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#i have some pretty good scenes
ilovedthestars · 1 year
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33! 👀
ooh you picked a Good One!
33 is a wip that i labelled "flower." I talked a little about some of the shorter snips with rogue secunit OCs that i've written that never really went anywhere. This is not one of them. I have 16,000 words of it.
The fic is called flower because Flower is the name of the rogue SecUnit OC. I was probably a goner as soon as I named it that (Flower, my beloved 🥰). The original concept was just "Murderbot & Three run into some enemies who have a SecUnit while on a mission with ART's crew, and they hack the SecUnit's governor module." Then it developed a personality, which is why it went farther than just a few short snips. Flower named itself Flower before it was rogue, based on pictures in its education modules--it has not seen an actual flower before. Flower is a SecUnit who absolutely hates hurting people, in the hands of a company that uses it mostly for hurting people. It is not having a good time, and when MB & Three give it a way out, it takes it, even though it's scared of what might come next.
That was like, the first chapter, and subsequent scenes I wrote were all of a very anxious Flower getting used to being a rogue, meeting humans who treated it like a person, and settling in on Preservation. Three faded into the background because frankly i am bad at writing Three in any time period significantly after NE, because there is just not enough to extrapolate its personality from. So it was mostly Murderbot somewhat reluctantly babysitting a brand new rogue, on a Preservation Station that had only dealt with two other rogues so far and was still getting used to this whole "rogue SecUnits walking around" situation.
It was fun writing a unit that completely hated violence. Partially because it was angsty, and partially because it clashed really well with Murderbot, who is perfectly fine with violence as long as it's the one in control. I wrote a scene in which there was some kind of dangerous situation on Preservation, and MB expected Flower to back it up, but Flower wouldn't engage in helping it stop the hostiles and someone got (non-lethally) hurt. MB was mad and lashed out at Flower but eventually backed off and reconsidered, and had a moment where it realized that Flower had a right to draw its own line that it wasn't willing to cross, just like MB did after Ganaka Pit. That was a scene that I really enjoyed writing.
I really like Flower, and I like this fic, but I think i've already written all the good bits and don't know if I'll ever have the motivation I would need to polish it off. Writing it definitely informed other rogue OCs that i've come up with, and I might sneak a Flower cameo into the OU,YU universe at some point, just for fun :)
This answer is super long already but I want to share some actual words from this fic, so here's a bit from the beginning--Flower is in ART's MedSystem post-combat-turned-rescue, and the POV is Murderbot.
ART said, Do you require any further assistance at this time? I said, “Something’s wrong with its gunports. Or its targeting software. It shot me in the foot.” My targeting software is fully functional. “Then why did your shot hit so low?” I was targeting your legs. “Why?” There was no protocol saying to use minimum necessary force against a SecUnit. When we fight we try to kill each other as quickly and thoroughly as possible. “Did you have orders to incapacitate? What kind of idiot tells you to avoid shooting a SecUnit enough to actually stop it?” I was not ordered to refrain from using lethal force. It was a breach of protocol. “You broke protocol? On purpose? With a working governor module?” I don’t like killing. The way it said that…sounded like it had been thinking it for a long time, but had never been able to say it before. I said, “This wasn’t the first time?” No. I thought…maybe they would assign me to a different contract if I disobeyed. But they just put a counter on my governor module to record how many times I violated protocol by using nonlethal force. If I kept doing it they were going to dismantle me for spare parts. “How many strikes did you have left?” This mission was my last chance. That hit me hard. It had known that if it disobeyed again it would be destroyed. It had faced the even more immediate threat of me and Three killing it. It had known it would die. But it had still shot me in the foot instead of the head.
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bloobydabloob · 2 months
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Happy Day 1 of DirkJake week.
Theme was cowboys / robots (I did purely robots because I have done… too many DirkJake cowboys as of late)
Extras under cut
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samaraweaving · 1 year
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But we’re not in a sequel. Because nobody just makes sequels anymore. We’re in a franchise!
Scream VI (2023) dir. Matt Bettinelli-Olpin,Tyler Gillett
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no-light-left-on · 1 month
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"Fuck you."
I've been re-reading What Lies Between Sorrow and Longing and since I am unwell about this entire fic I drew a scene from Chapter 4
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literallyjusttoa · 8 months
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The urge to fill the ToA tag of Ao3 with fics sharing similar tropes and characterization as the HoO fics I read in 2016 on fanfiction.net grows stronger every day.
