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#every single actor is cast perfectly
thebrightestbling · 3 months
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I'm sorry but like, the avatar live action is a fucking masterpiece like??? Is this the era of good live action series now? This is way better than the original series, I'm enjoying the realness here and how deep and dark it is. I'm not even finished lol
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allthisheaven2 · 7 months
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so its like they have the same mannerisms when they talk and move + the same twitchy defensive anger + the same cadence of voice + they enjoy similar hobbies + they are leavers in the dead of night (metaphorical) when they get scared + something something sins of the father. and jess had never ever met his father til he was 18. hm. however
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like this is as on the nose as it gets. surly + angry + uncomfortable in kooky social situations + incapable of displaying affection unless its in weird convoluted awkward ways (the chuppah. the diner care package) + trying really hard at loving and being kind without it feeling like skinning themselves alive
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tallmadgeandtea · 2 years
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I’ve said it once and I’ll say it again… the cast of Turn was giving the performances of their lives especially in season one. The Colonial Williamsburg season passes were expiring. The horses were starving. The studio was tearing the Setauket set down. All the actors had was the shirts and shifts on their backs, their group theater kid experiences, a single Juilliard degree, and a dream. And they DID IT.
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ppeonppeonhan · 5 months
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The Sexiest 2023 BL Scenes
I think we can all agree that there is an art to executing a sex scene -- and not everybody's an artist. This year, we (and, by that, I mean you) gif'd a couple of masterpieces that range from romantic to...educational. Here are the ones that live in my head rent free, in order of PG-13 to NC-17:
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BEST ROLE-PLAY SEX: Bed Friend
If you had told me last year that incorporating cat ears into foreplay would result in one of the hottest scenes in BL, I would've given you bombastic side-eye. But James, the actor who plays Uea, pulled it off, and is probably responsible for a lot of Amazon orders till this day. (Episode 6)
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BEST BEACH-SIDE SEX: The Eighth Sense
This entire sequence was so beautifully lit in golden tones, with soft touches, and romantic moments. It almost made you forget about the depression plot. Almost. (Episode 6)
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LONG-AWAITED SEX: Hidden Agenda
Joke yearned for Zo in a way that was borderline comical. From the moment Zo kissed Joke like he was trying to give him CPR and then promptly shoved him out of his apartment, I knew every kiss after that would have to come with a parental warning. I'm surprised Joke didn't move in. (Episode 8)
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DO-OVER SEX: Love Class 2
The music for this sex scene was so perfectly matched with the caressing and hand closeups. And the fact that it happened after the initially-ghosted Joo Hyuk got Sung Min to reconsider made it even sweeter. (Episode 9)
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BEST WET SEX SCENE: Kiseki: Dear to Me
I may have enjoyed Ai Di and Chen Yi's love story more, but Fan Ze Rui and Bai Zong Yi were helping us all live out our tall boy fantasies. When he mounted him with a soft bounce, I knew the gif Gods would giveth. (Episode 7)
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BEST EUPHORIC SEX: Only Friends
Ray looked like he reached nirvana when he made love to Sand in that sardine can of trailer, so of all their sex scenes, this was my fave. (Episode 9)
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BEST INSECURITY-INDUCED SEX: Only Friends
Say what you will about Boston -- and the fandom has said a lot lol -- but if you had to choose a cast member to get you off, you'd choose him in a heartbeat. And yes, this scene was grimey. He f*cked his friend's potential boyfriend in the backseat of his car after manipulating him into believing he was cheated on, but can you blame him? He was probably tired of always having to give and never receive. Plus, Top did this vibrating move that made me wonder who told Force to do that... (Episode 3)
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GIF by wanderlust-in-my-soul
BEST CENSORED SEX: Wedding Plan
I'm still mad that this scene wasn't in the Youtube cut. It paints an entirely different picture of their dynamic and their personalities. But thank God for the gif'ers, otherwise I would've missed how ravenous they were when they weren't...wedding planning. 😳 (Episode 6)
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BEST WHIPLASH SEX: Be Mine Superstar
To be clear, WE were the ones getting whiplash. One minute, we were watching a sweet love story between an innocent college kid and his idol crush, and the next minute we were watching a masterclass on how to bang your one-night stand (consensually) until he agrees to date you. It's like...Sir, I'm on the train. Could you give a bitch a heads up? (Episode 8)
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While I am generally envious of every single one of these experiences, I'm even more envious of everyone's knee strength and flexibility. I could never. Rollerblading has ruined me. If I tried half of these positions, I'd have to get physical therapy. 🙃
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abiimaryy · 7 months
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I sat and transcribed the Workin’ Boys programme as Matt Lang intended
Zoey Chambers (Henrietta) is humbled beyond words to be a part of this groundbreaking production. Zoey has been entrancing audiences for years with her portrayal of badass girl-bosses like Sandy from Grease and Fantine form Les Miserables. Zoey would like to thank her brother, Zack, for giving her the acting bug all the way back in the third grade! It’s ironic that Zack thought he was the actor of the family but Zoey would go on to completely overshadow him in every way. Sucks to suck doesn’t it Zachary? Zoey would also like to thank her roommate and fellow cast member, Hailey! Hailey is perfectly cast in her very small and inconsequential part. The role of Marge is just so uniteresting and one dimesntional that it helps mask Hailey’s limited range as an actress, as well as other flaws, such as not being pretty enough to pull off an ingenue. Enjoy show and ||be sure to check out Zoey’s Only Fans for spicy pics, JOIs and other lewd content.
