#i just haven't had enough time with the game to conclusively say one way or the other

[bryce-bucher]

500 CALIBER CONTRACTZ Post #12

Dialogue!!!11:

The main thing I did over the past week or so was put together this dialogue system. The system itself was fairly easily to implement, and I think the only interesting part of the process to share is how I went about making the UI. As per usual, I wanted to have a cool mechanical feeling ui, but at the same time a friend of mine suggested an AOL instant messenger inspired chat window. I loved both of these ideas so I decided to combine them into a screen that pops up and contains the aim-like window. The modeling process for the screen was similar to how I went about making the other two bits of ui that are on screen in the above photos, but I decided to include a VGA port.

VGA PORT:

I didn't originally plan to include a VGA port, but I was in the middle of researching monitors and accidentally left a window open on my computer that just had a big photo of one and I went "wait a minute.". With my final two braincells I suddenly decided to slap together a model for the port which I ended up being proud enough of to, for some reason, make an entire section for it.

Sorry if any of the above sentences read horribly. I am going to need a third braincell if you want this stuff to be coherent. Anyway, Blender is so cool. Using the array modifier to make all these lil squares for the holes in the port is just such a satisfying process. I've come to really like makin pre-rendered assets like this.

New Movez:

This is actually a pretty big inclusion, and I probably should've ranked it in my mind above the VGA port. I added some new movement options to the game!

Firstly, I added this melee move where you swing the back of the sniper forwards to propel yourself a bit. It is mainly useful as a bunnyhop that allows you to conserve momentum.

Next up I added this kick that happens if you melee while in the air. It's basically just the one from mario64. It lets you gain a little bit more height and distance. It also becomes way more effective if you have a lot of momentum. A good tool for correcting jumps and reaching new heights.

Finally, we have the big schmovement slide. This slide gives you a huge burst of speed that you can jump out of in order to send your self flyin. Surprisingly, it didn't really break any of the level design and ended up being a really fun addition imo. In order to perform it, you have to do a ground pound and then melee as you hit the ground. Also, I feel like I basically stole this from pseudoregalia. Played through that recently and it has been a good source of inspiration.

Nova!!!!!!!!!!!!!!!!!!!:

This is a cameo skin I've been really excited to finally make myself put in the game. Anodyne 2 is a really important game to me, and I love it much. I'm really happy tha folks at analgesic let me put her in here, and I'm p happy with how her model came together. If you haven't peeped the Anodyne games I highly recommend them. The first one was a major inspiration for parts of Fatum Betula.

Conclusion:

Lately I've been playing this game way too much. It has made it impossible for me to tell if it is fun or well designed. Some problems cropped up during playtesting that ima need to address, and I hope that it all comes together into something that one could say is "fun and cool". I think takin this weekend off is gonna do my brain good. Oh yeah also I feel like I should advertise that I'm still doing commissions if anyone is interested. Anyway, have a good 1 and enjoy urself.

#screenshotsaturday #indiegamedev #gamedev #indiedev #game development #indiegames #lowpoly #y2k #y2k aesthetic #indie game #3d platformer #3dplatformer #sniper rifle #50 caliber 3d platformer #500 caliber contractz #50 cal #anodyne #anodyne 2

[yuri-is-online]

...so you just threw this beautiful idea of Fyuuture kid, and left me with a brainrot? Especially after you answered one ask with i quote "he loves his parent so much and was really fighting it to keep it together when he saw them alive again" end of the quote. WHAT DO YOU MEAN AGAIN? WHAT? HOW?

ask 1 and ask 2

Oh 👉👈? I wasn't expecting to get an ask about this au ever again actually, but I am so glad you did, I like it a lot. I mentioned Fire Emblem Awakening in the first ask I got about it but for those of you who haven't played the game, the plot features the children of your army traveling back in time to try and prevent the end of the world. That's more or less what happened in the fyuuture kid au, at least in my first draft... I always end up associating the "future kid meets their parents" trope with either FE: Awakening or I guess Golden Sun? Which I think is the name of the jrpg where something similar happens idk I just like there being a reason for the kid to need to meet their parents.

In my original draft of the au, Yuu was told by Crowley there was no way home for them, so they settled down with Yutu's father and started building a life together. This turned out to not be true, as the Magical Marshall's office began investigating the overblots that happened while Yuu was in school and came to the conclusion Yuu had something to do with them; so they were secretly arrested, cursed to forget everything about Twisted Wonderland, and sent home. The curse was meant to trigger every time Yuu vaguely remembered their time in the otherworld, with the idea their brain would prevent them from thinking about it after a while. They would have justified it, if anyone had been there to ask, by saying Yuu wouldn't know they were missing anything and would be able to live a happy life. When Yutu was born that made that outcome impossible, but the Marshal's office didn't think to check if Yuu was pregnant...

Shortly after they did that though strange things started happening. Monster attacks got more frequent, blot levels started rising, not to extremes immediately but still enough to be concerning. Reports of a strange, abyssal magic using beast, started pouring in to S.T.Y.X. suspiciously close to Grim's description. While Yuu was busy trying to put their life back together in their world, Twisted Wonderland slowly began to fall apart drowning under an ink colored sky. The overblot phantoms they fought come back and begin hunting in their respective homelands, and rumor has it they can turn certain mages into their thralls...

The curse slowly eats away at Yuu's brain, every time they see something that reminds them of their friends, their time at NRC, every time Yutu does something that would make them think about how much he takes after his dad, they feel a great deal of physical pain and temporarily lose the ability to function. It's killing them, and no doctor or specialist can figure out the cause, so Yutu just has to sit there and watch his parent slowly die and not be able to do anything about it. I was uncertain of where exactly I wanted Yuu to die in the story, but it always was around when Yutu gets isekaid to NRC, either before and he had to leave them behind or after when they both get to go home finally! But Yuu doesn't completely make it, they're able to have one moment of peace with their son and Professor Crewel before passing on.

Yutu's dad changes depending on who you want it to be of course, as does whether they met before he and his friends decided to go back in time to prevent this version of the future from ever happening, but his feelings about Yuu never changes. Yutu really admires his parent, he did even before he learned about them facing down overblots! They were really close and the more he learned about their curse, the more responsible he felt for their death. He's very determined to keep Yuu alive and safe in Twisted Wonderland in this timeline, even if it costs him his life.

His opinion on his dad really changes depending on who it is and what he learns about them. Like can you imagine learning your dad was known for being obsessed with teeth and no he had no intention of being a dentist? Clown behavior 💀💀💀 His friends were all ocs I made but never really developed... I do remember that one was a younger sibling of Kalim's (who could be his aunt if you like Kalim and absolutely embraces that role), her retainer, Crewel's son who also sees himself as Yutu's uncle (the feeling isn't mutual) because he is old enough to sort of remember Yuu and thinks of them as a sibling, and a random oc I based off of the kid from Up for no reason other than I like the movie. They also came back in time, but only Yutu ended up in the right place, just like fire emblem awakening.

idk I should probably do something with it. like writing the reactions for the other dorms...

#<3 asks #twisted wonderland x reader #twst x reader #future kid au #i am so sorry if you wanted more domestic moments w yuu and yutu and got a lore dump instead #if you want those feel free to ask i need a distraction from the long fic i am writing ha

[getvalentined]

I need to talk about the ending of Rebirth, because I'm apparently the only person in the world who liked it.

Putting everything behind a cut, and I would request that anyone who reblog this with spoiler commentary do the same as a courtesy to people who haven't beaten the game yet. It's been just shy of a month since it dropped, so we're still well within the statute of limitations on spoilers. Be nice.

A lot of people are really, really upset about the ending. It's been really weird to have people who went on and on about how they'd be livid if Aerith survived now being furious that she didn't, but I guess it just proves that not only can you not please everyone, but some people are incapable of being pleased.

I've warned everyone I know that Rebirth is the middle part of a trilogy; it was going to end on a low note regardless. That's how trilogies work, the 'ending' of a trilogy's second part isn't an ending at all, it establishes the launching point for the conflict of the conclusion. As a result, second parts will generally strive to be satisfactory with the understanding that it will basically never be satisfying. I'm not going to go into that any more deeply because it's not the key takeaway here, but it's super important to keep that in mind when addressing the ending of any second part, not just Rebirth.

The fact of the matter is, Aerith was never going to survive. That was never on the table, because it was never anyone's decision but hers.

In the OG, Aerith allows herself to be killed so that she can petition Gaia for aid directly, so that she can commune with the planet in-person in order to make sure Holy is activated in time to save everyone. She chose that. She didn't want to die, but she did want to save everyone, and she understood that the only way to do that was by sacrificing herself. Changing that would have been a huge insult to her character, a complete teardown of everything she's been since we met her all the way back in 1997, and it was never going to happen.

In Rebirth, Aerith is capable of dragging Cloud's consciousness into a pocket dimension she's made out of the last days of a terminated timeline in order to both hide him from Sephiroth while he recovers, and to get a working copy of the White Materia that she can use to save the world in the timeline that Sephiroth has chosen to 'save.' She has her own army of Whispers that can and have changed things, that can and have saved people from incidents that should undeniably have killed them. Incidents that did kill them.

If Aerith had wanted to survive in Rebirth, she would have. Sephiroth couldn't have stopped her. We see that in the game, because she literally fights him at the end alongside Cloud, even though she's already dead. Cloud saved her, and then he didn't—and then he did, and then he didn't, he did, he didn't, back and forth and back and forth and we don't know who decided where it stopped.

Sephiroth wanted Aerith out of the way, certainly, but in the end he left of his own accord. He's also the one trying to change the timeline from what it was originally, he doesn't want things to go the way they did in the OG; it's entirely possible that it was Aerith herself who dragged the timeline sideways into the one where she died, because he's wrong and she knows that's the only way to stop him. (I don't necessarily think this is the case, but it's not even close to set in stone.)

I see a lot of people saying that it doesn't matter, nothing mattered, nothing anyone did made a difference because she's still dead. That the only difference that could ever have mattered enough to make it worth it would have been for her to survive—even though it was and has always been Aerith's decision whether or not that came to pass—and I literally can't disagree hard enough.

I think we—and by 'we' I mean the players as much as Cloud and the rest, this is important—changed things in the only way that they could have been changed without condemning the planet to Sephiroth's desperately lonely form of salvation.

When Aerith died in the OG, it happened so suddenly that there was nothing we could do. There was no closure, we never knew if she understood how loved she was, that we would have traded places with her if we could, that nobody wanted her to have to do this alone. We could never really know if she understood how sorry we were to have failed. We didn't get to say goodbye.

Over a quarter century later, we got that. After all this time, decades of knowing that there was nothing we could do to save her but wishing that we at least could have seen her off, Rebirth gave us exactly that.

Aerith wakes up. She's dead because she has to be, but she wakes up. She gets to see how much she's missed, she gets to say goodbye, and we get to say goodbye back. We finally have the chance to not have her taken from us, but to let her go, and to see that it's her decision to stop while everyone else keeps going. It always has been.

Aerith was never going to survive. That was never going to change, because it's not about her—it's about saving the world, and it's about you.

But things are still so different this time, because we finally got to say goodbye, and I can't think of difference we could actually make that could ever be worth any more than that.

#ff7 rebirth spoilers #fandom ramble #aerith gainsborough #final fantasy vii #ffvii #final fantasy 7 #ff7 #final fantasy 7 rebirth #ff7 rebirth #ff7r #ff7rb

[phoebe-delia]

For your eight nights of Drarry event, what about “I get drunk on jealousy.”

Drunk on Jealousy

And for the finale of Eight Drarry Nights 2023, I am honored to write this for @xx-thedarklord-xx. Sam, I hope you know by now just how much I love your work. Apologies that this is so late. It's been a rough week (shoutout to my discord friends for the sweet support! You guys are amazing). But I wanted to give this proper time, which I haven't had until now. So, without further ado, here we go! And, of course, Happy (belated, now) Hanukkah.

