#i also think (+ i didn't include this in the post because it's technically not super relevant) that manfred has three bio kids. | Explore Tumblr Posts and Blogs

genderqueer-karma · 2 years

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so, i got to thinking about my life + the headcanons i have about the vk family. i have one i'd like to share with you (safe)

let me preface this by saying that i'm not physically disabled, but i have had issues with my legs for as long as i've been able to walk (so basically my entire life) which has led me to limp when i walk. more recently, i've experienced pain in my legs more frequently than i used to, and it got me thinking that i might need some type of mobility aid in the future. of course, i don't necessarily want that to happen, but if it does, i won't cry over it (probably).

***

anyway, that got me thinking.

a lot of people believe that manfred began to use his cane after some injury, or they believe that he just has it for vanity's sake. i personally don't see either of those making sense (though if you do, that's totally cool! i'm not the authority on any characters, especially not him).

personally, i feel as though if he had the cane as a walking stick purely to show off his wealth, he would've gone for something a bit more... ornate? it's not as though my guy's a minimalist by any stretch of the imagination; if he does something, it's big and dramatic, which is all well and good. cheers.

as for the injury headcanon, i honestly can't say i personally see it. it does make a lot of sense, but i feel like canon somewhat restricts this from being possible? since he never took vacation days besides after dl-6 (and probably rarely took days off for injury or illness. the only times i imagine he took days off were the births of his children, and legally he basically would have had to with leave and all that).

getting injured, especially the most common way i see people hc that he would've gotten injured, from an accident while riding horseback, would definitely be something that doesn't particularly fit with his characterization, imo, considering that he would most likely take as many safety precautions as humanly possible to avoid getting hurt. (in my mind, he's actually quite anxious and just a generally neurotic person and as a result tends to consistently think worst-case scenario, leading to him over-preparing for just about everything.)

so what exactly is my headcanon?

i believe his cane usage was the product of hereditary chronic pain.

in my mind, the vks all kind of have this chronic hip and leg pain that starts manifesting as young as 20 or so and really kicks in around the mid 30s to early 40s. ultimately, this pain requires the use of mobility aids or (worst-case scenario) surgeries that may not actually be effective. of course, i don't actually know much about surgeries, so i am taking a small liberty with this aspect, but nevertheless:

in manfred's case, i think the chronic pain kicks in when he's about 38, and it absolutely wrecks him for the the first six months or so. he rarely goes anywhere other than work (sometimes church, which i also have other hcs about. maybe i'll post about those one day.) and home. he spends a lot of time sitting and debating with himself on whether or not he wants surgery, ultimately to decide that he doesn't because the success rate is too low for his tastes (perfectionism) and recovery time is awful.

because he has to use the cane for the rest of his life, he experiences a lot of internalized ableism. this leads him to do many things that were unsafe for him, and generally caused more angst than anything he might've thought it "solved".

for example (and i'm aware this is a movie specific thing), after being caught for his crimes in dl-6 and after his meltdown, instead of using his cane to walk out of the courtroom, which probably would have been more comfortable and more safe, he walks without it, opting instead to carry it: "maintaining his dignity", so to speak.

***

of course, with this problem being genetic and passed down from generation, his biological kids (for the most part) are affected by it. since only franziska is named in the series, i'll focus primarily on how this affects her. (i debated making this section a separate post, but honestly, fuck it)

as we know, franziska basically disappears from the aa series after aa3/aai2. (capcom please let her out of the basement... that's my daughter and i miss her) this plays perfectly into my headcanon, actually. since we get no information about her whereabouts beyond a very basic "she works with interpol and stuff", i can't help but feel that explanation is incomplete.

so, that also made me think: what if she was affected a bit earlier than most? earlier in this post i mentioned that the chronic pain can manifest as young as 20 years old... which happens to be around the age she is when she all but vanishes from the narrative. basically, i think that the pain, which she inherited from her father, caught up to her.

now, there are other implications to this. after deliberating with a mutual and friend of mine, @bucket-of-hyperfixations i concluded that she would most likely want/prefer to use traditional crutches. (i did also consider that she might use a wheelchair, but then i thought about how wheelchair users are treated and thought hard about how that'd be a no-go)

this is what i ultimately landed on mostly because considering her character and the distance she wants to create from her father (using a cane would probably remind her as well as other people of him, which was a huge thing that she railed against, especially in the third game), as well as the fact that she would most likely want to maintain the freedom to use her arms so she could use her whip, which forearm crutches, another option i considered for her, wouldn't provide.

***

of course, there's a lot more i could add to this, but i think that this is enough for now. i personally like talking about the vk family and making up headcanons about them, considering how little information we actually get in canon. that being said, i accept criticisms of my headcanon and don't think that other interpretations of what we are presented with are inherently wrong, even if i sometimes disagree with them.

#yo it's d :)#my emotional support geezer #aa #ace attorney #manfred von karma #franziska von karma #i also think (+ i didn't include this in the post because it's technically not super relevant) that manfred has three bio kids.#that's part of the reason i said 'for the most part' when referring to how the leg pain would be passed down. only 2/3 got affected.#in case you're wondering. it's the middle child (his only son) who didn't get affected. there's a lot i could say about the son but i won't #and on the part about internalized ableism. it negatively impacted his self image because he'd already formulated his 'perfect' persona.#in his mind he can't be 'perfect' if he has mobility issues #though he never passed that negative mindset onto his kids. some part of him knew it wasn't good or healthy.#if y'all want them and if this post is well received i'll release a bunch of my other (generally more serious) hcs about him/the family #wouldn't queue like to know weatherboy?

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alfheimr · 1 month

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My Favorite Cheap Art Trick: Gradient Maps and Blending Modes

i get questions on occasion regarding my coloring process, so i thought i would do a bit of a write up on my "secret technique." i don't think it really is that much of a secret, but i hope it can be helpful to someone. to that end:

this is one of my favorite tags ive ever gotten on my art. i think of it often. the pieces in question are all monochrome - sort of.

the left version is the final version, the right version is technically the original. in the final version, to me, the blues are pretty stark, while the greens and magentas are less so. there is some color theory thing going on here that i dont have a good cerebral understanding of and i wont pretend otherwise. i think i watched a youtube video on it once but it went in one ear and out the other. i just pick whatever colors look nicest based on whatever vibe im going for.

this one is more subtle, i think. can you tell the difference? there's nothing wrong with 100% greyscale art, but i like the depth that adding just a hint of color can bring.

i'll note that the examples i'll be using in this post all began as purely greyscale, but this is a process i use for just about every piece of art i make, including the full color ones. i'll use the recent mithrun art i made to demonstrate. additionally, i use clip studio paint, but the general concept should be transferable to other art programs.

for fun let's just start with Making The Picture. i've been thinking of making this writeup for a while and had it in mind while drawing this piece. beyond that, i didn't really have much of a plan for this outside of "mithrun looks down and hair goes woosh." i also really like all of the vertical lines in the canary uniform so i wanted to include those too but like. gone a little hog wild. that is the extent of my "concept." i do not remember why i had the thought of integrating a shattered mirror type of theme. i think i wanted to distract a bit from the awkward pose and cover it up some LOL but anyway. this lack of planning or thought will come into play later.

note 1: the textured marker brush i specifically use is the "bordered light marker" from daub. it is one of my favorite brushes in the history of forever and the daub mega brush pack is one of the best purchases ive ever made. highly recommend!!!

note 2: "what do you mean by exclusion and difference?" they are layer blending modes and not important to the overall lesson of this post but for transparency i wanted to say how i got these "effects." anyway!

with the background figured out, this is the point at which i generally merge all of my layers, duplicate said merged layer, and Then i begin experimenting with gradient maps. what are gradient maps?

the basic gist is that gradient maps replace the colors of an image based on their value.

so, with this particular gradient map, black will be replaced with that orangey red tone, white will be replaced with the seafoamy green tone, etc. this particular gradient map i'm using as an example is very bright and saturated, but the colors can be literally anything.

these two sets are the ones i use most. they can be downloaded for free here and here if you have csp. there are many gradient map sets out there. and you can make your own!

you can apply a gradient map directly onto a specific layer in csp by going to edit>tonal correction>gradient map. to apply one indirectly, you can use a correction layer through layer>new correction layer>gradient map. honestly, correction layers are probably the better way to go, because you can adjust your gradient map whenever you want after creating the layer, whereas if you directly apply a gradient map to a layer thats like. it. it's done. if you want to make changes to the applied gradient map, you have to undo it and then reapply it. i don't use correction layers because i am old and stuck in my ways, but it's good to know what your options are.

this is what a correction layer looks like. it sits on top and applies the gradient map to the layers underneath it, so you can also change the layers beneath however and whenever you want. you can adjust the gradient map by double clicking the layer. there are also correction layers for tone curves, brightness/contrast, etc. many such useful things in this program.

let's see how mithrun looks when we apply that first gradient map we looked at.

gadzooks. apologies for eyestrain. we have turned mithrun into a neon hellscape, which might work for some pieces, but not this one. we can fix that by changing the layer blending mode, aka this laundry list of words:

some of them are self explanatory, like darken and lighten, while some of them i genuinely don't understand how they are meant to work and couldn't explain them to you, even if i do use them. i'm sure someone out there has written out an explanation for each and every one of them, but i've learned primarily by clicking on them to see what they do.

for the topic of this post, the blending mode of interest is soft light. so let's take hotline miamithrun and change the layer blending mode to soft light.

here it is at 100% opacity. this is the point at which i'd like to explain why i like using textured brushes so much - it makes it very easy to get subtle color variation when i use this Secret Technique. look at the striation in the upper right background! so tasty. however, to me, these colors are still a bit "much." so let's lower the opacity.

i think thats a lot nicer to look at, personally, but i dont really like these colors together. how about we try some other ones?

i like both of these a lot more. the palettes give the piece different vibes, at which point i have to ask myself: What Are The Vibes, Actually? well, to be honest i didn't really have a great answer because again, i didn't plan this out very much at all. however. i knew in my heart that there was too much color contrast going on and it was detracting from the two other contrasts in here: the light and dark values and the sharp and soft shapes. i wanted mithrun's head to be the main focal point. for a different illustration, colors like this might work great, but this is not that hypothetical illustration, so let's bring the opacity down again.

yippee!! that's getting closer to what my heart wants. for fun, let's see what this looks like if we change the blending mode to color.

i do like how these look but in the end they do not align with my heart. oh well. fun to experiment with though! good to keep in mind for a different piece, maybe! i often change blending modes just to see what happens, and sometimes it works, sometimes it doesn't. i very much cannot stress enough that much of my artistic process is clicking buttons i only sort of understand. for fun.

i ended up choosing the gradient map on the right because i liked that it was close to the actual canary uniform colors (sorta). it's at an even lower opacity though because there was Still too much color for my dear heart.

the actual process for this looks like me setting my merged layer to soft light at around 20% opacity and then clicking every single gradient map in my collection and seeing which one Works. sometimes i will do this multiple times and have multiple soft light and/or color layers combined.

typically at this point i merge everything again and do minor contrast adjustments using tone curves, which is another tool i find very fun to play around with. then for this piece in particular i did some finishing touches and decided that the white border was distracting so i cropped it. and then it's done!!! yay!!!!!

this process is a very simple and "fast" way to add more depth and visual interest to a piece without being overbearing. well, it's fast if you aren't indecisive like me, or if you are better at planning.

let's do another comparison. personally i feel that the hint of color on the left version makes mithrun look just a bit more unwell (this is a positive thing) and it makes the contrast on his arm a lot more pleasing to look at. someone who understands color theory better than i do might have more to say on the specifics, but that's honestly all i got.

just dont look at my layers too hard. ok?

