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deliciousdefendorinternet · 2 months

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some little story ideas I thought up about Chef coming back in the next movie inspired by this other persons post.

so yeah I liked this other person's idea for a 4th film a lot so I thought up some extra details for a possible story where Branch is taken by Chef who gets revealed to still be alive.

I do really like this idea as the older Brothers coming together to save him from his greatest fear would be a satisfying story arc.

as the movie could maybe open with Poppy Peppy and Viva as well as all of Bro zone all just playing happy families getting along with each other and adjusting to the whole thing pretty easily.

meanwhile Branch Despite putting on a fake smile and hiding how he feels is still just feeling uneasy about the whole thing he could kinda be on a constant nervous edge where he's so afraid of doing or saying the wrong thing and causing tension that may cause them to fight and thus leave him again.

that he's pretty much a nervous wreck around his Brothers desperately trying to make sure everything is perfect all the time and never asking them for help or letting them know about any negative feelings he has from time to time Regarding them and also Grandma.

and he overall just doesn't feel like he has a family he can rely on anymore than he did During all those years that he had no family for.

in short he just still doesn't exactly trust them nor feel comfortable around them as their still somewhat strangers to him who he mostly knows from the past as being unreliable and quick to flee when the going gets tough.

which maybe causes some sorta argument where during an event JD gets frustrated with how he and the others can clearly tell he's been hiding something from them due to how weird and off he acts.

and he's tired of waiting for him to open up on his own and like I said this causes a big argument between Branch and JD Floyd and Clay try to calm things down but to no Avail.

Bruce steps in and agrees with JD tho he's less aggressive about it and more just calm and concerned.

but ultimately stuff is said on both ends ending with Branch finally letting out his true feelings and screaming at them about how they didn't care enough to stick around they didn't care enough to come back and they didn't care even when he was upset over them wanting to leave him again.

so why should he believe that they care now? and Branch runs away into the Forrest which could be when he's captured by Chef.

I'd think her motive is wanting revenge not just on all of Pop Village but also on Bergen Town given they Banished her twice but she somehow needs the magic that a Troll produces to achieve her plan hence why she takes Branch when he wonders off on his own.

maybe she does something similar to Velvet and Veneer where she drains the Troll magic out of him but this time she's using it to power a device that she's going to use to topple all of Bergen town and its people.

and then Pop Village just out of spite.

and it'd be just be nice as a emotional plot to have Bro zone rescuing Branch from their Grandma's killer maybe we even get some parallels where during the climax Chef in a last ditch effort out of spite goes to try and kill Branch only for one of the older Bros either JD or Bruce.

to push him out of the way sacrificing themselves in a scene mirroring when their Grandma was taken when Branch was a kid tho I'd have it just be a fake out death and they get saved soon afterwards.

but point is the sentiment is the same where they were willing to sacrifice themselves for him.

and early on in the film it'd be good to finally have Branch acknowledge that he is aware it was Chef from that fateful day and he angrily comments on it only for her to callously not Remember who or what he's talking about stating that she killed so many Trolls that his Grandma wasn't at all special and she doesn't even remember the day he's talking about.

obviously Hurting and angering Branch given that day pretty much shaped who he became afterwards for his whole life.

and maybe in another scene Branch states to Chef that knows that Poppy will come to save him but when he thinks about his brothers he just thinks back to how easily they've all broken up in the past at the first sign of trouble and he sadly thinks to himself that they likely wouldn't bother coming to save him.

and this leads to Bro zone actually stepping up and Risking their lives to save him from the source of his greatest Trauma aka their Grandmother's killer thus by the end actually showing Branch that he really can trust his family to be there for him this time.

and just Chef getting to face off with Bro zone would be neat since ya know she killed their Grandma and Honestly I've always found it weird from a writing perspective how her being the one who killed Branch's Grandmother was never actually acknowledged at any point in the first movie the only reason we the audience know is a super brief glimpse we see of her During Branch's flashback scene.

so even getting to see Branch himself have a proper face off with Chef over his Grandma would be nice since they never actually Directly interacted in the first film except for the scene where she tried to force feed him to Gristle Jr poor guy.

so yeah what do you think about the idea? the person behind the post did also say that the idea could still maybe work without the whole Chef being Revealed to be alive angle and it instead just being a new villain who kidnaps Branch.

but I feel the first idea where she is the main villain again would add a nice sense of personal stakes to the story for the main characters involved given it wraps up a nice little part of the Bro zone family's History.

sure we saw her get eaten at the end of the first film but that can easily be Retconned where she somehow survived and was able to escape from the creatures mouth.

plus it'd be satisfying to see The Brothers all work together to defeat her in the final battle and this time her Defeat could be Ironic for a whole different reason where due to some magic nonsense in the end Chef gets shrunken down to the point she's now smaller than the Trolls by a lot.

she's made so small that she's as Helpless as her past Troll victims were.

and she isn't actually capable of hurting them anymore we see her angrily charge at Branch and start swinging away and he's scared at first only for him to then awkwardly Realise she isn't actually Hurting him.

Despite her best efforts and he just kinda flicks her away

not to mention it'd be fun seeing Branch and his Bros just playfully toss her back and fourth like some sorta ball kids play with.

really showing how none of them are afraid of her anymore not even Branch which would be very satisfying imo.

and after some mocking by Bro zone towards Chef they pick her up and toss her in a tiny cage where she's most likely kept in prison either at Bergen town or at one of the other Trolls Tribes since they most likely wouldn't want to keep her at Pop Village.

anyway I just love this persons idea I think Chef coming back would work great as an emotional plot device to Develop Bro zone's Relationship with Branch Further.

and it could expand on all of the Bros's Relationship with their Grandma a little further as well which would be nice.

what do you think?

#trolls brozone #brozone #branch #branch trolls #trolls dreamworks #trolls branch #dreamworks trolls #trolls #trolls 4 ideas #trolls 4 #trolls future ideas #Trolls 4 #Trolls Branch #Trolls Bro zone

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final-girl96 · 6 months

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My Boyfriend's Back: Epiloge

A/N: This is short, and I hate to say it, but this is the end of the story. I will not be continuing into Scream 4, 5, and 6. I will be moving on to Killer Geek next. A very OOC Randy Meeks x Loomis Reader. I don't know when I will be posting anything on that story, probably not until I have at least ten chapters. I hope you enjoyed this story. Thank you for reading and being so patient with me and my lack of updates recently. I love you all. xoxo

Ten Years Later

We moved out of California like we said we would. Stu changed his name and looks. It's been ten years, and nobody has seemed to recognize him. Reese is eleven and in the sixth grade. Everything has been great. We got married seven years ago. I got back into my music and released an album, and Stu went back to school. He got his GED and then went to school for film. We live in a gated community and have the most expensive security system I could get.

I know it sounds ridiculous and over the top. I live with the man who started at this shit but I didn't want to be caught off guard one day. There had been the occasional prank calls here and there with someone pretending to be ghostface. I wanted to keep purpose daughter our of that life. She knows everything. It was hard to hide as she got older. She's smart and sneaky. I probably shouldn't have kept newspaper clippings of everything.

Dewey and Gale are married, still living in Woodsboro. Dewey is the sheriff now, and Gale hasn't written a book in years. But Stab movies keep being made. Of course, after the third movie, Sidney and I threatened to sue if they made any more stable movies based on our lives. The movies have gotten worse and worse.

Speaking of Sidney, she moved out of California too, right after our dad passed away. He had a heart attack a few years after the Hollywood murders. She wrote a book called Out of the Darkness." The books about her…our lives, and how she has dealt with it. She also married Randy, which let me say it was a huge shock. But they grew closer, and she agreed to let him take her on a date. That date turned into another and another, and before she knew it, she was saying yes to marrying him.

Randy wrote a script he had been working on for years, and then he made it into a movie. He produced and directed it himself. He's a big director now and had made dozens of movies, at least of them being his own. Stu has helped on a few of them, co-directing with him. Sidney and Randy also have two kids together, Lily is five, and Nolan is three. They live a few houses down from us, and we have dinner every Friday night.

Life couldn't be any better. It's not what I was expecting it to be, but it all worked out. I still have a small part of me that wonders if Stu ever gets the urge to kill. He's very protective of me and Reese. Randy and Sidney weren't all to on board when I told them about getting back with Stu. They both thought it was a horrible idea, but over time, they have learned to put the past behind them and accept it. I made Stu get rid of anything that linked him back to the ghostface murders. So far, we haven't had any problems, and I hope it stays that way.

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squideo · 6 months

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Squideo’s Favourites: Toy Story

Pixar Animation Studios arrived with a bang when its first feature-length film, Toy Story, was released in 1995. What would follow was a franchise beloved by children, spawning multiple spin-offs, theme park rides, video games and merchandise. Nominated for 4 Academy Awards, Toy Story is now considered one of the best animated films of all time.

Toy Story is credited with opening up the world of 3D computer animated films, which still rules the industry to this day. With the sponsorship of Disney, Pixar used this technology to create a film that visually stood apart from everything else at the box office and helped complete Pixar’s journey from a small computer division at Lucasfilm to an award-winning studio that has produced some of the best animated films of the past thirty years.

We’re diving into the production behind this animated film, exploring the style and techniques which came together to create this compelling story. In the meantime, if you have an idea for an animated video of your own get in touch with the Squideo team.

Creating a Story

To any fan of animation, Buzz Lightyear and Woody are well-known characters. Yet without Tinny, who reached nowhere near as much fame, they may never have graced our screens.

Pixar Animation Studios had produced a number of animated shorts before it ventured into feature length production, starting with Luxo Jr. (which introduced Pixar’s mascot). Red’s Dream followed, but it was Tin Toy that caught Disney’s attention. Financed by Steve Jobs, Tin Toy was a five-minute short created and directed by John Lasseter. Seen through the perspective of a toy running away from a destructive infant, Tin Toy laid down the groundwork for Toy Story – another Lasseter creation.

Disney had only recently allowed films to be made outside its own production company, starting with Tim Burton’s Nightmare Before Christmas (1993).

In a 2011 interview with Entertainment Weekly, [John Lasseter] said: "Disney kept trying to hire me back after each of the short films I had made. I kept saying, 'Let me make a film for you up here.” They always said, 'No, a Disney animated film will always be made at Disney.' They had no interest in doing an outside project." Lasseter continued: "What changed their mind was Tim Burton. Tim and I went to college together, and he had developed a feature idea called 'The Nightmare Before Christmas.' He went on to become a successful live-action director and was trying to buy 'Nightmare' back from Disney. And they said, 'Why don’t you just make it for us?' That opened the door for Disney to think of these niche animated films that could be done. They said, 'Okay, we’re willing to talk with you. We’ve got puppet animation going [with Tim Burton] and now we’ll be willing to develop the computer animation.' They said to come back when we had an idea. So we started thinking…" John Lasseter

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3D computer animation developed alongside CGI in the 1970s, but a fully created computer animation television show or film didn’t debut until the 1990s. Yet animation companies, including Disney, had already played with the new technology before then. The Great Mouse Detective (1988) was the first Disney film to extensively use CGI: creating a two-minute sequence which was heavily promoted in the film’s marketing.

Their CGI was developed in cooperation with Pixar, the two companies coming together to make CAPS, the Computer Animation Production System which was relied upon heavily during the Disney Renaissance.

The technology was new, which put giant animation studios at a disadvantage. Their artists were trained in 2D animation techniques, leaving a void for computer companies who had the expertise to utilise this new technology.

Animation Style

The use of this new technology resulted in a film that looked vastly different from everything that predated it. Not only did 3D computer animation provide greater realism, but the independence of these early animators also meant they were not constrained by an existing “style” favoured by a company.

To this day, animated characters start life at Disney as 2D concept drawings which influences the style once it is converted to 3D. Pixar on the other hand is at home in that format, and their animators create greater complexities and detailed textures in their work.

“There are differences between Pixar and Disney. If you reduced Pixar to a phrase it would be: ‘Wouldn’t it be cool if?’ Like if a kid was looking at their toy: What if the toy could talk? All their films are like this. If you reduced the Disney films it would be: ‘Once upon a time…’.” Glen Keane

The filmmakers designed the minor characters using memories of their childhood toys, but the two leads were a different story. Woody and Buzz Lightyear went through several redesigns, along with the addition and removal of multiple human characters. Thankfully, Disney brought Joss Whedon onboard as a co-writer after reviewing the initial drafts. Now best known for directing and writing Marvel’s The Avengers (2012), Firefly (2002) and Buffy the Vampire Slayer (1997-2003), Toy Story was his first hit for which Whedon shared an Academy Award for Best Original Screenplay.

Because 3D computer animation was so new, even the lead actors didn’t know what the film would look like. Tom Hanks, who voiced Woody, said: “The shading and the light and its starting to look crisp and clean it looks surreal and real, it had a really neat 3-D quality to it without that fuzzy eyeball stuff.”

While Tim Allen, who voiced Buzz Lightyear, said: “When I first saw it I thought, 'I don't know if kids are gonna buy this, adults especially not, it's too high tech, it looks too much like a video game. And they got the second generation, third generation, it started looking slicker and slicker and then they finally finished with a shot of the soldiers going 'one, two, three, let's go!' and they went down the rope, wow! What a view!”

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Pixar’s software was key to the animation of Toy Story. From RenderMan to Menv, the latter of which has since been replaced at Pixar by Presto, it took over 400 computer models to make the film. And it was worth every second of development. Toy Story showed the world that – not only was Pixar the new kid on the animation block – but that they also held the key to the future of animated film.

Get Started With Your Video

Inspired to create a unique animated video of your own? Watch the video below to get a better understanding of how Squideo can help promote your business, then get in touch with us to find out more!

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popculturebuffet · 6 months

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Evil Dead Rise: Mommy's with the Maggots Now (Comission for WeirdKev27)

Hail to the king baby! It's halloween, it's this blog and that mean's it's time for me to pull out my volume of the Necronimcon Demento and review another chapter of the evil dead.

So for those new here

I'm Jake, I review stuff and things, and two years ago I did an evil dead retrospective, covering all 4 films. From that stupid bitch scotty to ash laughing madly, to the film of a thousand catchphrases to that one that had Jane Levy, some good gore and little else, it was a fun ride.

So naturally with a new evil dead film out, it's only natural that I returned to review the latest film in the franchise: Evil Dead Rise. It's also a special review as it's my belated reviewversry with friend of the blog and over time of the me, WeirdKev27.

Kevin was my first client and the one who made me able to make a living doing this, and while he has zero interest in ever seeing Evil Dead Rise, he's more an horror-action and horror-comedy kind of guy, this gives him a chance to see what it has. Plus really after covering the last 4 even if he didn't agree to sponsor it, I'd be doing this anyway as I both love this film and hate not having the complete set. It's thanks to kev I have all I do now, so thanks man.

Evil Dead Rise is the franchises second attempt at a soft reboot after Evil Dead 2013. The plan after that one was to do two sequels: Evil Dead 2, which would follow Mia, Jane Levy's final girl from the requel and the only character who wasn't huffing paint thinner the whole film, and Army of Darkness 2. This ended up falling through, with Alvarez moving on to other projects and AOD2 being retooled into Ash Vs the Evil Dead, a three season tv series on stars that sadly got cancelled but from all accounts fucking rocked and I definitely want to cover at some point.

From there Ash's story was seemingly done on screen. While Dynamite will likely publish army of darkness comics till the end of time, Bruce Campbell had decided he was aging out of the part and wanted to pass the chainsaw on. That said while Campbell was seemingly done playing Ashy Slashy, he wasn't done with the franchise, staying on as a producer alongside Sam Rami and Robert Tapert. Rami and Campbell were done MAKING the films, but still wanted the franchise to live on.

