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#far too many notes
inksplit · 4 months
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us-costco-official · 3 months
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they were so funny for this
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detectiveforfree · 1 year
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redrawing some of my favs to battle my sadness caused by yj:t seems to be counterproductive, but fuck it i just want more emotions for wally's funeral TToTT
dick's apperance literally broke my heart, cause it only just fucking hit him full force. his best friend is gone. and all those pent up emotions come flooding out
artemis' made me so sad, because she looks so lost and afraid, and I bet she spent most of her time from Antartica up to funeral in a daze
barry literally can't look at the grave, he seeks comfort in iris and im QnQ
bart doesnt cry, because he is no stranger to loosing people he cares about, but he is sad and so tired of it
perdita's words about kid flash/wally being something of a security blanket grabbed me by a throat and won't let go, because with him gone how scared and vulnerable and sad must she feel???
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moongothic · 3 months
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So I'm confused about something. There was a cover story about Ms Goldenweek and other Baroque works agents breaking Crocodile out of prison but he just. Told them no? And stayed there with Mr 1 and Mr 2? I don't get why he wanted to go to Impel Down just to break out when he had the chance
I can't tell you 100% why Crocodile chose to stay in prison and go to Impel Down, but my best guess really is that he was just...
Taking the L with grace
More specifically. Crocodile had lost everything. I think deep inside he might've been literally too depressed to want to go free again.
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Like he does literally say that. He gave up.
He had been building his reputation as "the Hero of Alabasta" for at least 10 years at this point. He had built not just a criminal organization that he had been running for four years, but also he had been running legal business stuff (like his casino) for probably longer than that. A decade's worth of work and effort to take over a country, and most importantly, get away with it. The reason he had orchestrated that whole rebellion was so that the rebels and the royal family could "take each other out", leaving the country wide open for a World Government Official such as himself to take up. The reason Baroque Works was doing this all in secret was so that the WG never found out, otherwise they wouldn't have let him have Alabasta.
But indeed, his plans were foiled by a kid in flipflops in less than 24 hours, just at the final moment before Crocodile would win. He lost everything. And the World Government found out about what he had been planning.
So even if he escaped from that prison with his former agents, what was he going to do?
He wouldn't be able to take over Alabasta anymore because he did not have manpower (as he had lost all his goons), and having lost his financial empire he wouldn't be able to build a new army any time soon. And even if he did, now that they knew what he had done the people of Alabasta would not accept him as their new king, even if he personally assasinated Cobra and the entire family. Not to mention, the WG finding out about his plans meant that they had every fucking reason to try and stop Crocodile if he did as much as set foot on that island again. By which I mean, they could launch a Buster Call on his ass. Send all the fucking Admirals after him. And so, even if Crocodile still believed Pluton was somewhere in Alabasta and that he just had to comb through the entire desert to find it... Between the Alabastan people and the WG in the way, finding Pluton would not be easy. Especially when Robin wouldn't even be there to just point him directly to it. It could take years, if not decades, while fighting off the WG by himself. And that's while assuming Pluton was somewhere in Alabasta. Like WE the readers now know Pluton is in Wano, but since Robin didn't tell him that. All Robin said was that the Poneglyph "didn't mention the weapon", and Cobra's reaction to the name merely proved the weapon's existence in Crocodile's mind. But surely, because Crocodile is a smart young man, he'd understand there was a risk that Pluton could exist, but just not be in Alabasta, right? Like that would be a possibility too, right?
I think this is why Crocodile has given up on Alabasta. He had one opportunity at seizing the country, and he failed. And without Robin, he could spend the rest of his life combing through a haystack for a needle when there's no needle, and he'd have no idea. I think is why he explicitly says in Impel Down he no longer has "interest in that country". He won't be able to pull off another stunt like this, ever.
And that leads us back to "why not escape earlier and avoid going to Impel Down to begin with". Thanks to his status as a Shichibukai, Crocodile hasn't been on the run from the WG for like two decades. And the past 10 or so years he has seemingly lived a life of luxury in his funny little casino. But now, having lost everything, he'd be back on the run. And because he's a world famous former "hero of the people", there would be nowhere he'd be able to go where people would not recognize him and send the marines after him. So he'd be on the run, for the rest of his life or until he'd get capture again. And mind you, the guy does not trust anyone, so he'd be on the run alone. Without any purpose or goal.