#process #art tutorial #unsure what else to tag this as. if this does not post properly i will cry.

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cdlum · 5 months

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I just wanted to say I think your art style is awesome! I was wondering if you had any tutorials on how you draw anatomy in your style (hips and legs especially)? Sorry if there's already one posted and I just didn't see it 🥲. Happy New Year :>

thanks for the kind words. i tend to draw people pretty stylized and then some so a good bit of artistic licence gets used. these tips are just what i use so feel free to take them with a grain of salt. with anatomy in particular you can kind of talk in circles because human/animal bodies are that complex so ill just zone in on the points you specified. here's a little image with a bunch of pointers:

the above image condenses a lot of the points I'd make, but basically the key parts are to start with the bare essentials and build up that complexity. using a line of action is a good way to get a quick, rough start. you draw a line out in the general direction of the pose and do your best to adhere to it to give the pose a sense of flow.

you can also draw smaller, thumbnail versions that throw a lot of caution to the wind but capture the basic energy of what you're going for. even having a tiny little stick figure version of your idea can make for a good guideline of where to take it forward.

when it comes to actual limbs, you wanna consider how they integrate and work together, kind of like how chains do. you can see on some of the parts of pear i've drawn out these wireframes to kind of portray how the mass of her legs works in a three dimensional space. for aspects like the waist/hips, i use that X technique i highlight above a lot, particularly for the lower torso. a lot of the times, even when drawing a character totally naked, imagining them wearing things like skintight underwear can help a lot to guide you in the right direction.

its also a good idea to consider things like gravity and weight to a degree. humans are essentially big meat sacks and gravity is always pulling down on that, but theres all kinds of aspects that effect that, such as character build or clothing. pear technically isn't naked in this, but i've tried to imagine her as such and take that into account.

if you are drawing digitally, don't be afraid to take advantage of the convenience you get with that workflow. you can retry and iterate on things a lot faster that pen and paper, and do things that aren't really feasible at all when it comes to editing and modifying your existing work. things like resizing certain bodyparts, instantly flipping the canvas, or using selection tools to completely adjust the positions of parts of your drawing. to give you an example heres a timelapse with all the little edits i made just to this demo drawing:

you don't have to use these techniques linearly, either. sometimes ill have a really solid idea for a piece in my head, and go back to basics with certain elements if they’re not coming out right or i just want to brush them up a bit more. some of the tutorial-y parts i added in i didn't actually use during the drawing but often do use so they're there just for demonstration. not every drawing i do starts as building blocks or a really basic version, often ill just start with a face and build it out from there.

i always encourage liberally using references (this can include yourself) and trying out stuff like life drawing or looking at things like existing photographs of real people/places/things if you can, the more you use learning material the better you'll draw up a mental inventory in your head that you can rely on more and more. some of these tips are things i've learned from other artists over the years (the chin one especially i remember seeing a tutorial about lol), so this is a lot of knowledge i've amassed from other sources over time myself. there are plenty of times ill use all sorts of reference material and its all in service of arriving at the final destination as smoothly as possible. learn by doing, as they say. hope this helps!

#tutorial #2024

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sharksnshakes · 13 days

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New Perspective

After losing a bet with friend and fellow DSO agent Leon Kennedy, he takes you for a ride on his motorcycle. Unforeseen consequences include windburn, watery eyes, and maybe developing a crush on him. Maybe.

AN; so i'm back with another installation of bestie leon wanting to be more than besties. you can read as a continuation of this one, anyways post-re2 leon is still on the brain and likely will be forever

Wordcount; 1.1k

TW; mentions of a potential motorcycle crash, mildly suggestive

Never again are you making a bet with Leon Kennedy.

"What were the terms again? Five minutes?" He asks, a shit eating grin on his face.

You speak through gritted teeth. "Yeah. Five."

Leon's grin widens.

"Shut up," you say halfheartedly, warily glancing down at the motorcycle you're both perched on.

"Didn't say anything, sweetheart."

You roll your eyes and zip your jacket up.

You're not sure how Leon's bike is supposed to safely carry you at all, let alone through busy downtown streets, without throwing one of you off or blowing up or spinning out of control or something. Suffice to say, you're not a fan of motorcycles--Leon knew that when you'd made the bet, and you'd only agreed because you'd been so certain that you'd win. Why else risk life and limb on the back of his Ducati?

That was the thing about Leon Kennedy and bets, though, because you've come to realize that he's got a way of winning regardless of how the odds are stacked. It's great for field work, but it's also a massive pain in your ass, because (news flash) you lost and now you'll have to endure a five minute ride on his death trap of a motorcycle.

"Let's get it over with," you sigh, looping your arms around his waist. The engine purrs beneath you, sending a shudder through your body.

"Y'know," he muses, and you can hear the grin in his voice, "I bet I could do a wheelie."

You laugh, you hope he doesn't feel the slight tremble in your hands, you hope he can't hear the nervous twinge to your voice. "Absolutely fucking not."

He drives slowly through the parking garage. Most DSO staff have already left for the night, and it's probably better that way, because the last thing the two of you need is for a hotshot supervisor to call you out on your antics. Meaning Hunnigan. Because if Hunnigan saw that neither of you were working on the literal mounds of paperwork gracing your desks, she'd probably hit you with a Jeep.

"Might wanna hold on tighter than that," Leon says offhandedly, revving the engine as you approach the street entrance.

"I'm not your backpack, Kennedy."

He chuckles. "Didn't think you'd know the lingo."

"You know that nobody says 'lingo' anymore, right? This is why Claire says you sound like an old man."

"Well, suit yourself," he shrugs, and suddenly you're rocketing into traffic.

You curse violently, digging your fingers into Leon's sides hard enough to bruise. You swear you feel him laughing, but you can't hear a damn thing over the engine and you're more focused on not falling into oncoming traffic.

"Fuck you, Kennedy," you mumble against his leather jacket, your eyes tightly shut.

The agent banks around a turn and you just barely hold back another string of curses. As his body shifts in the seat, you can feel the muscles in his sides stretch and shift and move beneath your fingers, and, wow, he's built, and now your cheeks are pricking with heat. You try not to think about it.

"You okay back there?" Leon calls, bringing the bike to a slow stop at a red light.

"Haven't decided yet?"

"Well, lucky for you, we're at-" he stops, glancing quickly at his watch. "-The two minute mark. Only three to go."

"Technically," you say, peeling yourself off of his back, "It's already been five, if you factor in the drive from the parking garage. So I say we head back."

He casts a glance over his shoulder at you, a smile playing across his lips. "That wasn't the deal, sweetheart."

"Would you quit with the 'sweetheart'?"

"You'd prefer 'backpack', then?"

"I'd prefer nothing, actually," you tease back, even though a tiny voice in your head riots at the thought. This banter with Leon is nothing new. You go back and forth like this in the office, on jobs, whenever, but perched on the back of Leon's bike has you feeling like you've crossed a line with the teasing somehow, like maybe he's actually flirting with you and maybe you're not actually minding it.

"Yeah, well..." The light changes to green. "Nevermind. Hang on, yeah?"

This time, you're feeling brave enough to divert some of your attention from clinging to Leon like your life depends on it, and instead you glance to the sides and take in the bustling downtown scene around you.

The sun's just barely set, casting a dusky haze over the streets. Pedestrians clog the sidewalk, passing through pools of golden lamp-post light; some duck into stores, some leave their apartments, some walk their dogs. You pass a restaurant with outdoor seating, a bookstore, a bank, and you've seen all of these places before on your daily commute, but the back of Leon's motorcycle is affording you a new perspective.

You turn your head to look at the other side of the street and catch a waft of Leon's cologne in the process. It's faint, but distinctly him. It's enough to bring the tiny voice in the back of your head to center stage, where it drenches the situation in rosy colors and 'what if's and 'sweethearts', grabbing you by the shoulders and practically injecting fantasized scenarios into your head. Everything from grocery shopping to painting your living room to getting in bed--

Oh, fuck, are you being a creep?

"Just another minute!" Leon shouts.

You nod against his back and swallow with a dry mouth. Your cheeks are flushed, you can feel it, and you hope you'll be able to play it off as windburn. The last minute of your ride is spent not unlike the first: with eyes slammed shut, ignoring Leon's heartbeat at your chest and ignoring the way your own heart whispers that there's more to be had here than just a friendship.

When Leon finally parks the bike in the garage and cuts the engine, your chest unclenches. Your five minutes are over and you are never getting on a motorcycle again.

The blond helps you off, looking far too amused.

"So, sweetheart... you liked the ride, yeah?" He raises his brows at you suggestively, but it's so exaggerated that you're positive he's just doing this on purpose.

You still nearly choke on your spit.

