#good omens london

[phoen1xr0se]

Guess who is going to THE RITZ today???

*incoherent squeals of excitement*

#the ritz #good omens #good omens london #to the world #ineffable #who wants photos #ineffable besties tour of london #neil gaiman none of this would be happening without you #crowley #aziraphale

[michael-sheens]

How I find out Good Omens has been renewed. 🥹🥹

Edit: courtesy of @bbbonejamin who deserves all the praise for this adorable gesture.

#good omens #aziraphale #crowley #michael sheen #david tennant #neil gaiman #currently doing an ineffable tour of London :') #ineffable husbands #ineffable partners #alysha.txt

[ineffably-splendid]

They’re not talking to each other

-St James‘s park, London

#good omens brainrot #swan shitpost #good omens #aziraphale #Crowley #good omens 3 #ineffable husbands #ineffable idiots #aziracrow #Neil Gaiman #london #berethil

[thesherrinfordfacility]

thing is - and hear me out - if s3 does by any minute chance incorporate any suggestion of a sex scene, it is imperative for me that they commit to the bit. i need crowley to nearly topple over trying to get out of his jeans, i need aziraphale to complain that they cant do anything downstairs because that would be scandalous, and i need them to trip over going up the stairs because they keep getting distracted. i need one of them to accidentally get an elbow to the face, i need them to have a long forgotten book digging into one of their backs, and aziraphale is horrified when crowley launches it across the room, and i need there to be hard cut to whickber street having a huge power surge, lines sparking, all the power going out, and every car alarm in a 2-mile radius start screaming, i don't need it to be explicit or overly romantic but i do need it to be fucking funny

#will a sex scene happen? eh idk #if it does do i need it to be hysterical and imply that london and wider uk infrastructure goes into meltdown? absolutely #good omens

[biggest-gaudiest-patronuses]

i vote that next year instead of reading Dracula we do a Jeeves & Wooster Book Club. those two never got the rabid tumblr shipping fandom they deserved (disqualified for the sheer technicality of being published a century too soon). we must correct this injustice

#jeeves and wooster #i want to watch tumblr go rabid i want to watch ao3 overflow with jeeves/wooster fanfiction #yes obviously the fandom EXISTS but it's a cozy little neighborhood #a handful of talented artists and writers doing their best to keep their charming little village going #but i'm tired of cozy i want this fandom TRENDING #I WANT TO SEE THIS ON MY DASHBOARD PEOPLE #i swear to you if they made a shiny new tv series tumblr would absolutely obsess over these characters. good omens levels of obsession #it's just such a great dynamic! the good-natured overly-trusting bumbling idiot in constant need of rescuing! #the stoic all-knowing genius who quietly masterminds mayhem in order to protect this one moron he's devoted himself to for some reason #jeeves as a morosexual is just such a beautiful interpretation of the original text #wooster as a happy-go-lucky himbo who stumbles his way into a relationship with a protective caring and supremely competent mastermind #the angst and social complexities of a same-sex cross-class relationship in turn-of-the century london! #oh AND half the stories are about jeeves helping wooster get out of engagements/desperately avoid marriage #two men who live together constantly scheming to maintain their bachelorhood. this is quite literally the main plot point #the gay subtext is there! the gay subtext is there and very ripe for picking!!! #this thing is LOCKED AND LOADED we can pounce literally any time

[fuckyeahgoodomens]

Maggie Service at the London Comic Con Spring, 2.3.2023 :) ❤

Reporter: Also in Doctor Who but better known for her role in Good Omens, the series which promotes inclusivity, it was Maggie Service's first Comic Con.

Maggie: I've just had this lovely mom, who whose children aren't here today, but are non-binary and trans and - it's going to make me cry again - but they've just, you know, they've said that the character gives them a place to be.

#good omens #maggie service #maggie #videos #london comic con spring 2024 #sister theresa garrulous #transcripts #interview #maggie interview #s2 interview

[aydracz]

Went to London to see Nye and to meet my favourite Welshman.

Told him I was a bit anxious to talk to him because I had a dream about meeting him a few days before, in which it all went horribly wrong. Because in that dream, when I asked him if he could sign my Good Omens book, he got angry, said 'I don't do that' and walked away.

The real Michael Sheen was quite amused by this and promised me not to do anything of that sort. And he didn't!

I am very happy to report that Michael Sheen really does sign Good Omens books and will not walk away if you ask him!