So in 2019 a new film got the greenlight, with Rami handpicking rookie director Lee Cronin for the part, having impressed rami while working on the short lived quibi series 50 States of Fright. Cronin easily took to the cast and once filming COULD kick off in 2021, he hit the ground running. The result is a fresh take on the franchise that was so well done that WBD decided it was too good to just pop on streaming and much like Blue Beetle, bumped it up to theaters. The result was a 19 million dollar film.. scoring nearly 150 million in the box office, a huge success that , unlike most films only GREW it's audience as the weeks went on, always a great sign.

As a result the franchise's future seems secure, with Cronin not only already having 4 ideas for a sequel, which i'll get to later, but the results were so Groovy Bruce decided he wasn't finished yet, meaning an ash film is also in the cards.

So the question is how groovy is this film and how does the franchise fair without it's iconic cabin setting or iconic catchphrase spewing chainsaw man? The answers to all of this is under the cut. So turn the page, wash your hands, and prepare for 1717 Gallons of Bloodshed as I look at Evil Dead Rise.

Evil Dead Rise starts off a day after the main plot, with three 20 somethings having gone to a cabin in the woods woooooooooooooo not realizing what franchise their in. They are Jessica, Teresa, Jessica's cousin and Caleb, Jessica's douchey boyfriend. Caleb annoys Teresa with a drone, nearly clipping her with it and mansplaning after she says it nearly clipped her head off that it would've ground her face up instead.

Teresa proves to be just as obnoxious as Caleb, berating Jessica for leaving her alone with him, fair.. but then also being mad at her for being sick, laid up in bed and thus unable to give her the keys.

Thankfully this is an evil dead movie so Jessica quickly ends our suffering as she wants to swallow souls, taking off Teressa's scalp in a gory, horrifying and awesome practical effect before putting the drone to her own face and jumping into the lake. Caleb proves he's both not a COMPLETE asshole but still a complete idiot by diving in after her and we get the films awesome opening shot: Jessica rising from the lake, drenched in water and blood as the title rises behind her.

While I do like that TITLE CARRRD and scalping, overall i'm not a big fan of this opening. While it's well shot like the rest of the film, it's too short to really make me care and feels like it was thrown in there because the main plot ran a tad short and was too tightly paced to add to. It's a how we got here sort of thing that dosen't really work and feels like i'ts just there so we can have a sequel.. depsite the film having MULTIPLE other valuable sequel hooks dangling around. It's unnecessary in a film that otherwise really dosen't DO unnecessary. It also feels tonally off, feeling like a 2000's era "Kill the douchebags" sort of film than the tightly paced well characterized film we get after.

Thankfully we soon meet our actual protagnist, Beth. Beth, played by Australian Actor Alyssa Sulivan, gets a great introduction that does a lot of nice exposition without actually saying any: we quickly find out from her being sick in a stall and having some douche she works with who can't do his job himself and just let her go to the bathroom for five minutes knock on it that sh'es a roadie, her hiding it tells us she's pregnant and doesn't want anyone else to know, and Suilivan's awesome facial acting tells us she has no idea how to process this.

We soon cut to LA in a high rise, a setting change I utterly love. Before this most evil dead works were in a rural setting: a cabin in the woods for the first, second and fourth films, artuhrian times for the third, and some small towns for ash vs the evil dead. We haven't seen the deadites in an urban setting before this and LA was a great set.

The choice of setting within is also great: an old crumbling high rise in the middle of a busy city no one would give two shits about or really investigate in the middle of the night. It keeps the isolation of the cabin but puts a new spin on it that allows for new set pieces.

The main one of these is Ellie's Apartment. Ellie is played by the stunning and talented Alyssa Sutherland, previously known for Vikings, which I haven't seen. Sutherland is the easy breakout of the film, the center of most of it's marketing and the most terrifying part about it... eventually.

Part of that terror is we see her first as a fun, responsible mom and tattoo artist dealing with three children, all creatives themselves in some way: Bridget (Gabrille Echoles) is an activist, her brother Danny (Morgan Davies) is a dj and their young sister Cassie cuts up her dolls to create staves to body check her sister with.

This family, which doesn't have a last name, is the core of the film and the first 20 minutes are really just setting them up as people: Beth is a tad snarky but clearly loves her kids and is tough but fair with them, Bridget is sarcastic to just about everyone but her aunt, Danny is a bit of a reckless fuckwit but has a good heart, more on the former later, and Cassie is a sweetie pie. Their not super deep characterizations, but the talented actors give them a lot of character simply by action, and one of the films best asset is how great these people are at facial acting.

Beth flies in and after scaring the shit out of Ellie. The two actresses have great chemistry and you can feel the tension as the two clearly haven't talked.. and Beth missed a lot as Ellie's ex husband abandoned the family and this high rise is condemned, with the family only having a month. So naturally Ellie isn't that excited to see Beth, both for Beth dodging her calls, despite getting her messages, and showing up at the worst possible time.

That said the film also does a really good job with the sibling dynamic: like me with my own brother Ellie may be annoyed with Beth.. but she's there for her, getting this visit wasn't just out of the blue and her sister really needs her and waits till the kids have left to pick up pizza to ask, but does so gently yet firmly. These characters feel like family and building up this empathy and character is key to everything being as horrifying as it is. It's something many horror films, including this very film in it's opening and the previous film fail to grasp: just because

Dosen't mean we should WANT them too. It's fine to throw in a few assholes to kill so not EVERY death is a downer, depending on the film, but when you can't empathize with most of your cast it makes the wait for the bloodshed tedious. It's why the previous film REALLY didn't work for me: outside of mia NONE of these idiots were likeable and as such having to spend a film with them being stupid and waiting for them to die while the only likeable one was turned into a deadite wasn't fun. Here by making everyone we encounter likeable, grounded, and interesting.. it makes the horrifying slaughter we're about to witness that much more tragic. It makes us WANT these characters not to be dead by dawn.

Anyways we're soon reminded this is LA as we get an EARTHQUAKKKEEEE, with the bathroom set our sisters are in having been rigged to shake really well. The kids thankfulyl weren't driving at the time and instead are trying to take the pizza back up when it hits. They drop it, but do live.

Sadly for them and everyone else on their floor Danny suffers from a terminal case of dumbass and upon seeing a giant crack in the ground leading to a mysterious old bank vault just HAS to investigate in the dark. He finds some old records, which.. fair enough, it's some neat historical stuff, could be fun to paly with soundwise and could help them fincally. Him taking stuff romt he hole is mildly stupid.. but I get it and I probably would. What I wouldn't do is upon finding a room guarded by a bunch of hanging crucafixes and seeing a book with teeth and bound in human flesh, take it with me. And I mean teeth as this Necronomicon has a nasty but awesome set of chompers. I praise the set design here on this, it's iconic as the original, still recognizable as being it's sibling, but the teeth give it it's own flair.

Anyways the kids get back to the apartment and Danny decides the best thing he can do during a dark night with quakes a poppin.. is to pry open his new book. Which granted is what i'd do, but my recent book is about a trans woman's first year post transition and is damn good...

Highly recommend it and it's sequel, which I got first. Also guarnateed not to summon the evil dead.. which I understand is a dealbreaker for some of you. Good news i'm pretty sure that manga about Joker raising a baby batman does, so have at it if that's what your after.

Sadly Danny is not taking my book recommendations and opens the things finding a bunch of spooky pictures and... being genuinely horrified. He's a LITTLE fascinated but it's clear his reaction is "shit this thing isn't good is it. Not hleped is that when he pricks his finger on the books mighty jaws, it drinks some blood Audrey II styles. Bridget sees this and has the right reaction.

Or rather chuck it back down the hole they got it from. Danny can't because their mom won't let them out of the apartment after the quake which is fair.. what's less fair is that he dosen't wrap the book in something or hide it. Keep it from trying to nible on some face. You have 4 other people in the house Dan be considerate!

That said Dan still takes the darwin award winning step of playing the wax records he got. NOw on paper Danny being this dumb shoudln't work.. but in practice Rise does an excellent job showing why Danny would be like this: we've seen he's an audophile, that he's reckless as he went down a crevice in an earthquake, and that he's curious to a fault, willing to take the book in a first place. So he's being stupid.. but it's in a way where it's a character flaw and not just bad writing.

It also helps that while playing the records is risky.. you can kinda see why. He found a creepy vampiric book in the basement. He probably gets he might not be able to just chuck it in a hole and have it not come back or have already infected them or something. it didn't, but he can't know that. So knowing what the FUCK this thing is might be a good idea.

As it turns out we get some exposition from a preist long ago: he found the book and proposed to his fellow preists to explore it. His Fellow preists didn't want to die today and loudly decired it as blasphemous.

So he decided to take it and study it because that's never gone horribly wrong and lead to about a dozen deaths in this franchise, along with cameo Bruce Campbell and some other guy. He also decides to read it and to Danny's credit, he tries to stop the record there... only for it to keep playing. The Evil Dead have come baby.

Before we move on I need to talk about the danny thing a bit more, mostly because not only was this whole inciting incident well done, being rooted in character stupidity instead of just bad writing.. but it also feels like a direct response to the last film. For those who either haven't seen it, you blessed people you, or need a refresher, in Evil Dead 2013 the Necronomicon was found in a basement full of rotting corpses and next to a shot gun. it was packed in a garbage back, covered with barb wire, and had bright red writing implicitly from ash telling you NOT TO FUCKING READ IT OUTLOUD.

So enter Eric, full time teacher part time fuckwit who hears about the corpses, sees all of this and not only cuts the barbed wire but READS THE BOOK.

So it's nice the followup decided to use the same plot device.. but actually use it instead of making a character brain dead.

So with that the evil dead has risen and the nightmare time has arrived. And the first victim of the Evil Dead is Ellie, whose experincing some ELEVATED horror while taking the elevated when some cables grab her.

The sequence is quick horrifying and also has her trying in vain to fight off the possesion before the evil dead kills her, and she returns as a deadite.. and as the real breakout of the piece. While Beth is the lead and Lily Sullivan does greath, it's Sutherland whose the main attraction.. and not just because a good half of the audience's reactoin to Deadite Ellie was

Which isn't me, but I entirely get. It's also intresting to have a horror film where the deadite is the real hammy star instead of our hero. Sutherland is iconic in this roll, from the creepy smiles to how unsettling she plays possesed elly: the pitched down voice HELPS.. but it's the unceasing smile, creepy grins and offputting behavior that make Deadite Elly so awesome and so electric to watch. There's good reason her possesion was spoiled int he marketing: She's the center of this film's horror. She's not the only deadite, we'll get a few more, but she's the main threat, the main focus and the main thing fucking with our heroes heads, starting with the brilliant egg sequence where Cronin and Sutherland make simply making eggs fucking unerving.

She's also the main source of black comedy in the film, from calling her children titty sucking parasites, to her game of eeny meeny miney you, to later making her daughter repeat the eyeball gag from 2, her haminess is well played: enough to keep the film from getting TOO bleak but not so overplayed it takes you out of how horrifying thigns are.

Deadite ellie is the biggest symbol of the films tone: Cronin keeps it pitch black like the requel, but unlike that film Cronin realizes that too MUCH bleakness overrides everything else. But giving us characters to root for and want to live through the night and some dark humor, it helps contrast the utterly bleak situation. It gives us something to go what the fuck at with the humor and something to cling on to. I hate that I keep making this review "Whyt his one works and why the remake didn't" as Fede Alvarez seems like a genuinely nice person. This film is good on it's own, not just because I like it more than the other... but it's also impossible to not bring up the two as they tried to do the same thing: bring back the franchise without ash, without contiuing the original story. I don't WANT to keep using the 2013 film as a punching bag... but it's hard not to when this feels like the better version of it, making an evil dead that's closer to straight horror.. but still gets what the franchise is. It keeps the frantic pacing of 2, it just makes it less of an over the top comedy and more an over the top nightmare our heroes can't escape. it's frantic out of urgency rather than out of throwing weird, hilaroius or horrifying shit at y ou constantly. Well except the last part.

Anyways at first everyone just assumes Deadite elly is sick, and they turn to their neighbors, Gabriel (Jayden Daniels) and his father Mr. Fonda (Mick Michelson). Gabe is a kind man implied to have a thing for elly while his father is very mildly crotchety but a kind cat owner , both helping: Gabe tries to treat Elly while his pop pop tries to figure out HOW to get her to help. As it did with the bridge, the Evil has taken out the stairs and already trashed the elvator, leaving a fire escape through a conedemed apartment as thier only escape.

So while gabe and his dad plan to run through, everyone else is left with Elly. We also get a really nice use of modren tech: in most films they usually have to do the "cellphones out" dance, which I understand but got old. Here... what we know about the evil dead from other films provides a nice way... they get no signal.. because it can control that because it can control anything in it's radius. If it can posses a moose head working the wifi shoudln't be that hard.And it thus has Ellie, trapped inside her deadite counterprat clal her sister for help before convulsing.... and whne put inj a tub crawwling out of it

Mayhem ensues as the family has to ward off Deadite Ellie, and we get a lot of nice iconic bits of violence: Ellie's now iconic line of "mommy's with the maggots now", going "eeneie meanie miney you" and using a CHEESE GRATER on her daughter while attacking her in the kitchen. Which while Cronin overhyped it before release, it's a nasty wound but in a film caked in blood, it's still a very creative gore moment in a film packed with them. The gallons of blood I listed before the cut were how many it actually took to make this film. It's another way the film works: it keeps the over the top nature of the series, it just emphasises the horror more, a way to keep the series fredsh but not ignore what made it good.

Our heroes are barely able to lock Ellie out and we get one of the best sequence sin the film: our heroes look in the peep hole.. and we see bits and pieces as Ellie masacres Mr. Fonda, gabriel and two local teens I didn't mention because they literally just hit on Bridget once and then die horribly here. Even Mr. F having a boomstick dosne't save him. And it's stuff like this that works: the high rise on paper is safter, less isolated... but in practice our heroes are nwo trapped in a cramped space, no way out with a bloodthirsty monster wearing their loved one's face. It's a brilliant take.

Naturally as is Evil Dead tradition, the group falls apart a bit: Danny is in tears taking the blame for this and it's again why I like him: he may be stupid.. but while eric just kinda hid we see the toll casuing this put on Danny. Bridget rips him apart for it and normally you'd think one would go outside and die.. but in a nice twist on the old formula Beth stops them: Danny MAY of caused this but they CANNOT turn on each other. It's what's out there that they need to fight.

Speaking of which Deadite Ellie prays on her youngest, gaslighting cassie by pretending to be "all better now"

Though i'll give them points for style. This force Beth and Danny to save her.. and thus leaving them open for Bridget as in a horrifying sequence we see the dead slowly flow thorugh her before she startsb leading black blood out her nose... and becomes the dead.

Another horrifying scuffle insues with her targeting danny and barfing blood on him and nearly killing him before cassie FUCKING IMPALES HER. God damn kid.

They tie bridget up in a sack and Beth finally gets Danny to spill about the book and comes up with a plan: since playing the record got them into this, playing the record will get them out of this.

It's a desperation move.. but like Danny's earlier shenanigans that lead to this blood party.. it makes some sense: they can't read the book, and frankly trying to may just make MORE deadites, and if the guy actually survived long enough to make a third album, it means they MIGHT have a way out. We also get a nice ash style montage of her getting the DJ equipment to work as at this point the power is out. It also nicely makes her music career into a hell of a chekovs gun.

Tragically.. they don't. HIs album simply outlines the horrors idiot priest man faced, what he's lost and how only complete and total dismemberment works. Granted we knew from the intro they probably wouldn't' make it but by this point, the film's got us too invested to care. I still dont' LIKE the intro making it clear this doesn't work from the get go, but at least the films well paced enough to compensate.

