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mizgnomer · 1 year

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Behind the Scenes - The Stolen Earth/Journey’s End (Part 18)

Excerpts from The Writer’s Tale - The Final Chapter

From Russell T. Davies to Benjamin Cook, Thursday 31 January 2008

I know what’s really preying on my mind, though, and stopping me moving onto the Christmas Special. Julie said, ‘That scene on Bad Wolf Bay isn’t working, is it?’ And she’s absolutely right. I love a good note, because it’s like someone has articulated the voice at the back of your head. That scene doesn’t work. I have always known that, from the moment I typed it out, but I don’t know how to fix it. [...] The hardest thing of all in that scene - and Billie might yet have problems with it - is getting Rose to walk away from the TARDIS in the first place. That, indeed, is the problem with the whole scene, that Rose has to act out of character to stay on Bad Wolf Bay. She’s utterly, marvellously selfish, and would push past anyone to get to her Doctor.

From Russell T. Davies to Benjamin Cook, Saturday 9 Febuary 2008

[Russell has a bad case of the chicken pox...] I’m itchy, scratchy and tired, and I still have to rewrite 4.13. And I just realized my plan to make the Bad Wolf Bay scene work - the one involving Voidstuff - won’t work, because I’d forgotten that Mickey has to be free to stay in our universe. Bollocks. Julie’s upset. She’s saying, ‘Leave Mickey in the parallel universe,’ and I’m saying, ‘Too late! We promised Noel that we’d bring him back in Torchwood Series Three.’

From Russell T. Davies to Benjamin Cook, Monday 18 February 2008

The Bad Wolf Bay scene still isn’t working, but do you know what? No one’s giving me good notes on it, when they should, so sod it. It’s slightly better now, and I’ve cut the kiss between Rose and Doctor #2, but it still sucks.

From Russell T. Davies to Benjamin Cook, Saturday 1 March 2008

I’ve rewritten Bad Wolf Bay again. Finally, I’ve got it right!

Basically, I’ve given more of the decision to Rose, put her in control, and used that control to push away the original Doctor. And the kiss is back in! Then the scene finishes as before: Rose saying, ‘No - !’, as the TARDIS fades away. Doctor #2 taking her hand, and a wide shot of the now-empty beach. Julie is happy, David is happy, phew, good. Series Four, final rewrite, done.

From Benjamin Cook to Russell T. Davies, Saturday 1 March 2008

Never mind Julie and David... are you happy with it, Russell?

From Russell T. Davies to Benjamin Cook, Saturday 1 March 2008

I am delighted. That is such a weight off my mind. Knowing it wasn’t working was driving me mad. It hung over me, during Chicken Pox Fortnight. Literally, all the time. I tell you what helped: I watched the footage of the 4.12/4.13 read-through. They filmed it for Doctor Who Confidential, then edited it together fast so that I could see it - and they had to read the first draft of 4.13, because that’s all I had written. It was so slow! I could see what worked and what didn’t, and I realized how good the kiss was, but equally that the kiss had no consequence. That’s why it wasn’t earning its place. But it’s obvious, in the end, isn’t it? The scene is about Rose choosing between two Doctors. So, on the last draft, finally, I’ve written clearly, obviously, Rose making that choice. Rose is in control.

The rushes have helped, too. When Rose is in the TARDIS with Doctor #2, Billie is looking at him with sheer lust. As only Billie can do! That, too, puts the power into Rose’s hands. The mechanics start to work...

Link to [ part one ] of the Stolen Earth/Journey’s End Behind-the-scenes posts or click the #whoBtsStolen tag, or the full episode list [ here ]

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lookninjas · 6 months

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⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️

That's a lot of stars.

So I gave it a little bit of thought, and I think what I'm going to do is a breakdown of the edited version of Humdrum and Humble, since it's the most recent fic I've actually completed and posted that wasn't a very short one shot that can be boiled down to "I want to see everyone be nice to Rose Walker" or its natural converse "I want to see Roderick Burgess get kicked repeatedly in the dick." And as much as I'd like to get into something more recent, all I have that's recent is a couple of WIPs and any scenes I detail from those will almost certainly wind up missing from the deleted fic just because that's how it goes.

Also, I've already done a commentary on the original (mostly) unedited version of it, so it kind of feels nicely bookendish.

So let's dive in.

It starts in a theater lobby, while he’s paying for paper bags of rice and newspaper, playing cards and toast. He is out of his depth and trying to pretend he isn’t, in his old boots and a black button-down shirt, surrounded by sequins and pancake makeup and garishly bright wigs and fishnet stockings -- literally, everyone here seems to be in fishnets except for him and Poe. Even the silver-haired gentleman taking tickets has fishnet gloves on, and Ben feels like such a hick. And not, of course, that he feels like he belongs most places. That’s something that’s followed him his whole life. But this moment in particular, in this theater lobby, might be the worst so far. It certainly feels like it.

The first draft of this story was written during Rocky Horror season, specifically the week between our movie theater performance and our casino performance. At that point in the year, I'm understandably fucking breathing Rocky Horror. So that's a large part of where this scene comes from. I'd also referenced Toby playing Columbia once already, in Dead Souls, and sometimes when I was driving to or from work I'd mentally turn the idea of him and Poe interacting as part of a shadowcast around in my head for a few miles at a time. Rocky is kind of a liminal space where anything goes, and also the kind of place where Ben is going to feel decidedly off-kilter at first, even if he gets more comfortable as he goes along. So it just felt like a good place to start. Ben knew he was going to have a weird night. It just got weirder than he thought. But he also has Poe with him to guide him, and Poe has had experience in both these worlds -- Rocky Horror, and then also Torchwood, through that friendship with Toby that I dreamed up in my car driving through the middle of nowhere.

Sidenote: It's such a weird thing to try to write these situations where the main character has no idea what's going on, because you want to put some exposition in, but that's not how people have conversations. This scene was the worst for that, because of how minimal Ben's involvement is. As he gets more enmeshed in the plot, people take time to explain things to him. Right now, he just knows something weird went down at a synagogue once, and also sometimes people buy drugs from people with blowfish heads. But he's midwestern, you know, so he's just running with it. As you do.

And then some smaller notes: There's a bit about Aly getting hurt when he touches the person who took the drugs, which is notable because the skin on his left side is synthetic -- thicker and less sensitive than his real skin. It's also why his hand is cool in the second scene, at Pride. Poe saying "Stay safe out there," is a callback to Dead Souls, although I don't think the final draft used that saying as much as earlier versions did. Lastly, while I didn't edit much on this scene, I did add Jonah to it -- the silver-haired ticket taker in the fishnet gloves. Hilariously, Ben doesn't remember him being there, even though he'll later recognize the kid who took the drugs. Chalk it up to the kid being as conspicuous as possible, while Jonah's trying to blend in.

SECOND SCENE:

It’s Motor City Pride, which means it’s hot and it’s sticky and he’s got a ton of shit on his plate.

Fun fact: I have no idea what that conversation between Ben and Lando is supposed to be about, apart from people are trying to get Ben to do something and he really doesn't have time but is too polite to say no.

So this one is interesting, because it's our proper introduction to Jonah. In the last scene, we had Torchwood jumping in to a dangerous situation. This scene, we have Jonah in that position. His little conversation with Lando is one of my favorites, because it reveals so much about the two of them in a few lines:

Lando has worked with Torchwood enough that Jonah recognizes him on sight as someone who'd have their contact numbers.

Jonah knows Torchwood, but either doesn't have those numbers or is unwilling to call them.

Lando has encountered enough Time Agents to clock Jonah on sight.

The "Not Captain Jonah Hawthorne?" "Just Jonah" is our first clue that Jonah is trying to move on from his past.

And, of course, there's that echoing moment where Jonah puts his hand on Ben's shoulder, then Lando puts his hand on Ben's shoulder, and then Aly puts his hand on Ben's shoulder. Same basic playbook. Ben is more involved in this particular scene than he was the last, but he's still a civilian being treated as a civilian. He's helping with one person. They're handling the whole situation.

At the same time, his decision to help that one person winds up being crucial to how the story ends, which is the fun thing about it.

THIRD SCENE:

“-- scale of it,” Kai is saying, when Ben comes out of it. It’s dark, and there’s something cool and damp on his forehead. He feels okay with his eyes closed. He’s not sure how he’s going to feel when he finally makes his mind up to open them.

Ben, you're eavesdropping. Admit that you're eavesdropping.

Jonah mentions that John Hart had been in town -- this is a Torchwood Four story that I've toyed with for ages and never actually written out. Although one of my WIPs gets into it a little more. Whether John is cleaned up in canon is I think still fairly ambiguous, although I haven't really gotten much into the Big Finish audios. I do feel like Jonah, having known him from his worst days, would have his doubts. And Kai isn't that much more certain.

This also gets a little into what Jonah did with the Time Agency, at least for the latter part of his career -- he was the one to go after the rogue Time Agents when they went too rogue. Which is why, if a Time Agent were to be involved in this, things might get too personal too quickly.

One note: Poe's last full appearance in the fic here, and he has one of my favorite lines of the whole thing, even though it's sort of an odd choice -- “Toby always tells me it’s a very human response. I don’t even think he realizes how many times he’s told me that.” There's something unsettling to me about how the Torchwood Amnesia effect even affects Torchwood.

FOURTH SCENE:

Less than a month later, he finds himself sprinting down a crowded sidewalk, chasing a man who appears to have a bright red fish’s head where his human face should be.

This is the scene that made me want to write the fic -- Ben chasing an alien through the streets of Detroit. I just loved the image. I still love the image. No Torchwood, no Time Agent, just Ben being an incredibly brave moron.

I mean, he never does anything half-assed, so.

And judging by the blowfish's response, he's not even the first Detroit resident to pull something like this.

One of my favorite conversations in the whole fic is this one. I think it's easy to forget, reading through some of the other stories in the Children's Work universe, that Ben is tremendously unafraid of physical harm. He's been very traumatized, and he's very wary of certain emotional situations due to that trauma, but physically he'll absolutely throw himself into dangerous shit and not care at all. He's very secure here, even when he's alone and cornered and has a gun pointed at him. It doesn't bother him at all. He gets annoyed. He even challenges the blowfish at the end. “Just what kind of business is your boss involved in, exactly?”

And then Torchwood shows up to take over, and for the first time we get to see them dangerous, which is fun. I like how Kai basically unintentionally sums up the purpose of her Torchwood -- not arming against the future, or finding the Doctor, or weapons for the empire, but -- "You don’t kill kids in my town."

This is another part where the exposition gets interesting. First, we get the blowfish babbling about how Universe went down and there's no Torchwood in London anymore and there's a bitch in Wales (Hi Gwen!) Then Kai goes technobabble about vortex energy, and finally Toby steps in to explain things in English. Ben even gets a chance to ask some questions and receives a few answers, although they're brief and they lead to even more questions that he doesn't want answered.

And Mr. Universe/Ben Eugenides makes his return. I've kind of given up on doing a Torchwood Four story with this team that doesn't reference him -- I suppose as long as Aly's part of the team, that does go with the territory. Also, somewhere in writing this (and then continuing to work with the Jonah character), the idea of the death of Mr. Universe causing this hole in the extraterrestrial artifact black market became kind of an appealing hook for stories. If he was purchasing and selling (and releasing into the streets of Detroit) a lot of very dangerous alien artifacts, that creates a power vacuum that enterprising criminals would want to get into, as well as those who would be lured to the city by the promise of finding all of Mr. Universe's artifacts that Torchwood couldn't get to first.

Also, unstated in the story -- I have no doubt at all that Poe took Ben to Mr. Universe's shop at least once when they were kids, for incense or oils or tarot cards or something of that nature.

There's a brief nod to the fact that, since Dead Souls takes place in 2010, and Ben doesn't move to Detroit until 2016, Torchwood Four has outlived their standard expectancy by a little bit. (For the record, I imagine this story taking place around 2018.) But they're my characters, I love them, and they're not dying. Also, Aly doesn't count because he was born around 1916, but also went missing for about seventy years, and most likely spent that time in some kind of stasis. So he's not that much older than everyone else. He's pretty sure.

FIFTH SCENE

This time, there’s no room for forgetting.

Another good characterization moment for Ben right off the bat in this one: He keeps moving, and if the fear moves with him -- well. He’s used to that, isn’t he? Like an old familiar friend. I think part of what was interesting to me about this was this kind of moment for Ben, where he's in a very frightening situation and just kind of handles it. He keeps going, keeps living. Pays very close attention to what's around him and is aware of the ways in which he's in danger and is aware of the people trying to protect him and then also kind of... lets it go. And when the crisis can, he does what he can to call attention to the danger and then just walks right into it, knowing.

