sometimes i just want to cry over mulder’s fish and the way that we see both scully and doggett go to his apartment and feed them during the months he was missing and the fact that scully must have kept feeding them even months after he was dead and just to be loved so much that people come tend to your environment and keep your home and feed your fish long after you’re gone
and that the first thing he notices when he comes back is that one isn’t there. and how scully tried so hard, she tried so hard to find him and to keep him safe and to keep his work going and to keep those damn fish alive, and the first thing that he says to her when they walk back into that apartment is that one is missing
the way that in that scene, he says that he’s having trouble processing, that he doesn’t know where he fits in. you can be loved so much that multiple people come feed your fish and maintain your apartment after you’re buried in the ground, you can try so hard to keep everything going for someone else, but the world keeps spinning, and time goes on. fish die and baby bumps grow and answered prayers aren’t always miracles
he came back covered in scars to a clean apartment and a fish tank missing 1 molly and where does he fit in inside a world that hasn’t waited for him, no matter how hard she tried to make it stop
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steve being overly tactile with billy when they become friends. slinging an arm around billy’s shoulder’s while they’re watching a movie. putting his hands on billy’s waist to move past him. tucking billy’s hair behind his ear to look at his earring. slipping a finger through the loop of billy’s jeans to tug him closer. grabbing billy’s chin to tilt his head because oh, you have freckles..
steve telling himself that sure he touches billy a lot but. he’s always been a touchy guy. it doesn’t mean anything.
steve not accepting that he has a crush on billy and that’s the reason he can’t keep his hands to himself.
because obviously steve isn’t a queer.
as if.
billy being simultaneously overwhelmed with and loving all the attention. because it’s steve. steve pressing his face into billy’s neck when they’re high. pulling billy’s hand close to play with his ring. running his hand over billy’s stomach when they pass out in the same bed and he thinks billy’s still asleep. tracing circles around billy’s ankle as he listens to billy read.
because it’s steve. steve who billy’s had a thing for since he arrived in hawkins. steve who can’t like billy like that. steve who isn’t like billy. steve who likes girls.
steve who called byers a queer.
billy wondering if this is just what it’s like to have a friend. a best friend. if this is just what you do. because billy doesn’t know. wouldn’t know. no one’s ever gotten close enough. billy thinking it’s all in his head. that he’s twisting his and steve’s relationship. making it into something it’s not.
steve staring at billy’s lips and wondering what it’d be like to touch them. billy wondering if steve’s gonna break his heart without even trying.
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ive been thinking a lot about age in the eighth sense, in terms of age gap and the roles of hyung and sunbae and dongsaeng and the behaviours they entail, and the label of the country mouse, and how, with the events of the end of ep 6, they are paralleling jihyun against jaewon’s younger brother with the accident and how I think there’s a crux at the heart of this that is jaewon needing to see jihyun as not his younger brother. and i get that’s weird and kinda yucky considering the nature of the relationship between the two, it’d be very weird if jaewon simply thought of jihyun as a stand in for his familial little brother, but I don’t think it’s like that, it’s not as simple as that.
I think it’s very clear jaewon misses his little brother, plain and simple. and perhaps that extends into missing having a little brother figure in his life, and when I say little brother, I don’t mean familial. that’s why that initial ‘dongsaeng’ messed with our heads in the first place, bc it can be familial and not, so here, and from now on, I mean not. this is not weird incest territory, don’t worry. I think he misses having someone younger, someone to look after. he misses being an older brother. maybe that’s why he so quickly befriends jihyun. attraction aside, maybe he wants someone to care for, and a freshman, a country mouse that knows nothing of the city, being his friend, teaching him city life and uni life, that’s the kind of thing you’d do with a younger brother, and that’s an experience he’s missed. and I think a sense of responsibility also plays into this, bc that’s probably something he feels he lacks after losing his brother. he was supposed to be responsible, supposed to look after him but he couldn’t, and so now he wants to feel like he can be that responsible hyung, he can look after someone, not so much to redeem himself or prove something, but more for himself, to fill an emptiness by fulfilling that role. idk, I don’t think this is something he does consciously, but his body language, his constant touching and how it’s guiding and comforting, at first I thought it was just a desire to touch and filtered through this acceptable closeness between men, especially from someone older. but now i think there is a sense of actual brotherly-ness to it, which I think adds to this confusing want to be close jaewon has that to some degree comes from jihyun filling that younger brother space jaewon has had empty for so long. again, i think people are tentative to approach this topic bc it does get into weird territory, but I think this whole thing is more… how do I say… it’s like how people say you get with someone like your parents, like how often is the phrase “she reminds me of your mom” said between a father and son in movies and tv. it’s not that you want to date your mom, it’s more that you like and value traits that are similar, they bring you comfort bc you’ve literally been raised to be comfortable around someone like that. it’s not incestuous. and I think a similar thing is happening here, even though I don’t think it’s a driving force, I think it’s part of it. which is important, and I like, bc of how this theme progresses.
