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#for 16 straight seasons
macsmacandcheese · 11 months
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im ngl I don’t think ppl should be mad about ppl shipping macden because it’s “romanticizing abuse” in a show about like the absolute worst ppl imaginable
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callisteios · 1 year
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bro... i.. i don't think it's normal to dream of your best friend's dead girlfriend taunting you about how he hates you now.. bro i think you might be. a homosexual
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agapayy · 6 months
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Okay so Supernatural season 16 is either the cure that will fix a whole generation of queer traumatized people or the knife that will stab us again and again on the exact same injury
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i swear he did not have this many teeth before
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pollencoveredwoman · 1 year
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Y’all S16 is so elite idk what to do with all this serotonin.
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fiftytwoeightythree · 11 months
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stan twt is truly stupid. one moment everyone is praising taxi driver, and in the next ocassional kdrama watchers that are mainly kpop stans hop on twitter dot com and start bombarding the news tweet about td3 with qrts going 'nobody be watching that' or 'i'll get jehoon out of that damn taxi' while he's THE NO.1 FAN of taxi driver and that show was one of THE MOST SUCCESSFUL SERIES both domestically and internationally.
if you're that damn bored of it then DON'T WATCH IT. 'i also dropped s2' honey NO ONE CARES that's your decision. claiming he doesn't do any other project because he's 'too busy with taxi driver' is also a lie, at least you could have the decency to look up what projects he's working on rn... he is packed. and taxi driver s3 hasn't even started filming yet so what y'all be loud about again?
get the hell out of my face and leave the man out of your mouths.
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willosword · 7 months
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UWAAAAAAAAAA i miss shiro vld.......................
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Eclipse
May night descending be a mere eclipse;
Dim light hung close, but brushing harmless by
May shadows curl in sleep with softer curves
Til gleaming slivers wisp to brighter day
May sun’s bright rays ever ’round corners be
The lamps mere stopgap for the light to come
The cooling winds bring nothing but relief
To sweat-slick skin in summer’s sneaking burst
Between winter and spring. Stranger and friend
Alike shall pour onto the new-mow’d lawn,
Impromptu-picnic-party in full force.
Press safety glasses into your friends’ hand
Stare up towards the moon’s new waltzing dance-
The dark has passed. It’s alright. Go to class.
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unimportantweirdo · 6 months
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i think i'm reaching the 'collecting data' part of a my criminal minds special interest
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Just gonna go ahead and call it: this was the season 18 finale.
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applebees4prez · 4 months
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“it’s not fair” seems to be a theme of the season especially in how the people around the bad kids don’t seem to realize that it’s not fair for them either.
cassandra doesn’t realize it’s not fair to kristen that she’s a teenager with a life and other responsibilities who is the sole being keeping a god alive.
the rat grinders don’t realize that it’s not fair that they get to xp level with critters while the bad kids have to save the world. they don’t take into account how each of them have died before and/or watched their best friends die while coming extremely close to death. the bad kids have experienced so much pain and exhaustion and they don’t even get the special treatment that the rat grinders have accused them of.
porter straight up ignores how gorgug is going to struggle with a 400% courseload because he took a hit to his pride. he sees a student so passionate that he’s willing to do four years of school in one and doesn’t think to cut him a little bit of slack.
it’s not fair that adaine grew up with shitty parents and now has to work eight hours a day to pay for her equipment in exchange for getting rid of them. it’s not fair that kristen has to dedicate everything to a god at 16 years old when she has so much else she needs and wants to do. it’s not fair that gorgug has taken on a 400% courseload because of porter’s pride. it’s not fair that fig is cursed to be unlucky and has something going on that she doesn’t understand at all. it’s not fair that he has to work so much harder to get into college and has to manage his entire party because they aren’t as passionate about school as he is. it’s not fair that fabian was abandoned by his mother and is so, so goddamn lonely or that he had to kill his father.
and while everyone else is whining about how unfair everything is (except for cassandra who is valid in her concerns), the bad kids have taken everything in stride. they don’t complain to anyone even though they absolutely have the right to, not even each other.
adaine refused to tell her dad about the things she needed, despite the fact that he would have helped, and got a job. kristen takes the blame for hurting cassandra and keeps dropping the ball because she can’t handle everything and feels so guilty. gorgug took the courseload because he’s so passionate about the things he wants to do and is trying his goddamn best to keep up with it. fig hasn’t talked to anyone about her confusing situation until it caused major problems because she was going to suffer it in silence. riz plasters on a smile and takes everything that he can get in hopes of it impressing schools. fabian hints to his friends that he wants people at his house but never confides in them or questions his parents even though they both had so many issues.
it’s especially not fair that none of them feel like they’re allowed to say it’s not fair. that they take everything in stride until they will someday break down.
