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#hes so tired and traumatized
jeanivere · 6 months
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anduin, my beloved
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beybuniki · 8 months
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they spend 100 bucks at the snack bar as well
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artemismoorea03 · 8 months
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DPxDC Prompt: I Got You Brother
Danny has been in Gotham for a while after things went south with his parents. But that's what happens when one's parents are convinced by the G.I.W. that Phantom killed "Real Danny" and took his place as a way to fill his sick obsession of "being alive" which - they couldn't be further from the truth - but his parents were so convinced by the evidence that they refused to listen. Vlad expected Danny to go with him and when Danny refused it made part of him snap.
Danny fled from his parents, the GIW and Vlad in the dead of the night. No family, no friends, nobody knew where he was and that was how he liked it.
He lived at the cave with the bats but refused their offer to come upstairs. He knew who they were and that they were safe but he also knew that if he took one step onto that elevator they would be his family. They would be his family and he couldn't risk losing another family.
He thought that living in the cave would prevent any of them from getting attached. So quickly his schedule turned into a cycle of patrols. Start patrols, stop in for lunch, patrol until dinner, patrol until breakfast, patrol again until lunch. Repeat day in and day out.
He told the team he didn't need to sleep and told them that he was fully a 'Ghost' from another dimension. As many details as he could keep from them the better.
Or so he thought.
Until after nearly a week of these endless patrol things changed. A fight with a particularly powerful ghost had wiped him out and while he managed to stay on his feet when he tried to continue patrol his vision blurred and his transformation dropped.
And so did Danny.
Danny wasn't even aware somebody was tailing him until a thick rope wrapped around his wrist and stopped his fall. Danny swung, hitting the side of a building with a tired grunt as he looked up.
Orphan.
"New brother! Got you!" Orphan called down to him as Danny tried to get his powers to respond, desperate to do anything to protect Orphan who was sliding closer to the edge.
Spoiler showed up within seconds, grabbing Orphan's ankles just as Orphan went over the edge and Red Robin grabbed Spoiler around her ankles. Frantic shouting echoed as Nightwing grabbed Red Robin around his ribs, the weight threatening to pull them all over before Red Hood grabbed Nightwing.
Danny reached up, trying to grab the rope when another wrapped around his free wrist from next to them. Batman was there and by his side was Robin, also there to help Danny and the others up.
He hadn't wanted a family.
He had run from who he was and the ones he loved.
But he found more people to love him.
It wasn't until Signal showed up - having been alerted to the situation and called to the scene - that Danny let the tears drip down his face.
He was home.
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pearlynia · 4 months
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Sirius: have you guys ever attend a family dinner party just so you can start drama and it'll end with everyone at each other's throats.
Regulus: you did that last week and Bella ended up stabbing mother's hand and someone ripped out a chunk of father's hair.
Sirius: I should get Bella a gift for that.... Do you think Bella would like a dagger?
Very concerned James: ...what the fuck-
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bruciemilf · 1 year
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Comic book writers who still make Bruce hit his kids even after years of mass criticism from fans who TELL you it's a bad creative choice that pushes them away from the fan base and comics in general,,, you did this for what?
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socksandbuttons · 7 months
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I HAD TO DRAW SOEMTHING DOWN FOR MY DUDE!!! I have Thoughts about all all this but good god this mans been rally thru it, they both have. AND YET HUGS ARE SO FAR AWAY. Don't worry Solar, you get hugs later. I'm just gonna assume his moon wrote down that note for him.