All the way back to the office, the two of you go back and forth over whether the Ducati's evil and dangerous and a horrible investment. He's laughing, insisting it isn't necessarily deadly, and you keep laughing incredulously and saying that's not a strong argument. Things feel normal again, and you've effectively written off the tiny voice in the back of your head as a bizarre, anxiety-induced response to your first and last ride on a motorcycle.

But his hand lingers on your shoulder for a little too long when you say you're heading out for the night, and after the rapid-fire scenarios that flashed through your head on that goddamned bike, you're not so sure you got rid of that tiny voice after all.

#leon kennedy x reader #resident evil x reader #resident evil #leon kennedy #resident evil vendetta #resident evil death island #leon kennedy x you #bestie leon kennedy #hes so silly i love him

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theloneotaku158 · 1 month

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As of Batman: The Brave and the Bold #12, local precious-gremlin-who-I-would-die-for, Maps Mizoguchi, is now officially(?) the sixth Robin. Or at the very least, she's now "in" on The Secret™.

If this isn’t a set up for her taking up the Robin mantle officially then I genuinely don’t know what is.

As one of the twelve Gotham Academy enjoyers in existence, I am having the extremely normal reaction of "FUCKING FINALLY! LET'S FUCKING GOOOOO--!"

In all honesty, I'd be lying if I said I hadn't seen this coming from miles away. Like, Maps has appeared in a number of seemingly random cameo roles recently, including Batgirls (2021), and even technically as Robin in the backup issues of Batman (2016) #119-121, and in a short story in Batman Black & White. And most of those got collected in a standalone titled "Maps of Mystery", which specifically gathered all her appearances as Robin (and the Gotham Academy Belle Reve story).

And then, of course, her recent time-travelling Future-Trunks-esque appearance in Birds of Prey (2023), as the tech-based Meridian, from a potential future timeline where she apparently makes it as a superhero using gadgets she apparently designed, proving that she's hero material.

That's not something you do for a character for no reason. That's the sort of thing you do when you want to keep a character in the conscience of your readers for whatever reason, because you have bigger plans for them.

Also interesting to consider that, in the "Mother's Day" story where this took place, Alfred is standing right there and not lying down six feet under wood, dirt and a stone slab, and that Bruce is in the old Batcave under the manor so he still has Money™. So we must assume this was some nebulous time in the past (after GA: Second Semester(?), but before City of Bane)... which I won't bother to analyse the exact timeframe of because DC doesn't care about the post-Flashpoint / New 52 / Rebirth / Prime Earth / idfk / Dawn of DC timeline, so neither should I.

But I think it's really funny that this presumably means Maps has known The Secret™ for a long time relative to present-day comics, but always acted like she didn't.

But if all her appearances are in chronological order, that means Bruce is only the fourth Bat whose identity she discovered.

Like, she discovered Cass' identity almost by accident on a trip to the zoo, Damian showed off his grapple gun and gave her an actual Batarang during the three hours he was enrolled in the school (as if she wouldn't immediately put two-and-two together even back then), and she even found out Terry fucking McGuinness would become Batman in a future via a time-travelling grandfather clock.

No I did not make that last part up. Read Gotham Academy istg.

Did Cass know that Maps had been acting as a Robin when she met her, both at the zoo in Batgirls and her future version in Birds of Prey?

Does Damian know the one (1) friend(?) he made in Gotham Academy is potentially in the running for his job?

Is Bruce himself aware that she knows as much about their identities as she currently does?

How is DC going to retcon this so it all makes sense in the barely-functioning canon of the modern DC universe?

I'm digressing. Where was I going with this?

Point is, she's destined to become a Robin, and I'm glad DC finally pulled their fingers out their asses and capitalised on that destiny.

Let's just hope it doesn't take another year for them to follow up on this plotline again.

Bonus: Jason Todd, after learning of Bruce taking yet another happy kid under his wing as yet another Robin, giving her some advice:

#dc #batman #maps mizoguchi #mia mizoguchi #bruce wayne #cassandra cain #batgirl #batfam #damian wayne #robin #jason todd #red hood #gotham academy #dc istg dont drop the ball on this i will NEVER forgive you #and PLEASE do not traumatise this robin #Bruce promised he wouldn't let anything happen to her #he better keep that damn promise #otherwise I will personally Blue Skidoo into the comic itself and kick both Bruce and the traumatiser in the groin

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cripplecharacters · 3 months

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Hello! I'm planning to draw/write a character who, due to an accident, got quite a bit of scarring on her face and lost an eye. Would they need a prosthetic eye? While searching, everything I found included a step of "And then you'll get fitted for your prosthetic eye", making it sound as if everyone who loses an eye needs to have one, but what would happen if someone didn't? Additionally, would there be a difference between never wearing one and wearing one at first, then stopping?

Hi, thank you for your ask!

Generally it's considered beneficial to have something replace the eye because without it the eyelids will droop and the socket will shrink. It also (more importantly) protects the tissue that's left from things that could potentially get inside, which could cause infection. As far as I was able to research, the former is mostly aesthetic (in adults/people who finished growing, which I'm assuming your character is) but the latter is very important.

However; it doesn't necessarily need to be a prosthetic ("glass") eye - they're the most common option, but eye patches and conformers all protect the socket from debris and stuff just fine (in fact any kind of sealed eyewear probably would). Prosthetics and conformers are medically roughly the same while eye patches do nothing to help the socket or eyelids keep their original shape. (I made a very long post about eye patches but TLDR, I think they're too often associated with frustrating stereotypes and tropes.)

Prosthetic eyes are unfortunately extremely expensive and need professional regular care that a lot of people can't afford, so not everyone can use them. Conformers (basically big, transparent contacts) are an alternative that some people might choose. You can't really see them when they're inside the socket. Here is a very interesting video about conformers and prosthetics by Clay Butler. I wrote a video description and transcript here because the original doesn't have them. It explains a lot of things in a very comprehensible way from a first-person perspective. If you want something that makes sense other than a prosthetic this could be a great thing to consider :) (smile)

If someone doesn't have anything to protect their socket, they risk infection and all the problems associated with it. So you technically could go fully bare, but it's less than ideal. I've also heard that the sensation of eyelid going over the eye socket is uncomfortable (because it's so bumpy) but I assume it depends on the person.

I believe that the difference between never wearing any protection and wearing-then-stopping would just be how fast the things I mentioned in the second paragraph would set in. So if your character recently stopped wearing a prosthetic or conformer, their general eye area would probably look more "normal" than if they never wore it at all.

Here's also the facial difference post that I always link for people making characters with facial scars, which might be helpful to you.

I hope this helps 🙂 (smile emoji)

mod Sasza

#anonymous #mod Sasza #face difference #eye prosthetics #writing disabled characters #writing advice

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gender-trash · 5 months

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(i am seriously late in posting about this due to The Problems BUT whatever! its here now!!)

somewhere around late november 2022, i asked my dad "hey are there any out of print technical books you'd like a reprint of for christmas?"

he linked me to a dubious black-and-white pdf of Foundations of Mechanical Accuracy. now, i wound up checking out a copy through link+, and the original edition is a really nicely put together book! the chapters are themed around various types of measurements (length, angle, etc), and they all have these cute little diagrams which the endpapers reuse in a lil repeating pattern... the image captions are done in this really lovely dark red that did not scan for SHIT... tons and tons of diagrams and illustrations and images (both color and b&w)... just, all around, a fucking nice book!! (see also @morrak's post about it here.)

and that made me feel kind of bad about the crappiness of the pdf, which is where the Problems began. i used my phone to take pictures of all the photos and color diagrams in the original and went about replacing them in the pdf, using what turned out to be the world's worst pdf editing software (i also got through replacing all the image captions in chapter 1 of 5 before my dad convinced me to give up). i did NOT finish the pdf editing before christmas 2022 (i was going somewhat off the deep end, because both my housemates were away visiting family and i had zero external structure in my life so it was just me and my cat and this stupid FUCKING pdf wrecking my sleep schedule together); i poked away at it for most of the rest of my time off and then got so goddamn sick of it i put the project away for months. "it'll be a birthday gift instead", i said optimistically (my dad's birthday is in april! it should have been enough time!)

gentle readers, i did not finish the pdf editing by april. mostly because it was such a miserable slog that i put it off until the last possible moment and then tried to make up for it with another death march.

hating both myself and the project again, i decided i was Not going to let myself typeset Anything Else before it was done, and then took a break to bind my immortal (using the renegade publishing typeset! i didn't do any typesetting!!). SURELY, i said, i can finish this in time for christmas 2023.

i'm sure you know where this is going.

in my defense i DID finish the pdf editing by christmas, despite first doing every other possible procrastination project (including a second edition of the little second century warlord book), because by this point my dad had managed to convince me to lower my standards. on the evening of the 22nd i kicked off the print job and said to myself "this will finish printing overnight and then tomorrow i can work on sewing the textblock!"

late on the 23rd, after lots of babysitting and using at least one cartridge of every color ink in my printer, the print job was finally done. (my sweet and lovely cat wants SO BADLY to hunt and stalk the printer while it is printing -- more specifically, the printed pages, i think because they tend to make noise and move and then STOP moving. for this reason, the printer is kept in the craft room, because the cat can be shut out of the craft room and thus prevented from chewing on the pages when i have an all-day book printing job going. unfortunately the craft room was also being pressed into service as a guest room at the time so 80% of the floor space was consumed by an air mattress which i had to repeatedly trip over in order to reach the printer and replace the ink cartridges.)

then i went to my parents' house on the 24th and 25th and apologized to my dad (again) for not having the book finished. but this worked out well because we finished putting together my awesome new book clamp:

(the feet still aren't done being painted so they're just dry-fit on for now but you can still clamp books in it and that's what matters!!)

i came home, sewed the textblock (french link stitch over four linen tapes, with sewn endbands made of variegated embroidery floss over linen cord, and kozo paper glued over the spine)

... and promptly realized i SHOULD HAVE PUT IN MORE OF A GUTTER because some of the text was getting reeeeeeal close to the spine. "it's fine!" i said. "i just have to make sure it lays flat!! what better time than to try out K118 binding, a technique i have literally never done before and which people on the bookbinding discord notoriously have a hard time pulling off first try! i even have tyvek tape for it!"

so it turns out that tyvek tape isn't actually tyvek with glue on it, it's tape FOR attaching pieces of tyvek TO EACH OTHER, which maybe i could have guessed if i'd done even the slightest amount of research or planning. at this point i think it was the 27th and i was still angling to get this thing done by new year's, so no time to order Actual Tyvek.