Things then get somehow worse as Bridget rises and stabs danny to death, coughing up blood and everything. It's brutal as it is amazingly designed. He does manage to fire her out of the impartment... with fire, while Ellie sneaks in through the vents, something set up by the old man's lost cast earlier.

Ellie attacks Beth and in a VERY unerving moment detects she has a baby inside her, mocks her as deadites do then tries to rip it out.

But before she can get that fetus, kill that feetus and before I can go to hell for that joke, Bridget saves her. And props to Gabrille Echoles for her excellent child acting, an alex vincent level performance.

With our party down to 2 1/3, our heroes ventur eotuside and now EVERYONE'S a deadite. Highlights include Mr Fonda grabbing Ellie's leg as she grabs his boomstick

And my favorite bit.. the two deadite children hovering over a seemingly prone deadite ellie, seemingly crying for thie rmom.. before it turns into dark.. piercing laughter. It's one of the most effective scares in the film and all the deaddites joining in is just chilling. It's a scaled back but effective version of the entire cabin laughing from evil Dead 2

The final girls hide in the elevator as what's left of their family fuses into The Marauder, our final deadite for the evening and a grotesque combination of their family, a grim reminder of what's happened and just a gross thing to look at. As is standard for this film, it's awesome and I love it.

SPeaking of awesome and I love it we then get another destined to be iconic bit: the elevator fills with BLOOD. What's more impressive is they got the scene in one: had they failed they would've had to clean up and start again, which given this scene involves a GIANT pool of pracitcal blood and leaves both characters drenched in it for the rest of the film, is a LOT to as and is a LOT of moving parts to nail on your first try. But they did and the result is a horrifying sequence as the elevator fills, our heroines barely survive..a nd then get tosse dinto the parking garage drenched.

The good news: now they can escape. The bad news is Deadites love final boss fights, so The Marauder is there to oand stalking them. The final fight is a tense sequence as Elly ducks it but thankfully noticces some landscaping equipment. You know what that means... CHAINSAW BLOOD MOTHERFUCKERS

So Elly takeas a fucking chainsaw to it, which gives her an edge, and later uses her fucking boom stick and tells it to "come get some". I like these little nods, obvious enough to notice btu not distracting enough if you haven't seen the other films.

What finally does it in is fucking aawesome though: a goddamn woodchipper. look is a woodchipper being here convient? yes. is the fact the deadites only sent one convient? yes. is Ellie putting a deadite through a goodamn woodchipper with her niece and now adopted daughter turning it on fucking glorious and goryious?

It's a great finale and with that Ellie, her unborn child and her niece head off into the sunset.. while our opening deadite comes into being.

Evil Dead Rise is a glorious new chapter in the franchise: still very much evil dead, but with a darker and somehow even bloodier spin on things. It's a worhty sucessor and very worthy of being the highest grossing film in the franchise, and with that acolade a sequel is hopefully inevitble.

LIke I said Cronin had four ideas, all of them brillian 1. Returning to the Cabin: While admitely I dont' care about those characters, a new cabin in the woods would be neat. This is my least faviorite as the NEXT one.. but I woudln't mind it eventually. 2. Focusing on Ellie: Seeing where she goes next, which I badly want. 3. A prequeL: focusing on the preist. another solid idea. And my faviorite 4. The cleanup crew: returning to the high rise to ask "how the hell would people react to the leftovers of the carnage we just saw".

their all great and with Bruce wanting to return now after this entry, the future is bright and this will likely not be the last time we read from the book of the dead. But it was a great return of it and I can't wait to read the next chapter. Until then hail to the king baby.. and thanks for reading

#evil dead #evil dead rise #lee cronin #halloween #alyssa sutherland #ellie #blood #deadites #hbo max #films #horror

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thepermanentrainpress · 11 months

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THE PERMANENT RAIN PRESS INTERVIEW WITH THÉO AUGIER BONAVENTURE

Théo Augier Bonaventure has been immersed in film for much of his life, with his career taking stride over the past five years after a move to Paris to pursue cinema studies. He is passionate about his work and the characters he plays, including his role as Florian Simon in Netflix’s new series, XO, Kitty. The highly anticipated spinoff to Jenny Han’s beloved young adult To All the Boys I’ve Loved Before franchise introduces some fresh faces into the fold, adding layers to the story, while having their own to tell.

We spoke with Augier Bonaventure about his eager pursuit of the arts, connecting with Florian on a personal level, experience and knowledge gained from XO, Kitty, and feeling like himself in his fashion.

The following interview contains spoilers for XO, Kitty.

I have known I would become an actor since I was 4 years old. I haven’t really thought much about it, I just always knew this is what I would be doing with my life. Then, at 13, I discovered a French indie film called Pieds nus sur les limaces. I fell deeply in love with it, and made the conscious decision that I’d be making movies for as long as I’ll be alive.

Did you have a creative upbringing and family, and were they supportive of your move to Paris to pursue acting?

My family isn’t in the arts. They were supportive of my move to Paris as long as I’d also go to college. So I went to university to study cinema. When I moved to Paris at 18, I was very busy : acting school, university, and I was also a waiter because Paris is a very expensive city compared to Athens.

Did you have any nerves making the move? What factors went into your decision?

I had absolutely no nerves because I wanted to live in Paris so much that I didn’t think it through. It wasn’t easy the first two years, to be honest.

I wanted to live in Paris because I really believe in living an artistic life. I want my life to be filled with exciting projects, artistic friends and long talks about movies and ideas. I felt that I could live that here in Paris, and I do.

Tell me about your studies in Paris; what did you major in, and what valuable lessons did you take away from your classes?

I went to college to study cinema, but I was consciously keeping a distance between what I was taught and what I decided to make of it. I think there can be a danger into over-intellectualizing films and ideas, and I didn’t want to start thinking in any way that was not mine.

On the other hand, I had the time of my life at my acting school Laboratoire de l’acteur. My teacher, Hélène Zidi, really strengthened my passion for acting and taught me a lot, and I intend to make her proud. She is very important to me.

You wrote and directed your short film Haut et Fort in 2017. What did that experience and project teach you about yourself and your capabilities as a filmmaker?

I self-produced and directed Haut et Fort before having set a foot on any set as an actor. I just wanted to tell that story and didn’t want to wait. In English, the title translates to Loud and Strong. I did it for myself. I used to be very shy, and I wanted to get loud. It taught me that I am absolutely capable of leading a project, and that I have so, so, so much to learn, both as an actor and filmmaker.

Are you still writing, and do you have that desire to do more work behind the scenes?

Acting is what I love doing most in life. It’s what I’m born to do. But there are some stories I want to tell myself. I intend on continuing to write because it keeps me grounded. I’m very focused on acting right now, but I will, for sure, do more work behind the scenes.

You star as Florian Simon in XO, Kitty. What can you share about your audition and casting process?

I love auditioning. This is the only project I’ve done having not met anyone in real life before filming started. Since I live in Paris and the producers were in Los Angeles, all auditions were done either through self-taping or Zoom. It was pretty funny because, due to the time difference, I would have auditions at midnight. The audition process lasted 3 months, so that was nerve wracking. But good things take time, right?

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How familiar were you with Jenny Han and the To All the Boys I’ve Loved Before franchise?

I had of course heard of To All The Boys franchise because who hasn’t? But I hadn’t watched the films. Before taping for the first time, I watched all three movies with a friend and we had such a great time.

What conversations did you have with Jenny and Sascha Rothchild about Florian, and how were they as resources and leaders?

I really think my characters through. So, before flying to Seoul for filming, I had prepared an extensive list of questions and suggestions I wanted to talk about with Jenny and Sascha. And they were so open and interested in what I had to say that it made me feel very confident. They are amazing, honestly. They clearly know what they’re doing and they want you to feel as free as possible. And that’s the best thing that you could ask for as an actor.

Florian is French and Greek. Was this incorporated into your character before or after you were cast?

When Jenny Han learned I was half Greek, she told me she was interested in adding that layer to Florian. I was thrilled. I’ve never had the opportunity to act in Greek before. I’m just putting it out there for Greek filmmakers : I want to make Greek movies.

What backstory were you either told, or created yourself for Florian in terms of his upbringing? What are his goals, values and major personality traits?

One of my favorite parts about being an actor is when I’m preparing the role and creating the character in my mind. I consider this my secret, the little things I keep to myself. In a lot of ways, my job is to play secrets. And secrets aren’t supposed to be told. So I’ll keep his backstory for myself. But I can share that he’s not as confident as he wants to appear.

What major similarities or differences do you see between yourself and Florian?

I think we both dress pretty well. We’ve both been through our parent’s divorce, though I was younger than him when it happened. And I’m (kinda) ashamed to admit, I used to cheat too in high school. A lot. I also think that’s why I wanted to become an artist. You can’t cheat if you want to be an artist.

His parents are going through a divorce, and Florian faces a lot of pressure with his grades and a possible custody battle for him. What emotions did you draw upon?

I too am a child of a messy divorce, and I do know how it can play with your head. And make you feel guilty of things that are absolutely not your responsibility. I tried to reconnect with that wounded part of me. And I think I did. Acting can be pretty healing in that way.

What was your favourite scene to be a part of, and why?

The one where I’m arguing with both my parents over the phone. There is a lot going on in this scene : Florian’s trauma from the divorce, his fear of being abandoned, his shame over his own sexuality that comes from his family, his fear of losing Q and the life he has created for himself, his anxiety over his grades slipping. Being French and Greek, it was interesting for me to be able to act in both languages. It is also the scene that really crystalizes Florian’s and Q’s love story and need for each other. I love this scene.

What was your favourite scene that you were not in, and why?

One of my favorite scenes is when Yuri is arguing with Jina in episode 9. It feels really sincere and Gia and Yunjin are heartbreaking in it. Gia really is brilliant when she officially comes out to her mother and says : “I’m gay. Full stop. End of discussion.” She really is a great actress.

It’s revealed that Florian cheated on his finals, and he doesn’t feel much shame or embarrassment as he’s “not hurting anybody.” Do you think there’s any redemption on his part, or is he happy with the decisions he made? What factored into his decision?

I think he does feel embarrassed about what he did. He just doesn’t show it. I wanted Florian to be somebody that was very uncomfortable being vulnerable. Also, when he finds out he took Dae’s spot, he really feels bad for his decisions, because that was not his intention at all. He just wanted to stay at KISS. His wrong action was therefore created out of his love for Q. And I personally can forgive a lot of mistakes that are made out of love.

A large part of Florian’s storyline is his relationship with Q. How long do you imagine he’s known Q for? What do you think intrigued him about, or attracted him to, Q?

Florian is quite new to KISS, so I don’t think he’s known Q for more than a year. I think that what attracted Florian to Q is the fact that he’s a really chill guy, something that Florian really isn’t. I think Q grounds Florian in a lot of ways.

Off-camera, they begin to build their relationship before Florian “proposes” and they become official boyfriends. What do you think strengthened their bond and connection?

Honestly, in my mind, a lot of it was making out in secret places at school, like in the library scenes. I also think they got pretty good at watching scary movies as a way to end up cuddling. I’ve also imagined that Florian would show artistic French movies to Q, not realizing Q was falling asleep every time.

What was it like having Anthony Keyvan as a scene partner, and did you discuss your characters’ relationship?

Anthony’s been in the business for a while so I was very admirative of his confidence on set. He was a great partner for me, always fun. We did discuss Florian’s and Q’s relationship, but the most important part was just hanging out and getting to know each other as people.

Did you work with an intimacy coordinator for your scenes with Anthony, and if so, what can you say about the importance of these positions in a production?

We worked with a wonderful intimacy coordinator, Kristina Arjona. In France, we are only just starting to have intimacy coordinators, so it was a first for me. As a young actor, you want to do your job really well and you want to be very professional. So, I have had times in the past where I did things I wasn’t very comfortable with, but didn’t say anything because I didn’t want to sound annoying.

I had a conversation with Kristina about this and she reassured me that this is exactly why she was there. So that we never feel uncomfortable. It gives you a lot of confidence and a sense of safety to know that you have the right to say “no” to anything you don’t feel aligned with. And that you won’t be judged for it. Considering all that we have heard in the last years about this industry, I believe intimacy coordinators to be extremely important. I learned a lot thanks to Kristina.

What are Florian’s first impressions of Kitty, and how does that perception of her change through the season?

The story I told myself was that Florian viewed Kitty, in a way, as his little sister. I really loved our dynamic in the party scenes, when Florian and Q are helping her hunt for boys. I think Florian actually becomes prouder and prouder of Kitty the more she goes after what she wants.

What can you say about Anna Cathcart, and how she led the show as Kitty?

I’m going to quote Lady Gaga to answer this question : Talented, brilliant, incredible, amazing, show stopping, spectacular, never the same, totally unique, completely not ever been done before…

Seriously, Anna is as amazing as you can imagine her to be. Kind, professional, always on time, deeply interested in her character, aware of what’s going on. She cares about how other actors feel on set. That doesn’t always happen. She’s a brilliant person. And you just have to watch the show to see for yourself how brilliant she is as an actress.

If renewed for a Season 2, what might you be interested in exploring with Florian’s story?

I think Florian is dying for Q to understand and forgive him. So, I’m interested in seeing if they can work it out and try to find common ground despite their different values. Also, reading the many messages I’ve received since the show was released, I realize that a lot of people are connecting with Florian’s struggle with his parent’s divorce and how he feels like doesn’t belong in his own family. I think we should dig into that.

Are there any other specific storylines you’d be excited to see expanded upon?

Like many of us, I want to know what’s going to happen between Kitty and Min Ho!!!

You filmed the series in Seoul, South Korea. Describe your time in Seoul and their culture. What are some of your favourite memories, and how did you build a connection with your castmates?

Seoul was wonderful. The people were so kind. I’m a fan of iced coffee and you can buy it anywhere in Seoul. The food was absolutely amazing. A lot of the bonding with my castmates was literally done through eating tons of food together. I can’t even remember how many Korean barbecues we went to.

You also have a love for fashion and modelling; how did this originate, and how would you describe your personal style?

I love fashion but I am not a model. Fashion is a very recent interest. I think it started when I started asking myself some questions about artists I admire. Like : Would David Bowie had been David Bowie if he didn’t wear what he was wearing? I believe that the clothes you choose to wear can have a profound impact on your life. I would describe my personal style as a current ongoing experiment.

We know you love CELINE. What do you admire about this brand and why does it align with you and your fashion sense?

I think [CELINE creative director] Hedi Slimane is absolutely brilliant. I would love to work with him in the future. I think he is an artist and that he understands artists. I feel like myself when I’m wearing CELINE. And I want to feel like myself for the rest of my life.

Are there any specific designers or brands you’d love to work with?

I’m also working with Paul Smith. They are extremely talented and kind people. CELINE and Paul Smith are good for me. Also, if Valentino wants to give me a call, I will answer!

Do you have aspirations to walk a runway at a fashion show or during fashion week?

No. Though I would love to play a very troubled model in a film. Have you seen the film Gia with Angelina Jolie? She’s brilliant.

You have the young adult fantasy film Silver, upcoming. What can you share about this project and your character, Grayson?

I think this film is going to be really good. Helena Hufnagel, our director, is amazing. She’s beyond talented. That goes for Jana McKinnon too, our leading actress. I am proud of my work on that film, and I can’t wait for the world to see it.

If you could be any ice cream flavour, which would you be and why?

I’d be cookies and cream. With huge pieces of cookie dough. Melted chocolate on it. And if possible, a warm brownie under the whole thing.