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callmegaith · 1 month
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When u want to die but the cultist furries wont let u
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time-himself · 1 month
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I made you my temple, my mural, my sky;
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jaguarys · 4 months
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Thinking about a Jedi Maul AU where Palpatine decides to send him out too early to hopefully Kill Some Jedi and he ultimately picks possibly the worst target imaginable in going after Mace Windu. Both because Mace is inarguably the best swordsman of the Order and just not menaced at all and also because he's way too tired for a feral teenager bouncing off him with seemingly never-ending energy to continually try to kill him. And so Mace kind of picks him up by the scruff of the neck and carts him off to the Order like "Um. Evil child. Help" but at this point Maul has imprinted on him with some really warped form of respect and so. Mace ends up with a fucked up little padawan who's more domesticated than really redeemed. But if the results are the same, who really needs to know
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scattered-winter · 1 year
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there's something sooooooo heartbreaking about quests as a narrative piece. you set out on this journey to rescue someone or defeat a great evil and along the way you face hardship and horror and you grieve and fight and love and lose and then when it's all over you come home. everything is the same as when you left, but you're so irrevocably different that you no longer fit in the one place you used to be truly at peace. you're tired from your journey but you find no rest or recovery, only ghosts. and you almost wish for another quest, another dangerous mission, because at least then you know your purpose.
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mudstoneabyss · 3 months
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actually. the specific phrasing that boy Kevin wants to kill older Kevin with "I must disassemble him, piece by piece, so that everything inside of the Old Kevin comes out. Only then can the New Kevin truly begin." is so incredibly the idea that to heal from trauma and "improve" you have to destroy every "wrong" part of yourself, that everything "tainted" by it has to somehow be replaced by something untouched (which isn't possible)
#reading back that phrasing I do think that'll be the way brinknor takes it#this arcs seeming like it'll be so. breaking the cycle of abuse and violence and coming to terms with yourself#and maybe understanding that you can never remove the parts of you impacted by trauma and start again completely ''pure''#but you can treat yourself with the kindness you should've been given#which i hope it is that because. and understand i am biased. but i'd love that direction for Kevin#it feels much more satisfying than any more. angsty way this arc could go imo#like he's been through enough!#because of the way Kevin is portrayed in fanon. not as frequently anymore but still pretty common. I worry about coming off as woobifying#by saying I want him to heal I want him to have nice things I think he deserves them#when he's also simultaneously Not A Good Person#yknow the poor little innocent cinnamon roll baby etc etc fanon#but. well for one im Not Like That about him. but my main point of bringing that up is. him not being a good person is why I want to see hi#get better and generally have a good life. why does someone have to be good to deserve to heal from trauma#especially when trauma is a big reason for the way they are#like its fiction yeah yeah i'm still tired of mentally ill people having to be ''good'' to ''deserve'' to get better yknow#i mean especially in fiction you tend to either see mental illness as the poor traumatized one who's allowed recovery because they're nice#or the insane psychopath who cant be ''fixed'' so ''deserves'' bad things-up to deserving to die!- for it#i didnt mean for this to be a rant erm. oops#wtnv#wtnv spoilers#joyousposting
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snapedefender · 1 year
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to be totally honest i feel like people forget that hp is a children’s book series and that the characters in it function the way they do to fit the narrative structure of children’s books. like. 
we can boo-hoo about snape being an abuser or w/e the fuck but the fact of the matter is that his place in the narrative is to be a mildly annoying antagonist. that’s why literally none of the kids except maybe neville are really that bothered by him beyond a “ah fucking SNAPE” attitude. like even that moment where snape insults hermione’s teeth gets blown over in like five pages??? in the next scene she’s totally fine. 
because snape’s narrative purpose is to be the annoying mean teacher. plot-wise, he functions as a narrative hook (what’s snape doing? why is he so suspicious?) and an obstacle to the goals of the protagonists. if we look at the events of a lot of the books, without snape in them there’s immediately way less tension because without snape in them, harry & co would immediately have a much easier time achieving their goals. like yeah, he’s mean but i think we’re also like... forgetting that “mean teacher” is as much a trope as like “prophecy child” or w/e. idk what to tell you except that it’s the same kind of annoying discouse that surrounds people who gasp in moral outrage over child protagonists being made to like fight the evil villains. because for most children’s stories, this isn’t a commentary on child soldiers or loss of innocence or anything like that, it’s just because... these books are for children and kids want to read about themselves conquering evil. it’s that simple. it’s a similar thing with snape. like at no point when i read this series as like a 10 year old did i think “wow that teacher is sooooo abusive and traumatizing his students!!! evil man!!!” i was like “wow he’s mean!! damn him, stop getting in harry & co’s way!!! foiled again by snape!!!” like when i was reaching as a kid/teen i regarded him as a scooby doo villain (affectionate) not a child-abusing sadist. 
