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portraitsofsaints · 5 months
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Saint Eligius
590-660
Feast Day: December 1
Patronage: goldsmiths, metalworkers, ironworkers, blacksmiths, mechanics, locksmiths, taxi drivers, horses
Saint Eligius was born in France and became a skilled metalsmith. His fame spread and he was appointed “master of the mint” by King ClotaireII for his honesty and skill. With the wealth he acquired, Eligius ransomed slaves, built churches and monasteries and was generous to the poor. After serving in the French court to Clotaire’s son, Eligius became a priest in 640 and eventually a bishop and preached throughout France and Belgium, converting many. He used his talents and wealth for society and the people. He was widely venerated during the middle ages.
Prints, plaques & holy cards available for purchase here: (website)
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ancientorigins · 8 months
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Captivating Scythian gold artifacts excavated from tombs in the vast grasslands and steppes in Central Asia and Eastern Europe has revealed the wealth, artistry and cultural legacy of the ancient nomadic Scythians.
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conformi · 2 years
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Wolfgang Tillmans, Knotenmutter, 1994 VS Sarah Lucas, Nud cycladic 14, 2010
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davidporterjewelry · 3 months
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Today, let's talk about GOLD JEWELRY.
Gold is prized for its durability and resistance to tarnishing, making it an ideal choice for heirloom-quality jewelry.
How to care of your gold jewelry? To maintain its luster, gold jewelry should be cleaned regularly with a soft cloth and mild soap. Avoid exposing gold to harsh chemicals or abrasive materials that may damage its surface.
How to properly store your gold jewelry? When not worn, store your gold jewelry in a jewelry box or soft cloth bags. Store the pieces separately to prevent scratches or tangling.
You may order Gold Jewelry at www.davidporter.com/contact.
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A seed pearl and diamond necklace and brooch/pendant composed of a series of crescent moons and stars with old brilliant-cut diamond highlights to a backchain set with half-pearls, accompanied by a matching brooch/pendant, fitted case by The Goldsmiths and Silvermiths Companny, circa 1890.
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vidavojic · 2 years
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if you wanna listen to the full performance from 30/06/2022
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jewelry3dstudio · 2 years
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Cocktail Ring Design Oval And Pear Shape Gesmtone-JCNP-04 3D PRINT MODEL DOWNLOADABLE - SKU JCNP-04 - US RING SIZE 7 - GOLD 14K WEIGHT 4.35 GRAMS - GOLD 18K WEIGHT 4.75 GRAMS - OVAL GEMSTONE 7.0 X 5.0 X 3.1 mm ( 0.65 CARATS ESTIMATE ) - PEAR GEMSTONE 7.0 X 5.0 X 3.2 mm ( 0.65 CARATS ESTIMATE ) - DOWNLOADS TYPE - STL-3D PRINT - 3DM-RENDER FILE #goldsmiths #jewelryshop #jewelrymanufacture #jewelrydesign #3ddigitaldesign #jewelry3dmodeling #womenring #DownloadNow #jewelry #weddingrings #jewelrysmith #Download #3ddesign #3djewelry #jewelrymaker #jewelry3dmodelringdesign #diamondsring #jewelrystore #downloadable #jewelryretail #jewelrymodels #jewelry3dmodel #jewelrydesigner #jewelry3dprint #jewelrymaking #goldrings #jewelry3d #rings #3d #engagementring https://www.instagram.com/p/CixPUptIaCc/?igshid=NGJjMDIxMWI=
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mcgiggers · 25 days
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London, Paris - March 2024
Just back from a fantastic art viewing adventure in the old world which featured stops at the Tate Modern and Goldsmiths Centre for Contemporary Art in London, and the Musée d’Orsay, the Foundation Louis Vuitton and the Bourse de Commerce in Paris. The four-day trip was on the back end of a stay in the 13th century hilltop village of Petritoli, located in Le Marche, where local churches and those in the neighboring towns displayed marvelous medieval and renaissance style treasures. In the big cities, however, the focus was more on contemporary offerings. The whole made for a fascinating journey through an exciting part of art history.