Thank you to Théo Augier Bonaventure for taking the time to answer our questions! The future is bright for all facets of the arts, in film and fashion, and we look forward to what’s to come.

To keep updated with the artist, follow him on Instagram. Watch Season 1 of XO, Kitty on Netflix.

Photo credit to: India Lange (clothing provided by Paul Smith), Netflix, and Guillaume Plas (clothing provided by Hier Vintage)

#Théo Augier Bonaventure #interview #entertainment #XO Kitty #xo kitty cast #xo kitty interview #xokittyedit #xokittydaily #xokitty #xo kitty florian #xo kitty netflix #feature #actor #Netflix

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stilldancewithyou · 2 years

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Like I said before I would love to see EJ find himself and discover something that makes him happy and decide to pursue a career in that in season 4. Personally I think EJ should pursue a career in filming by being a film director because he seem to enjoy filming Carlos birthday video and he directed the musical at summer camp he can combine both his filming and directing skills by pursuing a career in being a film director. I think he should work behind the scenes for HSM4. 1/2

Maybe Disney watches the documentary see how EJ did a great job directing the musical and they see that he listed filming as one of his talents on his file and ask him if he wants to help make HSM4. There is this new character in S4 named Quinn who is a film director I am l assuming she will be the director of HSM4 maybe EJ can help her out somehow and they bond over their love for filming. Maybe EJ can go to her for career advice if he is thinking about pursing a career in film. 2/2

I love this idea! I really love the idea of EJ having Quinn the director to ask for career advice and learn from like he did with Mr Mazarra. They opened so many doors for all of the characters with the documentary in s3 (and I have a feeling after s4 when they begin to phase out more characters bc of graduation they're gonna bring it back up and be like "they're moving on to pursue an acting/singing/etc career thanks to the doc"). I wish they would've revisited the film making thing for EJ in season 3 somehow...it was like season 2 never happened. He had a huge opportunity to talk to actual producers and filmmakers so you'd think he would've talked with Channing or Corbin or some random producer to find out how to pursue that or to see what it's like. He LOVED making that film for Carlos and working with Mr Mazarra in s2 and so you'd think he'd enjoy directing the show since filming and directing go hand in hand but he didn't even seem to like directing which was just kind of sad. Like they could have at least shown him starting to enjoy it and having a "this is what I want to do with my life" moment. Tbh I think the writers/producers kinda dropped a lot of plot/storylines bc they just wanted to rush through season 3, create the ending they wanted, and get to season 4 asap. Like I genuinely didn't feel like they really cared at all about s3. but I digress.

EJ deserves a happy storyline for season 4. Even though he apparently won't be in the beginning of it or in much of it at all, I hope they use the potential they created to give him a good explanation for being absent. Like he's pursuing filmmaking/directing or acting and when he shows back up it's to be part of HSM4 in some capacity. I can just imagine so many different scenarios of Disney or some other talent agents calling up EJ and being like "so we saw you on Disney+ and you'd be perfect for this role" or a college with a filmmaking program offering him a spot for the fall or something. I think it would be interesting to show that all of the kids are getting offered opportunities (but EJ is the only one who can pursue anything currently bc he doesn't have school). They have so much to work with and so much potential for season 4, and give EJ a really nice exit like Nini or just a nice happy ending/future. I have no faith in these writers though. They seem very determined to have the story be this weirdly specific way they've imagined it, which is fine but season 3 felt like they were trying to forcefully zip an overfull suitcase and they did get it zipped but the extra clothes are gonna make the zipper burst at any second. There were moments that felt like the past seasons but overall it was more like a Wattpad story written by a 13 year old than a Disney show that goes through professional editing and stuff (a lot of it I think was bc of the short episode count). It was just odd. I hope season 4 is more like the first 2 seasons.

Also if EJ doesn't get his moment to sing Scream I will fight someone.

#ej caswell #hsmtmts #hsmtmts season 4 #hsmtmts season 3 #high school musical the musical the series

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bonnienapierfilm · 1 year

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LONGBOARD NIGHTS PT.2 [JANUARY]

"A self-doubting Husk hunter has to face their trauma when the partner they rely on is injured during an infected house breaching"

(original logline that has now change a lil)

I have been working on the script for Longboard Nights for around a month now, maybe a little more. It has definitely been more of a challenge that I'd thought it would be, considering I had already written a 10 page screenplay on LN (Longboard Nights) in Film Production Management a while back, though the ideas are more developed and different now.

I firstly want to mention, before I get into the nitty gritty of writing, that Ben McMorran is a pleasure to work with, I haven't felt such positivity from a director ever! I have never been called King so many times, I love it. He really has a vision for this project, I actually call it his baby sometimes, he nurtures it like a real human baby that needs like food and water and burping (this makes no sense but needed a strong simile to really get the idea across). In addition to Mr Mcmorran, Jack and Beth are producing LN, I have complete faith putting this tough challenge in their hands. Alex is cinematographer and I've already head some of the plans for the visual style of the film, which all sound so experimental and prettttyyyyyy!

Anyways, writing has been a journey. I definitely should have started writing long before I did, I think Ben hinted at starting before Christmas but silly ole me wanted to completely forget about uni until term started again. But got my finger out eventually.

I started with some meetings with Ben about world-building, because I was finding myself lost when trying to begin writing, I didn't have a full understanding of the world. He eventually put together a book on The World of Longboard Nights, so helpful! I have usually had this open whilst writing. Ben also put together things I could watch and read for inspirations, like Arcane and the 4-6 minute shorts the same creators make, which were great because they dealt with character arcs well in such short time, without any story feeling too rushed or sparse. I eventually got Draft 1 finished.

I also sent Draft 1 to Kate to get feedback in writing class, which I've really been enjoying. Kate proposed the, at first, horrific idea to completely change the dynamics of the characters, this meant changing a lot of dialogue and general action in the script. We talked it through and she was definitely right with the idea. To break it down a little... Alex (she/her, protagonist) is an unconfident character, who thinks she needs to fight a Husk to overcome her trauma. Casca (they/them) is a confident and skilled Husk Hunter, who finally brings Alex along on a job after her asking for so long. So, what Kate proposed was switching the character traits, and having Alex more confident and a regular Husk Hunter, and Casca is less into the job and more shy. This means when we have Alex's arc after she freezes up and fails to fight the Husk, resulting in Casca getting injured, it's more surprising and a stronger moment, as we didn't expect her to freeze and she is so confident and trained in combat. Ben was also happy with this change.

Anyways I am a few drafts down now, and will have the final draft completed by Saturday 11th (Bob Marleys birthday). I will do a separate post and more in-depth post about the writing process in terms of story and characters, this is just a vague update :)

I am also doing production design for this project, which I am SO EXCITED to begin planning, I have so many ideas!!!!

#longboardnights

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finalmajorgameproject · 3 months

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my selected practice - cinematics

Basics- Cinematics are videos that are used to create storytelling within games and make visual effects to support the narrative and evoke emotion to the audience. It is also used to create a setting and background for the map and characters. They can often be used to create new levels, new scenes, develop story and characters and advance the story and plot. This can be very useful with games for the player to get a better understanding on what is going on.

more- I intend to look at different cinematics and people who specialise in cinematics to help get a better understanding of what makes a good cinematic and how I can help improve the creation of my cinematic in the long run. Looking back at my past projects I have made cinematics for I can look at where I had gone wrong and understand what I could have done to improve those parts and look at what I did well and understand how I can do that again.

Something I want to mainly focus on looking at improving is my camera work within the cinematic considering I have made projects with some questionable camera work with bad angles and wobbly camera movement and not being utilised to its full potential and I want to work on improving this skill by looking at what others to to make there's better.

practitioners- Maxime Brochen, Florence Fournier both worked on the cinematics with a team of people in Detroit become human, Maxime was the lead cinematic designer and overlooked the cinematics with Detroit and Florence was the lead motion caption artist overlooking the mocap within the cines. I chose to look at them because they helped produce the cinematics of one of my favorite games. looking at how they made the games cinematics would be interesting and helpful to understand and develop my knowledge more on cinematics and help make my own.

Marianne Hayden- Marianne Hayden was a cinematic animator at Naughty Dog. She is also a producer, photographer, actor and a film maker, being a part of many projects and short films. She has experience in a lot of fields that can corelate with cinematics such as photography and film making and can help develop skills and ideas with cinematics using knowledge from these fields. She worked on the 4 uncharted games and the last of us. with the addition of working on the motion capture stage for some secondary, action based animations. I find all these things very interesting and inspiring and hope to look at some of the cinematics and work she has made and look at the cinematography to help get an idea of how I am going to create my project.

Jeff chamberlain- Jeff chamberlain was a cinematic designer and VFX supervisor for blizzard entertainment. He has been a part of most of the cinematics blizzard has made for the last couple decades. He has worked on cinematics for Overwatch, World of Warcraft and starcraft2. I hope by looking at his work I can draw ideas and get inspiration for my own game.

more examples of people that make cinematics include Brian Horn, He is the Cinematic director supervisor for blizzard entertainment. Someone else is Dori Arazi who is the lead cinematic director for respawn entertainment/EA.

Examples of leaders in cinematics in different gaming companies.

games with good cinematics- Detroit become human, Batman Arkham series, God of war, Grand Theft Auto V and Red dead redemption II. There are many games with good cinematics but these are some of my favorite ones.

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statsgreys · 2 years

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The incredibles 2 rise of the undermine

#THE INCREDIBLES 2 RISE OF THE UNDERMINE FULL#

#THE INCREDIBLES 2 RISE OF THE UNDERMINE SERIES#

Approaching middle age and having high aspirations for his filmmaking, Bird pondered whether his career goals were attainable only at the price of his family life. Animation and was in the process of directing his first feature, The Iron Giant. During this time, Bird had inked a production deal with Warner Bros. Personal issues had percolated into the story as they weighed on him in life. The Incredibles as a concept dates back to 1993 when Bird sketched the family during a period in which he tried to break into film. Production Production for the first film Note: A dark grey cell indicates that the character did not appear in that medium.

E indicates an appearance not included in the theatrical cut.

A indicates an appearance through archival footage.

An empty, dark grey cell indicates the character was not in the film, or that the character's official presence has not yet been confirmed.

This section shows characters who will appear or have appeared in the franchise. Cookie Num Num follows the Parr family as they race to eat the last cookie during midnight snack time. Chore Day – The Incredibles Way follows the Parr family as they utilize their unique powers for daily chores.

#THE INCREDIBLES 2 RISE OF THE UNDERMINE SERIES#

Two short films entitled Chore Day – The Incredibles Way and Cookie Num Num, alongside eight other Pixar shorts, were released on Disney+ as part of the Pixar Popcorn series on January 22, 2021. In a similar manner to Jack-Jack Attack, the short follows Edna during the events of Incredibles 2 as she babysits Jack-Jack while coping with his newly discovered powers. Incredible and Frozone respectively in the short's commentary track.Ī short film entitled Auntie Edna was released in Autumn 2018 with the film's digital, DVD and Blu-ray release of Incredibles 2. The short is presented as an episode of a 1960s animated series animated in the style of Syncro-Vox (an animation technique famously used Clutch Cargo). Incredible and Pals was also included on the first film's DVD release. Short films Jack-Jack Attack (2005) Īnother short film titled Mr. And if past is prologue, it'll be another 14 years - and a lot of people would need oxygen to make a third one". Producer John Walker said of a potential third film: "I wouldn't ever rule it out. Jackson and Sophia Bush have expressed interest in reprising their roles. whether it's another Incredibles film, or something else". Bird stated that the lingering plotlines could lead to a third installment, just as they did with the second: "There were a lot of ideas that we had on this film that could be.

#THE INCREDIBLES 2 RISE OF THE UNDERMINE FULL#

He cited Pixar's decision in October 2016 to swap the release dates of Toy Story 4 and Incredibles 2, which meant that Bird's film lost a full year of production. However, the family is called into action once again when Helen clashes against a new foe who seeks to turn the populace against all superheroes.įollowing the release of Incredibles 2, director Brad Bird acknowledged that the film's truncated production schedule resulted in many plotlines and ideas he had for the film being cut from the final version. The film follows Helen as she is chosen by a telecommunications corporation to pull off a publicity stunt with the goal of regaining the public's trust in superheroes while Bob is left to care for their kids, Violet, Dash and Jack-Jack. The setting of said universe is a futuristic version of the 1960s. The franchise takes place in a fictional universe where superheroes, also known as "Supers", co-exist with society and are occasionally forced into action despite a ban issued on them by the government. The series has grossed a combined $1.8 billion worldwide. The second film, Incredibles 2, was released in June 2018, received mostly positive reviews and set the record for best opening weekend for an animated film with $183 million. The first film, The Incredibles, was released in November 2004 and received acclaim from critics, winning the Academy Award for Best Animated Feature. Nelson, Holly Hunter, Sarah Vowell, and Samuel L. Brad Bird wrote and directed both films, and Craig T. The Incredibles is a Disney media franchise created by Pixar Animation Studios. ** Roller coaster opened in 2001 as California Screamin'.* Crossover work where this franchise's characters and/or settings appear.

#The incredibles 2 rise of the undermine

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gra-sonas · 3 years

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CW viewers first met Nathan Dean as Jackson on the hit "Vampire Diaries" spinoff "The Originals." However, his werewolf stint on the series wasn't his first foray on TV. The actor starred in over 300 episodes of "General Hospital," later scoring roles on shows like "Bunheads," "True Blood," and "Once Upon a Time." Between his notable TV appearances, Dean appeared in movies such as "Teeth," "The Roommate," and "Pet."

Luckily for CW followers, the network frequently features actors from past projects in new endeavors, providing fans with plentiful reunions. After a successful run on the vampire show, Dean scored a leading role as Max in "Roswell, New Mexico." Sticking true to his supernatural roots, Dean plays an alien deputy (the outer space kind, of course). Early in Season 3, the CW greenlit a Season 4, with filming on the horizon.

Looper spoke to Nathan Dean in an exclusive interview, during which he dished on Season 3 of "Roswell, New Mexico," what he really thinks about UFOs, and what it was like working on "The Originals," "Once Upon a Time," and "True Blood."

Do you have a favorite moment with the cast on or off set?

I mean, I think this past year was probably just our first day back, being everyone was so locked down in the pandemic and just the fact that we were able to come back in October. I remember the first [day] we were trying out all these new COVID protocols. We had to wear masks. We had to do the thing, but just to see our crew again here.

I mean, the crew we have here in New Mexico is such a family to us. And being able to be on set, we had a day zero, and a day double zero, and test days. And the first day back was just the crew and me. And it was just so wonderful to see everyone again and realize it wasn't necessarily the apocalypse, the end of the world like we all thought, and we're back. We're back, and everyone was good, and everyone was very conscious of being healthy and staying in the bubble that we had, and just to see their faces again was fantastic.

The series recently changed showrunners. How do you feel about the new direction? And can you tease anything that fans might expect from Max's character arc this season?

Yeah. We did. I mean, Chris Hollier is our showrunner now, and he was a producer for us the last couple of years. And when he took over, we tried to move not only Max, but I think every character, into a more adult, mature way of operating. We spent a lot of time in Season 1 in particular, but Season 2 as well, flashing back to high school. And we all had a high school outlook on each other. And moving forward, we've been able to mature the characters, I think. And this year is a great year, I think, for Max in particular, because he has to literally look himself in the eye and become the person that he was meant to be instead of someone he used to be.

Were you a fan of the original "Roswell" before snagging your role on the series?