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summerlinenss · 5 months
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here’s the thing.
if you’re one of the people celebrating our flag means death’s cancellation for whatever reason right now, i need you to realize that this is just a sign that whatever you love is next.
and i’m not saying that out of spite. having your favourite show cancelled is awful, i wouldn’t wish it on anyone. but if our little-gay-pirate-show-that-could can’t get its third and final season, the future of queer media is extremely grim.
ofmd was the definition of a sleeper hit. hbo max had no faith in it when the first season came out. it gained popularity purely through word-of-mouth. but it became one of max’s biggest shows, and it’s since been marketed as their flagship series.
it was the #1 most in-demand series in the world for 8 weeks (7 of those weeks consecutively). it’s currently in the 99.7th percentile of the comedy genre, meaning it’s in higher demand than 99.7% of all comedy series in the u.s. it has a 94% audience and critics score on rotten tomatoes. it’s the most in-demand hbo original series even above euphoria, succession, and the last of us.
it was nominated for 16 awards for the first season alone, including a GLAAD award and a peabody award. the second season was just nominated for an art directors guild award, which it was previously nominated for and won in the same category for season one.
besides awards, ofmd is critically-acclaimed and praised for its representation (including a cast of majority queer, bipoc, and disabled characters) and themes of anti-colonialism, challenging gender norms/toxic masculinity, and self-discovery/acceptance. it also has a diverse team of directors and writers consisting of several bipoc, women, and queer/trans/non-binary people.
on top of all of this, the plan for the show all along was only ever for three seasons. david jenkins only wanted three seasons for the full romcom structure to tell ed and stede’s story. that’s it. nothing more.
this isn’t an attempt to make you care about the show. but ofmd’s cancellation isn’t just a loss for the fanbase and the cast/crew. it’s a sign that it does not matter how successful or profitable shows highlighting lgbtq+ (or otherwise inclusive) narratives are or how many big names are involved. ofmd would not have been cancelled if it were a straight romcom. they would’ve magically found the budget. but corporate greed doesn’t care about us. they have no respect for queer people or queer media. and in the age of streaming, it’s only a matter of time until we lose all of it.
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vixonspixels · 5 months
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EA Male Toddler Hair Catalogue
I've said this many times but again, I am disappointed with how much lack of content we have for base game. Not everyone is fortunate enough to be able to buy all of the packs, or simply don't want to buy them as they aren't keen on the items. Whatever the reason I definitely think EA needs to add a few more base game hairs, not only for toddlers but all age groups!
So with that being said, and me struggling with finding nice toddler hairs to download I decided to pick out my favourite male and female toddler EA hairs and convert them to base game so that everyone can have them if they choose too. I'm fortunate enough that I own all of the packs, including kits but I know alot of others arent.
I'll be personally leaving these in my game as I literally only ever have the custom content tag on in CAS and forget the EA hairs are even there, the same applies with clothes 🤣
I'll be bringing out the female toddler part next week when I have the time
I'll leave a list below of what each hair is called and what pack its from incase you only want to pick out the hairs that you dont have the packs for. The names of the hairs are the ones EA has called them. I'm aware some creators may have brought out some of these hairs, but honestly with how many creators there is in this community its impossible to keep track of who's done what
These are all basegame friendly as I have converted all of them
Model used is kingston with darker hair as blonde hair doesnt show up too great with my CAS background
List below of each hair
1 - Short Curls | Growing Together
2 - Undercut | Toddlers Pack
3 - Waves | Paranormal Pack
4 - Wavy Fade | Highschool Years
5 - Straight Bowl Cut | Seasons
6 - Twists Fade | Cottage Living
7 - Cornrows | Wedding Stories
8 - Long Braids | Growing Together
9 - Short Box Braids | Highschool Years
10 - Short Messy | Snowy Escape
11 - Curly Tapered | Cottage Living
12 - Parterd Wavy | Snowy Escape
13 - Short Fade | Home Chef Hustle
14 - Short Undercut | Highschool Years
15 - Straight Swept Toussel | Tiny Living
16 - Short Curls | Tiny Living
Available for free over on my patreon page here
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upthebluess · 5 months
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Opportunities (Arsenal wfc x teen reader) p1
In which you get the chance to train with the first team.