And trash-talks the woman who's threatening to kill him because he figures he's already pissed her off enough, so whatever.

Not like Jonah's better, calling his nemesis a cliche in the middle of their fight.

I had originally wanted Ben to take a more physically active role in the fight, but it didn't work out that way, and that's probably for the best. This is really more about the mental resilience of him and that particular fight -- having him throw punches would be a cop-out. He stays ready to get involved if he needs to, all the way up to holding a loaded gun at the ready in case he needs to shoot someone, but he's waiting until the need arises and trusting Jonah otherwise. There's even the very deliberate call-out to the fact that he could just eject the magazine, empty the last round out of the chamber, and throw the gun away, but he doesn't. He's fearless, but he's not dumb, and he'll do what he has to to save someone else.

That it doesn't come out that way is largely because of what he did to help the kid with the tie-dye in the second scene. He's not a good person -- he tazes Jonah for literally no reason -- but he bonded with Ben just enough in that hour at Pride that he changes the whole course of the story for it. It'd be sweet, if it weren't a fucked-up murder suicide pact in the end.

It's very interesting how much the kid does want to die. He takes the Sontaran Sunlight, he tazes Jonah, he claims to have set up a real bomb this time even though, at the end, it's another glitter bomb. He pretends he's disabled the panic buttons and then Torchwood shows up. He playacts the part of a villain, or attempts to, but in the end he makes a better victim.

And even with patchy exposition, Ben has still picked up enough info about Vortex Manipulators to realize that the Vortex Manipulator is the trigger to the bomb and that both the boy and the Time Agent have the ability to set it off. He might be an idiot when it comes to self-preservation, but he's sharp as a tack otherwise.

SIXTH SCENE

The butterfly bandages aren’t enough to patch Jonah’s face together where it’s split apart over his left eyebrow, and the glue is running low.

Ben finally in his element here. No chasing anything, no guns, no fighting. Just patching someone together so he can feed them.

This is the scene where I have to confront the O.C. in the room. What is the point of Jonah in specific? What is his arc, where is he going, and what does that say about Ben and his story? The entire time, Ben has been dipping his toe back into familiar uncomfortable waters. There is a crisis. The whole city, maybe even the whole world, could be in danger. Everything is lining up to make it look like it's his responsibility to stop the catastrophe. But in the end, it isn't a gunshot that makes the difference. It's the decision to sit with one person who really needed him, to take that time and take that care, that fixes things. That's where Jonah wants to be. He has been in the background of the story the entire time, wrestling with his decision to leave the Time Agency and just tidy up his corner of the universe for the time he has left. He just doesn't fully know how.

And Ben realizes that, and very directly offers to help him figure it out.

So we start with Ben fully out of his depth at Rocky Horror, and now he's back where he belongs at his own restaurant, doing what only he can with the experience that only he has. And it's that fearless side but also the compassionate side that has brought him where he is. And now Jonah's the one out of his depth and Ben will help him figure things out. Which is why it ends specifically with:

And it isn’t where the story ends, of course. But it isn’t a terrible place to start.

Which is also largely why I've been picking at various stories involving Jonah since then, because now I want to know how this works for him, because for all the similarities between himself and Ben, we're still talking about a sixty year-old Time Agent leaving the game as opposed to a teenager stealing a five year-old and moving to rural Northern Michigan, so there's going to be some changes.

One day. One day I'll finish a new fic.

I feel like I had more to say about some things; it's always different when you're thinking about it in the car than it is when you're actually sitting down to type shit out. But it's still fun to do this. I hadn't realized how tidy that arc was until just now, so that's fun. Sometimes I'm a better writer than I realize while I'm writing. I think that's true of most of us.

#my fic #on writing #author commentary

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screadingchallenge · 2 years

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Behind the Keyboard: Volume 3

Behind the Keyboard is a series of interviews with different Schitt’s Creek fanfic authors. The series will last as long as there is interest (from authors) and capacity (from me). If you are an author from the Schitt’s Creek fandom who would like to participate, send a DM to this account.

Each author was given ten questions. The first five questions are the same for every author, the last five will vary.

Remember, this year’s Reading Challenge begins July 15, so polish up those MFL lists.

Let’s meet our next author:

Sspaz1000 / @sspaz1000

How many fics have you written?

For Schitt’s Creek only 6, but a few other fandoms have quite a bit more, and a bunch never put onto Ao3 yet (slowly working my stuff over from the days of LJ, lol)

When did you publish your first fic on AO3?

November 12th, 2020

Describe your writing process from “Oh, I have an idea” to pushing publish on AO3

I write notes down, anywhere, and then I probably let it sit for way way too long, and then sometimes I just start writing and see what happens. Hopefully I finish something. Then I freak out for a bit, ask a friend to Beta, and edit and freak out some more. Then post.

Tell me about your most recent fic? What do you love about it? Is there anything you think you could have done better?

Last Schitt’s Creek fic was titled I will help you out, if you let me. Yes a total play on Noah song lyrics. I think I love the title, and I liked that I got into each of their head’s during friends and family episode. What could I have done better? Not use so much dialogue from the show in a short piece? But I kind of had to go along with it. I’m torn on this one.

What advice would you give to someone who’s thinking about publishing their fic for the first time?

Just do it, and don’t give a f*** what people say. Get out of your head and do it. Take Dan’s advice and follow through. Because if you follow through guess what you have a finished product.

What’s one thing that you’d like to say to your favorite Schitt’s Creek character?

David Rose, you are well loved and have a lot of love to give. Let it all out and enjoy your husband.

The beginning, middle or end of a fic. Which do you like the most? Which is the worst?

In writing? I like the beginning, because that’s generally where my ideas are beginnings of somethings. Then actually making the words to fill out the rest of it is tough. And titles making titles is the worst.

Are you interested in writing original fiction?

Yes, you can see on my Ao3 page I’ve posted some old school originals from 2009. I’ve done NaNoWriMo since 2007, only made the 50k words one time in 2012. But I’ve written something every year for it. Most times it’s a combo of fanfic and original. Try to see which idea gives me more motivation or steam. Do I have an outline of a m/m romance story that has been outlined for a decade? Yes. Will I ever start writing it? Someone kick my butt into doing the scary thing.

When did you start writing?

Umm I don’t remember, but I kind of always liked writing, though being told in college I wasn’t good at journalism and stuff took some fun out of it. Fanfic I started writing most likely 2009 with Torchwood fanfic. Though I feel like I wrote stuff for Scrubs (Patrick Drake/Robin Scorpio Drake) on General Hospital before that. (I’m not sure if any of that exists anywhere if I did but definitely they were my first ship)

Schitt’s Creek got me back into writing.

Outlines - yes or no?

As defined by NaNoWriMo, I’m a Plantser. Someone who plans and doesn’t plan at the same time. Like I kind of like having a it starts here, needs to go here, and this is how I want it to end, but I find if I do too much more than that, I get really detailed, and I don’t write anything except detailed outlines of stuff.

#behind the keyboard #meet the authors #sc fic reading challenge #sc reading challenge #sc fanfic #schitt's creek #schitts creek

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justlightlysedated · 3 years

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20 Questions

20 questions, writer's edition, I was tagged by @lambourngb 😊❤❤

1. How many works do you have on AO3?

71! 70 for roswell and one for vagrant queen

2. What's your total AO3 word count?

468, 583!!

3. How many fandoms have you written for and what are they?

not entirely sure tbh, but let's count now:

timkon, bandom, glee, specifically pukurt, but some other ships too, merlin, doctor who, torchwood, teen wolf, agents of shield, runaways, the old guard, vagrant queen, and obviously, roswell new mexico

i think there might be more, but i don’t remember rn

4. What are your top 5 fics by kudos?

the cost of greatness, which i cowrote with marlo

a cure i know that soothes the soul (does so impossibly), the first pwp i wrote for this fandom lol

the person that you’d take a bullet for is behind the trigger, which i wrote for marlo

for better or for worse (til death do us part), which i also cowrote with marlo lol

it might be your wound but they’re my sutures, which i also wrote for marlo

so the pattern im sensing here is that my most popular fics were written with/for marlo which sounds about right lol

5. What's the fic you've written with the angstiest ending?

i am not sure tbh, i write some pretty angsty one shots and longer fics, but i TRY to at least give a slightly hopeful ending, tho now that i’m thinking about it, i think the angstiest thing i’ve written was that prompt fill based on the song, for island fires and family, i remember SOBBING the entire time that i wrote it (there is miluca in that one), but ALSO there is the fic i wrote in reaction to the season one finale, which also made me cry, which was called, we both know how this story ends

6. What's the fic you've written with the happiest ending?

once again i’m not sure, like i said before, i try to give my fics hopeful endings if they’re really angsty, and i love me some hurt/comfort, but i’m not entirely known for writing happy, fluffy fics, tho i do TRY sometimes for certain people

7. Do you write crossovers? If so, what is the craziest one you've written?

yes!! i do love me some crossovers, and i guess i would have to say the malex, sort of doctor who au, i’m technically still writing for tove

8. Do you write smut? If so, what kind?

yes??? but i’m not sure if i could classify it, like i’ll write pretty much anything within reason and if it doesn’t squick me out

9. Do you respond to comments, why or why not?

okay, so like don’t hate me, but no, i rarely, if ever respond to comments, i just don’t know what to say at all, like i’m the type of person that really wants every single message to be unique and special, but there are only so many ways to thank someone for reading your fic, so i just tend to post things and then thank everyone for reading afterwards, if there is someone that shows up often on my notifications, or if someone asks me a specific question pertaining to the story, then i will answer, i also answer back if i wrote the fic for someone and they left a comment, and if i’m sent an ask on here about something that i wrote, but i am simultaneously the world's most shy and confident person ever, when it comes to my writing, so i’m so sorry

this doesnt mean that i dont appreciate every comment that i get because i really do, im just super shy and awkward and i may write good-ish, but i do NOT have the same way with words in person

10. Have you ever received hate on a fic?

not really?? if i have i don’t remember it, usually i’m the one who talks the worse about my own writing

11. Have you ever had a fic stolen?

not that i know of

12. Have you ever had a fic translated?

yes, the only kurtbastian fic i’ve ever written was translated into russian

13. Have you ever co-written a fic before?

yep!! as y’all probably saw from my top five fics up there somewhere, marlo @bestillmyslashyheart is basically my fic writing soulmate, we just really click when it comes to writing

14. What's your all time favourite ship? to write for?

atm it’s malex, which is more than obvious, BUT before they hijacked my brain and made their home within my neurons, it was skimmons!!! i wrote fic for them for YEARS, even after i stopped watching aos

15. What's a WIP that you want to finish but don't think you ever will?

uuuuuuuuuuuuuuuuuhhhhhhhhhhhhhhhhhmmmmmmmmmmmmmm, i’m just gonna talk about fics that i’ve posted and haven’t updated and not any of the hundreds of wips that have never seen the light of day, my original witch au tbh, i just, roswell made maria and isobel somehow related, and just made me really uncomfortable with the ship, which is the main reason that i’m not gonna finish the fic if i’m being perfectly honest, there is ALSO that au i had where michael’s daughter from the future comes back to the past and she had been raised by alex, because of reasons that are petty, probably my space opera au as well, and only because i just want to write other things MORE

16. What are your writing strengths?

i think i’m good at describing things, especially kisses, i LOVE writing kisses, it’s one of my favorite things, that and my fight scenes are two of the things i pride myself the most on

17. What are your writing weaknesses?

dialogue, sometimes i feel the characters are ridiculously out of character, but then i don’t care because sometimes in canon characters are also ridiculously out of characters, also describing things, because sometimes i just feel like scenes don’t flow right, i am definitely a comma whore, and use dashes and hyphens in places they definitely shouldn’t be used, run-on sentences are my best friends, also english isn't my first language, so, sometimes the way i phrase things just come out wrong

18. What are your thoughts on writing dialogue in other languages in a fic?

tbh completely honest, i follow the nora sakavic method where you just write the dialogue in english like, “hey there love,” they said in perfect french, and i only break this rule if i actually know the language because just translating straight from english always makes things sound stilted and weird

19. What was the first fandom you wrote for?

dc comics, i wrote several timkon fics which i posted on livejournal

20. What's your favourite fic you've written?

oh, i know that love is all about the wind, how it can hold me up and kill me in the end (still i loved it), no specific reason why, i just love it with my entire heart!!

and that's it!! im not gonna tag anyone cause I saw that most ppl were already tagged, but if you want to do this just say that I tagged you!!