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samarecharm · 1 month
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i love makoto so much but fanon does her so much better (the good parts of the fandom) because in the game her character is so lack luster. they butchered her confidant it is so borning and not even about her. they made her a cop. A COP. they pushed this "canon waifu" role onto her (before sumire came along and did it Even Worse). and it SUCKS because SHE IS SO MUCH MORE!!! SHE IS SO MUCH BETTER!!!! SHE COULD'VE BEEN SO MUCH BETTER!!! the way i feel about canon makoto is the same way i feel about the canon ryuji events post komoshida where he's horribly mistreated and used purely as comic relief: i ignore them <3 my game now <3 never happened <3 my ocs <3
You are so right. I generally apply this to all characters in p5 bc the game does such a shit job of staying consistent with character arcs and personalities. Theres a desperate need to throw in perverse jokes at the expense of female characters and a need to show that the police (as a whole) are reliable people who are not influenced by things like money and power; only the BAD cops do that. Not to mention this obvious fatphobia and homophobia but i feel likes thats a given.
But back to Makoto. Shes a victim of bad writing just like everyone else. Ryuji during the kamoshida arc was fighting with self loathing and genuine anxiety, and aside from the like. One comment on Panthers outfit in the metaverse, hes more than well behaved. All of that is shelved as soon as Kamoshida is gone and replaced with him being weird comic relief (and the focus of alot of sexual jokes that were nonexistent in the beginning of the game). Anns arc about self love and empowerment is completely dropped as soon as the nasty bad guy is put away (so that its good to be weird about her w the Good Guys). Makoto loses her a chunk of her personality to be the mature waifu which is INSANE to me bc shes like. Not okay or normal at all 😭😭😭 she THINKS shes responsible and so does everyone else on her team, but its an act! She doesnt know shit! And she doesnt know that she doesnt know shit bc shes respectful and adults dont care about anything as long as u respect them!
Its very telling that for literally every single thief (and goro), you can see the exact moment the writers gave up on adding anything of worth to their characters outside of the social links. Its like they didnt know what to even do w the characters at their disposal after their main arcs were complete. No mention of friends hanging out without you, no mention of having group hangouts. Everyone is treated as a core, important member of the friend group DURING their arc, but outside of it, they are acquaintances at best. Theres nothing in the game that convinces you that these guys are legitimately friends who care for each other and do Friend Things. And i describe it like that bc there IS a game that treats them all as friends, and its strikers! Strikers/Scramble genuinely feels like the game p5 wanted to be; a road trip w your team where they stay up at night talking to each other and hanging out and doing things together that dont necessarily include you, the player. Its refreshing and lovely but it sucks that u get that kind of attention to detail in a ‘spinoff’ title
#chattin#i hesitate to use spinoff bc its a pretty big game#and theres an amazing plot with wonderful characterization#and their handling of jails and jail owners is LEAGUES better than the bs they tried to make up w palace users#and all the thieves feel like family. and not in the annoying fandom way; like#were family in the same way a family is forged and tended to. i love you. no one is left behind. no one is made to feel inferior another#its really good and honestly if u want more interactions between everyone i really recommend a playthrough#but yeah#p5 sucks#i love it but i love the version of it i made in my head LMAO#maybe p5r did a better job w the dialogue and some questionable scenes#(i wouldnt know. i didnt play it lol)#so maybe thats what people need to be using as a point of reference#but i only plyed p5 so this is what i have; a group of people who show up for meetings and then go about their life#and that kinda sucks. why make this wholly unique experience in which these teens can only relate to each other#make them bonded over their shared experience w this unbelievable world#and then not only make them NOT interact; but have the end be ‘okay by akira.’ and leave it at that#they just. didnt know what to do w anyone#they needed their girls to be waifubait and the boys to be an afterthought#they needed a buffet of older woman for pathetic men to fuck through their self insert#and they needed a story convoluted enough to keep people stuck trying to figure it out themselves#its bad. its so bad. its so fucking bad. but i have to be here. WE have to be here.#bc who else is going to take these characters out of hell and treat them right ??!!!