fortunately, i had ALSO received An Package in the mail with yarn for a totally unrelated knitting project... shipped in a tyvek envelope.

i peeled all the shipping labels and stickers off my tyvek envelope, cut that shit up, and glued it on there.

and THEN it was time for gluing on covers, which i thought was going to be easy because i had actually thought ahead and ordered materials (specifically acid-free museum board), except when i cracked open the box of museum board i decided i Didn't Like It because the surface was too soft and easily dented, so i glued onto it the too-thin board material i'd previously been using (so that the cardboard goes on the outside of the book). this worked super well (the cardboard stuff has a tendency to curl up from the glue moisture, but the museum board doesn't!) and i'll probably use it on other stuff in the future.

i thought the blue bookcloth i used was kind of boring but i showed my dad the available cloth options and he really liked it, so... what do you know? i cut the piece i used on the back cover very slightly too short but it wound up being covered by the leather, so you can barely tell.

and the leather... a scrap just baaaaarely big enough from my bag of leather scraps from discount fabrics... and this the first time i'd ever attempted to put leather on a book... AND YET the only complaint i have is that i didn't manage to put an even amount on the front and back. it's reasonably square and straight!! amazing!!

i am super super happy with how this project came out (especially given the number of problems i encountered) and oh my god check out how much the spine bends

AND, AS A NEW YEAR'S PRESENT, I FINALLY MANAGED TO GIVE IT TO MY DAD

#and promptly got sick after i got home from my parents' house.#which is part of why this post was so long delayed #the trashcan speaks #devil venerable also wants to exploit the memoir class for evil purposes #bookbinding

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chirpsythismorning · 1 month

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The Vanishing of BLANK Wheeler

I wanted to make a list, from least likely to most likely, for which Wheeler I think is going to go missing.

But I also wanted to give a little disclaimer first, that even if these titles are real, they could still be fake, or could even possibly change given how much time we still have until s5 actually premieres.

For s2-3, the Duffers literally released official promo videos announcing episode titles for their upcoming season, with some of them changing when the season finally premiered.

Like in the case of s3 for example, they dropped a s3 episode promo video only a day after they completed filming. Meaning them titling 3x06 The Birthday, made absolutely no sense. They knew they didn't film anything birthday related for that episode. So they intentionally gave that one a fake name.

In the case of s4, that was the first time they promoted an upcoming season without giving fake titles, with the s4 promo announcing them following through with what we ended up with when s4 finally dropped.

I guess I sort of assumed s5 would follow in s4's footsteps, but from a leak standpoint, it might be smart to remember that fake titles are still a possiblity regardless. Especially in this case, where it's getting to the point in production where leaks are unavoidable. And so that might even explain why they play with this idea of fake episodes, which is because they can rest easy knowing leaks will mostly consist of half fake titles they planted there.

But for the sake of this post, lets humor the title for episode 2.

For starters, it's worth noting that the person who shared this leak originally said 'BLANK wheeler'. So as far as I know, they did not give any number of letters via underscores (_) to hint at who this Wheeler could possibly be. It's when ST news accounts caught wind of the leak and started rolling out posts, replacing BLANK with 5 underscores, that led a lot of fans to assume that the Wheeler had to have 5 letters in their name, which would have obviously ruled out Ted and Mike. But since all the Wheeler's are still on the table based on the original leak, they will all be included in this list.

5. Ted Wheeler

Believe it or not, there is something that I think actually warrants considering Ted as a possiblity.

There were some posts @stranger-chichka made a while back, comparing visual parallels between Stranger Things and Chernobyl, which could be hinting at this concept of Ted being in danger.

TBH though I think Ted being in danger or ending up dead is a possiblity regardless of him actually being the missing Wheeler.

Technically speaking, quite literally no one on the show is ruled out from being in danger at this point, so that's not saying much.

And considering the show is going to need to kill off some people next season and they are insistent on not killing any of their leads, supporting characters amongst the ranks have a high risk at being taken out. The emotional connection for Ted from the audience isn't as strong as other characters, but at least him being in close relation to a few main characters is something? I mean, he's funny I guess?

Quite frankly I don't think it's likely nor do I think it would actually make sense narratively for Ted to be the one to go missing out of all of them. I think it's a lot more likely they'd just kill him off, hence the Chernobyl parallels which imply he's gonna die. And so wasting time by having him go missing, only to kill him, just doesn't track. I think they'd just get that over with without dragging it out for very long, if anything.

Can you just imagine someone on the show shouting emotionally, It's Dad (Ted). He's gone.' Like, okay... And? I have a hard time imagining the characters being in serious turmoil over this, at least not enough for it to warrant like final season stakes amongst a bunch of other crazy shit happening. At best, the characters would be indifferently guilty for getting him roped into all this.

So yeah, I really don't see it happening.

4. Nancy Wheeler

I honestly feel like Nancy is even less likely to go missing than Ted, but the un-seriousness of an episode titled The Vanishing of Ted Wheeler is so astronomical, that I really had no choice but to put him last.

The reason I think Nancy is just very unlikely to go missing is because they technically already had her go missing as a cliffhanger between Vol 1 and 2 last season. It would just fall flat if they repeated something along those lines, with that same character, 3 episodes later. Vecna could have killed her and yet he didn't. His point was to send her a message, which was why he did what he did and then released her. The choice to target Nancy and taunt her about her family's safety in the first place, felt like their attempt at foreshadowing the danger that is to come for all of them, but one specifically. One of them that is not her. Which will make this moment back in s4 feel a lot more impactful upon rewatches.

So yeah, not feeling like Nancy is very likely.

3. Karen Wheeler

Karen is sort of a hard nut to crack all around. In the case that she is somehow connected to the Creels (Alice), anything is possible in terms of not only her being targeted, but again the entire family being at risk in some capacity. Without much to go off of outside of the obvious very haphazard timeline confusion, I feel like putting her somewhere in the middle. She was given a poster for s4. If she is Alice, then yeah it would make sense to target her. The stakes are also a lot stronger in comparison to Ted, because she was the parent in the family that actually came to Mike or Nancy and told them verbally that she wanted them to open up to her and is actually shown trying on several occasions. Whereas Ted is sort of just there when he's on screen. So the characters' distress would be a lot more dire and interesting to see unfold amongst everyone.

I also remember there being a leak in relation to Karen, Holly, Mike and Nancy all being at the hospital filming. And this was also like a day or so after ST dropped a video of Cara saying she was filming that day to hype up fans. So that leak did check out on the Karen front at least. Which puts her at the hospital at some point, potentially along with the rest of the Wheelers. Now that I'm thinking about it though, this could all fit with a Ted Wheeler death...

At this point, I'm sort of like indifferent to the possiblity, but it's still more likely than Ted and Nancy to me.

2. Holly Wheeler

It all goes back to s1, when Karen was visiting the Byers to console Joyce after Will went missing, when Holly sort of ventures off to Will's room, being guided by the lights, and sees the demogorgan in the wall.

I feel like people overlook this moment too, because it's kind of crazy that Holly has seen UD shit for herself. She was young enough that she could rule it out as just imagining things. And that could be partly the case even if she is skeptical.

There is something about Holly that makes her curious and sort of open to this world that most around her have no idea exists. And yet simultaneously some of the people closest to her do know about it and could easily clue her in when the time comes to do so, and because of that, I think she would probably be able to believe it all a lot faster than others.

Maybe this is a story where things need to happen and it just always ends up this way, but she has this tendency to be included in things that feel very important. Like in s4 with her playing with the lite-brite, and how that ended up being used to communicate with the others in the UD. There's this almost clairvoyance vibe about her. Her feeling the need to follow the Christmas lights to Will's room and her noticing and then fixating on the trees in s3.

Like I said, I don't know if it's something deeper, but it very well could be in the case she is connected to the Creels.

And while that is all somewhat compelling, at the same time it also feels very convoluted. Even if the Wheelers are Creels, I don't think that means the Wheelers would have powers, given that Henry got them when he was a child, meaning none of his family could have gotten them unless they too were taken in by the lab at some point, or were born with it.

Though I'm being full serious when I say the theories about Mike having time powers or maybe just manifestations from his emotions connected to the powers of others around him is one of my favorite theories of all time. I want it to happen. It would be cool. But that just opens the door to all of the Wheelers in my opinion, assuming his time powers came from being related to Henry. And if it was done that way, I feel like it would add way too much confusion to the story, where now all the Wheelers are gonna need to have powers, and then as a result would just takes away from the uniqueness that is already associated with Henry, El and potentially Will. One person potentially having powers without us knowing until the end aka Will, is enough honestly. Adding the Wheelers to the mix might be a bit much.

I'm also not totally convinced of the Wheeler's being Creels, and yet I also can't seem to want to rule it out entirely. But the prospects of Holly having powers or some sort of ability and just going through the same thing as Will when he was young and unaware of his powers, who is just now finding out the truth about his experiences... It just feels like serious whiplash honestly, when they haven't spent much of any time on Holly up to this point.

Like what are the stakes here exactly? What makes her disappearance and what that would look like compelling, on her front specifically? Because sure, I can see it being compelling watching the perspective of those around her reacting to this, what they would do to try to save her and all that, but what does that mean for her exactly? Are we going to see what she's doing? Are they going to hide it from us like they did with Will and then have to spend even more time uncovering it later on. And what does she even gain from being alone and taunted by Vecna presumably? What does the audience gain from witnessing that sort of event? There isn't a lot of story to explore there, outside of maybe making direct parallels to Will in s1? And then wouldn't that sort of take away from the importance of Will's role in it all just now being uncovered, if it all just repeats for Holly?

Which brings me to something that I see a lot of people using as strong evidence for why it has to be Holly, which is the fact that they recast her character.

What I think people are failing to consider is the fact that the twins who were cast to play Holly originally, were like 3-4 years old while filming s1. They weren't just kid actors, they were damn near baby actors. And while I know a big part of the reason why they gave Holly such few lines over the years was because the actors were aging way faster than the character they played, I think another factor could have been the fact that their acting experience is near nothing outside of Stranger Things, which is also pretty little on its own as well given that they have very few lines on the show.