#thank you for tagging me!! this was super fun!!

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allatariel · 3 years

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Author Interview

Birthday Edition

Tagged by @callioope, thanks so much, my friend! (It’s only been nearly 2 months... *runs and hides*)

Name: Alli

Fandoms: Well, for posted works, in descending order from most works to fewest: four Original Work (poems), three Star Wars - All Media Types (which further break down into two Rogue One: A Star Wars Story (2016) and one Star Wars Legends: Jedi Apprentice Series - Jude Watson & Dave Wolverton), two Harry Potter - J. K. Rowling, and one each Last of the Mohicans (1992), Teenage Mutant Ninja Turtles - All Media Types/TMNT (2007), The Shannara Chronicles (TV), The Silmarillion and other histories of Middle-Earth - J. R. R. Tolkien, and The Walking Dead (TV).

As for unpublished works, excluding those listed above, I have drafts and notes for stories in: A Song of Ice and Fire, Battlestar Galactica (2003), Beauty and the Beast (1987) (I’ve been obsessing over this particular fandom for months now), Doctor Who/Torchwood, Firefly, Lord of the Rings, Mad Max: Fury Road, Maleficent, Origin (YouTube), The Phantom of the Opera, Pirates of the Caribbean, and Tin Man (2007).

A few other fandoms I haven’t written for but have read and adore: Abhorsen/The Old Kingdom, Alice (SyFy), the Americans, Assassin’s Creed, Avatar: The Last Airbender, Being Human (UK), Buffy the Vampire Slayer, Chalice, City of Ember, the Expanse, Fringe, Hellboy, His Dark Materials, Howl’s Moving Castle, the Hunger Games, Jupiter Ascending, Killjoys, Lost in Space (Netflix), MCU/X-Men, Miss Fisher’s Murder Mysteries, Myst, the Old Guard, Persuasion, Pitch Black/Chronicles of Riddick, the Pretender, the Princess Bride, Pushing Daisies, Resident Evil (movies), Star Trek, Stardust, Stranger Things, Terminator, Underworld, V for Vendetta, Watchemen, Witch Hunter Robin, the X-Files.

Where you post: AO3 (if the format of the above list of posted fandoms didn’t give it away). I have some snippets here on tumblr from unfinished works that will hopefully make it to AO3 one day.

Most popular one-shot: I agonized over how to identify this: kudos, a ratio of kudos to hits? “Catch and Release” with 49 kudos since publishing a year ago today on my last birthday is definitely the most kudos I have ever received, but it has 693 hits. Whereas “I’ve Stumbled My Way Back”, which I published on the same day, has just 12 kudos but that’s with only 99 hits. It’s all relative anyway I suppose. Neither of them can really be called truly popular. Regardless, I’m proud of both of them, even if I’m not happy with the title of the first one.

Most popular multi-chapter fic: That is currently my only multi-chapter fic, Of Scrolls and Sleeping. It has gotten 8 kudos since I reposted it to AO3 in 2016. I originally wrote it in 2003 and posted it to the Sink into Your Eyes archive and the Astronomy Tower that same year. A Radiance That Travels will have more chapters at some point and already has more kudos, 43, in the year since I posted it.

Fic you were nervous to post: Pretty much everything I’ve ever posted. Trollbrain is the worst.

How you choose your titles: Usually I use song lyrics or “clever” wordplay that’s more pun than not, with varying degrees of success and satisfaction on my part.

Do you outline: Kind of, yes. I make a lot of notes on backstory and how I want things to go.

Complete: Complete is a relative term. I have 14 published works. I’d say 8 or 9 of them are complete.

In progress: In progress is also relative. I don’t really consider any of my unfinished works abandoned. I fully intend to finish them one day. When that day will be is anyone’s guess, despite my best intentions.

A Radiance That Travels is intended to be a multi-chapter work and more likely to be updated in the near future (I have a little over 1000 words of chapter two, but they need so much work and I haven’t touched it since April 2020). “I’ve Stumbled My Way Back” was initially supposed to be the first chapter in a longer work, but will more likely be the first work in a series of connected Shannara Chronicles one-shots. “Catch and Release” (I don’t really like this title) was going to be a scene in a longer Last of the Mohicans work but will also probably end up as one in a series of connected one-shots. 4 of my works are officially part of an Unfinished Tales series and are less likely to be completed anytime soon, but I am considering adding more unfinished works that are lower on my priority/interest list at this time.

As for unpublished works in progress, I have roughly 26 documents containing notes and snippets that correspond to the same number of potential works. Motivation is in short supply right now...

Coming soon: T_T Anything, please! I wish my motivation would return from the war...

Do you accept prompts: Well, I am a very slow writer and I hate disappointing people (ADHD/RSD) so I never ask for prompts, but if you don’t mind maybe never getting anything waiting, chat with me about ideas.

Upcoming story you are most excited to write: There is one in particular that @callioope and I started laying groundwork for early last year that I would love to work on. (Thank you for your patience with me.)

Tagging: @skitzofreak, @g-r-a-u, @okaynextcrisis, @weshallflyaway and anyone else who would like to do it! (No pressure!)

#author interview #tag meme #my writing #i made this #it's my birthday #happy birthday to me fic post

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gmariam19 · 3 years

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Friday. February. Forever?

I see what you are doing there! Thanks for the ask!! 😀

Friday: most self-indulgent fic you have ever posted? Well, I'll stick with Star Wars since that's what this blog is for and that's what I've been writing for the last 18 months or so! My first thought was Crossing the Line, a story where Poe has to save Finn from the First Order. He's pretty BAMF and of course gets hurt multiple times, but even the author's notes say it's self-indulgent because I just love Poe so much! There are probably others - I've written some pretty schmoopy stuff, I think - but that's the one I'll pick for now. :)

February: have you ever written and/or a holiday-centric fic? Of course! It was easy when I was writing Harry Potter or Torchwood, since both are set in the real world. It's a little trickier in Star Wars, but I did write a bunch of modern AU bits this past Christmas. And an in-universe drabble about Poe's awesome Lego Christmas sweater. 😂

Forever: do you balance fic writing with original concept stuff? Nope! Not at all! Sad, huh? Sometimes I feel like I am literally *the only fanfic writer I know* with no aspirations of writing something original. I did when I was much younger, before fanfiction. And I can honestly say I do have original ideas - I run them by my family and they're like 'Write it so we can be rich!' and I'm like: HAHAHAHAHA! Because I know how long it takes, how little I actually know, how hard it is to get published, how much most authors actually make. Do I still imagine it? Sure, but it's usually my fanfic that gets me a job writing for television and movies. ;) I went home and visited family last week and found all kinds of stuff from when I was a kid. I wrote stories and poems even back in elementary school, and middle school? MY GOSH was I the biggest dork! Hundreds of pages of handwritten stuff - and mostly fanfic, too! So I guess writing stories has always been a passion and hobby. I have a big imagination and I like the research, writing, editing - all of it. My husband finished writing a textbook and got it published during the pandemic so he's published and getting checks - but I have 300+ stories online, a lot of great reviews, have met amazing people both online and in real life, and it was all way more fun!

Thanks again! 😀

#Ask meme #writing #fanfiction #star wars #poe dameron #finnpoe

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greenapricot · 4 years

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fanfic tag game

I was tagged by @thetimemoves. Thank you!

Ao3 name: greenapricot

Number of fics: 73 - 48 recent (the last 5 years). 25 from before 2009 (all originally posted on livejournal)

Fandoms: Lewis (40), Endeavour (7), Shetland (2), Inspector Morse (1), Victoria (1), Harry Potter (18), Supernatural (4), Firefly (2), Torchwood (1) The numbers don’t match up with the total number of fics because some of them are crossovers.

I’m only going to answer questions for the fics from the last 5 years because I don’t really remember a lot about writing the older ones.

1. Fic you spent the most time on: Phantoms in the Early Dark (Lewis, James/Robbie, teen, 35k). It’s a multi-chapter casefic and also my longest fic by far so it outpaces just about everything else. Second most time spent is probably the third part of my OT3 series, Overture (Lewis, James/Laura/Robbie, explicit, 5.9k) writing three people having sex at once is complicated as it turns out. Or Over the Edge (Lewis, James/Robbie, teen, 11.8k) which I resurrected from abandonment and then it grew multiple chapters.

2. Fic you spent the least time on: I assume one of the ficlet’s that’s less than 500 words is the one I’ve spent the least time on, but I also don’t have clear memories of the process there because they’re short. Both Why not? (Endeavour, Box/Fancy, teen, 800w) and Aftermath (Lewis, James/Robbie, teen, 1.4k) appeared almost fully formed in my head (one in the middle of the night one in the middle of a bath). I wrote them pretty much in one sitting on my phone and posted them only a couple days later which is very unusual for me (usually there is a lot of obsessive editing).

3. Longest Fic: Phantoms in the Early Dark 35k for the fic itself (38k including the epilogue fic). Second longest is Wolf at the Door (Lewis, werewolf au, James/Robbie, teen, 12k).

4. Shortest Fic: More than all the rest of the world (Lewis, James/Robbie, teen, 235w)

5. Most hits: Phantoms is the top of everything so I’m going to pick second most as well. Second most hits: All in All (Lewis, James/Robbie, explicit, 3.7k) part two of the All Told series.

6. Most kudos: Again, Phantoms. Second most kudos After All (Lewis, James/ Robbie, teen, 3.7k, 5x fic) part one of the All Told series.

7. Most comment threads: Phantoms. Second most comment threads: Over the Edge, and I’m going to also pick third since OtE was already an answer: It’s the heat, clearly (Lewis, James/Robbie, teen, 4.1k)

8. Fave Fic you wrote: Picking a favorite is very hard. I love them all. Phantoms is definitely the fic I’m most proud of and it may well be my fave, but since it ends up being the answer to so many questions I’m going to pic a favorite of the fics I haven’t already mentioned here (or in any other meme) and go with Misuse of Police Resources (Lewis, James/Robbie, explicit, 4.2k) because it was super fun to write and super fun to read the reactions to it in the comments.

This got really long so...

9. Fic you want to rewrite/expand on: I have plans for a third fic in my Shetland series No Holiday. I had also planned to write a follow up to Where Everything Slipped from when I first wrote it but I’ve never gotten back to it. I also have plans (and an outline and a fair amount written) for a casefic in my wingfic universe but in These Times I keep end up writing shorter less complicated things. I’m sure I’ll get back to all three of those at some point.

As far as rewriting, I can’t say that there’s anything that I’ve written in the last 5 years that I would change. I obsessively edit things before I put them out into the world, so if it’s been posted I’m happy with it. Probably some of that pre-2009 stuff could do with some rewrites though.

10. Share a bit of your WIP or share a story idea that you’re planning: My current WIP (Robbie takes a life drawing course and James happens to be the model) is in the (hopefully) final stages of editing. I posted a snippet from the first chapter in a previous writing meme. This is from chapter 2:

Robbie is at his desk staring down the new protocol that’s been mandated for the upcoming performance assessments when Hathaway arrives with coffees and two small, brown paper sacks.

“‘Morning, sir.” Hathaway deposits a coffee and one of the sacks on Robbie’s desk. The sack has the tell-tale pleasing oily spots that mean it’s a croissant from that little bakery James passes on days he takes the longer route on his morning run.

“Nice run?”

“Mmm.” James’ mouth is already full of croissant as he shrugs off his jacket and drapes it over the back of his chair; a not dissimilar motion to shrugging off his robe last night. There are no outward signs that James saw Robbie in class, which means either he didn’t, or he did and has chosen to ignore the whole thing.

Robbie fishes his croissant out of the bag and takes a bite of flaky, buttery heaven to distract himself from the fact that he now knows exactly what the curve of James’ naked shoulders looks like under the fabric of his shirt. When he’s finished the croissant he’ll ask which course James has chosen, even though he already knows it’s Ancient Greek, and that will prompt James to ask him what he chose. He’ll admit it was the life drawing class, James will either turn red with embarrassment or make a sarky quip, or both, Robbie will offer to drop the course, and that will be that.

He’s not even halfway through his croissant when Innocent pops her head in to “borrow James” for a few hours. They don’t have an active case at the moment, so off James goes, leaving Robbie to face the performance assessments alone. As James disappears out the door, he has the sinking feeling that not bringing up the class first thing was a missed opportunity. Ah, but what does it matter? James will only be gone an hour or two.