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aroaessidhe · 7 days
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2024 reads / storygraph
All The Dead Lie Down
YA gothic romance
after her mother dies in a train crash, a girl gets a letter from her mother’s estranged childhood friend (a famous horror writer) with a job offer as a nanny
she takes it up, and finds herself minding two strange girls who have a habit of pulling dangerous pranks, in an eerie coastal estate
when their older sister shows up unexpectedly, she’s quickly drawn to her. but strange things are lurking and dead animals keep showing up, and she finds out that the family and their estate have many buried secrets
explores grief
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ciderjacks · 4 months
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hey if u guys r sad about ofmd and want another show with gay people to watch you should consider watching Deadloch. It’s really good it’s really really good uh it might get a second season if the creators decide to do that.
if you watch good omens you’ll be able to watch Deadloch they’re on the same service. Uhhhh One of the actors from ofmd is there shes one half of the main duo (the other half is played by Kate Box who’s an amazing actor and Dulcie is now one of my fav characters ever) gets to wear an open Hawaiian shirt for like 3 of the 8 episodes which is a bonus. It’s extremely gay and it’s fun and beautifully written and no queer characters die and it’s satisfying and funny and Please watch it I’m begging you please watch itPLEASE
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fulcrvm · 21 days
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Last Line Tag Game
Thanks for tagging me @teejaystumbles ! A really nice surprise!! :D I am indeed contemplating writing two Dead Boy Detectives fic right now, but they're both in the very early 'being-outlined-in-my-head' stage, haha. They both revolve around post-s1 Edwin pining for Charles, one where Edwin takes matters into his own hands and one where he decides to have a chat with the Cat King about it. Not sure if they'll ever be written but they're intriguing!
But for the sake of the tag game, here's a lengthy bit from a Dreamling wip I've slowly been chipping away at for a few months!
A scene from Every Little Thing (Working Title)— In which Morpheus is a figure drawing professor who has just been fired from a film production based on his comics, and Hob does part-time figure modeling and is determined befriend the aforementioned professor.
Morpheus picks his class schedules wisely— he runs two first year general figure drawing classes, at 8 a.m. and at noon on Mondays and Thursdays. He helps the uni’s live figure workshop club on Wednesdays and Fridays at 6 p.m., and meets his sister for lunch on Wednesdays. All other free time was dedicated for his industry work. That wouldn’t be a concern anymore, would it. By the time Morpheus unlocks the door to the studio, sets his bag down by his desk, and starts fiddling with the ceiling studio lights pointed at the model stand, all of Morpheus’ thoughts have reduced to pure spite. Fine, maybe the big studios don’t want him. They don’t deserve him, then, their loss. His portfolio and repertoire are infamous in the industry, they’ll be crawling back to him in no time. Too bad, maybe he would have started his own production studio and he’ll end up with the next ground-breaking animated film. Maybe— Morpheus’ thoughts are interrupted by a knock at the door. He shakes himself out of it, calling, “Come in.” A glance at his watch tells him it’s only 7:48, perhaps it’s an overeager student here early. It’s only the second week of the semester, they grab every opportunity to prove themselves with a spirited step that Morpheus might be slightly envious of. “Hello, Morpheus Endeles?” Hearing his full name startles Morpheus, and he turns from the lighting settings to the door. “Yes?” The man who steps into view can only be described as radiant. He can’t be much older than Morpheus, not much taller either but wider in the shoulders. His hair is cropped just above his shoulders and he sports a neatly kept beard. Morpheus registers this all first simply because of his profession but— he gets caught on the man’s brilliant smile and deep brown eyes. There’s something there that knocks all thoughts clear out of Morpheus’ head. The stranger smiles warmly, smiles like he already cares. “I’m here to model for the morning and noon figure classes?” The man says. Morpheus clears his throat and steps forward, “Yes, this is the right studio.” He extends a hand, “Robert Gadling, I presume?” The man takes his hand— god, he’s so warm— and shakes it steadily, “Please, call me Hob! All my friends do.”
I'm a sucker for the 'Morpheus catalogues Hob's appearance during their first meeting' trope in most Dreamling human AU fics, I couldn't not do it too :]
Besides this, I've also got a Dreamling Velvet Goldmine-ish AU fic that I want to get done this summer. I'm a very slow and ruminative writer so let's see if I can commit to any of these fics now that I've posted about them lol!
