I got my hair cut the other day and of course I had to draw the dca boys running a hair salon:
Sun would be so effortlessly charming. Always chatting away with customers, explaining each product he uses and how to best maintain and style their hair.
Moon I can see being popular with the less chattier customers (like me) but over time they begin to open up. I imagine he hums while working. Otherwise, he's all ears for the newest gossip.
(The clipped up hat idea came from @bamsara's solar lunacy doodles!)
Also I love the popular headcanon that the dca can speak other languages, so I can imagine them being a hit with the aunties.
The full sketch page under cut! And some of my other thoughts
Other thoughts about this... AU? Can I call it an AU? Feels kinda small for an AU, but whatever:
Eclipse works there too! Haven't decided if it would be canon or fanon Eclipse, though I really like the image of 4-armed Eclipse working on 2 clients at once (plus, the nickname Clip is perfect for this scenario)
of course they're great with kids! They'd be able to console kids that get scared of getting their hair cut. Sun would do a little trick and tell them how good and brave they are all the way through. Moon would console them and hum a soothing song (or hey maybe they notice the kid's wearing a disney shirt and starts humming some showtunes). Every kid gets a candydrop and a balloon on their way out.
y/n works at the hair salon as a part-timer and does tasks around the salon like sweeping, arranging bookings, washing hair, etc. They don't really care too much about their own hair, but the boys are always offering to style it, dye it, braid it. With y/n's permission, the boys always toy with their hair—patting it, combing their hands through it, brushing it over y/n's ear, ruffling it.
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OKAY SO i have been rereading dustorange's wonderful post here about Dick in an UtRH-esque scenario where he dies & then comes back to life
AND I HAVE INCOHERENT BRAINSTORMING THOUGHTS:
so first, i think Robin!Dick would be just as hurt by the discovery that Bruce has a new Robin, and brood about it - but i think the shame of having died would stop him from confronting Bruce about it the way Nightwing!Dick does in canon.
and I do NOT think that he would expect Bruce to kill anyone for him (or even be upset that he doesn't? I just don't think this would be a consideration for Dick. he's gonna be fixated on "I failed." so he'll be upset about being replaced but not about the lack of revenge. and if Bruce did take revenge, i think he'd actually feel angry and betrayed about that because it'd feel like the choice was taken away from him, a la how upset he gets when he thinks Bruce has arranged to have Zucco killed - even if he intellectually knows that Bruce wasn't deliberately undermining himbecause he didn't know Dick was gonna come back to life.)
anyway so what WOULD he do??
what comes to mind is something along the lines of "Dick obsessively keeps an eye on Batman & Robin even while telling himself that he's not"
and then - say - if it's Robin!Tim (i feel like this has to be Tim because in the world where Dick dies there is no way that Bruce is voluntarily picking a new Robin), then maybe the moment when Dick steps in is when Bruce is in danger & he's furious / critical of Tim for not protecting Bruce well enough
and i feel like that's how he'd channel the hurt feelings - it'd all be deflected under shame and obligation, and then translated into the anger of "you replaced me & yet you're failing to do the job that you're supposed to do" (which is actually about projection/self-hatred because Dick would actually be mad at himself for having died & not doing that job anymore)
and Dick wouldn't want to see Bruce at all because of the shame over dying & subconscious fear that Bruce doesn't want him back, plus every little thing that Tim does differently would drive him NUTS because it implies that maybe the way Dick did things wasn't good enough for Bruce
i'm actually kind of fascinated by this now. because i am me and i have (1) obsession i am mostly invested in the dick & tim side of it sdfsdfds
so i'm picturing Tim very stung by whatever critical things Dick said to him & tracking this mysterious vigilante down, and then Dick doesn't want to spend ANY time with him BUT he's also subconsciously desperate for news of Bruce!!! so then something something Dick starts sorta training him a la Tim's various contacts with edgy non-batman-aligned vigilantes, and Tim's very defensive about how he IS a good robin so THERE but of course he's also defensive because he's secretly worried he's not good enough.