I had never actually seen it. I mean, I don't watch a whole lot of TV, and I was familiar with the show, and I knew the book series. So yeah, when we decided to reboot this thing, it was really, really cool to see the support that we got from the original show. And we've had some of the people back. Shiri [Appleby] directed episodes for us. Last year we had ... Jason [Behr] was back for a little bit. And it's just great to know that we're in this family. It's not like no one saw us as trying to take it over or rewrite history. We're just embracing the history that's already there and just building on it and spinning it into a modern world. So yeah, their support was wonderful, and we're excited to have more of that going forward.

What direction do you hope Max goes in the future?

Well, Max spends a whole lot of time this season having to look himself in the face — literally questions a lot of things. We've done a lot in the past, the high school flashbacks and this and that, but I think this year, not only for Max but for all the characters, we see this maturation happen where you're no longer looking backward into who they used to be. Now this season, we're finally looking forward to who we want to be. And I think Max and Joan embody that dynamic, but yeah, you see it with Michael, Isabel, Maria, Liz. You see every character really take a step forward this year, and that's a credit to our showrunner and to our writers for trusting us to take that leap and move the show, looking forward instead of looking back.

Are there any particular adult storylines that you're excited to maybe see him tackle or that you'd like to see him tackle?

Well, I think it's his relationship with Liz, really. We ended Season 2 in a pretty bad place. I mean, Liz runs off, Max goes all arsonist on her, it's a little bit of an immature response to something. You just have a temper tantrum and light everything on fire. But I think this year, yeah, we really see Max and Liz move forward in a way that is much more mature and adult and respectful. And they, I mean, obviously the elephant in the room is, "Well hey, you blew up all my stuff." "Yeah, sorry." But how do you come back from that? And I think we see them take a step forward in a big way this year, and I'm excited for people to see that this year because we haven't historically had a very adult relationship, and now we're moving towards that.

Is there anyone you'd love to see appear on the show?

I mean, I would love to have Jason [Behr] back, I would say. I mean, he wasn't with us for long last year, and it was just great to see him and learn from him and watch him work. So I would love to see some more of the 1940s flashback-y kind of stuff, learn some more of that. We have a little bit of that in season three. We have some of that, which is a lot of fun, and yeah, I mean, I'm always in for that.

I love flashbacks, other time periods, different things that shows do. Is there a time period that you'd love to see the show tackle in flashbacks?

Yeah. I mean, we get into it this year, more of the ... Because the crash was what? 1947, I believe. We get into that a little bit more, and that's always fun. I love that time period. I love being able to play in that arena, and hopefully, we get some more of that in Season 3, and hopefully, going forward in Season 4, we'll have some more of that as well.

Have you been able to direct yet?

I have not. I haven't tried. I haven't asked to. Actually Maria, Heather [Hemmens], who plays Maria on our show, she directed this past year. And I know Michael Trevino, who plays Kyle, he wants to get into directing. So hopefully, we'll have him this coming year. And I haven't looked to direct on this show. I would love to direct a short film or something like that, but on this show, I'll leave our show to the professionals. I'll find directing somewhere else.

"Roswell, New Mexico" actually films in New Mexico. How do you think that choice has positively affected the feel of the show?

Oh, it changes everything. I mean, New Mexico, I don't know if you've had a chance to come out here, but New Mexico is such an amazing place. I mean, they call it the Land of Enchantment for a reason. Growing up in Texas, I've driven through New Mexico a million times, but I never stopped. And when I finally got here and just took it in, I mean, the sky is huge out here. The air is different out here. It's everywhere you look: the sunsets are incredible. It informs so much of the show.

And also, having crew from New Mexico, having a local crew out here, you see it on our show, the turquoise, just the style, the whole thing. But we see that every day. That's just the people that we work with, and to be able to film here, I think, informs so much of what it is to crash land in this crazy place. And yeah, I don't think we could pull this off anywhere else. This is such a wonderful place, and yeah, we're very lucky to be here.

Speaking of crash landing, New Mexico has been a hotbed for reported UFO sightings for years. Have you ever seen anything weird yourself, or have you heard stories from other cast members or locals?

I haven't heard any abduction stories, but it's definitely ... we get on set every time there's an airplane or an airline will report that they've seen something weird. We're the first ones to know about it. I mean, the skies here are crazy — there are times when you look up in the clouds, you're like, "Is that something? I don't know." But yeah, I mean, we have all that here. We're very much in it, but yeah, I have not personally been abducted yet, but I'm hoping for it.

Fingers crossed? [Laughs] So in June, the government released a report confirming that they can't explain 143 UFO sightings, which is a wild revelation. Do you think that there's any credence to the idea that these might be actual extraterrestrial events, or do you think there's a simpler explanation to all of that?

I mean, I think it definitely it could be. I'm not writing it off. When you hear, you see videos, you can see video of Air Force pilots, and there's something on their radar that you just can't explain. I don't know if it's aliens. I don't know if it's probes or some sort of drone that someone sent out, I don't know. But it wouldn't surprise me if it was true. I mean, I think the universe is too big of a place for us to be all alone here. And if aliens are going to come somewhere, you should come to New Mexico because it's awesome and we're waiting for you.

So would you be team "Leave the aliens alone and let them do their thing," or "Let's initiate contact and see what happens"?

Oh, I would love to initiate contact. I would love to. I would love to go on a spaceship. I would love to go explore that. I think if ... There are all these movies, "War of the Worlds." There's all this stuff that imagines aliens are going to come here and destroy us. If you're going to travel all that distance, you're not looking to destroy anybody. So I think it would be a really interesting conversation. I think we would have a lot to learn from an advanced civilization that traveled all this way. I think we would have a lot to learn.

The series tackles a ton of critical social issues like immigration, ICE, and domestic violence. Have there been any of those subjects that particularly resonate with you and that you're proud of the show for homing in on? And is there something that you'd like to see them do in the future?

Well, for me personally, I mean, I'm a cop on the show. That's been a huge debate over the last couple of years, and this season, we get into the good and the bad of that. We see the good sides of it and what it can be, and then we also can see the bad side.

And for me personally, that's been something that I think we've talked about a little bit that I'm very happy with. And also, I mean, everyone just went through this huge pandemic. We can't ignore that. So that's something, when our character of Kyle, who's a doctor — what he's had to go through — I think that's one of the things that makes our show relatable and makes our show ... we're not shying away from the cop controversy. We're not shying away from the things people had to go through with the pandemic.

We're willing to talk about it. And thankfully, we have such a great platform to do that with this backdrop of aliens and all this stuff. We can really home in on the human aspects of that world, given the fact that we're an alien show. It makes talking about the human stuff much more, I think, palpable. And yeah, that's something that we've always done. And going forward, we'll see what the world has in store for us the next year or two, and we'll talk about that, whatever comes up, we're here for it.

Several other actors from the "Vampire Diaries" universe have also come to "Roswell." What was it like working with Riley Voelkel and Steven Krueger again — and getting a chance to work with other "TVD" alums, like Michael Trevino and Kayla Ewell?

It's great. I mean, CW does a great job of keeping the family together. Working with Trevino is fantastic. He's a great guy, and I've known him for a long time. Same with Jason Krueger and Riley. I've known them for a long time, and just to have those familiar faces around is always nice, but it's fun too then to see these people who, we come from this vampire-werewolf world, and now we're in this alien world. It's fun to see that transition and get to see what else they can bring to the table.

Definitely. So you've been a werewolf, you've been a vampire, you've been an alien, and you've even been a fairytale character. Do you have a favorite? And do you gravitate more toward shows with supernatural undertones, or did it just sort of happen that way?

It just sort of happened. I mean, I would say for me, my favorite is always just being a human. That seems to be the hardest job to get, but no, I mean, it just sort of happened. And it's fun because, like I was saying, having a backdrop of something supernatural highlights the humanity.

I mean, if you have this ... There are aliens, and there's this, and there's that, but then you have these human moments, and those are the ones that you hold precious because sure, you can throw people around and you can jump out of trees, and you can do all this crazy supernatural stuff. But at the end of the day, it's about the human moments. And I think that's what supernatural shows tend to bring out the most.

"Roswell" isn't your first time being on a CW show. You also starred in "The Originals." What was it like working on set with Phoebe Tonkin and Joseph Morgan and the rest of that cast?

Oh, they were great. I mean, we were out in Atlanta, and I mean, geez, that was like five, six, seven years ago now.

Really? That long?

Right? Crazy. But it was great. I mean, every set is going to be different, and we were in Atlanta for "The Originals." And so we had the Atlanta crew there, and we got to know that city a lot. And then moving out here to New Mexico, it's a completely different landscape. It's a completely different setup.

Thankfully it's nice to always have the familiar faces, but yeah, we have a New Mexico crew, and this platform is totally different because we're not talking about supernatural witchcraft and this and that. We're talking about sci-fi. We're talking about aliens. We're talking about all this other stuff. So I mean, they're both different. I mean, I loved Atlanta. I will always love Atlanta, but yeah, I'm just grateful to be out here in New Mexico now.

Is there anything you wish that Jackson did on the show before your storyline ended, and how do you feel about your character's first ending and then getting to meet Hope and Hayley again at the end?

I think that was a really sweet way to go out. Jackson was always a passenger on that ship. The story was about the vampires and about Phoebe's character, and Jackson was always just sort of a bystander. So, to have that kind of closure with Hope at the end and have that moment, it was nice. I think Jackson serves his purpose. The story wasn't about him, but yeah, it was nice that they brought me back, and I was able to have that moment.

To that end, "The Originals" birthed the backdoor pilot for the "Legacies" spinoff. Would you come back for something like a flashback episode if given the opportunity? Or are you happy with where it ended up?

I'm happy where it ended up. I think "Legacies" is on its own journey now. And I know the actress who plays Hope, and I know that they're on their own path. Jackson doesn't really have a place there.

The great thing about the entire "Vampire Diaries" franchise is its deep roots in history, culture, and folklore. Do you have any favorite storylines, time periods, or pieces of folklore that the show tackled throughout its run?

Yeah, I mean, I think when I was doing the vampire/werewolf stuff, it was fascinating to learn so much about where those legends came from. The origin stories of, you have, what was it? Vlad the Impaler was one of the first people thought to be vampires and these horribly dark stories that gave rise to these myths and legends.

And it was really, really fun to just learn about all of that and to learn the history of where these myths come from and why they're so compelling today. I mean, why do we still talk about this stuff? What is it that draws our attention to it? So it was just fun to learn, I mean, from an intellectual standpoint, just get into the mindsets of people that may have thought these bloodthirsty sorts of things. It was kind of wild, and yeah, it was a lot of fun to learn about.

You had a stint as James in the last season of "True Blood." Was it difficult coming on so late into such a beloved show? Were you nervous, or did you feel welcomed right away? And what was your biggest takeaway from that series?

I definitely felt welcomed. I actually knew Deborah Ann Woll, who played my love interest off the top. I knew her from way long ago. We actually go way back. So I was familiar enough with the cast and crew. They welcomed me in. It was weird coming in at the end of a show because they had been together for seven years at that point, that cast.

And stepping in, I got to see a lot of the heartbreak and the sadness of it coming to an end, but I was grateful to be a part of it. And I learned a lot from Stephen [Moyer] and from Anna [Paquin], and it was a great environment. I wish it had gone on longer, but I was grateful for the year that I got there.

You played another classic fairytale character in "Once Upon a Time" as Hansel. What was that experience like? And how do you feel that the show handled its own spin on the Hansel and Gretel fairytale? And do you have any fond memories of that set and that cast?

Well, I love that set. I mean, actually, our current showrunner, Chris Hollier, was one of the writers on that show. And I was in a situation this year similar to the one I was in when I was on "Once Upon a Time" — getting to have this dual life, this secret life. And I like the direction that they went on "Once Upon a Time," it was a lot of fun, but it was a great crew. It was a great cast. And it was fun to play a little darkly twisted version of a fairytale character. You think fairytales, you think happily ever after, but yeah, I didn't have one of those kinds of characters on that show, and it was really fun. It was very fun to play the dark side of all that.

Is there any other franchise that you'd like to break into? "Star Wars"? Marvel? Anything like that?

Oh, any of it, all of it. Yeah, sure. I mean, I would love to, Disney+, they're doing a lot of great stuff with Marvel and with the "Star Wars" franchise. And I mean, I would love to be any part of that because Marvel's just awesome. So, that would just be fun, but "Star Wars" is cool because it's a time period in and of itself. They really have created this out-of-time universe that there are spaceships, but they also have lightsabers, and they're sword fighting, but they're flying through the galaxy. So it's this weird mashup. That would definitely be fun. I mean, I would love to get into any of that.

Would you want to play an alien? A Jedi? Or a Sith?

Ooh.

That's the real question.

Maybe a Sith. I don't know. Yeah. I think that would be fun. Yeah, yeah. You just don't have rules at that point.

I feel like the Jedi don't follow any of their rules either. [Laughs]

That is true. They have a lot of rules, they just don't listen. Yeah.

Is there anything else that's upcoming for you that you want to talk about?

I don't know. I mean, right now, I'm just focused on Season 4. We get started in a couple weeks. I'm curious to see how we springboard off of Season 3, because Season 3 is wild, and I hope people enjoy it as much as we did filming it. So I'm excited to tackle Season 4, and then beyond that, we'll see if we get to Season 5.

We'll be lucky to do that, but yeah, I mean, there are always projects. There's so much happening in the world of TV right now and in film, and there are so many different avenues that you can take. We had actors on our show that were directing their own short films this past year that were doing all this. So there are tons of avenues for it. And I'm just focused on Season 4 right now. I'll be doing that for the next six months, and then beyond that, we'll see. We'll see what comes down the pipe.

Is there anything else about the show or anything else you want to add?

No. I mean, not really. I mean, I think I'm excited to hear feedback and to hear what people think about the different, the Jones, Max difference, this sort of dichotomy that we have in Season 3. I'm excited to see what people think about that and what that reveals going forward. And then, yeah, again, I'm excited to see these characters take a step forward in terms of their maturity with each other and respecting each other and Liz and Max finally figuring it out and finally getting on the same page for the first time. So that'll all be fun. That'll be fun looking forward.

Definitely. Well, congratulations on getting a new season before the current one has even popped off. I love seeing that.

#nathan dean parsons #max evans #rnm cast interviews #rnm spoilers #roswell new mexico s3

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fyeah-bangtan7 · 3 years

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A Deep Conversation with BTS' RM on His Group's Early Years, Drake, Whether BTS Is K-Pop, and More

"I had a sense of urgency and desperation about going after my dreams," says BTS' leader

I was someone who wanted to go to a top college, an Ivy League school by American standards,” says RM, BTS’ leader. “I was a typical student who was trying hard to achieve. And then I trusted [HYBE founder] Mr. Bang, and I started to walk down a different path. And I had a sense of urgency and desperation about going after my dreams.” RM’s gifts as a rapper, songwriter, and producer have been essential to BTS’s development, as have his wide-ranging intellectual interests. In an interview from his label’s headquarters, the artist formerly known as Rap Monster discussed whether BTS should be considered K-pop, the uniqueness of South Korean hip-hop, the highlights of the Most Beautiful Moment in Life era, and more.

You quoted the great abstract artist Kim Whan-ki recently: “I’m Korean, and I can’t do anything not Korean. I can’t do anything apart from this, because I am an outsider.” You said that was a key thing you’ve been thinking about lately. How does that idea apply to your work? So much of the pop and hip-hop I listened to came from America. But for me, as a Korean, I think we have our own characteristics and some kind of localized identity. I can’t really explain it very well, but there are some characteristics that we Koreans have, or maybe Eastern people. So we try to kind of combine those two things into one, and I feel that we created a new genre. Some may call it K-pop; some may call it BTS, or some Eastern-Western combined music, but I think that’s what we’re doing. If you think about the Silk Road in the past, there’s this idea of Eastern people and Western people meeting on some kind of, like, big road and maybe doing selling and buying of stuff. I think this story repeats itself, and some kind of new, interesting phenomenon is happening. We feel very honored to be existing in the very eye of this big hurricane.