#michael sheen #nye #good omens #michaelsheendaily #michael & fans #aziraphale #national theatre london

[fake-daily-watcher-tweets]

okay.. so if you were the tall bearded man who looked suspiciously like Neil Gaiman in downtown soho/London and heard me aggressively talking about Mike Faist bc he’s on the West End and also turned around and laughed when I loudly stated ‘YO THAT DUDE LOOKS LIKE NEIL”… I’m so sorry…😭💀

[Picture this]

Me and a friend walking, talking, maybe inebriated 👀🤏🧐

Me: “Its a little offensive that I’m not married to him. I’m single, he’s beautiful and talented, I don’t get it”

Friend: “Perfect Match😅👀”

Me: [Almost trips]

Me:

Me: [See’s a man with a beard and the aura of audacity - just enough to write soul crushing stories about demons and gods and scary roads]

Me: “YO THAT MAN LOOKS LIKE NEIL”

Friend:

Friend: “..who”

Me:

Friend: “OH”

Both: [look back to see the man laugh]

#mike faist #london #american gods #crowley #aziraphel #good omens #david tennant #michael sheen #the sandman #sandman #coraline #shane madej #west end musicals #broadway #connor murphy #brokeback mountain

[gahellhimself-blog]

Treasure hunt 2

I'll hide this babe somewhere in London today :)

Let you know for Clues on instagram and discord

#good omens #good omens fanart #good omens fanwork #good omens treasure hunt #good omens treasure hunt london #treasure hunting

[youryurigoddess]

A nightingale sang in the London Blitz

When exactly was that certain night, the night Aziraphale and Crowley met — and spoke for the first time in 79 years in the midst of the London Blitz?

And what’s the deal with the nightingale’s song, really?

Grab something to drink and we’ll look for some Clues below.

The night they met

The Blitz, short for Blitzkrieg (literally: flash war) was a German aerial bombing campaign on British cities in the WW2, spanning between 7 September 1940 and 10 May 1941. The Luftwaffe attacks were carried out almost non stop, with great intensity meant to force a capitulation and similarly strong impact on British life and culture at the time.

Starting on 7 September 1940, London as the capital city was bombed for nearly 60 consecutive nights. More than one million London houses were destroyed or damaged, and more than 20,000 civilians were killed, half of the total victims of this campaign.

The night of 29 December 1940 saw the most ferocity, becoming what is now known as the Second Great Fire of London. The opening shot of the S2 1941 minisode is a direct reference to recordings of that event, with the miraculously saved St Paul’s Cathedral in the upper left corner.

The actual raid lasted between 06:15 and 09:45 PM, but its aftermath continued for days. The old and dense architecture of this particular part of the city turned into a flaming inferno larger than the Great Fire of 1666. Multiple buildings, including churches, were destroyed in just one night by over 100,000 bombs.

Incendiary bombs fell also on St Dunstan-in-the-East church that night, the real-life location of this scene as intended by Neil. It was gutted and again claimed by fire in one of the last air rides on 10 May, when the bomb destroyed the nave and roof and blew out the stained glass windows. The ruins survived to this day as a memorial park to the Blitz.

Such a delightfully Crowley thing to do: saving a bag of books with a demonic miracle adding to the biggest catastrophe for the publishing and book trade in years. 5 million volumes were lost, multiple bookshops and publishing houses destroyed in the December 29th raid alone.

Even without this context, judging by the seemingly unending night, overwhelming cold and darkness, broken heating at the theatre, and seasonal clothing (like Aziraphale and Crowley’s extremely nice winter coats), it’s rather clear that it was the very beginning of the year 1941.

Everything suggests that Aziraphale and Crowley’s Blitz reunion happened exactly 1900 years after their meeting in Rome — which, according to the script book, took place between 1 and 24 January 41 (Crowley was right: emperor Caligula was a mad tyrant and didn't need any additional tempting; there's a reason why he was murdered by his closest advisors, including members of his Praetorian Guard, on 24 January 41).

Interestingly, both events involved a role reversal in their otherwise stable dynamic, with Aziraphale spontaneously taking the lead instead of letting the demon be the one to do all the tempting and saving, and ended with a toast.

The S2 Easter Egg with the nuns of the Chattering Order of St Beryl playing table tennis at the theatre suggests that the Blitz meeting happened on a Tuesday afternoon, which doesn’t match any of the above mentioned days, but sets the in-universe date for 7 January 1941 or later.

