 2, you’ve got: Jackson & Sterling; Tim & Rachel; Wesley & Angela; John & Grace (John was previously dating Jessica); aaaaaaand the fan-favorite should-be couple: Tim & Lucy. The final “couple” is actually how I got hooked onto The Rookie – thank you social media for all the #Chenford/#Tucy hashtags!!

Most everyone loves these relationships because they’re fun, endearing, dramatic, and sometimes even a little bit funny. It’s quite a nice counterbalance to all the death and destruction the LAPD encounters on the streets everyday, you know? Plus, who hasn’t found a couple on a show that they like a lot, right? It’s fun to interact with other fans about it too – which is part of the reason why “ships” are really effective.

Jackson and Sterling have that lovely push-and-pull dynamic, where, since Sterling’s a celebrity, and Jackson’s a cop, they had to keep it low-key at first. But now, since they’re technically out of the spotlight, they’re free to do as they please.

Tim and Rachel originally began as a bet, but, it turned into something more afterwards. Even though the two have had their little disagreements here and there, it’s been really interesting to see Tim open himself up to a new relationship after his wife in season 1. The fact that Rachel’s one of Lucy’s best friends is…beside the point. Although, for fans of Chenford/Tucy, it’s kind of comical, or ironic. I’m not quite sure which.

Speaking of Chenford, Tim & Lucy are the ones that fans have been clamoring to get together – even though technically, nothing can happen between the two until Lucy’s no longer a rookie (Tim’s her TO!). I’ll admit, I was originally intrigued by them because of their similarities to another “should-be” cop couple I ship: Upstead from Chicago PD; but, seeing how in-sync the partners are on The Rookie, I understand why everyone wants them to be more than that. I sure do!

Wesley and Angela have been steady since season 1, and his heartbreaking PTSD storyline in season 2 only brought them closer together, and showed just how strong of a relationship they have. Angela’s been super supportive, and Wesley’s always been confident in her abilities. They’re even the couple to beat in terms of major milestones: they’ve moved in together, and they’re engaged! YAY!

John and Grace were a little bit of a wildcard at the start, since they had a little bit of a history there. But, ever since they blossomed into friends, their transition into a relationship was relatively easy. It’s been nice to see John happy, and Grace seems to be really good for him right now.

Reason #5: The vibe behind the scenes

(ABC/Troy Harvey)

Last, but not least is the “vibe” behind the scenes of The Rookie. That includes the off-set antics the cast gets up to! It’s been really fun to scour social media and see their comments on not only The Rookie account, but on fan things too! The cast is also great about liking comments and posts that fans make, which is super-nice!

Not to mention, they’re just genuinely fun people – at least judging from their behind the scenes posts and on-set videos! From car sing-a-longs to random dance parties, there’s never a dull moment on The Rookie set! They’re such good sports. Not only does that camaraderie come through onscreen, but it helps the chemistry to translate nicely as well. Believability is part of what sells TV, and The Rookie has that skill down pat!

Bonus: Favorite Episodes So Far / Ones To Watch

Image Credits: (ABC/Richard Cartwright) and (ABC/Christopher Willard)

Note: this is just my own personal list, but if you have any more to add, feel free to comment! 🙂 PS: Season 2 is available for streaming on ABC.com or Hulu; season 1 is not, but there are a bevy of clips online (YouTube) which can help catch you up!

The Pilot, of course! 1×01, and then the kind-of-sort-of subsequent follow-up 1×02 “Crash Course”

1×04 “The Switch”

1×07 “The Ride Along” & 1×08 “Time of Death”

1×14 “Plain Clothes Day” and 1×15 “Manhunt”

1×19 “The Checklist” and 1×20 “Free Fall” (the season 1 finale)

2×01 “Impact” (picks up right after season 1 leaves off!)

2×03 “The Bet” and 2×04 “Warriors and Guardians” (which is Mekia’s debut!)

2×06 “Fallout” and 2×08 “Clean Cut”

2×10 “The Dark Side” and 2×11 “Day of Death” *you should definitely watch these back-to-back, as 2×10 serves as the midseason finale; 2×11 is the midseason premiere*

2×12 “Now and Then”; 2×16 “The Overnight”; and 2×17 “Control”

That’s all for me for now! 5 (or 6, if you count the dramatic episodes!) reasons to watch The Rookie! You can catch all-new episodes on ABC, Sunday nights at 10/9 c! Be sure you’re following the show on Twitter and/or Instagram so you can see fun behind the scenes content, not to mention live-tweet during tomorrow’s all-new episode! Hope ya’ll liked this post!

Credit: GIPHY/Google

Why You Should Be Watching #TheRookie (if you're not already!) I love this job more than I imagined I could. The day I stop giving it my all is the day I walk away."

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entering-mymind · 4 years

Text

Chapter 8 - The Redemption

This is the eighth episode of the series where I have inserted my OC character (Mando’s daughter) into the Disneyplus television show. With her addition I believe this helps the viewers understand the choices Mando makes in the series. Would love to hear feedback! I do not own these characters and the story and dialogue goes to the respected credit of the screenwriters and creators of the show.

The two Scout troopers sped their way back to the city when they stopped and radioed their fellow comrade.

“Speeder bikes have arrived at the checkpoint with the asset awaiting confirmation,” the first trooper said over his comms when the child began squirming in his satchel, giving the trooper no choice but to punch it, “Knock it off. Waiting for confirmation to continue into town,” he ended.

“That’s a go to proceed, but I advise you to double-check,” the operator began, “The Moff just touched down and already took out a squad of local troopers.”

The two Scout troopers glanced at each other in shock.

“Standing by,” the first trooper replied.

“Did he just say that Gideon killed his own men?” the second trooper questioned.

“Oh, who knows? These guys like to lay down the law when they first arrive into town. You know how it is,” the first trooper pointed out as the child stirred again when the trooper hit it once more, “I said, shut up, geez.”

“What is that thing anyways?” the second trooper asked.

“Uh, I don’t know. Maybe Moff wants to eat it. I don’t ask questions.”

“Can I see it?”

“Did you not just hear that Moff Gideon killed a dozen of his own troopers just to make a point,” the first trooper reminded.

“Okay.”

“I get that point. Do you get the point?”

“Yes.”

“Okay.”

Becoming bored the second trooper decided to practice shooting his blaster but couldn’t hit, for the life of him, the item in the ground. Believing his comrade was inadequate, the first trooper also took out his weapon to hit the target but even he could not hit it.

Baffled the first trooper shook his gun to his ear believing the weapon was the issue, not him. Realizing their target practice was useless they put their blasters away when the second trooper made a recommendation.

“Should we offer that thing some water?”

“You just wanna look at it,” the first trooper pointed out.

“So what? You got to see it.”

“Barely. I mean, I grabbed it up off the ground and I stuffed it in the sack.”

“It’s more than I got to see,” the second trooper pouted.

“Look, I’m not taking it out of this bag until I deliver it to the Moff.”

“Fine.”

“Okay. Stop asking.”

The two Scout troopers got off their bikes and stretched their legs when the first trooper radioed again, “Let me check on this thing. This is crazy. Any update yet?”

“That’s a negative. Still waiting on confirmation. He just killed an officer for interrupting him, so this might take a while,” the operator informed.

“Thank you. Standing by still. Unbelievable,” the first trooper sighed along with his comrade.

“Hey, how long has it been since that thing moved?” the second trooper questioned.

“I don’t know, like a minute of two. Don’t worry.”

“Uh, it’s been way longer than a minute.”