It's not at all uncommon for child actors, let alone toddler actors to leave the industry once they start getting older. It could be for personal reasons, like wanting to explore other ventures, or it could be that they just don't perform as well with all the added expectations that come with acting as a character who is a kid with a lot of lines vs. a baby with 2 lines.

The girls got cast because at the time, they were able to perform as well as a 3 year old possibly could and would be expected to be in that role. But does that skill carry forth as they grew older? When now they have to deliver full sentences and carry conversations for scenes that are longer than 5 minutes? They've never really had to do that up to this point. Is it something that they feel comfortable with doing? Is their performance believable and is it something the writers feel confident about?

Honestly, I think they might have recast Holly, not because I think she is going to be targeted and focused on as this missing person they have to find, going through a near identical situation to 11 year old Will, but because they simply want her to be more apart of the story in general. And maybe because either the twins and/or the production didn't feel that they would be able to perform it in the way that they wanted it to be done.

And I mean, even if Holly isn't the one to go missing, one of the Wheelers is going to go missing based on this leak. If it was one of her parents, she would get a lot more scenes than she has in the past. If it was one of her siblings, again it would make sense for her to be more involved with the story. No matter what she is going to have a bigger role.

So no I don't think her being recast is as strong enough of proof as some might believe. If anything I think there is much stronger evidence that, like Karen, if they are related to the Creels, Holly is as fair game as any of them. The stakes could be high because she i such s a child. And her parents and Nancy and Mike worrying about her seems like something they would obviously do because she is so innocent and completely ill-equipped to endure something like that. But like I said, I just can't picture an focus like that on her, for her character, being very compelling given that Holly isn't really someone that needs like alone time with us witnessing it...

But there is one Wheeler left, and boy oh boy would he benefit from being alone.

1. Mike Wheeler

The most simple explanation for why it makes sense for it to be Mike, is that he genuinely benefits more than anyone when it comes to being alone with his thoughts, and with the audience watching. There's a lot of stuff dude has to work through in his own head, and since they haven't really let us have a moment alone with him that isn't under ten seconds since s3, an episode or two dedicated to making that a priority would make him coming back and things building up to the end, feel a lot more earned.

The audience needs to feel confident about how Mike feels about things. It can't be a guessing game for much longer when so many different factors are involved.

And while I think Mike may be the strongest possiblity in terms of the value it would add to the overall story is compelling enough to put him at number 1, the evidence supporting it happening is even stronger.

If we want to be crazy we can go back to the beginning. Plenty of fans have already speculated about how Mike is always late at the start of every season and how that might play into the beginning of season 5 again. I made a post about this recently and speculated it would happen one last time around the 15 minute mark. And maybe I was wrong... but maybe I was also right? Because if the second episode is called The Vanishing of Mike Wheeler, it's likely Mike's fate wouldn't be confirmed by the opening of 5x01, but in fact the closing scene of 5x01.

Throughout the show Mike plays a key role in leading the others, he's even referred to as 'the key' in s3 by Hopper. You know this show and their keys, they don't joke about that sort of thing. It's likely that Mike's story and what it is leading to is going to be central to how all of this ends.

Also in s3, there is one scene in particular that I think could be hinting at Mike being targeted, along with the s4 main poster with all of the characters. In the poster, we see El at the top, with Max and Mike as near equals on each side of her. Of course their roles are central and that's a fair layout on it's own arguably, but the equal-ness provided to Mike and Max feels very intentional. While she is slightly bigger than Mike in the frame, that could be a hint in regards to her being central now in s4, with Mike joining the mix alongside her in s5. Honestly, they could have made it so these two were beside other characters that also played a huge role in s4, and yet they chose those two to give a specific focus to. I think that is interesting (and probably intentional).

But if I'm being honest, there are so many moments in s4 specifically that hint at Mike being in danger, that I will not be able to include it all in detail in this post. So I'm going to link those below and then build off of some of it with some new details I've recovered that are worth re-contextualizing again with all of this in mind.

Hints regarding Mike and Will being targets of the town, but Mike specifically being focused on after the word 'missing' is said...

I'm gonna expand on this one because I think it's important to recognize the massive curtain in the background as this is all happening. And I vaguely reference this concept here as well which is worth checking out. But not is this whole concept of the curtain pretty blatant in this episode, this scene of the town all fleeing to hunt down hellfire club, is followed directly after, by this:

Notice how Mike is nearly always central in these moments? And how what follows feels eerily similar to what is about to go down at the end of s4 aka Suzie = Mike.

Now, this has already been talked about plenty so I won't go into detail, but... based on everything else happening surrounding this, this would apply to Mike in the sense that not only is he not in love with El, he's gay and in love with Will aka a boy. A BOY!

And then this mention of 'the terrible truth'. This word has been used like 3 times in the last few minutes. First intensely during Jason's speech about a terrible truth, with Ted and Karen being focused on with the Mike and Will extra in the background.

But what is even more crazy is that what follows sort of seals the deal for me that, this IS about Mike and it's foreshadowing what is about to come in s5.

5:02... 5x02!!!!

Also peep the watch and the letter from Dustin under it... I don't want to speculate but lettergate is looking extra relevant within all of this as well...

And to close off this point, lets show the shot that follows directly after this one.

Then later in the season, after Nancy is back from being taken by Vecna, here we have this long and emotional pause before she says Mike's name, last after her mom and Holly.

If they wrote and filmed this scene, knowing Mike would be the Wheeler missing early s5, it would make sense for them to list off the characters like this.

Mike peeking in the frame at this moment is not suspicious at all...

If it wasn't enough that Jason hyped up the whole town to see the Hellfire club as their enemy responsible for all of this, here we have a focus on Mike specifically being targeted by Jason.

The Duffer's statement about the show overall in the Piggyback script, and I gotta say it fits Mike a lot more than any of the other Wheelers.

Mike is a Paladin. And when they break an oath, they might spend an all-night vigil as a sign of penitence... aka everything is going to come to a head and Mike is going to be alone dealing with this shit for a bit, until he can come back ready to face it.

And I know it's controversial, but this post explains perfectly why Mike being central to this would make the show go full circle in a really compelling way.

Mike hasn't really unpacked...

Karen lookalike standing in front of the missing persons board. Could be any one of them but still, considering the costume of this extra looks closer to what Karen was wearing when she reunited and hugged Mike... I'm gonna put it more so with him.

Mike's guilt and shame regarding the past and what it has led them to could also play a big role and why him going missing would be worthwhile to explore. Part 1 / Part 2

Mike paralleling Yuri, who eventually reveals the truth (in his pocket) after stalling. If Mike parallels him all throughout the start of that moment, what does that mean for how it ends for Mike?

An antique funeral home fan behind Mike in the s4 character promo photos in the Creel attic, how Mike is seen sitting before Will sits beside him shortly after and it involving upside down imagery, Mike's first line in the show being used to later foreshadow his fate in early s5, and also bringing it back to Suzie's house which I already went into but it might be helpful to look at it again from this lens.

The Duffers would not pass up on the opportunity to parallel Mike with Finn's other character Richie in IT, which is literally based on a book that heavily inspired ST in the first place. And how all of that plays into the queer-coding for Mike going all the way back to s1.

The Duffers revealed after posting the funko-pop shotplanning pictures (2) that they were finished with planning for 5x01-5x02.... meaning this shot of Mike all by himself, is going to occur in one of those episodes...

We could still hypothesize Holly is the one to be taken, given that she doesn't have a funko and so they couldn't include her here regardless. But the fact that Nancy is with the other seems to imply to me that they are all likely working together to get Mike back, who is alone.

This one is a little more hard to pinpoint for sure, but it comes from a BTS Ross posted recently.

We are clearly in the Wheeler's house here. And if you zoom in, it looks like someone is standing (hiding?) behind a doorway/curtain. And the only person that seems to fit it imo is Mike... But why would he be hiding in his own house...?

It just makes me think about what is going on with Mike in early s5. What would be occurring that has him in this sort of situation? And it makes me wonder if him going missing has solely to do with him being taken and gone in one single moment, or if it could involve him avoiding his family and others potentially, with him being taken after that.

Lastly, I'm going to go into more choppy territory, stuff I know only a couple of people will actually consider. But it is pretty fucking fitting of what is about to go down so I can't not mention it.

In the Puzzle Tales' most recent Hellfire Campaign, this is the title...

Like the whole chapter is just a big joke on Mike about him being scared to be alone, which is painfully ironic if this is the direction the show is about to go for the next 2 upcoming episodes.

And then we have a song WSQK posted on Twitter back in January. I know people don't believe that this account is connected with anyone in the production, which is fair because I myself rarely believe leaks from anonymous accounts as it is. But I've been keeping up with it and it genuinely doesn't seem like a fan could come up with these songs.

The song I'm about to mention is the 7th song they posted, called Army Dreamers by Kate Bush. And you might fight it sounds a lot like the situation Mike might find himself in in early s5.

And though I'm sure I didn't cover everything, I feel like all the things I've mentioned and referenced from other posts are plenty to at least consider this as opposed to rejecting it all together.

At the end of the day I think there are some valid arguments for all of them to some extent. And quite frankly all of the Wheelers and most of the characters in the show will find themselves in danger in a way that is going to probably last longer than just one single moment the entire season. So even if it's just one of them, I don't think that rules out the others playing a bigger role in what is going down.

I just think narratively, there is one person that benefits from being on-screen and alone with their thoughts. And the other 4 being confronted with what that person discovers eventually will also make all of this a lot more worthwhile than any of the other options in my opinion.

#byler #stranger things #st5 theory #st5 speculation #mike wheeler #mike wheeler run #I think i'm going to just not tag a bunch like i usually do because jesus this was long and I think I got my point across #if you're still not convinced and think it's more likely to be one of the other wheelers that's fine #as long as it's not ted bc i can't take that episode title seriously i just can't #also if there are errors it’s bc I only edited this 50x instead of 100x like I usually do #I’ll come back later to check so sorry for what I imagine is a bunch of confusing parts 😭

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weirdly-specific-but-ok · 5 months

Text

why i love aziraphale and why i find his character so heartbreaking

So I made a post on why I relate to Crowley and I adore him, obviously. I think a few you misunderstood what I meant there, though (which is understandable, I was a bit incoherent but that is inevitable on this blog). I wasn't saying Aziraphale didn't care about Crowley or was horrible to him, rather the opposite.