Featuring: a secret relationship, possessive!Harry, and a Draco who is determined to drive Harry crazy—in the best way—until he snaps.

At this point, I'm starting to think the pint in your hand is just for show. You've hardly touched it. I'd wager you're entirely sober.

You come to pub nights with our colleagues, every other Friday, yet you hardly drink anymore. Would you be surprised that I've noticed? When have I not noticed you, Potter?

I've seen you watching me. You're not being very subtle; if you want to keep this a secret, you're going to have to tear your eyes away from my arse. Not that I want you to, mind you. I always want your eyes on me.

Have you caught on to my game yet? You're an ex-Auror. Use your talents of deduction. I flit and flirt my way through the pub, talking to everyone but you, but it's always your bed I come back to, isn't it? Meanwhile, you stew and scowl and glare at me from the corner of the pub as if you don't know the foregone conclusion.

Silly Potter. There's an easy way to get me to end this; a quick, surefire solution to this self-inflicted torture. You'd just have to march over here with that big, tough Chosen One bravado, scoop me into your arms, and kiss me the way you usually do when no one's around. No one else would dare touch me again, and we'd finally be free from sneaking around. Win-win.

But you're trying to be a gentleman. You're trying to "give me my space" and let me bring our relationship out of the proverbial closet when I'm ready. It's admirable; very touchy-feely-sweet-Gryffindor of you.

But I've had enough. I'm ready for more. I'm sure you'd say that I could simply tell you. But where's the fun in that? It's much more entertaining for me to see you get all worked up, jaw clenching with every smirk I throw your way as I talk and laugh and flirt with other men.

Tonight, though, I think you've finally realized. Or, at least, you're going to lose it. I'm talking to—what did he say his name was? Greg? Thomas? I'm not sure, but it won't matter in a moment. You're gripping that pint like it's personally offended you; I'm almost afraid it's going to shatter in your hand.

From the corner of my eye, I see you all but slam it on the table, the drink sloshing a bit over the rim. While the rest of the pub is too rowdy to notice, your tablemates startle and look at you with alarm. But you're glaring at me. I just deepen my smirk and raise my eyebrow at you.

You rise from your seat, letting your chair fall over behind you, and stride purposefully over to me.

Good.

That's it.

Come and get me.

#i think the Maccabees would agree that the *real* miracle is a reprieve in my writer's block coinciding with some free time #that's the true meaning of hanukkah obvi #eight drarry nights 2023 #drarry #draco malfoy #harry potter #draco and harry #harry and draco #draco x harry #harry x draco #draco/harry #harry/draco #draco malfoy and harry potter #harry potter and draco malfoy #draco malfoy x harry potter #harry potter x draco malfoy #hpdm #drarry squad #drarry fic #drarry fanfic #drarry fanfiction #drarry ficlet #drarry drabble #drarry fandom #hp fic #hp fanfic #hp fanfiction #hp fandom #harry potter fandom #harry potter fic

[w0lp3rtinger]

@biolover9 <3 eeeehehehehe - @lambpaca and I have talked about this. Like, even outside of the parameters of Shadow and Amy getting together. This is just general conversation.

I've mentioned this a bit about it before on the sideblog, but I just... never could see Shadow ever wanting biological children. Truthfully, I don't think he could have them even if he wanted to, not without a massive amount of medical intervention.

Like... if you're making the ultimate weapon, the ultimate life form, why would you ever give it the ability to make more of itself? That lessens your control over it and runs the risk of causing your enemies to get their hands on a weapon of their own. You don't want that.

(I'm saying 'it' because like... that's how GUN viewed Shadow. 'It'. Even Gerald viewed Shadow as 'it' in the end in his diary. What Shadow wanted didn't matter to them. )

Beyond that though, I can see Shadow looking at their own biology and not wanting anyone else to have to endure it. Especially working off of the idea that they're still young and all the ramifications of genetic testing and mutation on them haven't really come to fruition yet (looking at you, 'immortality'). Why would he be selfish enough to pass a potential curse like that along?

That's not to say Shadow doesn't like kids. We've seen them be extraordinarily patient with characters like Cream, Tails, and Charmy both in-game and outside of game. I think for them to want kids though, they'd need to have certain needs met. They'd need to be free from GUN, they'd need to feel safe, they'd need to make a lot of peace with themselves and grow as a person. Essentially, they'd have to go through hell and then also a lot of soul-searching before reaching the conclusion of, 'I want to be a parent.'

But Amy? Oh without question, I think Amy wants kids. Doesn't matter if they're hers or someone else's. I've joked about her having a vision binder listing out three kids and names and everything. Amy also has been shown to want a domestic future after she's defeating Eggman. She wants to enjoy the peace and the every-day magic of just existing to exist. I think a lot of people agree that Amy would want kids to be a part of that domestic bliss.

Personally? I think there's also this idea that kids are hope for a future. Amy has spent her entire childhood fighting. There's no way to get that time back, no way to undo that which she has seen and had to experience. She forced herself to grow up quickly in order to protect both herself and the world. Amy wouldn't have kids unless she felt safe enough to do so.

I also think Vanilla being Amy's main parental figure that we see in almost every iteration of the Sonic franchise helps. Vanilla is, by all accounts, a loving, kind parent. That would have made a positive impact on Amy not only in regards to who she becomes as a person, but also, her own expectations on what being a parent entails. Seeing someone who wants to be a parent, who likes being a parent, who likes their kids (both their biological kids and the ones they pick up like a wet cat off the street), that means something, you know?

All the Sonic Gang solidify that family is what you make it, family is a choice, but Vanilla shows that parenthood is also a choice, and one that can be done with joy.

How does Gigi factor into this? Well, I kinda touch on it in The Home You Make, and then I show it in Late Evening Talks, but effectively- Amy and Shadow both make each other feel safe, they help the other grow, they help the other be their best selves, and in the moments they struggle, they're there for one another. This creates an environment for the two of them that allows them to entertain and discuss the notion of being parents. Without question, I can see them covering it before they even really start dating. Shadow in particular, not wanting to mislead Amy, would make his stance/circumstances abundantly clear, but now, fully committed and comfortable with one another in a way they were not previously, the subject would come up again not as a nebulous 'well maybe' but as a 'are we gonna do this?'

And they decide, 'yes.'

They'd take the adoption process slow, looking. They’re not really looking for a hedgehog- the species doesn’t matter. It’s the kid that does. I don’t even think the two of them really know what they’re looking for when they start. I mean, how do you put parameters around this sort of thing? Ultimately, Gigi wins them over. She’s funny, she’s creative, she’s sweet even if she’s a hellion, she’s protective, she gets into fights- she’s them. They see her in them. They get this kid. The child care staff warn them about her being 'stubborn and standoffish,' and overall ‘difficult to work with’. That pisses Shadow and Amy off royally. Not like that's unfamiliar territory- they’ve been this kid, frankly. When they meet Gigi, they’re smitten, and frankly, them coming from a place of understanding with her helps her warm up to them. When they fully decide to go for Gigi, they take the process slow, letting her get to know them, letting her decide if their home is the place she wants to be.

And she decides, 'yes.'

#sonic fankid showdown #gigi the parakeet #shadamy #op rambles #sth #biolover9

[fledbeast578]

Lostbelt Servants Often Don't Work as Chaldea Servants

I've reached a conclusion on why I dislike servant x Ritsuka pairings so much, and ended up spending a few hours thinking about some other thoughts.

When it comes to the gacha game format, you don't have enough time to develop every character equally, and certainly not the way fgo goes about it (Oh boy another lb6 centered event? You really shouldn't have Nasu...). As a result, oftentimes servants only ever get interludes (and sometimes events, but even those are shaky) to develop their bond with Ritsuka, and this is even worse for lostbelt/singularity villains, because they have to shed an entire dynamic and replace it with a new one. Sometimes this can work fine, or even improve the character, such as with characters like Cu Alter, Hessian Lobo, Jeanne Alter, Jason, and even arguably Avicebron, but oftentimes they can sort of... flounder.

Cu and Jeanne Alter succeeded because fundamentally there was that initial gap that comes from an enemy, not only because they were a villain but because we simply haven't developed a bond yet. So they showed us it, they showed Cu Alter learning to trust and rely on us in his interludes, we saw Jeanne do the same across multiple events. They didn't just abandon their old identity they had to built a new one off the corpses strewn by their old one.

Characters like Anastasia... don't get that, they get a facsimile of a bond developed because they don't want to restart from the very beginning of the relationship pole or be obligated to use all of their lostbelt characteristics.

So rather than showing Ritsuka and Anastasia growing a close bond and her developing a crush on him, we get one dream sequence where Anastasia confided in him that she kind of hates the people who killed her parents. Then it's just... "oh my master is utterly adorable" from her and then "Why don't you kiss her, master?" from Medea

None of this was earned or developed, at best it was implied because other people say similar stuff about Ritsuka, but notably, none of those scenes include Anastasia. They're writing this interlude like it's an alternate timeline where Anastasia was a main servant who watched you grow and develop similar to Mash (Thanks to @300iqprower for making me realize this). There is no unique relationship, there's no event where they were forced together, we just have to assume that at some point Anatasia and Ritsuka hungout a bunch and she got a crush on him.

It feels more like a filled in template for a servant-master relationship than anything actually developing. Why does Anastasia like Ritsuka? Because he's nice, trustworthy, and strong. Great, the same applies to Mash, Ushiwakamaru, Melusine and so so many other servants. There is nothing to me that says she would love Ritsuka for any reason unique to Anastasia, in the same way I can look at her and Kadoc and see why they love each other in the crypter manga. There's no Ritsuka discussing how he can relate to having his opportunity to grow into an adult ruined, there's no Ritsuka having to fight by her side for an extended period of time, there's no Ritsuka helping her come to terms with her family's death, it's just... nothing. It's Anastasia having a crush on Ritsuka because it's Ritsuka.

And like... we have to see this this with so many servants. As much as I love Barghest and find Melusine interesting, to a massive degree they were made worse after lb6. The desire to protect Fae Britain and Aurora respectively was an intrinsic part of their character, and when none of those exist, there's just a big hole in their motivations and relationships. But rather than write elaborate depictions of what changes in their personality there is, Melusine decides that Ritsuka is their lover and Barghest does... cooking? And also wants to fuck Master sometimes.

Worse than remaining stagnant a lot of lostbelt characters actively plateau. Stuck in a hell where all their characterization is dependent on the unique setting of a lostbelt, but also being physically unable to do anything with that setting because then they have to deal with the baggage associated with it.

This is to the point where the only characters who become better or remain well written after their lostbelts are overwhelming the ones who completely sideset this issue. Yu Mei-Ren and Qin? Popped into throne of spirits. Percival, Habetrot, Aesclepius, and Gareth? Literally completely different characters. William Tell, and Odysseus? Lostbelt fuckery. So they develop a new character from scratch and are forced to deal with that.

But a lot of servants don't get that. We know Melusine's past and generic character traits, the game implies (doesn't show) how they grow to like Ritsuka, so we don't get to see any more of that develop. Rather we get to see whatever they decide they would fit best for the present, which typically is uninteresting and repeated.

#fgo #ramble #character analysis

[sapphire-weapon]

>open Twitter >open DMs to send a message to a buddy I haven't spoken to in a while >there's a shitton of messages that I never got notifications for that I just straight-up missed over the course of A YEAR >goddamn it Twitter >this is all Elon Musk's fault >anyway >one of them is from the Project Umbrella guys >remember the big stupid bitchfight I got into with them last year >oh Jesus what the fuck did they want back then that I missed >open DM >HE'S DEFENDING THE RE ARCHIVES >NO FUCKING WAY LOL

THAT'S NOT WHAT THE RE ARCHIVES SAYS

THIS IS WHAT THE RE ARCHIVES SAYS:

And that's NOT what happens in Leon's RE3 epilogue. THIS is Leon's RE3 epilogue:

Oh but wait!