“Oh my God,” the first trooper was getting annoyed.

“Shouldn’t we check and see if it’s still alive? You hit it pretty hard.”

“You just wanna see it.”

“We should check and see if it’s hurt. The last thing you want is to give Gideon a bag and have him open it and find whatever is dead,” the second trooper suggested.

“Okay, okay, look,” the first trooper opened the satchel to revel the coherent child,” Here you go. See? Take a peak. Everything’s fine.”

“What is that,” the second trooper began poking the child with his finger.

“I don’t know. It’s a pet or something.”

“A pet? I thought you ,” but the child quickly bite the finger of the second trooper sending him in yelps.

In anger the second trooper vigorously punched the satchel making the child yip in pain.

“Serves you right,” the first trooper stated when IG-11 approached.

“Stop that,” the droid commanded.

“Identify yourself,” the first trooper ordered when both raised their blasters.

“I am IG-11. I am this child’s nurse droid and require that you remand him to me immediately.”

“A nurse droid? I thought it was a hunter. Aren’t IGs usually hunters?” the second trooper stated.

“Yeah, well, evidently this one’s a nurse. I’m sorry, nurse, but you’re gonna have to get out of here,” the first trooper ordered.

IG-11 made his way towards the troopers as did they when the first trooper shot at IG-11 point blank and still missed.

“Are you refusing my request?” IG-11 asked.

“No, I’m telling you to get out of here,” but the droid responded by snapping the first troopers arm and power driving him into the ground.

IG-11 then disarmed the second trooper and then smashed him into his speeder bike repeatedly. The droid then mounted the other bike, powering it up when obtaining the sack and revealing the child, “That was unpleasant. I’m sorry you had to see that,” IG-11 apologized to the child when he sped off towards the city.

* * *

Gideon stood fierce with his troopers positioned neatly behind him ready to go into battle with the wave of his hand. Trapped, Karga, Mando, his daughter, and Cara all looked to each other for a plan when Cara spoke first.

“Is there another way out?” she questioned to Karga since this was the Guild’s establishment.

“No, that’s it,” Karga informed.

“What about the sewers?” young Mando suggested to her father.

“Sewers?” Karga questioned.

“The Mandalorians have a covert down in the sewers,” Mando revealed, “If we can get down there, they can help us escape.”

“Yeah, sewers are good,” Cara said with hope.

“Checking for access points,” Mando pressed a few buttons on his gauntlet when he began scanning with his visor.

“What the hell are they waiting for?” Cara speculated when she witnessed what the troopers were assembling, “Hold up. They’re setting up an E-Web.”

“It’s over,” Karga declared.

“I found the sewer vent,” Mando stated seeing the access point hidden behind a booth.

“Let’s get out of here,” young Mando insisted when her, Cara, and Mando ran at the sewers location dismantling the area in order to expose their escape route. Mando and Cara gripped at the grate but it wasn’t budging.

“The cannon is assembled,” Karga stated seeing a trooper get behind the E-Web ready to fire at will, “How long until the vent is cleared?”

“Blow it,” Cara suggested.

“I’m out of charges,” Mando informed.

“Maybe I could…” but young Mando was cut off.

“No!” Mando enforced.

“Get out of the way,” Cara shouted when she picked up her blaster and started shooting rapidly, but the grate barely cracked.

“Your astute panic suggests that you understand your situation,” Gideon spoke, “I would prefer to avoid any further violence and encourage a moment of consideration. Members of my escort have completed assembly of an E-Web heavy repeating blaster. If you are unfamiliar with this weapon, I am sure that Republican Shock Trooper Carasynthia Dune of Alderaan will advise you that she has witnessed many of her ranks vaporize mid-descent facing the predecessor of this particular model.”

“Or perhaps the disgraced Magistrate Greef Karga should search the wisdom of his years and urge you to lay down your arms and come outside. The structure you are trapped in will be razed in short order and your storied lives will come to an unceremonious end. But maybe not from the latest information given to me,” Gideon said cryptic.

“I am speaking to you Mandalorian hunter, Din Djarin. I am sure you have heard the songs of the Seige of Mandalore when gunships outfitted with similar ordnance laid waste to fields of Mandalorian recruits in the Night of a Thousand Tears, but let us not dwell on the past when we should be looking to the future with our kin.”

By Gideon’s last word he knew what was to come and looked at his daughter in fear.

“You sure do have a tendency for stealing children who are property of the Empire, Din. First the girl and now the child,” Gideon revealed.

“What did he say?” young Mando asked through an escaped breath.

“It wasn’t clear to me at first, where I found it odd that the only bounty hunter in the Guild would deny missions on Tolarian. Why avoid a planet unless you have something to hide. You did an amazing job concealing her from me for fifteen years, but your caution was what made you slip,” Gideon addressed.

“What is he saying? I don’t understand what he is saying?” young Mando was starting to panic when Mando went to her placing his hands on her shoulders.

“I can only guess what you named the asset since Anara never got the chance to tell you. Which I’m sure you can guess it was I who shot her down in that alley,” Gideon reminded Mando, “Ah, of course,” he thought and then came to a conclusion, “Who wouldn’t name a newly adopted child after the first woman a boy never stops loving; his mother. So, Osa,” Gideon addressed young Mando, “How does it feel to finally learn the truth?”

“He’s lying, he’s lying, you’re my father,” young Mando screamed but Mando stayed silent.

“What do you purpose?” Karga shouted at Gideon.

“Reasonable negotiation,” Gideon replied.

“What assurance do you offer?”

“If you’re asking if you can trust me, you cannot. Just as you betrayed our business arrangement, I would gladly break any promise and watch you die at my hand. Or who knows maybe Osa will do that for me,” Gideon stated ecstatic of his accomplishment with her abilities.

With this address, Cara could see objects taking life and the floor beneath them slightly quake, “Mando, calm her,” Cara briefly whispered when Gideon continued talking.

“The assurance I give is this: I will act in my own self-interest which at this time involves your cooperation and benefit. I want both assets back in my possession by nightfall, if not then I will have the E-Web cannon open fire and I will dissect Osa’s body instead,” Gideon ended when he headed back to his ship followed by his Death Troopers.

* * *

“I say we hear him out,” Karga bluntly said without thinking, “Is it true Mando?”

But he wasn’t paying attention to anyone else but Osa.

“You are my father, right?” she said through a tight chest.

“Search your feelings, what do they tell you?” Mando asked wanting her to come to the ultimate conclusion.

“What does that mean? It’s a simple question. Are you or are you not,” young Mando stressed through tears.

“I am your father no matter what, but I need you to give me the vile and syringe,” Mando out stretched his hand seeing the unraveling events. Hesitantly Osa caved and gave Mando what he wanted.

“I’m really sorry kiddo on what you’re going through but the minute we open that door, we’re dead,” Cara informed.

“We’re dead if we don’t,” Karga said, “At least out there, we’ve got a shot.”

“That’s easy for you to say. I’m a Rebel Shock Trooper. They’ll upload me to a Mind Flayer,” Cara said.

“Those aren’t real. That was just war time propaganda,” Karga informed.

“I don’t care to find out. I’m shooting my way out of here.”

“We need to know who we’re up against.”

“I know who he is, its Moff Gideon,” Mando declared.

“No, he can’t be. Moff Gideon was executed for war crimes and experimentation,” Cara clarified but then realized now why Gideon wanted the child and young Mando so bad.

“It’s him. He knows about us and our names,” Mando informed.

“So, what does that prove?” Karga asked.