No pressure tags! I have no idea who's been tagged recently so-- lol. @hardly-an-escape @valeriianz @moorishflower @amielot :)
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boyfridged · 1 year
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the brilliance of jay's progression in countdown is that it gives you a promise of positive character development, and then it breaks it. and it does so intentionally, in the most diverting way, to emphasize jason's inability to escape the cycle.
or, another post breaking down the series, where i repeat myself a lot but also make a clearer argument.
there are three notable events that happen at the beginning: the subtle showcase of jay's internal conflict considering his approach toward killing (the very first encounter with duela and the monitor), jay reaching out to donna in crisis ("i guess I just wanted to be around someone else who might know how it feels…"), and finally – his helmet shattering. these scenes tell you: jason's direction as a character is changing, and it seems, for the better. he's about to abandon his trauma-based (no matter how ironic, it does remain tied to his trauma) identity, he is connecting with people, and he seems to be on a brink of understanding that his moral standing does not provide easy answers or solutions either.
and for the most part of the series, we see that narrative unfolding (even if a bit non-linear, still innocently convincing way). it is, in many ways, supported by bringing up features of his characterisation from the 80s. jason remains, of course, still unpleasant in ways typical for this era of writing, and is conflicted and disagreeable, which makes sense for his utrh/post-utrh personality. however, there are also details that bring us back to his original robin run and his cameos on ntt – we see him being responsible (e.g. #43 – suggesting to bring in other superheroes in crisis, even though he clearly is not keen on the idea of working with them), determined (#16: “isn’t that your super-power, stupid boy? too stupid to ever give up?” “maybe it is”), sensitive (half of the whole storyline, really), caring for gotham (gotham by gaslight) and people-oriented (as early as #51).
the issue that particularly signals that jason is an inherently good person and externalizes his internal conflicts regarding classic heroic vigilantism vs his cynical approach is #30, where we meet batman of earth-15 –  alt jason, whom our jason attempts to punch in the face.
and on topic of batman – jason is always gravitating towards batman. in gotham by gaslight jay looks delighted to see (the foreign) bruce and suggests checking with the local bat. then, earth-51 arc arrives.
earth-51 arc (#16 - #13) is a culmination of a promise of catharsis for jason. we have already seen him as batman, as a confirmation that a different life for him is possible. and here he has a chance to come to terms with his past and overcome it. he meets a version of bruce who has done exactly what he wanted him to do in utrh: killed the joker and the rest of the rogue gallery. what is most important – he is disappointed with this version of his father. we realise that jason, deep down, has an intimate and intuitive understanding of what batman stands for; and that he shares most of his values. this is a truth that you can't ignore especially since jay is the one to inspire this hollow, cynical version of batman to go out and fight in a seemingly lost battle.
and then batman dies. right in front of him.
this is a central moment of the narrative, for many reasons, most strikingly:
the symmetry:, a premise known from the lost days, becomes literal. this "the father had lost a son, and now the son had lost the father" is a cruel parallel to a death in the family and bruce's grief. jason's death created a gap between them that jay has been desperately trying to close, with no avail – because in bruce's mind, jason remains dead. now that jason is grieving bruce, the connection closes on both sides, and there's no way for either of them to reconcile the mourning with the reality of the other being truly alive. in this sense, the arc solidifies that jason can never come home.
no good deed goes unpunished. as i have mentioned before, so far jason is established as someone good at heart, but confused; and the reader intuitively assumes that his better, honest side will win. yet, the moment jason gives in to hope, it victimises and retraumatizes him. this event, again, brings to mind his own death, when he tried his best to save sheila and ended up paying the highest price for it. so, narrative-wise, jason is always punished for his kindness.
perhaps because of the nonchalant act that jason pulls off, many readers seem to miss that everything that happens after that arc is an upshot that follows logically from it.
jason's immediate determination to leave – and later a short period of indecision that ends up with his dramatic exit, pushing his team away, makes perfect sense when you consider what intense trauma he has just gone through. admittedly, i'm not a fan of the notion that he would give up at all (i think he's always ready to give up on himself, but not on the world), but then on the other hand, if there's anything that would cause it, narrative-wise, witnessing batman dying does sound like a good incentive for that. (it also has to be pointed out that jason seems to be confident that the rest of the team can go into the final battle without him anyway; it's not like he would go back to his earth not even knowing if said earth will exist tomorrow).