London
An attempt to see the Yoko Ono exhibit at the Tate Modern was stymied by sold out crowds. The serendipity in poor planning however resulted in an opportunistic visit to the museum’s permanent collection, more specifically the magical second floor featuring modern masters and post war stalwarts. With entire rooms dedicated to the likes of Joan Mitchell and Gerhard Richter, among others, the walk-through played out like a greatest hits tour where around every corner an even more marvelous sensory treat was served up. Highlights of the visit included: Georges Braque’s early cubist masterpiece “Clarinet and Bottle of Rum on Mantlepiece”, 1911, oil on canvas (31.9 x 23.6 in.); Giorgio Griffa’s painterly “Tre linee con arabesco n.111”, 1991, acrylic on unstretched and unbleached canvas (114.4 x 76.4 in.); and Agnes Martin’s contemplative grid patterned renderings “On a Clear Day”, 1973, thirty screenprints on paper (each 12 x 12 in.), edition 32 of 50.
On the other side of town on the campus of one of the world’s most renowned art schools, a Matt Connors exhibit, Finding Aid, opened its doors at the Goldsmiths Centre for Contemporary Art. Featuring new and older works by the American abstract artist, the expansive grouping of paintings, sculptures and drawings cleverly paired Connors’ soft geometric abstraction and minimalist marking styles.  Showstoppers included: the large-scale bold vertical diptychs “Mural for a Gay Household I” and “Mural for a Gay Household II”, 2018-2020, acrylic on canvas; the vibrant “Red Top (deployed hatch)”, 2015, acrylic on canvas; and the sparse “Echo Implies Room (Orange/unprimed)”, 2012, acrylic and colored pencil on canvas.
Paris
Forty-eight hours later, the Eurostar abetted transition to Paris was speedy and eventless. Even under cloudy skies, the City of Light was totally sublime and uniquely picturesque. The art stops along the way were knockout shows in beautiful venues which in and of themselves were artistic and architectural marvels. At the Musée d’Orsay, the magnificently repurposed train station was the setting for the Paris 1874: Inventing Impressionism exhibit. The show celebrates the 150th anniversary of the inaugural exhibit of the then avant-garde movement and chronicles the transition from staid and traditional realism to hazier and freer interpretations of subject matter capturing a moment in time, an impression, so to speak. The cast of characters that led the way included MVPs in the annals of art history - Monet, Renoir, Degas and Cézanne, among others, all of whom figure prominently in the exhibit. The highlights included: Auguste Renoir’s “La Loge”, 1874, oil on canvas (31.5 x 24.8 in.); Claude Monet’s “Impression, soliel levant”, 1872, oil on canvas (19.63 x 25.63 in.); and Edgar Degas’ “Classe de danse”, circa 1870, oil on wood (7.75 x 10.63 in.).
The next visit on the journey was the futuristic Frank Gehry-designed Foundation Louis Vuitton and the Mark Rothko retrospective. The comprehensive exhibit brought together 115 or so works of the powerhouse American abstract artist and presented a chronology of the evolution of his early figurative renderings to mystical and surreal style paintings and finally, to his entrancing iconic floating forms. The highlights included: the early representational scene “Contemplation”, 1937-1938, oil on canvas; the surrealist masterpiece “Slow Swirl at the Edge of the Sea”,1944, oil on canvas; and dozens upon dozens of mesmerizing large format colour abstractions, including, “Orange and Red on Red”, 1957, oil on canvas (68.8 x 66 in.) and “No. 14”, 1960, oil on canvas (114 x 105 in.).