There's more!

This guy then tries to go on to defend the "Adam Benford kidnapped Leon" argument. Let's see how well his argument holds up.

So let's check his facts. Let's do a search for Jun Takeuchi.

Interesting. So Takeuchi became an executive around 2017. RE6 came out in 2012. So Takeuchi wasn't an executive at the time RE6 was written or released.

In fact

looking at this

Takeuchi didn't work on Resident Evil 6 at all. So... if he didn't work on RE6, then that would make anything he writes about it... fanfiction... wouldn't it? Otherwise, what gives him word of god for RE6's story? The fact that he was employed at the company at the time? Does this mean that any random environmental artist has word of god over the story? Do the Monster Hunter guys have word of god over RE6, too?

And what about Tsukasa Takenaka? Well, he's not even a big enough name to have a Wikipedia page to begin with. In fact, looking him up, it seems like he had a minor hand in writing RE5, produced Revelations 1, and worked on RE: The Mercenaries 3D.

yikes.

Okay, well what about this dude's other claims?

Adam Benford was director of the CIA in 2002 (according ONLY TO that airsoft ad written by the guy who did not work on RE6; this is NOT stated in RE6 itself), and his position in 1998 is unknown -- implying that he was not actually the director of the CIA in 1998. But Leon was kidnapped in 1998 by the CIA. So if he wasn't the director... then I guess he wasn't behind the kidnapping, was he?

Our friend from Project Umbrella then goes on to make a bunch of other claims right in a row, so let's go down them one by one.

>"Leon and Adam working together for a decade is only an approximation" Okay, but if you're approximating, the number would be closer to 15, not 10. Benford died in 2011. 2011 - 1998 = 13. So the rounded number would be 15.

>it's okay if RE6 gets the date wrong because supplementary material gets it wrong >implying that the game does not have more people working on it to ensure accuracy than random supplemental material. You're telling me that no one on the team of hundreds that worked on this game remembered that Raccoon City happened in 1998?

>RE6 is off by a year re: Chris killing Wesker

Is that true?

No, actually. That's not true at all. RE6 says it happened in 2009. And, wouldn't you know it. RE5 takes place in 2009.

So, what do you think, Mr. Project Umbrella?

Is that enough research that I've done for you?

Maybe the next time you want to go into a woman's DMs to mansplain at her and call her hysterical, you might want to get your fucking facts right first, you self-important misogynistic piece of human fucking garbage.

So.

In conclusion.

DO NOT LISTEN TO THE FUCKERS WHO CONTROL THE WIKI

THEY JUST FUCKING GO ON THE INTERNET AND TELL LIES

and talk down to women, apparently

#resident evil #resident evil 6 #leon kennedy #i suppose i'll have to add this to the 'leon's wiki is filled with lies and bullshit' page #but holy shit this was not what i expected to encounter today #this is your 'authority' on the canon #THIS is the fucker who's telling you that all supplemental material is canon and all devs have word of god #THIS fucking idiot #the wiki actively makes RE fandom worse #this is why this series's story doesn't make any fucking sense to people #because they're learning the story from this complete fucking dipshit moron #who puts every contradictory fact he can find together in one big pot and says 'THAT'S THE STORY' #no #the story is ONLY in the games and the movies AND NOTHING ELSE #IF IT'S NOT IN THE GAMES OR THE MOVIES IT'S NOT CANON #IF #IT'S #NOT #IN #THE #GAMES #OR #MOVIES #IT'S NOT CANON #DON'T EVER QUESTION ME #NEVER EVER QUESTION ME

[morgana-ren]

Been playing with an idea and I'm curious about your thoughts: Tav stays with Ascended Astarion because she knows he will hunt her down anyway, and that the hunt will wear away what remains of the gentle love she misses. Not even in a "I can rein his worst impulses in" way, but in a "I can't bear to destroy this illusion of kind love because it's the only thing I have left of him" way. idk just musing

Speaking from experience, sometimes we cling to scraps. Somewhere deep and desperate, we know the truth, but facing it would take what little is left of our dwindling sanity-- especially when you are literally trapped in the situation.

When you're staring down the barrel of the gun, sometimes it's better to live with the constant threat than it is to pull the trigger and shatter the illusion.

The die has been cast, the choices long made, and all that is left are consequences.

Being in love can be a wonderful thing. It really can, I hear. It can also be a fucking prison, and worse, it's one of your own making. You can't rationalize with your brain. Our lives would be exponentially easier if we could. Sure, you can know the truth, but there's always some little part of you that fights and wails against that truth. Anything to keep itself stable.

It's a game of giving yourself a reasonable doubt. It's presenting yourself with a logical conclusion, and that nasty little part going "You can't possibly know that!"

Chances are, you didn't fall in love with the monster. You fell in love with the man that came before him-- or at least had that illusion of existing. And Astarion was very much a man before he became... this. There was a time of tender love and genuine affection.

There was a time when he would do anything to protect her-- and he did. He turned to this ritual because he was afraid-- both for himself and for her-- and he did what he felt he needed to do to keep them both safe. To allow them to live long enough for that love to be able to breathe.

There was a time, seemingly not so long ago, when it was a kind love. And yet, these happy memories turned haunting and cold. Something that dances ever on the edge of Tav's brain, just out of reach. Ever grasping, ever longing, ever taunting.

To run would be to accept this truth. It would be to fully reject the lie that has kept her sane. It would be to take away the one raft she has in this maelstrom and leave herself to drown. It would be to accept the truth that this isn't love; it never could be.

Love is vulnerability and selflessness, and by nature, he cannot be. His love is a cage. It is something strangling and cruel that would sooner see her suffocate than free. That is his nature now.

He is capable of saying the right words and making the right motions-- just enough to keep the lie beautiful and believable-- but to acknowledge their emptiness would be to accept that they are nothing but a death rattle. The last note in the swan song that is his dying humanity. It is a ghost of something that once existed, and has chosen to haunt and possess rather than go in peace.

If she runs, he will catch her, and there will be no pretense to his grip. That illusion is gone. She will have played her hand, laid the cards on the table, her intentions bare. And it's a game that not only does he not play by the rules of, he is simply not playing. What she has is the illusion of choice, and sometimes, it's easier to work at building that facade than it is to accept it.

When you look at him, it's those same eyes that once held adoration. The hand that chokes you is the same one that loved you once. You like to think it's still in there, somewhere, deep deep down. If you could only reach--

And what hurts more? To stay and keep trying, keep choking, keep suffering? Or to simply let it end?

Well, when there is no end even if you try, the answer seems obvious. Keep it dressed up in your mind, keep disguising it, keep trying, keep reaching for it. Something tells you that you haven't seen the worst part of him yet, and that monster will come knocking once it isn't placated.

His love for her became something very twisted and wretched. In his mind, he likely does still love her. He is showing it the only way he knows how; the only way he is capable of showing it. If she were to leave, he would feel rejected-- abandoned. Except she no longer has a choice, does she? She runs, he will find her, and he will make her love him, or she will suffer until she does.

It seems a mix of self preservation and mental preservation brewing in a caustic mix with the the dying gasp of what was true love for him. It's dancing on the edge of a razor forever, and in this case, it's quite literally forever.

Maybe she thinks she can remind him somehow. That maybe, one day, she can find a-- a cure or or something to bring him home to her. He's in there somewhere, right? Surely, he must be. This is still the same man she once loved. He's there, he has to be.

It's either keep holding out hope for this, or acknowledge the reality of the situation. It's not as easy of a choice as one might think.

#morgana and friends #astarion spoilers

[cchanticleer]

I'm still rankled by the lack of good refs for robin's clothes so i got more

As far as i know there's not a single bit of official art that shows them in their default tactician digs without their coat on so it's come to drastic measures, digging in to the actual models.

Fates, as seen above, offers the most complete look. In this version the coat is an entirely separate thing, and underneath it the clothes are fully modeled and textured. I used paragon to remove the coat; i'm not sure if you'd ever be able to see this all in-game normally. Maybe the coat goes away with clothing damage? I'll have to check later.

getting at things in other games is more of a pain, but worth looking into.

To be clear: I'm not looking at coat here, just what's underneath. TBH i was mostly personally interested in seeing what their golden collar bit is attached to. often when people draw robin's clothes they go off of this fan-made reference sheet, which adds a little mini jacket thing which i personally don't like the look of no insult to the creator it's just not my jam which is why i spent so much time trying to fine accurate refs while I always just assumed it was a part of the coat itself. Turns out we're both wrong!

I know the first model you'd want to look at is the one from Awakening itself, but unfortunately i couldn't find a rip of the model on first glance. BUT, while pulling usable models straight from the game files is out of my wheelhouse, i CAN pull the textures. So we'll look at that instead.

Here's the body textures for f!Robin from Awakening. It's a bit tricky to parse, but from what i'm seeing the parts of the clothes that are covered up are unsurprisingly not modeled/textured. The skirt-thing is almost the same, though the gold band running across the middle of the back segment is smooth instead of having two sharp bends. Other than that I don't see very much of note.

Next: Warriors. I got the models from here. I haven't touched blender in years but i remember just enough to tear things apart and see what's underneath. Looking at unpromoted m!Robin once again.

I only bothered to delete what was covering things on one side because it's all basically symmetrical, half's enough to get the idea. Again, my first priority was seeing what the collar was attached to, and it turns out the answer to that is "not much". They didn't bother modeling the whole thing, reasonably assuming that it'd never be seen. You can see that it's definitely its own garment separate from the coat and the top, but beyond that there ain't much. What we can see doesn't match the design from fates, though. I'd figure that it doesn't match because there's no point in adding details that no one'll ever see, but that's not where the changes end.

Here's the lower body, where we can see that the back of the skirt-y portion is completely different. In Awakening (as far as i can tell from the textures) and in Fates it's two segments, the smaller front segment and a second, larger segment that wraps all the way around. In this, there's four, with a matching front and back and matching sides.

Also there's a few points on the belt section where things are clipping through each other, but i'm pretty sure that was a part of the model as i got it and not a result of my cutting things up. Whether that's how it is in game or something that's happened when it was ported to blender, i couldn't say.

Last is Smash Bros.

I'm gonna be honest i had sort of run out of steam at this point and since i didn't see any models that had already been conveniently formatted for blender i kinda phoned this one in.

I looked around just long enough to see that a) there's even less of the collar piece modeled, it stops as soon as it's covered by the coat and b) the skirt-y thing is once again in two pieces. Here's the textures if anyone wants to try and parse em

I guess there's also codename: steam

I am not going to check codename: steam

In conclusion i spent entirely too much time on this but maybe someone will be able to use this mess as reference idk

#fire emblem awakening #robin #robin fire emblem #fe13 #cosplay reference #reflet #fire emblem warriors #smash bros ultimate #idk man #mod #i meant to queue this not post it now but tumblr is inscrutable

[thehaniverse]

HYBE vs Min Hee Jin - The Full Timeline

Hi guys, Han here, and LORD, this has been one of the hardest things I've ever had to do, but I hope this is helpful to all those who are trying to follow this mess in its entirety.

Important notes:

I've included the pre-audit timeline to help you understand the history and context of everything that's happened

I will be updating periodically with new information

I will try to keep entries to the point, and highlight the main points given by each side without adding too much of my own opinion - so make your own conclusions!

Credits to TMIKpop on Twitter for most of the translated news articles as I'm far too lazy, busy (and dyslexic) to read all those Korean articles myself.

