His son's children
When Alfred looked into the security video of the front gates, he froze for a moment. Taking in the image of the two children there. One was a tall, red haired girl with a teal headband, confident but with a look of wary in her eyes. Behind the girl was a younger boy, black haired and wearing a NASA shirt, appearing to be reluctant like what they were doing was a bad idea. Alfred's stomach dropped just a little when he saw the boy and his familiar features.
A second later worry flitted accross his face, but still, because of protocol, he asked them for their reason for this surprise visit. No one expected any visitors this late, and Alfred knew if he looked over his shoulder, he would find one of the children snooping, trying to find out who their visitor could be.
Yet when he heard the girls request to see him, not Bruce Wayne, but him, Alfred Pennyworth, his stomach dropped even more. Knowing now for sure that he hadn't seen wrong with the boy's features. He buzzed them in, while his mind remembered old cherished memories of two you black haired toddlers playing together, growing up together until that one day. When he chose to stay and his significant other chose to leave. Sometimes, he wondered if Bruce still remembered the one that could have been a brother to him if things had gone different.
He doesn't regret his decision, but when he looked at the two worn-out children, no his own grandchildren, before him he mourned the fact that he had let his own son become astranged from him and Bruce. Having believed it to be the best with what Bruce had started to get up to.
But maybe it wasn't to late to make amends he thought as the young girl, clearly of the same vibes as Richard, like someone who had grown up to fast and taking on responsibilities that shouldn't be theirs, tried to explain that they won't call him grandpa if it made him uncomfortable and that they would only need a place to stay for a couple of days before they could move on.
Alfred's heart broke for them as he listened to the girls, Jasmine's hurried explanation.
During her explanation, he studied them more closely. Marveling at how much the boy, Daniel, looked like him when he had been younger. But also noticing the clear signs of injury he was trying to hide. He suppressed a huff, years of taking care of his reckless charges and other grandchildren, and their wounds had made him an expert in spotting these things. But it also gave him a sickening feeling. The injuries Daniel tried to hide did not appear like your average kind of injuries.
They were going to stay, Alfred would make sure of it and he would also let Bruce know of his findings. There was clearly more to his grandchildren sudden appearance than Jasmin was willing to explain.
Whatever endangered his grandchildren from his own estranged son. He would ensure that nothing would hurt them ever again.
His granddaughter did not need to list reasons to convince him to let them stay for a couple of days. And his grandson did not need to look this cautious and wary of him like someone was going to attack him any second.
Alfred was going to give them a home if his son couldn't. And if Bruce had a problem with it, he could take it up with his children. Clearly, if he looked over his shoulder at the noisy little ones, all of his other grandchildren could see that these two before him needed a home to stay.
Besides from the looks of it, they would fit right in with this family.
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Don't want to put this on the post itself for risk of derailing it, but that post the other day about Terry Pratchett's early work really stuck in my mind. OP had sent in an ask saying that they heard some of Pratchett's earlier works had problematic elements (not unusual for a male english writer in the 80s) and they weren't sure whether to go ahead with reading the work anyway.
What I really want to ask that person, or indeed all persons who are hesitating over whether or not to read problematic works or works by imperfect authors:
What are you worried about happening, if you read a work with problematic elements?
I'm worried that if I read this art, I will run across hateful images or words that will shock or upset me
I'm worried that I will spend money on a work of art that then financially supports a bad person, and that thought makes me uncomfortable or upset
I'm worried that I will read works of art written by a bad person, and comment or react on them, and other people will see what I am reading and will think less of me because of it, or will assume that I hold the same bad beliefs as the author
I'm worried that I will read works of art written by a bad person, and I will enjoy them, and the author will find out about my enjoyment and feel emboldened to do bad things because of it
I'm worried that I will read works of art written by a bad person, and their badness will contaminate my way of thinking and make me a worse person in turn
Because these are all different answers and some of them are more actionable than others
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I’ve been thinking a lot about what Laios would do for a living in a modern day au - I’ve seen some theorizing about how his love of monsters/ecology/nature would make him a good biologist. Which is true! But I personally could see him being just Some Guy, maybe a college or even a highschool drop out, who joined and then left the army, working random odd jobs like dish washer/mover/warehouse worker. He visits his college going sibling falin who is so concerned she decides to dropout (even though she only has a bit of schooling left and coincidentally is working to become a biologist/career inspired by something laios suggested once) and get an apartment with him because he’s practically homeless and in a rough state. Then they both get a job at the same place, like for instance….. a card/game shop perhaps?? Or even something that sells funky pops and wall scrolls side by side you know! Maybe even ran by the short and super young looking chilchack whose “secretly” a good boss/cares about his employees?? 🤔🤔
Like I just think laios would be just some guy who ends up discovering a rich world outside of trying to pay rent in this world in creating his own characters and worlds in things like dnd and the furry fandom. He is a great artist although members of his tabletop group don’t always appreciate him making their characters or themselves fursonas …but drawing monstrously beautiful creatures representing someone’s self is practically a love language for him so they accept it however begrudgingly.