The Chattering Order of Saint Beryl is under a vow to emulate Saint Beryl at all times, except on Tuesday afternoons, for half an hour, when the nuns are permitted to shut up, and, if they wish, to play table tennis.

The nightingale

January means one thing: absolutely no migratory birds in Europe yet. They’re blissfully wintering in the warm sun of Northern Africa at the time. But, ironically, when the real nightingales flew off, a certain song about them suddenly gained popularity in the West End of London.

It might be a shock, but A Nightingale Sang in Berkeley Square wasn’t a hit from the start — even though its creators, Eric Maschwitz and Manning Sherwin, were certainly established in their work at this point. The song was written in the then-small French fishing village of Le Lavandou shortly before the outbreak of the Second World War with first performance in the summer of 1939 in a local bar, where the melody was played on piano by the composer Manning Sherwin with the help of the resident saxophonist. Maschwitz sang his lyrics while holding a glass of wine, but nobody seemed impressed. It took time and a small miracle to change that.

Next year, the 23-year-old actress Judy Campbell had planned to perform a monologue of Dorothy Parker’s in the upcoming Eric Maschwitz revue „New Faces”. But somehow the script had been mislaid and, much to her horror, replaced with the song A Nightingale Sang in Berkeley Square. She had never professed to be a singer but even so, she gathered her courage and went out onto the moonlit set dressed in a white ball gown. Her heartfelt rendition of the now evocative ballad captured the audience’s imagination and catapulted her West End career to stardom.

It was precisely 11 April 1940 at the Comedy Theatre in Panton Street and the revue itself proved to be a great success — not only it kept playing two performances nightly through the Blitz, but also returned the next year. And the still operating Comedy Theatre is mere five minutes on foot from the Windmill Theatre, where Aziraphale performed in 1941, and not much longer from his bookshop.

Now, most Good Omens meta analyses focus on Vera Lynn’s version of the song from 5 June 1940, but it didn’t get much attention until autumn, specifically 15 November, when Glenn Miller and his orchestra published another recording. And Glenn Miller himself is a huge point of reference in Good Omens 2.

According to the official commentary the infamous credits scene is establishing Aziraphale and Crowley’s final resolve for the next season using the same narrative device The Glenn Miller Story (1954) does in its most crucial scene. It starts with the tune (and audio in general) totally flat, then adds a piano on one side, and gradually becomes fully multidimensional. The Good Omens credits not only emulate the same sound effect, but bring it to the visual side of the narrative by literally combining the individual perspectives of the two characters together. Even though they’re physically apart, their resolve — and love to each other — brings them even closer than before. Aziraphale smiles not because he’s being brainwashed, but because he knows exactly what to do next.

Some of you might have noticed that Tori Amos’s performance for Good Omens is actually a slightly shortened version of Miller’s recording — much less sorrowful than Vera Lynn’s full lyrics that include i.a. this bridge:

The dawn came stealing up

All gold and blue

To interrupt our rendez-vous

I still remember how you smiled and said

Was that a dream or was it true?

Which is a huge hint when it comes to what we can expect from the main romantic plot line in the Good Omens series. The original song introduces an element of the doubt — it seems like there was no nightingale at all, only the mirage woven by the singer clearly intoxicated with love, much like Aziraphale and Crowley for the length of the last six episodes. Crowley’s comment in the season finale might allude to that interpretation, stating that there are no nightingales — never have been. It was all a dream. But the version we’re working with here is short and sweet, and devoid of that doubt. In the Good Omens universe angels were actually dining at the Ritz, the streets were truly paved with stars (or will be shown as such in the next season), and a nightingale really sang in Berkeley Square, as the omniscient, omnipresent, and omnipotent narrator, God Herself, had shown us.

All in all, it’s not an accident that the “modern” swing ballad activating Aziraphale’s memory and opening the 1941 minisode is the Moonlight Serenade by Glenn Miller. It’s a track naturally associated with A Nightingale Sang in Berkeley Square when it comes to music style and the sentiment in the lyrics.