And you might be thinking, "Daz and the rest of BW was still there!", yeah, arguably true. But at this point Crocodile had no reason to trust any of them. Like personally, I think the reason Crocodile ended up taking a liking to Daz was BECAUSE he chose to follow him to Impel Down when he really did not have to. Like Daz showed an unusual level of loyalty to Crocodile, and I think Crocodile recognized that. That's why Daz is still with Croc, post-timeskip. But Miss Goldenweek and co? Crocodile had no reason to believe they wouldn't betray him if given a chance and a reason. And if the WG would come chasing his ass, they'd have plenty of reason to try and betray Croc (handing Crocodile over to spare their own lives). Not to mention, when they come release their former boss from jail, what did Miss Goldenweek say?
"Let's do Baroque Works again"
As I've already explained in detail, I think we might know why Crocodile wasn't interested in being Baroque Works' "boss" again.
So. Yeah. If in Crocodile's mind he'd be on the run from the Government for the first time in two decades all alone, in a situation where rebuilding what he had before would be bloody hard if not downright impossible, and he wouldn't be able to obtain what he had spent the last decade working for regardless...
Taking the L and just going to prison might've been the easier option
#Moon posting#Asks#OP Meta#Sir Crocodile#Long post#Mind you Crocodile only *left* jail because he saw AN AMAZING OPPORTUNITY for petty revenge#Like had it not been for that war bringing Whitebeard out he probably would not have bothered to try and fight WB again#Otherwise he could've just escaped prison with Goldenweek and co and travelled to the New World to fight the old man right away#((Also theoretically Crocodile might've been slightly suicidal with the ''taking WB's head'' thing))#Also worth noting that Crocodile choosing to stay in prison could've had two other purposes re:the former agents#It could've been a test of loyalty (to see if anyone would stay with him or would they all abandon him)#Which could be important to Mr Trust Issues (and to be fair he did find at least one loyal subordinate in Daz)#((Like if they had all told Croc they'd stay with him...... Who knows. Maybe he might've chosen to escape after all?))#Other option: Crocodile escaping with them would mean the agents would be in much more danger than they'd be without him#Like the WG wouldn't send tons of marines after the individual agents if they all scattered to the winds#But if they all stuck together they'd become a bigger target. And even more so if Crocodile was there to lead them#And like. IDK if Crocodile was willing to leave out Goldenweek from the assassination order and spare her... Maybe this was the same#Maybe he wanted to spare Goldenweek (and the rest?) from being put into danger by going with them?#I dunno man this reptile has far too many layers to him I can't tell what's going on in his head
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lulu2992 · 7 months
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While I’m at it, in 2015, I also made a video compiling the different endings of BioShock 2, and I’ve decided to finally upload it!
youtube
So there are 8 endings in total. I call them:
1.1 – A
2.1 – A
1.2 – B.1
1.2 – B.2
2.2 – B.1
2.2 – B.2
1.2 – C
2.2 – C
I also made two visual representations, a table and a diagram, of how to get them:
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The text version of this and what Eleanor says in each ending is under the cut :)
Part 1
1.1: Eleanor forgives and saves Sofia Lamb.
Condition: Delta rescues all the Little Sisters; Delta spares at least one person among Grace Holloway, Stanley Poole, and Gilbert Alexander.
"And then, Father, the Rapture dream was over. You taught me that evil is just a word. Under the skin, it’s simple pain. For you, mercy was victory. You sacrificed, you endured, and when given the chance, you forgave. Always. Mother believed this world was irredeemable, but she was wrong, Father. We are Utopia, you and I, and in forgiving, we left the door open for her."
1.2: Eleanor hates but saves Sofia Lamb.
Condition: Delta harvests at least one Little Sister; Delta spares Grace Holloway, Stanley Poole, and Gilbert Alexander.
"And then, Father, the Rapture dream was over. You taught me that right and wrong are tidal forces, ever-shifting. To survive in Rapture, Father, you took what you needed from the innocent. But, when the guilty posed no further threat, you simply walked away. I wanted Mother dead. But, broken as she was, how could she hurt me? Now, she will grow old and die, knowing that I rejected her."
2.1: Eleanor loves but drowns Sofia Lamb.
Condition: Delta rescues all the Little Sisters; Delta kills Grace Holloway, Stanley Poole, and Gilbert Alexander.
"You taught me that justice is a contract: once broken, it can never be mended. You sacrificed so much to preserve the innocent. But, to the guilty, you offered no mercy. I loved my mother, and I never wanted to hurt her. But with what she did to us, she gave up the right to exist. My hands were shaking when I did it… But you were there to steady them."
