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#hellboy sequel
loremori · 1 month
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HAPPY BIRTHDAY RON PERLMAN!!!
He was a magnificent Hellboy <3
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Thanks to Guillermo del Toro for bringing Mike Mignola's comics to life.
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Doug Jones (Abe is my favorite character) and Ron Perlman were magnificent in their respective roles.
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vendriin · 2 years
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Hellboy II: The Golden Army (2008)
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aro-pancake · 6 months
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So Monday night we watched Pacific Rim.
Then, yesterday we met up with a friend, who mentioned to mr Pancake that Uprising exists. He got curious, so we watched it.
There is so much wrong with that movie.
I'll put a cut here because a) it's Spoilers if you haven't seen either movie, and b) it's a long, long rant.
I would die happily without remembering that movie even existed. So, thank you, friend, for reminding me of it. 😒
First things first, they're ignoring the established lore. On the words of Ron Pearlman, Kaiju bone sells for 500 dollars a pound, so why are there still so many carcasses laying about?
Also, the war ended 10 years ago! Why are Jagers still in production? The whole shebang of the first movie was that the program was ending, and they were given a final shot at the Jagers before the walls were done. The governments didn't want to keep the Jagers then, they sure as fuck wouldn't want to keep them after the war!
(Attack on Titan looking kinda weird.)
And why do they have Jagers strolling around casually? Those things are heavy and expensive to maintain. They would stay in docks until they were needed, make quick work of the Kaiju and return to docking. What's fueling the Mark VI Jagers?
Why wasn't Jake ever even mentioned in the first movie? Where did the kid come from? He just popped up and we gotta swallow it now? And this kid wouldn't be poor! His dad was Marshal Stacker Pentecost, ffs! His sister is Mako Mori! His family are all high ranking war heroes!
Then... There's the kids. The biggest human issue we had in the first movie was actual tension between the GROWN UP pilots, who were dealing with the apocalypse incoming their way. Now, we have kids fighting over who's getting the top bunk.
And don't (please do) get me started on the drift. First movie? They were all family. We had two Russian siblings, Chinese triplets, father and son, twins... People you already share memories with, what makes it easier to drift.
The second movie? They tossed a bunch of random kids together and expected them to drift on day fucking one! Not even Mako and Raleigh managed to drift on day one, and he was ready to give her the world the second she showed up. They actually spent time together before attempting to drift. Talked. Got to know eachother for a couple days.
Yes, sure, there was the impending apocalypse knocking at their doors so they had to speed run a drift compatibility. But it made it believable. The cadets on Uprising didn't have to deal with the world ending.
That Chinese lady? Boss, have the whole "I hate repeating myself" thing? Did they want to divert us into thinking she was the BBEG when Newt (Charlie Day, my second favourite character in the first movie) was acting completely out of character and LITERALLY DATING A FUCKING KAIJU BRAIN? LIKE THAT WASN'T INCRIMINATING ENOUGH?
[deep breaths] ok. I'm calm.
And did they want the boss lady to be a strong female character? She was annoying. They already had a strong female character. Yes. Mako Mori.
I'm honestly glad she died when she did, before they had the chance to destroy her character for good.
And why did they present the solution (Jagers still in commission) then the problem (Obsidian Avenger/return of the Kaijus) to justify the solution?
It's been 10 years since the war! The world wouldn't still be in shambles!
I would have liked that movie if:
"look, we built some Jagers again to put as a display/just in case, and transformed the Shatterdome into a wartime museum."
"oh no. The Kaijus are back! Who can help us now?"
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Put together a ragtag band of fighters, trained by Mako and Raleigh (happily married, thank you. Also, please feel free to send some fluff fics of them my way), and they have to help new pilots to find their way into the drift. There would be a lot of awestruck new pilots, being like "omg, we're being trained by them!", while others are like "what do you know? Your war is over." And they have to wrangle the kids to get a fighting force to go and destroy the Kaijus.
That would make it a better movie. Not necessarily a good one, but one where we're willing to suspend our disbelief and fall back into the amazing lore of Pacific Rim.
Yes. I like the lore of Pacific Rim. Sue me.
ETA: it was such a bad movie, I only remember the names of two characters, Mako because Mako, and Jake, because he's supposed to be the main character.
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the-100th-witch · 1 year
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Hey, remember that Hellboy reboot that no one ever fucking acknowledges because it flopped and doesn't even compare to the 2004 and 2008 movies?
Now you do, I'm sorry.
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OOZEPUNK
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WHAT IS OOZEPUNK?
Oozepunk is the term I'm coining for the microgenre of urban heroic sci-fi horror-fantasy that first exploded in the mid-80s with movies, shows, and comics like Ghostbusters, Teenage Mutant Ninja Turtles, The Toxic Avenger, Who Framed Roger Rabbit, Hellboy, Street Sharks, and others. Lots of natural crossover with Biopunk and Cyberpunk, aesthetically and philosophically.
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Your childhood trauma didn't let you forget Roger Rabbit heavily featured colorful nightmare slime, did it?
A ragtag gang of weirdos (often horribly mutated--more on that soon) band together to save a city that doesn't understand them. Grimy sewers, abandoned buildings and graffiti'd brick walls are lit up by neon lights, streams of mysterious, glowing goo and/or the unearthly lights of futuristic particle weapons--ideally all of the above!