The last planned stop in Paris was the Pinault Collection at the impressively remodelled Bourse de Commerce. Spiralling up the majestic rotunda, works by contemporary art rockstars were prominently displayed. Among these were: Peter Doig’s haunting “Pelican (Stag)”, 2003-2004, oil on canvas; Maurizio Cattelan’s poignant “Him”, 2001, wax, human hair, suit, polyester resin and pigment; and a monumental installation by Sturtevant replicating the mythical room staged by Marcel Duchamp at the 1938 International Surrealist Exhibition in Paris.
Closing off the trip and reaching back in the art history timeline, a truly memorable work was discovered by happenstance during an unplanned visit to Eglise Saint-Séverin. Dating back to the 13th century, the gothic style place of worship housed numerous elaborate chapels which were all built around altars and adored by art of the time. A particular work stood out as it was presented alone hung high on a huge wall under a circular stained-glass window surrounded by nothing else but the serenity of the immediate environment. It totally radiated under the spotlight that illuminated a depicted religious figure sitting at a table who perhaps was Saint Séverin, a devout 6th century hermit and the church’s namesake.
Meanwhile, in the new world, there was a lot more commotion as Hogtown’s Jurassic Park was hit with an asteroid of epic proportions that essentially wiped out all remnants of a recent championship team.  The Dinos were dissected and dismantled. Gone are Crazy Eyes and OG-Won Kenobi, and team leader Scottie B and the much-maligned Austrian Big succumbed to season ending injuries. All the while, the newly minted Raptors including RJ the Prodigal Son Barrett and Immanuel La Squig Quickley struggled to stay healthy and make their mark. The result has been a team that is nowhere near relevant in the standings nor the hearts of fans. With the prospect of a lengthy and bumpy rebuilding process ahead, Dino fans can perhaps take some solace in rooting for the success of Raptor expats applying their trade elsewhere or maybe even Canadian hoopsters playing for true championship contenders. It’s all a lot rosier than the current state of affairs in Jurassic Park.
For more information on any of the venues, artists or works mentioned, or the sad sack Dinos, “Just Google It”.
There you have it sportsfans,
MC Giggers
(Https://mcgiggers.tumblr.com) Reporter’s Certification
I, MC Giggers, hereby certify that the views expressed in this report accurately reflect my personal views and that no part of my compensation was or will be, directly or indirectly, related to the specific views expressed herein.
I also certify that I may or may not own, directly or indirectly, works of artists mentioned in this report and that I may or may not have a strong bias for such artists and, more generally, for “Pictures of Nothing”.
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otaviogilbert · 4 months
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The Jewish “Old Money” Family Of Wealth, Influence And Power (Not The Rothschilds)
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Today on Old Money Lovers we explore the captivating legacy of the Warburg family in our latest documentary, "The Warburgs Unveiled: A Journey Through Old Money Power and Influence." Dive deep into the history of this banking dynasty that not only dominated European finance but also left an indelible mark on American economic landscapes.
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straighttohellbuddy · 6 months
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thinking about Lovejoy describing themselves in three words as 'Aromantic British Noises'
thinking about Lovejoy describing themselves in three words as 'Aromantic British Noises'
thinking about how the idea of aromanticism isn't nearly as widespread as it is on Tumblr/various other corners of the internet
thinking about how most people would probably assume the use of Aromantic as a descriptor would imply a lack of any kind of love or romance or close interpersonal relationships in their music which is INHERENTLY NOT TRUE
thinking about Lovejoy choosing Aromantic specifically, confident enough in understanding the actual concept/culture of aromanticism to describe their entire band
thinking about the potential for there to be someone(s) in Lovejoy who is either on the Aromantic spectrum or has considered it as a possibility and has researched it to understand it (and maybe themselves) better
thinking about hard about Lovejoys songs and realising that despite a few having vaguely romantic or implied romantic connotations, you could absolutely do an aro-spec reading of their whole discography
thinking about Lovejoy becoming part of Aro Culture in my heart
thinking about being aro-spec myself, and how id consider the term 'lovejoy' to still very much be my vibe despite that.
thinking about self described Aromantic British Noises, Lovejoy.
thinking about Lovejoy.