This was it. The opportunity you had been working for your whole life.
Well, not quite. You hadn’t made it yet, but this offer was one huge leap closer.
Your coaches had sat you down after your last training session of the week, and explained to you that next Wednesday evening you were invited to train with the first team. You eagerly accepted, trying to act as nonchalant as possible in that incredibly exciting moment.
Your U16s teammates were the first ones to know, proud smiles appearing on their faces as you told them outside the meeting room. It was a bittersweet moment for them though, because despite being happy for you, it meant another day had gone by with someone else excelling in front of them. You were now closer to professional football than anyone else in that room.
Regardless of the overwhelming enthusiasm that you felt towards the training, it also came with a profound amount of nerves and anxiety.
You expressed your apprehension to your parents, with resulted in them reassuring you that all you could do is your best. That didn’t really help though, because what if your best wasn’t good enough? What if you didn’t even play your best? What if the team got frustrated with you?
Wednesday came round quicker than you’d hoped, and you’d barely had enough time to put extra training minutes in due to a maths exam on Tuesday afternoon. The added stress of your inability to do maths certainly didn’t help, but after all football would always be there as an escape when you needed it.
After giving up on question 11 of your test, you sat with your head on the desk and imagined every possibly scenario that could come from the training. But after 45 gruelling minutes of overthinking, you came to the conclusion that the players were human too. They would make mistakes, they would miss shots and they would lose duels, just like you.
Besides, it was rare that U16 players got the chance to play at this level, so you must be good enough, right?
-
As you slipped your new boots on (courtesy of your dad when he heard about the news), you took a deep breath as you finished your second and final loop of your laces.
Jonas and a few other technical coaches had come and spoke to you shortly before, explaining that the training wouldn’t be an intense one and that you’d be introduced to everyone briefly before the session. He also congratulated you for the opportunity, and stated that he looked forward to seeing what you could create on the pitch.
The butterflies were back, only this time, you didn’t have any time to dwell on them.
-
The grass under your feet felt perfectly manicured as you took the taunting steps towards where most of the girls had begun to crowd. Thankfully, you had spotted a girl called Sophia, who you knew from playing up with the U18s a few weeks ago. At least you knew one person.
The rest of the girls made their way to the field very shortly after you arrived, and before you knew it you were stood in a team circle next to Sophia and the one and only Jen Beattie.
Jonas began to speak.
“Ok good morning everyone, today we have two of our academy girls joining us, Sophia from the 18s and Y/N from the 16s.” He began to gesture towards you as he announced your names, everyone giving you small smiles to say hello.
“We are going to go straight into the warm up now and then into small sided matches. Due to international break coming up, we are going to use this session to get a fresh look at everyone ahead of the second half of the season”. The circle was dismissed and the other coaches split you all into warm up groups and ordered lines behind rows of cones carefully placed into the ground.
Steph lead your group and the rest of you followed. You weaved in and out of the cones in different aerobic movements.
You were separated again for matches. You were playing 5 aside matches on what seemed to be 7 aside pitches. Now you were glad that you’d done all that fitness training a few months back.
You were on a team with Viv, Alessia, Amanda and Sabrina. There were two pitches with four teams playing, the remaining one team having a break on the side playing two touch.
Your team (the red bibs) would play against the blues first. Alessia was up top, Viv and you playing in midfield but you were tracking back to defend when necessary to help Amanda.
The whistle blew and the first 8 minute half begun. The blues took small touches to attempt to work their way around your structure, but their shot was a tame one and Sabrina easily rolled it out to you on the right.