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Beyond the "cracked concrete and gutters full of liquid plutonium" aesthetic, Oozepunk prankishly asks "What if catastrophic aberrations of science, particularly DUMPING TOXIC FUCKING WASTE STRAIGHT INTO THE ENVIRONMENT created fucked-up monsters... but they're HEROIC fucked-up monsters!" These catastrophic aberrations of science grant the heroes incredible powers, but COST them their place in human society. (Ghostbusters and Roger Rabbit eschew character mutation in favor of discovering that the undead and olde tymey cartoons are real [and exploitable!], respectively. 'Busters and 'Toon sympathizers alike are treated like insane idiots and/or frauds in their respective universes.)
Oozepunk heroes are challenged not only by strange supernatural beings, but by human society itself. The Ghostbusters battle with local politicians as much as they do the undead. In the recent (and delightful) TMNT: Mutant Mayhem, Splinter warns the Turtles of humans and their obsession with "milking" mutants for their blood--on top of the villainous mutants they're trying to thwart!
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Crank up the creep factor in Oozepunk and you get awesome anti-establishment goo-horror like 1988's The Blob, The Stuff, Street Trash, and probably a bunch more. Toxic Avenger is a batshit crazy splatter-comedy (i.e. classic Troma)... and still garnered sequels, a kid's cartoon and toyline!
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And there's a Shredder's Revenge-style Crusaders beat-em-up coming out next year??
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This looks dope as shit
Ghostbusters and TMNT are the only current, "evergreen" (or radioactive green!) Oozepunk franchises I can think of off the top of my head, but Oozepunk elements are buried in almost all of the stories and settings I love the most. Heroic kaiju like King Kong, Godzilla and Gamera paved the way for our freaky friends, but so did comics characters like Fantastic Four's Ben "The Thing" Grimm, The Hulk and Swamp Thing. Hell, I think I blame SESAME STREET of all things for starting me down the Oozepunk path.
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Surprise! I've loved screaming trash monsters with secret hearts of gold since I was a fucking baby, and they've ALWAYS been there for me!
But it's not just Oscar, Sesame Street as a whole is a proto-Oozepunk utopia, years before the big Ooze-splosion of the 80s. Muppets, monsters, talking animals and chill humans all live and work together to scrape by with a little dignity in a gritty-but-wholesome urban world!
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Sesame Street, a decades-long reminder that educational childrens' programming can and SHOULD be cool as hell looking and loaded with all kinds of friendly mutant freakuloids.
OOZEPUNK! Whaddya think?
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teaboot · 1 month
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What are your favorite pieces of media?
hhhhng Uhhhh
growing up, probably The Pendragon Chronicles- from what I recall it's a series of books about a kid who has to correct cataclysmic events on a bunch of separate worlds caused by a being who intends to end life on all of them.
One world is Modern Earth, where he's the only one able to use the portal to travel to other worlds, one is 1920's Past Earth, one is Future Earth in a sort of cyberpunk setting, one is a desert planet in the midst of war, one is a jungle world in which the dominant species is a race of bipedal cats, one is a water world where all food is farmed on a series of island-sized boats.. and I think that's all of them, unless I'm forgetting?
And on each world there's one guardian, and they meet up and fight and shit, and they can't blow their cover on any world, and each world has a large, distinct world-ending event brewing- The water one may lose their source of food, for example, and in future-earth people are wasting away in a virtual reality game they become addicted to.
It's one of the rare long series of teen books that I feel had a pretty satisfying ending despite the huge buildup, and I'd really recommend it to anyone interested.
I also really like X-Men, and Trigun, and while I haven't seen the new Percy Jackson series it was UNCONTESTED my number one favourite- I still have it on my shelf, absolute A+.
Aaaaand.... I enjoy the Batman Fandom more than most of the comics themselves but I'm in there, too. Was a homestuck cosplayer back in the day, as well. Loved Gravity Falls, loved Steven Universe.
Six Underground ins my favourite "sick at home" comfort movie. Also the only two John Wick movies in existence, shame they never made more sequels. Lord of the Rings. The Princess Diaries. Stardust. Ella Enchanted.
Oh, and the Inkheart books were FABULOUS. Really, they read like nothing else, just such a fantastic and unique flavour in fantasy!
Uhhhhh. Hellboy, too. Hell's Paradise. Bleach. Darker Than Black I vaguely remember enjoying, but I have the DISTINCT MEMORY of despising season two, so fuck that shit, whatever it was.
And I remember... oh, maybe twelve years ago, now? Really liking the spy series Nikita, and the urban fantasy Lost Girl, though I don't think I finished either.
Oh, and Elementary is a must-watch!
Poirot, too, and Perry Mason, and Midsommer Murders.
Also Blown Away, glassmaking reality series, and Forged In Fire, a bladesmith reality series.
Kitchen Nightmares, Hotel Hell, Hell's Kitchen, all good.
Puppet History. Watcher. Game Changer.
And webcomics Dead End and Check Please.
................I may need to spend more time on this
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flightyalrighty · 3 months
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IDK if this counts as too spoilery to answer, but do they also use this memory altering to control their hosts? You described Sonic as being stuck in a 'prey animal stuck in a corner' mentality due to his parasite, but is that because she's fucking with his fight-or-flight instinct for the adrenaline or because she's literally gone in and messed with his memory to the point where he genuinely thinks something is out to get him and he's struggling to remember it's not supposed to be like this?