💚💚🤍🩶🖤
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teanicolae · 10 months
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age 16, teenage angst-ing in london. taken on an evening i wrote about in my songs of youth. 
"on one cold night in london / i sat beneath the twinkling lights / and i thought i knew who i was (..)."
then: i was in london for a summer course at goldsmiths, the university where my amore brian molko studied drama. i was in a transformative period of turmoil, which i later unpacked in a few articles published that year. yet, back then, i did not write much about the giddiness of it, which i want to highlight today: the giddiness of being a besotted schoolgirl, daydreaming between classes of the life her favourite rockstar lived in those university halls. wrapped up in mind twirls, i would wonder, did he experience the delicious mix between ache & thrill that i was experiencing? did he wander the streets at night like i did, finding solace in the graffiti splashed upon walls? did he understand the sadness in him in ways i did not understand the sadness in me? 🤍 every night, i listened to him sing: "i am weightless / i am bare / i am faithless / i am scared" & "wrapped in lust and lunacy / tiny touch of jealousy / these bonds are shackle free" and i felt a desperate want to express the workings of my mind the way he did. to live vicariously, to share vicariously. to be alive, and sad, and jolly, and love and hurt.
i will share one of the, hmm, rough accounts of the turmoil side of things. it's in romanian. you can read it here: http://www.sub25.ro/.../ce-vrem-de-la-brian-molko-in...
i will only translate the ending, as i feel distanced from it - in all the 'good' ways. it sometimes makes me uncomfortable to read past works in which i was so open, but overall i am proud of my teen self for expressing herself fully and not sugar coating her experience.
  "when the sun rose, i was leaning against the window of my dorm room, with my hair dyed green, with smudged eyeliner and one broken nail. with lady of the flowers on repeat. black sessions, 1997. brian began the set with a poem he only recited that year:
  Lady of the flowers, they’ve been dead for hours. Interflora (..)
and i felt that i could be okay." the feeling was correct. 🤍🫶
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plxto-art · 11 months
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Absence
2023
By Zidian Pan (ppuzzleddart)
Openframeworks, kinect 360, Max
This work is about presence and absence, just for this moment, for this place, for this instant experience.
When you interacted with the camera, your contour will be recorded visually and affect the sound, which constructs the presence of you at the same time, in the digital world. Finally, the changes will leave the empty part on screen, pointing to the theme.
And the whole process will be cycled. The transition between feeling about physical self and digital self will also inspire the thinking about presence and absence.
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carminamasoliver · 1 year
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Freelance Reflections #92
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View On WordPress
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theartmatrix007 · 1 year
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“The International Exhibition of Modern Jewellery" in Goldsmiths' Hall, London (1961) presented in “A History of Jewellery: Bedazzled (part 8: Jewellery from 1950s, 60s and 70s)” by Beatriz Chadour-Sampson - International Jewellery Historian and Author - for the V&A Academy online, april 2024.
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vidavojic · 2 years
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come see my final show as I’m soon finishing a performance art MA here in London!!
i can't hear you!! = A DRUMMING ritual, a performance of LOUDNESS, RHYTHM and DRIVE. Inspired by sexy stars = rock stars / celestial deities - this 30min drum / vocal solo recites the gnostic poem "The Thunder, Perfect Mind" (4 AD Nag Hammadi, rediscovered in 1945). By playing with the themes of numerology, holy patterns, chaos / order - the aim is to trigger physical sensation, possibly invoking a hypnotic state in the audience. Sprung from the desire to tell another story, which ultimately may not be heard on top of the ambient chaos - but rather felt. Shit is complicated. Let this be an exorcism.
TIME
30 Jun, 20:20 – 20:50
02 Jul, 14:50 - 15:45
VENUE
Studio 3
Goldsmiths University
SE14 London
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