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silkythewriter · 3 months

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I had an idea for a few headcanons you could do if ya want—

Maybe Sir Pentious with a reader who is so obviously in love with him, and keeps pining over him while literally everyone else but Sir Pentious himself can tell they like him? Like he's just really oblivous until reader finally straight up tells him.

Sir Pentious with a clearly in love reader!(●’◡’●)❤︎︎

Warnings!: Non!

Fandoms!:Hazbin hotel!

Author’s note!: HI HI OMG I LOVE SIR PENTIOUS HES SO SILLY!!!! I REALLY HOPE YOU ENJOY THIS AS MUCH AS I DID

Summary!: reader who’s clearly in love with our favorite snake demon

❤️Written by silkythewriter Do not steal or repost on any other platform please! ❤️

☆✬✬✬✬✬✬✬✬✬✬✬✬✬✬✬✬✬✬✬✬✬✬✬✬✬☆

“Call me, you can call me

Boy, just call me (call me, call me)

While you stalling, I'm evolving

I'd give all me”

☆✬✬✬✬✬✬✬✬✬✬✬✬✬✬✬✬✬✬✬✬✬✬✬✬✬☆

!🐍✨Sir Pentious✨🐍!

First of all, just to get out of the way, THIS MAN IS OBLIVIOUS!!!!, Autism be damned my boy can pull without even telling!!!!!

No but in all seriousness he is oblivious to your obvious longing for him.

Everyone can see you giving him shy longing stares only for him to be ranting about his latest invention. Not only would he not be able to tell but he’d always think your just being nice!

Of course he’s crushing hard behind his bedroom door to his little eggs. Happily stating and going on rambles of how gorgeous you looked today. He’d state everything! From the new hair style you tried to the new piece of clothing you bought and wore. When I mean he notices everything I mean it, but for some reason he can’t pick up on your obvious love for him.

The way he could stare in your eye as you tell him he looks breathtaking and still think you mean it just to be nice is astonishing. OF COURSE HES BLUSHING AND KICKING HIS TAIL, but he can’t bring himself to think you like him anymore than just friends!

He’d go to his egg boys and sadly rant on how you’ll only see him as friend. And the egg boys all share one Brain cell so they can’t tell you like him aswell!, maybe they might accidentally spill, or almost spill the secret of him liking you but he quickly knocks them away before you can make sense of what their saying.

All the residents watch as you do your best to drop hints only for him to complete miss it. Even angel cringes as he watches him completely be oblivious to the obvious flirting, it’s take Charlie and Vaggie to stop him from pointing out the obvious.

Husk almost always gives Sir Pentious as gaze of just utter confusion and tiredness.

He’d gladly take flowers from you that you gifted him and take care of it for weeks on end without realizing the romantic gesture!

Alastor, as always finds it humorous, although he usually doesn’t indulge himself in romantic like things he’s find it hilarious. “Even with three eyes he still can’t see the obvious! Ha!”

Charlie tries to help to the best of her ability to help guid him the right direction but it’s just end up with him more confused. Vaggie just face slaps internally,

honestly the whole crew wasn’t having high hopes for him as dim as that is. , look! He ain’t bad looking, but not many people would prefer his clumsy self, so they were honestly hoping he’d figure it out before you possibly moved on.

Even when your upset at the obvious frustrating situation he’s still be confused while trying to do his best to comfort you.

“Well I think the man isss clearly as dumb as a rock!”

It took you starring dead in his eyes for him to question if you were alright. Before you stated it was him

The way he just stood staring at you in pure disbelief, before snapping out of it and embarrassed as his previous words. But after the said embarrassment he’s full with giddy, why of course you love him!, he’s the great sir pentious!

Yea his embarrassment would quickly turn into pride, considering he got someone as beautiful as you to fall for him.

Definition of a clumsy gentlemen, he’d open doors so fast it’d smack him in the face, or pull when it’s a push door and be confused why it’s not opening.(´ω｀💧)

He’s just a silly lil guy! (⸝⸝ᵕᴗᵕ⸝⸝)

I feel like the crew in the hotel would be relief to find he finally figured out.

At the end of the night he’s squealing like a high school girl as he rambles to his egg boys about you in a new light!.

He’s gift you small little trinkets or happily spend hours with you talking!

He’s as lovesick as your are! He’s just a bit dense when it comes to accepting the fact you love.

It’s like the roles switched! Now he’s daydreaming-ly staring at you happy to have you as his, and him a yours.

Like I’ve said before! He’s a total drama queen, he can’t help it!, deny him a kiss teasingly? He’s crumbling down to the ground and holding his chest as if he just had a heart attack! (¬_¬)

He’s not at all secretive of his love for you, even if he wants to, to keep his image “professional”, he just can’t help and dote on you!

overall he’s a big dote and softy even if he tries to hide it, loves you with his whole being! ( ˘ω˘ ) He can a be a bit over the top sometimes but you’ll come to accept it! And hey who wouldn’t want a silly snake demons who’s tripping over their tail for you. Yea you got him in and over his head but he wouldn’t have it any other way. The roles have truly reversed(≖ᴗ≖✿)

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I LOVE HIS SILLY LIL SELF SO MUCH MORE PEOPLE SHOULD WRITE FOR HIM :(. TYSM FOR THE REQUEST I LOVED IT SM!!!! PLEASE COME AGAIN!!

