When I first started watching this show one of my first theories about about his color actually being blue (for loyalty) rather than the yellow (for chaos/oddness) that he actually wears. And you know what? I stand by that. Tien is truly a loyal blue boy who turned to yellow and chaos because he had to survive, he had to find his place, and the only place open was yellow. But, deep down, he's just the most loyal boy.
It's blue over gold. It's loyalty over chaos. What if his green isn't coming from Lomfon, it's coming from his true color trying to come out for Lomfon? @respectthepetty I had a cursed idea.
Tien is the most loyal boy in the world and he uses his chaos to hide that loyalty because he needed to fulfill a certain role in his family and with his brothers and with the people he loves and so he is yellow but with Lomfon he wants, so badly, to be himself. The loyal boy who has never left his brother's side. The loyal young man who speaks up when others won't. The loyal friend who expects nothing in return.
And that is coming out as green, blue fighting with the yellow he's used to cover it up.
... Lomfon might actually be neutral, tbh. It doesn't make perfect sense but it does make sense in a way because he's very much a character that doesn't fit with anything else, a character who is blank in many ways but by choice rather than by perfection. Lomfon might not have a color because a color implies certain things about how a person fits into the world and Lomfon simply doesn't.
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I feel like everything i do is wrong. Even small the smallest things i do. Even the positive things i try to do. Its always wrong. Its always met with negativity. And whenever i try to reach out for help or better myself its also met with negatvity and blame. Its like being kicked over and iver again while youre already down on the ground bleeding. And then peope wonder why i keep withdrawing into myself more and more and just staying silent. Or maybe they dont even care/notice. And then i am judged and blamed for all the things that i dont do. So to do or not to do...to speak or not to speak...its just always wrong. What an awful feeling. What a painful, lonesome and horrible way to exist. I just shouldnt be here anymore, its as simple as that. I dont belong in this world.
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stanley x the narrator is a bad ship
yes the art is cute but here are my reasons against it:
1. the narrator is literally just a voice. like literally just words. any attempt to personify my man goes against that
2: all personifications of him are old!! elderly!!! this man is ancient and stanley is in his like 20s-30s, late thirties at most!! and the narrator is at least 50s-70s yk?? there’s always at least a 20 year age gap!! that’s too much!!
2. stanley is literally just the player. stanley is the blankest slate, the perfect self insert, his personality is YOUR personality. if you want to fuck an old man no judgement but do not hide behind your game fanart
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at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
you create because you're greedy.
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Picture this: Dragons using their caves to age cheese. Dragon Cheesemakers!!
The dragon coiled his enormous body, completely blocking the entrance of the tunnel that lead to the caves.
“No,” he snarled, smoke pluming from his nose.
The cheesemonger pinched the bridge of her own nose. “Look, I explained this to you at the start,” she tried once more. “I make cheese.”
“Yes,” the agreed, nodding his scaly head.
“Then I bring the cheese here.”
“Yes.”
“Then you store all the cheese in your cave, keeping it at the perfect temperature and humidity.”
“Yes.” He sounded particularly proud of this part.
“And then when the cheese has ripened,” she concluded. “I come to pick the cheese up again.”
A thunderous scowl clouded his maw. “No.”
“But that’s how it works!” she cried in exasperation. “I make the cheese, you store the cheese, I sell the cheese, I make more cheese!” She peered up at him. “You do realise I cannot bring you new cheese until I have sold this cheese.”
The dragon considered this for a moment. “Ah, but what if—” he began. “What if you go and make more cheese. And bring me the cheese. And I put it in my cave, with the rest of the hoard. And then I keep it there forever.”
“No,” she said flatly.
It was remarkable how much a dragon could look like it had just swallowed a lemon.
“You can’t keep cheese forever,” she insisted. “It will spoil and go bad!”
“You said it would get better and better!” the dragon roared indignantly. “And I take good care of them! With the air flow and the humidity and the temperature!”
“And that is great,” she said, trying to smile through her frustration. “But when a cheese is ripe, it’s ripe! Then you should not be kept anymore, it should be eaten.”
The dragon scraped it’s formidable claws against the stony ground and sulked.
“Look…” The cheese mongering business did not tend to require a lot of sweet-talking, but she was making an effort. “I’m sure the cheeses that aged in your cave are the best cheeses people have ever tasted. When they find out how delicious they are they will want us to make loads more. Maybe several caves’ worth!”
The reptilian eyes stared at her with disgruntled, reluctant interest. “Several caves?”
“If we’re lucky! And I could make so much cheese that I could bring you new cheese as soon as I pick up the aged cheese. Your cave would never even be empty!”
This seemed to strike a chord. The dragon lifted his head a little.
“And that would really be much better for the rest of your hoard,” she continued with fresh inspiration. “Because if you leave cheese too long, it might go bad and spoil the cheeses next to it too!”
A nervous ripple went through the beast’s scaly body, but he clearly was not convinced just yet. “But what sort of a hoard is it if I have to give it away,” he complained.
“Well! Cheese is not just any old hoard! It’s a developing creation! And you will have a hoard that is constantly developing too. Constantly changing, but, if we do this right, never shrinking.”
The dragon looked at her solemnly, wavering with uncertainty. Perhaps she shouldn’t hold it against the poor thing, it must be a difficult concept to wrap his head around.
“And I will tell you what,” she said encouragingly. “If business is good, I can start investing in some really good crumbly cheeses. You can keep those in your cave for five whole years!”
“That is quite a long time for humans, is it not?” he said, sounding a little more cheerful.
“Very long. Especially when it comes to cheese. Cheeses that have been aged that long are very expensive.”
In retrospect, she should perhaps have led with that. Gourmand or not, a dragon was still a dragon after all. A glittering, toothy grin appeared on her recalcitrant business partner’s shout and he moved just enough for her to move past him into the mountain.
“Tell me more about this expensive cheese that crumbles.”
She hid a smirk. “If you help me carry some of the current ones out, it would be my pleasure.”
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