and i think it’s just... really necessary to remember that characters in books serve a narrative purpose and also that the way they interact with their world is actually dependent on their genre, you know? and also because i had to read someone’s like four paragraphs on why snape is an evil abuser and i was thinking 2 myself yet again about how it’s Not That Deep. like. he’s a mean teacher. his function in the story is to Be The Mean Teacher. he’s an obstacle, not an abuser and the fact of the matter is harry & co always treat him like that bc that’s his purpose in the narrative. sorry 2 break it to you.
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scarletembers04 · 1 year
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Poor Jim
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alittlelessalone · 28 days
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I’m pretty sure I just accidentally speedran the blackening of my brand new Bingpup plush today.
So I just got my good little boy at a con and was walking home with my billowing cosplay robes and armfuls of art. And it was dark and late and Bingpup was riding in my badge lanyard. And apparently at some point in the journey (fortunately near my home), he fell out.
Well, I got home and noticed he wasn’t there, tore my apartment apart, and then on a hunch, ran outside. And then proceeded to watch in real time as my good boy was run over by a car, thrown in the air by the tires, slammed back into the ground, then run over again.
Fortunately, there was a lull in the cars after that and I was able to run out and save him. And also fortunately, it wasn’t raining or dirty on the road today, so he’s not covered in dirt. But my poor pup didn’t even make it into my apartment before being traumatized! Look how sad he looks!
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He’s going to need so many snuggles and Shizun kissies now to make him feel better!
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mid-nightowl · 6 months
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untitled lil fic #1 (jason todd and gotham war)
here's some gotham war rewrites i needed to get out of my head, the brainrot was killing me omg
warnings for violence, cursing, whatever the hell Bruce is doing (just Bruce as a full warning tag, the man is more unhinged than Joker in this)
---
“Oh Jason. How I’ve missed you, my sweet boy.”
The words are sickeningly sweet, poison-saturated words falling from bloody red lips. Delivered with a crooked smile, Joker looks up at him, uncaring at his position. His fingers curl in the clown’s suit collar, lips curling with a snarl.
Jason punches him again, the clown’s jaw cracking and his body straining against the ferry railing. Joker merely giggles, head lolling around through the air before his mismatched eyes meet his mask. 
“Shut the fuck up!” He snaps, unholstering his gun and digging the muzzle into Joker’s cheek.
His murderer raises his hands, waggling his fingers in surrender, grinning and smirking and smiling. 
He hates it, he hates it, he hates it. 
“I want you to think about this real carefully,” He digs his gun into his skin. “This could be the last joke you ever make, you understand? That’s what you want to go with?”
“You know,” His nightmare giggles, chuckles like a wind-up toy before he wipes the amusement off his face. The clown looks up at him, head tilted, pleased and patient and thoughtful. There’s not a single sliver of hate and destructive menace, or anger or disappointment or suspicion. 
Wrong, wrong, wrong, he thinks. There’s something wrong here. There’s something wrong with Joker—and not in the usual way. 
“The best jokes deliver a difficult truth, but hide it with a fun fiction,” Joker explains, smushed but coherent words strung together despite the gun halfway in his mouth. “Without humor all we have left is being mean and lying.”
“What?” He can’t stop the words before they stumble out of his mouth. He doesn’t let the gun go lax in his hand despite the way the clown’s words throw him off guard. 