But an hour or two turns into four hours, then the rest of the day.

_____

I tag @bryndeavour, @vita-s-west, @mcgstarroar, @daisyfornost, @ronniebox, @novemberhush and anyone else who sees this and wants to do it.

#itv lewis #bbc shetland #itv endeavour #james hathaway #robbie lewis #lewis fic #shetland fic #endeavour fic #fic meme #writing meme #my fic

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fand0mfancies · 4 years

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Came across this on Tumblr a few days ago, it amused me for a couple of hours or more, filling it in, while watching QI.

Fandom Questions

1. What was the first fandom you got involved in?

Star Trek: Voyager, I suppose at least for reading. Started writing with Stargate SG-1.

2. What is your latest fandom?

I dip in and out of lots of fandoms on and off, the most recent ‘pick up’ is Ballam from Eastenders, I don’t watch soaps, but Robron and Ballam both appear a good bit on my tumblr, so I eventually gave in to checking them out via fic and youtube – thank god for youtube, lol! I still don’t watch soaps, but I watch those storylines!

3. What is the best fandom you’ve ever been involved in?

Gosh, that’s... actually no that’s really easy. Primeval. For anyone not familiar, it’s a ‘silly little dinosaur show’ produced in the UK. It had 4 short seasons, with a somewhat revolving main cast – although they managed to keep 3 of them through all 4 seasons – but the fandom was/is amazing. I made life long friends through the fandom and even though I don’t write much any more I still read some and still talk with those people.

4. Do you regret getting involved in any fandoms?

I would say no. I can’t say every fandom has always been amazing – ship wars anyone! – but mostly fandom has been a very positive experience in my life.

5. Which fandoms have your written fanfiction for?

How long have you got... in genuinely no particular order (basically as they came to me) Stargate SG-1, Stargate Atlantis, Star Trek (TNG, DS9, Voy, Ent & Reboot Movies), Marvel, Kingsman, Person of Interest, Due South, Quantum Leap, Firefly, Buffy/Angel verse, Harry Potter, The Sentinel, Torchwood(/Doctor Who), Hawaii Five-0, Shadowhunters, Sherlock, Primeval, Emmerdale (Robron), NCIS, CSI (Vegas, NY & Miami), White Collar, Empire Records, Bull, Diagnosis Murder, MacGyver (the original), 1-800-Missing, CHAOS, Without a Trace, M*A*S*H, Charmed, Queer as Folk (US), Will & Grace, Bring it On, Nash Bridges, Magnificent 7 (TV series), House, Babylon 5 – I think I got them all... a few of those were one time only deals, but a lot of them have more (anywhere from 2-52 (or more still!) ranging from 100 word drabbles, to thousands of words – hey I’ve been writing fic for 21 years... you tend to amass a lot of fandoms...

6. List your OTP from each fandom you’ve been involved in.

Oh geez, here we go, lol! Okay...

Stargate SG-1: Jack O’Neill/Daniel Jackson

Stargate Atlantis: Rodney McKay/John Sheppard

Star Trek: Elim Garak/Julian Bashir, Chakotay/Tom Paris, Jonathan Archer/Malcolm Reed, James Kirk/Spock – I don’t particularly have an ‘otp’ in TNG, the couple I’ve written were Picard/Data, I’ve also dabbled reading Data/Gordi)

Marvel: Steve Rogers/Tony Stark

Kingsman: Harry Hart/Eggsy Unwin

Person of Interest: Harold Finch/John Reese

Due South: Benton Fraser/Ray K

Quantum Leap: Sam/Al

Firefly: Malcolm Reynolds/Simon Tam

Buffy/Angel Verse: Buffy/Giles, Angel/Spike, Xander/Spike, Willow/Tara

Harry Potter: Harry/Draco, Harry/Hermione, Harry/Hermione/Draco

The Sentinel: Jim/Blair

Torchwood: Jack/Ianto

Hawaii Five-O: Steve/Danno

Shadowhunters: Magnus/Alec

Sherlock: Sherlock/John, Mycroft/Lestrade

Primeval: Nick Cutter/Stephen Hart, James Lester/Hilary Becker Emmerdale: Robert Sugden/Aaron Dingle

NCIS: Gibbs/DiNozzo CSI: Nick Stokes/David Hodges, Mac/Danny, Horatio/Speed White Collar: Neal/Peter/Elizabeth

Empire Records: Joe/Lucas

Bull: Benny/Jason

Diagnosis Murder: Steve/Jesse

I’ve left a few out where I don’t have particular OTPs

7. List your NoTPs from each fandom you’ve been in.

Here we go again... lol!

Stargate SG-1: Jack/Sam, I just... no. I’ve read a few where it’s a background or secondary pairing, but it always makes me wince a bit. I’ve read a few with Sam/Daniel as a secondary pairing that didn’t make me react that way and I’ve read Sam with other characters, but Jack/Sam just is a nope for me.

Stargate Atlantis: McKay/Keller – no, just no. that was horrible. She treated him like... awfully, trying to change him to suit her, just... no.

Marvel: Contentious, but Tony/Pepper, also Peter Parker/Tony Stark. Maybe because I saw the movies before I ever looked at the comics, but meh.

Due South: Benton Fraser/Ray V – again, contentious, but honestly I think Ray V was kind of a shit friend to Fraser.

Firefly: Anything with Jayne. No really, I just can not stand the character. I spent most of the series wanting to punch him in the face and sometimes you get characters you love to hate, but I just hated him.

Buffy/Angel Verse: Buffy/Spike, Willow/Kennedy

Harry Potter: Ron/Hermione, Ron/Harry, Harry/Ginny... basically, Ron and Ginny should just be loveless hermits who live by themselves. Ok, no, that isn’t fair... but as much as Ron was Harry’s first friend, he was selfish and bitter and Ginny/Harry just... never sat right with me. Ron literally says she spent ‘all summer talking about’ Harry, when she’d met him for all of three seconds. She didn’t know him. It always felt like she fell more in love with the *idea* of Harry Potter, than Harry Potter himself.

Sherlock: Sherlock/Molly, he’d eat her for breakfast. Serious, she’d never survive him.

Primeval: Oliver Leek and anyway. Arg. Creepy little dude is creepy and evil.

NCIS: Ziva/DiNozzo – ugh, just no.

Again, I’ve left out ones where I don’t have particular NoTPs

8. How did you get involved in your latest fandom?

Tumblr, god damned bitches posting gifs of pretty boys falling in love, roped me in!

9. What are the best things about your current fandom?

I dabble in several fandoms at once... but if we go by ‘most recently picked up’ as ‘current’ we’re talking Ballum, which hey, it’s always fun to have an actual canon pairing be my OTP, that’s rare for me, lol.

10. Is there a fandom you read fic from but don’t write in?

Well (so far) I haven’t written any Ballum. (I say so far, because I’m a realist, lol). I rarely read in fandoms and not end up writing in them at some point. Although I have probably dabbled in a few I’ve not written for, but if I read it with any sort of consistency, I mostly end up writing it. I am weak!

Ship Questions for your Current Fandom

11. Who is your current OTP?

Okay, so that list above, just basically go with that. While I do drop in and hour of fandoms and some I certainly read in more than others, I do tend to go back to fandoms... If we were talking about what I’m mostly focused on writing atm... Steve/Tony, Mycroft/Lestrade, Harry/Draco and Robron are ones I’m currently working on most.

12. Who is your current OT3?

I’m not currently writing anything that’s OT3 with any real focus. I have a couple of Neal/Peter/Elizabeth WiPs that I will at some point finish, but they aren’t a big focus just now. I did recently read a fabulous Neal/Peter/Elizabeth fic that’s been on my tbr list for ages.

13. Any NoTPs?

Just... see above, lol!

14. Go on, who are your BroTPs?

Harry Hart/Merlin, those two are Bro’s until the end and I will fight you on this. Also, Eggsy/Roxy! OMG they are such a BroTP! And Tony/Pepper/Rhodey – I may no like Tony/Pepper as a pairing, but I love them as best friends and of course, our Rhodes, because again, I will fight you on this, they are awesome and Tony needs his best friends!

15. Is there an obscure ship which you love?

I’m not sure there is. I suppose I’ve read a few fics for some random pairings over the years, but nothing that’s made me really ship-ship them. I like Clint Barton/Bucky Barnes, after seeing it as a secondary pairing in a Steve/Tony fic, but I’ve seen that pop up a few times since, so maybe it won’t stay obscure for long!

16. Are their any popular ships in your fandom which you dislike?

Jack/Sam, Tony/Pepper, Ron/Hermione, Harry/Ginny, Buffy/Spike – they all seem to be het pairings, oops. But I am mostly a slash fic reader/writer, so I suppose that’s not too surprising.

17. Who was your first OTP and are they still your favourite?

Jack/Daniel from Stargate SG-1. I still love them. I still read them, although it has been a while since I’ve written them on their own (I have got some SG-1/SGA x-overs where they feature)

18. What ship have you written the most about?

I’m genuinely not sure... without going and counting (and I’m not going any counting!) I’d guess Jack/Daniel, McKay/Sheppard, Jack/Ianto and Steve/Danno.

19. Is there a ship which you wished you could get behind, but you just don’t feel them?

No, not that I can think off. I either like it or not. I do occasionally feel bad for not reading a fic if it’s an author I really like, but I don’t read that fandom or pairing, but nothing specific.

20. Any ships which you surprised yourself by liking?

Robron and Ballum, lol. I do not do soaps!

Author Questions

21. What was the first fanfic you ever wrote?

Stargate SG-1, Jack/Daniel, a story called The Dare, The Disaster, The Almost Happy Ending, And The Very Happy Ending – it was awful. Don’t go looking, lol!

22. Is there anything you regret writing?

Don’t we all? No, I wouldn’t specifically say so. There are certainly fics, especially older ones, I wish I could have written better, but nothing I’d go, ugh I should never have done that.

23. Name a fic you’ve written that you’re especially fond of & explain why you like it.

Uh... honestly that’s really hard. I... um... yeah, I don’t know, really. I wrote a nice little flower one in POI that I felt worked rather beautifully. The Language of Flowers. An I wrote an SGA fic for NaNo a few years ago, called A Different Life, but it’s not online, because I didn’t finish it yet and I knew I wasn’t going to finish it any time soon, so I didn’t feel it was fair to leave it up unfinished (there is a reason I don’t read WiP fics and I don’t post them either, because I know how much I hate unfinished WiPs) Edit: After writing this I reminded myself of a POI fic I wrote called Hours of Separation – It’s a Harold/John break up story that I always intended to write a sequel too where I ‘fixed’ them, but I just couldn’t do it. I broke them a little too well. But I really love it actually.

24. What fic do you desperately need to rewrite or edit?

The afore mentioned A Different Life needs to be edited and finished, lol! Also a Primeval fic with the working title Crypt Keeper (don’t ask) that I worked myself into a bit of a corner on and I figure out how to fix it, but I haven’t done it yet, so it’s still needs fixing and finishing, lol!

25. What’s your most popular fanfic?

I haven’t the foggiest.

26. How do you come up with your fanfic titles?

Sometimes, really easily, a quote, a line from the fic, a song title... other times it’s like pulling teeth, hence working titles on things like ‘crypt keeper’ which is a reference to one scene near the very start and has no actual hint of the plot, lol!

27. What do you hate more: Coming up with titles or writing summaries?

Oh the titles. Summaries you can just copy a few lines from the fic if you are desperate, if you had to post ‘untitled mcshep fic #67’ people would get cranky, lol, hell I’d get cranky!

28. If someone were to draw a piece of fanart for your story, which story would it be and what would the picture be of?

Oh... I... huh. I mean who wouldn’t love fanart for their stories? Any of them honestly! But if I had to choose just one... I guess something in my Animal Instinct verse, which is Primeval (although I always intended to write other fandoms in the verse) where some people transform into animals, based on their ‘spirit animal’ and some art of the characters with their spirit animal form would be awesome.

29. Do you have a beta reader? Why/Why not?

Sometimes, look if you’ve read this far, you know I write in a lot of fandoms, lol. In some fandoms it’s easier than others to find beta readers. Also, sometimes if it’s just something short, I won’t bother. But I do try for my longer fics.

30. What inspires you to write?

That old adage, if you want to read it, sometimes you just have to write it? Spite? Boredom? Honestly sometimes I just have ideas I have to get out of my brain and it’s write or go mad(der)

31. What’s the nicest thing someone has ever said about your writing?

That it inspired them to write something.