I tried to include sources as much as possible in the more recent news, but honestly, I'm going to be a little lazy with this as I don't have enough free time to go back and find sources for things that happened way in the past or are already well-known up to this point. Feel free to send me sources in my ask box though!

Also for reference, here are the key involved characters (and name abbreviations that will be used throughout this post.)

Bang PD (Bang Shihyuk, HYBE Chairman & BigHit CEO)

PJW (Park Jiwon, HYBE CEO, ex-CEO of NEXON Games)

MHJ (Min Hee Jin, ADOR CEO, ex-SM employee)

VP L (Lee Sangwoo, VP of ADOR, ex-financial division at HYBE)

VP S (Shin ??, VP of ADOR)

NJs (NewJeans), LS (Le Sserafim), IL (ILLIT), GFRIEND & BTS

BHM (BigHit Music), SouMu (Source Music), BELIFT & ADOR

Items with * are accusations by either ADOR or HYBE, but that haven't been 100% verified as true or false. Things that have been verified won't have any *.

Similarly, (RUMORS) that seem to have some basis in reality based on existing evidence but have not been explicitly stated by either side are also included. Also disclaimer: I am not pro-HYBE nor pro-MHJ, I have my personal opinion but I've tried to keep this as impartial and unbiased as possible. I've just presented the news that has been released, if it tills one way, that's just how it is.

Without further ado(r LOL), let's begin!

2019~2021

MHJ joins BigHit Ent as Chief Branding Officer for all labels - this is in preparation for Bighit Ent becoming HYBE.

*Between then and 2021, MHJ suggests making a girl group to Bang PD, and they agree to make the group under SouMu rather than BHM. However, MHJ is never officially employed at SouMu.

*Bang PD promises that MHJ's group will be HYBE's first girl group.

All NJs members join SouMu (Minji joined in 2017 / Hani 2019 / Haerin & Danielle 2020 / Hyein 2021)

*NJs' debut is pushed back initially because of COVID, then again due to contract issues, resulting in LS being ready to debut first and PJW telling MHJ that NJs will no longer be the first gg from HYBE. MHJ claims the reason for NJs' debut delay is because they didn't like her creative vision though.

2021

Q1 (Exact Timing Unknown)

Bang PD starts developing LS with SouMu as he wants to create a group featuring known members, Chaewon and Sakura from Iz*one.

*NJs' debut is pushed back initially because of COVID, then again due to contract issues, resulting in LS being ready to debut first

PJW tells MHJ that NJs will no longer be the first gg from HYBE.

*MHJ is upset that another gg is being developed under Source and claims that it's because Bang PD didn't like the direction she was taking NJs and abandoned her to work on LS instead.

MHJ later agrees to the new debut schedule, with LS debuting just 2 months before NJs, and decides that is enough time for her to promote NJs.

Feb/Mar

HYBE is officially established as a company with Bang PD as CEO.

May

PJW is announced as the new CEO of HYBE.

Bang PD continues as CEO of only BGM but only the chairman of HYBE. This means he has no say in the daily operations of HYBE, but can make big decisions that go to the Board of Directors (BOD). Note: Each label under HYBE has its own individual CEO.

GFRIEND is officially disbanded without any notice from SouMu.

*MHJ is accused (by HYBE staff) of taking almost all of the SouMu staff to ADOR resulting in SouMu not having enough staff to manage GFRIEND and LS. SouMu also had a lot of debt from the training of NJs that they would no longer see a return on as the profits would go to ADOR so they needed to take dramatic measures. (RUMOR) SouMu had already sunk a lot of money into LS (and NJs) and expected LS to be more popular as they were debuting under HYBE, so they decided to terminate GFRIEND at the end of their contracts without warning.

November

ADOR is officially established so that MHJ can have full control over her group's image and development, rather than answering to SouMu CEO and Bang PD.

HYBE gives 16.1B won investment for the establishment of ADOR

2022

May

LS debuts from SouMu

*HYBE claims they shortened their promotional period in order to give MHJ enough time to promote NJs ahead of their debut, but MHJ shows Kakao messages of PJW specifying that NJs should not be promoted ahead of LS' debut so they can benefit from the speculation of them being MHJ's group.

LS' debut is overshadowed by the Garam scandal.

(RUMOR) While Garam was later found to be innocent and misrepresented in the media (ie she was protecting a friend from a bully, not actively bullying someone), many believe MHJ was the one who leaked the information to the press to jeopardize LS' debut. This comes from the statements from HYBE that they have evidence of her collecting and leaking artists' private information.

July

NJs debuts with ZERO pre-debut promotion, instead dropping an incredible amount of content for the debut promotions. Note: While MHJ claims HYBE tried to stop her promoting at all before their debut, she has not provided any evidence. It is the responsibility of each individual label to plan and execute their artist's promotions.

End of Year

Thanks to NJs' successful debut, ADOR has paid off a majority of their debt to HYBE, and now only owes 4B won.

2023

Dec // Source: Donga Ilbo

Bang PD lends MHJ money to buy cheap stock options (intentionally discounted by HYBE for her to buy) and MHJ uses the loan to buy a 20% stake in ADOR. This means she gets paid her shares on top of her 1M USD annual salary as CEO. Note: I couldn't confirm this, but it's believed she is the only CEO of any HYBE label that has stocks in her company. BHM is private so there are no stocks and it is owned completely by Bang PD, while the other labels' stocks are owned 100% by HYBE.

MHJ buys the shares on the following conditions: + If she decides to quit, HYBE is obliged to buy the stocks back and pay MHJ 13 times [ADOR's profit from the last 2 years x her % of shares] + She can quit from Nov 2024 and has a non-compete clause for 2 years where she must maintain a 4.5% stake in ADOR. Note: This means as a stakeholder she can not establish her own company or work for a company that will directly compete with ADOR for those 2 years, as she can not do work that can potentially devalue her shares. This is standard in many industries.

MHJ later shares 2% of her shares to executives of ADOR: VP S and VP L. Note: It is unclear if she sold them or gifted them.

Q4 (Exact Timing Unknown)

VP L leaves their position in HYBE's financial team and starts to work at ADOR under MHJ.

*HYBE accuses VP L of downloading a bunch of HYBE's private financial data that he should no longer have access to, and giving it to MHJ to later use to try and blackmail HYBE into selling their ADOR stocks with the investors she is colluding with. This would mean the majority of ADOR stocks would be controlled by people who support MHJ's decisions.

2024

Feb // Source: Donga Ilbo

MHJ tries to negotiate the terms of her contract with HYBE. She requests the following: + The 13x valuation of her shares be increased to 30x. Taking their value from approximately 100B won to 270B won. (This would be 5.5x the amount of profit she actually made with ADOR in 2023.) + The complete removal of the non-compete clause, allowing her to cash out all of her stocks and start/work for a competitor company immediately after leaving the company.

Additionally, she asks for the ability to make decisions regarding outside investors by herself as the CEO without HYBE's input.

HYBE rejects all of her requests because they would be complete financial losses and risks to HYBE. Negotiations stop as neither side will budge.

It is also around this time that HYBE gets the tips that MHJ is planning a management takeover with outside investors.

Mar

HYBE received a tip that MHJ is planning to try and make ADOR independent by gathering investors who support MHJ to buy up the majority of ADOR shares.

[23rd~29th] MHJ and VP L share messages about selling ADOR after 'emptying it like a shell', how to make ADOR independent, and how they should blackmail HYBE and ruin HYBE's reputation. *HYBE believes the 'empty shell' comment means terminating NJs' contracts with the majority shareholder power from the investors MHJ was meeting. Note: MHJ has confirmed the existence of these messages but insists they were just jokes between disgruntled employees. HYBE retorts that these plans are too specific and detailed, and they found additional evidence to prove they were more than just empty words.

[25th] ILLIT debuts with 'Magnetic'

April

[3rd] MHJ submits an internal complaint to HYBE and BELIFT that IL's concept is copyright infringement of NJs and that HYBE has the obligation to protect them. She requests they respond by April 23rd or 24th (not clear.)

MHJ also complains to the parents of NJs that HYBE is trying to sideline NJs with IL.

[21st] HYBE and BELIFT submit a 6-page response to MHJ. Note: She later claims that she didn't receive any response, but HYBE provides proof that she received it, so she changed that they replied last minute so she couldn't prepare for the audit, but the response doesn't mention the audit because they are separate issues. However, MHJ believes the audit is all because of the IL situation.

[22nd] HYBE carries out and publically announces the ADOR audit. This results in an 8% drop in HYBE stocks. (Whistleblower will be revealed later!) *They claim to find evidence of her plans, the illegally obtained company and artist information, and more.

[23rd] MHJ holds a 2.5 hour press conference in retaliation. *She doubles down that she believes this is all because of the complaint she filed and that HYBE (and particularly Bang PD) has hated her and NJs from the beginning. Conference Transcript Here:

[24th] This was also the deadline for which all company devices needed to be returned for the audit but MHJ refused to return her work laptop (and still hasn't as far as I know.) *MHJ claims the timing of the audit was intentional to jeopardize NJs' comeback, however, HYBE provided copied devices to all the employees. She has since not given any justification for not returning her laptop and NJs comeback is continuing as scheduled.

[26th] While HYBE initially stated they wouldn't respond on the day of the conference, they later released a full statement addressing the key points of MHJ's argument. HYBE's full response in English:

NJs's fans (Bunnies) sent trucks to HYBE requesting that MHJ stop using NJs and their parents to protect herself and that NJs stay within HYBE.

NJ's parents refuse to accept calls from HYBE but express their support through newspaper interviews.

Both NJs and BTS RM announce their comebacks set for May 24th. (HYBE's stocks recover thanks to this.) MHJ paints this as HYBE trying to crush NJs with their biggest group because NJs surpassed BTS - HYBE retorts that BHM picked the date first and advised her to change the date, but she insisted on having NJs' comeback on the same day.

[30th] HYBE calls an extraordinary general meeting with the BODs, but the ADOR executives and MHJ do not attend, meaning they have to file a legal suit requiring the MHJ, VP S and VP L to attend the ADOR BODs extraordinary general meeting on May 31st instead.

Other things of note that happened between the 22nd to 30th:

News reports broke that a petition for re-investigation regarding a 2017 allegation against BTS for Sagaeji was passed to the KFTC & Ministry of Culture, Sports & Tourism. Days later the organizations responded by clearing the charges and asking that all musicians be as honest and forthcoming as BTS. It was later discovered at the hearing that MHJ was behind this situation, and ordered her VPs to create a buzz around the issue to distract attention from her. // Sources: Link / Yonhap News

Similarly, following the accusation from HYBE that MHJ was talking to her 'shaman friend', a rumor broke that BTS were members of a cult that the chairman of their university (Cyber Global University) is rumored to be part of. The Chairman denied being part of a cult, and HYBE/BHM released statements denying the allegations too.

(RUMOR) "K-ARMYs" sent trucks and funeral wreaths to HYBE dissing the company and pleading allegiance only to BTS until May 7th. The following day, these were replaced by trucks from "Bunnies" showing support for MHJ - contradicting the prior trucks sent criticising her. The suspicious timing, the unusually fast fundraising, the contradictory message, the hiring of bodyguards to protect the wreaths, and other strange coincidences cast doubt on if any of these trucks are actually from fans. Many believe MHJ is funding these herself to paint the image that fans are on her side, or at least hate HYBE, justifying her own discontent with HYBE.

May // Source: Biz Chosun

[7th] MHJ files an injunction to Seoul District Court to block HYBE from using their 80% share of ADOR to vote her out (fire her.)

[10th] ADOR BOD agreed to HYBE's request to hold the extraordinary general meeting to discuss the dismissal of MHj (and the two VPs.)

