Darling, I'm Intoxicated
(A/N: @wanderingwriter87 I don't know- this just came up and slapped me in the face and I blame you. On AO3 here)
Summary: Garak gets a bit too drunk.
“This is ridiculous.”
“No, it is not. You should be flattered that you were invited! I’m so happy you’re branching out more, making new friends–”
“Stop talking to me like I’m a child, Julian.”
Julian rolls his eyes. One of Garak’s colleagues at the local municipal building where he acts as County Notary (a job both serving the state but decidedly banal, which Julian knows Garak finds uniquely frustrating) has invited him to his Kosse ceremony. Julian understands the ceremony is quite similar to the Terran custom of bachelor parties, complete with strippers and copious alcohol.
Garak hadn’t had one.
Julian had certainly tried to persuade him; he had even said they could share a bachelor party if Garak were so hesitant to have his own (which had been met with a furious noise from Miles over subspace when he told him about it later). Garak remained firm in his refusal, and so Julian eventually gave in.
It isn’t that the party itself is so significant, Julian thinks. It is more what the party represents, namely- friends. Julian has always been good about joining sports teams and throwing himself into the deep end of social dynamics, social skills be damned, and on Cardassia, he has pretty good success. He is part of a tennis league that meets biweekly, formed of Federation aid workers and local Cardassians who had picked up the game, his coworkers at the hospital he sometimes got drinks with, and, of course, a standing subspace call with Miles.
Garak has, well, he has him. Julian loves Garak with his entire being. He adores him, wants nothing but joy and happiness from him, relishes talking to him, and could easily spend whole days just lost in him.
But. But that isn’t healthy, and it isn’t fair. Julian dated a Councilor long enough to know that, at least.
So, Julian says, “stop behaving like a child then.”
Garak gives him a look that could drill a hole for dilithium.
“Now, message me if you need a ride home. I won’t be going anywhere, so any time.”
“I think I am perfectly capable of finding my way home in the city I was raised in, Doctor.”
“And we are all very impressed,” Julian says soothingly. “Still, call. I’m off tomorrow, so it won’t be a bother.”
“Which is why I don’t understand why you can’t come with me.”
“Because I wasn’t invited,” Julian reminds him playfully. “Also, you can’t have a couple at your Bachelor Party! Ruines the energy of debauchery.”
“I will take your word for it.”
Julian starts steering him towards the door, pressing his comm into his hands. “Have fun!”
Garak opens his mouth to respond, so Julian cheerfully shuts the door on his face.
Julian looked around their small living room; he isn’t often alone and finds that he’s excited to have a night to himself. Maybe he can watch that new holodrama he’s been meaning to binge, but Garak hasn’t been interested.
He snuggles in and settles into finally being able to watch something without constant commentary.
Several hours later, Julian wakes up on the couch to a message notification. He blinks once, not remembering when he fell asleep in the first place, and then reads the message.
Elim Garak: Darling, I am intoxicated.
Julian chuckles softly under his breath.
Julian Bashir: Would you like me to pick you up?
Elim Garak: That would be most appreciated, my dear.
Julian looks at the time, and his eyes widen; it is late. Much later than Julian thought Garak would be willing to stay out and definitely later than Julian himself had stayed out since Jadzia’s parties on Deep Space Nine.
He shakes the cobwebs loose and heads for their hovercraft before checking Garak’s location on his PADD and chuckling.
A Glinn’s Pleasure, a Cardassian Strip Club. There was a term for it (ss’kishta) but for all purposes, it was a strip club.
Good for him, Julian thinks with a grin. Poor dear so rarely gets to see any scale. Julian has never been the jealous type, and he is perfectly aware that Garak does nothing quickly. He doesn’t eat quickly, doesn’t shower quickly, and doesn’t fuck quickly.
Julian can attest to that. It only took him ten years.
By the time he gets there, it seems only the Kosse ceremony group is left, with the younger men still vigorously hollering at the dancers. Julian scans the room for signs of his wayward husband when he sees him slumped over a chair in the back of the bar. He’s actually surprised that Garak allowed himself to get this intoxicated with strangers, but he’ll get the full story of how this happened later.
He walks over to him, ready to gingerly wake him when he looks at the image Garak fell asleep looking at. It was a picture from a vacation they went on two months ago; Julian was wearing a pink shirt that was barely buttoned, gesturing wildly with his hands in the warm Risian sun. His wedding band caught in the light.
Julian softens even more and gently presses a hand on Garak’s shoulder. “Elim, are you ready to go?”
“Julian?”
“Yes, are you ready to go home?”
“Yes,” Garak responds, almost desperately swaying into his arms.
Julian chuckles, “Okay, okay, I’ve got you.”
He maneuvers them out of the bar taking great pains to keep his partner as upright as possible. Julian passes a brief wave to the boys, who are still partying, as he lugs his husband to the hovercraft.
As soon as he helps him sit, Garak falls asleep. Julian presses a fond kiss to Garak’s temple and then drives them both home.
Once he manages to get Garak up to their room, and in their bed, he walks back to the living room and orders a hangover cure from the replicator. It works best if applied before sleep to prevent hangover symptoms in the morning rather than curing them once they have already appeared.
There is a quiet hiss of the hypospray unloading into Garak’s neck, who doesn’t even twitch. A flash of alarm rings through him- Garak is always alert.
Taking a half step back, watching that Garak is still breathing steadily, he reaches for his tricorder, heart racing.
Julian sighs and shakes his head at himself, nothing. He’s perfectly fine, save for the dehydration from the alcohol. Exasperated with himself, the war was years ago; he lays down too.