Off-kilter is a genuine feeling that digs into him, shocking him to the core. The clown does this, he knows it. He knows this is how he does things, how he worms his way out of every situation and every attempted manslaughter, he knows how the clown operates, intimately. 
Jason knows him. 
Joker, historically, has been so many things. But he’s always been a psychotic, impulsive mass-murderer. Someone without restraint, without limitation. 
It’s why he’s always been Batman’s true nemesis. Bruce, he needs a fine-tuned control of everything and everyone. He is someone who has limits and restraint. 
Controlled, focused, and without limitations—Jason is almost the happy medium to both of them. 
Almost.
The three of them are similar, different, opposites and identical. It’s like walking in one of those mirror mazes where you can’t tell who the real you is. 
Who is the real Bruce Wayne? The man who cherishes his children or the one who maims them?
Who is the real Joker? The cold, purposeful mass murderer or the dumped-in-acid man who can’t tell the difference?
Who is the real Jason Todd? The bloody crime lord or the declawed crowbar wielding vigilante?
Joker simply smiles and pats his arm, as if Jason’s not trying to kill him.
He slams the clown against the railing again, snarling. 
“Enough games!” He growls and flips the safety off. The noise doesn’t even phase Joker, if anything he grins harder. His mismatched eyes—one red-brown, one green—flick above them before returning to his. 
“Are you really going to use that big bad gun of yours with Daddy watching? He’ll be so mad at you.” His murderer grins, letting his head hang limply in his grasp.
“What? Batman-!” He jerks back, head snapping up to the ferry roof cover. 
Empty. No looming monster demanding a painful compromise is here.
Joker’s hands push him back, and he grunts, stumbling into the ferry wall. The clown tumbles over the railing, disappearing from view. His laughter haunting the air. 
“No!” He shouts, dashing to the railing. 
The clown is gone under the waves and ice, sinking into the dark of Gotham Harbor. 
He’s not dead. He can’t be dead, Jason thinks, gripping the ice-cold railing, I haven’t killed him yet.
He’s not dead.
But that was mean. 
--
The last words Jason hears remind him of his grave. 
No, not the one he was buried in. Six feet of dirt above him and smothered in satin, watched over by that stupid weeping angel.
There’s a memorial in the cave with his name. ‘Good soldier’ and nothing else but his name. Both of them: Jason Todd and Robin. 
A monument to Bruce’s failure, his greatest mistake, a grave to his complicated teenage years, his love. 
“You’ve always been a good soldier. Rest now.” Bruce told him, jabbing him in the neck with the needle. 
A grave, a memorial, a monument. It makes him sick. The reminder that he will always be the dead Robin, the sad Robin, the angry Robin. 
Dead, dead, dead.
The violence done to him, inflicted and imprinted into his skin and bones was more important. The guilt and the lesson were more important than his cries for justice, for his life’s blood.
The monument and altar, raised after his murder, were never for him, but for Bruce.
He was dead, why would he care?
The story Bruce will tell would never be the truth, just excuses and wrong-doings. He would take accountability after the fact, but not before. 
Bruce would let his murderer walk and let him rot. 
Maybe that was why he buried Jason six feet under, so he wouldn’t have to face the decay and decomposition. That he could keep this golden, blurry image of him as Robin, as the straight A student, the good son. And not a weightless body splinted a thousand different ways to look human. 
But now that he’s resurrected—not in Bruce’s image, but as something broken and jagged, something lost and filled with dirt and green-green-green—Bruce refuses to acknowledge him. Refuses to believe this is who he is. 
Refuses to believe that he remade (destroyed) himself from the ruins, from the broken bones and empty veins and black thread that mended his corpse back into the image of Jason Todd. Refuse to think that if a girl can come back as a soothsayer, that a boy can come back as a gun. 
“Hnnng…Bruce,” Jason groans softly, heaving himself off the couch. 