I guess another way to ask is is she just hitting the "Panic right now!!!" button over and over or did she go in a rewire him to the point where he's hitting the button himself? And how much is he able to think for himself right now? (Also that parasite must be in heaven rn. She jumped into Sonic? Adrenaline junky running at the speed of sound Sonic??? She is living the dream and I hate that for him 😭)
Also gonna use this ask to gush about how much I love this comic and concept. It's so well drawn and it feels grounded if that makes any sense. It feels like everyone is acting the way real people would act. I'm actually glad to see you say this is gonna have a bittersweet ending because I genuinely can't see how it could have a perfectly happy one you know? Pop off OP and have fun with this 👏 I'll be here for the years it'll take for this comic and the sequel to be made 👌👌
(Also also can I say the panel that really got me hooked was the one where Shadow was looking at Rouge after taking off the heart monitor? God it felt like it wasn't just him looking at her and then there was the foreboding flatline in the same scene and it's just 💗💗💗💗💗 love that feeling it gave 10/10 would love feeling that horrid sense of dread again)
Okay so first of all can i just say
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This is both a very insightful and very nice ask -- Thank you for sending it! Genuinely such a sweet thing to wake up to this morning, and I'm happy to hear you'll be sticking around for more!
And y'know, some years back, when I was still in college, I was told by someone that my art was good but my writing "sucks." While I shouldn't have let that bother me, it's a comment that has haunted me to this day. I'm glad you like my writing, Symbio-Ratio. Makes me believe I've improved since my days of suck-fullness.
My favorite comics tend to be the ones that are, like you said, "grounded," at least in tone. Maybe Spider-Man: Blue and Hellboy rubbed off on me, idk 😜
To answer your question: To a degree, the parasites do use memory altering to control their hosts -- Less to manipulate their emotions and more to ensure they don't believe anything is wrong (and therefore seek help before she's settled in). So she targets memories that are points of major stress for the host and attempts to delete them, since getting a bug inside you would, uh, be a very stressful memory. It's trickier to do on people with PTSD, however.
The parasite does, in fact, hit that button over and over, forcing their host to lose their ability to reason while subjecting them to an overload of panic and anger until they furiously lash out at their "attackers" with a strength they can't normally use under non-panicking circumstances.
And yeah, unfortunately, Sonic is basically the parasite's dream host.
Thank you very much for sending this! :]
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catbountry · 1 month
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It's been a year since the premiere of Trigun: Stampede. The series, despite the fears of the fans of the '98 anime, actually turned out really good; Yasuhiro Nightow is a big superhero comics nerd, and wanted to have this new anime adaption be an adaption similar to the adaptions of the MCU, back when those movies were consistently enjoyable, and I daresay a bunch of the people watched Trigun probably were either already anime fans, or they were nomad fans who may have been really into the MCU at one point.
I have a lot of thoughts on an American perspective on Vash the Stampede as a character, with a lot of comparisons to American comic book superheroes. And while Trigun wasn't my first anime, I was hooked on it, as someone who grew up around Batman and Spawn's 90's popularity. During my first Otakon in 2001, I must have seen a dozen Vash's and Wolfwoods. I remember the year there was a Wolfwood cosplayer whose Punisher gun was shaped like the Star of David instead of a cross, making him a rabbi. That shit was amazing. The larger point is that I've loved this character for more than half of my entire time being alive, and I haven't seen a lot of discussion of Trigun viewed from a more political lens, and why it resonates so much with Americans (or at least me, who is an American) in particular
Buckle up, kids, this is gonna be long and rambly.
There was a period of time where I watched nearly every single new MCU movie in the theater. It was exciting seeing adaptions of comic books that would have probably never gotten a movie before the success of The Avengers. And I don't think it's a mistake that the most comic book-y of the movies are usually the best; Guardians of the Galaxy and its sequel remain as probably my favorite MCU movies. Nightow was working directly with the studio making a new Trigun anime and reportedly got the crew to watch a bunch of Marvel movies to set the tone for the anime as an adaption; it's why Vash got a completely new redesign that freaked all us old fans the fuck out. Though it appears that once again, Trigun tried and failed to get that massive Japanese audience that most successful anime have. But boy, oh boy, do us westerners fucking love Trigun, especially us Americans. Nightow's love of superhero comics bled into Trigun, and it just so happened that he was incredibly influenced by Spawn, Hellboy and Batman as much as he was influenced by Akira Toriyama and mechanical art. McFarlane Toys released a Vash figure that is McFarlane'd the fuck up. Nightow loves all superhero comics but especially the Blade trilogy.
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Just look at this and imagine being 13 years old and seeing this on a screen for the first time with the instrumental hard rock opening.
Also, I wouldn't actually get around to reading Spawn until I was an adult, but you know what? It's pretty good. The writing is definitely weaker than the art, but holy shit, that art goes hard and I still think that shit's cool as fuck.
