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20th-century-man · 7 months

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Julie London / from the cover for her 1956 album Calendar Girl.

#Julie London #Calendar Girl #1956 #1950s

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atomic-raunch · 5 months

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Julie London, Calendar Girl 1961

#julie london #pinup #christmas pinup #vintage cheesecake #50’s pinup #vintage smut #60’s pinup #mid century pinup #vintage sleaze

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ineffable-rohese · 5 months

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Neil's picks for Aziraphale & Crowley's Angelic Playlist were Cry Me a River (Julie London), The Book of Love (Peter Gabriel), and The Show Must Go On (Queen).

Three songs. Two about the aftermath of a break up, and one about coming together in love. So very clearly, we can infer a Crowley POV song, an Aziraphale POV song, and a song for the two of them and their happily ever after. (Song lyrics for all three after the cut for reference.)

The Book of Love is a perfect wedding song. It's a song to play under two people declaring their desire to spend eternity together. With lines about dancing and reading and it's perfect. It's originally a Magnetic Fields song that was released in 1999. Peter Gabriel recorded a cover in 2004 for the movie Shall We Dance about which I know nothing but the Wikipedia summary. But since we know how movies are important here... It's a standard rom-com with a bored Richard Gere secretly taking up ballroom dancing after following a pretty lady from the train (J-Lo). His wife (Susan Sarandon) thinks he's cheating, turns out nope, just dancing, drama ensues, he gives up dancing but eventually his wife becomes supportive and he realizes he loves his wife. And dancing. And they live happily ever after, with both of them getting what they want. Maybe we can draw some parallels here? But I think the song speaks for itself better than its connection with what sounds like a standard early 2000s romcom.

The individual songs are where it gets interesting.

Cry Me a River was first released by Julie London in 1951, but became popular after she sang it in the 1956 film The Girl Can't Help It starring Jayne Mansfield as an aspiring rock 'n roll singer. Again, relying on Wikipedia here, but there is an interesting bit about a blossoming forbidden relationship, wiretapped phones, and someone editing the recordings to keep the love affair secret. But again, it's probably a stretch to look too deeply into the movie.

The song has a very classic jazz feel. It's from a decade and a half later, but if you were, say, an angel who enjoyed Moonlight Serenade or A Nightingale Sang in Berkley Square, it has a similar feel. You definitely wouldn't say it's bebop. The lyrics are about someone who was in love and had their heartbroken. Their former love (who never shed a tear over the break up) has returned and wants to make up. The singer essentially says "you love me? Prove it. Cry me a river like I cried when you left." Which, fair, but in our context, ouch.

The Show Must Go On is a Queen song, and we know how much Queen we hear in association with Crowley in particular. But this just isn't any Queen song. It was written by Brian May about Freddie Mercury's struggles as he neared the end of his life, and it was recorded in 1990. (Coincidentally or not, the year Good Omens was published, a book co-created by friends, one of whom would die too soon, and the other of whom would reflect on his friend's end of life struggles as the story was told more fully. Yes, I'm crying about this.)

In the song, the singer is fighting to reach a place of freedom, away from empty spaces and heartbreak. They are fighting with pure will, and even though their heart is breaking they smile and carry on because the show must go on.

What I really appreciate here with the POV songs, is that they are cross-coded. Queen is Crowley-coded, but the song about someone fighting through heartbreak to achieve something vital, while forcing a smile for the audience? That's absolutely Aziraphale in Heaven. And the 40s/50s jazz ballad is absolutely Aziraphale's style, but the jilted lover who may be willing to give their love a second chance but needs to see proof that the lover cares as much as they do is Crowley all the way.

It's almost like... Well it's almost like even in their separation, they are each carrying a piece of the other. The book of love has music in it, indeed.

The Book of Love

The book of love is long and boring No one can lift the damn thing It's full of charts and facts, and figures And instructions for dancing But I I love it when you read to me. And you You can read me anything.

The book of love has music in it In fact that's where music comes from Some of it's just transcendental Some of it's just really dumb But I I love it when you sing to me And you You can sing me anything

The book of love is long and boring And written very long ago It's full of flowers and heart-shaped boxes And things we're all too young to know But I I love it when you give me things And you You ought to give me wedding rings

Cry Me a River

Now you say you're lonely You cry the whole night thorough Well, you can cry me a river, cry me a river I cried a river over you

Now you say you're sorry For bein' so untrue Well, you can cry me a river, cry me a river I cried a river over you

You drove me, nearly drove me out of my head While you never shed a tear Remember, I remember all that you said Told me love was too plebeian Told me you were through with me and

Now you say you love me Well, just to prove you do Come on and cry me a river, cry me a river I cried a river over you

The Show Must Go On

Empty spaces, what are we living for? Abandoned places, I guess we know the score, on and on Does anybody know what we are looking for?