it's crucial to notice that following that crisis of faith (faith in fighting for the world) is followed by him raising up for the challenge again, but now... worse and even more confused. in the final confrontation with donna, jason antagonizes the superhero community, and when we see him at the end of the series (#1) his monologue indicates that he believes the capes to be naive. (significantly, he also focuses on bruce and offends the memory of 51 earth-bruce by calling him crazy; an action that can be seen as suppression of his own guilt and invoking, once again, a cruel symmetry considering bruce's engagement in victim-blaming after jason's death). this, once again, is consistent with the "no good deed" reading – jason diminishes superhero values because he has been continuously punished for living by them. (and unlike other superheroes, he doesn't have a support system nor skills in compartmentalization that would help him deal with this trauma) every leap of hope re-traumatised him. hence, it seems to be no surprise that jason decides to abandon the mask, and in the closing scene we see him without it. the promise of the shattered helmet is pushed to an extreme – jason does not get a new alt identity. he denounces the idea of superheroism completely.
and yet, what is ultimately subversive about the ending, is that jay is not truly a civilian and he does not abandon vigilante ways. he does the same thing. we see him without a mask, but he is clearly working a case. he might have rejected the symbolic dimension of the vigilante work, but he still carries the same delusional hope for bettering the world and protecting people that the superhero community does. only now, he is even more isolated and doesn't have any identity to go by (as he is still legally dead).
as such, the ending opens a new question regarding jason's understanding of himself and vigilantism, or rather the lack thereof. is it possible that vigilantism is really at the core of jay's trauma? and why, potentially, is it something that is so destructive for him as a character specifically? (and i have some answers for that, but i'm not going to get into it here, as it's already a very long post)
so, tldr; the genius of countdown is that it establishes jay as sensitive, determined, and fundamentally good (this is what the purpose of seeing him as batman is!), and then it brutally reminds the reader that jason’s tragedy is that on this specific earth, in this specific timeline, his love doesn't matter in the grand scheme of things. the story goes on as it did; one way or another, jay is trapped in the cycle of his care ironically creating rifts between him and the others, and bringing him to his own downfall.
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bamsara · 2 years
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forced to slice this chapter in half because i keep going in to make revisions and while it's getting to a point where i may be able to post soon, i deadass doubled the word count and its not a comfortable reading length anymore skdghldshgsd
anyway spot the Stitch OC
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jadeazora · 9 months
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The idea of these three working together is just so amusing:
Lysandre: *attempted genocide, almost blew up Pasio, and flash-boiled two people alive (with heavy implications he'd have done the same to a third person IN FRONT OF A CHILD)*
Lusamine: *froze dozens of not hundreds of Pokemon going by her room, and was super controlling/abusive to her two kids, tho she did get better/is actively trying to repair that relationship*
Rose: *just wanted to find a good source of energy and improve the lives of people, isn't like he actually knew who Giovanni was at first or even really had any substantial reason to distrust him aside from Oleana getting suspicious vibes* What is wrong with you people?! 😱
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Lysandre: Sometimes, in the course of human events, some people get boiled alive. 🤷‍♂️
Lusamine and Rose: WHAT
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Lysandre, having dinner with Rose to discuss some technological collab project: I can't stand this world becoming uglier. I would destroy the world in an instant so that beauty will never fade!
Rose, nervously: Uh...yes... Wouldn't we all?
Rose, texting Oleana under the table: OLEANA PLEASE GET ME OUT OF HERE
Oleana, already preparing to fire the sniper rifle, texting back: Don't worry, sir. I got you.
Also:
Lysandre, taking out Volcanion's Pokeball: "I have a plan."
Lusamine, Rose, AND Sycamore: "No murder."
Lysandre, sighing and putting away Volcanion's Pokeball: "Fine. I don't have a plan."
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strrwbrrryjam · 3 months
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i don't expect adaptations to be carbon copies of the original, because then what would be the point of the adaptation when we already have the original. i don't expect adaptations to be better than the original, sure, there are a few cases of that happening, but it's rare.
what i do expect adaptations is to be faithful to the source material, keeping to the same themes that were integral to the original, and i do expect adaptations to maintain the integrity of the characters, especially in a show like avatar the last airbender, where much of its appeal and depth come from the growth, development and the relationships of the characters and that's where natla fails.
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clownjacket · 18 days
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If Kipperlilly DOES end up betraying Porter/Jace as part of a secret other scheme she has (whether good or evil) and it has to do with saving Lucy, I just know she’s going to be a bitch about it and pull a ‘sorry, I only save High Five Heroes’ before leaving her other friends to die or some shit. And then she will take her final form: Magic Betty from Adventure Time, betraying her allies and saving her frost gf at the expense of the world. It would also parallel what Ankarna is going through (‘your girlfriend’s out of town, it sucks’, becoming a little imperialist rage machine under the influence of Porter/Sunstone but not being able to fully turn on Lucy despite going against her values and turning into a violent weirdo). This is my wish. My dream. I am manifesting it. Magic Betty Kipperlilly I believe in you.