Batman turns to him, looming with his face mask in his hands. The fluorescent lights, a nauseous lime-yellow, cut over his figure, his face, his mask. Almost a green-green-green, almost a pool of rage, almost a pit of madness.
His mask crackles alive in Bruce’s hands, Selina’s voice wavering between annoyance and worry. 
“Red Hood? Hood, please check in and let me kno-” Batman clicks his comm off. 
The resounding silence smothers him. 
His exhale comes out shaky, his heart beating too fast behind his bruised ribs, a chill crawling over his exposed skin. 
Something’s wrong. Something is very wrong. 
“...Batman? You…” He swallows roughly, mouth filled with dirt and blood and thread. “Wha…What did you do?”
“Nothing I’m proud of, Jason.” 
His heart sinks and skips a beat at the same time, stomach twisting with anxiety and fingers trembling against the ugly brown couch cushions.
Inhale. 
He pushed too much.
Taking Selina’s side?
He went too far.
Hood didn’t kill anyone?
Exhale. 
“Hh! Ho…” Jason croaks, getting his boots on the ground. “Y-you…you..”
“Take deep breaths, Jason.” Batman turns back to the computer hub glowing behind him, ignoring his attempts to speak, to demand answers. 
His arms shake as he holds himself upright, but when he tries to stand instead he chokes, falling to his knees in front of the couch. Gasping for air, he lays his palms flat against the cool tiles. His legs are quivering, heavy and unable to hold his weight. 
His whole body trembles with it, this feeling unfolding through his blood and bones, engulfing his head and voice. 
Fear, fear, fear.
“Years ago I created my backup personality, Zur, using techniques I learned from an old mentor and this machine that I built,” Batman starts, monitoring the screens in front of him with one hand on the keyboard and the other on his belt.
Bruce doesn’t turn to look at him, to face him, someone he calls son, someone he considers family, and explain what he’s done to Jason.
He never has. 
“I can’t change your personality with it, Jason…” Batman sighs, low and quiet. “But I can add to it. A small thing: your failsafe.” 
Failsafe. He slams the heel of his palm on the floor, cheeks tingling with his telltale sign of tears. A failsafe?!
Because Red Hood needs a failsafe instead of justice.
“What?!” He tries to snarl, to hiss and yell and scream his rage. But his voice fails him, anxiety chewing at his throat and tongue, voice tilting too high, too unsteady, too weak. 
“Now when you have heightened adrenaline, when you’re about to do something dangerous, your fear kicks in,” Batman continues explaining. “It…I’m sorry Jason. But it’s the only way.” He clenches his eyes shut—inhale, exhale, inhale, exhale—and tries to ignore his rabbit heart battering against its cage, pounding to the frantic rhythm of fear, fear, fear.
“I love you.” 
The words feel like gunshots, the knuckle prints on his skin after the two of them fought over Penguin, the smack of Selina’s whip against his fingers, the crowbar on his skull, his legs, his ribs, over and over and over. 
“I love you, but you are a murderer,” Bruce condemns him, over and over again. “You’re a bull in a china shop and I go round after round with you, trying to figure out how to help make you a better man, to heal you.” 
“H-heal me?” He whispers, rage cut off at the roots. “This isn’t…this isn’t you, Bruce.”
Batman, finally, turns to Jason. He looms, tall and foreboding, darkness dripping around him, drenching him in fear, fear, fear. 
Batman takes a step forward and he crashes back against the couch, spine digging into the wooden frame painfully. 
He can’t breathe. Batman moves and he knows it in his bones, knows it down to the scars Gotham and its guardian have left on him, that he’s not here to save him, to help him. 
“I got you a new identity. A place in Metropolis.” Batman keeps walking forward, despite Jason’s growing hyperventilation, despite the way his blunted nails scratch at the floor. Despite the way he shakes, black stitches snapping apart, the pieces of him falling to the floor of this slaughterhouse, at the feet of his butcher. 