Hailey Dilmore (Marge) is so lucky to be part of the best cast in the world! She has no idea how she managed to worm her way into this talented group of ladies! You may recognised Hailey as Pink Lady from Grease of Disciple #3 from Godspell! Hailey would like to thank her fellow cast member, Zoey Chambers. Zoey has been an inspiration, a mentor, and above all, a friend. She’d also like to thank her parents and her dog, Walter. Also she’d like to apologize to the cast once again for blowing up the bathroom every single day during rehearsal. She’s so sorry she made it stink so bad that everybody had to cross the street to use the toilet in the Bank of America. She really doesn’t know what’s happening to her bowels. She’s going to the doctors after the show closes to get everything sorted out. Enjoy the show!
Ruth Fleming (Secretary #4) is so fucking stoked for her acting debut! This is the best thing that’s ever happened to me I mean, her. Ruth ran the lights for her school’s shitty production of The Barbecue Monologues and was also the Assistant Stage Manager for The Wizard of Oz… it sucked. She got bulled and excluded by the whole cast, even thought her job was just as important as theirs. More important actually! Being in the cast is way better! You don’t have to think of an excuse to barge into the dressing room. You can just walk right in! Everyoby takes off their shirts and lets their titties tumble free! It’s the most awesome thing I’ve ever seen… I mean she’s ever seen. Anyways, Ruth doesn’t wanna thank anybody because nobody ever did anything for her.
Cassandra King (Eve) is elated to be present with you fellow vessels in these freeing moments. Everything has transpired exactly as the light in the sky foretold. Cassie has never been a believer in prophecy or the eternal spaces between… but she’s seen too much to deny their truth now. She no longer fears the visions or the pain that comes with their descent. Pain is the price of knowledge. Pain is the language that unites the children of Azzokish no matter which star they may hail from. Cassie wants to see what lies at the end of the cold half. She’s ready to see the face of the girl screaming in the dark. How did she find herself aboard? And what is the destination of such a significant ship? Is tonight the night Cassie departs? The lights do give no answer. And so she waits for deliverance. Cassie would also like to thank her boyfriend, Chris.
(Note: the spelling of Azzokish could be wrong it was blurry as hell)
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herbgerblin · 10 months
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ipre theater thots
loosely based off of this poll. sorry, this got away from me. i was a theater kid for years (i still am, i literally made a bunch of friends larp as wizards two weeks ago)
Davenport: Producer and Stage Manager. Personally more experienced in opera than musicals, but answers the call when the need for a manager arises. Keeps everyone focused and on schedule. Has final word on what choices the art department gets to make. Sometimes does solo performances on his own time.
Merle: Choreographer and Director. Leads the ensemble into meditation every rehearsal before warming up. Talks with each member of the cast one-on-one. Sometimes leaves the script open to interpretation. His artistic vision sounds bonkers in concept, but illuminating in execution. Why are there so many plants? Don't worry about it.
Magnus: Lead Actor and Set Builder. He brings the energy every single night. He doesn't need to be micc'ed up because his natural voice projects well enough. It takes a bit of time for him to memorize the script, but he devotes his heart and soul to it. He claps loudly for the ensemble when he's in the wings. He cries at the emotional numbers. Built all the sets by hand.