As stated before, around the early 2000's Trigun was considered peak anime, though it's been more overlooked in recent years in favor of Cowboy Bebop, an anime that has aged gracefully by comparison. But while Bebop has that sort of timeless cool and level of quality that drew the attention of filmmakers like the Wachoski sisters, Trigun has that very specific kind of adolescent sense of coolness that comic book fans get, especially back in the 90's before this sort of thing would be smothered to death by MCU's Joss Whedoning of superheroes. Spawn, Hellboy and Batman are still cool. And Trigun also has a shitton of guns, obviously, given that Vash being an incredibly OP gunslinger in a world where everybody has guns.
And America loves guns.
I think the contrast of Vash's pacifism while still wielding a gun is extremely interesting because it's not something you see very much (I bet if I watched more westerns, I'd have a better idea if this is a trope in them at all). Batman does not use guns and doesn't kill people, which is why there's still discourse around Tim Burton's Batman films to this day still; I don't think Kevin Smith has budged on this. Other more morally grey superheroes will use guns (by this definition I'm counting The Punisher even if he doesn't have any superpowers, unless you count severe PTSD as a superpower). And a lot of them had huge surges in popularity in the 90's around the time Nightow was making Trigun. Vash posed like Batman or Spider-Man looking brooding (like the gif above) happens a lot in the earlier issues even though that's not really his character.
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Several years ago, there was an attempt by a conservative thinktank to discredit a bunch of Hollywood actors saying that gun violence in America is a serious issue and contrasted their statements scenes of them shooting guns in movies, but if we're being real here, gunplay in movies can be really fucking cool. Again I invoke The Matrix, or movies by Robert Rodriguez and John Woo. Look at video games, and compare the decline in violent crime that's been happening here since the 70's and 80's, as culture warriors bemoan movies and video games for becoming more violent. Remember when Wayne LaPierre, vice president of the NRA, brought up fucking Splatterhouse as a reason why Sandy Hook happened? Do you know what Splatterhouse looks like?
It looks like this.
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You know how these guys constantly say the only way to counter a bad guy with a gun is a good guy with a gun? Usually, the inference is that if the "good guy" with a gun shoots, he's shooting to kill. Deadpool and the Punisher would shoot to kill. But Vash is constantly trying to avoid it. And I remember as a teenager finding that really cool? And the manga and anime don't shy away from how impractical Vash's pacifism is. It's a bit more realistic than Steven Universe's ending, but also Steven Universe was made for children.
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I know Avatar: The Last Airbender is often invoked when criticizing Steven Universe's philosophy, but I haven't really seen Vash's similar philosophy criticized in the same way, and I think a lot of that has to do with the presence of Wolfwood, who is the "I think we're gonna have to kill this guy" guy. I'm honestly surprised I haven't seen art of this yet. I may have to get on that. I already drew Vash horrified at the Trolley Problem.
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Vash is a character designed with maximum coolness in mind, but also an overpowered being who is capable of killing millions, and in the anime, he somehow destroys July City without killing anyone directly, but the destruction of the city led to a bunch of people dying. He's so deeply committed to not wanting to kill anyone that he's probably killed more people than he would have if he just shot Knives. The best Batman stories acknowledge that Batman's refusal to kill Joker has similarly results in the deaths of people Batman could have prevented if he killed one guy, and this could also apply to Vash's relationship with his brother Knives, who was kind of destined to be a mass murderer with a name like that, let's be real.
Online, we tend to joke about bringing out the guillotines, or justify not feeling an sympathy for billionaires who die in a sub trying to view the Titanic. But if you were given a gun and a real human person begging for their life, what would you actually do? Do you honestly think that you would be the ethical Death Note user?
Vash has guns but he chooses not to kill people; he prefers to not even use them unless he has to, instead opting to run away and look cool doing it somehow.
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He really, really doesn't want to kill people. He doesn't become numb to people dying. It hurts him every single time he watches someone get killed. In reality, most of us that aren't sociopaths would be distressed at the thought of killing someone. The only reason armies in real life work is that they become inoculated to the idea of violence and dehumanize the enemy. Vash is no soldier. He is idealistic, he is empathetic, and he sees every human being as a person worthy of life. Batman refuses to use guns, as that's how his parents were killed in front of him. Vash has to use guns in order to protect people from getting killed. He has the ethics of Superman but the tools of a comic book antihero. He's the logical conclusion of an shonen anime protagonist in a world that chews up anyone with that kind of optimism and hope and spits them out. And yet... he still keeps going. He remains committed. He's still cheery, goofy, lovable Vash.
Batman used to kill people, in the earliest comics. With the Comics Code Authority, no superheroes could kill people. In the 80's, comics were getting darker and edgier, taken more seriously. While Alan Moore's Watchmen delved into the moral complexities in a world with superheroes that was similar to ours, Frank Miller was keeping Batman consistent, even as Gotham got darker and uglier.
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Batman is a vigilante. The police can be helpful or they can fuck up everything, depending on what's needed for the story. In Batman Year One, there's a scene where Batman crashes a party attended by the elites of Gotham, politicians and mobsters mingling.