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I think John Ward deserves to break down a little at the end of FAITH bc he just destroyed the cult that groomed him since childhood and abused him and his childhood friend, he's managed to protect everyone he loves, he's realized God's been with him the entire time, he has fred all the souls that were taken hostages in the rite of the second death, and he has been forgiven by the very person he wronged. He deserves to break down a bit, after things have calmed down, as Lisa and Garcia both hold him as his falls on his knees and his shoulder shake and he holds his crucifix close like he's hugging it and he wails like a child and as the tears fall on the cross once bronze, they leave golden streak, cleansing his vision of it, cleansing his heart.
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Imagine, a universe where TGM ends with Iceman alive and watching his two favorite idiots work on the Mustang. Just sitting back, enjoying a nice cool drink, telling Jake all the ways he tried to secretly get them back into one another's lives.
Like, the time he tried to line up Mav as a teacher right before Bradley was going to be in...only for Mav to drive everyone insane much faster than he thought would happen.
Or the time there was a mission that only required a couple of pilots. Nothing too dangerous. They'd have been on standby as backup more than anything, but then Bradley got injured and ended up in the hospital. And he couldn't get Mav out of it...
Of course the one mission that worked out was the suicide mission of Doom, where the two idiots tried to die for each other versus just talking. Of course.
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stultifera navis rerun AKA thinking about Iberia hours again because a lot of the Iberians have such fascinating relationships with the concept of home but specifically Thorns and Lumen are eating at my brain. like where do you call home when the place that is your home Just Fucking Hates You? Elysium's rewinding breeze specifically makes a point to hammers home how differently Iberia treats its Liberi and its Aegir
(which is especially interesting since this comes right after a conversation where Purestream commented on how despite Leizi being a high ranking government official, there are still some experiences that are universal for all Yanese people - because the experience of what Iberia itself is like isnt universal for all Iberians)
But all that being said, Thorns also straight up states that Aegir is not his home, and yeah, how could it be? How could a place you've never been to, never truly known, ever be your home? How could it ever feel like a home?
so where do you go when the place that you are from hates your people and the place your people are from is completely unfamiliar and alien to you? Thorns' answer at the end of the conversation with Aya is: my home is where i chose it to be. my home is where there are people I care about and people who care about me
in the complete opposite direction, Lumen's oprec asks: why do you still stay in a place that wants you gone? because the people of Gran Faro like Jordi well enough but when push comes to shove, they will want the only Aegir in town gone
and yet, when Rald the messenger offers him a chance to leave Jordi turns him down and when he's forced to escape Gran Faro after the people there literally try to send him to his death (or worse) at the hands of the Inquisitors he keeps trying to go back because like everyone in stultifera navis, Jordi is clinging to his own dreams of a golden age
but the shape of that dream is unique to every character and for Jordi, his dreams are deeply, inseparably bound to the Eye of Iberia, the legacy his parents left behind
and it's this dream of becoming someone great, of bringing about that golden age that his parents devoted their lives to help create that ties Jordi to this nothing town because despite everything, despite the mistrust of the townsfolk and the hostility of the Inquisition and the danger from the ocean, he simply cannot leave it behind
(or, because i personally dislike the official translation,)
"I just see this place as my home"
so yeah. not sure what overall point i was trying to make here i'm just. deeply in love with these stories about chosing what is and isn't your home, of saying you will not call a place your home because it has given you no reason to or saying you consider a place your home even though it has given you every reason not to. deeply unwell about them <3
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just watched nimona. suffice to say my depression has either been worsened or cured and i don't know which one it is. 🥲
anyways found family is always a win and ambrosius and ballister are officially the Best Dads™️ to Nimona.
Listen i don't care that Nimona is literally at least 900 years older than the both of them i wanna see the two dumb gays taking care of an eternal child and being domestic and wholesome after all the drama LET ME LIVE
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