2.2: Eleanor hates and drowns Sofia Lamb.
Condition: Delta harvests at least one Little Sister; Delta kills at least one person among Grace Holloway, Stanley Poole, and Gilbert Alexander.
"And then, Father, the Rapture dream was over. You taught me that innocence is chrysalis, a phase designed to end. Only when we are free from it do we know ourselves. You showed me that my survival, my joy, are all that matter. I indulge, nothing else exists."
Part 2
A: Eleanor is at peace and hopeful. Delta dies but willingly lives on in Eleanor.
Condition: Delta rescues all the Little Sisters.
"The Rapture dream is over. But in waking, I am reborn. This world isn’t ready for me, yet here I am. It would be so easy to misjudge them. You are my conscience, Father, and I need you to guide me. You will always be with me now, Father: your memories, your drives… And when I need you, you’ll be there on my shoulder, whispering. If Utopia is not a place, but a people, then we must choose carefully, for the world is about to change. And in our story, Rapture was just the beginning."
B: Eleanor is in doubt...
Condition: Delta rescues at least one and harvests at least one Little Sister.
"You made a monster of me, Father, but I wondered why you saved the others. You left me in doubt. Didn’t you want me to be like you? I knew I could save you, but if you felt regret, if you wanted me to choose for myself, I would have to let you go. To let you die."
Delta chooses to sacrifice himself and not live on in Eleanor. Eleanor is alone and unsure about her future. "The Rapture dream is over. And in waking, I am alone. Mother, I left behind, and you chose to die rather than to have me follow you. But you gave me the greatest gift of all, something I have never had: my freedom. There is no name for what I am, but the world is about to change. I thought we would seize it together. Yet, as I sat there with you, I wondered if even I could be redeemed. Your sacrifice gave me hope. But, Father, wherever you are… I miss you."
Delta chooses to save himself and live on in Eleanor. Eleanor is evil. "You may not have wanted me, Father, but you defined me. You chose to survive, no matter the cost, and I will not let your instincts go to waste. The Rapture dream is over. And in waking, I am reborn. You’ll always be with me, Father: your memories, your drives... When I need you, you’ll be there, whispering from my shoulder. There is no name for what I am, but the world is about to change, and with your help, they’ll never see me coming."
C: Eleanor is a monster. Delta dies but unwillingly lives on in Eleanor.
Condition: Delta harvests all the Little Sisters.
"The Rapture dream is over, and in waking, I am reborn. You may not have wanted me, Father, but you defined me. You chose to survive, no matter the cost, and I will not let your instincts go to waste. You’ll always be with me, Father: your memories, your drives... When I need you, you’ll be there, whispering from my shoulder. There is no name for what I am, but the world is about to change, and with your help, they’ll never see me coming."
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philzokman · 8 months
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ao3’s down so i have to resort to medieval forms of gay smut (dostoevsky)
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poorly-drawn-mdzs · 9 months
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i'm desperate to know how many notebooks you have filled with these drawings. i must know, please, i'm on my hands and knees
Most of my comics are drawn on standard letter paper (8.5"x11"), and to date I have filled 23 pages! I usually manage to fit roughly 6-8 comics per page.
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Mspaint recreation of the first page!
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etchedstars · 1 year
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the paladin & the cleric
made for day 1 of @bylerweek2023 !!
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jaynovz · 11 months
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John Silver Recovery and Hurt/Comfort Rec List
Hi there! Another rec list? -surprised Pikachu face-
These deal specifically with Silver’s post-amputation struggles and recovery. Often deep character study, heavy on hurt/comfort, wound care/medical discussion, wrestling with his disability and body image type stuff, so mind the tags on individual works. 
These are all Silverflint because, well, you know why you follow this blog.
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What It Feels Like Not To Hurt by robotboy
Summary: So. This is a 9k slow burn watersports fic. That's a thing that now exists in this fandom. But it's mostly about Silver recovering in the warship cabin and working out how much of his humanity is tied to humiliation. To echo my esteemed colleague purplecelery: 'I'm gonna gently suggest that anyone who's not usually into this take a gander anyway because you might be surprised.'
The Salt and the Sea by x_etoile_x
Summary: John Silver was always able to make the best of a situation. If this particular situation had started to feel complicated, well, a vast fortune ought to prove clarifying. Whatever he might have imagined he'd seen in Flint, the reality was they had used each other. And he had been set to walk away on top.
Except now he couldn't. Now he was trapped.