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Seeing this during the Bush presidency blew my mind. I don't want to get into just how perfectly the members of his administration seemed to resemble a rogue's gallery of sorts with the shared goals of making a lot of money and bombing the shit out of Iraq and Afghanistan. I was extremely anti-war even before the 2000 election as a very opinionated 14 year-old watching, Jon Stewart on The Daily Show and feeling relieved that a grown-up was able to see through all the bullshit; it helps when the guy who's against the war and killing people is funny. I remember writing in my diary at 12 years old after Columbine happened that I wanted to take all of the guns and melt them down in a pot, similarly to that scene in Superman IV where he throws the entire world's nuclear arsenal into the sun. But also that same year I would fall in love with The Matrix... and not long after that, Trigun.
Again, we come back to the idea of someone using a gun, a weapon designed to kill people, and using it in pursuit of the exact opposite. That resonated with me. I myself was very idealistic, and the political climate of my teenage years seemed to do almost everything to stamp that out of me. Things feel just as fraught two decades later, but in slightly different ways. Pacifism is looked down upon, as indicated by the backlash to the ending of Steven Universe, and how one crazy lady called Rebecca Sugar, a Jewish person, a Nazi for writing it that way. But for Steven, things worked out. For Vash? Well, he still has hope somehow, despite everything. I think the fact that he strives to protect human life, even when someone is a complete monster, is admirable in that it cuts to the very basic desire to not see people hurt. But we're also selfish, and scared, and sometimes it's hard to conceive of a solution to a problem that doesn't involve violence. Seeing dead bodies on TV or the internet upsets us, but we're often paralyzed by feeling like we can't do anything, and even if we tried, we'd likely perish in the attempt. We desire revenge, punishment for those who transgress by inflicting violence, and we can rationalize using it against the right targets. Vash the Stampede would have a fucking breakdown dealing with the state-backed violence that's been a part of geopolitics pretty much as long as there have been states and geopolitics. Vash would try and solve the bombings of Gaza with an impassioned plea for both sides to stop fighting before he would somehow wind up making things worse and it would eat away at him inside, no matter how brave a face he puts on as he tries to find some kind of hope in a hopeless situation. And... you know what? I kind of wish more people would be like that. Maybe if there were enough people like that, these sorts of things wouldn't happen in the first place. I wish more people could look at human suffering and feel compelled to try and stop it, not discriminating against one side or the other, trying to understand why people are doing what they do. Seeing anti-war protestors in Tel Aviv brings back memories of protests against the start of the War on Terror, and how hated America was internationally during those years, even when most Americans approved of the war. Michael Moore was booed at the Oscars for condemning George W. Bush and the War on Terror. It's terrifying that those in power want us killing each other and have conditioned us to support it. I want so badly for human beings to come together to just stop the violence, but it feels impossible, like we're destined for failure, like we might somehow make things worse or become worse versions of ourselves full of hatred and ugliness. But we should want to try, even if it's hard or unprofitable or we have no idea how to even do it. Somebody actually dedicating themselves to trying to fight our violent impulses out of love is appealing, and if they're more powerful than use, and can do more... well, I want the biblically accurate angel with every mental illness willing to martyr himself over and over again. But it is more fun when he's Bugs Bunny about it.
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Happy Fanart Friday, guys! 🫶🥳💕
Here’s my Hellboy Portrait — both in his original comic book style by Mike Mignola and his iconic movie portrayal by the GOAT Ron Perlman! 🔥🔥🔥
I recently heard that the first Hellboy movie just 20 years old and Mr. Perlman just celebrated his birthday a couple days ago! So better late than never to celebrate both! I love the first movie especially its 2008 sequel made by the legendary Guillermo del Toro nd Mr. Perlman is forever be the best Hellboy ever! 🔥🔥🔥 Don’t you agree?
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fun-k-board · 4 months
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Rules / About Me - Masterlist - Media / Characters I Write For
My Writing Masterlist
Media included : MARVEL, TEENAGE MUTANT NINJA TURTLES, MORTAL KOMBAT, DETECTIVE COMICS, STAR WARS, NIX HYDRA, HOYOVERSE, AVATAR THE LAST AIRBENDER, TOLKIEN, OVERWATCH, APEX LEGENDS, THE DRAGON PRINCE, STARDEW VALLEY, TROLLS, OBEY ME SHALL WE DATE, AVATAR, SEDUCE ME THE OTOME, LACKADIASY, BALDUR'S GATE 3, DEAD POETS SOCIETY, LEGO MONKIE KID, THE CHRONICLES OF NARNIA, KNIVES OUT, LEGO NINJAGO, THE SCHOOL FOR GOOD AND EVIL, HELLBOY.
Note(s) : I'm going to be putting all the writing I've done in one Masterlist! I hope the links all work (⁠。⁠•̀⁠ᴗ⁠-⁠)⁠✧
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MARVEL -
Sam Raimi's Spider-Man -
Nothing here...
The Spectacular Spider-Man -
The Sinister Six find out that Spider-Man is Peter Parker - Part 1
Ultimate Spider-Man -
Nothing here...
The Amazing Spider-Man -
Nothing here...
Marvel Cinematic Universe Spider-Man -
Nothing here...
Marvel's Spider-Man 1 / 2 and Miles Morales -
How Would The Spider-Men Be With a Horror Movie Night Headcanons + Oneshot
How Would They Be If Their S/O Loves Halloween Headcanons
Black Cat kissing her S/O
Spider-Man : Into / Across The Spider-Verse -
Spider-Man Into / Across The Spider-Verse Gwen Stacy Headcanons
Ben Reilly X Gender Neutral Reader Dating Headcanons
X-Men: The Animated Series / '97
X-MEN '97 - Little reader who's more fussy and tends to have tantrums
X-Men : Evolution -
The Brotherhood X gender neutral crush
Fox X-Men Movies -
Nothing here...