*The same day, prior to the BOD announcement, MHJ's side said a styling team leader was subject to improper coercion during the audit. // Source: Lee Daily HYBE later retaliated explaining how the audit was conducted and that when the staff wanted to stop, they respected her wishes. Furthermore, HYBE said they found evidence of embezzlement and improper payment receipts for ADOR staff. // Source: Newsen ADOR denied that the payment methods were normal and legal, but definitely they are not. // Source: Newsis However, the staff did come forward to say she felt pressured and blackmailed with the embezzlement claims if she didn't comply with the audit. // Source: Ilgan Sports

[12th] An email from "NJs Parents" to HYBE is released to a newspaper, the contents of the email describing how Bang PD did not greet the girls in the elevator, and how they are their parents were upset by it. HYBE retorted that this was not true, and that the email was fabricated by VP L and MHJ and they had proof of this. // Source: YTN A parent of NJs later gave an interview with Ilgan Sports revealing the email was in fact written by MHJ, based on conversations she had with the parents. She also claimed PJW had said the girls would take a break for 1.5 years in order to find a Grammy worthy producer for NJs and that the parents were worried about their careers. // Source: Ilgan Sports HYBE denies any such statement and that they plan to continue NJs schedules as planned. //Source: Seoul Newspaper

[13th] YTN reports HYBE has selected a new CEO for ADOR to replace MHJ once she's voted out, and that they will reveal all of the results of the audit at the court hearing.

Controversy about NJs new song 'Bubble Gum' being plagiarised from a 1982 song called 'Easier Said Than Done' by British Rock Band ShakaTak. // Source: Biz Chosun

[14th] HYBE filed a complaint with the FSS due to insider trading carried out thanks to a tip from MHJ's side about the upcoming public scandal. Note: It's complicated and is about additional people not mentioned until now, so I will link the thread explaining it. It is relevant however, as it backs HYBE's claim that MHJ had planned to ruin their company image as part of her management takeover plan even before the audit. LINK

[17th] The hearing for MHJ's injunction takes place. Each side has 30 minutes to present their arguments and evidence. The below tweets summarize the main points.

HYBE's Side:

ADOR's Side:

Although MHJ requested her Kakao messages not to be shared publically (despite her already showing some), a reporter did recreate the messages. (He copied them word for word but recreated the image so it doesn't break the rules.) The messages show her hatred for women in general, particularly a female employee who was reported assaulted by one of the VPs. Messages Translation: LINK Message Source: LINK LINK

[17th] NJs members and their parents all submitted petitions to oppose the dismissal of MHJ and request that MHJ and NJs continue to stay under HYBE - these petitions were submitted before the hearing where MHJ's disparaging comments against NJs were revealed. // Source: Hankook Ilbo

[17th] HYBE's Q1 results were released and showcased how NJs/ADOR is not as valuable an asset as MHJ is painting them out to be. This goes against MHJ's argument that HYBE is trying to crush her because NJs are getting 'too big'. LINK

[17th] The whistleblower who tipped HYBE off to make them do the audit is revealed. Long story short it was one of the associates of the investors MHJ had been trying to get to buy shares of ADOR who reached out to HYBE. MHJ has claimed during her conference she never met any investors and that HYBE should prove who they are. Now that they've been named, she's still deflecting because it was VP L who met with the investors rather than MHJ herself. // Source: LINK / Biz Chosun

[17th - yeah, a lot happened this day] MHJ accuses HYBE of trying to make her commit 'Albun Pushing', as well as complaining about the distribution deal with UMG - HYBE retaliates denying the allegations and provides evidence of MHJ doing the exact thing she accused them of, and also explains how the UMG benefits all artists and has already benefit NJs. // Source: LINK Note: This is NOT Sajaegi, but it is still a tactic to inflate sales. The difference is Sajaegi is the company buying the albums themselves, whereas this album pushing is forcing distributors to preorder more stock and then hold events (like fansigns) to help them sell out after.

[24th] This day is the deadline by which both sides can submit additional evidence before the courts make their decision on whether to pass MHJ's injunction (stopping HYBE from voting her out) or not. The court has stated they will release their verdict before the 31st. // Source: YNA

[31st] The ADOR extraordinary general meeting will take place.

This is all the information so far, I've skipped some of the common knowledge things like the details of the IL plagiarism or cult accusations because I think they just muddle the whole timeline and are very inconsequential.

I will continue to update this page as things continue to happen. And I want to show out TMIKPOP from Twitter one more time as I wouldn't have been able to put this together without their tweets.

#HYBE #BANG PD #MIN HEE JIN #park jiwon #ADOR #HYBE vs ADOR #Min Heejin vs HYBE #Min Heejin #BTS #NewJeans #ILLIT #Le Sserafim #Kpop News #Kpop #K-entertainment

[mania-sama]

Random ask, who are your favorite romantic relationship's couples in any media, like anime/manga, tv series, books, etc (can be canon or non-canon)? Feel free if you want to write the reasons or not of why you love them....

Thank you so much for sending in an ask! I would love to answer this question! I didn't go through every fandom I've been in, though I went through quite a few!!! Usually, there is only one ship I really love in a fandom that ends up being my favorite, but I like/love plenty of ships and don't limit myself to just one ship. I will say that when it comes to engaging with fandom and fanfiction, I tend to actually prefer platonic relationships, centered on found family and blood-related family than anything else.

Bungou Stray Dogs -> Shin Soukoku (Akutagawa Ryuunosuke/Nakajima Atsushi). I think most of this comes from the way they are quite literally yin and yang (my favorite symbol of all time) in almost every aspect. I firmly believe Asagiri is beating us over the head with a mallet saying "Look! Look what I did! Please look!" I'm under no impression that they will be canon, but BEAST gives me the hope that they can at least become friends, and that's testament enough to the development they go through. There is just so much there. I'm not an enemies to lovers person, but for them, I make the exception. There are so many parallels to draw between them, so much to look at and really dig into. I'm not delusional enough to say they wouldn't be toxic (all of the BSD ships except for, like, RanPoe, are toxic let's be real), but I am lenient enough to say that they can be good to each other in fanfics and decent friends in canon. Also, this applies to their BEAST counterparts, too. BEAST makes them better.

Jujutsu Kaisen -> ItaFushi (Fushiguro Megumi/Itadori Yuuji). There is a sort of trend I have with shipping, I think. I tend to like the second most popular ship, usually the younger generation of the most popular ship, which is arguably a form of torture in and of itself. JJK is not as bad as the BSD fandom is about the popularity difference, but it's still painful. Anyway, I think my love for this ship stems from the fact that Megumi has a big fat crush on Itadori and I will accept, under no circumstances, any other interpretations of his relationship with Itadori. Everything from the SatoSugu parallels (who are one handhold away from being canon let's be real), to their whole shtick being to save each other (physically and mentally), to Megumi literally describing Itadori as his type of person. Gender neutral. Even though it is so incredibly easy to use gendered terms in Japanese as it is in English. I feel like Gege is doing this on purpose because there is just no way he sees this as normal friend stuff. Recent chapters got me in a chokehold. I am SCARED. Besides all this, I think they just work very well together. They are also horribly tragic. Perfect combination.

Genshin Impact -> Xiaother (Aether/Xiao). I debated pretty heavily with myself here on what my true favorite is. I came to this conclusion mainly for one reason: Xiao. I love Aether, but I love Xiao. He is my favorite character, right next to Razor, so obviously he carries this ship. I also think that, of all of the implied relationships Genshin has supplied in plenty, Xiaother has had the most development. Every scene with them is better than the last, and the way that they make each other better is something I adore. And as for the ship being specifically Aether and not Lumine or nonspecific, it's because I chose Aether, so I'm more accustomed to using him as the traveler vessel rather than Lumine, but I'm honestly fine with either.

Identity V -> Elisop (Aesop Carl | Embalmer/Eli Clark | Seer). I haven't played this game in a hot minute for storage and laptop reasons, and I'm also not updated with the lore (nor was I entirely familiar with it from the beginning, outside of the MAIN main lore). But this ship and game were a huge part of my personal development, I think, and I do want to return to playing it in an honest effort eventually (I WANT MY ROBBIE RANK BACK). I think I perceive it differently than other people do, mainly because people oscillate between two sides of the Aesop Carl characterization spectrum. But there is something really fun in the idea that Eli, with his ability to see the future, thinks that he can somehow "fix" Aesop, under the impression that his and Getrude's relationship will never mend. And Aesop, who sees Eli and feels real love for the first time, finds that he doesn't know if he wants to kill and embalm Eli, or if he wants to indulge in this feeling called love. Toxic, probably. Their color schemes also match very well together (which is actually what led me to ship them in the first place, before fandom influence), and they are extremely compatible gameplay-wise.

Haikyuu -> IwaOi (Iwaizumi Hajime/Oikawa Tooru). If you told me two or so years ago that this was my favorite Haikyuu ship, I would have LAUGHED IN YOUR FACE. I hated Oikawa and didn't care much about Seijou. But then. But then. I went through a like. Month-long Haikyuu revival not too long ago and only read IwaOi fics because I came to this revelation. Oikawa is really goddamn relatable. I think we are all, in a sense, Oikawa, at one point or another. He is THE teenager. He is someone you can project every single one of your problems onto because his struggles with being untalented and unworthy are interchangeable with pretty much any self-worth conflict: internalized homophobia, eating disorders, socializing, etc. Iwaizumi can also provide these internal debates, but in a context with Oikawa makes it even better. Does Oikawa carry this ship for me? Yes. I don't care what you think I'm not here to defend myself.

Voltron: Legendary Defenders -> Klance (Keith Kogane/Lance McClain). Do NOT talk to me. They have ruined my life in pretty much every aspect. Also an exception to the not shipping thing because they are kinda the whole reason I even watched this show past season... three probably. I don't even wanna talk about them anymore because it'll just upset me. Just know that as far as the Sheith vs Klance debate goes, Sheithers are wrong for that after Keith called Shiro his brother. There. I added my fuel to the ever-burning garbage fire that is Voltron shipping. I may talk about Klance again in the future but for now I wanna leave my thoughts off here.

Merlin BBC -> Merthur (Arthur Pendragon/Merlin). Thank you Merthur fandom for teaching me what a good fic is supposed to taste like. They are kind of the epitome of the ships I tend to gravitate to: TRAGIC. The ending of Merlin is traumatizing and the fact that all of the cast pretty shipped it (as well as you can see the faint mouthing of the words "I love you" in the final death scene) is like. The first true healthy immersion into a ship I've ever had. I never obsessed over them too hard, I think, but Merlin is still my favorite live-action show, and Merthur is always well and true to my heart. They also got me introduced to the master/servant trope in terms of medieval times, and I had a very long affinity for it in fanfiction. I don't like it as much anymore, but I look upon that time with happiness rather than the usual slight embarrassment.

She-Ra and the Princesses of Power -> Catradora (Adora/Catra). I also make an exception for enemies to lovers for them because they even added that extra-friendly step of friends to enemies to lovers. Genuinely, no show surprised me as much as She-Ra did. Shout out She-Ra for giving me the worst envy I've ever felt in my life. I want to rock a suit as well as Catra did in that one scene. Anyway, I loved their development. I know some people criticize it for being rushed towards the end, but I like the way they were able to forgive Catra so easily. They understood what it meant to be used and manipulated, what it meant to be unable to fight against oppressive forces. People are mad at compassion, even though that's the literal whole point of She-Ra. Whatever. They could never make me hate you Catradora.

Percy Jackson (all book series) -> Percabeth (Annabeth Chase/Percy Jackson). The blueprint. That's it. That's all you gotta know. I don't read fics about them because there is nothing to improve upon. One of the best written series and best written romances of all time. It was basically everything Avatar: The Last Airbender failed to do with Kataang (sorry for ragging on them for a second but that's the only thing I didn't like about ATLA; the romances) failed to accomplish, with all the same in-depth and wonderful characters. Like, they are everything I aspire to have in a relationship. The way they are simply meant for each other and aren't rushed, but are always implied to have that cutesy young crushes until they finally got together. I love them. Ugh. Uncle Rick you win again.