Lucretia: Co-stage Manager and Supporting Actor (not for lack of chops, only because she spreads herself very thin.) Knows the script like a second language. Mainly reserves her Director Voice for backstage when things get chaotic. Enjoys performing the musical numbers because no one knows she can belt, until she does. Standing ovation girlie, but bashful about it.
Lup: Co-lead Lead Actor and Costumer. Only willing to do the role if Davenport lets her include cold sparks and fog machines in the set budget (he finds a way.) No one knows when she took measurements for the costumes, but they're ready by dress rehearsal and they fit perfectly. Helps the other actors figure out their groove. Great at engaging the audience.
Angus (special edition): Child lead and stagehand. The sweetest little singing voice you ever did hear. Everyone is going to rue the day his voice starts cracking. A heartbreaker of a performer and a speedy backstage assistant.
Taako: A MYSTERY. He's wearing a fancy scarf and roaming all over the place. He's talking about the Art of the Theatre. He's listed on the billing of lead actors and NO ONE knows what his role is. He remembers all the little things that everyone forgets: clothes pins, a hot glue gun, and electrolytes. He's got a walkie-talkie. Only the managers and tech are supposed to have walkie-talkies. Hello, this is Taako speaking, over.
Barry: Usually Tech. He's got a beautifully choreographed queue of lighting designs and stage effects. He's got an immaculately labeled pad controller and a ready-to-go Excel spreadsheet. But on opening night, Lucretia informs him he's in the orchestra pit.
Barry: ...But I'm lighting tonight.
Lucretia (via walkie-talkie): And our percussionist twisted his ankle tripping over a stage light. You're in the orchestra now, compadre.
Barry: (with increasing emphasis, decreasing conviction) But. I'm. Light. Tech.
Taako: E N T E R T H E P I T B A R O L D
Davenport: Taako, get off this line.
During intermission, Magnus asks him to help lift the ensemble dancers onto the set scaffolding, and hold it steady. Barry agrees, thinking he's in the clear after that. But the second the music number ends, Merle tells him that one of the support roles had to leave, so now he's the understudy.
Barry (longsuffering): I am just. the light guy.
Merle (gesturing to Taako in the balcony, having a ballgame playing with the lightboard): well, in two minutes you're the showstopper guy, so you need to go out there and stop the show
Lup (emerging from nowhere, slapping a red, hooded robe on Barold's shoulders): Knock 'em dead!
Barry: D:
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stuff-and-shenanigans · 10 months
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scattered general good omens season 2 thoughts below the cut
- neil gaiman remains my favorite writer even if he’s unequivocally broken my brain a little bit. and john finnemore, whose work on cabin pressure i enjoyed thoroughly when i was younger, was a marvelous choice for co-writer this time round.
- michael sheen and david tennant genuinely might be the two best actors alive. they’re so perfectly cast and every single interaction they have and every moment they have to themselves is so magnificently calibrated. i love them as aziraphale and crowley so very very much and i hope they are proud of their work because they should be.
- the ineffable bureaucracy was so sneakily and delightfully handled. i don’t think anyone could have predicted that ship ever becoming canon but i thought it was so adorably handled. hope they’re having a nice time on alpha centauri 🥺
- the humor this season is VERY pratchetty and all the funny moments genuinely made me grin. the demons not understanding spelling, muriel as a “human police officer,” gabriel/jim’s himbo moments, THE INEPT NAZI ZOMBIES… so good. i think terry would enjoy so much of this season.
- the historical flashbacks were a DELIGHT and i LOVED seeing their first meeting before the big bang 🥺
- i like maggie and nina a lot and i really hope we get a season three because i am really rooting for them. YAY taking time in relationships after a breakup. that’s so important and healthy and i’m glad that’s how we’ve left them for now. i hope they have a nice juicy part to play in the future.
- the second coming being season three’s plot is too perfect (presumably based on terry’s notes with neil for 668: the neighbor of the beast) and i can’t wait to see how it turns out.