But why the sudden popularity? In the great uncertainty and hardship of the Blitz, A Nightingale Sang in Berkeley Square provided solace and escapism for listeners, offering a glimpse of hope and love amidst the darkness of war. It became a universal anthem of resilience and a reminder of the power of love transcending difficulties. By January 1941 the whole city knew this tune by heart, including a certain West End aficionado with a cabinet full of theatre programs in his bookshop. Thanks to Maggie’s grandmother, he most probably had a record at hand to play during his spontaneous wine night with Crowley. We can only suspect the details, but it was was mutually established as their song exactly at that time or soon afterwards. Pretty sure we will see a third installment of that minisode for many, many reasons, but especially because of this “several days in 1941” answer by Neil:

The Man Hunt

In 1941 A Nightingale Sang in Berkeley Square gained even more popularity as the romantic theme of the Fritz Lang’s newest film Man Hunt. The 1939 story by Geoffrey Household first appeared under the title “Rogue Male” as a serial in the Atlantic Monthly Magazine where it received widespread comment, soon becoming a world-wide phenomenon in novel form. Its premise criticizes Britain's pre-war policy of appeasement with Germany, ready to sacrifice its own innocent citizens to the tentative status quo. Sounds a bit like Heaven's politics, right?

Yes, I'm trying to make you watch old movies again — like all the other classics, Man Hunt (1941) is easily available on YouTube and other streaming websites.

The next part will include spoilers, so scroll down to the next picture if you prefer to avoid them.

The plot of the movie seems simple enough: the tall, dark, and handsome Alan Thorndike, who nearly assassinates Hitler, narrowly escapes Germany and back in London continues to evade the Nazi agents sent after him with the help of a young trench-clad “seamstress” named Jerry, bridging the class divide and becoming unlikely friends-partners-romantic interests. It doesn’t end well though.

Jerry's small London apartment serves as a hideout for Alan when he was being followed by Nazis, similarly to how Aziraphale's bookshop is a safe haven for both Crowley and Gabriel in S2. She helps the man navigate the streets and eventually out of London — by sacrificing herself and getting forcefully separated from him by a patrolling policeman. The last time they see each other, Alan watches Jerry look back at him yearningly and disappear in the fog, followed by the elderly officer.

Unfortunately in the next scene we learn that the latter is a Nazi collaborator and helps the agents apprehend Jerry in her own flat. Staying loyal to her love and uncooperative, she’s ultimately thrown out of a window to her death, but posthumously saves Alan once again — through the arrow-shaped hatpin he gifted her earlier that is presented to him as the evidence of her off-screen fate.

Long story short, thanks to Jerry’s sacrifice Alan not only survives, but is able to join the war that broke out in the meantime and go back to Germany, armed with a rifle and a final resolve to end what he started, no matter how long will it take. The justice will be served and the dictator will pay with his life for his sins.

I wouldn’t be myself without mentioning that the main villain has a Roman chariot statue similar to the one in Aziraphale’s bookshop, an antique sculpture of St Sebastian (well-known as the gayest Catholic Saint) foreshadowing his demise, and a chess set symbolizing the titular manhunt/game of tag with the protagonist.

Aziraphale’s song

Will Aziraphale sacrifice himself as well? Or has he already? If his coin magic trick can be any indicator, we should expect at least a shadow of a danger touching the angel’s wings soon.

Let’s sum up the 1941 events from Aziraphale’s perspective: the very first time they’ve interacted after almost a century, Crowley actively sabotaged his entire existence twice by stepping onto a holy ground and by being outed by agents of Hell, both on the very same night and both because of his undying dedication to the angel. That’s enough of a reason not only for performing an apology dance, but also maintaining a careful distance for Crowley’s sake for the next 26 years. Only when he heard that his idiot was planning to rob a church, he gave up since he “can't have him risking his life”.

That’s when Crowley, sitting in a car parked right under his bookshop, offered him a ride. It wasn’t even subtle anymore. It was supposed to be a date, this time both of them understood it. But Aziraphale wouldn’t risk Crowley’s safety for his own happiness, especially not when he can name his feelings towards him and knows that they are reciprocated — the biggest lesson he learnt back in 1941.

So he did what he’s best at, he cut Crowley off again, but this time with a promise of catching up to his speed at some point. Buddy Holly’s Everyday, which was originally planned to play afterwards instead of the Good Omens theme, adds additional context here:

No, thank you. Oh, don’t look so disappointed. Perhaps one day we could... I don't know… Go for a picnic. Dine at the Ritz.

Aziraphale, carefully looking around and feeling observed through the whole conversation in the Bentley, consciously used the “Dine at the Ritz” line from A Nightingale Sang in Berkeley Square, from their song, as a code only the two of them understand. Not as a suggestion to go out for a meal, but a promise. A hope for the privilege of being openly in love and together — maybe someday, not now, when it’s too dangerous — even if it leads to a bad ending.