“Our names are only spoken within the Tribe, never revealed to outsiders, I haven’t heard my name spoken from an outsider since I was a child,” Mando stated.

“On Mandalore?” Karga asked.

“We were not born on Mandalore.”

“But you’re both Mandalorians.”

“Mandalorian isn’t a race,” Cara said.

“It’s a Creed,” Mando confirmed, “I was a Foundling. They raised me in a Fighting Corps. I was treated as one of their own. When I came of age I was sworn to the Creed just like Osa was. The only record of my family name was in the registers of Mandalore. Moff Gideon was an ISB officer during the purge and later was Moff of Tolarian where Osa was given to me at the age of three. That’s how I know it’s him,” Mando said looking over at his daughter who stood frozen while locked in a deadpan stare.

“So Osa’s the reason why you never took jobs on Tolarian?” Karga questioned.

“I wasn’t sure if I had been marked, so I never went back in order to ensure her safety, but Gideon says he needs us, which might mean the child got away safely plus Osa is with us. I was worried when the Ugnaught didn’t respond but if they captured the kid we’d already be dead,” Mando declared.

“Ummm you might want to rethink your statement,” Cara said while pointing to Osa who suddenly fell to her knees hunched over.

“What’s wrong with her?” Karga asked when he noticed a cup floating in front of his face. Perplexed he tapped at the object when the cup flung in the opposite direction, hitting other free floating objects.

“Osa!” Mando screamed about to get the syringe ready when she glared up and raised her hand.

“No!” Osa knew what he was going to do and froze Mando mid-step.

“What are you doing?” Mando questioned through clenched teeth unable to move his body.

“Finally getting control,” Osa declared when she forced Mando, unwillingly, to the ground with her abilities.

Mando tried to fight off the hold that the invisible force had on him, but was unsuccessful. His body contorted to the floor when Osa slide him to a corner of the cantina pinning him to the wall.

Cara discretely reached for her weapon, just wanting to hit Osa in the armor to distract her, but Cara’s motives were revealed. Osa rose to her knees and noticed Cara’s actions, Osa pointed her other hand at Cara and performed the same motion, forcing Cara to the ground and sliding her in the exact corner Mando was pinned to. Seeing both their fates, Karga put his hands up in surrender when all Osa did was nod her head in the same direction her other two hostages were kept.

Complying, Karga sat next to Mando when Osa rose to her feet in a stagger and looked at them in sadness. It appeared Osa was gaining control over her episode and transferred the hold she had on Cara to the exact same hand where she held Mando, she grunted in pain by feeling the force surge through her body and knew the time had come.

“Osa, please, Mi Pequeno, let us go. We have to fight together,” Mando said broken and afraid of what his daughter was going to do.

“No, this time I’m going at it alone,” young Mando approached the shot out window, one hand still pointed at the three when her other hand extended towards the band of troopers, ready to release havoc.

* * *

Seeing an individual draw near, the Stormtroopers were unclear of what to do, put this person down or engage against Gideon’s orders? Some of the troopers raised their weapons for a scare tactic but they were the ones that should have been afraid.

Like an instinct, Osa listened to what the energy inside of her told her. She focused on all the tiny shards of glass scattered on the floor and picked them up with her mind. As if she was a ticking time bomb she could feel the energy wanting to release from her core. Osa would use this to her advantage in order to add extra strength to the glass so it could easily pierce through the trooper’s armor, taking them out.

Finally the moment arise when she let out a bellowing scream, more out of anger than from not being in control. Like a bomb exploding, the troopers didn’t know what hit them as they were punctured by glass and blown off their feet. With the massive blow, the TIE-fighter was propelled backwards and banged itself into an adjacent building.

With the lose of her consciousness, Mando and Cara were immediately released from Osa’s hold, but Karga still sat there frozen as if he had now been pinned by her abilities.

Mando instantly went to his daughter’s aid while Cara witnessed the destruction but was lost for words. Believing they were out of the woods, Cara peered from the window when back up troopers moved in taking a shot.

“Get down!” Cara exclaimed but the trooper’s attention quickly turned to something fast approaching, a speeder bike with IG-11 and the child occupying it drew near coming to their rescue as well.

Throughout the droids journey through the city it took out the surrounding troopers making them scatter. Knowing they would have to get in on the fight, Mando positioned his daughter out of harms way when he ordered Cara to cover him.

Quickly complying Cara hopped on a table rapidly firing her weapon at the new swarms of troopers while Mando instructed her to protect Osa. Cara nodded in approval when Karga and Mando left the cantina to join in on the, now even, fight.

The two held up their own where Mando saw IG-11 being hit several times and going down with the child secured around its chest. Mando wouldn’t lose anyone today and saw the E-Web cannon unoccupied. Seizing his opportunity Mando picked up the heavy artillery and began rapidly firing anything in white or black armor.

Giddy with glee, Cara chuckled and continued firing her own blaster when the door to the cantina was blown open, sending Cara flying to the ground. The sound of the blast got everyone’s attention realizing the cantina had been breached.

Cara immediately collected her weapon trying to keep out of view from the impeding Death Troopers entering the cantina. Just about to round the corner and take her shot, Cara was pulled back from a conscious Osa as the Death Troopers opened fire.

The two pressed their backs against the bar when Cara waited for an opening from the troopers fire. She peered around the corner ready to take aim but was grazed in the arm.

“Ah!’ Cara shouted slamming herself against the bar.

“Are you alright?” Osa was about to tend to Cara’s wound but she suggested something else.

“I’m okay, can you throw them or disarm them somehow?”

“I can try but I need a visual,” Osa stated when she caught a reverse glimpse of the troopers helmets in a wine glass, the reflection reveled an exposed pipe located in the ceiling above them.

Immediately Osa concentrated on the heavy steel above the Death Troopers dropping it on them with a smack and taking them out of commission. Relieved that they were, for now, out of harms way, Osa approached the window to see how their team was doing when she saw Gideon walk towards Mando who wasn’t aware of his exposure.

In surprise, Mando was hit in the back by Gideon’s blast but the Beskar held up, getting Mando’s attention he turned the cannon right at Gideon ready to end him, but Gideon struck first. With one shot Gideon hit the fuel tank, which operated the cannons fire power, engulfing Mando in flames and blasting him into the air several feet and onto his back, going lifeless.

“DAD!” Osa shouted in a frantic, hopping out of the cantina window and straight for her father.

Karga and IG-11 saw Osa and covered her as more troopers began to encircle them. Osa made it to Mando putting her hands underneath his shoulders and trying to lift him, but he was too heavy for her. She immediately fell to the ground with Mando in her arms when blaster fire was directed their way. Without hesitation Osa covered her father’s body with her own absorbing the shots with her armor.

“Obtain the asset,” Gideon pointed at Osa when a team of troopers headed her way.

Seeing the ranks collapse, Cara exited the cantina and shouted for Karga and IG-11 to cover her as she made her way towards the Mandalorians.

“I can’t carry him,” Osa said defeated.

“It’s okay. I’ll get him to safety, here,” Cara handed Osa her blaster signaling for her to take out the advancing troopers.

Cara put her arms underneath Mando’s shoulders and dragged him inside the cantina, the rest followed but was ambushed from another team.

“Stay with me, buddy. We’re gonna get you out of here,” Cara said trying to encourage Mando when Karga dove in as IG-11 and Osa continued firing, taking out as many troopers as they could.

Karga headed for the sewer grate and questioned Cara, “This is our only path out. Can you clear it?”