- THE ENTIRE LAST MOMENTS WHERE WE THINK WE’RE GETTING A MUTUAL CONFESSION. BUT NO. IT GOES SO WRONG. AND THEN AZIRAPHALE’S “I NEED YOU I NEED US” AND CROWLEY JUST PLANTING ONE ON HIM AND AZI HAVING NO CLUE WHAT TO DO WITH HIS HANDS AND WHEN THEY BREAK HE’S DEVASTATED AND CAN ONLY SAY HE FORGIVES HIM. and then aziraphale touching his lips as crowley leaves and the dark reprise of nightingale holy fucking shit you cannot make this shit up i am forever devastated and replaying every bit in my head because gooooooood michael and david fucking killed me
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thelesbianluthor · 3 months
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Final episode thoughts.
This is the episode that showed the most how GOOD the show can be going forward imo.
Once again the biggest strength is the casting bc the actors they chose are so good for the part and the moment they have the chance to show off they DO.
The gods we have seen were picked perfectly. Rest in peace to the actor of Zeus, Lance Reddick, who has delivered an incredible performance with the time he had to shine.
Walker always had that spark in him to play Percy, the IMPERTINENCE. The scene with Zeus was so good at showing that off, especially after we got the fight with Ares which was also really good.
I really liked the added scenes with Luke, especially knowing what was gonna happen.
Annabeth and Percy little moments are always going to make me want to scream. I love them dearly and I want to see them grow and fall for each other so bad.
When it comes to making changes to the story I feel like this episode is one of the ones that actually did make good ones that made sense. Like the final part with Luke was a good change bc it gave us another sword fight, which is of course going to look better on screen and give us a more dynamic moment.
Percy actually guessing Luke is the thief is a change that actually makes sense compared to the "all knowing" moments in other occasions.
He saw the shoes Luke gave him almost drag Grover into Tartarus and he knew someone he considered a friend was gonna betray him so he guessed it when things seemed off.
Overall I am still of the opinion that the show has a LOT of potential and they really need to let the episodes be longer and the characters actually make mistakes and not know every single thing that is going to happen.
It's not perfect of course and I did not expect an exact copy of the books at all. I want it to be a good adaptation and that also means change things that have to be changed while keeping the spirit of the story.
I know Rick loves his work and deeply cares abt how he is adapting it so I really have high hopes for the show to get better with time in the beats it's lacking in.
The kids are just going to get better at playing the characters. They already have the spirit of the trio down and you can see that they got better with each episodes so I am excited to see what they will do going forward.
So much work went into the show and there is so much love and care from the people making it. I hope that the big company won't make things hard and will let the show grow and develop the way it can. They have gold in their hands with this show they just need to take advantage of the material in its entirety.
GIVE US LONGER EPISODES!!!
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istanchan · 4 months
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Pitbabe has taken over every single particle of my being. THIS WAS SUPPOSED TO BE A SILLY LITTE SHOW, WHY AM I SOBBING RN. Pavel and Pooh are such wonderful actors. Sailub, Pon, Michael, and TopTen also really shined in this episode. I love the x hunter family and their bond with each other.
Alan and Babe especially, the way Alan took to comforting Babe made my heart break. And not just Babe but Jeff and the others too. I felt like crying when he broke down at Deans betrayal. He most definitely blamed himself too, even though it had nothing to do with him. Alan carries so much responsibility on his shoulders. And Sailub portrays the character so perfectly.
TopTen as Sonic also pulled at my heartstrings. He is such a warm and comforting character.
As someone who watched Boys Journey, the silly little reality TV show the Pit Babe cast did before creating the actual show, I’m so proud of the entire cast. I think all of the boys were casted perfectly. I also can’t wait to see the boys appear in other shows.
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1941-crowley-slut · 9 months
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I just wanna say I really love that queer shows lately have started to cast people who aren't teenagers or in their early 20s. Even in the case of good omens where all the beings are technically eternal so their body is just a vessel, it's still so very refreshing to see queer love and gender non conforming characters that look about middle aged. It's such a nice reminder that queerness is not a trend, it's not new, it's not something only young people are experiencing. I would actually argue that seeing so much queerness in good omens (which by the way was incorporated very beautifully into it, without feeling forced or being made a big deal) makes it even better, because it shows how it has all existed since the beginning of time.
And I also love the actors who are totally alright with playing such roles. Don't get me wrong, they should be fine playing them, that's the bare minimum. But we are now just starting to get the bare minimum in that sense, people not being too insecure to play queer characters, in spite of if they share the same identity with their character or not.