normally i would have tim Recognize dick since recognizing dick is tim's most basic skill HOWEVER i think it would be much more fun if tim doesn't recognize him so he can give dick a speech about legacy & the first robin: "i do x and such because that's how the first robin did it so it is Objectively Correct." which Dick will find incredibly infuriating but will be unable to counter since he cannot counter with 'the 1st robin was ME'
…hmmm i do think Dick ought to be angry about SOMETHING about batman's methods/attitude just because that's more dynamic? I feel like in order to make the adaptation work, there ought to be SOME kind of argument with Bruce right before he dies that he can still be mad about, a la the garzonas fight for Jason and Bruce. unsure what though?
okay let's see: I feel like Dick's main arguments with Bruce aren't about vigilante issues per se so much as they're about working in a team - so e.g.
1) Bruce being controlling/demanding, and
2) Bruce being secretive and doing stuff behind Dick's back, and
3) Bruce not allowing Dick enough autonomy,
4) just generally a perceived lack of trust.
SO maybe whatever The Frustrating Thing that bruce was doing when dick died is a thing he's STILL doing with this new robin, and dick is getting frustrated all over again sorta on tim's behalf but mostly on his own behalf because he never got to resolve this with bruce
but anyway that way when Bruce finally spots disguised!Dick, then they can have the fight again before Bruce realizes who he is <3
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I LOVE MIXING FIXATIONS IT'S SO FUN!!!
Dust: An Elysian Tail but Rayman characters let's go😎
After extensive analysis of both games (five minutes of thought), we decided that most (not all) of the Warmbloods are teensies, the Mudpot folk are Glutes, and most (not all) Moonbloods are nightmares.
Here's the more focused roles I have paired for this AU:
Dust -> Rayman
This makes complete sense. Main character who is good at combat and kind at heart. Also has a lot of abilities in general lol
Fidget -> Murfy
I really don't care for Murphy buuuut I won't deny that he reminds me a lot of Fidget. Same vibes, different execution.
Aharah -> Maybe Ly?? Maybe Polokus???
That's cuz my man is a talking sword. He helps Dust with combat and advice cuz he's cool like that.
"See how lifelike it is?" (Ugly ass murphy plush)
"Oooh! Campfire fuel~"
Ginger -> Goth Teensy
This is a mix of personal hcs and just cuz vibes lol. Both are angsting and have affiliations with the opposing groups in the series. (Goth with the Livid Dead door, Ginger with the Moonbloods).
"And who are you really? The last time I saw a thingamajig was when my brother died!"
Sereth -> The First King
This one was a little more difficult to decide, but I like this choice lol. The First King being a dream and nightmare creature in all technicality that I would imagine has a similar personality to Sereth is fun. Also he's a little scary looking, which works with canon. Also his eyes are glossed over so it looks like the Sereth's glowing eyes.
"I am here to serve~"
BELOW ARE SPOILERS FOR DUST: AN ELYSIAN TAIL!! PLEAAAAAAAASE PLAY THE GAME OR WATCH A PLAYTHROUGH OR SOMETHING BEFORE LOOKING AT THESE I BEG!!! I DON'T WANT TO RUIN THE TWIST FOR Y'ALL!!
Now that that's out of the way, here are the spoiler doodles.
Can you-c-can you guess who Rayman was created from?
Can you can you?
That's right!
THE MAGICIANS!!
"Forever in battle. Forever at odds."
When I made this decision I felt so smart. They're the same name, same vibes, and the idea that Rayman got his whimsicalness from the Magician and the violent tendencies of Ales makes so much sense to me.
"Only impossible for a creature with a single soul."
"I am Rayman."
Also I get to draw him with the teensy boba eyes, which is a win for me.