Wolverine and The X-Men -
Nothing here...
Fantastic Four 2005 / 2007 -
Nothing here...
TEENAGE MUTANT NINJA TURTLES -
Teenage Mutant Ninja Turtles 2003 -
Nothing here...
Teenage Mutant Ninja Turtles 2007 -
Nothing here...
Teenage Mutant Ninja Turtles 2012 -
TMNT 2012 X AFAB Gender Neutral Reader On Their Period Headcanons
Bayverse Teenage Mutant Ninja Turtles -
Leonardo X Fem Reader Who's Short and Busty
Rise Of The Teenage Mutant Ninja Turtles -
Nothing here...
Mutant Mayhem
TMNT Mutant Mayhem X Gender Neutral Reader Dating Headcanons
MORTAL KOMBAT -
Mortal Kombat X -
What Type Of Cards Against Humanity Players Would The Mortal Kombat X Kast Be Headcanons
Mortal Kombat 11 -
How Would They Be If Their S/O Loves Halloween Headcanons
Mortal Kombat 2021 Movie -
Champions With a Platonic Child Reader Headcanons
Mortal Kombat 1 / 12 -
Tomas Vrbada / Smoke Friendship Headcanons
Syzoth / Reptile Friendship Headcanons
Bi-Han / Sub-Zero X Boyfriend Reader Who's His Childhood Friend
Johnny Cage X Gender Neutral Popstar Reader Intros
MK1 X Gender Neutral Spider-Man Reader Intros
MK1 X Gender Neutral Venom Symbiote Spider-Man Reader Intros
DETECTIVE COMICS -
Young Justice / Green Lantern : The Animated Series -
Young Justice With a Gender Neutral Reader Who Accidentally Sneaks Up On Them Headcanons
How Would They Be If Their S/O Loves Halloween Headcanons
Gotham -
Nothing here...
Titans -
Nothing here...
Gotham Knights -
Nothing here...
STAR WARS -
Prequels / The Clone Wars / The Bad Batch -
Nothing here...
Originals / Rebels / The Mandalorian -
Nothing here...
Sequels -
Nothing here...
NIX HYDRA -
The Arcana -
Nothing here...
Last Legacy -
Nothing here...
Monster Manor -
Nothing here...
HOYOVERSE -
Genshin Impact -
Genshin Impact Platonic and Romantic Headcanons
Honkai Star Rail -
Nothing here...
AVATAR : THE LAST AIRBENDER -
Legend Of Aang -
Nothing here...
Legend Of Korra -
Nothing here...
TOLKIEN -
The Lord Of The Rings -
LOTR With a Platonic Child Reader From Our World Headcanons
The Hobbit -
Nothing here...
OVERWATCH -
Nothing here...
APEX LEGENDS -
Nothing here...
THE DRAGON PRINCE -
Nothing here...
STARDEW VALLEY -
Nothing here...
TROLLS -
Nothing here...
OBEY ME : SHALL WE DATE -
Nothing here...
JAMES CAMERON'S AVATAR / AVATAR : THE WAY OF WATER -
AVATAR 2009 X Human Gender Neutral Reader Who Adores Christmas Headcanons
AVATAR : WAY OF WATER Headcanons
AVATAR : WAY OF WATER With a Moth From Sky Children Of The Light - Prologue - Part 1 - Part 1.2 - DISCONTINUED.
Rotxo X Metkayina X Gender Neutral Reader
Angst AVATAR : WAY OF WATER Headcanons
AVATAR : WAY OF WATER X Human Gender Neutral S/O Who Has Psoriasis Headcanons
SEDUCE ME THE OTOME -
Nothing here...
LACKADAISY -
Rocky Rickaby X Gender Neutral Reader Who Awkwardly Confesses To Him
Lackadaisy With a Teen Gender Neutral Reader Who Wants To Be Apart Of Lackadaisy Headcanons
Child Rocky Rickaby X Child Gender Neutral Reader
Rocky Rickaby X Gender Neutral Reader Dating Headcanons
Mordecai Heller X Gender Neutral Reader Dating Headcanons
BALDUR'S GATE 3 -
Dammon, Rolan and Zevlor If Their Gender Neutral Crush Accidentally Confesses To Him Headcanons
DEAD POETS SOCIETY -
Nothing here...
LEGO MONKIE KID -
Macaque X Gender Neutral Reader With Umbrakinesis Headcanons
THE CHRONICLE'S OF NARNIA -
Nothing here...
KNIVES OUT -
Nothing here...
THE SCHOOL FOR GOOD AND EVIL -
Hort X Gender Neutral Reader Who Has a Relationship With Him Like Morticia and Gomez Addams Headcanons
Hort Of Bloodbrook x Gender Neutral Reader Dating Headcanons
Hester X Gender Neutral Reader Dating Headcanons
LEGO NINJAGO -
Nothing here...
HELLBOY -
Nothing here...