Your touch was perfectly out your feet, and you began to push into the space in front of you. You knew you wouldn’t have long on the ball, so when Lina from the other team began to close you down, you fainted left but went right. You did a quick scan and instinctively put a perfectly weighted cross into the box and it landed practically perfectly onto Alessia’s head and into the net.
1-0.
A small and humble smile crawled onto your face as you turned around to run back to position. Alessia chased after you and offered a low high five, which you happily reciprocated. The ball was back at the centre, and before play re begun, Viv breathed out “good ball”.
The game remained at such a high intensity that you felt it was becoming really hard to keep up, but you were reluctant to let it show. You continued to take on players in duels if you felt it would help the team, but knowing to play the pass if more suitable.
The game ended 5-4 to the reds, you coming away with 2 assists: one to Alessia and one to Viv.
Your confidence continued to rise throughout the session due to the applause you received from your teammates and the shock from your opponents as you played pass after pass and won tackle after tackle.
In reality, you were not a stand out player compared to everyone else, but as a 15 year old training with some of the best players in the world, you were pretty damn good.
It felt like your teams turn to sub couldn’t come quick enough. As you made your way off the pitch you immediately grabbed your bottle and leaned against the fence to try catch your breath.
Sabrina and Amanda went straight to kicking a ball on the sidelines, whereas Viv and Alessia came over to where you stood and took a drink each. They exchanged a quick glance and a small bubble of awkwardness formed. Luckily, this was quickly popped with Alessia sparking a conversation. “What age group did you say you played?”
Thankfully you were now able to speak “I’m 15 so Im supposed to be playing U16s but if they don’t have enough players I fill in for the 18s or 21s” you responded with a small smile.
“You’re really good, better than I was when I was your age” Alessia replied. Your small smile grew into a large one. Viv was yet to properly speak to you, but you put it down to her notoriously introverted nature.
Alessia went to join in with 2 touch and you leant down to re tie your shoes. Viv stayed put with her bottle.
“Do you usually do little tournaments like this?” You broke the silence that was paining you.
“Not often. Only when we don’t have any matches upcoming that we need to be reserved for”
You only gave her an understanding nod, not really sure what else to say to that. Feeling a little defeated at her lack of interaction, you stood up to walk over to play with everyone else.
“Were you not nervous today? You seem to have fitted right in. Youth players usually seem a little more shaken than this” Finally, she speaks.
“Um yeah I was beforehand, but it sort of goes away when I play”
“I get that. When I was playing football at 15 I let my nerves get the better of me sometimes and it affected my performance, but you’re handling it really well” Viv gave you a really sincere smile as she spoke, and now it made sense.
Viv had been playing professional football from such a young age that she knew the troubles and baggage that came with it, she was looking out for you.
You all went on to play a heated game of two touch, Sabrina doing you dirty a few times with some dodgy passes practically to the ground, resulting in accusations and laughter.
Once it was your time to return to the pitch, you felt more content than the first time you step foot there. Viv and Alessia had actually made an effort to ask about your life, and you had begun to develop a decent link up on pitch as well.
Your final game was slightly rockier than the others though. The other team consisted of Katie, Vic, Gio, Kim and Manu.
Your body was tiring quickly. You were starting to feel less able to run at speed and less confident going in for tackles, resulting in your head going down and performance dipping.
The game ended 3-3 but you’d missed a few chances that could’ve won the game. You thought you could feel judging eyes pierce through your back as you walked back to grab your jumper prior to heading off the field.
Defying your expectations, you saw that Beth, Viv and Alessia had stood and waited for you before they exited the pitch.
“Well done today, kid. You were hard to get past” Beth said with a skip in her step and a tone of comfort in her voice.
“Thank you”
“Did you enjoy it?” Alessia asked.
“Yeah, definitely. I’m knackered now though and Jonas said this wasn’t even intense” you spoke with a small laugh.
“It’s never supposed to be but we are all so competitive that each game ends up like a World Cup final”. You noted how Beth was such an easy person to talk to, you felt at ease near her and you’d known her personally about 10 seconds.
“Will you be back tomorrow?” Alessia pondered. She seemed like such a lovely person you thought, she had encouraged you all night as you played and was always there to help you up when a tackle sent you to the floor unfairly.