Fast forward to 2023 when for one dreadful moment Crowley’s “No nightingales” robbed Aziraphale even of that semblance of hope. He looked away, unable to stop his tears anymore. Only their kiss helped him pull himself together and make sure that a nightingale did sing the last time he turned — just like in their song — this time without a smile, as a goodbye.

#a nightingale sang in the london blitz #the song is a code #and is miracled as a sign #aziraphale needs a hug #no nightingales #history rant #yuri is doing her thing #the good omens crew is unhinged #neil gaiman #st dunstan-in-the-east #1941 minisode #1941 flashback #a nightingale sang in berkeley square #good omens #good omens meta #good omens 2 #go2 meta #go2 #ineffable husbands #aziraphale #crowley #1941 aziraphale #1941 crowley #the blitz #man hunt (1941) #the glenn miller’s story (1954) #why am i like this #why do i do this to myself #long post

[thewolveswolf]

so the good news is not only am i making really good progress on chapter 9 of london, libraries and love, i’ve also made a start on writing other chapters!

the bad news is that chapter is chapter 14 therefore updates won’t be increasing in speed any time soon 😬

BUT! as a token of my humble apologies, pls accept this sneak peek 👀

#good omens #good omens fic #ineffable husbands #fic #lll #london libraries & love #chapter 14 is my second favourite chapter #also deep thanks to the endlessly patient & long suffering bilv AKA mrghostrat for #for showing me how to do the coding #while happily ignoring my exhausted little tantrums

[beccibarnes]

Do you like Good Omens?

Are you in London right now?

Come get your souvenir at The Bench™.

#good omens #london #st james park #the bench #ineffable #crowley #aziraphale

[ineffable-rohese]

Neil's picks for Aziraphale & Crowley's Angelic Playlist were Cry Me a River (Julie London), The Book of Love (Peter Gabriel), and The Show Must Go On (Queen).

Three songs. Two about the aftermath of a break up, and one about coming together in love. So very clearly, we can infer a Crowley POV song, an Aziraphale POV song, and a song for the two of them and their happily ever after. (Song lyrics for all three after the cut for reference.)

The Book of Love is a perfect wedding song. It's a song to play under two people declaring their desire to spend eternity together. With lines about dancing and reading and it's perfect. It's originally a Magnetic Fields song that was released in 1999. Peter Gabriel recorded a cover in 2004 for the movie Shall We Dance about which I know nothing but the Wikipedia summary. But since we know how movies are important here... It's a standard rom-com with a bored Richard Gere secretly taking up ballroom dancing after following a pretty lady from the train (J-Lo). His wife (Susan Sarandon) thinks he's cheating, turns out nope, just dancing, drama ensues, he gives up dancing but eventually his wife becomes supportive and he realizes he loves his wife. And dancing. And they live happily ever after, with both of them getting what they want. Maybe we can draw some parallels here? But I think the song speaks for itself better than its connection with what sounds like a standard early 2000s romcom.

The individual songs are where it gets interesting.

Cry Me a River was first released by Julie London in 1951, but became popular after she sang it in the 1956 film The Girl Can't Help It starring Jayne Mansfield as an aspiring rock 'n roll singer. Again, relying on Wikipedia here, but there is an interesting bit about a blossoming forbidden relationship, wiretapped phones, and someone editing the recordings to keep the love affair secret. But again, it's probably a stretch to look too deeply into the movie.

The song has a very classic jazz feel. It's from a decade and a half later, but if you were, say, an angel who enjoyed Moonlight Serenade or A Nightingale Sang in Berkley Square, it has a similar feel. You definitely wouldn't say it's bebop. The lyrics are about someone who was in love and had their heartbroken. Their former love (who never shed a tear over the break up) has returned and wants to make up. The singer essentially says "you love me? Prove it. Cry me a river like I cried when you left." Which, fair, but in our context, ouch.

The Show Must Go On is a Queen song, and we know how much Queen we hear in association with Crowley in particular. But this just isn't any Queen song. It was written by Brian May about Freddie Mercury's struggles as he neared the end of his life, and it was recorded in 1990. (Coincidentally or not, the year Good Omens was published, a book co-created by friends, one of whom would die too soon, and the other of whom would reflect on his friend's end of life struggles as the story was told more fully. Yes, I'm crying about this.)

In the song, the singer is fighting to reach a place of freedom, away from empty spaces and heartbreak. They are fighting with pure will, and even though their heart is breaking they smile and carry on because the show must go on.