Anyway, these were some of my favorite ships of all time!! Sorry, I blabbered a lot. Probably listed more ships than you meant to but I take whatever opportunity I can to talk about things I enjoy IN DEPTH. There were also a lot of M/M romances, which, I swear to God, just happened out that way. I love plenty of F/F and F/M relationships, they just rarely end up as my top favorite. DO NOT accuse me of anything because I WILL NOT hear it.

#anon ask #ships #favorite ships #they are still so many ships i like that i didn't put here #not necessary i guess because they aren't my “favorite” #sigh #bsd #bungou stray dogs #jjk #jujutsu kaisen #percy jackon and the olympians #she ra #voltron #vld #merlin #genshin impact #identity v #haikyuu #hq #shin soukoku #itafushi #elisop #iwaoi #xiaother #klance #merthur #catradora #percabeth

[bluebudgie]

Behold! The long announced whiny pissbaby gamer rage essay that noone on the internet asked for.

Disclaimer up front: This is about Eff Eff Sixteen. If you're a fan of this game I advise you to just ignore this because I genuinely don't want to piss into your morning coffee with my negativity. I will rip this game several new assholes. You have been warned.

FAQ Q: Don't you have anything better to spend your time on than writing a ridiculously lengthy internet text post about a video game whose existence you are free to simply ignore? A: Yes, but this matter is personal. I'm writing this for the sake of carthasis. Closure. To be free of the rage that has possessed me for the past months. Q: Have you tried touching grass? A: I have sat in a field of grass for a prolonged amount of time prior to writing this. I am beyond the need of touching grass. Q: Do you expect anyone to actually read all this? A: No.

Spoilers ahead, obviously. Let's go.

------

Table of Contents

Introduction: Is this the worst game ever made? 1.1 It's personal 1.2 Pre-release & producer statements

The battle system

The narrative 3.1 Storytelling and morality 3.2 Pacing 3.3 Visuals 3.4 Characters 3.4.1 The game's biggest mistake 3.4.2 The state of women 3.5 Music

Credit where credit is due 4.1 It's personal again

Conclusion

------

1. Introduction: Is this the worst game ever made? What a strange way to start, you may think. Shouldn't this question rather be addressed in a conclusion at the end? I want to set the record straight from the start: No, it is not the worst game ever made. All things considered I don't even think it's the worst game of its series. And yet I have never in my life felt such unbridled hatred for a video game, or honestly, any piece of entertainment media I can currently think of. Why is that?

1.1 It's personal Usually I'm pretty good at doing the sensible thing people should do when they don't like something - ignore it. Why bother wasting your energy deliberately seeking out something that you know will make you angry?

Hear me out for a moment, I'll have to go on a tangent here.

I didn't actively get into the series until a year before FFXIII released - which at this point in time is 15 years ago now, but considering we've had only two more (singleplayer) mainline games since then, it's still a relatively late entry point. This is to say: I don't think I'm wearing the worst nostalgia goggles, but I do have a long history with the series nonetheless. These games have played a big role in my life for those past 15 years.

I used to roll my eyes at the "the series died after FFX" crowd. FFXII is one of the best in the series, sure FFXIII was a landslide miss for me, but... that's one game, right. Then FFXV's release drew closer. I did not like what I saw, for many reasons I won't detail now. What did I do? I blacklisted the game's name on all social media platforms, and didn't hear anything about it anymore. To this day I haven't actually seen much of it, though I do know the rough outline. And I know that while the game has a dedicated fanbase, it has also received its fair share of harsh criticism.

Why am I telling you all this?

1.2 Pre-release & producer statements

A few years ago, FFXVI was announced. And I have to be honest: I was negatively biased from the start. I hadn't been happy with SE's general direction for years and I wasn't particularly hopeful for this entry either. But - and I want to make this very clear - I was open to give this game a fair chance. The announcement trailer didn't really hook me but it looked alright, some visual and audio gripes aside. I was... cautiously curious. Not quite enough to call it optimistic, but I wanted to be hopeful.

You know what's excellent at crushing hopes? Game producer interviews that range from "that's a severely stupid opinion to have but you do you" aka (paraphrased) "our traditionally turn-based series can't be turn-based anymore because in order to get the production costs covered we have to appeal to the masses, and the masses are kids who love action and not outdated combat systems in which you have to navigate menus to act" (source); to downright offensive statements such as "we are creating a fantasy world based on reality and therefore black people can't exist in our european medieval setting" (source); and "I have gamer pride so I don't want to feature an easy difficulty setting in my game" (source - for clarity's sake there are accessibility options in the game in the form of equipment that helps simplify combat, however the statement itself is still really goddamn stupid).

And I know these statements have been called out by some - but it definitely didn't blow up as much as it should have considering the popularity of this franchise. It's an open secret why this is the case (if you're out of the loop: the game producer in question is an untouchable god with a really large cult fan following), and quite frankly I believe this is probably where the first seeds of my hatred were sown. Knowing that no matter what FFXVI was going to be it would have people defend it out of their blind commitment to the team behind the game's development, left a.... spiteful aftertaste in my mouth.

Ironically looking back now, and plain offensive statements aside, my biggest concern for the game itself was actually the combat system. I'm definitely part of the old-school "a main series FF game needs turn-based combat" crowd. Oh sweet summer child.

At this point I decided it would be better to go the FFXV route (which, by the way, had some similarly stupid dev comments at its release). All marketing made it clear that I was not the target audience for this game, so best to just ignore its existence.

That worked... alright...ish... until the demo's release. I guess you could say curiousity killed the cat. I decided to take a look at someone's playthrough... and that's where my initial "pissbaby gamer rage" draft that I ended up not posting came from. Go big or go home, if I wanted to be angry about this game in public I should at least be fair and wait for the full release. Not judge the game by its (admittedly generous in length) demo. Get the full receipts, see it for all that it is in its entirety. I think in a way I still didn't want to give up hope completely.

And that's where we are now, two months later I've watched a full playthrough of the game including all sidequests. It's been a wild ride to say the least.

2. The battle system

Let's get this out of the way before we finally get to the really meaty part: As mentioned earlier my primary concern before release was the combat system since it's so far removed from the older entries of the series. Ironically, of all things, this is probably the smallest issue I have with the game now.

I still don't think the combat is good, mind you - this is mostly a matter of personal taste but I'll never see how button mashing and a series of QTEs overlayed over 20 minutes of cinematic cutscene is supposed to be more impactful or fun than the oh-so-outdated turn based menu inputs. Then again, I didn't play the game myself and can therefore obviously not judge how good or bad it feels in the heat of battle. I say "button mashing", by the way, as what I've gathered from other people's reviews - who genuinely enjoyed the game - the combat is really watered down and repetitive in comparison to games with similar systems like the DMC series. While you do pick up new abilities over the course of the game it seems like once you've found one combination that works you can solve every single battle following those exact inputs. This is one of the two really big complaints about this game I've seen consistently in almost every review.

Speaking of combat, the game has the weirdest way to pull you out of the action and emotional moments by freezing mid cutscene, showing a "you won the battle - here's your loot" screen while blasting an epic choir rendition of the classic FF fanfare, before picking that same cutscene right back up. I don't know who thought this was a good idea, but it's honestly jarring. For an extremely cinematic game that supposedly wants to break with "outdated" traditions, implementing that very video game-y results screen is a strange choice.

You could say this last point is nitpicking, and if this game had no other issues I would probably not mention it at all, but as it is this little detail is indicative of a much, much larger issue.

3. The narrative

[The sound of cracking knuckles can be heard in the distance.] Let the slaughter begin.

Prior to release the game was marketed as a departure from the rest of the series - the setting was advertised as a darker, more mature, political intrigue for an adult audience. ('But the masses of kids that like action com-' Who? What are you talking about?) Because as we all know, no other FF game has ever been dark before (/sarcasm).

What we got was storytelling and character writing with about the maturity level of a twelve year old teenage boy in his edgelord phase making his first Game of Thrones fanfiction drafts. This game oozes of sexism, really stupid slavery allegories, the most dumbed down black and white morality with a matching set of one-dimensional black and white characters, godawful pacing and some of the worst NPC dialogues I've ever had to witness.

But I'm getting ahead of myself.

3.1 Storytelling and morality

So this dark and mature political story... I'm still searching for it. I know GoT started this trend where writers will use "politics" as a buzz word to make their games look complex (FFXVI hasn't been the sole offender in the past years). Then they expose you to a few kingdom names, show you a map with territories, drop a few year dates with barely any significant relevance to anything over the course of the game, and pretend that's a deep political intrigue. I have news for you: It's not.

Alright, then... this dark and mature... oh. Oh you mean that's because there's a plethora of blood splatters and people say "fuck" and "cock" and "whore" and there's goofily censored sex on screen? Ah... oh. Alright, I see. If that's what you'd call that... sure.

But surely the people who are tattooed like cattle and used as slaves due to being born as magic users will have an interesting role in the story dealing with the very delicate topic of slaver- ...oh, uh... what do you mean the perfect king beloved by everyone is the good guy because unlike all the other people who held slaves, he treated his slaves nicely? And, before you ask.... No, this isn't some sort of commentary the game wants you to question. This guy is unironically, unambiguously portrayed as the perfect good guy. Brought up many, many times for how flawless he is.

And that... is where we're diving into one of this game's biggest and most glaring issues. The writing is so mindnumbingly black and white with not the slightest room for ambiguous or grey morality it's painful. Everything and everyone in this game is always either good with no failings - or so stupidly evil they may as well be a bad saturday morning cartoon villain.

Good characters are always good, and always act out of the pure kindness of their heart. When you think a good character fucked up and actually did something bad, it will later be revealed that either it wasn't them at all and it was all a scheme, or they were possessed by the big baddie and therefore not actually responsible for their actions. Can't possibly risk anyone appearing like a realistic person with character depth now, can we?

And don't worry, just in case you have an extremely bad case of media illiteracy with the slightest hint of doubt of anyone's alignment on the binary moral chart, the game will make sure to overexplain literally every tiny detail to you in the worst way possible. You see, the evil woman right at the start? The one who looks really evil and moves really evil and the first thing she does is being mean to the slaves and being dismissive of her own son? In case you didn't get yet that she's evil, there will be guards whispering about how evil she is when she leaves the scene. Also a scene later the good perfect king will point out how evil she is. And worry not, in case you forget in the few hours she's not on screen, characters will make sure to remind you how she has not a single redeeming quality and every breath she has ever taken has been filled with evil.

And this might sound like I'm exaggerating. But the game is like this with Every. Single. Thing. Sometimes I found myself genuinely wondering if the writers were actively trying to insult the player's intelligence with this condescending amount of overexplanation. Characters constantly comment on everything that is visibly happening on screen - for God's sake if you want to make a modern game that moves away from "outdated" mechanics then write it this way. If you show what is going on with detailed realistic graphics, you do not need characters monologuing a description of what they're seeing. You do not need to voice a character saying "I'm sad" when you can clearly see their facial expression. You do not need to make a character loudly ask himself with noone else present by his side "Is he hallucinating?" when showing another character's hallucinations. Old games did that because they had limited visual capabilities. If you sit on your high horse talking about moving the series forward while spitting into your old playerbase's faces, then do it right at the very least.

Once in a while you'll be exposed to some textbook philosophy theories, which in essence wouldn't be a bad idea at all if those philosophies were somehow smartly woven into the game's narrative… but instead you get characters quoting essentially the wikipedia summary of what that philosophy is about and call it a day.

I wish this was the only issue with the game's writing.