What I was saying was maybe Crowley felt unloved against his better judgement, because he knows he is loved by Aziraphale, but maybe everything he has been through has started to chip away at that knowledge. It's happened to me, I'm sure it's happened to a few of you. You are assured that you are loved, you can see them doing things for you, but you feel unloved. Maybe because of the other people who don't love you. Maybe because... you don't love yourself.

But I definitely wasn't putting down Aziraphale, who is a beautiful character. I adore him. I love how every single second, all his emotions are on his face. That's actually how I realised they'd switched bodies--in heaven, 'Aziraphale' had a cool, dismissive look on his face. That could only be Crowley, I knew, because Crowley is a bit better (not a lot, not around Azi of course) at masking his emotions.

That's what's so beautiful about Azi, we can just see how much he feels, how much he adores Crowley, how much hope he had, how much faith in Heaven, how much determination to do the right thing. How determined he is to keep Crowley safe, to make Crowley smile and laugh, and how much it kills him every time he has to push Crowley away for both of their sakes, or he thinks he has to. You both want to protect that optimism and faith, and also shake him and tell him the truth. But how do we know better than him, a 6000 year old angel? There's so much that we don't know, that may have happened behind the scenes, that's orchestrating his decisions.

Some of you are certain that there is more, that he doesn't still believe that what Heaven offers is genuine, because how could he? I'm also sure that there is more, but can I also offer an alternate idea? Even if there wasn't more, maybe he isn't to blame if he did continue to believe in Heaven's goodness.

We've been in toxic relationships. With friends, partners, family. I know how hard it is to accept that something you love is not worthy of that love. Something you admired is something flawed. Something you would do anything to keep is something you need to push away.

The worst of all, of course, is that time, somewhere in our childhood or teens or adulthood, when a lot of us realise our parent or parents are not heroes. That we don't agree with them. That they were wrong about a lot of things. Because they taught us everything, they were our guides, how could they be wrong? And if we can't believe in them, then what are we supposed to believe in?

Maybe Aziraphale is going through that journey, over all those millennia. Some of us are forced to realise it before we even turn ten, some of us haven't realised it yet, some of us may not ever or may not need to.

Maybe Aziraphale is just a child of God, realising that Heaven, his technical family, is not the Good that not only they but the entire world believes them to be. Everyone says Heaven is good, including a lot of Hell, including a lot of humankind, it's just given. What is Heavenly is good. And Aziraphale wants to be good.

But he's going through that painful journey of realising that good may not be what he was taught, that good comes in many shades and tints and hues. And we can see him do it, we can see him defy Heaven and God, for Crowley or for humans or for himself. He's doing it, and we need to see how it isn't easy for him. Having your entire system of belief deconstructed is painful and awful. And if you were wrong once, how do you know you won't be the next time?

It's hard enough for Crowley, torn between whether he was unworthy or whether Heaven was wrong. Imagine the tumult that Aziraphale goes through, because if Heaven accepts him and Heaven isn't always good, does that mean Aziraphale has been doing it all wrong all his life?

He's going through something that we all go through, and is every bit as relatable as Crowley is. I love them both so much. I'm so glad that there's a third season, to see how that arc closes, to see if maybe they find the answers we're all looking for.

@adverbian and @howmanyholesinswisscheese, I hope this helps? Again, I haven't watched season 2 yet and have a horrible memory since I've been watching season 1 heavily medicated, so this is just from what I know and can tell and headcanon, perhaps.

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thisapplepielife · 23 days

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Written for @steddiesongfics.

Diamonds on the Soles of His Shoes

For a song released in 1986, I picked Diamonds on the Soles of Her Shoes by Paul Simon.

Partially hidden behind the trees, Eddie looks at the house, large and looming. Sure, he's been by it before, did a bit of trick-or-treating here in the rich neighborhood, but he's never actually been inside Steve Harrington's house. Never stepped foot over the threshold, beyond those red double doors.

Said doors are standing wide open tonight, inviting the whole world inside.

Steve Harrington's graduation bash. Everyone's invited. That's been the mantra all week.

Everyone.

Eddie's not so sure that everyone really includes him, and he didn't even graduate, anyway. Not even on his second try, and he's dreading the idea of spending a third senior year at Hawkins High. He'd be able to run Hellfire Club for one more year, but that's about it. The silver lining, small and weak, compared to the dark storm cloud that is the prospect of another year in that hell hole.

He sees a girl from band, Robin Buckley, also lurking and lingering at the edge of the driveway.

"You goin' in?" Eddie asks, sidling up to her, making her jump.

"Uh, maybe?" she says, but doesn't sound sure about it.

"You know Steve Harrington?" Eddie asks.

"Only the back of his stupid head," Robin answers, snarkily.

Eddie laughs, agreeing, "Yeah, same."

But she doesn't move, and he doesn't either, "Why are you here, Robin from Band?" he asks, like that's her legal name.

She doesn't seem to care, just saying, "Reasons," and it's just cryptic enough that he's curious.

"Do you have a crush on Steve Harrington? Gonna make a move before it's too late and he's off at Harvard or Purdue or wherever daddy's money bought him a spot?"

"More like Roane County Technical College," Robin mumbles under her breath.

"What was that?"

"Nothing," she says, then turns and looks at Eddie, "just. I saw him applying to Scoops Ahoy, you know, the ice cream shop in the new mall? I don't think he's going to college."

"Maybe it's just a summer job," Eddie says, but that doesn't sound convincing even to his own ears. Why would Steve Harrington need a summer job selling ice cream?

"I don't think so," Robin says, and she's holding back. He can tell.

"Spill it, Buckley."

She cuts a look back at the house, then back at him, "Like, okay. You cannot tell anyone I know this, because, like, I took an oath–"

"You took an oath?" he asks.

"Okay, I didn't take an oath. But there was a lecture. A big lecture, about not repeating anything about what I saw cross the guidance counselor's desk, you know? I was her aide, fifth period."

"Okay, well, what did you see?" Eddie asks, because now he's curious. Very, very curious.

"Steve Harrington didn't get in anywhere. Nowhere at all. And now he's trying to sling ice cream all summer. With me."

"No way," Eddie breathes out, loving that he has this dirt on the little rich boy. Harrington's crown has been repeatedly tarnished this year, and Eddie's enjoyed watching the fallout from afar.

"You didn't answer my first question: Do you have a crush on Steve Harrington?"

"No," Robin says, and Eddie follows her line of sight. Oh, ew.

She's looking at the instigator of at least ninety-seven percent of the fallout King Steve's suffered, as he's holding court at the front door, like this is his party instead of Steve's. Billy Hargrove, surrounded by girls. Some freshly graduated, like the perpetually tone-deaf Tammy Thompson.

Eddie rolls his eyes. If he had to choose between the lesser of two evils, he'd take Harrington.

"Hargrove?" Eddie asks, not even trying to hide his disgust at her bad taste, "I don't even really know you, Buckley, but you can definitely do better."

Robin laughs, but it sounds kind of sad, "I'm not interested in Billy Hargrove, either."

Eddie doesn't get it, then. If she's not here for Steve, and she's not looking at Billy, she's looking at…oh.

No way.

He should have realized, should have seen himself mirrored in her or some shit. But he says nothing. If he's right or wrong, he'll never know, because it's just not discussed.

"Glad to hear it, Robin From Band," Eddie says, and offers her his arm. "Wanna go in with me, then?"

And he's surprised when she slides her arm through his elbow.

Robin finds some girls she knows from her own class, and Eddie slinks off towards the pool. He can smoke a cigarette and see if there are any customers out there, so he can make a little bit of money, selling off his shittiest weed.

No such luck, it's strangely empty. Pool drained, even if it's getting warm enough for swimming, especially if it's heated.

Eddie walks over to the diving board, and tests it, making sure it's not too bouncy. He doesn't want to take a header into the empty concrete, that's for damn sure. It seems safe, so he shuffles out until he can sit on the edge.

Lights a cigarette, and swings his feet.

The party inside is loud, and jam-packed, and Eddie is sure coming here was a mistake. There's nothing for him here, not at Steve Harrington's house. He should have rounded up Jeff and Goodie and found something else to do tonight. He's sure Gareth would have hung out, if he could get his mom to extend his curfew.

"What are you doing out there?!" The question comes, so sharp and hard, that it startles Eddie so much he nearly topples into the waterless void.

He grips the edge of the diving board, but loses his lit cigarette into the pool. Into the pile of dry leaves from last fall. Shit.

"Um, trying to burn your house down?" Eddie teases, and when he looks back, Steve Harrington is standing there, annoyed.

"Get off of that," Steve says, arms crossed across his chest like he needs to protect himself. From Eddie? In what world?

"Well, since you asked so nicely," Eddie taunts, batting his eyes.

"Please get off that," Steve says, dry as dust. No humor to be found. Which is odd. Eddie went to school with Steve for a long time, he is funny, as loathe as Eddie is to admit it.

He crawls off it.

"Just let me get my cigaret-"

"Leave it."

"But-"

"Don't go down there, Munson, are you stupid?" Steve snaps, and Eddie takes a step back. He's not stupid, but he's pretty pissed off now.

Eddie narrows his eyes, "Yeah, I have to repeat my senior year for a third time, Harrington, we all know that already," Eddie snaps, but rapidly loses steam. Steve Harrington's face says he didn't know that, not until Eddie told him.

Fucking idiot, opening his own goddamn big mouth.

"Uh, well, um…" Steve trails off, "I'm sorry? I didn't get into any colleges if that makes you feel better. I was probably one D-minus in Mrs. Click's class from joining you."

"Ms. O'Donnell is the one torturing me," Eddie answers, off-kilter that he's even having this conversation with Steve Harrington.

And Steve smiles, "Yeah, I hear you. I think she only passed me because of my last name."

Eddie is taken aback, Steve Harrington is aware he gets special treatment? Aware of the diamonds on the soles of his shoes, as well as the noses so far up his ass they'll never see sunshine again?

Well, hell. It isn't good ammo to know Steve Harrington can't get into college if Steve's willing to tell him that himself. Kinda takes all the fun out of it.

"Heard you might be the new King of Scoops Ahoy," Eddie teases, and it is teasing, now. Not taunting.