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bartholomewfarquaad · 8 months
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Guillermo del Toro: hey could I make Hellboy 3
The studios: No, we don't think it will be profitable despite both of your films turning a profit, being well received critically, and the sequel making more money than the first
Also the studios: *Reboots Hellboy with a movie that lost money and everyone hated*
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vamprisms · 8 months
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i liked hellboy's little twink friend from the 2004 movie i wish they'd kept him around for the sequel
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mariacallous · 10 months
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“Barbenheimer”—the collective celebration around the release of the Barbie and Oppenheimer movies—has collided with the wedding industrial complex. That’s not a joke. According to a Variety story this week, people are planning on taking their friends and family, prenuptials, to see the two films as a double feature. People who aren’t getting married are planning similar movie-watching marathons. It’s the kind of viral cultural moment marketing teams dream of. It also feels like a sign of the end times.
This sense of dread doesn’t stem from the public’s collective yearning to absorb stories about a Mattel doll and the development of atomic weapons at the same time. It’s because this weekend promises the kind of “let’s all go to the movies!” hype (and box office haul) that cinemas haven’t seen since before the Covid-19 pandemic shut theaters down—and it’s happening as Hollywood is going on strike.
This week, WIRED rolled out a series of stories detailing what we believe the future of entertainment might entail. The purpose was to look at how all aspects of culture, from books to video games to YouTube, could be impacted by advancements in technology. As we worked on it, though, something happened: Contract talks between Hollywood studios and the writers and actors unions began to break down. One of the major sticking points in those negotiations was the use of artificial intelligence in movie- and TV-making. Suddenly, as Madeline Ashby wrote in her essay this week, the world was in the midst of Hot Strike Summer.
Then, Hot Strike Summer slammed into the Barbenheimer moment. Once the Screen Actors Guild—American Federation of Television and Radio Artists, or SAG-AFTRA, called for a walkout, stars could no longer smile on red carpets without looking like scabs. The stars of Oppenheimer walked out of the film’s London premiere when the strike began. The cast and filmmakers behind Barbie, which premiered before SAG called for a strike, voiced their support. Soon, “This Barbie Is Now on Strike” became the headline, transforming one of the world’s most well-known figurines into Norma Rae. The marquee at my local theater in Brooklyn listed both movies alongside the phrase “Atomic Kenergy,” while The New York Times asked, “Can I Watch ‘Barbenheimer’ Despite the Hollywood Strikes?” (Short answer: Yes.)
To that end, the strikes will not affect Oppenheimer or Barbie’s opening weekend box office numbers. Earlier this week, AMC Entertainment reported that some 40,000 people had bought tickets for both films, and together they’re estimated to make around $150-200 million domestically, with Greta Gerwig’s send-up of the Mattel doll bringing in a bigger chunk than Christopher Nolan’s historical drama about the man behind the atomic bomb.  
But what matters is what happens after this weekend. By all accounts, Hot Strike Summer seems poised to last beyond one season. Even before SAG went on strike, studio sources were telling reporters that the plan was to let the strike “drag on until union members start losing their apartments and losing their houses.” In response to that, actor Ron Perlman took to social media to say “listen to me, motherfucker—there’s a lot of ways to lose your house.” He later walked that back, but when Hellboy enters the chat, you know it’s not going to end gently.
The longer writers and actors are on strike, the bigger the hole next summer or the summer after that, when the movies that would be filming right now aren’t ready. (Deadpool 3 and the sequel to Mission: Impossible—Dead Reckoning Part One, for example, are both currently on hold.) Cinemas have been bouncing back in the years since Covid restrictions were lifted and people began feeling comfortable in movie houses again. A lackluster year brought on by a dearth of films could prove detrimental.
Yesterday, Comic-Con International began in San Diego. Typically, or at least before the pandemic, the event has been full of panels with flashy stars promoting their next big movie or TV series. As long as SAG is on strike, those celebs won’t show. Some attendees will likely welcome the event’s return to its comics roots, rather than the Hollywood hype-fest it has become. But no matter what happens, it will be unlike any Comic-Con in recent memory. Maybe a little less plastic, but not fantastic.
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bluef00t · 5 months
Note
Do you have any comic recommendations for stories about pulpy-like heroes in fantastical adventures, a la Atomic Robo or Hellboy?
Those ARE my two big recs, which makes this difficult! Golden age pulp's unpredictable spikes of bigotry makes it hard to suggest to strangers as light reading, while modern pulp pastiches can feel overly self-conscious or just hollow to me (while continuing to import all the same old xenophobia.)
With those critiques in mind, though, I can name some more names.
Tom Strong is a 1999 creation by Alan Moore(!) It's not entirely free of... Moore-isms, but it's deeply sincere: no cruel twist awaits his science-action family or their casually fantastical alt-history.
Tintin is still translated and reprinted worldwide for a reason. IMO you won't find a more solid combo of research, jokes, action, and artwork in any other genuine vintage comic series. However, being written in the 30s-60s does show around the edges.
The Spirit, by comics legend Will Eisner, also dates back to the 40s. Post-Eisner, his legacy still pushes creators to get fun and experimental with format and storytelling. The role of racial caricature in the series history is a little harder to work around.
2000s Agents of Atlas is a team of '50s Timely/Marvel heroes. I have frustrations with its yellow peril "deconstruction" but do love the lineup: a secret agent, talking gorilla, Atlantean princess, Greek goddess, humanoid alien, and killer robot walk into a bar...