3.2 Pacing

This game's pacing is atrocious. Genuinely, utterly awful. And there`s mostly one thing to blame: Sidequests. If you've heard a single criticism for this game even from people who highly praise it, it's this.

The sidequests are absolutely horrendous filler content on so many levels. Gameplay wise they're usually "follow 10 meters of a linear corridor to defeat an enemy and then grab a carrot at the end" fetch quests. Visually they are not just a nose dive but an entire plane crash compared to the well animated main quests, consisting mostly of the same three reused conversation animations from FFXIV (I'm all for reusing assets if it helps developers save time, work smarter not harder, but this one is blatantly obvious in all the worst ways). And the writing.... oh boy.

NPCs go on and on and on and on having the most blandly written expository dialogue. I get that the writer's intention was to give the world a bit of context and make it feel more alive with random people telling you about their life stories and everyday hurdles, but they failed miserably at making this remotely engaging. They may as well have had people read the dictionary. And maybe this would have worked better as purely written textbox dialogue (if about half of the dialogue was cut, which would still leave more than enough padding around the actually relevant information) - but in a game with voice acting, making people audibly speak in ways noone would ever speak to another person, just doesn't work. It's stilted and unnatural, and really awkward to listen to.

Delivery aside, the stories told in these sidequests vary from "farmer's everyday life issues about growing their crops" to "random child ends oppression by convincing an angry mob of adults they shouldn't be stoning someone because that someone has been a valuable asset to their society (by reminding them they need to keep the streets clean) and suddenly every adult in range is free of bigoted feelings". And then everyone in the bus clapped, I guess. And again, I get the intention behind these stories but they're so clumsily written.

And yes, these are sidequests - you are free to ignore them. But they do make up a considerable chunk of the game. And, unfortuantely, a fair handful of the main quests follow this same fetch quest formula.

This game goes long, very long stretches without anything substential happening. And it's good to have downtime to breathe - the game's big main story moments pack a punch in terms of epic adrenaline filled battles. But this game honestly feels like 60 hours of filler fetch quests with the occasional relevant story sequence sprinkled in between.

3.3 Visuals

I'm not a film student so maybe it's not my place to comment on cinematography, but I felt like visually many of the cutscenes were also really... bland. Not necessarily bad looking (if you can see anything behind the millions of particle effects) but it definitely felt like less care was put into choosing narratively interesting image composition compared to a game like FFXII.

And then it also does this really annoying thing where it will constantly fade to black for absolutely no reason.

Character A: Oh that seems like an exciting story! Tell me all about it. Character B: Okay, so this is a long story... [screen fades to black] [screen fades from black to the exact same shot we had before the fade] Character B: So the story goes like this... (starts telling the story you thought was told off screen indicated by the black sreen)

This and similar instances happen fairly often and I just don't get why. It's nothing to hate the game for but it's just... really strange. Just like those really silly "In the meantime..." text overlays for scenes that are very clearly happening in the meantime. Seriously, we get it. You don't have to spell it out. But whatever, this is one of those things I'd look past if it weren't for the whole rest of this trainwreck.

3.4 Characters

Speaking of trainwrecks. [Takes a deep breath] I've avoided this topic for long enough now. This is where the last seams that hold the game together break and make it fall apart entirely. This is where the pile of shit that's been tossed across the room finally hits the fan.

If you're remotely familiar with any Final Fantasy title you know how important a solid cast is to those games. Your allies and party members you meet over the course of the game, their stories and views on the world's happenings... a charismatic villain. Well, how about we just simply didn't have any of that.

3.4.1 The game's biggest mistake

FFXVI's writers made the decision to focus the game's narrative around a single character, our playable protagonist. There is a small supporting cast of characters that you meet, and occasionally travels alongside you temporarily, but most of them have... not much to them. The game makes it clear: This story is about Clive, and him alone.

And... I don't think having a story focused on a single character is necessarily a bad decision per se, even if highly unusual for a series that was driven by party systems for decades, but... If you decide to do that, then your protagonist needs to have more personality than a soggy wet sponge. It's bad enough that pretty much noone in this game has any sort of depth to them, but if you sideline literally every character in favour of your protagonist's narrative then... at least give that protagonist a character?

This man's personality is nothing beyond helping people because it's the right thing to do. The attempted "he feels guilty for killing his brother" (which naturally he didn't actually do, because that would be too complex of a story) subplot gets dropped a few hours in and he's just... that guy who runs everyone's errands with no input of his own. And it doesn't make him unlikeable necessarily, it just makes him terribly boring.

What is really, really grating however is how every other character portrays him. Named characters and unnamed NPCs alike will throw pity parties for him over and over, going on about how he's so self-sacrificial, always doing everything for others while never expecting anything in return and never taking enough care of himself. It's exhausting. We get it. He's the perfect heroic nice guy, just like his (slave having) dad, the unfailable king. And unlike his evil witch of a mother. Who is so evil, by the way. At times I felt like Clive was some sort of dream fantasy guy self insert of the writers.

I'll say it plainly now: the lack of a well developped playable party is, in my opinion, the game's downfall. Clive alone can't carry the narrative because there isn't nearly enough depth to him, and everyone else has deliberately been stripped of any sort of meaningful screentime. Narrative aside I also feel like multiple playable characters would have done a lot for more variety in terms of gameplay. And before you raise your pitchforks - yes, there are few, very few characters that have their own little story moment. But boy... at what cost.

3.4.2 The state of women

! Rape & suicide mention trigger warning for this section !

So you know, Clive's sidekick? No, not the dog, the girl. Jill. The one who spends most of the game sick in bed, kidnapped, or otherwise missing, and whose single personality trait is being Clive's pure and innocent love interest. Surprisingly, she has her own 30 minutes of side story! A side story that essentially boils down to finding out she was held captive by a weird cult that had no relevance prior to this point and will have no relevance at all after this point. You get to beat up the cult's leader who is revealed to sexually assault underage girls.

Is that ever addressed again at any point? No.

But worry not. We still have a few more women in the bigger roles of the game. One of them, Benedikta, is an early game antagonist whose entire thing is seducing men, and most of the screentime she has is sex scenes. Once you defeat her in battle she flees, and a randomly passing by group of bandits is implied to attempt to rape her. This triggers a flashback of a past assault she was rescued from, and she goes mad. You fight her again, now in her powered up form, and kill her. Then she gets decapitated and her head is sent in a box to her lover to fuel his man rage. Don't worry, you'll get more sex scene flashbacks with her after her death.

But hey. We have another woman in a leading role. The supposedly main antagonist before the real big baddie (who is so boring of a villain i can't even get myself to say anything more about him) is revealed to have business with her. Clive's evil slave-mistreating mum. Her purpose in the story is breeding a flawless heir. What fuels this dignified ambition? Hell if I know. She's written in a hateable way for the sake of it. Likely to contrast Clive and his flawless dad. Absolutely zero depth to anything.

Guess her age here.

If you guessed "at least in her 50s" you are correct! Do I even have to say anything more about this.

The moment her perfect heir is killed, she loses it and slits her own throat. A very anticlimatic conclusion to her non-existent character arc.

Yes, there are a couple more secondary female characters who aren't necessarily walking misogyny targets, but they're pretty much irrelevant to the plot.

Here's a quote from my girlfriend, who is a woman, about the state of women in this game: "I have scarcely felt this alienated by the depiction of women in a video game."

! Trigger warning ends here !

So, uh... how do we move on from here... Let's head somewhere less offensive.

3.5 Music

Usually I'd give the soundtrack a lot more attention since I'm of the opinion that music is one of the most vital parts in a game and can absolutely make or break it - but quite frankly I don't have much to say about this one in detail. It's largely generic epic orchestra music with nothing much unique going for it. The regular battle theme is fairly memorable; and then there's that really aggravatingly annoying acoustic guitar ambient song that seems to play for about half of the game's time. Seriously I hate that one. It drove me nuts. In general I don't know if there's more than 10 songs in the OST because I don't think I heard more than that. Either that, or they all sounded the same.

What stuck out negatively to me especially (apart from that godsdamned acoustic guitar) was the overusage of over the top orchestral arrangements for the tiniest occasions, which was unfitting at best and really tiring at worst. I got used to it with time, but still a good soundtrack isn't just making every moment sound like it's as epic as the final boss, it's making varied music that fits the moment and sets the ambience.

Also not to ruin the OST for anyone who actually enjoys it, but the game's leitmotif sounds like Army of Lovers' Crucified. Noticed it during the demo and couldn't unhear it for the entirety of the game. You're welcome.

4. Credit where credit is due

As should be evident by now, I'm not finding much redeemable in this game. And yet - I would be lying if I said I didn't find myself liking some aspects of it.

Some of the armour designs are pretty neat. In general the character design as a whole feels coherent and mostly fits the setting, some questionable haircut choices aside.

There are chocobos. In different colours. They look nice. Not a big surprise, I suppose.

The voice acting is really good. I can't comment much on the English dub since I only watched the demo in English and then watched the full game with a streamer who played in German; but the German voice actors did an amazing job, and I've heard only good things about the English cast as well. Listening to a few comparisons I was surprised how deep English Joshua's voice is. He sounds like a teenage boy even after the last timeskip in German. That took me out a bit. I also realized I'm very partial to Dion's German voice acting. His final scene was extremely strong in that regard.

Speaking of Dion....

4.1 It's personal again

Alright. Listen. I hate this. I fucking hate this. For weeks I suffered through this game, nothing but this burning passionate hatred within me, ready to shred and tear every single aspect of it apart.

And then. So close to the end. In the final stretch. When I've almost made it through with nothing but rage and hatred by my side. This fucking stupid garbage game attacks my one goddamn weak point: The gay prince and his lover share a small "it isn't meant to be" moment. And I genuinely enjoyed the little gestures in that cutscene. It was a good cutscene.

And at this point I was unfortunately confronted with a hard to swallow pill: I had been kinda looking forward to every time Dion showed up on screen. I'll be honest I'm not sure I would have made it through the game without the driving force of "hey maybe he'll show up again". Over time he turned into my single point of fixation, and it's sad because ultimately he too is pretty much a wet sponge of a character, though maybe the least wet and spongy one. I think he does have some of the stronger scenes in the game (as well as the most visually appealing boss battle - whatever was going on with that bullet hell laser fight in space). He's also unfortunately a sad blond Final Fantasy prince and. Uh. Yeah. Ahem. Alas, he's kinda ugly. Subjectively. But he has an absolutely mighty hip swing when he walks. And a pretty cool spear. Good weapon choice.

In general, props to SE for including an unambiguously gay character in a decently written way. We all know this company is pretty behind in terms of diversity and representation, so seeing that was a pleasant surprise.

Anyway I really REALLY hate to admit it but I've been kinda held hostage by the game over this stupid prince. I'm hoping this is a temporary side effect (derogatory) from being exposed to the game for a prolonged amount of time and in a few weeks I won't care anymore. I hate it here.

5. Conclusion

When I finally finished watching the game after having spent 2 entire months with it I was mostly asking myself one question... What is worse in regards to an art medium? To hate it so intensely that you're willing to dive into every little aspect of it; or to feel complete indifference?

I can't tell you if I think FFXVI is the worst game in the series. It's the one I feel the most passionate hate for, that's for sure. But a game like FFXV seems so inherently unappealing I don't even care to look at it. Not because I think I'll dislike it any more, I just think it will bore me. (Irrelevant side note - I do plan to finally watch a playthrough of that one too in the future. Might as well commit now.)

There are aspects of FFXVI I do think are inexcusable in an objective way; delicate topics handled badly, developers that need an attitude check, and also... by god go meet a woman in real life, please.