as the show continues, we see jaewon’s mask slip more and more, and we see jihyun become bolder, which are two important factors that lead into what I think jaewon ultimately needs to realize. jihyun is not his little brother, and he needs to separate the two. there is this obvious path leading from ep 6 where jaewon thinks jihyun’s accident is his little brother all over again and he regresses and distances himself and blames himself, but what he needs to see is that the accident is different. he needs separation. and that comes in the form of jihyun, jihyun becoming bolder and more confident and forthcoming and, most importantly, responsible. at the end of the day, he is not a child, and in that ocean he is responsible for himself just as much, if not more, than jaewon is. he goes into that ocean knowing he’s not the best swimmer and still does it. is he swept up by jaewon and emotions and the kind of heightened vibe of the day? yes. but is it still his decision? yes, and it’s a bit reckless. he can say no to jaewon when he offers to surf and catch the big waves instead of the safety of the shallows where they were before. you’ve seen him bite back and sass and poke and joke with jaewon before, he is not a cowering little mouse (more on that in a sec), and he still agrees, so he has to take responsibility. maybe jaewon was responsible for his little brother but he’s not responsible for jihyun, an adult with their own mind. and jaewon seeing that, that he can’t blame himself when he’s not responsible for anyone here, might just be the thing that helps him get out of that mindset.
and it’s not like jihyun is adverse to this. If anything, I think in this next ep we will hear jihyun blame himself, accept the fact that what he did was maybe a bit stupid and he should’ve thought first. bc we see time and time again jihyun not wanting to be that innocent, naive country mouse. just think about how much he refutes it time and time again, like in that library scene. he doesn’t want to be that person. that’s why he came to the city. It’s why he’s trying new things and being brave, he wants to grow up and be responsible. and I love that this becomes almost a reversal of the classic hyung and dongsaeng roles in later eps, as jihyun becomes more confident while jaewon regresses into himself. jaewon shows his weaker side and jihyun, the younger, looks after him instead. look at ep 6, how he initiates both conversation and physical contact, something we saw jaewon do in earlier eps. I love it both in terms of this theme but also just for romance sake. as an extension of these roles, you expect the older to make the moves and such, but I love that there are equal moments in this show that jaewon gets to be the one getting hit on, be it the scene where jihyun teaches him to draw or calls him cute when he’s drunk. you’d so typically expect to see a hyung doing those things to someone younger, but it shows equality in their relationship that counters those stereotypes in the simple and subtlest ways and I adore it.
this show has a strong theme overall of what’s expected vs how people actually are, be it from drinking etiquette to romance, but just like in that first scene with jihyun’s bar owner, one thing may be expected, but what people actually want, what makes people comfortable, can be something else. and by jihyun so simply not conforming to the country mouse persona initially put on him in such simple but outright ways, he acts as such a great challenge to jaewon, who wears his mask of expectation so frequently. it may be what’s expected, but have you ever considered that it’s not what people actually want? that they might actually want the real you, and all the so-called imperfection of it? bc when does that mask stop being a burden and start being a safety blanket, that shields you from the pain of actually being hurt in a genuine relationship, that hurts more than the pain of pretending. jaewon says over and over again that he’s tired of wearing the mask, but the mask is, ultimately, self inflicted, and as much as you can blame society and parents for expecting things from him, there’s a point when you become an adult where you get to decide for yourself who you are. again, he said it himself, just as he was afraid to leave the safety of the military, he’s afraid to leave the safety of uni, the bubble where what’s expected is clearly defined and can be performed. after that, the rules aren’t as clear. so much more of it depends on you. it’s the process of becoming an adult, of growing up. it’s a process jihyun is on, but jaewon, to be at least, seems further behind in. maybe bc he never got the chance at a fresh start like jihyun and is trapped by preconceived notions the people around him have of him by knowing him for years. maybe it’s bc of the loss of his little brother, and feeling trapped in that time, and a fear of growing up out of that person he was when his brother was there. maybe it’s bc he still feels trapped under his parents thumb, bc despite becoming an adult, you can never really be free of your parents.