“I’m not sure yet. Depends if I’m invited back and if my school will let me have another day off” you hummed, stopping your walk at the gate as your development coach called your name from the academy entrance.
“Oh you’re still at school. That makes me feel old” Viv breathed, bringing her hand to almost slap her own face.
“You will be. See you tomorrow Y/N” Beth responded, looping her arms around Alessia and Viv. All the girls gave you genuine smiles as you walked in opposite directions.
Today was a good day.
A/N
If this does well I might make it a part 2 or maybe even a story. Tips/requests are welcome, but I’m only comfortable doing platonic ones 🫶
Update: P2 UP NOW!
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maxarchive · 2 months
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MAX-IMUM ATTACK 2017 Season Photos and words by Darren Heath
Monday lunchtime, Heathrow Terminal 5. Standing next to the slowly revolving baggage carousel, a fresh-faced, slightly awkward-looking - just out of his teens - young man is awaiting the arrival of his chattels.
Dressed in bland black trainers, similarly hued skinny jeans and an oversized hoody, this Young Turk ain’t winning any style awards. iPhone in hand, he’s busy swiping the screen in that head-bowed social media style billions of us now ‘enjoy’.
Max Verstappen doesn’t really do flash. He couldn’t look more ‘normal’. Yet put him in a racing car and he’s just about the most special talent to arrive on motor racing’s top step for decades.
Schumacher-esque – Michael of course! – is a term increasingly heard up and down the F1 paddock, such is the impact the Netherlands’ premier sportsman is now making.
I can see it too.
The fresh-faced 16-year-old boy who was, upon his arrival, so ignorantly dismissed by many within the sport is rapidly becoming a man. It’s amazing how quickly young sportsmen living life in the public gaze assume adulthood. Just take a look at Sebastian Vettel. The gawky kid of 2009 became the handsome dude of 2010!
What sets the potentially great apart from the mediocre? What makes Max Verstappen so, so much more special than, say, Carlos Sainz?
I guess it’s the whole package: the look; the mien; the steely character honed to be a racer almost from before he could walk; the utterly uncompromising way he dismisses any questioning of his racecraft; the toys-out-of-the-pram reaction to harsh penalties; the fast straight-out-of-the-box attacking style; and the rapier-like overtaking ability, the like of which we haven’t seen for many a year. Such was Max’s impact on the art of passing and defending, the rules had to be rewritten!
The way the car looks through the turns, the application of throttle, steering and immensely late braking. Metronomic in his blisteringly fast lap time delivery, this boy has the lot. He IS the future of Formula 1.
In so, so many ways – but let’s hope not all – Max is the new MSC.
Racing in an aggressive and forceful style often results in on-track contretemps with some of his more seasoned rivals. No matter, Max takes no prisoners, batting away questions about the legality of some of his racing moves with a dismissive arrogance that’s strangely appealing in its delivery.
Up to speed now and surely making Dan Ricciardo question his team-leading abilities, Verstappen is unquestionably Red Bull’s main man.
Off-track too, Max is sorted. Guided by his F1-experienced father, the young Verstappen has an able and well-qualified navigator at the helm. Learning from his own ill-advised 1990s F1 driving career decisions, Jos pays absolute attention so as to ensure his son maximises the opportunities on offer.
With top-drawer drivers in short supply, Red Bull had better make damned sure their 2019-and-beyond engine supply is top-notch. The bidding war for Max’s signature is already in full swing. Ferrari and Mercedes are enviously eyeing the Dutchman’s abilities with covetous desire.
It’s easy to forget that Max is only 20 years old. Way ahead in racing driver maturity - a relative term! – than so many millions of a similar age, Max has appeared mentally developed beyond his years since first he appeared in the F1 paddock at Spa 2014. It struck me then how entirely capable this 16-year-old boy was dealing with multiple language questions and untold camera lenses. Listening to his interrogator politely before answering calmly and intelligently, Max appeared born to the role…
Fast forward to now and Verstappen is a multiple grand prix winner and 2018 title-chasing challenger. Part of the new breed of F1 racers, Max leads the pack. Publicly respectful of his rivals, although privately dismissive of many, he well knows his place among the potentially great.