#I am currently painting clown makeup on my face rn but this is what I’ve been rooting for from the beginning so let me dream#Come on though she HAS to have some other shit going on though right?#She was DEFINITLY in that temple when the Bad Kids said Ankarna’s name#Brennan literally rolled#and we know she was in Porter’s office#so WHY hadn’t she told him Ankarna’s real name yet? We know he genuinely believed Fig found it#Also the BKs couldn’t see who was in the window during the Wanda Childa scene#Which one of the RGs has invisibility?#HMMMM#Wanda saying ‘Kipperlilly? Why are you doing this? Is it because you’re jealous?’ before getting carried off by a fake Porter would let KP#know ‘okay they FULLY saw what happened after I killed Buddy and are onto us’ which would cause her to follow them to the temple#Also…if NONE of the Rat Grinders knew Ankarna’s name then what did Lucy write on her form to change her divinity???#We KNOW it was Ankarna’s name and not the ‘symbol representing her’ because no one could see it BECAUSE the god was dead and no one alive#knew her name#Which means Lucy HAD TO HAVE KNOWN and was keeping it from the others right?#And when she died and didn’t come back they were fucked because they couldn’t even check the form anymore#But#Brennan also said that if Porter WASNT using Devil’s Honey and genuinely believed in Rage And Conquest goddess Ankarna instead of just her#domain then he and his ritual would (maybe) bring her back instead of killing her permenantly so he can take her domain#And idk#A powerful goddess of rage and conquest who despite everything can’t be turned against her sister and ex#who’s resurrection would mean the rune could be broken and Lucy can come back to life#One who has (or had) a personal vendetta against at least one of the bad kids#and a personal vendetta against the people who led to Lucy’s death#that sounds pretty appealing to someone as spiteful and obsessive as Kipperlilly doesn’t it#especially after her best (maybe only real) friend died and didn’t come back#especially if she stayed dead specifically to stop Porter#Again I’m putting my clown makeup on but I don’t want her to be secretly good or anything just unhinged and gay and a parallel to Ankarna#Please world let me have this I’m on my knees#dimension 20
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s4pphoiduser · 6 months
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in a world with an aftg show (because it Has to be a show, not a movie) seth would have a Pretty Guy actor playing him who looked even prettier when he was sneering or scowling and people would make edits of him with the velocity + slo-mo effects and be like "i can fix him"
#and kevin would be it boy of the century and matt would be THE 2000s icon along with allison#neil's the one who looks scrappy and jumpy (which he is) but everyone's gonna be in love with his sharp tongue and hater behavior#everyone would either hate andrew or love him and obv i fall into the second category i'd be no. 1 andrew minyard apologist/defender/lover/#everyone (including myself) would love nicky if this adaptation of him didnt come with all those predatory jokes godbless#everyone else is an icon. yes even aaron who's way too detached from the foxes but he partially slays just being a fox and king of idgafdom#the girls are icons obviously duhhh#but i think with riko the actor would be soooo good and pretty like scary pretty that people make edits and the captions are like DISCLAIME#wymack would have sooo many edits with the sound of whatever's trending that's equivalent to the usher DADDY'S HOME one#i actually have so many thoughts ab an aftg show despite how much i dont want it like i cant help it! aftg slays too much!#these bitches r all too damaged! i love them all too much! i think ab them all the time!#lots of people hate but aftg and the foxes r genuinely some of the most well written relationships to me probably bc i can personally relat#and i think a show would allow for other scenes that we dont see in the book bc theyre all from neil's pov and we don't really find anythin#know anything ab the other foxes beyond what neil knows himself#and LEST I FORGET. JEAN MOREAU. ICON OF THE CENTURY METHINKS...!#neil josten#andrew minyard#kevin day#dan wilds#allison reynolds#renne walker#matt boyd#aaron minyard#nicky hemmick#seth gordan#s4pphoiduser#aftg#all for the game#the foxhole court#the raven king#the king's men
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edupiii · 4 months
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Just finished watching the third season of Sonic Prime and immediately went on here seeing if people were talking about it-
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-needless to say, I was not disappointed with the trending. We’re all very predictable, it’s concerning
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