I said this before, but it’s just like how they both said they’re jealous of each other, but what they’re jealous of is a preconceived notion of youth and age, not-knowing and knowing, naivety and experience, when again they don’t match these stereotypes. jihyun is not naive, and jaewon doesn’t know everything. Life experience is not all it’s cracked up to be bc it can’t all be good, but knowing nothing isn’t the bliss ignorance is often expressed to be. I’ve rambled on and waxed pathetically poetic long enough about these two to be embarrassing, but as a show that actually involves an age gap, and neither hides away from it nor exploits it for it’s played up romantic tropes, I adore that they let this factor naturally play into the bigger story being told, bc age actually means nothing here, and more than anything, jihyun and jaewon strive to be equals to each other, in their world void of expectations.
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♡⃣ v a l k y r i e ’ s simple affection is shown by…𖥔 ˑ ִ ֗ ִ ۫ ˑ 𖥻 ִ ۫ ּ
….basking in your presence. mika is content anywhere as long as you’re the person beside him. running errands with you goes beyond being a favorite pastime of his, it’s a genuine honor of his to be allowed to spend the most mundane hours of life with you. holding your grocery bags while talking about the colors in the advertisements you’ve seen in store windows, making up names and stories for puppies seen tied to cafe tables outside, predicting the weather, discussing how intelligent humans are for inventing things for even the smallest of inconveniences—in the silence between topics mika thanks that god over and over again that someone could love a half broken product like him. he feels truly blessed by you, especially if you find the right time to rub his head or scratch under his chin. in the small times you spend together, he blushes so much around you that you begin to believe he really is just a cherry cheeked kind of boy
….pinching your cheek and clicking his teeth. only you can hear the care in shu’s nagging, the softness in his correction. only he can see the hair on your head that’s out of place, the tag sticking out of your shirt. brushing a hair out of your face while your hands are full, fastening your necklace for you after you’ve fumbled with the latch for a minutes or so, retying your shoes for you mumbling about how childish you truly are—shu can’t admit it but he really does enjoy just taking care of you. you’re a precious artifact to him, something that needs delicate hands and a proper home. taking note of the colors you wear often, the times of year you sneeze the most, the kind of drinks that you cringe at, whether or not you enjoy the guitar and if he should find ways to incorporate into his work..even in his own little world, there remains a spot for you. somehow you’re approval has also become vital to his projects, knowing you believe in his genius gives his a sense of pride like he’s never felt when he’s done this alone. after so many years of safe and cold porcelain skin, shu never realized how strong his craving was to feel something so warm and inviting until now
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Thinking thoughts about Ambrosius’s decision to try to kill Nimona… while this choice is certainly not a good one, it does make a sad sort of sense. He doesn’t know Nimona, not really. He’s faced off with her, sure, but his main impression of her is of a terrifying monster intent on killing. He doesn’t know her as a person, has never even properly met her. (Nobody truly knows her, but Ballister knows her best, at least, and seems to be one of the only people in the kingdom who understands that she’s more than a mindless weapon.) From Ambrosius’s perspective, though, there seems to be every reason to kill her.
This choice is doubly reinforced by his sense of loyalty and the desire to prove himself. Loyalty is an important theme in the story, and Ambrosius’s loyalties lie chiefly with Ballister, the person he seems to care about most, and the director, the closest he ever had to a parental figure. He also has an intense desire to prove himself to both of them - to prove that he really does care about Ballister and wants to protect him, and to prove that he’s capable of being a good knight and defending his kingdom.
Ambrosius is… rather insecure. He has very low self-esteem, and has always seen himself as lesser compared to Ballister, not as worthy as him or as good at jousting, even going so far as to bitterly tell Ballister he was always “better, without hardly even seeming to try.” And it’s possible that Ambrosius feels indebted to the director - who knows what might have happened to him if he hadn’t been taken in by the institution, and he owes his status as king’s champion to her. (Not that that’s a good thing, of course, but even so - she did still skyrocket him to victory and fame.)
At this point in time Ambrosius is still the director’s puppet. From an outside perspective it’s obvious that her intentions are nefarious, but when you’ve been manipulated by someone for most of your life, maybe even as long as you can remember, you… don’t necessarily know that. Ambrosius is still deeply under her influence, to the point that he still desperately craves her validation and approval even when she deliberately hurts him. She’s explicitly ordered him to kill Nimona, so that’s what he has to do so he doesn’t fail in her eyes.
There’s a sad irony in the parallels between Ambrosius and Nimona and the cycle they unintentionally perpetuate - two people raised as weapons in cruel institutions, used against their will to hurt people they cared about, now trying to kill one another. He might not know her backstory, but he can certainly see how she’s being used as a weapon now. And in the moment when he lifts his sword and attempts the killing blow, he too is a weapon. Does he see himself in her, perhaps? Does he subconsciously recognize that they’re the same in that regard? Is his firm belief that she’s dangerous born from the way he sees himself?
When he tries to kill her, is he trying to kill part of himself?
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