I'll probably make more stuff for this cuz I really like this idea. The story will have creative liberties though for character motivation, but that's not too important lol.
Have a lovely day fellas :)))
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alright this one is getting its own post instead of a reblog on a post that is Entirely Not About That. presenting the 'what if we put amy and alec in a room together' manifesto because the thing is that it is interesting but not in the way amy/alec shippers think
Amy shook her head, talking over her, “She’s always been emotional, passionate, unrestrained, and she’s channeling all this new emotion into hate, because it’s the closest equivalent.”
“New emotion?” Regent asked. “You mean you mindraped her.”
Amy looked like she’d been slapped across the face. I wasn’t surprised, but hearing it said out loud was unsettling.
“Nice,” Regent said. “She could be a human-spider hybrid. Add some insult to injury with the mindrape thing.”
I could see Amy tense.
it is relevant to his character that he's the first person to cut through amy's euphemisms (and everyone else's avoidance of saying the unsettling part out loud) and outright say "you mindraped her." he calls the euphemistic language out and then intentionally repeats it a second time for no other reason than to bug her about it. it's vaguely reminiscent of something he says to sophia during his interlude:
“You and I are more alike than you’d suspect, I think,” he said. “We’re both arrogant assholes, yeah? Difference is, I admit it, I don’t dress it up and tell myself that I’m a bitch and that that’s a good thing.” He burned Emma’s face out of another photo.
he has a repeated habit of making people uncomfortable by calling something out for exactly what it is, whether it be "yeah sure cape groupies, my dad's girls, people i used my power on towards the end" or "you mean you mindraped her." he's desensitized enough to really all forms of violence to be unbothered by committing or witnessing them, but he seems to harbor a genuine pet peeve for people who obscure or unreasonably justify what they're actually doing. as uncomfortable as he can make taylor, it's often not that he's doing things worse than the other undersiders, but that he's the person most willing to openly admit what he's doing--or to pettily call out what someone else is doing.
i think it more or less boils down to the fact that he's never gotten to be the person on the peripherals of violence making up neat and tidy ways to talk about it: he spent his entire childhood being hurt in every way imaginable & being coerced into doing the same to others. i think it left him with a sort of genuine distaste for being expected to talk in circles around the viscerally awful things he had done to him or did to others, and subsequently, for people who have done similar things but can't fucking fess up to the reality of it. it's like he's been walking around his entire life just absolutely drenched in blood, witnessing so much else get covered in it, and he's starting to get legitimately bothered over people standing around twiddling their thumbs and pretending it's red paint. he knows it's blood. he's been tasting it since he was 6. he would really like if everyone else could also grow up and admit it's fucking blood.
it's always funny to me that amy/alec shipping is, like, a Thing--a niche thing, but a Thing, because i could not think of a rapist more hand-crafted to piss amy dallon off than alec vasil. he cannot go Three seconds in her presence without going "oh you raped her? you mean you raped her? with your mind? like she doesn't just have new feelings you specifically mean you mindraped her?"
she, on some level, views herself as someone who did harm because she's irrevocably, ontologically evil, and is sort of desperately obsessed with minimalizing or half-justifying her actions to herself so that she can avoid recognizing that she feels like she can't be better. she's clinging to the idea that she can be "redeemed" if she does something of equal measure in the opposite direction (e.g 'spending the rest of her life healing people' as she mentions), but because she can't even directly acknowledge how bad her actions actually were without crumbling under the weight of the idea that she's doomed to be that bad, she's fundamentally incapable of looking directly at what she did at this point in the story.
alec, on the other hand, is really fucking upfront and fairly objective about his actions--he never ties them into some Inarguable Truth About His Soul, and he's pretty honest about whether or not he thinks they're justifiable. in 14.1, he has this dialogue with cherie:
“When daddy had you practicing your powers, you ‘hijacked’ a few people at a time, used their bodies to get high with no consequences for you, you threw orgies for yourself…”
“Again. I was a kid.”