Their age (the actors') is very important to me as well. Because though the younger generation tends to be more accepting, we see constantly a lot of homophobia and transphobia from the previous ones. And we often pin it on their age, "oh they were born in a different time, I don't expect them to understand". Yet there are all these people out there the same age as those you make up excuses for, who understand perfectly. If they can, then so can everyone else, even if they come from a different generation.
Lastly, I love how humane they are finally portraying queer people on the big screen. I love that there can be physical affection and canon events that aren't just subtext, I love that they can show a sexual relationship between two queer people without fetishizing it (because I've seen one too many queer movies hoping for a love story, that turned out to be borderline porn). I love when they don't include traumatic homophobic/transphobic events for every single queer character or don't load them with guilt over their identity. Not that these experiences shouldn't be shown, because a lot of us can relate to them and it's always so nice to be able to relate to a character, feel like someone understands what you're going through. It just gets a tad exhausting when every plotline eventually leads to that.
Generally, I 'm glad they are finally treating us like normal people. Because we are.
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lillie98 · 4 months
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As an autistic big sister to two incredible humans with Down syndrome, I was not ready for Percy and Tyson’s relationship. The way Rick Roirdan so perfectly encapsulates the experience of having a sibling with a very visible and obvious disability while you battle your own challenges is unlike anything I’ve read before. I know Percy loves Tyson and enjoys his company, but he also struggles with the attention Tyson brings. He wonders why his father chose to have a child like Tyson and doesn’t understand why his friends and camp mates/classmates are so cruel to him. It’s the first time I’ve seen my unique childhood illustrated in media.
I also love that they bring Tyson on the quest. They could have easily left him for the Harpies, blaming his death on his disability/he wandered outside/he wasn’t fast enough to get away, but they bring him along with them because he deserves to be involved. He’s an asset rather than a burden and that speaks volumes to the public perception of people with Intellectual Disabilities. Every single person has usable gifts and skills. It is up to those around them to discover those skills and foster them. Also, the respectful and mature way Percy speaks to Tyson should be studied. He never talks down to him, makes him feel less-than, or makes fun of him for his eccentric hobbies (metalworking). He fully and truly accepts Tyson for who he is and knows the issue lies in himself. Percy must accept Tyson as part of his family and his new reality. Family is forever and it’s an honor to watch Percy understand what that really means.
I really hope we explore this special and unique dynamic in Season 2 and (hopefully) cast an actor with IDD! We could create something magical. ❤️
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velvet4510 · 7 months
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let’s talk about LOTR book vs. movie differences.
Overall, I prefer the book over the movies. The book just has even more depth, even more great character moments, and of course, all the lore (particularly the appendices) that could never be squeezed into a film, even a film trilogy.
The movies were perfectly cast - every actor was born to play their respective role - with magnificent direction, music, cinematography, and SFX. But the script has many problems when compared to the book.
These are, IMO, the worst changes that the films made (in no particular order):
Far too much emphasis on action/battle scenes. Helm’s Deep is 1 chapter long in the book but the equivalent of at least 5 chapters long in the movie. Ridiculous. LOTR has action scenes, but it is not an action story.
Frodo sending Sam away and going into Shelob’s lair without him. Everything about this added scene is an absolute atrocity. Enough said.
The entire butchering of Faramir. It’s really quite tragic. For the sake of drama, the films stripped Faramir of everything that makes him the incredible character that he is in the book.
Deleting the Scouring of the Shire. I get why (pacing), but it’s the true climax to the hobbits’ storyline and character arcs, and is just a better ending IMO.
Not including any of Frodo’s moments of impressive strength from the book (saving his friends from the Barrow-wight, fighting back against the Nazgûl at Weathertop, defying the Nazgûl at the ford, saving Boromir from a troll in Moria, and choosing all by himself to go to Mordor alone). He has so many bad*ss moments in the book that Elijah Wood would’ve nailed, but the movies made him too helpless and didn’t give a true talent like Elijah nearly as much to work with. (Elijah himself, though, is absolute perfection in the role, and it pains me to think how many great moments from the book he was robbed of.)
Cutting Tolkien’s beautiful songs, especially the “Man in the Moon” from the Prancing Pony. Why couldn’t the film have been part-musical???
Gandalf’s fall looks like he just…lets go. For some reason. In the book, the Balrog’s whip drags him down immediately, but onscreen he grabs onto the cliff and then lets go himself. Makes no sense.