And that must read, because Steve smiles.

"I'll look great in a sailor suit. I hope we get tips, because I'll kill it," Steve says, hands on his hips. But he doesn't look aggressive, he looks amused.

And Eddie did that. Hot damn.

"What's up with the pool?" Eddie asks, and wishes he hadn't, when the black cloud passes over Steve's face.

"You know, Barb," Steve says, so soft that Eddie almost doesn't hear him.

Eddie's only heard rumors and gossip. That she went missing. That she didn't, and was instead found killed by everything from monsters, to Steve himself. The former seems more plausible than the latter, and isn't that ridiculous?

"Did she die in your pool?" Eddie asks. Maybe she drowned.

Steve just kind of shrugs, "I don't know. Maybe. Where you were sitting was the last place she was seen alive, though."

"You're shitting me?" Eddie asks, but he's pretty sure Steve's not kidding.

Steve shakes his head.

"Sorry, I didn't know," Eddie says.

"I know you didn't," Steve says, "it just scared me, seeing you sitting out there. All alone. Sorry if I was a bit of a dick about it."

And hell has frozen over, Steve Harrington is apologizing to him.

"Um, you weren't. It's okay. Sorry I just made myself at home."

And Steve laughs, "Well, that's fine," he says, waving his arms around, "look at everyone else."

"And why aren't you with everyone else?" Eddie asks.

"Like who? My only friend these days is thirteen-years-old."

"Say what now?" Eddie asks, because that sounds creepy. Is Harrington, like, a pervert now? He'd heard rumors last winter about Harrington hanging around Hargrove's little sister, but he hadn't given them much credence. He knows the rumors that go around about himself, and the vast majority of them have no basis in reality either.

"Long story," Steve says, "long, long, story. I'm, like, his babysitter? Him and a bunch of other street urchins, I guess?"

"You're a babysitter?" Eddie asks, disbelieving.

"It's as shocking to me as it is to you. I'm not bad at it, though," Steve says, and he smiles.

"You're not like…messing with underage girls?"

"Jesus Christ, no, what kind of freak do you take me for?" Steve says, and he sounds so disgusted that Eddie's sure that's the truth.

"Sorry, I had to ask."

"Unless you mean, like, Nance?" Steve asks, brow furrowed, like he's really thinking this through.

"I do not," Eddie says with a laugh, "I thought you were broken up, anyway?"

"We are," Steve says, "definitely. We are. What about you?"

"Am I broken up with Nancy Wheeler? Yep, have been for as long as I can remember, anyway," Eddie snarks, and Steve Harrington laughs. An ugly, open-mouthed bray.

It's dorky, but real.

And Eddie's heart does a thing that he definitely didn't give it permission to do in his chest. Flipping and flopping, all willy-nilly.

He's not supposed to like Steve Harrington.

Harrington's a rich boy, who doesn't try to hide it. And Eddie's poor as a pocket, with nothing to lose.

But right now, standing out here in the near dark, he does like him. God help him.

"Word of advice, from one freak to another, stop saying it like that, or people will think you're a perv. Lead with the babysitting part."

Steve nods.

"If none of these people are your friends, why have a party? Why spend money on assholes that don't deserve it?"

Steve shrugs, "Habit, I guess. Won't be like this much longer, though. My dad's pretty mad about college. He's cutting me off."

Eddie blinks. That's…unfathomable, really.

Steve keeps talking.

"So, I got a job at the ice cream place in the mall. To learn my lesson. Earn my keep, whatever. You should come by, I'll hook you up," Steve offers, and Eddie feels insane. That can't possibly be a thing that they'll ever do.

Then, Steve tries to sweeten the pot, "Pretty sure I'll be wearing a funny hat."

"And working with Robin From Band," Eddie says, and Steve just shrugs, like he doesn't know who that is.

Poor Harrington, Buckley'll eat him alive, given half the chance.

And maybe, just maybe, Eddie will swing by to see that happen, live and in person.

Free ice cream and a show.

If you want to write your own, or see more entries for this challenge, pop on over to @steddiesongfics and follow along with the fun! 🎶

Notes: Oh, these kids. If they only knew how important they'd all be to each other just a short time later.

#steddiesongfics #1986 song #stranger things #pre steddie #steddie fic #platonic stobin #steve harrington #eddie munson #robin buckley #thisapplepielife: short fic #thisapplepielife: steddiesongfics

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genericpuff · 6 days

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Hello! I’m just here bc I’m a little confused on what you meant by Smythe drawing out “each individual asset” when she was making comics? Now, granted, I can see that it made her file ginormous, but me personally as someone who knows nothing about making online comics but is really wanting to get into it (and also as someone who has a ‘too many layers’ problem myself), is there a way to avoid using too many layers?

My current way of making comics has been to draw the panels individually and then format them (which I know is terrible management wise and also messes with the quality) but I honestly have no other idea of how to do it properly, and seeing how stunning Lore Rekindled looks, I don’t know how you would manage to put all that lighting effects and little details on the same layers. (But also I may be thinking of it wrong so I’ll let you talk qwq)

Ah I can actually give you a visual breakdown of what I meant by that!

So in this you can see there are a TON of layers, and not even all of them are visible because some of them are stuffed into FOLDERS that have been left closed. BUT if you look REEEEALLY carefully-

^^^ These layers right here? That's specifically Minthe from this panel in Episode 61:

(the unique pose here makes it real easy to tell that this is the corresponding panel, you can see the matching body shape with the dark shading that's clipped to the base layer below it!)

So what this means is that Rachel didn't draw all her characters on one base layer, she drew every single character in every single panel separately. Now of course, she could merge all these layers together as working on separate layers helps make it easier to work on elements that collide separately (like one character being 'underneath' another character like Hades is here) but because she has all of those clipping layers with the shading already added in, she likely didn't merge them afterwards because that would actually create MORE problems (because if she merged the Minthe layer in with Hades, then the shading for Minthe that she painted outside of the lines would show up on Hades and then she'd have to erase it which is just a bunch of extra work).

You can also tell all these characters are on their own layer because the layer thumbnail EXCLUSIVELY shows those characters. A layer will show as much canvas length as it needs to cover what's in that layer, so if the thumbnail is only showing one character, that means there's NOTHING ELSE on that layer. If there were more elements on this layer than just Minthe, the layer thumbnail would look more like this:

Now let's compare it to Rekindled's layers! I'll use a completed page to make it fair as we use a lot of extra layers in the post-production phase where we add the texture effects and glow and all that fun stuff, plus I'll even make it a more complicated page like that big nymph explanation spread from Episode 51:

So I'll break it down to make this make more sense:

BG 2 Copy (technically this is supposed to be BG 1) - Basically the panel shapes, what I'll do is mark out the panels with flat blocks and through that we'll add background elements in a clipping layer (usually done by Banshriek). Often times they'll do multiple layers to make the process easier and then merge them all together in the end. With these shapes operating as panels, it means I can just auto select the whole layer, invert the selection, and easily erase whatever's outside of it (such as the lineart and base colors that I put down afterwards). I could just use masking layers like I did in [AFTERBIRTH] but I find this way works better for the process of making Rekindled.

BG 2 - This is where we add objects / foreground elements. So stuff like furniture, interactables, anything that needs to be kept separate from the larger background to make it easier to work with. This can also include "floating" panels that need to be above other panels, such as this:

All of the backgrounds are then nested in a folder for organization purposes (we also sometimes use clipping layers on top of those folders to apply extra effects over anything contained within that folder without affecting other folders, that's a common technique that Banshriek applies)

Then we get into our Characters folder:

BASE - This is where I do the majority of my work, all the characters in every panel on a page are flatted into this layer. Sometimes I do have to create separate layers to, again, make it easier to work with overlapping characters, but usually those layers will be merged before I go into the shading process. I simply shade on a single layer by using the lasso / magic wand tool to select my area for painting, the flat colors make it really easy to do that. Sometimes I need to create a secondary shading layer if I've put down dark colors that start to bleed into the lighter colors, but again, I merge when I'm done into a single shading layer. We also sometimes employ an Add (Glow) layer into the clipping set if we need a glow effect that's exclusive to the characters and doesn't travel outside of their base colors.

There's a (leaves) layer here that I used for the dryad because I needed the leaves to be above the base layer, after that I selected the leaves elements so that I could erase the lineart in the layer above it where needed.

LINEART - It's lineart, enough said haha That said, I do think Rachel actually uses clipping layers for her lineart in places, it seems to be visible in some of her process videos where you can see the lineart present in a clipping layer, and that would explain why there are panels where the lineart suddenly 'cuts off' and doesn't travel outside of the base layer, like so:

GLOW - This is where we do an Add (Glow) layer that isn't restricted to the base layer, it's where we add all the fun lil' glow and sparkle effects over the characters !

The CLOUDS layer is, like the leaves, a background element that needs to be above the base layers rather than constricted to the background.

Above the Characters folder you can see what I mentioned earlier where Banshriek has added more post-production effects that are exclusively clipped to the contents of the Characters folder. This means the effects / blend modes do NOT affect the background layers or anything above it.

The BLUR (Overlay) layer is something we just started doing over the past several episodes, it's a technique I actually picked up from 66 of City of Blank where I merge all the layers into a new visible layer which I then apply a Gaussian Blur to at around 60% and then set to Overlay (and then I adjust the layer opacity until it looks right, usually around 25-35%), it gives it a bit of a softer "dreamier" vibe in the final colors and really helps unify everything!

CANVAS - This is an Overlay layer which is also set to an opacity of 25-35% where I go over the panels with the Add Canvas brush from the Kyle Webster set, unlike the Canvas overlay texture in CSP I can actually choose the colors I want to use which means I can match the canvas texture color to the mood and environment of the scene (ex. I'll use a very light blue for scenes in the Underworld). Not only does it give it that signature texture from S1 of LO, but it also helps balance out the effects of the BLUR layer.

The SKETCH layer sits on top of everything and gets turned off once all the base layers and lineart are down, and ofc the SPEECH folder is just where all the text is kept.