Another hero, another mindless crime Behind the curtain, in the pantomime Hold the line Does anybody want to take it anymore?

The show must go on The show must go on, yeah Inside my heart is breaking My makeup may be flaking But my smile, still, stays on

Whatever happens, I'll leave it all to chance Another heartache, another failed romance, on and on Does anybody know what we are living for? I guess I'm learning I must be warmer now I'll soon be turning, round the corner now Outside the dawn is breaking But inside in the dark I'm aching to be free

The show must go on The show must go on Inside my heart is breaking My makeup may be flaking But my smile, still, stays on

My soul is painted like the wings of butterflies Fairy tales of yesterday, grow but never die I can fly, my friends

The show must go on The show must go on I'll face it with a grin I'm never giving in On with the show I'll top the bill I'll overkill I have to find the will to carry on On with the show Show Show must go on, go on, go on, go on, go on, go on, go on, go on

#ineffable playlist #good omens #good omens meta #ineffable lovers #ineffable divorce #queen #peter gabriel #julie london #neil gaiman #terry pratchett

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aloneandforsakenbyfateandbyman · 3 months

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1957: Singer Julie London enjoying breakfast in bed at the Beverly Hills Hotel. Photo by Slim Aarons.

#julie london #slim aarons #1950s #l #photography

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cinematicfinatic · 7 months

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#julie london #classic movies #classic hollywood

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citizenscreen · 1 month

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Gary Cooper, Julie London, and Arthur O'Connell in Anthony Mann’s MAN OF THE WEST (1958)

#gary cooper #julie london #arthur o’connell #westerns #old hollywood #classic movies

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dimepicture · 8 months

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#the girl cant help it #1956 #50s #color #multi #still #julie london

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hellooldsmelly · 9 months

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#julie london

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pluckysidekick · 4 months

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It’s Wednesday, my fellow Drewds! Going into the holidays I can’t help thinking about how our favorite Crew are celebrating the holidays. Can’t wait for all of the @secretsleuthexchange fics, gifsets, and fanvids we’re going to get!

In the meantime, I was inspired by a poll from @burningblake about which classic “standard” song best represents Nace (all excellent choices). I wound up making a Season 4 playlist of standards from the Great American Songbook, and a few other classic tracks, that represent their Season 4 journey for me. If you’re interested in this sort of thing, here we go!

I’ll be linking the Spotify tracks, but you should be able to find them all on Apple Music or YouTube. If you want a link to the full playlist, just hit me up here or on Discord.

1. The Nearness of You - This Hoagy Carmichael classic brings to mind Nancy and Ace’s inability to stay apart every time they’re near each other in Episode 401 🥺. I love the Ella Fitzgerald and Louis Armstrong duet, but I picked Norah Jones’ version from her 2002 debut album because it’s just so perfectly wistful.

2. Is You Is or Is You Ain’t My Baby - this so so cool track was written by Louis Jordan, but I first heard it on Tom and Jerry (that’s the fighting cat and mouse cartoon in case you’re too young to remember them). I immediately envision the back and forth argument Nancy and Ace have throughout Episode 402 in the lyrics of this song. Ace just wants to know! I adore Joe Jackson’s version, but I went with Dinah Washington and Quincy Jones from 1956 because it is absolutely perfect.

3. Night and Day - I like to imagine that Nancy and Ace stayed up all night talking at the end of 402. This song perfectly embodies their relationship at this stage 🥹. It was written by Cole Porter for Fred Astaire to sing in the original ‘The Gay Divorce’ Broadway musical (catch the film, a classic Fred and Ginger madcap musical romcom with such amazing dancing🕺🏼). But I had to go with Frank Sinatra from 1957’s ‘A Swingin Affair’ because it’s such a classic swing tune.

4. April in Paris - I’m not crying, you’re crying. Warning, there’s going to be a lot of crying in this playlist. Nancy telling Ace the story of her parents’ honeymoon in Paris in Episode 403, that shy smile when she tells him she always wanted to recreate it with someone, GAH. I had to pick the wonderful Sarah Vaughan with Clifford Brown on trumpet, simply exquisite. I’m going to have to take a break to sob quietly in the corner. “What have you done to my heart” indeed.