But her attention was solely on Mando, “Stay with me.”

“I’m not gonna make it,” Mando responded through a strained voice.

“Shut up. You just got your bell rung. You’ll be fine,” she said shaky.

“Please, protect my daughter and the child, she won’t leave me, you have to convince her,” Mando said when Cara removed her hand from behind Mando’s helmet, which was covered in his blood.

“I’m gonna need to take this thing off,” Cara said in certainty.

“No,” he gripped Cara’s hands, preventing her from removing his helmet, “You make sure the children are safe. Osa knows the way in the sewers, once you get to the Mandalorian covert you give my daughter this,” Mando dug underneath his tunic and revealed a necklace with a Mythosaur emblem attached to the end, it seemed symbolic.

“No, you give it to her yourself,” Cara declared when IG-11 entered along with Osa who locked the secondary door behind them.

IG-11 set the child down and confronted Karga who he was unfamiliar with, “If you go near this child, I will have no choice but to kill you,” the droid threatened.

“I understand. Can you do anything to move the grate?” Karga asked in panic.

“Yes, of course.”

“Oh, I love IG units,” Karga praised as IG-11 began welding through the metal.

“Papi!” Osa shouted running at Mando and falling to her knees. She started to look him over when she glared at Cara and noticed her bloody hand, “No, no, no,” Osa said in distress, “IG I need you to scan my dad.”

“Osa,” Mando stressed her name trying to get her to focus on him.

“IG-11, now!” she screamed, rattling the building’s structure.

“Osa, look at me,” Mando placed his hand on the side of her helmet as if he was caressing her cheek and turned her to face him.

Cara could sense a last goodbye and didn’t want to ruin their intimate father/daughter moment.

“Osa, please, you must leave me,” Mando instructed.

“No, I won’t, I can’t. I don’t care, I’ve searched my feelings. You’re my father. You will always be my father,” Osa rested her head on his chest and he placed a hand on her helmet when a burst of flames erupted through the cantina window.

Everyone took cover realizing they were losing time where IG-11 was still chiseling away at the grate.

“You know this is the way,” Mando began raising his daughter’s head, “I can hold them back long enough for you and everyone to escape. Here,” Mando handed Osa the Mythosaur emblem, “You have earned your independence and the title, now you are the Mandalorian,” Mando said proudly.

“No, I won’t leave you,” Osa declared when the cantina door burst open and more flames erupted.

Upon entry, one single Flame Trooper stood in the doorway ready to incinerate the place to the ground. The trooper raised his flame thrower, not giving anyone time to protect themselves when he ignited a ball of flames.

Everyone stared at their demise as Osa would die a warrior’s death at her father’s side when the child, heroically, stepped in front with both hands stretched out. With one flick of his wrist, the child propelled the ball of flames back onto the trooper, igniting an explosion and sending the trooper out of the cantina engulfed in his own fire. In exhaustion the child fell into unconsciousness when IG-11 kicked open the sewer grate.

“Come on! It’s open, let’s go!” Karga informed.

“Go,” Mando tried to convince his daughter.

“We have to move! Now!” Karga shouted.

“I have an idea,” Osa said releasing her grip on her father’s hand.

She went and picked up the child cradling him in her arms, Osa approached Cara placing him in the satchel and then handing it to her gently.

“Take him and this,” Osa gave the emblem as well.

“I’m not leaving both of you,” Cara stated.

“You’re not. My father won’t remove his helmet around others, but he will around me. IG-11 I need you to run a medical diagnostic on him while I go over the plan with Cara,” Osa instructed.

“Of course,” IG-11 said and walked over to Mando kneeling in front of him.

“Do it,” Mando suggested.

“Do what, your daughter has instructed me to run a medical diagnostic on you,” IG-11 informed.

“Don’t bother. I know my fate. Just get it over with. I’d rather you kill me than some Imp.”

“I told you. I am no longer a hunter. I am a nurse droid.”

“IGs are all hunters.”

“Not this one. I was reprogrammed by the late Ugnaught named Kuiil. I need to remove your helmet if I am to diagnosis you,” IG-11 placed its hand underneath Mando’s helmet when he pulled his blaster on the droid.

“Try it and I’ll kill you. It is forbidden. No living thing has seen me without my helmet since I was sworn back into the Creed,” Mando revealed briefly reliving the tender moment he shared with Anara when he glanced over looking at his pride and joy.

* * *

“The sewers can be very confusing,” Osa started, “If I’m visualizing my whereabouts correct, in order to reach the covert you must head straight and then turn right. You will have to make a left at the third corridor and then at the fork you must go left, now this is where it gets tricky.”

“Aren’t you going to lead us?” Karga questioned.

“Yes, okay scratch that, just head straight until you can’t go any further and then turn right. I’ll meet you there.”

“Promise me you’ll both be there,” Cara said.

“You have my word,” Osa swore and then watched Karga, Cara, and the child leave the cantina.

She sighed in sadness and then turned to see her father’s blaster pointed at IG-11, “Papi, no, don’t,” Osa put her hand on the weapon signaling for him to lower it.

Surprisingly he complied and just gazed at his daughter in taking her image for one last time, but she had other intentions. Without thought Osa removed her gloves believing this would give her additional assistance to heal her father.

“What are you doing?” Mando was slowly fading.

“I’m going to heal you, but I need IG-11 to run a diagnostic on your head so I know where to concentrate, which means I will have to remove your helmet. You’re not going to try and shoot me too?” Osa attempted to joke but could sense the light slipping from her father.

Mando tried to chuckle when Osa placed her hand underneath his helmet and clicked it open. Slowly she lifted it off not wanting to cause him further damage or discomfort. Osa placed his helmet beside her and looked upon her father’s face, which she hadn’t seen in almost a year.

He was still very handsome, even through all the blood that stained his skin and ran from his nose. She smiled wide while glaring at his round face that had stubble slowly growing back, his brown hair –that had a touch of white on the sides- was disgruntled and drenched in sweat while it slightly curled at the ends. His brown eyes beamed with pride up at her and glistened over, believing this would be his last image of his daughter and he didn’t want it to be of her helmet.

“Let me look at you,” Mando said through a shaky voice.

“But it’s not my date of existence,” Osa assured.

“No, it’s not,” Mando replied not caring.

Without hesitation Osa immediately clicked her helmet open revealing similar features he possessed but feminine. Osa couldn’t understand how she could not be Din Djarin’s daughter, she had both his hair and eye color, the same quirk of the ends of her hair curling from the humidity, to even sharing the shape of his nose and jawline.

Immediate tears filled her eyes when she removed her father’s glove and placed his actual hand finally on her cheek, absorbing his touch and smelling his skin. Din wasted no time and finally caressed her cheek, in taking the smoothness of her skin with his thumb while feeling her tears rain from her chocolate eyes.

Osa smiled into his palm and then placed it on the ground so she could dig her face into the crook of his neck, slightly crying. Din put his hand into her hair truly embracing her closer when he placed his nose beside her head. There, right above her ear, was always a distinct smell she always possessed.

He remembered when Osa was little and would fall asleep in his arms, he would rest his nose in that exact spot inhaling her scent; Anara’s scent, the only trait she inherited from her mother. He would brush Osa’s hair out from her face, hoping to relax her from the horrid nightmares that invaded her dreams. He would even hum a tune that he remembered his mother use to sing to him as a child, in order to bring his daughter solace.