but despite the fact that sophia is, on some level, justified in his mind by his "eye for an eye, this is a favor for taylor" rhetoric--he's fine with admitting that he's also just doing it because, yeah, he's an arrogant asshole and he feels like it. some of it was because he was a kid being groomed, and some of it was because He Felt Like It.*
*sure, he only Felt Like It because he has a comically large cocktail of unpacked psychological issues--but he doesn't know that, he just knows he felt like it.
in other words, he doesn't subscribe to the idea that any of his actions are, like, Ontologically Predetermined By His Inner Being or even necessarily all related. he's like the fuckin' "might do it again, prolly not" dude from the sex offender shuffle. okay, sorry for saying that in my seriouspost. but his philosophies would clash hilariously badly with amy--he insists on accepting his own & others actions for exactly what they are, he's generally very invested in not being his father (being asked if he intends to turn out like his dad is one of the only times something briefly upsets him), and he's actually doing pretty okay at that. he's like...shockingly well-adjusted given the circumstances. his entire arc is more or less a slow upward climb.
i think having to be around someone who both believes and would outright admit "yeah i raped people, no i dunno if i feel that bad, no i'm not raking myself over the coals for it, yeah some of it was because i was a kid, yeah some of the other stuff wasn't, no i'm not Predestined To Suck," would like. clash with her beliefs abt 'ontologically evil' being a real thing, abt punishment as justice, etc. in a way that would really bother her. she spends a lot of her time in her head trying to twist things around until they feel salvageable to her, but alec is 0 amount concerned with rationalizing to make him feel alright--he just does things, some bad, most shitty attempts to be better.
it's, funnily enough, far more functional for improving than what amy has going on--he operates on material actions as opposed to her Self-Flagellating Thought Labyrinths, and the fact that he's busier moving on from things he can't materially change than he is kicking himself in the face means he can actually achieve some form of progress towards more functional approaches wrt human interaction. i think if amy had an extended conversation w/ him about the subject, she'd both be disgusted with him for not thinking thoughtcrime is real and deeply resentful that this fellow ontologically evil villain is doing better at moving forwards as a person than her despite not 24/7 flagellating himself + yearning for "redemption" like she is. it'd throw a disturbingly large wrench in her worldview, and she would not be happy about it.
oh, and alec would think she's weird and mopey and dumb and annoying and "why do it if you can't even admit it." and he would probably tell her as much. which is the point where i unlock the door to the room so alec can sprint out to escape amy's attempt to put tastebuds on his asshole.
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> FERDINAND II.
And so your PLANT shall henceforth be known as FERDINAND II.
The thought of needing to inform FERDINAND I of his having a namesake makes you a bit ill, but you are already hard at work devising several plausible excuses for the gesture. Something about how you've named it after the one most invested in its naming, or how it is similarly prone to drooling. Yes. Yes, you will be able to deflect quite easily, should the need arise. It has nothing to do with your fondness for FERDINAND or your desire for a substitute in his imminent absence, no—again, you are not so prone to sentimentality. It's about the drool.
Well, anyway. Best to move on with your day and think about something else, lest you grow maudlin or cultivate further affection for the PLANT. May the GODDESS be merciful and never cause you to develop inclinations that could be described as paternal.
Now that your plant has received sufficient care, it is time for COFFEE. You set to making your morning brew. By CHANCE, there happens to be sufficient water remaining in the kettle for FERDINAND I to have TEA, should he wish it.
Per your TIMEPIECE, it is now a quarter to eight. You have made excellent progress on your PRE-BREAKFAST TO-DO LIST thus far: the only remaining task is to remove FERDINAND. You are starting to get rather peckish and would like to be rid of him quickly, but over the past week, you have found that extracting the man from YOUR QUARTERS is a more arduous task than it ought to be.
#007 | << | <- | -> | JOURNAL | HOW TO PLAY | ALL POSTS
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