There’s so much great Korean hip-hop, including your early heroes Epik High, who are still active. What did you hear in it early on, and what do you hear in it now? There’s always a process of when something new comes into another culture, where the identity gets transformed and it changes and adapts to this new place. Obviously, there are differences between Korea and the United States that affect the music. For example, Korea is not a multiethnic country like the United States. So there are different sensitivities that are underlying the music. Korean rappers of course have their own unique and different lyricism, their own situations and hardships that they fit into the process. As a Korean, obviously, these are the things that resonate with me.Obviously, there’s a saying there’s nothing new under the sun. So especially for people like us, in the margins of the world, so to speak, we think about how can we transform this and how can we make this our own. So these are the things that I think about when I try to balance the inspiration of Korean and American rappers. And, I think, now though, there’s a convergence of all genres of music.

When BTS first started, there was this conflict in some people’s minds and in your own between the idea of being a rapper or being an idol, which we’d call a pop star. This is obviously something you’ve addressed in song. Maybe you can explain a little about that conflict and why it seemed so important at the time? When I was young, I wanted to be a writer of prose and poetry, and then I found rap. And a lot of what I wanted to do went into the music. And, yes, there was this idea of being a pure artist or a pure rapper. So in the beginning, it is true that when we were debuting as a pop act, there were times when I had to sort of reorganize my identity and then reflect on what my identity is. And at the beginning we didn’t see positive results. We didn’t have a lot of fans. We didn’t have great results. There were some times when we were mocked.

So it is true that it took some time for that identity to develop and settle itself. But, you know, whether it’s rap or pop music, or whatever it is, it is another method for me to show my mind and express my voice, and having that resonate with people. So a lot of that conflict resolved itself. And I think things today are very different from what they were like in 2013, because even though there’s still a lot of discussion about what is pure, what is authentic, what is sincere, what’s an artist, what’s a pop musician, those boundaries have become less and less meaningful. As long as I can show what I’ve written, it’s valid as the continuation of my dream and what I always wanted to do.

It feels like BTS really found itself around the time of Most Beautiful Moment of Life. That’s where everything came together. How do you look back on that time? Despite the name, Most Beautiful Moment in Life, that was actually a very tumultuous period for me and for us. There was the tough image we had in 2 Cool 4 Skool, in those early stages, a sort of exaggerated expression of toughness and that angst. And then we sort of slowed down a little bit and tried to express the emotions of young people who have really nothing more than dreams. It was a more honest sort of expression, and we witnessed how it was resonating with a lot of people.There was some confusion because this was something new, and we were showing ourselves to be more vulnerable, more delicate, which was very different. But we realized that it was meaningful, and as we went forward to the Love Yourself series, we started to discover that more and more as we continued.

I know that many fans don’t see BTS as part of K-pop. And you, yourselves, have said that “BTS is the genre.” How do you see it? That’s a very important debate. Because what they call K-pop, that genre is expanding very fast. For example, some so-called K-pop groups have only foreigners, from Europe, India, China, like, everywhere. There are no Korean members, but they do the K-pop thing, they’re switching the parts, and so on. BTS is expanding very fast as well. And K-pop is now so wide. Somebody could say that K-pop is for Koreans who sing a Korean song. That could be K-pop. But what about “Dynamite”? We sing the song in English. But we’re all Koreans, so somebody may say it’s a K-pop song. Or they may say it’s just a pop song, because it’s in English. But we don’t actually really care about whether people see us as inside or outside K-pop. The important fact is that we’re all Koreans, and we’re singing a pop song. So that’s the reason why we said that our genre is just BTS. That debate is very important for the music industry, but it doesn’t mean very much for us members.

What music really changed your idea of what’s artistically possible? I started with Nas, Eminem, the golden age of hip-hop. And the turning point was Drake, in 2009, when he released Thank You Later. That album was kind of shocking for me because it was kind of a freaky thing that a rapper actually sang. So after that a lot of rappers began to sing, deciding to put the melodies into their songs across the genres, between raps and melody. So, yeah, that was the moment.

When you rapped that your “shadow … is called hesitation,” what did you mean by that? It can be called hesitation or cautiousness, but, I think, there is a form of hesitation that prevents you from taking risks and prevents you from challenging yourself.

I know you motivated the members by saying that your grandkids might watch your Grammys performance someday. Is that something you think about often? It gives me a lot of goosebumps sometimes that our every moment leaves traces online where everyone can see them. So, yeah, I think that helps us keep motivated.

Some film actors have a saying, “Pain is temporary. Film is forever.” [Nods.] Life is short. Art is forever.

#bangtan #rm #m:rolling stone #o:interview #210518

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twh-news · 3 years

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"Loki" Director Kate Herron Talks The Epic Season 1 Finale And The Easter Egg Fans Should Go Back And Listen For | Buzzfeed

Warning: There are MASSIVE spoilers ahead for Season 1 of Loki!

Welp, Loki Season 1 just came to an end and I think it's safe to say that the Marvel Cinematic Universe will never be the same. Following the Season 1 finale, we sat down with director Kate Herron to talk about everything — like how it felt introducing the multiverse and Jonathan Majors to the MCU, casting this incredible ensemble cast, Loki's bisexuality, and so much more. Here's everything we learned:

1. First, Kate has always loved Loki, so she knew she wanted to be involved in the "character's next step" in some way.

"Basically, I love Loki, and I found out they were making a show about him. As a fan, I was like, 'I need to know where he's gone.' Then, I just wanted to know what the story was going to be. I loved the character. I think Tom Hiddleston's performance is amazing. I really wanted to be part of whatever this character's next step was because I think Loki's had one of the best arcs in the MCU."

2. Directing all six episodes of the first season felt like filming a six-hour movie.

"Directing all six episodes was a really unique experience, right? Because normally TV is run through the showrunner system, and Marvel didn't do that on Loki. It was incredible. It was quite an undertaking to do six hours and run it like a giant film. I'm so grateful for the opportunity, and I'm really proud of what we made."

3. When Kate signed on to Loki, only the first few scripts had been written, the "rough shape of the show" was in place, and they knew Loki would be arrested by the TVA.

"When I started, Michael [Waldron] had written the pilot. Then, there was a second episode written by Elissa [Karasik], and Bisha's [Ali] episode was written. So, there was a rough shape of the show. It was already fixed in that Loki was gonna be arrested by the TVA and then it had this twist that he was going to try and solve the mystery of who this other Loki was, but then it pivots and becomes this love story about him falling in love with himself. I just thought that was so inspired and the message that had about self-love. I just really wanted to be part of that."

4. And they always knew the show would end at The Citadel at the End of Time and the multiverse would be born.

"As we dug into it with Kevin Wright, our producer, the studio, Michael, Tom, and also our whole team, I think it was always thinking like what was the best story, in particular during the second half of the show. We always knew they were going to The Citadel, something would happen, and the multiverse would be born, but we didn't necessarily know it would come out of Loki and Sylvie fighting. That idea came out of discussions with me, the writers, and the studio."

5. It was "always the plan" to introduce Jonathan Majors to the MCU during the Loki Season 1 finale.

"I think me and the writers were just like, 'Well, they haven't told us we can't introduce that character. I guess we're doing it.' It was really exciting and I felt really honored that I got to be part of it."

6. Kate was involved with Jonathan's casting for He Who Remains/Kang alongside Peyton Reed, who will direct Ant-Man: Quantumania, and Marvel Studios.

"Being part of the casting discussion with Marvel and Peyton was amazing. It was massive. I was just like, 'Wow, I can't believe I get to be part of this conversation.' Everyone was just so excited about Jonathan. He's one of the best actors. I just couldn't believe we got him."

7. Jonathan brought a lot of "cool ideas to the table" once he was cast, and Kate gave him "space to play."

"He just brought so many cool ideas to the table. I think when you're working with an actor like Jonathan, it's really just about giving him space to play, and let him find the character and give him a cool way to do that. I really enjoyed working with him. We finished the shoot filming in The Citadel, so it was really interesting that we finished filming with Jonathan. I just felt very lucky I got to direct him."

8. Jonathan actually voiced the Time-Keepers in Episode 4, which added to the Wizard of Oz homage.

"Obviously, the Time-Keepers were being made in post, and we hadn't cast anyone [for the voices] yet, and I thought, 'Well, Wizard of Oz. Like it should be the wizard, right?' So I thought it would be cool if it was Jonathan, and I think the key thing then was just working with him in a way that we could disguise his voice. I think the fun thing was, Jonathan is an amazing character actor. So we just sent him the art and he was sending audio clips to me and Kevin Wright and being like, 'What about this voice?' It was just so much fun to do that with him. I think that was just joyful."

9. Kate's favorite Easter egg from Episode 5 was Throg — in fact, Chris Hemsworth recorded new lines and sounds for that small part.

"That one I was very proud of and it was very fun. I had that shot designed for a while. I think I'd seen it in Futurama, and a lot of animation does it, but I love the idea of going through the dirt and it reveals something. I always felt like that shot would be the place to insert an Easter egg. When we had Throg in there, it was so much fun and it was perfect. We also recorded Chris [Hemsworth] for that. It was just so much fun."

10. She also loved the Thanos Copter and said it was a "funny" detail the producers loved from the comics, so they had to include it.

"The Thanos Copter was great. Kevin Wright, our executive producer, was really obsessed with that copter, I was like, 'We have to put the helicopter,' and it was so funny. Episode 5 is our best Easter egg episode. There's so much deliberately because of the nature of The Void as a place where deleted things are sent."

11. There's one Easter egg/detail Kate hasn't seen fans catch onto yet, and it involves a "familiar" voice at the very end of the Season 1 finale.

"The one I would say is — it's less Easter egg and more cool story-wise. So, at the very end of the finale, when Loki is in this alternate TVA, there's a character that runs behind him and is going to the armory and people should listen to the voice. It's very quick, but it's someone familiar."

12. Loki was inspired by numerous iconic sci-fi movies, like Children of Men, Alien, Hitchhiker's Guide to the Galaxy, Metropolis, Starship Troopers, and more.

"Bisha, in the episode [she wrote], she spoke about Children of Men and also Before Sunrise as a reference, so I was really inspired by that and the idea of bringing these sci-fi things together. Across all the TVA, I wanted it to just be a big love letter to sci-fi movies, like Metropolis, Brazil, Hitchhiker's Guide to the Galaxy, [and] Alien. A reference I could never talk about early was Starship Troopers just because, obviously, the TVA are bad guys and in that movie they also use a lot of propaganda film and we had our Miss Minutes film. So, that movie played a hand. There was so much across the show. We had references from everywhere."

13. And the inspiration for how The Void would look in Episode 5 actually came from Teletubbies.

"I never really spoke much about it, but basically in Episode 5, The Void was originally written like a desert, but when I pitched, I said I thought it would be cool if rather than like a Mad Max desert apocalypse, it's more like an overgrown garden. Like, this is the place where the TVA throw their rubbish in. I just loved the idea of that. I think I realized as it started to unravel that I'd basically pitched the British countryside. As we were building it, I was like, 'Am I just homesick?' I remember trying to explain it to the visual effects artists who were making it, and I was like, 'You know, it's like the Teletubbies. You know, rolling hills just one after another.' So, yeah, the Teletubbies became a useful reference when describing The Void. So, that's how they played a hand in it."

14. Kate was the one who suggested Sophia Di Martino audition for the role of Sylvie.

"Sophia was in a short film of mine called Smear. I was very happy to pay her, finally, for her talent. When we were reading for the role, I was like, 'There's this actor I know and I think we should ask if she wants to read.' Everyone was like, 'Yeah, sure.' So, she read in these audition tapes, and we were all watching the tapes back and I remember everyone at the studio was like, 'Wait, who's that?' And I was like, 'Oh, that's my friend Sophia.' They thought she was amazing."

15. Sophia's audition tape was so good that she was immediately cast.

"Basically, everyone was really excited by her tape and I think she got cast in the room, which is incredible. I was excited because I got to bring my friend along. She's such a good actor. She's fantastic in Flowers and I was just so happy that she was coming along for the ride. I think she's done such a beautiful job with Sylvie."

16. One of the most important things when crafting Sylvie and the other Loki Variants was making sure they were their own characters, and not just Loki copies.

"I think the most important thing, minus just tiny little gestures, was really making it important that Sylvie was her own character and that all the Lokis weren't just 'faded photocopies.' They were all their own Loki. It wasn't even that they stood in a similar way or looked similar, but what in their soul made them a Loki. I love that line, 'Lokis always survive.' That idea goes across all our characters who are Lokis."

17. Casting Sylvie was one of the hardest things, and Sophia was able to bring her own spin to the character and she was the perfect "sparring partner" for Tom.

"Sophia has this talent — and I think Tom has it as well — where she's so funny and naturally so witty and charismatic that you can't take your eyes off her. She's also really good at playing characters with a lot of anger, pain, and vulnerability. I just felt that those qualities were so Loki to me. She brought her own spin on it too. Tom's performance is so iconic, so Sylvie was a tough role to cast because you need to give him a good sparring partner, but also, it's another Loki and people love Loki. So, it was really making sure that she felt distinctive enough that she was different, but also that we gave Tom a really fun actor to play alongside. It was really fun watching them. It was really fun seeing their chemistry grow."

18. Sylvie's fighting style was actually crafted to have similar movements to Loki's, thus showing that they are basically two sides of the same coin.

"I know Tom and Sophia spent a lot of time together. I think the fun thing with Sophia was the little things, like the fighting styles. She has a very different life to our Loki. Loki is very balletic in his fighting style, because he grew up in the palace, whereas Sylvie grew up in apocalypses. So, she was going to fight a bit more like a feral cat. I thought that was fun to play with. We worked with Mo [Ganderton], our stunt coordinator, and it was really fun to find little mirror image stuff they would do when they fight. We did a little bit of that on Lamentis and there's little bits here and there where we've done that. There's also little gestures that they do that are quite similar."

19. Kate had a "four hour" phone call with Owen Wilson before he was cast. They talked about Marvel, Mobius, and Loki.

"Everyone was so excited to cast him. I remember, they were like, 'Kate, just call him and see if he's up for it.' That was a lot of pressure. But then, I spoke to him on the phone and we spoke about Marvel and Loki in Marvel. Also, we talked about what our show was doing, who Mobius was, and then just getting his take on it. It was a very detailed conversation. I think we spoke for like four hours. At the end, he was like, 'I'm in.'"

20. Wunmi Mosaku's role was originally supposed to be a male character, but Kate suggested having an "open casting" because she thought Hunter B-15 would be really great as a female character.

"When I spoke to the studio, I was like, 'This character is cool, but I just think it could be really interesting if this was a female character. So, could we do open casting? We'll have men and women read, and we'll just see who's the best person for the role.' So, Wunmi read for it and just blew everyone away. We were like, 'We have to cast this person!' So, we kind of remade the role, really, around her."

21. Kate loves the idea that Hunter B-15 joins this club of sci-fi female characters who were originally supposed to be men.

"It was cool because I love Ripley in Alien and I love Kara Thrace in Battlestar Galactica. In the original Battlestar, Kara Thrace's character was played by a man, and Ripley in Alien was originally written as a man, so I liked that Hunter B-15 was joining these badass women in sci-fi. That was really cool to me."