All the stupid hamfisted foreshadowing of Boromir’s attempted theft of the Ring. The script bashes it over our heads, especially in Galadriel’s scene, and I have no idea why any of this was added. Why not just show Boromir glancing at Frodo and the Ring several times, like the book describes? That’s all that was needed.
Making so many jokes at Gimli’s expense because of his height and reducing him to mere comic relief. In the book his character is treated with dignity and has such depth.
Reducing Faramir and Éowyn’s phenomenal love story to a single 30-second scene. Screw pacing, those two deserved a full half hour (at the very least) of screentime dedicated to just them.
The butchering of Tolkien’s point about the Ring’s power by making Isildur’s failure seem like a personal flaw, to the point where it’s the reason Aragorn doesn’t want to be king. A refusal to destroy the Ring isn’t about the Ring-bearer’s own internal character; it’s about how the Ring’s power is absolute and no mortal has a chance of directly destroying it. Elrond, Gandalf, Aragorn, et. al. are fully aware of this in Tolkien’s canon. This change makes it seem like there’s something wrong with Isildur and Frodo specifically for not destroying the Ring.
Cutting the pivotal moment of Sam’s entire character arc where he takes the Ring from Frodo’s body, decides to try to continue the Quest alone, and then wears the Ring to hide from the Orcs. The movies just cut all of this critical content just for the sake of a surprise reveal of “omg Sam’s got the Ring!”
Deleting the CRUCIAL scene where Frodo curses Gollum outside the Cracks of Doom. The whole point of Gollum’s fall is that it’s not caused by a physical struggle between him and Frodo (as the movie portrays), but rather by his own actions, breaking his oath to Frodo and ignoring the warning within Frodo’s curse. The movie instead makes it into the climax of a typical action film.
Apparently this doesn’t bother most fans, but it most certainly bothers me: reducing Rosie to distant eye candy for Sam who he’s never talked to. In the book their relationship is so much more substantial because they grew up together and know each other inside & out and Sam’s love for her actually feels real. In the movies, the relationship just feels so shallow.
Referring to Frodo’s ride to Valinor as “the last ship to leave Middle-Earth.” A flat-out lie when you know Tolkien’s canon, completely ignoring the fact that Sam will be allowed to sail West eventually and they will reunite. They don’t even include Frodo’s line “your time may come, Sam.”
Sam, Rosie, and their children apparently not living in Bag End at the end. One of the book’s most beautiful developments is that after years of being too big for bachelors, Frodo’s generous parting gift to Sam finally enables Bag End to be a family home. It shocks me that the trilogy ends on a closeup of a random yellow hobbit-hole door instead of Bag End’s iconic green door.
On the other hand, there are a few book-to-film changes that I really like:
Arwen helping Frodo at the Ford instead of Glorfindel. I just love the idea of giving Arwen something important to do in the actual narrative, besides just being Aragorn’s wife. At the same time, as I said, I feel like the way the film did it made Frodo too helpless. My ideal version would be a mix of the two: Arwen meets the travellers in Glorfindel’s place but then sends Frodo off on her horse by himself, like Glorfindel does.
Boromir training and playing with Merry & Pippin.
Boromir carrying Frodo out of Moria.
“Give them a moment, for pity’s sake!”
Boromir saying “they took the little ones” instead of “they took the halflings.”
My favorite of all of the screenwriters’ additions that aren’t in the book is the immortal “Roast chicken” exchange.
Giving Théoden a sadder, more realistic reaction to his only child’s death.
Just giving Éowyn more screen time and showing why she falls in love with Aragorn. In the book, she only talks to him a few times and her love for him feels quite rushed; one of the book’s few flaws, in my mind.
Pippin being the one to directly save Faramir by jumping onto the pyre and rolling him off of it to safety.
Denethor realizing too late that Faramir is alive; a heartbreaking moment.
Théoden getting to see that Éowyn is the one who saved him and say a proper goodbye to her. It’s so unsatisfying in the book how he never knows she was there; I much prefer how Éowyn in the movie gets that moment of closure with her beloved uncle.
“I can carry you!” is the scene with the greatest page-to-screen adaptation, hands down. Everything from the acting to the gut-wrenching addition of “do you remember the Shire?” to the music is flawless. Makes me choke up every single time without fail.
The Ring lingering on the lava’s surface, trying to survive, and only melting when Frodo chooses Sam over it. Absolutely phenomenal.