Even now, Din wanted to brush his hand through her hair and hum the melody in order to bring her closure, but Osa quickly rose and noticed the touch of white coloring the sides of his hair. She went and smoothed the area with her thumb showcasing a half smile.

“Oh no, I hope this isn’t due to me,” pointing out how stressful she had made his life.

“Never, Mi Pequeno, just getting old,” Din replied finally seeing her fully smile; his smile.

In reaction he smiled back reaching for her once again when she didn’t waste the chance, kissed his palm and then placed his hand on her cheek. Realizing time was of the essence, Osa set her father’s arm down and instructed IG-11 to run the medical diagnostic. The droid ignited a red beam and scanned from the top of Din’s head to the bottom of his chest.

“He has suffered severe damage to his central processing unit,” IG-11 informed.

“English please,” Osa declared confused.

“His cerbal matter is fried,” IG-11 tried to be funny.

“I don’t speak medical.”

“He means by brain,” Din clarified.

“I tried a joke. It is meant to put everyone at ease,” IG-11 clarified.

“We will need to reprogram your sense of humor later,” Osa stated when she nodded her head for encouragement to herself and placed her hands under her father’s head, “IG-11 once I heal him still spray him with bacta incase I can not close the wound. It’s just me this time. Okay, here we go.”

Osa secured her hands behind her father’s head and closed her eyes, sensing the injury, seeing the injury, and then willing it to heal by transferring her source of energy into him. Through her touch she began propelling her own essence into her father, sending him in discomfort because it was happening faster than his body could handle.

He closed his eyes, concentrating not to pass out when the blood on his face started to retract up his nostril and reenter the cuts on his face when even those sealed. Osa was deep in concentration, deeper than she had ever expected to go and saw the very thing her father always kept hidden from her; the memory of when he received her.

The event played out like a film, she could see through his eyes, the commotion of chaos, and dead Stormtroopers lining the alley. There in the distance a woman stood, mouthing words he couldn’t hear, she prevented his advancement with a hand of warning when she was gunned down. The memory continued rapidly as it imprinted within her mind, but the overload was too much when Osa dropped to the ground unconscious, unable to register the rest. Once her hold on him was released, Din opened his eyes and breathed heavy, exhausted and yet rejuvenated at the same time.

Seeing this as his cue, IG-11 sprayed the bacta ointment on the back of Din’s head when he suddenly realized Osa was not in his sight. Faster than he expected, Din sat up, noticing his daughter’s body twisted and not moving.

“Osa,” Din got to his knees and cradled her head in his hands, noticing the exact same white that painted the sides of his hair now colored hers, “What happened?”

Din caught a glimpse of his reflection in his helmet noticing a completely healed face and a full head of brown hair. He brushed the white with his thumb on Osa’s head hoping to smear the color out, but it had become permanent.

“I must run another diagnostic on you to make sure you have healed completely,” IG-11 declared.

“I’m not worried about me, scan my daughter now!” Din commanded and the droid complied.

IG-11 performed the exact same scan as he did with Din, from the top of her head ending at the bottom of her chest, “She is completely healthy, just depleted, the reason for her unconsciousness.”

“But how did she receive the white from my hair?”

“It appears the only logical answer would be is she absorbed some of the years you already lived.”

“You’re suggesting she de-aged me by taking years off from my life and absorbing them herself?” Din questioned in anger.

“Yes.”

“How do I take them back?” he shouted in frustration.

“I believe you can not because you do not possess abilities like her.”

Din exasperated in sadness, he brushed Osa’s hair away from her face and kissed her forehead, he then placed his own forehead on hers feeling defeated because it was his duty to protect her, not the other way around.

Understanding there was nothing he could do, Din reassembled both their armor and helmets ready to rejoin the others in the sewers.

* * *

Cara, Karga, and the child waited, becoming a bit impatient, Cara was starting to get worried when she heard loud clanking footsteps draw near. Around the corner they noticed a light shine as Mando had his helmet flashlight illuminated. He staggered a bit due to carrying Osa in his arms.

Cara approached in concern, “What happened to her? Are you alright?”

“We’re both fine, she’s just unconscious,” Mando informed.

“Will she recover soon?”

“I hope so,” when everyone moved out.

All five of them walked aimlessly through the tunnels and became frustrated.

“Do you know which way to go Mando?” Karga asked.

“No, I don’t know these tunnels like Osa. I’ve only entered from the bazaar.”

“Well, if we get the smell of sulfur and we follow it, it’ll lead us up to the plains where the river flows,” Karga suggested as everyone continued walking.

“If we keep this up the Imps will catch us before we make it to the ship. We need the Mandalorians to escort us to safety,” Mando stated.

“Ugh, this place is a maze. What did Osa say before? Go straight and then turn right, then at the third corridor turn left,” Cara began going through the instructions Osa briefly laid out, “There was something about at the fork we go left.”

“Which we did, but then she said after that is where it becomes tricky,” Karga chimed in.

“Tricky is right.”

“Wait, I think I know where we are,” Mando was starting to get his bearings because these corridors was where the younglings liked to play hide and seek, and the place he would always find his daughter, “We’re close, turn here.”

Everyone followed Mando when they rounded one more corner and then stepped down into an abandoned area that was only occupied by a pile of battle scorned Mandalorian helmets and armor. Shocked and then saddened, Mando slowly approached and knelt before his fallen comrades. He placed Osa in front of him when he picked up an empty helmet analyzing the damage and who use to wear it.

Slowly Cara drew near afraid of Mando’s reaction when she suggested that they leave.

“You go. Take the ship. I can’t leave it this way. Did you know about this?” Mando turned to Karga, “Is this the work of your bounty hunters?” his voice became angry.

“No. When you and the kiddo left the system and took the prize, the fighting ended and the hunters just melted away. You know how it is? They’re mercenaries. They’re not zealots,” Karga explained.

“Did you do this? Did you?” Mando laid Osa down when he rose to his feet digging his finger into Karga’s chest and getting into his face.

“No!” Karga shouted back.

“It was not his fault,” the female Armorer exclaimed while stepping out of the Armory, “With your daughter’s pleas we revealed ourselves. We knew what could happen if we left the covert,” The Armorer approached the pile, “The Imperials arrived shortly thereafter. This is what resulted,” she glared at the armor also in sadness.

“Did any survive?” Mando questioned and put Osa back in his arms.

“I hope so. Some may have escaped off-world,” she began placing the armor into a bin.

“Come with us,” Mando suggested.

“No. I will not abandon this place until I have salvaged what remains. What happened to your daughter?”

“She is unconscious.”

“Why?”

Confused Mando believed everyone knew of her episodes, “You know why.”

“Hmm, I know more than what you think,” the Armorer said cryptic and then pushed the bin into the Armory.

“Wait,” Mando rushed after her as everyone else followed.

Mando handed Osa to IG-11 so he could pursue the conversation more freely.

“All these years and you’ve known something about her?” Mando started but the Armorer was busy melting down a chest plate and began her own topic.

“Show me the one whose safety deemed such destruction,” the Armorer commanded when Cara unfolded the satchel the child was kept in reveling it, “This is the one that both of you hunted, then you saved?”

“Yes. But it helped save me as well,” Mando reminded.

“From the Mudhorn?”

“Yes.”

“It looks helpless just like when your daughter was small, but we all witnessed what she can do.”

“He can do the same and move things with his mind, tell me what you know,” Mando was getting frustrated, “For fifteen years I have searched for answers to help her, so she wouldn’t live in fear of herself and this whole time you have been with holding necessary information.”