For a game that was said to modernize and move the series forward, it makes terribly outdated choices in many regards. It somehow tries so hard to be a departure from the other games in the series, losing a lot of what makes a good Final Fantasy game, and simultaneously clings so hard to references that feel so empty when the core of these games has been trampled on. No amount of preludes and FF1 overworld theme rearrangements and corny "this will be your final fantasy" puns can bring the series' essence back that this game failed to capture. A sense of adventure, a compelling story with a meaningful cast of companions, a world to explore beyond grey corridors.

It should have been a spin-off, not a main title game. Obviously a different name wouldn't have changed the quality of the game, but I can't shake off the feeling that had it been called FFXIV: The Offline Singleplayer Experience (which quite frankly it feels like in many regards), I might have been a bit more lenient with my judgement.

Still...public reception of the game seems, surprisingly, fairly mixed. My fears of the game being hailed as the second coming of Christ didn't actually become true. At the very least the gameplay is oftentimes heavily criticized. And while I really have to wonder if all the people who praise the story and character writing have watched the same thing as I have, seeing the game actually receive some nuanced opinions from both people who like and dislike it alike is a refreshing twist I didn't expect. (Just in case this comes across wrong: I don't consider my opinions to be nuanced. I'm just a hater. But I'm right. Ha.)

Well... uh... After all this I don't quite know how to end this. I feel like I've said more than anyone should say about this game and somehow nothing of substance at all. Topical, I suppose. Oh well. Congrats (I guess) to this game for sparking something in me (negative) no other game has ever done before. For all it's worth, it strengthened my bond to some of the older entries I used to judge more harshly. I know better now.

-----

If you're the single person who made it this far, I think you deserve to have some pictures. Here's my favourite battle phase: (Something about those symmetrical orb patterns was very aesthetically pleasing. Better in motion though.)

And here's an exclusive look at parts of my initial draft and some discord liveblogging:

anyway peace out ✌️ go watch dions death scene in german

#this is my villain origin story #and also the unskippable cutscene villain monologue i'll drop 3/4th through the story

[thevindicativevordan]

Jon hugged Injustice Superman, then got sent home and took the completely wrong (but wholly expected) lesson from the experience; stop trying to do more, lest you become an overachieving fascist.

Is Jon done? How on Earth do you walk that back? It's all so sad.

Anonymous asked: Any thoughts on the "resolution" and ending of Jon's mini, as well as his lukewarm future with more Tom Taylor writing?

Anonymous asked: Comics this week? Especially the ending to Adventures of Superman and the prospect of T*m Tayl*r continuing to write him?

Suppose with three asks I have to write up a post don't I? What a waste of time this all ended up being.

Haven't been reading this mini, was smart enough to learn my lesson after Son of Kal-El, but I did ask someone to DM me details just to see where Taylor left Jon. Someone was kind enough to share the details and even send me the final page. Not only is it exactly what I thought it would be, but I can't even console myself with Taylor "leaving" Jon. He's dragging the poor boy with him over to Titans, which sucks... but I've already emotionally severed my interest in Jon. After starting off by asking his dad to do more, Jon meets an evil version of his dad and gives up on trying to achieve anything beyond preserving the status quo. Only two choices for Superman are to be a hapless bystander or a fascist tyrant, and Jon's big emotional conclusion to his journey under Taylor is choosing to be feckless.

Making it all a complete farce is that Clark is doing more himself! He went to Warworld and led a slave rebellion to topple Mongul! Since returning to Earth he's teamed up with Steel to revolutionize Metropolis with Kryptonian tech. PKJ has had Clark outright say that his conversation with Jon pushed him to do more, including gathering the Superfamily together to work together as a team. Williamson has Clark trying to redeem Lex and use SuperCorp for good, and Williamson Superman is all about multiple characters "taking the next step and moving forward" per Williamson himself. Dichotomy Taylor presents here is utter bullshit, as seen with how the other Superbooks are being written. You can do more without falling into fascism, it's not a binary choice. And Jon's pacifism here is worthless because it doesn't actually change anything or benefit anyone. Murderman is still evil and won't stop, we know he has to be taken down with violence by an alternate Clark no less, Jon's hug failed to reach this guy. For fuck's sake he breaks alt Jay's arm just to make Jon mad, this guy is cartoonishly evil and beyond sympathy. Speaking of alt Jay, he's fucking dead right? No way does Murderman not kill him after Jon disappeared.

As for ol' Murderman himself, I guess Taylor might be seeding stuff for the inevitable Injustice 3. Val-Zod and Red Tornado Lois are left stranded in the Phantom Zone, which you'll recall is where Murderman ends up in what is likely to be the canonical ending. If that's why Taylor left them there then he'll probably just rehash this mini with Murderman meeting Red Tornado Lois there - she'll tell Murderman to stop and he'll flip out on her. What is left to even do with this character at this point? He's a one note dictator who reacts with murder and assaults to anyone who stands up to him. Any attempts at sympathy are wasted by how he is a mustache twirling bad guy. Only morons who worship these shitty game tie-ins as the only DC they've read think this is profound. Otherwise Clayton Henry was drawing a variant cover for Beast Planet that featured Val-Zod, maybe Taylor will bring those two back for that book. Either way I don't care. Done with Jon, Yang is coming back to write Kenan, that's the real news. Sweet dreams Jon, you had the potential to be great but now you are utterly unsalvageable.

#superman #jon kent #tom taylor #injustice

[dgiacomo]

munday on a not monday, what are your thoughts on the dlc so far? :0 that is if you’ve… GOTTEN far lmao

[I have plenty of thoughts on the DLC, hahaha XD And I've finally seen the one cutscene. But people really hate when I talk about my thoughts on canon and what it means and I don't really want that negativity in my life right now, so whilst I could say plenty about the Team Star part and the main section, I'm going to choose not to =T

I will say three things though, that hopefully won't be too controversial...

Firstly, something that made me sad... the generic NPC bodies they gave everybody but Eri (who looks like she had the most time spent on her, probably because their hands were forced), has given Giacomo a bobblehead look which is especially bad in Scarlet... I get it, they didn't want to model their unique body types 10 times since the outfits between Scarlet and Violet are more than just palette swaps, for a cutscene we'll see once and never again, for characters who aren't really fan favourites by a long shot. It's just a shame. He looked so sturdy and broad shouldered standing with his base game model, now he looks like his head is too big. <=(

Disclaimer; If you like how big his head looks and the way they did the bodies, that's cool.

EDIT; I've got both models and I've laid them on top of each other, interestingly it looks like the depth mostly matches (EDIT EDIT; I was wrong, it looked like it matched up, but it doesn't, not at the front or back), but his width doesn't(???), on the Violet outfit at least. They've also thinned out his legs(??) width ways but not depth ways(??) The Scarlet outfit is cut down even more(??). Conclusion; strange.

FURTHER EDIT; His neck is also considerably narrower from the front than on the base game model, so I feel like the assets haven't been thickened enough for him? As in the limbs etc don't match... But that's why his head looks too big, I imagine, his neck is thinner. His head itself is the same size and in the same place.

Secondly, something that made me happy... I like how his eyes look brown now, at least in this shot (to me, personally). I think it's obvious why that makes me smile!

Disclaimer; Yes, it's likely a lighting bug, a texture error, my "eyes are bad", if you want his eyes to still be black, that's cool.

Finally, congrats to Eri for her eyebrows!

(I really hope that last one isn't controversial...)]

#munday #(on a not monday) #ranchdressing3

[mooncalfe-art]

Hello again .

Well. I supose that ,befor I ask my little questions, I shude start whit a sorry for getting a bit too carried away by emotions in the comments made on the last answer . Did sound a bit rude, ngl..even tho that was not my intention. I did tray to explain what I really wanted to say ,but,to make a long story short, what I did wanted to say is that , after all the happy moments we had whit those guys, haveing things go down like this, pretty much from the moment we were going to enter the Armageddon Game ,during the event itself ( i know that you didn't have full control in that event and was more of Tom's story. ) and how things are now and will get later, did left a mark. It is some time now since we haven't seen anything going well for the brothers..or those close to them ( as you put it...from around issues#113-123 we didn't get to much happiness for the Turtles or the others... God knows, Alopex got hit pretty hard as well. ). We did got to miss those happy moments and some did had some hopes for this current arc..tho, seeing how it maithe end and how the next one starts ..we got..a bit shocked ,in a way. We were not redy for those news. Granted, after the Armageddon Game ( and after that little spoiler you ghive for the next arc , whit that other Raph ), it made sens that you will go for a darker story arcs , seeing how things gone so far, and especially whit that part with Kitsune and what she shown the turtles in issue 139. And, it maithe help to bring them closer at the end hopefully. This is pretty much what I think at the moment and way I was soo emotional last time. Just can't wait to see things getting better for those guys I supose. I am still interested to how things go in this arc till the new one and espasaly during it, and how things maithe/will play out in issue 151 and after it. Hopefully, after this darker tone whit those arcs , we will get, as you said, a balance with some happier moments for everyone. 😁.

Now. For my question.

Seeing we not know yet for sure how things will go whit Alopex story in this current arc and I do hope we get a happy conclusion in the issue 151 and after, can you say if you have any plans for her during the darker arc from issue 145 to 150 ? Dose she has any roles or revelations during it which will be elaborated after? Just curious. No big spoilers or anything like that. Lol.😅.

Also. Do you have a title for the new arc?

No hard feelings! I appreciate your passion and how invested you are. :) I can't talk about what's going to happen after 150, it's my last issue, but I'm sure the new team will have some great stuff that hopefully you'll be happy about!

I can't reveal too much about the 145-150 arc but unfortunately Alopex won't be involved too much, but I'm sure she'll be back soon enough. I'm already thinking about an Alopex & the Weasels mini-series, hmmm...

The title for the 145-150 arc is "First, Last, Always."

[luckthebard]

So I’m curious if you have any idea what’s making acofaf click so we’ll for you above other d20 seasons? I agree with that opinion but I don’t even have a good sense of what about it is making me feel that way, what’s your take? I feel there’s something in the characters? The chemistry between everyone came so instantly and on such a deep level of complexity, beyond anything that short I’d ever seen.

Ok so I waited until I finished the series to answer this because I was also drawing a blank as to why this miniseries captured my attention so much more than previous Dimension 20 seasons. And it's not like I disliked other D20 stories I've watched. I enjoyed Escape from the Bloodkeep and Pirates of Leviathan and Coffin Run - but I had to work to finish those (actually, thinking back, I might not have actually finished EftB?). They didn't grab me the way A Court of Fey and Flowers has.

The characters and chemistry are definitely doing some heavy lifting - it was a great choice of cast and the players clearly planned some useful connections that helped with RP. Another major point in its favor is a very well-plotted narrative for a mini-campaign, that very pointedly included every single character in a significant if sometimes unexpected way. But you know what the weird conclusion I've come to is, about what it actually was that helped it hold my attention?

No combat.

Which is weird, coming from me! I'm a person who famously loves D&D combat, gets excited for it in CritRole, and has a post sitting in drafts talking about how "some of us are here for the combat, actually" when watching D&D actual play. But I think the lack of combat in ACoFaF really worked for the story they were telling, and helped it not get bogged down.

Crucially, I think sometimes with shorter miniseries and very short campaigns I can be less interested in combat because I haven't had time to get to know the characters enough to care about their combat moves. Or the combat itself, through literally no ones fault (because of dice rolls) just isn't that interesting. And a combat encounter being kind of uninteresting is way more of an issue in, say, a 6 episode series than in a full campaign that is going to run over 2 years and can survive some dud combats.

Actually, it's notable that the one, theater of the mind combat at the end of ACoFaF was the part I struggled the most to focus on, even though it was the climax of the story!

So while I am, as noted, a huge ttrpg combat lover, ACoFaF managed to maintain some very real story tension within D&D game mechanics without combat - which is maybe its greatest achievement.

#replies #luck's personal opinions