22. When Kate pitched her ideas to the studio, she include Gugu Mbatha-Raw as the actor she wanted to play Ravonna.

"Gugu was in my pitch when I spoke to the studio. I was like, 'I think she'll be really great.' I love her work as an actor. From Belle to the episode of Black Mirror she's in, everything she's in is so different. I think that's so interesting with Ravonna because in the comics, Ravonna's been good and bad, and she's such a big character. I was like, 'I'd love to see Gugu's take on that character.' The studio was really excited by that and so was Gugu."

23. Kate said it was "important" to recognize Loki's bisexuality in the show, and she loved how it was naturally worked into a conversation between him and Sylvie.

"It was just important for us to do it in a way that made it canon, acknowledged it, and also done in a way where like, if someone asked me, I would just be matter of fact about it, like, 'Yeah, I'm bi.' I think that was the important thing for it and building it into the conversation. It was important to the whole team and the way that it was written was really beautiful. It felt like the right place to do it because these two characters are starting to open up to each other and are being a bit more honest about who they are. So it felt like the right place to have that moment."

24. The TVA weren't always going to be Variants/humans. That idea was born out of conversations with Kate, the writers, and the rest of the Loki team.

"When I started, I think it was a bit more up in the air with like, who are the Variants who work for the TVA? Are they Variants? They actually weren't Variants when I first joined. Casey was an alien, for example. I think something we all locked onto was it was more effective to make them more human. It was already in there that the Time-Keepers wouldn't be real and that would be a big Wizard of Oz rug pull. But the extra rug pull we added was that, on top of all of that, the TVA don't realize that they're actually Variants."

25. One of the things Kate enjoyed the most was figuring out the "inner workings of the TVA," like how the Minutemen would operate.

"I think it was really fun, in terms of the bigger structural stuff, to work with everyone. Also, figuring out the inner workings of the TVA, like every squad of Minutemen would have a hunter and they'll be little details sprinkled across all the world building in the show. Generally, we always looked at the characters and what was the best story and how to get to the end goal in the most effective way."

26. The season finale intro — which included seeing space, the sacred timeline, and hearing quotes from the MCU and history — was an homage to Contact.

"Basically, Eric Martin, our writer, he'd written in this amazing idea that for the opening we do an homage to Contact, and kind of move through space to the end of time. Then, we'd see the physical timeline, and then we see The Citadel. I love Contact, and I was like, 'Oh, that's so cool.' We took that idea to Darrin [Denlinger], our storyboard artist, and me and him just nerded out about space and about how we wanted to pay homage to Contact but not be completely the same.

So we played with the idea of time and he was bringing in so many cool ideas. But then, the amazing pitch he had as well was like, 'What if when we pull out at the very end, the timeline isn't a straight line like how you guys have been showing it in the show? What if it's actually circular?' I thought it was such a good idea."

27. Kevin Feige helped come up with the idea to include Marvel quotes over the Marvel logo because it was something the MCU had never done before.

"I had this weird idea where I remember saying to my editor, Emma McCleave, I was like, 'Oh, can we add a baby crying or the sounds of the city? And it's like we just hear life.' So her, me, and Kevin Wright got really into that. So we were adding all of these different sounds into the timeline. We also had quotes from just life, not Marvel. Then, we showed that cut to Kevin Feige and the rest of the team.

They all thought it was cool, and then Kevin Feige was like, 'Oh, do you know what? We've never done quotes on the Marvel logo before.' So, we thought that was cool and we added the quotes to the Marvel logo intro. Then, me, Kevin Wright, Emma, and Sarah Bennett, Emma's assistant, decided to just put the MCU quotes across the whole thing."

28. Going from hearing all of the voices in the season finale opening to utter silence in The Citadel was also a way of learning something about He Who Remains.

"I loved the idea of all the noise and this Greek chorus building because when you finally pull out and see The Citadel and how isolated it is, it tells you so much about He Who Remains' psychology because he's surrounded by all this brimming life, but he's completely isolated and alone. I thought it tells you a little bit about his character and who he might be before we see him."29. Kate loves that the season finale opening is a "beautiful handover" from the previous phase of the Marvel Cinematic Universe into this one with the multiverse.

"It was a real group effort, and we were just really excited at the idea of it being this really beautiful handover from the previous phase of Marvel. Also, we get to encapsulate a little bit of our world as well, which was really fun. The editing team put so much time into that. I really want to watch it in a planetarium or something."

29. Kate loves that the season finale opening is a "beautiful handover" from the previous phase of the Marvel Cinematic Universe into this one with the multiverse.

30. And finally, even though Loki sets up a lot of upcoming MCU projects — namely, Spider-Man: No Way Home, Doctor Strange in the Multiverse of Madness, and Ant-Man: Quantumania — Kate didn't have a lot of conversations with other MCU directors and writers.

"Kevin Wright and Stephen Broussard from Marvel were our producers on Loki, and they worked with Kevin Feige, Louis [D'Esposito], and Victoria [Alonso]. They always steered us in terms of the Marvel big picture and let us know if anything was off base. It's so secretive at Marvel, so I only spoke to Peyton just because our timelines crossed [with Jonathan]. Generally, Marvel manages everything internally and keeps us all in check."

#loki #loki series #kate herron #interview #article #buzzfeed #loki spoilers #spoilers #loki series spoilers

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fangirlovestuff · 3 years

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To Infinity And Beyond - Chris Evans x reader

a/n - hey lovely people!! i thought of this when we found out chris is doing lightyear (which i am so happy about omg) and i just really wanted to write it:) also you can see it as my way to make up for the angsty ending of rumor has it lol. also the gif definitely isn’t how i imagened him in the fic i just thought it was nice since he’s voice acting. hope you enjoy and as always feedback is super appreciated<3

Summary: you meet a mysterious strager in your new voice acting job in a pixar movie, but you can swear you knew him from somewhere, if you could just figure out where...

Warnings: this is happening during covid-19, also any and all romantic attraction in this fic is towards chris and NOT buzz, y’all be wildin but it ain’t me, there’s very clear separation between character and actor i promise lol

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

you were a voice actor for a few years now

you only had pretty minor jobs by now, some small tv shows, a movie for a small studio

but apparently luck was on your side

you scored the most epic gig ever - Disney!!

you were so excited, disney movies being a part of your childhood and your life

disney was basically a synonym for “happy” for you, and you were indeed ecstatic to work with them

you were voicing the love interest in a new toy story movie, one that was depicting the story of the person buzz lightyear from toy story

so naturally, you brought your friends over to have a toy story marathon to tell them the news

they were just as excited as you were, if not more

you were supposed to meet your costars before the film, but because of covid they wanted to minimize the contact between you all, meaning you had virtually no idea who they were, since no one was officially announced to the public yet

your first day on the job, you came a little early, wanting to affirm the faith that was put in you when they cast you

you were told to wait on a couch outside for a couple of minutes until the actor before you finished

you wanted to ask who was it, but before you could the assistant who ushered you in was already going somewhere else and you didn’t want to bother them

after a few minutes, you saw a man leave the recording studio, his mask on his face

you could’ve sworn he looked familiar, but more importantly

damn

he looked really good, even with a mask

but you didn’t have the time to think about it as he left quickly and you were called inside

you made small talk with the producer for a bit before getting to business, doing a couple takes of each scene and then you were told it’s okay to go

a few days later, when you came in they told you they already have some stuff from buzz, so you were going to do your scenes and hear what he was saying

at first you were glad, because it’s easier to talk when you’re “talking to someone”

but then you realized it was an unwelcome distraction

his voice was so familiar, and you just couldn’t place it for the life of you

you had tried to do a few takes, but each time you got distracted thinking you figured it out and then realizing that’s probably untrue

at the end of your session you apologized

“sorry guys, i’m a little tired today”

they said it was no problem and just to come more focused tomorrow, and off you went

on your way out, you bumped into the man you had seen your first day

like, physically bumped

“sorry,” you smiled through your mask, hoping he’d understand it

he simply waved you off and quickly went upstairs to the studio

oh well, maybe he was late

at any case, as you walked home you realized you could’ve just asked who was voicing buzz and resisted the urge to facepalm since you were in public, thinking you’d ask once the weekend was over

but you didn’t get the chance to ask after all, seeing as they released the news over the weekend

“Chris Evans to voice Buzz Lightyear in new Pixar film”

your jaw dropped

obviously you knew who captain america was, and you were shocked you hadn’t recognized his voice

moreover, you realized you also didn’t recognize his face

this time you were in the comfort of your own home so you actually facepalmed

you had bumped into chris evans not once, but twice, and you didn’t recognize him

god, you were so embarrassed

the next day when you came to work you were greeted by the sight of chris leaving the studio just as you arrived

his mask was still on his chin, so that was the first time you properly saw him

and oh my god was it worth the wait

“Hi,” you smiled at him

“hey,” he smiled back

“I’m probably gonna be a little late, but it’s really nice to officially meet you,” you said

you didn’t know what to do next, but thankfully he extended his hand for a handshake

“you too,” he smiled

“listen, i don’t wanna keep you too long, but can i maybe have your phone number? so we can actually get to know each other,” he chuckled

“yeah, sure,” you smiled

ohmygod chris evans just asked for my number

over the next few weeks you had seen chris a handful of times while one of you was leaving the studio, but you didn’t have much time to talk

until one day, when chris asked you this question:

“do you wanna get something to eat sometimes?”

your brain short-circuited for a good minute

“it’s just so weird being in a movie and not knowing your castmates,” he added

“yeah, i totally get it. i’d love to get something to eat,” you said, his words shaking you from your reverie

“great,” he smiled, “so, uh, i’ll text you”

“sure,” you smiled back

and true to his word, a few days later the both of you went out to a restaurant that had an outside sitting space to eat

when your food arrived you took off your mask and took a bite

“hmmm, this place is rea-”

the words got stuck in your throat as you looked at chris and saw him looking at you with a smile

“what’s wrong, is there something on my face?”

“no,” he quickly assured you, “no, it’s just that it’s even prettier than i imagined. your face, i mean,” he chuckled and looked down at his food

“thanks,” you giggled looking back down at your plate

“so, how come you’re doing this project anyways?” you asked. “i mean, i’ve never known you as a voice actor. i mean, i never really knew you at all until now but you get it,” you chuckled

“yeah,” he smiled, “well, i’ve always really loved disney. like, when i was a kid i really wanted to work there when i was older, so when the opportunity presented itself obviously i took it. young me would’ve beat my ass if i didn’t,” he chuckled.

“that’s so sweet,” you grinned

you talked about your work for a while, some cool scenes you both got to watch, but the conversation got more and more personal as the night progressed, as talking about your favorite disney movies turned into talking about your families and your childhood

talking to him was easy, and you didn’t even feel the time passing until you realized you should probably get out of the restaurant before they kick you out

not that they would kick chris evans out, but you know, manners are important

you offered to split the bill, but chris wouldn’t have it

“c’mon chris, it’s not like this is a date,” you chuckled

a silence settled over the two of you for a moment as you both contemplated what you just said

“what if i wanted it to be, would you allow that?” he smiled after a few moments

“that depends,” you smiled, “are you asking because you want me to let you pay?”

“ah, you got me,” he raised his arms, “but that’s just a part of it. i’m actually asking because i wanna know. for future reference, so i'll know when i ask you out again to ask you to go somewhere you don’t need to pay because you’re so stubborn,” he smiled softly

“alright, i guess you can pay,” you rolled your eyes with a smile, unable to fight the grin rising on your face

“and i’d love to go out again,” you said

don’t worry, you ended up going out again

that’s just a story for another time;)

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

i feel like this was probably cuter in my head but i hope you enjoyed!!

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#chris evans x reader #chris evans x y/n #chris evans x female reader #chris evans x you #chris evans fluff #chris evans imagine #chris evans fic

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hamatoclan76 · 3 years

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Lets talk about ¨Fast Forward¨ and ¨Back To The Sewers¨

So, yeah. I was finally able to finish watching the TMNT 2003 series. I know i could write an entire review about the series but i decided to focus on the two last seasons ¨Fast Forward¨ and ¨Back To The Sewers¨ since they are quite controversial seasons in the fandom due to their writing.

I’m going to explain what i think these seasons did right and then what went wrong with the writing that made them not get so well-received in comparison to previous seasons. I´m going to start with Fast Forward and then move to Back to the Sewers.

Time Travel to the future

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(Fast Forward Intro)

(Fast Forward) Season 6 starts with the turtles accidentally time traveling to the future, year 2105 to be precise. That’s 100 years from the current timeline. It´s a risky idea but not bad, right?

But here is the problem: There were already unexplored main plotlines that needed to be developed: Karai´s possibe redemption, the foot clan, Hun, etc. Instead of finishing those arcs that were already established in the series the writers/producers decided to jump to a completely new setting that had almost nothing to do with things that were previously explored.

So that´s one of the biggest problems with this season. If this was a spin off, this wouldn´t be an issue at all. That´s because the audience would know that the spin off exists as its own thing and it isn´t part of the main series. Watching ¨Fast Forward¨ was weird to me. It was like i was watching other series but with the same characters.

Before talking more about the problems i have with this season. Let´s talk about what i enjoyed:

I really liked the arc about Cody learning to be his own person and realizing how his uncle was manipulating him (if not abusing him). His relationship with the turtles and Splinter is really sweet. It was nice to see how they took care of him and he let them live with them while he was reparing the time machine.

Bishop episodes are really good. I wished we could seen more of him. The idea of him getting redeemed and forming an alien alliance is very interesting.I always saw Bishop as well intentioned extremist, In the sense he believed he was helping people with his horrible methods. I like how he recognizes he did terrible things in the past and he is trying to make up for his crimes.

I enjoyed some of the slice of life moments.It helped developing the characters in a way that allowed me to see what they do when they are fighting aliens or the foot clan. For example: One of my favourite episodes is Raph and Leo going to wrestling match and chaos ensues. That episode explores Raph´s passion for wrestling, something i think the series didn´t before.

I like the concept of the ¨Dark Turtles¨. Yeah, i know it is a bit ridiculous but i would have been great had the series given them a proper redemption arc since it was implied they weren´t really that bad. ( DNA is thicker than water in one of my favourite episodes of Fast Foward).

Now that i have talked about the things i liked i´m going to move to my problems with season 6.

I think that one of the reasons i feel conflicted about Fast Foward is due to the lack of actual plot or stakes. It feels like things are happening but at the same time they aren´t. Many episodes have more mundane premises. The villains are less intimidanting and they don´t add too much to the story. There are some good episodes like ¨The Journal¨ and the one about Mikey training but overall it is like the writing itself is dull and boring.

It would have been better had the writers focus on developing the characters better (like Raph having problems with adjusting to the future). There are concepts that are great. The thing is that they later get dropped or forgotten (Dark turtles subplot). There could have been an entire arc about Bishop helping the turtles with getting back to their time as a way to make up for his actions.

Speaking of the time portal, that thing is brought up in only the first episodes and then its barely mentioned again in the season. Like.. wasn´t the main plot about them getting back to their respective timeline? It´s like the main characters were so comfortable living in the future that they forgot about their main goal. There episodes that are just about them hanging out instead of finding a solution. It´s okay to have slice of life moments while they are waiting for the machine to get repaired but it could have been at least hinted that is Cody is working on it.

Fast Forward would have worked better had the crew of show put more effort into writing the story, thinking what they wanted to do with the characters and explored concepts that were interesting. And before you ask: No, i don´t think this season being more lighthearted is an issue, the real problems is that writing itself is sloppy and isn´t as good as previous seasons.