“Silence your tongue, unlike yourself I am a descendent from Mandalore so I know the stories of which have been passed down from our history. What I can reveal is the songs of eons past tell of battles between Mandalore the Great, and an order of sorcerers called Jedi that fought with such powers like hers and what you compare with the child.”

“The Jedi, are they an enemy? Is that why you never revealed these stories in order to protect her?”

“Yes and no. Their kinds were enemies, but Osa and this child are not. Just as you were given Osa, by Creed, the child is also in your care.”

“You wish me to train the child?”

“It is too weak. It would die. You have no choice. You must reunite it with its own kind.”

“Where?”

“This, you must determine.”

“You expect me to search the galaxy for the home of this creature and deliver it to a race of enemy sorcerers?”

“You did for your daughter, besides it appears these two are more connected then meets the eye. She will most likely benefit as well. This is the way.”

“Hey, these tunnels will be swarming with Imps in a matter of minutes. We should at least discuss an escape plan,” Cara informed with a hint of panic.

“If you follow the descending tunnel, it will lead you to the underground river. It flows downstream toward the lava flats,” the Armorer instructed.

“I think we should go,” Karga said.

“I’m staying. I need to help her and Osa needs time to heal,” Mando declared.

“You must go. These children are in your care, by Creed, until they have reached their day of independence or reunited with their own kind you are their father. This is the way,” the Armorer finished what she had been forging in the fire and turned to Mando, “You have earned your Signet,” in her design she forged a skeleton in the Mudhorn’s shape and welded it on his right pauldron, “Never have we had a clan of three, lead them well.”

“Thank you. I will and wear this with honor,” Mando said with sincerity.

“We should go,” Karga stated.

“IG, please guard the outer hallway. A scouting party draws near,” the Armorer said when IG-11 handed Karga the unconscious Osa and exited the Armory.

“I have one more gift for your journey,” the Armorer began, “Have you trained in the Rising Phoenix?”

“When I was a boy, yes,” Mando declared.

“Then this will make you complete,” the Armorer held out a jetpack Mando previously desired.

“Thank you.”

“When the time is right you will begin your drills. Until you know it, it will not listen to your commands.”

“I understand,” suddenly a wave of blaster fire and screams could be heard when IG-11 came back.

“You are protected,” the droid clarified.

“More will come. You must go,” the Armorer said.

“Come with us,” Mando hoped.

“My place is here,” she reminded, “Restock your munitions.”

IG-11 took Osa back from Karga when Mando began replenishing his depleted artillery.

“IG, also carry this for Din Djarin until he is ready to wear it. Now go. Down to the river and across the plains. Be safe on your journey,” the Armorer ended.

“Thank you,” Mando replied as everyone left and headed for the riverbank.

* * *

The armorer sat on her knees with her welding tools crossed in front of her chest, a team of Stormtoopers entered her sanctuary uninvited as they commanded to know the whereabouts of the criminals. She sat in silence contemplating which one to take out first when the decision was made for her by the trooper, who clanked his blaster against her helmet, demanded to know where they were.

Like a striking snake, she wielded her tools with fierce blows, smashing metal against armor taking out her assailants with ease. Their blasters didn’t even graze her Beskar due to her quick reflexes and combat skills. She stood in victory as her attackers lay on the floor where they belonged.

* * *

It didn’t take long until they reached the lava river when they came upon a large gondola powered by an R2 unit. Upon inspection the boat didn’t seem in good shape plus the ferry droid seemed unoperational as Mando pointed out.

“Yeah, but if we push the boat out, we can get it to float downstream. Come on,” Karga suggested and began pushing but the boat didn’t move.

“Looks old. Will it take the heat?” Mando questioned for their safety.

“You got a better idea?” Karga said frustrated.

“Guess not,” Mando realized when him and Karga started to push but the boat would not budge.

In agitation Mando kicked the boat and grabbed a pole hoping to lodge the gondola free. Karga and Mando began their tactic again but Cara had a different solution.

“You guys mind getting out of the way?” she said while holding the child in one hand and her blaster gun in the other.

Immediately Karga and Mando moved as she opened rapid fire freeing the boat from being cemented to the edge.

“Good job,” Karga complimented when everyone climbed aboard as it began floating down stream.

“Watch your feet. It’s molten lava,” IG-11 informed while placing Osa down.

“No kidding,” Mando sarcastically said under his breath while checking on his daughter who would have most likely made that comment, “Come on Osa, wake up,” he put his hand on the side of her helmet a bit concerned why she was still unconscious.

Granted the child still seemed depleted from stopping the fireball, it was only logical that Osa was still unconscious because she had healed a massive injury in his head, plus took off years from his life, which meant she absorbed them, possibly even aging herself up.

Suddenly a beeping occurred getting everyone’s attention, drawing their blasters as they watched the R2 ferry droid thrive with life. It broke through the hardened lava that had encased it, revealing arms and legs as it extended to a standing position with a stick ready to steer its passengers.

“I don’t suppose anybody here speaks droid?” Mando asked.

“I believe he is asking where we would like to go,” IG-11 chimed in.

“Down river. To the lava flat,” Karga instructed.

With this the droid complied happily chirping while rowing them down the lava bank. The ride wasn’t long when Karga spotted the opening.

“That’s it. We’re free,” Karga said in enthusiasm.

Mando stepped forward igniting his heat sensor on his visor, spotting a team of Stormtroopers awaiting their arrival.

“No, we’re not. Stormtroopers. They’re flanking the mouth of the tunnel. It looks like an entire platoon. They must know we’re coming,” Mando informed.

“Stop the boat,” Cara demanded, “Hey droid, I said stop the boat. Hey I’m talking to you, I said stop,” Cara approached the droid and blasted its dome clean off.

“We’re still moving,” Karga said.

“Looks like we fight,” Cara stated.

“There are too many,” Mando declared.

“Then what do you suggest? Both of our strongest defenses are decommissioned,” Cara pointed to the child and Osa, “I can’t surrender,” she added.

“They will not be satisfied with anything less than the child,” IG-11 began, “This is unacceptable. I will eliminate the enemy and you will escape.”

“You don’t have that kind of firepower, pal,” Mando reminded, “You wouldn’t even get to daylight.”

“That is not my objective,” IG-11 said.

“We’re getting close. Saddle up,” Cara handed the child back to IG-11 when she moved to the front of the boat prepping for battle.

“I still have the security protocols from my manufacturer. If my designs are compromised I must self-destruct,” IG-11 informed.

“What are you talking about?” Mando asked walking up to the droid.

“I am not permitted to be captured. I must be destroyed,” IG-11 said.

“Are we gonna keep talking or get out of here?” Karga declared.

“I can no longer carry this for you,” IG-11 set down Mando’s jetpack, “Nor can I watch over the child.”

“Wait. You can’t self-destruct. Your base command is to watch the child. That supersedes your manufacturer’s protocol, right? Right?” Mando tried to find a loophole for the droid.

“This is correct,” IG-11 confirmed.

“Good. Now, grab a blaster and help us shoot our way out.”

“Victory through combat is impossible. We will be captured. Your children will be lost. Sadly, there is no scenario where the child is saved, in which I survive.”

“Listen, you’re not going anywhere. We need you. Let’s just come up with a…,” but Mando was cut off.

“Please tell me the child will be safe in your care. If you do so, I can default to my secondary command.”

“But you’ll be destroyed.”

“And you will live, and I will have served my purpose.”

“No. We need you,” Mando’s voice almost broke.

“There is nothing to be sad about. I have never been alive,” IG-11 informed.