“B-bat…Batman,” He whimpers, hand twisting into the fabric of his suit. 
“You can live a normal life. Fall in love, do meaningful work. This isn’t punishment, Jason,” Batman kneels in front of him and removes the cowl. “I love you.” Jason shrinks back, shoulders back and legs curled to his chest. Bruce’s face is sharp and pale, with bags under his eyes and days old stubble on his jaw. 
His eyes are dark with absolute rage. 
Batman is going to hurt him. Batman is going to hurt him.
Bruce is going to hurt him again. 
“This is a gift. Any way you look at it, you should be in prison for all the people you’ve killed,” He chokes at Bruce’s words, barely smothering the terrified cry in his throat. “This is me saving you from that. Save you from yourself.”
Jason can only stare at the man before him—the man who took him in, who raised and trained him, who loved him—does his best to bury him.
fear, fear, fear. 
--
“Please..don’t…please,” Jason pleads, covering the girl with his frame, caging her in with his bruised and burnt arms.
“Let’s begin.” Scarecrow’s voice reverberates, it shakes through air to match his erratic breathing.
“P-please, I’ll do anything you want, anything,” He begs, fear, fear, fear burning in his veins. “Please. Just stay…stay away.” 
Scarecrow closes the gap between them, rocking back and forth on his crooked, long legs. His mask distorts and mutates, a familiar green-green-green splashing over the darkened void of his gas mask.
“You’re going to die tonight. I know you know this,” Crane looms over him, green-green-green trickling out his eyes, gushing out like an open wound. “But we can still have fun, can’t we.” 
The girl trembles underneath his chest and Jason tries to smother the whimper begging to pour out his lips. It’s gnawing at him—rabbit heart frantic in his chest, hands trembling from the burning pain and anxiety, smoke and ash gathering in his lungs—fear, fear, fear.
He can’t think of anything else. 
“Those fools were right. Your terror…it’s real and it isn’t mine,” Scarecrow sneers, kneeling in front of him. “There is no thrill in driving terror into the heart of a baby bird.” 
Scarecrow takes his jaw in his hand, needles tickling at his exposed skin, forcing Jason to look at him. He can’t help but jerk his head at Crane’s touch, needles pricking into his cheek when Crane holds him tighter, another inescapable cage around him. 
His chest heaves with every shaky inhale-exhale, his anxious fear fanning over the rogue’s mask. Scarecrow leans in closer, the glass over his eyes gleaming, reflecting the fire roaring around them. Jason can hear the screams in them, watching the shadows morph around them and the straw on Crane’s shoulders wiggle. 
“This is my moment of triumph, and it is snatched away from me by..by him?!” Scarecrow shakes Jason’s head in his hand, needles scratching into his skin but still not drawing blood.
Scarecrow lets his head drop, needles disappearing from his sight before they’re clawing at his throat, wet and cold against his clammy skin. Jason whimpers and clenches his eyes shut, unable to do anything but beg. 
He knows praying for someone to help him is futile. 
No one is coming to save him. 
“Never let it be said Scarecrow has no pity,” Crane says, voice cutting in and out his head like radio static. “I will quickly finish what your daddy started.” 
“Doesn’t mommy get a say?”
A voice slices through the flames licking at his skin and the fear smothering him. And when Jason’s gaze finds him, he can’t help the tears. 
“Step away from the vigilante, pervert.” Joker grins, dark red lips stretched too wide, too thin. Ash rains down on his green-green-green umbrella, rolling down the crooked dark patches and shamrock-colored nylon. 
“You’ve already killed him once. It’s time you learned to share, Clown.” Scarecrows speaks with thin, razor-sharp disdain, glaring over his shoulder at the newcomer. 
“You should know this by now, Doc. I don’t play well with others.” The clown throws aside the umbrella, knife materializing from thin air as he descends upon Scarecrow.