32. Do you listen to music when you write or does music inspire you? If so, which band or genre of music does it for you?

Sometimes, sometimes I find it distracting when writing because I end up singing along and forgetting what I’m writing, lol! I do sometimes get inspiration from songs, I guess mostly from the lyrics, but no particular band or genre – although I listen to a lot of country music!

33. Do you write oneshots, multi-chapter fics or huuuuuge epics?

Little from column a, little from column b... littler still from column c...

34. What’s the word count on your longest fic?

Around 60k, I think.

35. Do you write drabbles? If so, what do you normally write them about?

I have. Primeval had/has a week drabble challenge, mostly when I’ve written drabbles it’s been for a challenge, with a specific prompt.

36. What’s your favourite genre to write?

Uh... I mean, my fandoms really span the genres, but I guess sci-fi or crime are probably my favourites.

37. First person or third person - what do you write in and why?

Third mostly, I have occasionally written in first person, if it felt like the fic needed it.

38. Do you use established canon characters or do you create OCs?

Little from column a, little from column b... it depends on the fandom and the story. Sometimes you just need more characters, mostly they are minor roles, I don’t tend to write much established character/oc fic

39. What is your greatest strength as a writer?

Ability to convince myself people will want to read it, lol! No actually to be honest, I love to know people read and like my stuff, but I gave up a long time ago on trying to ‘please’ people with what I write. I write what I want to read.

40. What do you struggle the most with in your writing?

Focus. The problem with 21 years of fandom history, is well... 21 years of fandom history. A lot of fandoms, a lot of pairings and as I say, I never really ‘leave’ a fandom, I just drop in and out and sometimes that means I’ll write on something consistently for weeks or months and then end up getting distracted by another fandom again and not touch it for weeks or months again. Hence, I don’t post WiP fics, because I know I’m easily distracted and don’t want anyone to suffer my lack of focus but me.

Fanfiction Questions

41. List and link to 5 fanfics you are currently reading:

I don’t read WiP fics, so yeah... but 5 I’ve recently read in different fandoms that I’ve really enjoyed

Turns Out, I Have a Rose Garden by betheflame (Steve Rogers/Tony Stark)

Lucky by china_shop (Neal Caffery/Peter Burke/Elizabeth Burke)

Colors by Quesarasara (Sherlock/John)

Betrayal by Blackghost7 (Gibbs/DiNozzo)

Matchmaker (Part 1 of the Marmalade Series) by HastaLux, Mottlemoth (Mycroft Holmes/Greg Lestrade)

42. List and link to 5 fanfiction authors who are amazing:

See now this is hard, because... ahh so many...

FredBassett – Primeval author, her Stephen/Ryan series is epic and brilliant and endless

https://archiveofourown.org/users/fredbassett/pseuds/fredbassett

Keira Marcos – I know other people will have said her, I don’t care. I love all her stuff, across all the fandoms she writes in

http://keiramarcos.com/

theapplepielifestyle – her Steve/Tony is amazing. Hands down some of the best I’ve ever read. I will fight you on this.

https://archiveofourown.org/users/theappleppielifestyle/pseuds/theappleppielifestyle

JillyJames – her Tony DiNozzo is a real life grown up... exactly as he should be considered given he’s a goddamn federal agent!

https://jillyjames.com/

missbecky – I’ve read pretty much all her Steve/Tony and Harry/Eggsy and it’s awesome.

https://archiveofourown.org/users/missbecky

Honestly, I could have listed so many more, but, I’m being good!

43. Is there anyone in your fandom who really inspires you?

Everyone. The thing is, fandom at it’s best is like crack, the more you get, the more you want. The writing, the gifs, the art... it feeds you and makes you want to make more of it, because more of it needs to exist and if that means you need to do it yourself, so be it!

44. What ship do you feel needs more attention?

ALL OF THEM!

45. What is your all time favourite fanfic?

Oh hell no, not even, I can not. It took me an hour to narrow down 5 authors, I can not narrow down one fanfic!

46. If someone was to read one of your fanfics, which fic would you recommend to them and why?

I mean, it depends on what they like... probably the Hour of Separation I mentioned above, if they like the fandom/pairing, or my Animal Instinct stuff.

47. Archive Of Our Own, Fanfiction.net or Tumblr - where do you prefer to post and why?

Archive of our Own. I haven’t touched ff.net in *years* since they started getting super restrictive about what you could post. I do occasionally post stuff to tumblr, but mostly I now post to AO3. I did have my own site and I’ve yet to upload a lot of stuff to AO3 – one of these... months... that will be a project – but it’s amazing. Seriously, having been in fandom 20+ years, going from having to search all over a million different places and now it’s all in one place, where we’re honestly, spoiled and protected. The kids now have no idea how crazy impossible that once seemed.

48. Do you leave reviews when you read fanfiction? Why/Why not?

Yes, but not as often as I should. I love AO3s kudos button, so I can sort of say ‘hey I enjoyed this’ without having to comment, because I sort of hate leaving comments just going ‘hey I enjoyed this’ because I always feel like I should say more, like, oh I enjoyed this specific thing, which yes is an unnecessary hang-up, but there ya go.

49. Do you care if people comment/reblog your writing? Why/why not?

Of course it’s nice to get comments, kudos, reblogs etc. I’m not as attached to them now as I was when I was younger, because I learned along the way that it was more important that I like what I’m writing than that other people do, but it’s still nice to know that something I’ve created is enjoyed.

50. How did you get into reading and/or writing fanfiction?

I went looking for Star Trek Voyager stuff online, pics etc, waaaaaaay back when! And I came across fanfiction entirely by accident... and I read some – het stuff mostly, then I started watching Stargate SG-1, went looking for fanfiction for that, but was not on board with Jack/Sam, found Jack/Daniel went ‘huh really? That’s weird’ read it... and yeah... 21 years later... lol!

51. Rant or Gush about one thing you love or hate in the world of fanfiction! Go!

Ship Wars. No seriously, just don’t. Like, who the actual fuck cares. I like my ship, you like your ship. I don’t care if it’s canon or not. I don’t care if it’s popular or not. I don’t read my NoTPs, but I’d never dream of telling someone else not too. Yes I think they are terrible, bad, no good pairings, but that’s *my* opinion. Don’t try to change my mind and I won’t try to change yours. I avoid them like the actual plague. If someone starts that shit around me, I will shut it right down. You are a dick. Go to Jail. Do not pass Go. Do not collect £200.

#fandom life #fandom

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fireleaptfromhousetohouse · 4 years

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Howcumzit?: Dracula

How come the show never followed up on the idea that Jonathan Harker had fucked Dracula?

They pretty much opened the show by bringing up the idea, after all, which lent an unpleasantly '80s frisson to Jonathan's emaciated appearance - one thinks of Garth Marenghi's Darkplace, and that immortal line "the cosmic spores, of course, represented AIDS". But then Jonathan's interactions with the Count end up playing out, if not exactly like the novel, then more or less played straight - you'll pardon the pun, I'm sure.

Dracula does of course go on to gin up sexual tension with pretty much everyone else he meets, no matter their gender or religious leaning, but what makes it particularly surprising here is that in the first episode he's actively becoming sexier in every scene. Yet even when Jonathan is completely in his power, it all seems quite innocent and chaste. Perhaps those aren't quite the right words for being held captive, but nonetheless it doesn't seem to have any particular undercurrent of sauciness. Stephen Moffatt has been quoted as saying that rather than bisexual, this incarnation of Dracula is "bi-homicidal...he's killing people, not dating them". Which would seem to put a pin in the thrust of my complaint here, until you recall - as Moffatt really should have - that the show ended with Dracula banging Van Helsing.

How come Gatiss and Moffat couldn't resist slipping in that painfully clunky reference to Sherlock Holmes? And by Sherlock Holmes, what they really mean is their BAFTA-award winning series Sherlock®.

What makes it so obviously shoehorned in is the much better reference to 'Inside No. 9' in the following episode. Inside No. 9 is of course the comedy-horror anthology series made by the non-Mark Gatiss parts of the League of Gentlemen, which has, so far, not needed nearly as many frantic, flailing fan interpretations to make its plots make sense.

How come Dracula's meant to pick up traits from the people he feeds on, but doesn't start speaking in Sister Agatha's silly Dutch accent?

How come in episode two, the little mute girl didn't immediately tell her dad that Dracula was the killer?

This is more a straightforward plot hole than a wider point of pondering, but it's one that will probably occur to even the most casual viewer. The show's clearly hoping there's enough other stuff going on that nobody will notice, which is obviously a misstep when what's going on all revolves around there being a killer at large.

Now, there's an obvious fan interpretation to be made here that the little girl - angry with the world - simply wanted to see them all die horribly. I'd watch that, and so, I suspect, would most right-thinking people. It would certainly have made for a better episode three than the one we got.

How come the snobby twink's boyfriend spends most of the time resenting the guy's sham marriage, then doesn't seem to care when Dracula feels him up in front of everyone? Come to think of it, why doesn't anybody else care about that?

How come Gatiss and Moffat couldn't resist leaping into a contemporary setting?

And why, if they wanted to do it so much, did they have to do it so poorly? Thanks to some confusing editing and omissions, it came off looking like Dracula had been struggling along the sea bed for 123 years.

This is a recurring feature of their work - Sherlock, too, was taking a classic bit of Victoriana and transplanting it into the modern day. The Sherlock Christmas special, though, did put it in its natural setting, which if nothing else worked as a fun, campy thing - and that, despite what Gatfat might think their work is, is the tone that runs right through it like a stick of Brighton rock.

Episode two took a part of Stoker's book, stitched it onto a familiar Murder On The Orient Express-style setup, and then turned Claes Bang's Dracula loose to bounce around in that framework - and it worked beautifully. This could have been a winning formula for any number more episodes, but instead they pissed it all away in favour of a tired Hollyoaks-style relationship drama and a secret institute which definitely isn't Torchwood.

How come modern-day Van Helsing didn't have the same silly Dutch accent?

Just to harp on a point, this makes the problem with the time jump quite clear. Van Helsing is pretty much the same character even before they literally inject the original Van Helsing into her - which makes it seem oddly like the sexual tension between her and the Count was somehow heritable. And having already demanded that willing suspension of disbelief, why not go the whole hog, and have Jonathan and Mina's identical great-great-great-descendants turn up too?

How come they thought putting a bit of off-coloured prosthetic on the incredibly attractive Lydia West would put anyone off?

The TV and film industry in general has an issue with this, fumbling to present unattractive people while staunchly refusing to even think about casting anyone less than conventionally beautiful. Dracula, however, had already presented some suitably ghastly ghouls, and here went through an overlong sequence of coyly refusing to show us what the post-cremation Lucy Westenra looked like - then the shocking reveal was that, uh-oh, she's got a bit of latex on her face. I'm a man of the world and let me tell you, it would take more than that to change my mind.

How come Mark Gatiss didn't stay behind the camera where he belongs?

This isn't to say he's a bad actor, but if he wanted to do Renfield, he should have done it properly. A show that's already had Dracula dressing up in another guy's face before tearing it off (for my money, one of the funniest things on TV in some time) doesn't need wacky comic relief.

How come everything about the conclusion?

Okay, that may be a little vague. Let me rephrase it to at least be making a point, rather than inarticulately shaking my fist in the general direction of the TV screen - why'd they even need to have a conclusion?

Gatiss and Moffat are not good at overarching storylines, yet they will keep using them, and I simply don't understand why. The appeal of Sherlock Holmes is to see the guy solving mysteries - so Sherlock had the mysteries take a back seat in favour of examining the ever-more-complicated relationships of the Holmes family.

The last five minutes or so of Dracula's third episode crumble when exposed to the light, which is ironic, because this Dracula doesn't. Given any thought at all, it's clear that the inspiration here was that Gatiss/Moffat thought 'oh shit, we need to wrap this up'. It tries gamely to tie everything together, which is somewhat undermined by at least one dangling plot thread - which the writers have openly admitted was left there in the hopes of getting a second season.

Bram Stoker's novel, spoiler alert, ends with the Count getting staked - but this adaptation went off those rails long ago. The central charm of it is the battle of wits between Dracula and Van Helsing, seeing them try and one-up each other while trading sexually charged barbs in much the same way as Sherlock and Moriarty (or at least the Sherlock and Moriarty that Gatfat gave us). This is a dynamic which could carry on indefinitely, and would have done better if it had, rather than been sidetracked into an unnatural-seeming ending.