“I’m not sad,” Mando tried to pass off.

“Yes, you are. I’m a nurse droid. I’ve analyzed your voice.”

IG-11 handed the child to Mando when the droid stroked the tip of the child’s ear with care, without thought IG-11 stepped into the lava river and walked towards the mouth of the tunnel, its legs slowly disintegrating from the intense heat, but he proceeded forward in determination.

* * *

The troopers stood fierce, blasters drawn, ready to take out their assailants when IG-11 emerged from the tunnel and spoke a warning, “Manufacturer’s protocol dictates I can not be captured,” a plate slide down from its chest revealing the thermal detonator already activated, “I must be destroyed,” when IG-11 exploded taking out all the troopers with him.

Slowly the boat glided forward revealing the destruction IG-11 left behind, no trooper survived where only fire burned. Cara had her gun drawn ready in case for a second wave but none followed.

All was quiet when suddenly the sound of a TIE-Fighter soared overhead as Cara stated the obvious, “Moff Gideon!”

Everyone drew their blasters firing at the ship but their firepower did not penetrate the fighter’s steel.

“He missed,” Karga said.

“He won’t next time,” Mando informed.

“Our blasters are useless against him,” Cara pointed out.

“Can you wake up the kiddo? Or let’s make the baby do the magic hand thing. Come on, baby! Do the magic hand thing,” Karga held up his hand displaying three fingers hoping the child would understand but it only waved back at him in glee, “I’m out of ideas.”

“I’m not,” Mando said determined.

“Here he comes,” Cara shouted raising her weapon when Mando strapped on his jetpack.

Gideon approached head on, ready to take them all out, assets or no assets, when he blasted his cannon fire but Mando shot straight into the sky. Immediately Mando released his grappling hook, strapping onto the TIE-fighter and igniting his jetpack so as to get a firm grip.

Mando landed on top of the fighter, getting a visual on Gideon inside trying to blast his way through but the shields held up. With one turn of his wheel, Mando lost his hold and was flung onto the fighter’s wing. Desperately he held on for dear life, grabbing a thermal detonator but the wind pushed it out of his hand.

Gideon attempted a few more maneuvers but Mando was able to secure his last detonator and released his grip. Instantly a rapid beeping informed Gideon of the device but it was to late. The detonator exploded sending the fighter into a wielding spiral and crashing in the distance. Falling hard and fast, Mando ignited his jetpack allowing him to ease into his landing.

“That was impressive, Mando. Very impressive,” Karga complimented, “It looks like both your Guild rates have just gone up.” Mando tilted his head hoping Karga would receive the hint, “Sorry not the kiddos, her secret is safe,” Karga stated.

“Any more Stormtroopers?” Mando asked.

“I think we cleaned up the town,” Cara said in confidence, “I’m thinking of staying around just to be sure.”

“You’re staying here?” Mando questioned with bafflement.

“Well why not? Nevarro is a very fine planet. And now that the scum and villainy have been washed away, it’s very respectable again,” Karga informed.

“As a bounty hunter hive?” Mando asked.

“Some of my favorite people are bounty hunters. And perhaps, this specimen of a solider might consider joining our ranks,” Karga tried smooth talking Cara.

“Yeah. I’ve got some clerical concerns regarding my chain code,” she informed.

“And if you would agree to become my enforcer, clerical concerns would be the least of your worries,” Karga hoped he was convincing her, “But you, my friend, you and your daughter will be welcomed back into the Guild with open arms. So go off and enjoy yourself. And when you’re ready to return, you will have the pick of all quarries,” Karga stated in honesty.

“I’m afraid I have more pressing matters at hand,” Mando said taking the child from Cara and moving towards his daughter.

“Take care of them,” Cara said with sincerity.

“Or maybe, they’ll take care of you,” Karga spoke hypothetically.

Mando strapped the child to his chest, double checking he was secure when he picked up his daughter in his arms, curling her body close. Mando ignited his jetpack and rose into the sky while Karga and Cara watched them fade into the distance.

Once Mando reached the ship he placed Osa in her bed hoping she would awaken soon. He placed his hand on the side of her helmet gazing at her with affection when Mando placed the child next to her.

“Do you think you can awaken her?” Mando asked the child but it only stared back at him, snuggling up next to her.

Realizing he gave it a shot Mando knew he had one last thing to do. In honor, Mando buried Kuiil creating a rock grave and placing Kuiil’s headgear and goggles as his marker, forever leaving Kuiil’s legacy behind.

Mando went back to check on his children and noticed the child was gnawing on something, “What do you got there?” Mando reached for the item and realized it was the Mythasour emblem, “I didn’t think I’d see this again or either of you,” Mando spoke while pondering over so much.

“Why don’t you hang onto that until she wakes up,” he handed the emblem back to the child when it started suckling on it again, “Can you keep her company?” Mando asked as the child snuggled back up against Osa, drifting off to sleep himself. Mando smiled and placed a blanket over the two when he went to the cockpit, fired up the Razor Crest and headed into the vast darkness of space.

* * *

At the crash site Jawas had already began collecting parts to sell. They rummaged through vigorously trying to find all the best parts when suddenly a crackling startled them. A bright flame sparked but then was replaced with a saber, colored black, cutting through the TIE-fighter’s steal creating a path of escape. Once freed, out stepped a furious Gideon searching for his assailants, with no luck he climbed to the top of his destroyed fighter, cape billowing in the wind, and gripped in his hand was the Mandalore sacred relic that had united the clans; the dark saber.

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lightsandlostbells · 6 years

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Druck episode 1 reaction

I’m really enjoying Druck so far! My ideal remake would be to start with a new script and story, for sure, but this one seems very in line with Skam’s principles and style. I found myself looking forward to upcoming clips.

Clip 1 - Jonas gets on a soapbox

I really love that they revamped Jonas’ opening monologue to something that is apparently relevant to German teenagers and potentially lays out some of the themes covered in the show, and that it kept the rough, raw look of the visuals.

THEY LOOK. AGE APPROPRIATE. Thank Godddd

One of the things with Skam France and Skam Italia is that a lot of people reacted by saying, “wow, they’re all so beautiful” and internally I was like nnnnnnnoooOOOOO that’s not the point but I didn’t want to be a dick about that.

Lol at the same song playing when Leonie walks across the yard being the same song in the Skam Italia trailer. According to Wikipedia, “Bad Girls” has also been used in Skins, Gossip Girl, and 90210. It is to teen drama shows what “Hallelujah” is to sad crying scenes.

Well I immediately bought this Isak (Matteo?) having a crush on Jonas, just saying.

As far as cutting to Matteo similar to how Skam France showed Lucas … I preferred this because it’s not giving away Matteo’s feelings. Lucas definitely had a vibe that ~Something More was up that the audience should suspect. This wouldn’t have pinged me, as a new viewer, that Matteo has a secret that Hanna doesn’t know. Like I could have bought he was just bored of watching his friends make out.

Clip 2 - Hanna and Jonas in the bedroom

So Hanna and Jonas have great chemistry so far! They definitely have that easy, established couple feeling and seem comfy with the physical affection.

Youth by Daughter is such a Skam song that I’m sort of shocked it hasn’t been used already.

I was hoping for another glimpse of Matteo but I will accept his love of memes.

Is the Hero Party Druck’s version of Russ? Sounds like. Is it a party where people dress up as superheroes?

Clip 3 - Amira’s introduction

Um, YES. Good job, Druck.

This scene was a brand new spin on an existing clip! This is really what I want to see - taking the old material and making it fresh and distinguishable.