Julian wakes up before Garak does, which is unsurprising but still sends him to his tricorder for one more quick scan before he officially calls himself paranoid.
Garak eventually wakes up, wandering into the living room in his traditional robe and perfect posture. Even his hair is neatly plaited.
“Good morning, love,” Julian says with a smile.
Garak inclines his head at him, oddly polite, but Julian ignores it.
“So,” Julian starts, “how was last night?”
“A tawdry affair,” Garak begins, sighing dramatically. “A bunch of headstrong, foolish young men. The state only knows why they even wanted an old timer like me along.”
“Of course,” Julian says, his lips curling around a tea cup's rim. “Though I’m sure you still gave them a run for their money,”
“Oh,” Garak chucked, “I tried to keep up. Though, it has been some time since I have consumed in such excess. I must say, I find myself… surprised by the lack of consequences.”
Julian gave him a questioning look. “I gave you a hangover treatment last night, of course. It is always better to prevent the problem than to treat it.”
Garak looks at him, seeming almost surprised for half a second before he nods. “Of course. I never doubt your medical expertise. I just presumed that perhaps you’d be more… Upset.”
“Upset? About what?”
“Well, that I allowed such an overindulgence. You do so often harp on me about the importance of moderation.”
“Because it is important, but Garak, going out with your friends every once in a while and having a bit too much isn’t something you need to be punished for. I’m certainly not upset.”
“Nor about the rather… lewd displays at the venue where you found me?”
Julian rolls his eyes and goes over to him, pressing a firm kiss on his cheek. “Elim, love, I knew that. Remember? Now, did you have fun?”
Garak looks conflicted before he smiles, “Well, it has been some time since I’ve seen another Cardassian’s chuva. So, that was refreshing, though surprisingly uninspiring. I suppose I simply have different tastes now.”
Julian laughs, nuzzling his face into Garak’s neck. He can read between the lines.
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religion is one of the most prominent recurring themes on the album, and it has been present in some capacity for quite a few records now. taylor previously compared love to religion: her saving grace, her belief system, and a fated divine intervention (false god, cornelia street, and cruel summer are the best examples of this). ‘sacred new beginnings that became my religion’ and ‘we’d still worship this love even if it’s a false god’ are two of the defining statements about her philosophy on the lover album.
taylor doesn’t want to leave all of that behind on ttpd, at least not at the beginning. the first supernatural force she mentions is the spaceship on down bad, which she compares to a skylight of freedom in the epilogue. *something* has finally come to save her from her life of suffering. she doesn’t care if it’s a force of good at first; if anything, she’s just fine being taken away by aliens. she views this man as her destiny. it isn’t until guilty as sin? that taylor starts to ponder the moral implications of what she’s doing. is she guilty as sin for wanting to leave her previous religion and relationship behind? she comes to the conclusion that, even if she rolls the stone away and gets resurrected/redeemed, she cannot avoid the fallout. she is okay with the thought of having to wait, as long as both lovers vow to be together forever, just as she once did with someone else in false god. ‘I choose you and me religiously’ finishes the bridge of the song in a direct callback to cornelia street.
the next mention of religion has murkier imagery. she claims that she does not need the Lord’s help to save this man. she sees the halo that he has, and she can fix him herself. now that she feels free of her prior cage, she isn’t looking for divine intervention anymore. she wants control. she is their route to salvation.
when the relationship falls apart, she retreats back into the position of a believer rather than a divine figure. she compares him to a Holy Ghost who promised to save her and take her to heaven. instead, she is in hell in every sense of the word: she’s down bad and feels guilty for digging up the grave. he was a jehovah’s witness who promised that she could break free of the cage imposed by love without changing her religion altogether; she would’ve just had to switch denominations. she could still have a marriage and kids! she could still have a blue tortured poet! the man was different, but not the dreams they had together. the story of the first part of the album ends here. her faith has been broken, and she has only found any semblance of sanity by refusing to mention these belief systems altogether.
side b/the anthology blends the christian imagery of side a with goddesses, sorcerers, and prophecies. she bargains with these powers to let her have the future she wants (the prophecy). she doesn’t sound like someone believing in salvation. if anything, she feels cursed. she decides that the concept of divinely ordained timing will never work in certain relationships (‘the goddess of timing once found us beguiling / she said she was trying / peter, was she lying?’). this disdain extends onto her perception of other people’s faith (‘bet they never spared a prayer for my soul’). she does position herself as a prophet in cassandra, but even then, she admits that the role has hurt her. perhaps the pain in thank you aimee was meant to be, or perhaps she was just strong enough to build a legacy in spite of it, boulder by boulder. is she a martyr? does she want to be? or did she save herself?
the only real love song on this half of the album makes no mention of fate or any divine forces. it wasn’t meant to be. it’s not a supernatural invisible string or lightning in a bottle. she is just in love.
the album ends with the manuscript, which revisits an old story of a defining, formative heartbreak. as she sings ‘at last, she knew what the agony had been for’ while describing the legacy of her writing, she seems to revert to thinking about the purpose of trauma. the only exception is that, in this case, she is the one who found meaning in her pain by turning it into a manuscript. writing is her belief system now, and she proselytizes by telling her stories and thus giving up the manuscript.
ultimately, her belief in destiny has chewed her up and spat her out. she so desperately clung to her existing belief systems that she was fooled by a conman, which left her feeling cursed. religion is supposed to be with someone even in their darkest moments, but the album explains that taylor often felt abandoned. the only constant in her life was, well, herself. she’ll be okay, but her pen will be her saving grace.
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