Michael Schumacher once opined – in an interview I photographed – that his father had advised him to heed well the arrival on the scene of the next great talent. The one who’d challenge and quickly replace the dominant male. Well, Lewis, Sebastian and Fernando, that man has arrived.
You’d best heed Herr Schumacher’s words well…
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glossglamour · 2 months
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Full Robert Sean Leonard 'House'-a-palooza Interview: "As we know, I’m straight, but yeah, it’s like, homina homina homina."
May 01 2006 | By Maureen Ryan
Do you watch the show much?
"I can't watch it. I mean, Hugh doesn't watch it because he's anal and … eight years old. [laughs] And by the way, I don’t buy it, I think he does watch it.
“I watched in the first year. We live in New York and [my fiancé] was in California] and she likes it because I’m on it. But then she left, she had to come back to New York, and what are you going to do? The idea of me watching myself on TV, alone in Santa Monica, was just about... just short of, like, a bottle of Maker’s Mark and a shotgun away from shooting myself. [much laughter]  So I haven’t watched it all season. But when I have watched it, I’ve been mildly confused and Hugh is appropriately grumpy."
I have this theory that a lot of my favorite shows aren’t even about what they’re supposed to be about -- they have to be set in a hospital or police station or outer space or whatever because the network can market that, but they’re secretly not even about that. Like, “House” is really about ethics and morality.
“Yeah, sure, I think that’s true.”
But you can’t pitch that show to the network. “Hey, we have this great show that examines personal morality!"
“‘It’s based on “A View from the Bridge.”’
Right! They’re really going to for that.
“Yeah. [laughs] I think it’s good, and when it’s right, when the show works, the mystery works. It has a Sherlock Holmes-ian feel to it, and you do kind of want to know what’s wrong with [the patients]. And it is interesting, the turns and twists that get you there. And there’s always a little bit of character-driven fun stuff in between, of who these people are and how they affect each other. And that’s it at its best. And I guess that could be true of any show.
“It’s tricky, you’ve got a lead character [who’s different from the TV norm] and you’ve got to be careful because those characters can be one-note. He’s the cranky guy, he’s the Australian guy, I’m the friend in one or two scenes a week. You just have to be careful, and I think we are, we have a really great team of writers. And the numbers are building, people are watching.”
So this two-parter on May 2 and 3, I think the unofficial subtitle is the “Festival of Foreman.” I guess they’re his Emmy episodes, and that’s fine. But you’re hardly in them, what’s up with that?
“Honestly, I’m okay. I don’t want an Emmy. This is what I want -- I know exactly what I want. I did play with a guy named Skip Sudduth, ‘The Iceman Cometh,’ seven years ago. I saw him five years later, and I said, ‘Geez, Skip, where have you been? I don’t see you at readings anymore.’ He said, ‘I’ve been on “Third Watch.”’ It sounded familiar but I’d never seen it. He said, ‘I’ve been doing it for five years.’ I said, ‘Holy crap!’ And he was back doing theater. That’s my dream.
“And it’s happening. I walk down the street and people say, ‘Where are you?’ and I say, ‘I’m on this show called “House.”’ My friend Lewis Black [from 'The Daily Show'] said, ‘What is it called? “Head”?’
“I’m okay. I’ve never been happier than where my career is now. And I don’t want it to change necessarily. Money’s good, and I’m glad I’m getting that, and I’m putting it away for later in life when I do more Tom Stoppard plays at Lincoln Center and make no money. But really, I’m great. I don’t mind working two days a week.
“Because those other guys, the Scooby gang, or the Mod Squad -- they are at that studio for 16 hours a day saying ‘tachycardia, lupus, blablahdeblah.’ Honestly, I’d kill myself if  had to do those scenes for that long. I’m very happy with the size of my role, I don’t want it to get any bigger. I’m happy.”
So we won’t see the very special “House” episode where Dr. Wilson almost dies?
“That might be how I get off the show.” [laughs]
Well, you could die and come back as a ghost. Then it would be the “House Whisperer.”