What I really appreciate here with the POV songs, is that they are cross-coded. Queen is Crowley-coded, but the song about someone fighting through heartbreak to achieve something vital, while forcing a smile for the audience? That's absolutely Aziraphale in Heaven. And the 40s/50s jazz ballad is absolutely Aziraphale's style, but the jilted lover who may be willing to give their love a second chance but needs to see proof that the lover cares as much as they do is Crowley all the way.

It's almost like... Well it's almost like even in their separation, they are each carrying a piece of the other. The book of love has music in it, indeed.

The Book of Love

The book of love is long and boring No one can lift the damn thing It's full of charts and facts, and figures And instructions for dancing But I I love it when you read to me. And you You can read me anything.

The book of love has music in it In fact that's where music comes from Some of it's just transcendental Some of it's just really dumb But I I love it when you sing to me And you You can sing me anything

The book of love is long and boring And written very long ago It's full of flowers and heart-shaped boxes And things we're all too young to know But I I love it when you give me things And you You ought to give me wedding rings

Cry Me a River

Now you say you're lonely You cry the whole night thorough Well, you can cry me a river, cry me a river I cried a river over you

Now you say you're sorry For bein' so untrue Well, you can cry me a river, cry me a river I cried a river over you

You drove me, nearly drove me out of my head While you never shed a tear Remember, I remember all that you said Told me love was too plebeian Told me you were through with me and

Now you say you love me Well, just to prove you do Come on and cry me a river, cry me a river I cried a river over you

The Show Must Go On

Empty spaces, what are we living for? Abandoned places, I guess we know the score, on and on Does anybody know what we are looking for?

Another hero, another mindless crime Behind the curtain, in the pantomime Hold the line Does anybody want to take it anymore?

The show must go on The show must go on, yeah Inside my heart is breaking My makeup may be flaking But my smile, still, stays on

Whatever happens, I'll leave it all to chance Another heartache, another failed romance, on and on Does anybody know what we are living for? I guess I'm learning I must be warmer now I'll soon be turning, round the corner now Outside the dawn is breaking But inside in the dark I'm aching to be free

The show must go on The show must go on Inside my heart is breaking My makeup may be flaking But my smile, still, stays on

My soul is painted like the wings of butterflies Fairy tales of yesterday, grow but never die I can fly, my friends

The show must go on The show must go on I'll face it with a grin I'm never giving in On with the show I'll top the bill I'll overkill I have to find the will to carry on On with the show Show Show must go on, go on, go on, go on, go on, go on, go on, go on

#ineffable playlist #good omens #good omens meta #ineffable lovers #ineffable divorce #queen #peter gabriel #julie london #neil gaiman #terry pratchett

[v0idwraith]

crowley was absolutely the one to come up with the apology dance. he probably did it to fuck with aziraphale and then, as always happens with his brilliant plans, it came back to bite him in the ass

#like come on this is mr ‘i made the m25 deliberately horrible wait i forgot i live in london’ #good omens #crowley #aziraphale #good omens season 2 #crowley good omens #go2 spoilers #go2

[rainbowcrowley]

good omens fandom, i need your help!

i wanna find 2 lovely people i met in front of donmar warehouse in london last saturday (january 13th) while waiting for return tickets for macbeth!

during our 5-hour wait, my friend (@beccibarnes, say hi) had to leave me for a bit to deal with the hostel check-ins and other stuff. i said i'd stay there to hold our 2nd and 3rd places in the queue and while i was waiting and trying not to freeze to death, two lovely people were queuing up right behind us in 4th and 5th place. after a while, we started chatting a bit and even tho it wasn't much (thanks to my social anxiety) they made the waiting and cold a lil bit more bearable. later, after donmar staff announced that there aren't any return tickets this evening, we all kinda went our way, disappointed - and i forgot to ask for their tumblr urls! i remember them talking about using tumblr so i'm pretty sure they both have active blogs, so... i'll try it this way.

reblogs would be appreciated! <3 you two were so lovely and idk i just want to find you again and say thank you 🥺

#good omens #london #david tennant #donmar warehouse #macbeth #how do i tag this?? #idk lol #addi.txt

[fuckyeahgoodomens]

Oi anyone at Heathrow! :) Signing Ninja Neil is at it again! :) ❤

#good omens #neil gaiman #norse mythology #anansi boys #london #signing ninja neil #heathrow #wahoo! :)