Frodo saying “I’m glad to be with you” to Sam on Mt. Doom instead of “I’m glad you’re with me.”
“You bow to no one.”
Expanding the timeline of Frodo’s last months in the Shire after their return from 2 years to 4 years. I love Jackson for gifting Frodo more time in the Shire before his departure than Tolkien gave him.
I’d love to hear other people’s thoughts about their favorite and least favorite book-to-film changes!
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keepthebeanscool · 6 months
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i copied down the descriptions of the actors in the workin boys program cause they made me giggle
ZOEY CHAMBERS (Henrietta) is humbled beyond words to be a part of this groundbreaking production. Zoey has been entrancing audiences for years with her portrayal of girl-bosses like Sandy from Grease and Fantine from Les Miserables. Zoey would like to thank her brother Zack for giving her the actor bug in the third grade! It’s ironic that Zack thought he was the actor of the family. But Zoey would go on to overshadow him in every way. Sucks to suck, doesn’t it Zachary? Zoey would also like to thank her roommate and fellow cast member Haley! Haley is perfectly cast in her very small and inconsequential part. The role of Marge is just so uninteresting and one dimensional that it helps mask Haley’s limited range as an actress, as well as other flaws, such as not being pretty enough to pull off an ingenue. Enjoy the show and be sure to check out Zoey’s Only Fans for spicy pics, JO’s(?), and other lewd content!
HALEY DILMORE (Marge) is so lucky to be part of the best cast in the world! She has no idea how she managed to worm her way into this talented group of ladies! You may recognize Haley as a Pink Lady for Grease or Disciple #3 from Godspell. Haley would like to thank her fellow cast member, Zoey Chambers. Zoey has been an inspiration, a mentor, and above all, a friend. She’d also like to thank her parents and her dog, Walter. Also, she’d like to apologize to the cast once again for blowing up the bathroom every single day during rehearsal. She’s so sorry that she made it stink so bad that everybody had to cross the street to use the toilet in Bank of America. She really doesn’t know what’s happening to her bowels. She’s going to the doctor after the show closes to get everything sorted out. Enjoy the show!
RUTH FLEMING (Secretary #4) is so fucking stoked for her acting debut! This is the best thing that’s ever happened to me. I mean, her. Ruth ran the lights for her school’s production of The Barbecue Monologues and was also the Assistant Stage Manager for The Wizard of Oz…it sucked. She got bullied and excluded by the whole cast, even though her job was just as important as theirs. More important, actually! Being in the cast is way better. You don’t have to think of an excuse to barge into the dressing rooms. You can just walk right in! Everybody takes off their shirts and lets their titties tumble free! It’s the most awesome thing I’ve ever seen… I mean she’s ever seen. Anyways Ruth doesn’t wanna thank anybody because nobody ever did anything for her.
CASSANDRA KING (Eve) is excited to be present with you fellow vessels in these fleeting moments. Everything has transpired exactly as the lights in the sky foretold. Casse had never been a believer in prophecy or the ethereal space between… but she’s seen too much to deny that truth now. She no longer fears the visions, or the pain that comes with their descent. Pain is the price of knowledge. Pain is the language that unites the children of (???) no matter which star they may hide(??) from. Casse wants to see what lies at the end of the cold hall. She is ready to see the face of the girl screaming in the dark.  How did she find herself aboard? And what is the destination of such a magnificent ship? Is tonight the night Casse departs? The lights give no answer. And so she waits for deliverance. Casse would also like to thank her boyfriend, Chris.
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neillsblog-7 · 1 year
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I beat the Guardians of the galaxy game off a recommendation from a friend and it is wonderful! Absolutely stellar on all fronts, especially the writing and dialogue. I was worried i was gonna get tired by the halfway point but in fact i was disappointed there wasn’t more to this game. The Guardians all interact with each other constantly and it’s never boring either and in fact is hilarious. The entire voice cast is phenomenal as every single guardian is able to convey their characters so well and do their own spin on things despite having some influences from the gunn films (notably Drax and Rocket). Peter’s voice actor specifically and Peter’s character as a whole is so perfectly done and handled correctly that in my mind this is my definitive star lord. Shout out to Drax’s voice actor too since he was able to deliver an incredibly emotional reaction from me during his moments, one standout being him and peter’s conversation on Knowhere.