So the theater kids were changed into a refugee welcome group, and of course they assumed Amira was a refugee. I liked that they established this specific commentary.

The girl from the club gives Amira a little smile after she explains the purpose of the group as if to be like “we help people like YOU” and Amira’s just like yep … not this shit again.

Amira! Loved her immediately. She and Hanna probably just did their homework in companionable silence after this encounter, but it’s already pretty cool that the Sana character is the first one of the girl squad established (other than Eva/Hanna).

There’s a sign for a party in the background, is that the Hero Party?

Also, I like Hanna making a self-deprecating joke about herself being the one who needs tutoring.

But honestly, how lovely that Amira got to share this moment with Hanna and even make a joke about white Germans. Because you know plenty of white people Would Not Get It.

Aside from his cultural obtuseness, I’m kind of fond of that dude and his giant hair.

Clip 4 - Matteo gets a ticket to the love nest

Well this remake just came out and said what I thought was always implied, that the reason Jonas doesn’t want Matteo to be alone is because of his family. I don’t mind this dialogue being forward since “weird family” could pertain to a lot of things, not necessarily serious (I don’t know what the exact words imply in German). Like, his family could be really into hunting for cryptids. It’s vague enough not to take it too seriously.

Listen, while I love Hanna and Jonas so far and think they have terrific chemistry, I could totally ship Jonas and Matteo. Jonas just seems really fucking excited about Matteo coming with them.

Where the fuck did Matteo come from???? It was like he teleported. We saw right over Hanna’s shoulder before he appeared and no one was there.

Though I see he took a pic of them while they were chatting that he posted to IG, lmao.

I kinda like this casual loungey, come up and sling an arm over your shoulder Matteo. He definitely seems the most chill of the Isaks so far.

ALSO they did the whole thing of Matteo watching them leave, HOWEVER this is why it works for me here more than in Skam France: they don’t show his face. They don’t make it seem like he has a secret. I definitely think you can infer that, but I also think you can infer something more simple, such as how it’s symbolic of how he’s the third wheel in this relationship. I think OG Skam did that best by having Isak trail after them, but this wasn’t too OTT.

So it looks like we’ll be getting the full cabin episode, not just a weekend?

Clip 5 - Party

The title card being for Monday is a pretty big mistake, though I saw that the official account responded to it and apologized.

Hanna singing as she’s getting dressed is a really nice touch. We all have our getting-ready-to-go-out anthems.

Mia is already feels more like Manon than Noora, in that she’s a got more of a softer, sweeter initial vibe. I did like that they showed her watching Hanna get dragged by Leonie and deciding to cheer her up. And that they had her clarify that she had to leave (for some unspecified reason) because it was always kinda funny that Noora made a dramatic first impression and then disappeared into the night, leaving Eva wondering “who is that mysterious yet sexy stranger...”

Vilde (Kiki?) giving an actual description of Sam makes sense, like damn, there could be a dozen Sams in that club. And having the mix-up still happen is a bonus.

But most importantly, obviously, is that Kiki thinks girl Sam is extremely hot. Look, one of these remakes has to deliver on gay Vilde. Don’t keep dangling the carrot and then taking it away. plz.

I LOVE Amira and this seems like a major change in characterization from Sana? Not that Sana was allergic to fun, but I have a hard time seeing her show up at parties without her squad. Amira is actually present at parties and dancing - alone, it looks like - which is something I wondered about Imane in Skam France. What made Imane want to get in on Daphne’s party? If they go with another “the girls are planning to throw a party” plotline as a way to do russ, then it’s a decent setup for Amira to actually be seen partying. But I really hope that they take this shift in characterization to greater depths and don’t just kind of adapt Sana’s dialogue and personality around Amira. I really want to see a distinct character develop, and this is a good start.

I instantly want to see more of girl Sam and I kinda love that she’s the character with the distinctive lipstick on this show.

Kiki being like “you both have the same name, you’re both black, we get it, super funny” and asking them to leave - damn, congrats on making the worst first impression of the Vildes? Even if I get that she’s upset at the moment.

Penetrator (?) Sam seems a bit dorkier and less like a douchebro. But maybe I just feel that way because he’s posing with his cat on Instagram.

Liked that they put in Hanna sitting in front of the mirror taking off the makeup, her hair messier, as a contrast to the fun sexy getting ready scene. Just some quiet reflection of the bummer kind. That’s always how it feels after a party that turned out to not be so fun. At attempt was made to be social … and the attempt had limited success.

Changing Hanna’s parent from a mom to a dad (assuming there’s only one parent around) is a small yet potentially interesting change. Especially because conventionally, relationships between daughters and mothers are considered to be tighter than relationships between daughters and fathers, though this is by no means universal. I’m quite excited to meet Hanna’s dad and see how the parent-child dynamic plays this time around.

General comments:

From what I can tell, some of the Druck actors are in their teens and some are in the 20-22 age range. Because overall these do seem to be younger, inexperienced actors, I’m more inclined to be lenient on their performances than the other remakes. I think this is fair - Skam France and Skam Italia cast older actors to play teenagers, and in the case of Skam France many of them had already been in movies and TV shows (not sure if it’s the same for Skam Italia), so I do have higher standards for their acting. If they are going to sacrifice authenticity, then it better be for the sake of talent, otherwise what’s the point?

I mentioned this in a Skam France post too but I find it distracting that the clips end with a title card, even though they might not be able to do anything about it. It’s just a little reminder that you are watching a TV show and it takes away from the immersive experience.

One thing I noticed on Instagram is that a lot of the characters seem to have pictures of them when they were babies/little kids. That’s pretty typical for people to post on social media, it was just common enough that it caught my eye. (Hanna/boy Sam/girl Sam/Kiki, if you want to look. Cuuute).

I saw some people thought Matteo was too obvious in his feelings for Jonas, but while I thought the chemistry was there, I personally didn’t feel that it was too distracting.

On that note, I’ve been thinking about whether it’s OK to show characters other than Hanna’s (Eva’s/Emma’s) POV and I think what generally works for me is:

a) does this shot reveal something that our main girl couldn’t pick up on from the rest of the context of the scene

b) does this shot reveal something that the audience shouldn’t yet know

c) is this shot taking over our main girl’s big emotional moment.

If so, not a good idea. Basically I think what works for me is brevity and ambiguity.

The reception to Druck seems to be very positive so far, going off the tag’s content. I think the enthusiasm is support for the idea that many Skam fans aren’t 100% opposed to the remakes as long as they feel like the show captures the spirit of the original series.

However, it would have been interesting to see what the reception would have been if Druck premiered first - is it that Skam France was more polished than some people preferred, and Skam Italia had some aspects from the casting and the trailer that turned people off, that Druck seemed like a strong alternative? Or if Druck premiered first, would we be more cynical about it? (I think this could have been true to a degree, but there are also some changes, like Amira’s introduction, that might have intrigued the fandom.)

I am feeling good about this show but I’m also trying to keep my expectations in check, lmao. If I expect it to completely revamp the Skam S1 storyline I’ll probably be disappointed; however, what I hope for it is at least some minor changes in characterization that create distinct, consistent personalities and that they write the script forward from these changes rather than contorting the story to fit them, if that makes sense.

I think calling it Druck is in itself a good sign, in that it seems more indicative of wanting to create a clear identity outside of a Skam remake and appeal to German teenagers. “Skam” is not a word that means anything to French/Italian viewers unless they know the original show.

#druck reactions

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