Back To The Sewers

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(Back to the Sewers Intro)

Season 7´s main plot is about the turtles trying to find all the ¨bytes¨ that made Splinter after he was disintegrated in Cyberspace. Many episodes are about them enterting in Cyberspace and looking for these bytes to make Splinter whole again. The team also has to deal with a new type of Shredder that is a fusion of viral and Ultrom Shredder´s memories. (More of that later)

Things i like from ¨Back To The Sewers¨

Donatello´s character arc: It was very refreshing to see another side of Donnie. At the started of the season he blamed himself for losing Splinter (something he had not control of). His arc is kinda similar to Leo´s arc in Season 4 except he was able to let go his guilt more easily than Leonardo. Unlike Leo, Donnie wasn´t so afraid of failure as he was obsessed with fixing the problem to the point he isolated himself.

I really like how the Cyberspace and the real world are connected with one another in this season. Some episodes have premises that are downright terrifying such as getting stuck in a false parallel reality or people hacking and rewriting your memories. I think this season had very interesting concepts that much like Fast Foward they didn´t reach its fullest potential.

Casey and April´s relationship was fantastic. It was sweet to watch Casey proposing marriage to April. Their wedding was great conclusion for their relationship too. I like how Casey struggles with asking April and how Raph helps him. It´s definitely one of the highlights of Back to the Sewers.

What went wrong with Season 7?

First of all, i think that one of the biggest issues was how short the season was. It has only 13 episodes to develop the main plot and characters. For that reason good concept don´t get enough time to be explored. They are introduced and dropped in one episode. I would have love to watch a three part story arc of the turtles getting brainwashed to make them believe that they work for the Foot Clan. I mean, that was creepy when i watched it.

If season 7 had 20 episodes-for example- then there would have been more time for the main plot to be better paced. What happened in reality is that with 13 episodes it made arcs feel rushed. Some things were left unanswered, dropped or forgotten.

Another issue i have is the lack of Karai content in this season. Season 5 ended with her falling in love and she was never seen again. I know she gets redeemed in the film but it is really weird how she goes to April and Casey´s wedding in the finale and she is never mentioned by the Foot Clan in Back to the Sewers. They could written an episode about how she left the Foot Clan and how she wants to settle down.. just something to learn what happened to her.

Speaking of the Foot Clan... Why they had to bring up Shredder again for this Season? Why just not make Viral the main antagonist? She was fine as a villain, Why in the world they needed to bring him back? There are so many other characters that could have antagonists for this story.

Virtual Shredder brings up tons of questions as well. When did Ch´rell deciced to upload his memory on the Cyberspace. Why not on a spaceship or computer? Why on the web? It´s so weird.

My last point would that Back to the Sewers had potential to be a darker season because of its themes and story yet is very lighthearted despite how twisted some concepts were. I wished they could been taken more seriously with having actual consequences for jumping into Cyberspace, how risky it is and what would happen if someone got trapped in there.

So there you have it. Note that i don´t think the last two seasons are horrible, in fact i have fun watching them. I just don´t understand what went wrong with the production that made the show suffer such a downgrade in quality. Maybe the producers thought the series was getting ¨too dark¨ and decided to write a more lighthearted show. Maybe there were new writers in last seasons, that may explain why the writing became more dull. I wished the Tmnt 2003 would have gotten better treatment that the one it got.

#tmnt 2003 #tmnt #teenage muntant ninja turtles #tmnt 2003 fast forward #tmnt 2003 back to the sewers #tmnt 2003 analysis

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popculturebuffet · 3 years

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Goof Week: Sports Goofy in SoccerMania: GoofTales Woo-oo! (Paid For for WeirdKev27)

Gorsh all you happy people and welcome back to Goof Week, my Weeklong Celebration of everyone’s favorite goofus.

And today we have a special treat, something nice and obscure but something that still has a vital place in Disney History. Welcome folks to Sports Goof in Soccermania!

So yesterday in my Goof Troop review I wished there had been another DuckTales episode with Goofy, you know maybe find out what happened to Peg, see Max and Roxanne again that sort of thing. Whelp SOMEONE must’ve hid a Monkey’s Paw around here somewhere because I got this special instead on comision. This is a VERY intresting little artifact as it came out only 4 months before DuckTales, was produced around the same time, and was written by Tad Stones, who would both go on to work on DuckTales and even more importantly create Darkwing Duck.

Not only that but it has some odd things attached to it: it’s the first major production starting Scrooge, as he had an educational short about him, the first animated appearance of the Beagle Boys and most important the FIRST time Russi Taylor would voice Huey, Dewey and Louie, something she’d do till her passing a few years ago. At the time of this article she has not been recast, though I personally vote for Cristina Valenzuela, who took over the role of Young Donald and frankly does such a good job with that voice I didn’t know if Russi had already recorded lines for Season 3 before her passing.

So what IS Sports Goofy in Soccermania you ask? It was a TV Special from 1987, again four months before DuckTales, that was later sold on VHS. My guess is Disney intended for this to become a regular thing like the Charlie Brown or Garfield specials, but my honest guess is with DuckTales MASSIVE success they wanted to put all the TV Animation resources into making more shows to go with it. The fact the special is essentailly a Scrooge story with Goofy in it and Scrooge and the Boys were now tied up in DuckTales probably helped the decision. So we only got one of these and i’m proud to share it for Goof Week. So join me under the cut to see what a Sports Goof is, what Scrooge sounds like without Alan Young or David Tennant andto see me refrence the film UHF because I likes it.

So we open with the titles which are neat and then open at the Money bin, we even get a great sign gag that looks like something Carl Barks would write.

So Scrooge greets his nephews the way he greets everybody.. with a canon to the face... though he backs of firing once he realizes it’s them. The boys ALL wear red this special so .. I guess Huey won and now rules all three bodies with an iron fist? So the Huey Hive Mind asks Scrooge for a donation, a standard Scrooge setup, ask the rich asshole for money, as their trying to help the local soccer program and they need a buck fiddy for a trophy.

Scrooge’s voice here.. is terrible. I do not like to bash voice actors, they are hard working talented people who do a lot of great stuff, often for less pay than they deserve, and this blog ALWAYS makes that painfully clear. And Will Ryan is not without talent: While he hasn’t done much i’m familiar with he did play Petrie in Land Before Time and was great in it. So while I don’t dislike him as a person.. he did an utterly DREADFUL Scrooge. He dosen’t really attempt to do a scottish accent despite the character still saying cannae at one point, and as for what accent he is going for...

His Scrooge just sounds like someone trying to do a “foreign” accent and failing. It just sounds weird and makes every bit of his dialouge aside from one a chore to sit through. And the dialouge isn’t bad dialouge, it’s a well written and animated Scrooge even with the lower budget than Ducktales, but the voice just ruins it for me. Even without Young and Tennant to compare it to this just blows and the fact it’s paired up with the iconic Russi Taylor voice for the triplets.

This being Scrooge he instead fishes a Trophy out of the bin that’s all banged up and dinky and shoos them out. So in natural Barksian fashion the trophy turns out to be worth a million dollars. So we get some reaction shots.. INCLUDING GRANDMA DUCK!

For DuckTales fans joining us who have ZERO idea who that is, since she sadly did not make it into the reboot and Frank did have ideas, Grandma Duck is Donald, Della and Gladstone’s grandma. She’s a sweet old country woman who lives on a farm and is in fact the one who sold him Kilmotor HIll, with her husband renaming it from Killmule hill. I like her a lot since she reminds me of my own grandma and like her she still works when she can. Donald’s cousin Gus loafs around and eats as her farmhand. As you can tell I like her a lot, agani because she reminds me of one of my grandmas so this was nice even if she was only around for 20 seconds of screentime.

This ends up in the paper and sends Scrooge through the roof, literally when he finds out.

Two notes before we move on: The bin has a unique really cool design , though I get why other productions haven’t used it: besides this one’s obscurity while cool it just looks a bit TOO nice for Scrooge. Even in 2017 while still damn cool looking it still looks practicle. This .. is not that.

This looks like MC Hammer built this. It still looks awesome bu tit’s just not Scrooge sadly.

The other is that his Butler is named Jeeves here, but looks almost exactly like Duckworth. Just feels weird is all.

Naturally the Beagle Boys happen upon the paper too and their leader, no name given has a plan: Enter legitmately and win the cup all legal like, which dosen’t sound like it lives up to the beagle code of no hones twork.... until he brings up theri going ot cheat their asses off.

Meanwhile Scrooge tries bribing the boys with a giant trophy at their house... with Donald oddly absent despite Anselmo having taken over for Nash by this point. I know he was still a bit rough at the roll, but come on. It’s just.. weird especailly for reasons i’ll get into soon.

So Scrooge agrees to sponsor the boys teams so he can get the trophy back square, and is forced to buy a knew ball and here we FINALLY get Goofy. I say finally because this special is 20 mintues long and it takes almost a fourth of it for him to arrive. It’s just weird for him to not be in it for so long. I mean I don’t want THIS

Flashbeagle didn’t take a fourth of the special to get to Flashbeagle. It did take longer than that to get to the title track but when your sitting on THIS

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You gotta use it JUST right. Goofy here is not played by Bill Farmer, which IS odd as he did start playing him that year, but my guess is they weren’t sure if they were going with Farmer or the actor who played him in this special, Tony Pope, so they were trying out both as whoever DID get the role would have it for life. Disney takes the casting of the sensational 7 VERY seriously, as evidenced by the fact most cast changes are caused by death and unlike with Tony and Donald it’s clear Colvig hadn’t picked a succesor. I can also see why it’s a hard choice: while farmer IS excellent and was the right man for the job, Pope is still excellent in the role, bringing the warmth and energy you’d expect from Goofy and having excellent comedic timing that’s vital to getting the dog man right. I can see why this was such a hard choice, even if I also see they went with Farmer: Farmer just has slightly more energy to the roll. It’s a small diffrence and something that dosen’t effect the special, but it is a KEY diffrence and the reason Bill’s THE goofy to me even over his original voice actor Pinto Colvig.

Also I may of mispoke there... see it’s not Goofy in this special it’s SPORTS Goofy. No really every bit of dialogue refers to him as Sports Goofy. It’d be like if they refered to then CEO Micheal Eisner as Won’t Think Through Eurodisneyland Micheal Eisner.

So Sports Goofy helps them get a ball in an honestly awesome way and shows despite his clumsy manner, he’s damn cordinated, easily putting everything up and showing some real skill with the ball. So Moneygrubbing Scrooge decides Sports Goofy is his ticket to get the trophy back and recuits goofy as coach and star player for the boys team.

So Asshole Scrooge meets his team the Greenbacks.. which are a bunch of random animal characters with no real personality. They are a hippo, a goat, expresso the ostrich, a navy (blue) seal, an elephant in a beanie, a killaroo and a cheetah or leopard. But I have one question, really simple really easy one...

You need 11 players for a soccer team, thank you google. So they DID get that accurate. With Goofy and the Triplets you only need 7 more. THIS is why Donald’s absence is glaring: he’s just oddly not there when they needed 7 other characters but Elephant in a Beanie gets in there. And it’s not hard ot fill either: Donald , Daisy (Because duh), Gyro and Grandma Duck (Because both cameoed but I only mentioned Grandma Duck, though this is ALSO Gyro’s first apperance), Gladstone (who as it turns out had a cameo storyboarded that didn’t make it into the final product), Gus (Since grandma duck) and Scrooge’s butler since he was in an earlier scene anyway so why waste the character model. They could still play the same roll as easily steamrolled underdogs and it’d make more sense. It just baffles me that with such a deep bench to play from, they don’t use ANY OF IT in favor of the cast of Animal Soccer World.

The Greenbacks can’t play for greenjack, which worries Scrooge.. but Goofy is able to carry them to the finals, while the Beagle Boys make their way there too. We find this out.. via newspaper transition. We get a bunch of headlines telling us what happened instead of you know a montage because that costs money and they already spent 1.50 making this special.. they only have 50 cents left.

So the Beagles recognizing Sport Goofy is the only thing in their way plots a kidnappin. We get a gut busting scene of the beagles all hiding in Sports Goofy’s house with him being oblvious only to spring on him.

The next day with Sports Goofy a no show the team is bummed, even mor ewhen they find a kidnapping note from Don’tGetNotToLeaveEvidence Beagle Boys. Seriously give that to the officals.

So Asshole Scrooge tries to give a rousing speech... and it is a sight to behold and the one highlight of pope as scrooge... it’s why I picked it as the article image. That glitching isn’t me by the way: it REALLY does that. Coupled with the yellow eyes i’ts just fantastic. So the team decides to morosely play the game and Hivemind Huey boos scrooge for not having faith in him. Instead of again you know telling the officials. Maybe assimilating the other made Huey dumber. I

So the game begins and the Cheating Beagles cream the Give Up To Easily Green Backs, while Sports Goofy watches from the other Crime Beagles hideout. It honestly reminds me of UHF: a dumb well meaning guy whose vital to something succeding is kidnapped.. it dosen’t involve Weird Al dressing up as rambo but still. It also makes me want UHF but with the disney cast. Fethry as weird al, Donald as his best friend, Fethry’s girlfriend for the comcis as weird al’s girlfriend, Gyro as philo, Goofy as Stanley, and Pete of course is Stacey Keach. I could go on but you get the point. Someone draw this. Sport Goofy is a clever bastard and escapes by working one of his shoes off, taking a nearbye knife and cutting himself free.. and almost stabbing a beagle boy in the face but that would just make two. Sport Goofy escapes and the lunkheaded beagle boys chase after him IN THEIR CAR WHILE GOOFY RUNS AHEAD OF IT. Goofy, he can really move! Goofy, he’s got attitude! Goofy HE’S THE FASTEST THING ALLIIIIVEEEEEE. Sport Goofy makes it in time fo rhalf time, rallies the troops and it goes how you’d expect: They overcome the beagles blatant cheating, win the cup, the beagles attempt to cheat with a rigged ball backfires and they all get arrested. It’s by the numbers stuff. We end with Scrooge deciding to dontate the trophy instead (though in a great bit asking if it was tax deductible), and posing for a team shot> We get some awesome credits music and we’re out

Final Thoughts:

This special is mediocre: There are only a handful of great jokes, it’s your standard “teamwork makes the dreamwork plot” that dosen’t work because our underdogs really CAN’T play without their star, and Scrooge’s voice hurts to listen to. Pope and Taylor are great and while Will Ryan is an awful Scrooge, he is a good Beagle Boy or five.

It IS worth a watch though. It’s riffable enough with the sometimes sloppy unfinished animatoin in the last part and Scrooge’s terrible voice, and it is still is a neat oddity for 90′s kids like myself to not only see Russi’s first thing as Huey Dewey and Louie, but to also see Scrooge and Goofy with vastly diffrent voice actors, as well as Gyro and the Beagle Boys first animated apperances. The fact this came just months before Ducktales makes it all the more intresting. So if your looking for a legit good Disney product.. this is shoddy at best if well meaning. But as a bit of disney history, especially only clocking in at 20 minutes so it’ sa brisk watch, it’s worth a look if your into that.

Next On Goof Week: We come on in To The House of Mouse where goofy becomes faster than a speeding punchline, more powerful than pete when his family has to wrestle him to the ground to take him to the doctor and able to make tall leaps of logic in a single bound. it’s SUPER GOOF!

So thank you for reading and if you liked this review give it a like and consider joining my patreon at patreon.com/popculturebuffet. As a patron you’d get access to exclusive reviews, the patreon’s discord and to pick a short each time I do one of these shortstaculars. Donald’s comnig next month and the deadline is in only a few days to join up for said month so the clock is ticking. Even a dollar a month helps me reach my stretch goals so please i fyou can sign up today and if not, I understand and i’ll see you at the next rainbow

#sports goof #soccermania #goofy goof #goof #scrooge mcduck #ducktales #huey duck #the beagle boys #gyro gearloose #grandma duck #animation #disney #soccer #football

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