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marley-manson · 2 months

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Hawkeye and Frank are the two most diametrically opposed characters on Mash. They clash politically, ideologically, emotionally, intellectually, and even physically on more than one occasion. There is virtually nothing they agree on. But they do have one significant similarity: both Hawkeye and Frank are notably, pointedly effeminate.

Hawkeye is the central protagonist, so he's written to be likeable, even admirable, especially in the first five seasons of the show when satire dominated rather than character drama. He's the character who makes the correct political points and voices the show's ideology, and male audience members are encouraged to identify with him and aspire to be like him. He's witty, he's smart, he's charismatic, he dodges consequences a lot, he's highly skilled in his work, and he has a strong personality and natural leadership qualities.

Frank is the main antagonist up until the end of season five. He's written for audiences to hate him, mock him, and occasionally be horrified by him. He's dull-witted, incompetent, awkward, easily led and manipulated, and always gets his comeuppance. Few audience members are likely to aspire to be more like Frank Burns.

And yet, while most likeable protagonist/detestable antagonist duos in American popular media would also be differentiated in terms of gender performance as a matter of course - the effeminate villain being a standard stock character, always set against a ruggedly masculine hero - Mash takes a different approach.

From his core personality as a sniveling, weak-willed follower, to the way other characters, including Hawkeye, routinely make fun of him by comparing him to a woman or insinuating that he's gay, Frank Burns certainly fits the part of weak, emasculated villain. What's more interesting, and much less commonly seen in Hollywood media, is that Hawkeye is portrayed as just as unmanly, and just as, if not more prone to having it pointed out in the show.

Often Hawkeye's jokes at Frank's expense include the implication that Hawkeye is attracted to him himself, and not necessarily as "the man." He jokes, "Guess it's a marriage, Frank. I know I can do better, but at my age, can I wait?" in Hawkeye, Get Your Gun; he switches from calling Frank one of his vampire brides to taking the feminine part in post-coital pillow talk after siphoning his blood in Germ Warfare; he kisses or tells Frank to kiss him in Major Fred C. Dobbs, For the Good of the Outfit, and Bulletin Board, etc.

Other times, the jokes Hawkeye makes about himself are virtually identical to the jokes made at Frank's expense - their respective attractions to Margaret as a potentially dominant sexual partner, eg, with both Frank and Hawkeye portrayed as eagerly submissive. For instance, in 5 O'Clock Charlie Hawkeye jokes about tying Frank to Margaret's tent, then dismisses the thought with, "He'd probably love it. I know I would." And Hawkeye/Trapper and Frank/Margaret are sometimes paralleled as dual couples, Hawkeye and Frank usually being framed as the more feminine partner in each.

And of course, unconnected to Frank, there are many, many more examples of Hawkeye's effeminacy, both in jokes and in personality traits.

Hawkeye is a self-professed coward who is loud and proud about how terrified he is to be stuck in a war zone. He's emotionally open and highly empathetic, always willing to listen to others' problems and discuss (or scream about) his own. He abhors institutional violence and faces every enemy combatant with his hands firmly in the air. When authority is thrust upon him he strives to relinquish it, and uses it as little as possible.

More shallowly, he has little interest in sports and exercise, derides masculine hobby magazines like Field and Stream and Popular Mechanics, is incapable of performing mechanical tasks to the exasperation of others at least four times (Comrades in Arms which explicitly frames this emasculating, In Love and War, Patent 4077, and Hey, Look Me Over), mocks traditional masculinity in many ways, and enjoys musical theatre and Hollywood gossip. And he makes and takes literally hundreds of jokes about being unmanly and having sex with men himself, many more than he makes at Frank's expense.

But while the jokes are at Frank's expense and meant to belittle him, they're rarely made at Hawkeye's expense, especially in the first five seasons. Hawkeye doesn't make the jokes out of self-deprecation, he makes them out of pride and a desire to differentiate himself from the army men he's surrounded by. He's almost always in on the jokes others make about him, rather than offended - Potter telling him to file a paternity suit against his rival in Hepatitis makes him laugh delightedly, and Trapper's remarks on his effeminacy, such as Miz Hawkeye in Hot Lips and Empty Arms, are sometimes lightly teasing but always a regular aspect of their dynamic that Hawkeye enjoys playing up. Frank doesn't make any jokes directly mocking Hawkeye's masculinity that I can recall, beyond vague "pervert" and "degenerate" remarks, which, while often historically homophobic, in the show's context tend to be treated as a reference to his heterosexual endeavours.

Frank's effeminacy is a point of mockery and derision, but Hawkeye's is a point of pride, and not intended to make him any less likeable to an audience. Antagonists don't get to score points off of Hawkeye by mocking his feminine traits, but Hawkeye makes fun of Frank regularly by mocking his feminine traits.