“Yeah [laughs]. The hair makeup people were saying one day, ‘Oh, I love those scenes with you and Hugh, there should be more of that.’ And I’m like, ‘Shhh! Don’t say that!’ I’m the luckiest man in Hollywood. I work only with Hugh, pretty much, who’s great. And I work two days a week.”
Do you fly back and forth to New York then?
"No, not really. They don’t let me because they need me around, the schedule changes so much. I’m going to try to get away with that a little more [in the upcoming season]. Now that [my fiancé] is here, I really will kill myself if I’m out there as much as I was last year, without her.”
So five days a week you’re doing what – Botox injections? Going to the mall? Watching “Maury”?
“Rob Lowe once said the secret to being an actor in L.A. is sleeping as late as you possibly can and going to be as early as possible. I remember him saying, ‘I recommend pajamas by 4:30 p.m.’”
What’s interesting about this show is that they’re taken something that could be a very formulaic procedural and quite often turn it on its head.
“I didn’t know anything about TV, I’d never done [a TV show], but I now know very well that there are procedurals and character-driven shows. ‘Law & Order’ is a procedural and ‘Grey’s Anatomy’ is a character-driven show. The test [as to which category a show is in], someone once said to me, which I thought was hysterical, is this question: Did Sam Waterston sleep with [the assistant DA] on ‘Law & Order’? If the answer is ‘I don’t give a [hoot], I want to know the next element of the case,’ then it’s a procedural.
“Our show is weirdly, and there must be precedent for this, but it’s weirdly equally both. I think it’s very much a procedural, and without that sick patient every week, we wouldn’t work. And without the character stuff it wouldn’t work. And weirdly, people do care if House sleeps with one of our characters, and also care equally what’s wrong with this person and how they’re going to solve the case.”
I guess I like the character stuff better, but you’re right, it probably wouldn’t work without the suspense of the weekly case and somebody being critically ill.
“No, I think you need that. I think the echoes of Sherlock Holmes are too strong. The original idea of the show was House and Wilson, like Holmes and Watson. But it got away from that, and his team is Watson, if you want to be technical about it.
“I’m more like … the only way I’ve found to define it, and it’s so pretentious that it makes me want to jump out a window, is like King Lear’s fool. I’m like the only one who tells him the truth. And [Wilson] has nothing to lose. I don’t work for him and he doesn’t work for me. I’m the only character who chooses to be with him as opposed to being there because of a job. And because of that I have the freedom to tell him what I think. Not that Cuddy holds back much.”
I think her role is to say, "No! Bad House!"
“Have you talked to Lisa Edelstein [who plays Cuddy]? She’s so great. This Japanese woman once said to her, ‘You on “ER”!’ And she said, ‘I have been on “ER,” but now I’m on “House.”’ And [the woman says] ‘Oh yes, “House.” You say, “No, you don’t!”’ Every time we do the table read, I burst into laughter at some point, because there is the voice of that woman in my head, ‘You say “No, you don’t!”’ That’s the entire definition of Lisa’s character. Not completely, but we laugh [about it]. We have the same dilemma. We’re on this show that we’re … kind of on. Crew members say, ‘How long have you been on the show?’ ‘Uh, since the pilot.’ They really don’t know what we’re doing there.”
So in terms of the other stuff going on in your career, that’s going well, all the theater stuff?
“I’ve achieved everything I wanted to do. When I was growing up, I wanted to be Kevin Kline, Sam Waterston. I grew up watching the Public Theater and Shakespeare in the park and Marion Seldes. I mean, I may as well be gay.”
I’m not entirely sure you’re not.
[laughs] “But the thing is, I got it [i.e. his goals]. I’ve done 14 Broadway shows and got a Tony award, and now I’m making money and no one even really knows. I’m getting away with murder. If I come back to New York in two years and nothing’s changed, I’ll be thrilled. All I really want to do is [act in] plays, play with my dog, have kids. My desires are pretty simple. I don’t really want to do movies anymore. I’m pretty tired of camera acting.”
Why are you tired of camera acting? Is it the repetition of it?
“No, no, quite the opposite. We don’t rehearse enough. We do scenes where people barely know their lines, where people just about know their lines. In theater, you do it so many times and you get so familiar that then you can actually start having fun with it. And I really miss that feeling.