5. Fever - There was only one song, and only one version of this song, that matches the heat Nancy and Ace generated in the infamous Sigil scene. Peggy Lee burned the house down in 1958 with this track. “What a lovely way to burn” - Nancy can relate.

6. So in Love - Another genius Cole Porter song, written originally for Kiss Me Kate, but sung here by the incomparable Ella Fitzgerald (my personal hero). I had to pick it for THE KISS. They are just so in love 😭. A beautiful song and a beautiful rendition worthy of Nancy and Ace’s love. The fact that Kiss Me Kate is a musical about bickering exes who eventually find love again makes it even more perfect.

7. Crying - Roy Orbison, 1962. Need I say more? I may never recover from the final scene of 403. This song at least helps a little with the pain by naming it. Roy hits some insane notes in this song—the intensity matches both Nancy and Ace’s misery in that moment.

8. Good Morning, Heartache - More like Good Morning, Sorbet. In Episode 404, Nancy drowns her sorrows in her favorite frozen dessert to deal with the heartache of gaining and losing Ace. And no one does heartache like Billie Holiday, who recorded this song in 1946. Heartache haunts Nancy all throughout S4, and this track represents it perfectly.

9. I had two contenders for the Nace scenes in Episode 405, both from the early 60’s. I Fall to Pieces, released by Patsy Cline and The Jordanaires in 1961, was a country crossover and Patsy’s number one hit—an incredible track that embodies Nancy’s emotions on seeing Ace again. She can’t even look him the eye at the beginning of the episode. Which brings me to my other choice, Walk on By, written by Hal David and Burt Bacharach, and famously sung by Dionne Warwick in 1964. Nancy puts up a brave front for most of this episode, but inside she wants to break down and cry.

10. Episode 405’s speed dating montage is one of my favorite scenes of Season 4. Again I have two contenders—why should I have to choose? Harold Arlen and Johnny Mercer’s One For My Baby (and One More for the Road), as sung by Ella Fitzgerald (again ‘cause she’s the best), is an ideal soundtrack for Nancy’s increasingly desperate descent as she spends every would-be speed date talking about Ace and THAT KISS. Equally appropriate is Billy Strayhorn’s Lush Life—velvet-voiced Johnny Hartman and saxophonist John Coltrane’s 1963 track positively drips with ennui, elegantly over cocktails, of course. If you’ve never heard this one, please give it a listen. There’s even a mention of a week in Paris 🥺.

11. Episode 406, with the infamous Spider Prom, is Ace’s episode IMO—we finally get to see how he’s dealing with the loss of the love of his life and his best friend. He so desperately wants to somehow get back to being friends with Nancy, he resorts to spending countless hours with the help of S4 MVP Nick trying to catch Chunky Velez for her. Can’t We Be Friends? is the perfect song for him in this episode, gorgeously sung by Ella and Louis. That is, until he spies Nancy and Tristan dancing, and realizes what he can never have. Etta James’ blistering track I’d Rather Go Blind captures Ace’s feelings in that moment. He may have been the one to halt their attempts to brake the curse, but he’s hurting just as much as Nancy is.

12. I’ve got two seminal songs to represent Episode 407. When Nancy realizes that Ace let Chunky go, and hears his admission that seeing her with Tristan hurt, it positively screams Cry Me a River. No, not the Justin Timberlake song 😅. This epic torch song was famously sung by Julie London in 1955, and expresses beautifully Nancy’s scorn at Ace’s hypocrisy even as she admits that he broke her heart.

Their fight, and Nancy’s subsequent dashed hopes that Ace would call her bluff and come back, makes me think of Ev’ry Time We Say Goodbye. Another Cole Porter masterpiece sung by Ella. What can I say? You can’t top perfection:

Every time we say goodbye, I die a little Every time we say goodbye, I wonder why a little Why the gods above me, who must be in the know Think so little of me, they allow you to go

I dare you to listen to this track without weeping over the Nace of it all. Enjoy!

Well, Drewds, we’re just past the halfway mark of Season 4 and this post is already a novel, so I’m going to stop here for now. What did you think of my picks? Any you think I missed?

I’ll do a Part 2 as long as I get a few notes on this one 😂 . It will feature more classic songs that represent Nancy and Ace as they head into the back half of the season. I know it’s going to get rough ahead, but I promise the music will be sweet.

Update: Part 2 is here!