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The gap between the end of s2 and the start of the raids - Silver's early recovery and eventual decision to stay.
i’m discarding pieces of myself in the dark by coffeeandchemicals
Summary: Silver swallows and fights the urge to run his tongue along his dry, chapped lips. It’s been awhile since they were in the Doldrums, but they were in cages after that, and Silver still feels stretched too thin over his bones. He knows his eyes are shadowed and cheeks are hollow; he can see the same in Flint’s visage, and on the faces of the remaining crew – he can’t let himself think of the ones they’d lost. They all bear more than just the physical scars of their most recent misfortunes. Silver’s are just the most evident.
Or: Flint tries to help Silver during the events of 3x07
His Heart Is Already Mine by queerpyrate
Summary: When Silver collapses aboard the deck of the Walrus, overcome with fever from an infection in his leg, Flint immediately alters their course to return to Maroon Island.
after the winnowing by princesskay
Summary: After Charles Town, Silver convalesces at the governor's mansion in Nassau while Flint chooses what happens to the gold - and their futures. Flint tries to take care of him, but are the kind gestures what they seem?
The Soft Animal of Your Body by x_etoile_x
Summary: Silver has a problem. Flint has an interest, as it turns out, and tells a story.
no daylight between you and i by inwardphae
Summary: What’s it all for, anyway? They’ll take and take and take until there’s nothing left of him. Not his leg, not his name, not his life. And there’s nothing he can do about it.
But then, something happens that surprises him, even in his frantic state, even as he feels his grip on himself slide away. And as it always happens as of late, he finds that the edges of his world begin and end with James Flint.
missing moments during and after charles town
Taut by Thiebes
Summary: Silver did not make it to dinner.
He awoke with a jolt to a dark room. How did he get on the floor? He didn't remember sinking down any more than he remembers falling asleep. The noise outside his door had faded, only a few distant laughs punctuated the sound of crickets in the night.
Let me try to pull you free by ember_firedrake
Summary: Following the loss of his leg, Silver can't stop thinking about the last night he spent with Flint before Charlestown, and what will happen when Flint learns the truth of the gold.
Follows "My heart is under arrest again." 
Set between 2x10 and 3x01.
Forestay by Farasha
Summary: Forestay: A line of rigging which keeps the mast from falling backward.
After Charleston, certain truths come to light that have Flint and Silver's relationship hanging by a thread.
Truce by lostinafictionalworld
Summary: “Would you like me to do it?” Flint offered quietly.
Silver’s head snapped up to glare at him, his usually warm eyes icy. He would have been shocked by the offer if he weren’t so busy being furious.
“I am painfully aware that I can scarcely take a piss without assistance,” he snarled, “but I am perfectly capable of brushing my own hair.”
After returning to Nassau following the events of Charlestown, Silver and Flint manage to set aside their differences for an evening.
vigia by doomcountry
Summary: That’s his talent. That’s what he offers him. That’s what he is, before he is quartermaster or lover or friend: the tempering flame, the relief.
A Holier Thing Than Hell or Highwater by swampslip
Summary: “This is… A difficult thing,” Flint says slowly.
“I’m not saying this to be-”
“I know.”
“I just can’t seem to… Move on.”
“Why should you?”
“What?”
“Why should you move on?” Flint asks quietly, gestures at the pinking, slowly healing end of Silver’s thigh, “This isn’t a moment that will fade into the oblivion of living. You won’t forget this, nor should you.”
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As always, hit me up if you feel I’ve missed a vital inclusion, and I will give it a read. Mwah.
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inksplit · 2 years
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”neon genesis evangelion is confusing” is actually a statistical error. most people have basic media literacy and understand what the show literally fucking spells out to you. no media literacy georg, who cannot understand basic storytelling tools, is an outlier adm should not have been counted.