I know everything I just laid out is a LOT but ultimately it's how we operate, it works for us! But it also begs the question of why Rachel operates the way she does because a lot of it seems extremely unnecessary and more likely to bite her in the ass (the more layers there are, the bigger your file size gets, the risk of drawing on the wrong layer increases as well as the risk of posting a panel that's missing elements because the layer was left turned off by mistake, etc.) And it's more so concerning with how she operates with her assistants because if she's still using this many layers when collaborating with other people, hooo boy. Though based on what I've observed of what her assistants contribute, I get a lot more of the sense that she circumvents this by having the artists do the flats separately and then importing them in as separate assets that she then just imports into the page and places them where they need to be. Still not a great workflow IMO because it's what's led to a lot of the issues of characters "floating" rather than feeling like they're actually in the environment-

-but that's still an issue that could be solved by Rachel just taking more time to actually flesh out the backgrounds and lighting to give more of an impression of the characters actually existing in the space. Like that Hestia panel could easily be fixed by just giving the background a bit more detail and putting actual shading underneath her (and lighting from whatever direction it's coming from).

Either way, regardless of whether or not Rachel's process is productive or not, I hope that breakdown helps explain how we do it in Rekindled! Learning how to manage layers is definitely a skill that can be tricky to harness, but once it "clicks" there's a lot you can get away with. Ultimately how you do it is up to you, but my best piece of advice to offer is to just be open to other types of workflows because you don't know how much you might be shooting yourself in the foot doing things the hard way when there are often way easier and more efficient ways to get the same job done. That's basically the vibe I get from observing Rachel's workflow, it seems like she's still using methods that she thinks are working for her (and probably did work just fine for her when it was JUST her) but could be vastly improved for her and her team if she'd just get over the initial hump of stepping outside of her comfort zone. Would probably make for a better comic too LOL

I hope that helps! Good luck! ( ´ ∀ `)ノ～ ♡

#ask me anything #ama #anon ama #anon ask me anything #lore olympus critical #anti lore olympus #lo critical #lore rekindled #webcomic advice

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just-some-guy-joust · 1 month

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Just Some Guy OC Tourney - Side A: Round 1

Rules:

do NOT be mean to anyone or any characters in these polls. you MUST clarify if you are joking/teasing or you will be blocked. if you are someone who entered an oc into this and you are mean to other contestants you will be disqualified

do NOT claim a character doesn't deserve to be here. yes including your own. be nice

if you are posting propaganda you have to tag us, including if your propaganda is in the reblogs. it is difficult to tell when something is or isn't propaganda. anything not tagging us will likely be missed

please don't hesitate to let me know if i messed something up!

have fun, hype each other up <3 thank you

Evergreen | She/her | @insertsona

shes just kind of chilling tbh . she's technically unemployed (didn't feel like it) and spends most of her time vibing . her ex recently returned to the city after randomly disappearing for years and she was just kind of oh hey glad youre back . her most interesting trait is that she takes part in a fighting tournament once a year and wins it usually . and shes transgender

Promos: evergreen is a character in my oc universe teunia! shes a side character in the main story the tourney and a slightly more main character in the unnamed prequel that i think abt very often (but have yet to develop . bc im too busy thinking abt my dr oc constantly)

teunia's folder -> https://toyhou.se/InsertSona/characters/folder:3849690

Zephyr Fey | He/him | @lord-plague

An averagely built guy who somehow managed to join the military force of his fortress city without a birth certificate, ID, and with dyed hair. Nobody knows where he came from, nobody knows why he is here but there he is. No magic or superhuman abilities or prodigal skills but my god does he make great goo bowls with greater personalities (nobody wants the goo bowls and he does not know why). That one friend that keeps trying to alleviate awkward situations with jokes and random laughter.

Full images and descriptions under the cut!

EVERGREEN IS LITERALLY SO JUST SOME GUY. despite being a repeat champion for the tourney she lives in a shitty studio apartment . she had a girlfriend that was also her rival and then they broke up and she was just oh ok! her hobbies include vibing, hanging out, etc. shes like those old guys you see watching planes take off or construction occur . nobody knows where she gets her money from . her ex's new partner is a friend of hers. she doesn't even bear any relevance to the first main plotline because she's too busy doing other stuff she just happens to also be in the city while the horrors occur . sometimes shell go to the local coffee shop and just not order anything . i wanna be her friend . i havent actually posted her on tumblr . shes so some guy that most of the facts abt her character i can think abt are so mundane i never even bothered to write them down

[no extra description provided]

#tournament poll #oc tournament #ocs #some guy joust #evergreen #zephyr fey

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gothicbarbie · 5 months

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MY TOP 10 BEST BL COUPLES OF 2023

So I guess I'm a little late considering it's now 2024 in most places, but well, better late than never. I tried and failed to rank top 20 or even 10 kisses... I just couldn't remember them all or even choose... but most of my top couples have some pretty great kisses, so at least there's that! I can, however, rank my favorite BL pairings from 2023, so... let's do it! I will be ranking these from least favorite to favorite because I think it's more fun that way... Also I credited all the gif makers at the bottom but I did list the tumblr user for each specific gif underneath. If someone wants me to remove their gif, please let me know and I will so! I just wanted to pretty up the post a bit.

Also, to clarify, any couple on a show that is currently airing and not complete yet is not eligible to be on the list for 2023. Trust me, there were many I wanted to include!

Honorary Mentions:

Tinn & Gun | My School President

So, spoiler, a different GeminiFourth pairing will be on the actual top 10 so I didn't really want to include both pairings on the list, but I really did love the two of them in My School President. G/F just have such a wonderful and natural chemistry. The way they always look at each other just feels so pure and sweet. I really like pairings where one is secretly pining for the other, but Tinn/Gun also sorta had a hate/love ISH thing going for a little while. The progression of their relationship to actual boyfriends was just so fun to watch and really well done.

Dong Wook & Do Hyun | A Breeze of Love

I watched this BL so quickly that it didn't really resonate with me as well as some other series, which is why these two didn't make the top 10, however, I really enjoyed their relationship on the show. I love hate to love pairings and I found their backstory scenes really sweet as well. I also thought they had a really nice chemistry and there were some strong kissing moments for a kbl.

Jihan & Jaejun | City Boy Log

I didn't include these two on the main list for two reasons, one: the show is not over yet... i don't think? and two: this technically isn't a BL drama? IDK anymore, but regardless I love this series and this couple so dang much! I love the realness of them filming themselves and how their relationship is portrayed so subtly until their feelings just sort of emerge. They have some really wonderful and special scenes or moments together that we don't typically get on other series. I am anxious to see where the rest of the story goes and I hope the actors get another opportunity to work together. The side pairing is great too!

Top 10!

#10. Ai & Songkhram | Destiny Seeker

These two were so damn fun to watch, I really loved the hate to love thing at the start that quickly turned into love (Or I guess always sort of was???). The actors had such a great chemistry together and they had so many fun little moments and bantery scenes together. While the rest of the series felt a little flat for me, their connection continuously kept me interested.

#09. Ze Rui & Zong Yi | Kiseki Dear to Me

Honestly don't even know what to write about these two or how to explain why I like them, because there wasn't anything particularly special about their dynamic that typically draws me in, but I just really enjoyed the actors chemistry together and I really liked the progression of their relationship and how well they meshed together. Their kissing was extremely natural too.

#08. King & Eua | Bed Friend

Firstly, these two are HOT AF, and I really loved the friends with benefits storyline between these two, but more than that, we have a perfect character imo with King, who was continuously there for Eua and always trying to help him and make him understand how much he really cared. The show could be very dark at times but I love that King was always sort of the shining light for Eua.

#07. Segaski & Yoh | My Personal Weatherman

I can admit that the big draw to this show for me originally was the sexy scenes and moments, and while I do think the series could have done with some more scenery changes and better storylines, considering the time frame, I enjoyed watching the relationship between the two characters develop. It's nice to get a friends with benefits type of relationship and see how it progresses into more than that. And for a JBL it was nice to see some high heat with a happy ending.

#06. Su Yu & Wu Bi | Stay With Me

SIGH. THESE TWO. So I mean, I understand the criticism of this show and their relationship. So many things are implied but personally I felt like the end half made it pretty clear that these two were 100% a romantic couple. (just wish it was clarified when that change happened) But the progression of their relationship from hate to love was so beautiful to watch. Even if it was just a friendship it was worth it imo to see how close they got. Fair warning, the finale episode is not the best lmao, but I hope we get a second season to sort of fix it? Fingers crossed on that one.

#05. Wan & Ki Tae | Our Dating Sim

This was definitely one of the cutest BL's of the year and this couple falls into that category well too. I really loved seeing them re-connect. I love that they were old best friends (with feelings) that had a lot of issues to sort through and we saw some adorable flashback scenes as well as current scenes. I also love that they got together and were mostly happy instead of having a lot of intense drama.

#04. Li Ming & Heart | Moonlight Chicken

These two... so much to say about them and yet I don't really know where to start. Gemini and Fourth just work so well together and I felt like this duo was even deeper than in MSP. They started out on bad terms but quickly became close and I really loved the progression of their relationship and then I adored how we also got to see them together as a couple too. My favorite thing about them was how hard Li Ming worked to try to understand Heart and how he learned sign language for him and encouraged him to get to know others like him and to put himself out there. They also had such a fun banter with playful moments and scenes. It was just so damn pure and sweet to watch with no unnecessary or stupid fillery drama.

#03. Jae Won and Ji Hyun | The Eighth Sense

Something about this pairing just felt so much different than the typical KBL pairing. The show itself was so much deeper and had a more serious tone than we typically get, which was amazing. The actors nailed the roles and you could really feel the tension and longing between them right from the beginning. I loved their storyline so much and the actors seemed so comfortable together.

#02. Yamato & Kakeru | I Cannot Reach You

This was one of my favorite BL's of the year and their relationship was a huge part of it. I thought I was more into hate to love, but clearly, based on this list, that isn't always the case. There is something so sweet and adorable about best friends turned to lovers. I really love too when we see one side pining for the other, so this couple was extremely enjoyable to watch!

#01. Chen Yi & Ai Di | Kiseki Dear To Me

Good Lord these two... they had the perfect formula for my favorite type of pairing. Hate to love, drama, tension, angst, one-sided pining... it was so painful to have to wait every week for more. But god, it was worth the wait and their chemistry was just so good, their kisses were phenomenal too. Def. a memorable pair and a show I will be rewatching very soon!

THANK YOU to all these wonderful humans for making the most amazing gifs that I used in this post!

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