#dracula #claes bang #stephen moffat #mark gatiss

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scifinal · 4 years

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DW s12e10: It's Quite Unfortunate That This Child Keeps On Regenerating

It's only fitting that the first post on a blog called "SciFinal" should be about a season finale.

Not that fitting is the fact that in said post I'm going to begin where it all started for me.

Part One: How I Even Got into This Mess of a Show in the First Place

While I call myself a huge Doctor Who fan, even a – *gasp* – Whovian, I must admit I am not as familiar with the franchise as I would like to be; I've seen the new show, I've seen Torchwood (though, admittedly, I had to force myself to finish the fourth season – but that's a story for another day), I've listened to a handful of audio dramas (including Kaldor City, which I consider to be canon for both DW and Blake's 7) – mostly Torchwood audio dramas, but who cares, – I've read a couple of comics, I've got a novel or two somewhere on my bookshelf, I've seen the first couple of seasons of the classic show, but that's about it. I can't say I grew up with it – it wasn't on TV when I was a kid, there isn't an official Ukrainian dub, et cetera, et cetera. I first heard about it when I was about thirteen, when my classmate did a project about something they liked – and was pretty dismissive of my peers' hobbies at the time, believing myself to be somewhat above them, so I didn't pay much attention.

Then somebody finally pressured me into watching it (I believe I was fifteen or something back then) and I loved it. The first two episodes of the first season, I mean. I watched those, texted my friend something like "consider me a Whovian now!" and abandoned the show completely only to return to it maybe several years later.

I loved it. This time, for real.

Doctor Who has been with me ever since that time, it has a big soft spot reserved for each and every Doctor ever in my heart, and for each and every companion. I know full well it's cheesy, and it's stupid, and it's technobabble-y, and it's glorious in all of its cheesy technobabble-y stupidity.

And I hate this finale.

Part Two: Doctor, Why

I hate this finale – because I hate Chris Chibnall. Mind you, not the gentleman himself (I don't even know what he looks like, and I can't be bothered to Google), I hate what he did to Doctor Who.

Now, when it was revealed that the would replace Steven Moffat I felt... nothing. What did you expect? I had no idea who the man was. I know now he's made Broadchurch, and I know he wrote a bunch of stuff for Torchwood back in the day, including Cyberwoman. I had to drop Broadchurch because of how well-handled the depressing atmosphere was, and I love the flawed, dumb, sexy-cyber-bikinied, almost-fifteen-minutes-of-Ianto's-whining-including (I know because some time ago I literally cut almost every single moment of Gareth David-Lloyd whimpering, moaning, groaning, screaming, and mugging at the camera out of the episode and made those bits and pieces into a beautiful clip show called "I HATE THIS" to explain exactly why his face was and still is so punchable) mindless fun that is Cyberwoman (this is also one of the two episodes in which they actually do something fun with the pterodactyl living inside Torchwood's underground base). The latter also led to the creation of one amazing in how it develops Ianto's character audio drama entitled "Broken". I love Broken. I am now forcing you to look at its cover because of how much I love it.

Here we go. Now, back to the point of me rambling pointlessly

In his video "Sherlock Is Garbage, and Here's Why", a well-known YouTuber hbomberguy pointed out how Steven Moffat's problem is that he is more than capable of writing a good one-off episodes, but ultimately fails at managing multiple complex, overarching stories, as visible when you look at the difference between Moffat's individual episodes and his run on the show.

Now, I believe that Chris Chibnall suffers from the same affliction: he's a good screenwriter but a terrible, terrible showrunner. Sure, he's made Broadchurch, but Broadchurch, in its essence, was a complete singular story with a beginning, a middle, and an end. There were no bigger, incomplete arcs expanding at the expense of other episodes, and the show did exactly what it was originally designed to do: it told an uninterrupted story.

Here comes Chris Chibnall's run on Doctor Who.

Now, while Steven Moffat was ultimately not very good at managing overarching stories, he tried to do so nonetheless, and the fans seemed to like his attempts. And while I can't be sure as to whether it was Chris' original vision for the show or he and his co-writers were merely trying to emulate Moffat, he attempted the same. A friend of mine has even pointed out how, to her, it was painfully obvious how the writers of the finale were desperately trying to copy Moffat's style (to give you some context, she grasped it from a 30-second clip of the CyberMasters' reveal, and that clip basically consisted of me filming my laptop's screen and laughing at their design, making the video wobbly and the audio distorted). At the time of writing this post this friend hasn't seen a single episode of Chibnall's era and, as far as I know, has no wish to do so – mainly because of two reasons that both have something to do with the finale:

Somebody's already spoiled it for her, so who cares;

I ranted to her about how shit this finale is and now she hates everything about Chibnall era.

I am very sorry for the latter, since I genuinely believe there are some nice episodes in these seasons, and I especially like the "historical" ones, they really are quite a lot of fun, I like Nikola Tesla and Thomas Edison fighting badly CG-ed alien scorpions, I love Lord Byron and Mary Shelley running around a haunted house trying to escape from a Cyberman (even though it's all too similar to the Agatha Christie episode from Russel T Davies' run), I adore that episode about Rosa P–– oh, wait, no, that one was crap and ripped off Blake's 7... Anyway, I love Jodie Whittaker's Doctor, I am a big fan of Graham, I like Ryan just fine, and I can put up with Yaz, even though it's been two seasons and I've still got no idea what's her personality supposed to be, and I absolutely love the new Master (he reminds me of a cute little pug with a big Tommy gun). There is plenty of good stuff in these two seasons, they are lots of fun to watch, but this finale... Oh god, this finale.

Part Three: We Had All of Time and Space at Our Fingertips and We Ended Up with This

We are getting to the point of this whole thing. I would love to begin with the obvious, the twist, but there's so much wrong with this who-cares-how-many-parter than this one big thing.

It is inept. It is impotent. It is incompetent. It is bad at almost everything except its okay camera work, somewhat good (for a British TV show, I mean) effects, and its really solid performances.

Its editing is tone-deaf to the extreme. There is a moment in the final episode where Ko Sharmas asks who will be the first to cross the Boundary and step into the unknown, and immediately it cuts to Yaz walking towards it, all fast and silent. I would love to show you a clip of it, but I don't have one and I can't force myself to download the episode and sit through this shitshow again just to present you with a ten-second clip. Nonetheless, that part is not edited like a dramatic moment. You edit comedies this way. Bad comedies. Bad editors edit bad comedies this way.

Its plot is incoherent. There are several plot threads in this finale, and they're managed in a way that doesn't make the viewer care about all of them at the same time, rather the viewer goes "oh, I've completely forgotten this was happening" and then, before they can even begin to care, the show cuts to something else. It's all over the place and oh so annoying.

The plot armour is painfully obvious despite every attempt to disguise it. There wasn't a single, solitary second when I believed the Doctor was really going to sacrifice herself and, lo and behold, here comes the old guy ex machina to do it for her. The only questions I was asking at that moment were "How are the writers going to prevent the Doctor's death now that they've seemingly created themselves a way to go on forever?" and "How can Whittaker care so much about her performance in this scene she's literally almost crying?". I wholeheartedly related to the Master asking "So why are we still here?" and shout–– hiss–– mumbl–– whatever-ing "Come on, come on, come on!" – at that point I've suffered through at least forty-five minutes of utter nonsense, people going preachy, religious Cybermen with Dalek motivations, that absolutely ludicrous scene in the previous episode when the show was trying its worst to make me perceive autonomous flying Cyber-heads with laser eyes as a serious threat, a shit twist and... Oh.

I've got to finally touch on the shit twist, haven't I?

It doesn't make sense. No, I mean it. I guess it makes sense from the show's writers' standpoint to retcon everything in a way that would allow them to go on forever without having to come up with a way to circumvent limited regenerations, yes. And I won't be touching upon all the lore people say this twist has ruined. No. It doesn't make sense as it is.

The twist is revealed to us by a madman that claims to have hacked into a database, claims to possess control over the Doctor's mind, and gives the Doctor and the audience no actual solid proof that the Timeless Child is, indeed, the Doctor. We have Ruth, sure, and she's nice enough (damn, I want that vest), and she's a Timelord that happens to own a TARDIS that looks like a blue police telephone box, and she calls herself the Doctor. Here's Ruth:

I really like Ruth. She also makes no sense from the show's timeline standpoint, since the Doctor's Type 40 TARDIS only got stuck looking like a police box in 1963, so there's no reason for the Doctor to not remember being her.

We also know that the Judoon have identified Ruth as "the Fugitive"... except in one of their previous appearances in the show they weren't able to identify their targets exactly and thus were seeking out non-humans. There is a possibility that they were only looking for a Time Lord on Earth.

You know what? It's possible that Ruth is actually the Master messing with the Doctor. I have just as much proof of this as I have of the fact that the Doctor is some kind of an endlessly regenerating superbeing.

But this is not the most maddening thing here. I loathe it, but I don't loathe the twist itself: I loathe its lifelessness, I loathe how empty, how unemotional, almost robotic it feels. When somebody'd spoiled the finale for me, I got angry, and I started asking questions, and when later I saw the actual thing...

This gif. I can't even explain how accurate it is. I stood there, in the middle of my kitchen, episode paused, holding a cup of cold tea and desperately looking around as if in my surroundings I could somehow find that emotional reaction that this show failed to evoke. I was ready to burst into tears of how empty it felt, and how empty I felt, and how the same show that has Christopher Eccleston go from literally foaming at the mouth with pure hatred to shocked silence in a matter of second because of one sentence that you, a viewer, can't help but be astonished by failed to make me feel the tiniest speck of literally any emotion. And slowly, I felt that vast void in my chest fill with sheer, pure, flaming hatred for the person who made me feel nothing, for the story that left me not bored – but empty.

And the next moment, in its own unique way of being absolutely tone-deaf, the show introduces the CyberMasters, looking ridiculous, being asinine in concept, making me burst into laughter with their dumb design. Wow.

So.

Chris Chibnall's Doctor Who is no longer a show. Chris Chibnall's Doctor Who isn't even, as somebody on Stardust said, a fan fiction. It's a rollercoaster. A lackluster rollercoaster that lifts you from the vast caverns of frozen hell, devoid of any life whatsoever, soulless and abandoned, to the heavenly torture of being so bad, so utterly awful and ridiculous, that you can't help but laugh as you watch something you used to love be distorted and deformed to the point where you can't recognise it anymore nor really care. This is what Chris Chibnall's Doctor Who has become. And I'm going to continue my ride on that grotesque rollercoaster. I'm going to pirate that ride and get on it again. Because I'm a masochist. Because I want to feel something, even if it's hatred towards those that make me feel nothing.

Because some time ago my fifteen-year-old self watched the first season and learned a lesson that I hold dear after all these years – that I can't abandon hope, and that someday, somehow, things are going to get better. That the future is being written right now. That the future can change.

#doctor who #thirteenth doctor #doctor who review #i hate this #review #sci fi

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spiritofcamelot · 5 years

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Author Meme: Linorien

Author Name:

I go by Linorien. Originally I was Lady of the Lake but someone took that on tumblr so I switched to using the Sindarin of the same. At this point I actually answer to it just as fast as my birth name.

Fandoms You Write For:

I primarily write for Merlin and James Bond. However, according to ff, I write for: Merlin, Thor, Ranger's Apprentice, Shakespeare, Torchwood, Doctor Who, Lord of the Rings, Supernatural, Sandman, Assassin's Creed, Avengers, Harry Potter, James Bond, Squire's Tales, Gerald Morris, and Kingsman: The Secret Service.

Where You Post:

Fandom: AO3, FFN

I also have some old stories on wattpad, fictionpress, and lotrfanfic.net

Non-fandom: I have a story on Amazon

Most Popular Multi-Chapter Story:

Drugen Dourado and the Dark Secret Merlin (TV) x Harry Potter story. After Arthur dies, Merlin is invited to teach at a newly founded Hogwarts. He instead decided to de-age himself and attend as a student.

Favourite Story You Wrote:

That’s super hard to say.

I’m really proud of Drugen Dourado because of how well it was received. But Living in the Pages of an Ian Fleming Novel was the first ever time I won NaNo so that was amazing.

And then there’s my current story Twin Tales: Taking Root which is so much bigger than I ever imagined it would be and honestly I’m proud I’m still passionate about it after working on it for four years.

Story You Were Nervous to Post:

I’m never really nervous to post because my early fanfic author days were such a positive experience. I’d say I get more nervous if I’m writing something specifically for a friend and then I just really hope they like it.

How Do You Choose Your Titles:

Good question. They usually just kinda pop up outta the blue. Most of the time they are either an alliteration, a pun, or a veiled illusion to a twist in the story. I love titles.