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chiropteracupola · 7 months
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back from bisque again
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irregularbillcipher · 9 months
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having a normal one about brad and birdie again
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#no spoilers for definitive edition here because i haven't played definitive joyful yet and haven't gotten any new birdie content in painful#lisa rpg#i know that half the things i say about birdie are looking Too Far Into It#but also they give us another bearded b-named addiction riddled wreck ruining his life because he's haunted by the deaths of young family#members he feels he should have protected (one of whom even committed suicide) and you expect me NOT to go 'wait that sounds familiar'#honestly the 'like/love' parallel really gets to me because it's so throwaway and i don't know why it's THERE#terry and buzzo say that (and ofc lisa originates it) but that makes SENSE#they're both categorized as someone deeply devoted to someone in the armstrong family. ofc that parallel is made#but why BIRDIE#brad's shirt pattern when he's young is the same pattern as birdie's poncho too#god it's not even just brad#dustin's least favorite thing being 'letting people down' and birdie's being 'being a failure' ESP. with the context of his children like#and (prefacing this by saying i do NOT think birdie was at all the type of father marty was) there's even similarities to marty#like you're telling me the companion who visually looks most like marty is *checks notes* the alcoholic single dad whose kid killed themsel#like there are so many weird things that are canon traits of the armstrong family that you can also see in birdie it's WILD#i'm not even saying i think any of this is THAT intentional or deliberate. like i think having fathers that failed their children on brad's#team is an obvious and deliberate choice but i don't think all this minutia w/birdie was intentional. i acknowledge i'm a lil insane#(birdie has rosy cheeks like marty because they're both drunk. fly also has the same shirt pattern so it's recusing assets. i get it)#there's just a weird amount to pick at if you want to
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alicentes · 14 days
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I love how hotd neglected to take time to properly develop the kids including the competition for throne so they were like let’s do a city tour on aegon’s awfulness like “over here we the child fighting pits which is aegons favourite pass time - and look, that might be his own barstard”
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belphieslilcow · 3 months
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fuck wait i forgot the last nb event was like a dream thing was it belphie centric fuck
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theamazingannie · 3 months
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One thing I really don’t like about the pjo show is they are very tell not show about EVERYTHING. One thing I loved from the books is them teasing who the monster or god they were meeting was and getting the chance to pull from prior Greek mythology knowledge and figure it out myself. It was like a game and, yeah, most of the time it was someone new and I couldn’t guess but it was still fun having a tease up until a reveal and THEN they would share the story for those who didn’t know. The show just keeps straight up telling the audience who everyone is and instead of unknowingly walking into a trap and building suspense they go in expecting something to happen and then have a less exciting trap happen later (Medusa and the Lotus Hotel being the main ones). It’s like they both want to cut the teasing because the book readers already know and want to explain things simply to show watchers who probably aren’t well versed in Greek mythology but it takes all the whimsy away. One part I loved in the Lotus scenes in the book was Percy figuring out that they were in a time warp because he meets the kid from the 1970s and realizes what’s going on but in the show he notices cuz it’s…dark outside? Like yeah okay it works but going “it’s dark outside even tho it feels like it’s been 20 minutes and that means we are in a time warp and oh yeah the flowers are in the air even tho I’ve given no reason prior to have figured that out” is not NEARLY as compelling as “I lost track of time cuz I was having fun but huh this guy I’m playing with talks weird and dresses weird and oh boy he’s from the 1970s and now that I’m pulled out enough to look around I see that everyone here is wearing period clothes and this is trouble”. I know the extras were wearing period clothes but it never cuts to them long enough to make it seem like it’s anything but a costume that would be typical in a Vegas casino. You can argue that the Hermes scene wasn’t pointless but aside from Grover’s scenes to an extent it just wasn’t compelling and not just in an inaccurate adaptation way
#I honestly have more to say about this but the post is already too long#percy jackon and the olympians#percy jackson#I don’t want to be a hater but also I see far too many people say that everything about the show is perfect and it rubs me wrong#like yeah the movie was awful and people should stop trashing the show to raise up the movie#but the show also isn’t as good as the books#and I didn’t expect it to be but so many of these changes just don’t make sense#and others just sour the whole thing altogether#as a note I do plan to keep watching it and I do enjoy it for the most part#I will shout praises for Aryan and the percabeth scenes#but a lot of the plot stuff just isn’t great#and another thing that I want to say but don’t want to make another complain post for:#I’m tired of Percy being too well versed in mythology and Annabeth too smart and knowledgeable and never messing up#it contributes to the tell not show because they always seem to know what’s going to happen before it happens#they’re not as caught by surprise and they’re too competent#these may be powerful demigods but they’re also 12 year old children#Percy is new to all of this and Annabeth hasn’t been to the real world in five years#she shouldn’t be able to recognize monsters immediately because she’s used to the monsters she fights to be obvious#once they figure it out yeah she should know their story and how to fight them#but why does she know immediately?#and why does Percy when as protagonist he should be a stand in for the ignorant audience?#they should be explaining things to him not the other way around#idk again I’m a hater but I also don’t think I’m wrong here#it’s a children’s show but that doesn’t mean they have to speak plainly about everything#even does takes the time to let’s the kids figure shit out
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