“It’s true of films too. I don’t know. I think I’m fine on film, but … I have walked offstage and thought, ‘Wow, no one has done that better. People may have done it as well, but not better.' I’ve actually had that feeling after ‘Long Day’s Journey Into Night,’ or a Shaw play or whatever. I’ve never felt that way with film. I always feel like, ‘Boy, Donald Sutherland would have done that a lot better.’ [laughs] I just don’t think it’s what I do best. I think I’m fine, but there are people who are eerily good at it. In all humility, of which I have none [laughs], that’s how I feel about my work on stage. I really do feel that I’m gifted at it.”
Just to change gears completely, what happens in the finale?
“Well, I think the finale is a bit of a cliffhanger. Something very exciting happens. It’s extremely exciting and freaky and I think it’s great. I can’t say what it is. You end this season very curious about how the next season is going to start. It’s a great final show and a big cliffhanger.”
So it seems like Hugh Laurie is so disparaging of his own talents. But he’s so good as House.
“Some people ask me, ‘Oh, why does Wilson want to hang out with House so much?’ and I’m like, ‘You idiot.’ [laughs] House is designed to be attractive! He’s brilliant, he’s self-deprecating, he has a limp. But yeah, Hugh hates himself and he’s very funny about it.  There’s no better combination in my book. Like Lewis Black.”
But as an acting partner, he’s good to work with?
“Oh yeah. The thing is, with this part, Hugh has a huge obstacle he has to deal with, having an American accent. His problem isn’t our problem. We as the audience don’t have that problem, because what he doesn’t know is that he does it perfectly. But of course he doesn’t hear that. That’s why he can’t watch the show.
“When you’re doing an accent, you don’t feel like you’re interesting in the role. Even if everyone around is telling you that you are. And to be in a play is one thing, but to be on TV show that runs for years, I don’t know how he’s going to do it. To be that hard on yourself and be that disappointed in your own work. But as I said, and underline this four times, he’s wrong.”
And then he obviously hates when anyone calls him a sex symbol. You read his quotes when people ask him about that stuff and you can feel the embarrassment rising off the page.
“Yeah, he hates that stuff. And even more than the ‘sexy’ stuff, he hates the ‘you’re brilliant’ stuff. Of course there’s a part of him that likes him, there’s a part of all of us that likes that. [But him being hard on his performance], it’s not false vanity.
“I think Hugh does work he’s proud of and does work he thinks is good, I’m just not sure it’ll ever be this [show]. Having an accent… acting is letting go and forgetting yourself, it’s the opposite of ego. It’s flying away and getting away from yourself and forgetting. And when you’re doing an accent, it’s virtually impossible to do that.
“It’s hard when you're in a play, doing the same lines, the same way for eight months. Hugh learns 72 new lines a day and has to put an American accent on them. It really is an actor’s nightmare. I’ve done [with accents] Brian Friel plays, Martin Sherman plays, Tom Stoppard plays, and maybe five months into it you have a night where you kind of feel OK and kind of forget the accent and let go and let the scene happen. To have a strange accent in your mouth while playing a role, and then be judged for it, that’s hard stuff.
“And can I tell you, when you have dinner with Hugh Laurie [speaking in his real accent]… I miss that voice.”
Yeah. He called me once directly for an interview. I was expecting the publicist to put him through, but it was just that voice on the phone. I was sort of thrown for a minute.
“As we know, I’m straight, but yeah, it’s like, homina homina homina.” [laughs]
---- [source (part 2)] | part 1 | part 3 ---
it took me two hours to track this interview down. it might be the longest one he's ever done. first i tracked it down to tumblr pages posting about it with no source please stop doing that. then i found a short youtube video of laurie saying "homina homina" on an snl skit i think and someone in the comments mentioned the site where the rsl interview was posted. however the site wouldn't let me in, i guess they took it down so i headed to archive dot org. i didn't have a specific link though so that didn't really work out either. then for nearly an hour i tried a wide range of word combinations on google until i stumbled upon a livejournal page of rpf hugh laurie/rsl fanfic. SOMEONE tysm karaokegal posted the exact link i was looking for in the comments. quick trip to the wayback machine and here you go!
i should be on those ethical hacking competition things
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