Do You Outline:

If its a long story or something where I am coming up with ideas faster than I can type up the prose and I need to make sure I don’t forget - yes

If its a quick one shot - no.

Complete:

128 works

In-Progress:

Fandom: 2

Non-fandom: 1 (I am going to get that nano story finished and published one day)

Coming Soon/Not Yet Started:

Book 3 of Twin Tales will ... nope. I don’t even have faith in myself that I will finish book 2 before July of next year. It’s probably gonna be radio silence from me on ao3 next year as I focus on editing.

Do You Accept Prompts:

You can throw them at me, but unless I think I can write something good in under 20 min, I probably won’t write it.

Upcoming Story You Are Most Excited to Write:

Twin Tales Book 3. (Partly because I can’t wait to be done working on book 2. This 110k monstrosity needs to end at some point. Hopefully before it hits 200k)

Tagged By:

@jaimistoryteller

Tagging:

@christinefromsherwood @the-astro-ace @dartier @arthurandhisswordbros @sorion

#tag games #about me #writing

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forest-of-stories · 5 years

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“They Won’t Let You Remember”: Obsession Before Fandom

[This is another round of extremely personal spelunking into my own fannish past that I sometimes do on this and other platforms, including Dreamwidth, which is where I first posted it. Content warning for digressions into Fannish Discourse, and also brains - mostly mine - conflating fiction and reality in sometimes unhealthy ways.]

Not long ago, my mom asked me on the phone if I was aware that a new Men in Black movie would be out later this year. I told her that I knew, and added, “If I see it with other humans, they might have to hear how the original was one of the root causes of my mind control feelings.” Not the root cause, I should emphasize: those feelings could have come from any number of sources, but that number is probably greater than “one.” We both knew why she had brought up this particular franchise. There is a file cabinet in my childhood bedroom that once contained many, many handwritten stories – some co-written with middle school classmates, though most of them weren’t – that featured the titular secret organization, the protectors of the Earth from the scum of the universe, as the bad guys. I wrote those in order to deal with the sharp turn that my already present Mind Control Feelings took when a silly science fiction comedy featuring giant space bugs encouraged me to root for characters who maintained the status quo by erasing memories from ordinary people – people like me – on a regular basis. Some of you might be asking, “Wait, you knew it was only a movie, right?” And my answer would be, “Yes, but…” Since time and emotional distance have both clarified and obscured my understanding of how I used to think and behave, here is the best (and probably most long-winded) way that I can answer that question for both myself and others: I was an imaginative and overwhelmingly anxious child. On the one hand, my imaginative side desperately wanted magic and aliens and Weird Stuff to be real, which I still don’t think was always a bad thing. On the other hand, during my preteen and teenage years, my anxiety (which wouldn’t be linked to a diagnosis until much later in my life) manifested as “what if?” scenarios that were at least as convincing as reality… even if they were based in speculative fiction. Even if I didn’t believe that they would happen, I spent a lot of time telling myself stories about what might happen if they did, or even just thinking, “What if this is how the world is supposed to work, even if I don’t like it or want it and you can’t make me?” So, although I knew the difference between fiction and reality by the age of twelve, knew that Men in Black was Only A Movie, my “what if?” reflex kicked in hard the more I recognized its world as being much closer enough to my own than my previous, limited encounters with memory erasure in fiction. According to the rules of that world, if the Weird Stuff were real, I wouldn’t even know, and, according to the text, shouldn’t know. “Wasn’t the next line of the theme song ‘They won’t let you remember’?” Older Sister asked, the last time we talked about it. Yes. Yes, it was. The immediacy is right there in the song’s refrain (which, by the way, is still an earworm and a half). At one point, Tommy Lee Jones’ veteran agent character insists that, while Earth is constantly under extraterrestrial threat, humans can only live our lives peacefully if we don’t know about it. (Keeping in mind that humans do a pretty solid job of threatening life on Earth ourselves, I feel like that statement is also linked to questions about the supposedly blissful ignorance of privilege, which go beyond the scope of this post, but are still worth mentioning.) Maybe I reacted so strongly to that bit of dialogue because I believed that it wasn’t true, or because I feared that it was. I’m pretty sure that it was the combination of that scene and its message, with my recurring issues around authority and self-control, and my growing self-awareness about my misbehaving brain, that set my anxious imagination spinning. I would guess that I was wondering something like, “What if the only way that I could have peace of mind was if somebody or something else edited my thoughts and memories without my knowledge or consent?” That idea scared me. It made me angry. And since I was not mature enough to have any filters or sense of other people’s boundaries, I talked – loudly and incoherently – to anybody who would listen, and quite a few people who wouldn’t, about how scared and angry it made me. A lot of the things that I said and did are now difficult for me to understand (one might almost say… alien), and I’m not sure whether they helped with my worries or just made them worse. I do know that this was neither the first nor the last work of fiction about which some of my loved ones told me to shut up because I was too obsessed, resulting in screaming fights, sneering mockery, and tears. I was also old enough, you see, to understand that I wasn’t responding to fiction in the same way that a lot of my peers were, and to, perhaps, start feeling like there was something wrong with me. Not that this was enough to shut me, in fact, up. But I did something else, too: I started to write the stories that I mentioned above. Some of my point-of-view characters were disillusioned agents, others were characters from other media that I enjoyed; the more sources I could pull from, and the more surreal I could make the mix, the happier I was. Still other POV characters were authorial avatars who started out as innocent bystanders and narrowly escaped having their memories wiped. (A few of those self-insert fantasies also involved my earliest fictional crush, who just happened to be an alien from a certain book series that I loved at the time. I quite happily imagined scenarios in which my very knowledge of his true nature was forbidden and yet our love conquered all in the end, but I never put any of those scenarios on paper. I kind of wish I had.) Some of the storylines fizzled out after a few chapters, while others ended with my protagonists riding off into the sunset with their minds, for the time being, safe. I should stress that even my writing wasn't necessarily integrated into my life in a healthy way: I scribbled during my classes (yes, I got caught at least once), I wrote scenarios that crossed the line from nonsensical into offensive (why so many “man in a dress” jokes, younger self? Why even one?), and I buttonholed friends and classmates as audiences and even collaborators despite their probably being much less interested than I was. Even though I was discovering a third option besides “shut up forever” and “shut up never,” it would take several more years, at least two more obsessions, and the discovery of online fandom (I only somewhat knew what “online” was in the late 1990s, and “fandom” was nowhere near my vocabulary) before I sorted out the appropriate time and place for each of those options. But I was on my way there, even if I didn’t know what “there” was. When I questioned and pulled apart an established narrative to turn the heroes into villains and shine a light on viewpoints that I thought the original creators had overlooked, I was writing fanfiction, whether I knew it or not. When I finally did find my way to fandom communities, it was thanks to the Harry Potter books, whose world-building also relies on what TV Tropes calls “The Masquerade.” (If you look up the page for that trope, guess whose quote is right at the top? Yeah.) Which led me to recognize it in certain versions of X-Men, and The Incredibles, and Torchwood and The Vampire Diaries and and and… The more I saw of organized efforts to conceal the existence of Weird Stuff from the Oblivious Masses, the more I understood that the audience was meant to feel like we were in on the secret, but I couldn’t stop sympathizing with the people who weren’t. I still dislike and distrust that trope to this day, even in works that I otherwise enjoy, and storylines involving memory erasure – consensual or not, narratively endorsed or not – still push both good and bad buttons, sometimes both at once. And I believe that my explorations of mind control in fiction, from the beginning until now, have partly been informed by questions like, “What if I couldn’t trust my own mind, and was asked to believe that this was for my own good and/or the good of society?” And, since it bears mentioning: I hope that nobody interprets this recollection as, “A storytelling device warped Nevanna’s understanding of reality, and therefore stories can reprogram people’s behaviors and problematic fiction should be eliminated!” First of all, I object to that kind of black-and-white thinking, as a librarian, a writer, and someone who tries to thoughtfully consume media. Secondly, it’s more accurate that the dysfunction in my own brain once warped my understanding of reality; that even then, I was still responsible for my own actions; and although I have a history of giving fictional constructs an unhealthy amount of power over my own life, I grew out of it. And even though I have mixed feelings about the debate over Problematic Fiction, and I certainly do not condone harassment and shaming – because I’ve been there and done that, on both sides – I try to maintain that it is not my place to stop people from having negative emotions about stories. Even if I don’t agree, even when their objections make me uncomfortable, I can disagree with what they’re saying or doing without invalidating what they might be feeling. And I try to be better at doing so, because I am the last person in the world to deny that stories spark powerful emotions and thoughts, that sometimes they go against the creators’ intentions. Part of becoming a responsible consumer of media and participant in fandom is learning to manage those emotions constructively and make space for other people’s feelings and needs. I used to be angry at my younger self for being unable or unwilling to do that. I’m not anymore. That said, one of the differences between preteen Nevanna and thirty-something Nevanna is that nobody has to hear me talk about mind control unless they want to. (Although I’m happy that a noticeable number of people usually seem to want to.) I never saw the original Men in Black in the movie theater. I think it took me several tries (much to Younger Sister’s frustration) to sit through it on home video, and the ghost of who I was back then, as much as if not more than the actual content, has kept me from revisiting the 1997 movie in the intervening years. If I wanted to watch it again, I think that I would want (and here I'll paraphrase a fantasy series, also about aliens, that more or less avoids the Masquerade altogether) to prepare myself emotionally. I still haven’t watched the sequels or had much interest in doing so, and I never posted any fanfiction set in that universe. It has occurred to me that I might end up writing fic for the 2019 reimagining, if I see it (it wouldn’t be the first time in the recent past that I revisited fictional worlds from my childhood in new and surprising ways). But if I do write anything – and maybe even if I don’t – I will continue to feel pity and compassion and gratitude for the twelve-year-old believer in Weird Stuff who heard, “They won’t let you remember,” and responded, “What if I did anyway?”

#fictional is just differently real #nevanna life #nevanna likes mind stuff #even when she doesn't

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avaantares · 6 years

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Tag game - Torchwood edition

Tagged by: @humany-wumany-stuff

Rules: Always post the rules. Answer the 11 random questions posted for you. Create 11 new ones and tag 11 people. Let the person who tagged you know that you answered.

1. When did you start watching Torchwood and what (or who) got you to start watching?

I was actually a bit late to the party, since my personal history with Doctor Who is... complicated (and waaaaay too long to relate here, though I’m happy to share the story if anyone ever gets really bored). The net result is that I didn’t catch up with New Who and, by extension, Torchwood until long after Torchwood had finished its TV run. I think it was 2014, maybe? (Sadly, I’d already been spoiled for most major series events, so I didn’t get to experience the shock and dismay of those who watched when it was new.)

I started watching because yes please, more Captain Jack Harkness, thank you. But I stayed for Ianto Jones.

2. What is your go-to episode to watch when you’re feeling down/bored and why?

You know, I really don’t have that kind of relationship with television. I watch TV so rarely (by which I mean I went for 13 years without even having TV and didn’t miss it), and I have so little free time in my schedule, that I don’t tend to rewatch shows unless I’m 1) showing the series to someone new (which I’ve done with Torchwood) or 2) looking for specific costume references (which I have also done with Torchwood).

That said, I think KKBB probably packs the most pure, shameless entertainment value, so if I really needed a Torchwood fix I’d probably go for that one.

3. Which of the TW villains/aliens/whatevers did you find the scariest and why?

I think Torchwood’s storytelling was at its best when the team wasn’t facing camp alien monsters, but rather dealing with concepts and issues rooted in our reality. Suzie Costello was a decent person, slowly warped into a serial killer by the things she’d seen and done. Out of Time touched on aging and cultural disconnect and loss. Meat was about exploitation. Children of Earth used aliens as a frame to explore political corruption and the abuse of power. Those stories were much darker and stayed with me longer than, say, a poorly-CGed “fairy” with improbable dentition. (Apologies to The Mill, but those effects... weren’t scary at all.)

4. If you had to pick 2 characters to do a BF audio, who would it be and what would it be about?

Ianto Jones and Norton Folgate. Probably having to join forces to save Jack, or something. I don’t even care what the plot is, I just want a full hour of catty insults and cutting dialogue between those two. SO MUCH SASS.

5. What is your favourite fanfic-trope to read/write?

To read? Probably slow burn, but it has to be done really well. I also enjoy emotional H/C, if it’s believable and not just abusing or woobifying the characters.