The Rocketeer is a popular throwback to the 30s that I find too mired in cardboard nostalgia to reach its full potential, but it's had some genuinely fun installments (and a movie!) so it's worth a look.
Sam & Max are mostly known for the point and click games, but they started out as comics parodying pulp adventure and I love their relentless cheesiness so I'm putting them here.
I also, as always, suggest exploring Franco-Belgian comics. (I think Spirou & Fantasio has decent English translations these days). The tone and formatting will be different; I tend to prefer BDs' longer "episode" length, higher density of physical comedy and puns, and more everyman characters.
And I'm always on the lookout for graphic novels which seem cool. Bone (which is honestly a very European series, stylistically), Bad Island, and Rapunzel's Revenge (+ sequel Calamity Jack) are some favorite one-off fantastical adventures I've picked up at my local library. Mostly from the kids or teens section.
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chernobog13 · 4 months
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Art Adams' original art for the variant cover for Giant Robot Hellboy #3.
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And the finished product as it appeared on the stands last week.
For those who may have missed this little gem, this was essentially just Giant Robot Hellboy battling a bunch of kaiju on the Hellboyverse's version of Sollgel Island combined with Monster Island.
Mike Mignola left the story open for a sequel, which I sincerely hope happens sooner rather than later. Especially if he can convince his buddy Adams to do the interior art as well.
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myers-meadow · 2 years
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Meadow's Masterlist
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My list of works is growing and growing, so here is a masterlist. Last updated on 18-04-2023. All my writing, even the shorter pieces that don't go onto AO3, are reblogged over at @myers-meadow-archive for ease of keeping track and archival purposes.
The links are in order of fandom, the newest writings are at the top.
Reblogging my writing is very much appreciated, but reposting it, on any site, is plagiarism.
My AO3
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Otis B. Driftwood
A muse for him and him alone (heed warnings, multichap)
Gn reader: Knocking on a stranger's door (sfw, alternate beginning to Sweet thing)
Fem reader: Sweet thing/forgotten hot cocoa (mild smut, oneshot)
New Year's (drabble, sfw)
Gn reader: Late Night Visit (to the Firefly House), (sfw, oneshot).
Dating headcanons
Slow burn Otis Driftwood x OC in an AU shared with @immortal-velociraptor and @vincent-sinclair-deserved-better. Chapter one, chapter two, chapter three, chapter four, chapter five, chapter 6.1, chapter 6.2.
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Moon Boys/Arthur Harrow
Moon boys and Arthur Harrow x OCs: Chapter one.
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The Grabber
Eggs for breakfast (request)
The Grabber x Max's girlfriend: The rhythm of life (heed warnings, one-shot).
Punishment (18 +, heed warnings, drabble)
Birthday headcanons
Male reader headcanons (request, sfw)
Request masochist reader (18 +, heed warnings, oneshot)
Helpful people get rewarded (18 +, heed warnings, oneshot)
Request for apprentice reader (sfw)
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Sinclair brothers
Bo Sinclair x reader: Planetarium. (angst, comfort, sfw, oneshot)
Multi-chapter fic Vincent x OC x Bo/Poly Sinclairs. The Ambrose Summer Vacation. Chapter 1. Chapter 2. Chapter 3. Chapter 4. (ongoing, 18 +)
Vincent Sinclair x gn reader: art and comfort request.
Bo Sinclair x fem OC: Sweet treat. (18 +, oneshot)
Ambrose Boba Tea Shop AU Vincent/Mango boba; Lester/Black milk tea
Vincent x you/female reader x Bo Drabble
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Michael Myers
Feeding him by accident (sfw, oneshot)
Sunday roast (sfw, oneshot)
With s/o who likes being picked up (request, headcanons)
RZ Michael Myers x female therapist: New urge (heed warnings, oneshot, 18 +)
Wrapped with a ribbon (18 +, heed warnings, oneshot)
Through lace curtains. (18 +, drabble)
Valentine's Day in Smiths Grove (sfw, oneshot)
Care for me, 18 +, heed the warnings for each chapter. part 1. part 2. part 3. part 4. part 5 (final)
Stargazing (fluff, sfw, oneshot)
Untitled fluff (sfw, oneshot)
Shapes on his skin (fluff, sfw, oneshot)
Floral and fading (smut, oneshot)
Priest! Michael Myers (RZ) 18 + heed warnings
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Thomas Hewitt
Letter by letter (sfw, oneshot)
Musings of Luda Mae (Sfw)
Kiss your boyfriend (dark, oneshot)
Safe with him (dark, spiritual sequel to Kiss Your Boyfriend, drabble)
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Other horror characters/Multiple fandoms
Valak x reader, Ed Warren x reader: Serpent Tongue (dark, 18 + heed warnings, oneshot)
Jason Voorhees x reader: A Strawberry Summer (fluff, sfw, oneshot).
Slashers and their favourite flowers headcannon list
Notes from your slasher S/O
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Other fandoms
Gaunter O'Dimm from The Witcher 3 - multichapter (completed), oneshots
Nuada Silverlance from Hellboy 2 - multichapter (completed)
King Radovid and Geralt of Rivia oneshots
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Dividers by @/firefly-graphics
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