“You’re not even really him, are you? Do you think I don’t know about you? Delusions and megalomania with-” Scarecrow baits and taunts the clown, before the two of them are ducking and weaving and slicing at each other with barely concealed rage and annoyance. 
“Blah, blah, blah. Do you know why you’re always going to be a C-List villain, Johnny?” Joker jokes and Jason can imagine the sharp grin on his face. “Because doctors aren’t scary. They’re annoying.”
He ducks his head down and curls tighter around the girl. She cries underneath him, hiccups soft under the roar of flames closing in on them, the screech of metal on metal and creaking of deteriorating wood. 
He can’t move. He can’t do anything but try to breathe. But all he tastes is smoke, choking him, billowing down his throat and in his lungs. His heartbeat is so loud, jumping under its bone-cage, a heady, heavy thing—badump-badump-badump-badump. It’s too fast, erratic, out of control.
“You’re a bull in a china shop and I go round after round with you, trying to figure out how to help make you a better man, to heal you-”
Always out of control. Jason whines, hands scrambling against the wood below him. It burns, seering through his fingertips. It hurts-it hurts-it hurts, he can’t do this. He can’t.
He can’t breathe.
“Ahhhh! Ack! Achhhhh!” Scarecrow screams, guttural and wobbly and when he looks up, Jason can only watch as Crane crashes through the fifth story window. 
Tears continue to stream down his face, his heart trembling in his chest and the realization strikes him then, cracking down on his skull like a crowbar, over and over and over. 
Joker saved him. Joker saved him. Joker saved him. 
His murderer saved him.
 “A-are you real?!” Jason cries out, fingers curling into the withering floorboards. “Is this real?!” 
“Oh, don’t worry about him. I didn’t even give him a real dose of Joker Gas. I ran out. Heh!” Joker laughs, rubbing at his jaw. Blood and green-green-green stain the edges of his mouth, smeared down his chin and throat before disappearing under the orange sweatshirt he’s wearing. 
“But now, it’s just you and me. And…your daughter? Did you have a daughter and not tell me?” The clown tilts his head in question, tucking away the green-green-green gun in his hand. He steps closer, uncaring of the flames licking over his pale skin.  
Jason can’t tell if it's real or an illusion, can’t tell if his murderer is here and saving? rescuing? tricking? him. He can’t tell if this is just another nightmare he’s trapped himself in, or if this is the real punishment Bruce promised him. 
“She’s just a kid. Please…don’t,” He pleads, the tears searing down his ash-stained cheeks. 
Joker leans down, bringing his face close to Jason’s. His mismatched eyes—one green, one red-brown—bore into his and the clown smiles, too wide, too cracked and broken, too bloody and green-green-green. 
He sobs, cracking under everything. He can’t do this, he can’t. 
“My, my. Even like this you still think you’re the hero. Batman would be proud if he didn’t hate you,” His murderer says, before his bony hand is cupping Jason’s face, calloused fingers dancing over his skin. 
Jason clenches his jaw when it threatens to wobble and tremble, but knows the fear is shining in his eyes. Knows the clown can see it, knows he recognizes it in his baby-blues. He’s been here before.
They’ve been here before, together. 
“But don’t worry my sweet boy, I’ll find a way to fix you. Nobody is going to hurt you. I won’t let them. Because I need you.” His voice is honeyed and threatening, curling and clawing and cloying into his head like a sickness. Joker pets his hair, gentle and caring, and Jason knows he means it. 
He’s going to fix him. He’s going to heal him. 
He’s going to save Jason.
“Don’t worry, sweet boy. We’ll see each other soon,” Joker pats his cheek with a crooked green-green-green smile. “I promise.” 
His heart beats frantic to the words—fear, fear, fear—eyes unable to look away from Joker.
Jason believes him.
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yuzuna123 · 4 months
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"Kazuya has been in charge of his Devil since Tekken 4! he's an irredeemable asshole kazujun shippers are delusional blah blah blah"
no
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