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The story itself is really pleasant full of really cool twists and turns which has an extremely satisfying payoff in the final act. I was completely engrossed in each and every single Guardian’s struggle and the way their emotional moments were handled was nothing short of beautiful, Drax being the highlight. I won’t spoil but the introduction and handling of “Nikki” is also nothing short of tragic and heartbreaking and who’s conflict had me moved. Overall it’s an extremely well done story about grief and learning to let go and accept what happened.
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While the gameplay itself isn’t revolutionary, it’s pretty effective at immersing yourself as Peter Quill or rather Star-lord as you command the rest of your team into battle and have to constantly figure out the best way to combo all their moves into one. Plus this game features a move called “huddle up” which upon giving the proper motivation and speech, boosts the entire team while also playing a selected song off peter’s music player which all flows into one awesome crescendo!
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All in all, if you still have an itch for more guardians after Vol. 3, please check this one out! It’s an incredibly fun take on the characters and it is such a blast to play and it’s story is so rewarding, especially to those who don’t even know anything about the guardians. A fun game i recommend to anyone to experience
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“I hate saying the thing they are investing in is Buck and Eddie because I don't want it to be disrespectful to the rest of the cast. But they had HEA endings even if we didn't get to see Maddie and Chims wedding.”
I don’t find this disrespectful to the rest of the cast. And it’s honestly true.
Bathena got their love story told. And they are considered the “rock” of the show and group. We’ve seen their back stories. We’ve seen the growth and development as they work through their trauma and past and come together etc. I’m not saying there isn’t a lot of story with them but at this point there are only so many date nights or undercover operations they can go on lol. And causing marital issues isn’t something that would be received well by the fans for them.
Henren- same thing. We’ve now seen their pasts. Seen their development and growth and working through their issues and coming together. They have done the marital issues with this couple already once or twice so I don’t think anyone wants to see that again. They do have a little more wiggle room story wise with the foster kids/adoption angle and with Denny’s dad suddenly popping back up.
Madney- once again same. We’ve seen their pasts. We’ve watched them work through their traumas and issues and watched them grow together as a family and come together. I do think we will see their wedding. I honestly can’t imagine we won’t. With the show hitting its peak 100th episode in season 7 and shows usually doing a “bigger” episode to mark that, I feel like it would be a good storyline to have play then. But then after that… again not saying there aren’t storylines for them but Jennifer (Maddie’s actress) has strict conditions in her contract about how much she works so Maddie’s not used a lot, and Chim can only float around so much. No one is gonna wanna see marriage issues with this couple right after they get married and not after what they over came to get married.
Buddie- Now this is the pickle the show has written themselves into. The entire cast is married or getting married. To each other. Except for Buck and Eddie. They are quite literally the only two main characters who don’t have their happy ending. We’ve seen their pasts. We’ve seen them work through their issues and some of their trauma, and we’ve seen character growth and watched them working towards each other. Always toward each other….but then it stalls out. And the problem with it all is the show has teased and played with them as a family unit so much since the moment Eddie introduced Buck to Chris’s existence, and they have built up the importance of each other in the others lives that putting them with someone else? It’s almost impossible. They have honestly backed themselves into a rapidly approaching wall. The amount of work they would honestly have to invest at this point to introduce not one but two new characters, develop them into people the audience cares about, and progress those relationships in a believable manner that they’d both end up marrying said people? That’s just not something I realistically can see them willing to do. Which means we either get them with unsatisfying partners that the audience hates, which honestly would suck for the characters and the actors, or they finally pull the trigger and invest in buddie. And they are gonna have to decide it soon because based off the complaints at the end of season 6, no one, fans or general audience, are interested in watching the “Buck and Eddie get new girlfriends. Buck and Eddie breakup with said new girlfriends. Buck and Eddie stay single all season until 6 episodes left. Buck and Eddie meet new woman because they can’t be single at seasons end” cycle again. It’s repetitive, it’s boring, and honestly a disservice to the characters and their growth, and dissatisfying for the audience because they are fan favorites and who wants to see their favorite characters constantly unhappy.
Perfectly said about every couple (or almost couple) on the show anon.
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ladymelisande · 6 months
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Hollywood productions: We can't do time skips and change actors for a main character more than two times in a single season 😭😭 Our stupid audience will get so confused! Don't you understand how stupid they are? They can't follow basic ages so we won't either!
Dark Netflix: Hold my three-perfectly-casted actors for literally every relevant character and time skip, you weak bitches.
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