This difference in framing can partially be explained by the nature of their respective gender performances.

While Hawkeye and Frank are both effeminate, they're effeminate in many opposite ways. Frank is weak-willed while Hawkeye is strong-willed. Frank is unappealing to most women, while Hawkeye is something of a lady's man. Frank cannot face his fears to rise to a challenge, but Hawkeye can. But on the flipside, Frank refuses to admit to fear while Hawkeye openly proclaims it. Frank strives to attain authority while Hawkeye refuses it or takes it on only begrudgingly. Frank is obsessed with guns to a freudian extent while one of Hawkeye's most famous monologues of the show is a speech about refusing to carry one. Frank worships the concept of traditional masculinity even while he can't perform it himself, while Hawkeye mocks the concept and would refuse to perform it even if he could.

The Sniper is an excellent case study of these contrasts. In this episode, Hawkeye is effeminate and at ease with it, while Frank is desperate to prove himself masculine. Frank and Margaret flirt with strong Freudian overtones while Frank shoots a gun while nearby Hawkeye flirts with with a nurse with a line about "tasting" her. Hawkeye connects with the nurse he's wooing by relating to how scared she is and huddling in fear with her, while Margaret demands that Frank prove his masculinity by going out and taking down the sniper himself. Frank carries a gun while trying to approach the sniper, while Hawkeye carries a white flag. Frank tries to make fun of Hawkeye for wanting to surrender, but he can't bring himself to approach the sniper while Hawkeye does.

This contrast of gender performance is a consistent aspect of Hawkeye and Frank's dynamic throughout the show, but The Sniper makes it a central theme so it's a useful example to show how their relationships to masculinity are a deliberate aspect of their dynamic.

And while Hawkeye makes fun of Frank's femininity, it's significant that he also regularly makes fun of Frank's masculinity - his love of guns (eg The Sniper), his sexual affairs (eg the exchange about Frank as a "fantastic performer" in Yankee Doodle Doctor), his numerous attempts to exert authority (eg Welcome to Korea), his desire for socially approved success (eg Hot Lips and Empty Arms), etc.

Both masculine and feminine sides of Frank are comprised of negative character traits, while Hawkeye embodies the best of both - emotional expression and healthy ways of coping by talking about his feelings; bravery but not machismo; intelligence and skill as a doctor rather than an officer; empathy and a willingness to listen; sexual prowess but largely through his love of foreplay rather than his dick game (which, in the context of the early 70s, is a somewhat feminine attribute that distinguishes him from a typical traditionally masculine man); etc.

Hawkeye demonstrates some of the most appealing and healthy qualities of both masculinity and femininity while Frank demonstrates, or strives to demonstrate, the more toxic qualities of both. Through including a few positive masculine traits in the mix, the narrative is able to depict Hawkeye as likeable, admirable, and desirable in his effeminacy while Frank is depicted as loathesome in his. Hawkeye gets one of many, many women in The Sniper by showing vulnerability, while Frank only appeals to Margaret, and Margaret is portrayed as borderline pathological in her sexual attraction to violent masculinity (the scene where Frank excites her with his gun, for example, also includes an electra complex joke, and there's a running rape kink gag in this episode as well).

Another aspect to consider when it comes to differentiating Hawkeye and Frank's respective femininities is hypocrisy. Similar to how Frank and Margaret's affair is mocked because they can't admit to it while Hawkeye and Trapper's affairs are glorified, part of what makes Frank's effeminacy so mock-worthy, while Hawkeye's feminine qualities are a source of pride and rebellion, is that Frank refuses to admit to them.

Frank desperately wants to be the ideal heroic army man and often play-acts the part, poorly. When Hawkeye mocks him by calling him a woman, for example, he's drawing attention to Frank's failure to live up to his own ideals. And when Hawkeye calls himself a woman, he's mocking those same ideals. The message is that Frank is pathetic not so much for failing to be traditionally masculine, but for wanting to be traditionally masculine at all.

Ultimately the ways Hawkeye and Frank perform masculinity and femininity are pointedly in opposition, from which masc and fem traits they embody, to how proudly they embody them. The show itself draws attention to these gendered similarities and differences between Frank and Hawkeye through a constant barrage of jokes, and even whole scenes and episodes. In this way the show portrays Frank as a hypocritical loser who wants to be masculine but fails to embody all but the worst traits, and Hawkeye as a cool, admirable guy who disdains the traditional pillars of masculinity and embraces his own effeminacy.

#mash #marley on mash #mash gen #mash gs #frank mash #hawkeye mash #since you guys liked that trapper gender meta a lot more than i thought you would here have another one #though this is written a little less formally lol #i have more examples of whole scenes that make these comparisons than just the sniper but i'm trying to keep this from being #even longer than it already is #but eg white gold is another good example wrt how they relate to flagg; yankee doodle doctor; army navy game; george; the gun; etc etc #(also it's interesting that when frank leaves hawkeye gets the pathetic loser portrayal more often... though i think that's a coincidence #the shift from early to late mash could be yet another essay on mash and gender lol)#long post

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