War never changes. War never changes. WAR NEVER CHANGES.
That is the entire point of the series. That is especially the point of the show. War does not change.
Humanity was trying to rebuild, yes. But the entire point is literally that any one single selfish arrogant human can cause it to end it again. War can happen again. War will happen again. It is an endless cycle. And as people covet power, the whole thing will eventually topple.
That is why it is not a whole country that ended the world, it is a handful of heads from corporations.
That is why it is not a whole faction that "ended" the NCR, it is a single man from a bygone era who had a hand in ending the world the first time, that does it.
And I think that New Vegas showed us that the NCR was kinda crumbling already, too. The "fall of Shady Sands" wasn't the bomb itself, it was the beginning of the NCR's struggles. If I'm recalling New Vegas' plot correctly, the NCR was already struggling to hold the wasteland, to integrate people into it. There were resource shortages, it was getting too big, they had other factions battling them for power, and maybe your actions as a player had some pull either direction, but it's possible it wouldn't last.
If it wasn't a bomb, something else could've ended it at some point, too. Because war doesn't change.
As long as there's resource shortages, as long as there's mistrust, as long as people don't learn right from wrong, and as long as people muddy right from wrong.
That's the show, that's the games. Maybe the writing of that isn't always the best, but that's what it dwindles down to.
It is not a retcon, it is the main idea. It is not a "dumb take," it is how the world is.
Even in real life, there is sometimes hope and some things improve, but it doesn't stay improved, ever. Hope and despair comes in waves.
And war never changes.
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Do you get the impression the live action is treating us like utter morons?? Like I thought that making it aimed at an older audience would open the doors for more subtle story telling, but no, they're just using monologues to tell us eveything! Like in the second episode Katara's like 'oh his power isn't that he's the avatar, it's that he ~connects~ to people'. Girl we're not idiots we can see that!! And the first episode with Aang's goddawful 'I don't want this responsibility' monologue
THIS, YES. The word that keeps coming to mind is definitely "subtlety". The show for literal children? Had it. The remake for adults? Not so much.
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One of the earliest examples of Leo’s “I’ll do my own thing to accomplish our goal without discussing it with my team first” is in episode one. It’s super, super quick, and ultimately inconsequential, but it subtly sets up a great precedent that I think is very interesting.
When the boys need to grab the medallion from Splinter without Splinter noticing, Raph, Mikey, and Donnie huddle together with Raph taking the lead in trying to devise a plan to get the mystic device. Meanwhile, Leo slinks away and grabs the device by clocking the situation (by knowing his father well enough to predict his actions - something he does with each family member multiple times in the series) and making a move on his own.
It works out perfectly fine, and is ultimately the best move, and it’s honestly okay that he didn’t consult everyone for something so small when it’s such a non issue to get it, but it nicely sets up how this tends to go in the series, including how it goes in the movie.
To be honest episode one is actually really good at setting up a lot of things for each character in the long run, this is just one example that caught my attention, as small and unassuming as it is.
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No but I gotta talk about Medusa for a minute actually.
It's been. A very long time since I read the PJO books so I don't exactly remember how Uncle Rick presents Medusa in the book. But the way the show introduces her myth? Fascinating. For me as a Greek mythology enthusiast, that is.
The show makes Medusa a victim of Athena. Of course, the show is mainly for kids, so they can't exactly say that, hey, kids, Medusa was Athena's priestess and she was raped by Poseidon, YEP, or protagonist's father, IN Athena's temple, nah, that's neither kid-friendly nor does it endears us to Poseidon. Not that Poseidon is very dear to us viewers/readers at this point, our narrator/protagonist can't stand his own dad.
But still what fascinates me is that even though they twisted the myth to ft the narrative they still managed to evoke Athena's curse as being actually a gift, and Medusa not feeling wretched over her condition but blessed.
Which is not a modern reading of the myth, actually. Saying that Athena couldn't punish Poseidon for his transgression and could only punish Medusa, but did so in a way that would give Medusa weapons to defend herself against whoever and whatever would try to harm her again, is a narrative that exists since Antiquity.
My point is that the re-framing of Medusa's myth, departing from the traditional, non-kid-friendly version while still incorporating both classic and modern elements, is a good frame of reference for the series (book and show)' entire approach to mythology. And I guess I'm saying that mostly for the non-book readers who are discovering this world, many of whom might be Greek mythology fans and might have gone "wait, why is Hades AGAIN presented as the bad guy when he's the chillest, most normal, most stable god in this entire pantheon", because that's a conversation the book fandom has been having (over and over again) for more than a decade.
Anyway, yeah. As a long time book fan and a show appreciative, here's my advice to anyone who knows WAY too much about Greek myths and still want to enjoy the ride without going every five minutes "wait, that's not correct": reframe. Contemporary rewritings, modern audiences and Fantasy genre.
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I think this is one of the most underrated quotes from the article yesterday. They don't love this show despite the grown-up stories they tell; this cast loves this show because of the grown-up stories they tell, because they're allowed to explore and probe the depths of queerness, humanity, love, struggle, triumph, devastation, etc. I love how much this cast loves 911 and I love that, even though we all experience the show differently (them as actors, us as viewers), we all adore it for the same reasons.
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today i finished scripting a first draft of the final episode of starship iris. this means i now have a rough draft of the whole final season.
...i was gonna say something about needing to process my emotions by lying down on my floor for a while but it's night now and probably what i should do is process my emotions by sleeping.
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I love your art soooo much-it gives me life!! 🥰🥰🥰
I have a question about Milek and Jaskier! Milek says they fought before Jask went missing-what did they fight about? Did Milek say something he shouldn’t have? 👀😢 is there ANGST?
Also does Geralt know Mileks plush friend is called Roach? Because surely that’s a clue that Milek is his…(I love this universe so much)!!🥹❤️❤️❤️
[MASTERPOST] That was the last conversation they had before Milek stormed out - and when he came back, Jaskier was. gone.
The thing is, Jaskier knows what Milek is interested in (and he is not even wrong about that, Milek has an interest in medicine, and helping people, and I think when they met he was Shanis biggest fan) and I think Jaskier is aware that some of the conflict does have its roots in Milek not wanting to leave him, even if they get really heated and ugly in their arguments. Milek shouldn't feel like he has to care for him, or have to protect him and at times I think Jaskier feels quite ashamed, which leads him to being way too unrelenting at times - especially if he thinks he's doing something to protect Milek.
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