To write? The pen-dulum (ha!) swings liberally between angst and dry humor/snark. I also have a tendency to get characters into really heated, emotional arguments, possibly because they’re all so stupidly repressed and it’s nice to see them let loose once in a while.

6. If you could assemble your own TW team (post-CoE) with canon characters from the extended Who-niverse (any show related to DW), who would be in it?

So this is basically just a list of all my favorite companions, right?

Core Modern-Day Team:

Martha Jones - brilliant medic; worked for UNIT; saved the world a few times. Won’t take guff from anyone.

River Song - Jack’s equal in every way, only far more likely to shoot you. Tolerates even less nonsense than Martha.

Zoe Heriot - super genius from the future who can calculate pretty much any mathematical solution in her head faster than a computer. Adorably perky, but not afraid to hit bad guys over the head.

Sara Kingdom - by-the-book former Space Security officer. The one who would constantly be reminding Jack that he’s in violation of Torchwood code #439.27 subsection A. Also handy with a blaster.

Ianto Jones - because of course he’s still around, why wouldn’t he be?

Victorian Team:

The Paternoster Gang (Lady Vastra, Jenny, and Strax) - They’re pretty much doing Torchwood’s job for them already. so why not?

Jamie McCrimmon - 18th-century Highlander. Only barred from the main team because if Jack actually had a young, athletic, kilt-wearing man on his regular team, he’d never get ANYTHING accomplished (also, Ianto would probably have to intervene due to Olympic levels of workplace sexual harassment).

Consultant:

Sarah Jane Smith and K-9 - journalist-turned-suburban-mom who still saves the world on a weekly basis, and her robot dog. She doesn’t really approve of Torchwood (that’s actually canon!), but helps out when they need it.

7. A question you would like to ask the actors on a panel (assume they are all present :p)

Since we know that the storylines and character arcs were often in flux as the series was being written, what grounding concept or idea allowed you to keep your character’s portrayal consistent throughout the series?

8. If there was another season and they would do a crossover with any show/movie/book/whatever of your choosing for 1 episode, what would it be and why?

This is a little bit cracked, but someone recently posted about a Dirk Gently/Torchwood crossover, and I think, with enough suspension of disbelief, there’s actually some potential there. I mean, except for the conflict of Samuel Barnett being in both series. (Though I could see some good material there, too...)

Apart from that, it’s already been, er, “established” that Sherlock and Doctor Who/Torchwood exist in the same universe (oh, Arwel Wyn Jones, did you know the chaos you were unleashing?), so... why not?

9. If you were to find out tomorrow that Torchwood is real and Jack is leading a Torchwood team in your home city, how would you convince him to let you join them?

Oh, man. Would I want to? I mean, what are my odds of survival?

I am (among other things) a professional animal trainer with some certification letters after my name, so I would probably just point out that they really need someone to train their pteranodon so it stops eating livestock and pooping on all the war memorials.

10. How would you recast the original Torchwood team? (Jack, Owen, Tosh, Ianto and Gwen)

Hmm, I’m not sure I would. The characters are so closely tied to the actors in my mind, I can’t picture anyone else playing them. I can only come up with alternate faces if we port it completely out of context. So here’s my completely ridiculous Golden Age of Hollywood Torchwood cast:

Jack - Errol Flynn (dat jawline, yo)

Owen - James Cagney

Gwen - Barbara Stanwyck

Ianto - Marlon Brando (young Brando. Not Jor-El.)

Tosh - Miiko Taka? (This is a hard one to cast in that era, because Toshiko’s Japanese heritage is so significant to her character, but there were so few headlining Asian actresses during the GAoH. Or... well, even today, for that matter.)

11. If you could pick any author to write a Torchwood novel, who would it be and why?

Are we excluding fanfic writers? Because if we’re going to talk novel-length Torchwood stories, I could name a few that are more consistent and true to character than the official ones... *sidelong glance at @gmariam321*

But while we’re dreaming of impossible things, how about Douglas Adams? He wrote for Doctor Who, and his own books spanned the bizarre (Hitchhiker’s Guide to the Galaxy) and the tragic (Last Chance to See), so I think he would bring an interesting perspective to a bunch of alien hunters trying to save the world from their glorified sewer in Cardiff.

Also, potential sofa cameos.

In all honesty, I was going to do the 11-new-questions-and-tag-people thing, but it’s now 4:59 a.m. (ZOMG1 what am I still doing awake at this hour?!) and I really, really need to turn off the computer instead of thinking up creative new asks. So I’ll just open this up to anyone who hasn’t yet been tagged and offer them the same questions @humany-wumany-stuff posed!

#torchwood #ask thing #fandom

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jbharrisauthor · 6 years

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Tag game - Torchwood edition

Tagged by @humany-wumany-stuff (thanks very muchly!)

Rules: Always post the rules. Answer the 11 random questions posted for you. Create 11 new ones and tag 11 people. Let the person who tagged you know that you answered.

1. When did you start watching Torchwood and what (or who) got you to start watching? I started way back when it aired on TV (in 2007), but I live in Australia and the TV channel who had it played the episodes out of order and kept changing the time it was on, so I got really confused about what was happening and gave up not even halfway through season 1. I always meant to watch it properly but never got around to it until 10 years later it popped up on my Netflix suggestions and the rest is history.

2. What is your go-to episode to watch when you’re feeling down/bored and why? Probably either Cyberwoman because its such an intense episode, and obviously all the Janto angst or Something Borrowed because there are some truly brilliant moments in that episode. Rhys with the chainsaw, Gwen’s reaction to waking up pregnant, Ianto quips, Tosh being a badass, and of course the Janto dance at the end. It’s an episode with everything you could want.

3. Which of the TW villains/aliens/whatevers did you find the scariest and why? Its a tie between the 456 and the cannibals in Coutrycide. The thought of people being capable of such evil in a group is seriously scary. But the 456 had the creep factor down by talking through the kids and all the slime they splattered in the tank when they got angry.

4. If you had to pick 2 characters to do a BF audio, who would it be and what would it be about? Easily Ianto and Gwen. I just think there was so much unexplored potential in a close friendship between them, especially since they both loved Jack in different ways and no doubt had come to understand that Jack wasn’t the easiest person to love. I’d probably trap them somewhere together, not in immediate danger, just more an inconvenience, and maybe have some humorous element to it. They’d work well together to save themselves, and I can see Jack turning up with “I’m here to save you!” just after they’ve recused themselves, then Jack ending up a little deflated since they didn’t need him after all, but Gwen and Ianto assuring him that if he’d just been a few minutes earlier, he definitely could have played the hero for them... think I feel another fanfiction coming on... :D

5. What is your favourite fanfic-trope to read/write? More like what ISN’T my favourite trope! I’m not keen on fully AU where like Ianto’s a uni student and Jack is a professor, or similar kinds of things, but I like cannon AU where Jack or Ianto go to other timelines and meet alternate versions of each other. Soul mate fic if it’s done really well, CoE fix-its are always good. Or post-Miracle Day where Jack finds a way to bring back Ianto. Pretty much anything where Ianto is not dead is good. Oh, I really hate Gwen-bashing fics because although I know she had her flaws, I don’t hate her. And I don’t like the fics where Ianto gets upset about something Jack has done and then retcons himself, I just don’t think Ianto would have ever done that without a good reason. That being said, I did read one fic where he had retconned himself for a very good reason, and it was a great story.

6. If you could assemble your own TW team (post-CoE) with canon characters from the extended Who-niverse (any show related to DW), who would be in it? Easily Martha Jones and Mickey Smith. Haven’t see the other DW spin-offs, so can’t comment on them. But if we’re going all out, I’d also bring in Rose and the Metacrisis Doctor (TenToo) because I just know that would make for some amazing stories. And Jack, of course. Wouldn’t be Torchwood without Jack.

7. A question you would like to ask the actors on a panel (assume they are all present :p) Oh um... Probably I’d ask if they could pick any audio, comic, or book to make into a TV episode, which would it be and why.

8. If there was another season and they would do a crossover with any show/movie/book/whatever of your choosing for 1 episode, what would it be and why? Supernatural with Dean and Sam. I don’t know why, but I just feel like it would be hilarious. Imagine what Sam and Dean would think of Captain Jack!

9. If you were to find out tomorrow that Torchwood is real and Jack is leading a Torchwood team in your home city, how would you convince him to let you join them? Um I WOULDN’T because I don’t have a death wish. In fact I’d be like “please retcon me right now so I forget that I know this. I like being alive and not traumatised.” Hahah.

10. How would you recast the original Torchwood team? (Jack, Owen, Tosh, Ianto and Gwen) No! Blasphemy! It can’t be done! Honestly, I have thought about this before, but the first person I thought about recasting was Jack and I never got any further because there seriously isn’t another John Barrowman in this world.

11. If you could pick any author to write a Torchwood novel, who would it be and why? Can I be totally self-centred and say ME? I actually really would seriously love to write a Torchwood novel, but I have no idea how an author gets to do that! If we’re talking other fanfic authors i think @gmariam321 would write amazing Torchwood novels and also another author who goes by Angstosaur.

And now I’m going to cheat and not tag 11 people because everyone I would have tagged have already been tagged!

#tag game #torchwood

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thechurchillreview · 7 years

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Contains SPOILERS for Doctor Who and Season 2 of Broadchurch.

Imy Comic by Irma Ericksson.

http://www.imycomic.com/the-cartoonist/

Images/Gifs from Doctor Who (2005-), Black Mirror (2011-), Attack the Block (2011), and Broadchurch (2013-2017). The humorous Fem-Agenda List from comedian and late night show Full Frontal host Samantha Bee. Tweets from Johnathan Pyror and Mackenzie Lee.

I’ve being going through some life-changing stuff. I moved and got a place with roomies. Not done transporting possessions yet. Working somewhere else. Dealt with car issues. A lot has occurred. :)

Hence why this has taken considerably longer to type, edit, and post than I originally envisioned over a month ago. XD

On Sunday July 16th 2017, the long-running BBC sci-fi series Doctor Who starring a time and universe traveling body shifting Gallifreyan Time Lord made the announcement that a woman would play the longtime exclusive to men portrayal character next. Alongside companions, the Doctor is the true definition (not the derogatory kind) of a Social Justice Warrior. The Doctor assists civilizations, helps people, tries to alter certain events in time, and clashes against all types of enemies. The most famous among them being the Daleks, of course.

There’s been twelve Doctors (Well, thirteen if John Hurt’s War Doctor is counted...Doesn’t seem to be though. Since Jodie isn’t labeled as the 14th Doctor. ) played by men since the series inception back in 1963. The original run lasted until 1989, the revival of the show began in 2005. Doctor Who was created by C.E. Webber, Donald Wilson, and Sydney Newman. Producer Verity Lambert, story editor David Whitaker, and writer Anthony Coburn also contributed to the development of the series that would eventually become Doctor Who. In 1986, Newman wrote to BBC Chairman Michael Grade, "At a later stage, Doctor Who should be metamorphosed into a woman. This requires some considerable thought — mainly because I want to avoid a flashy, Hollywood Wonder Woman because this kind of heroine with no flaws is a bore. Given more time than I have now, I can create such a character."

So, over three decades (839 episodes, one TV movie, four charity specials, multiple specials, and two animated serials) later, Newman’s words are realized under Broadchurch creator and new Doctor Who showrunner Chris Chibnall (with the departure of Steven Moffat). At the end of 2017, the current Doctor incarnation actor Peter Capaldi portrays will be replaced by Jodie Whittaker following the Regeneration process. This decision is is merely another form of change: a significant theme pertaining to the Doctor’s character as a whole.

On top of that, in the 1999 Red Nose Day telethon episode Doctor Who: The Curse of the Fatal Death was the first time the doctor was a woman (Joanna Lumley). In the audio drama Doctor Who Unbound Exile which is free from the restraints of continuity released in 2003 actor Arabella Weir played the Doctor. During the 9th Doctor’s run, it was revealed that the Doctor was bisexual even though the character rejected Jackie Tyler’s advances in “The Parting of Ways”. The Doctor flirted with Jack Harkness, proposing to dance with in the episode “Doctor Dances” whilst promising to give him what Rose Tyler had with Mickey Smith should Jack purchase him a drink. Captain Jack Harkness and River Song are characters both from the 51st century where pansexuality is the norm. Companion Clara Oswin Oswald has been in a relationship with a man but mentions kissing women too. When the 11th Doctor touches his hair following the completion of the 10th’s Regeneration process, the character says, “I’m a girl. No, no. I’m not a girl. And still not ginger.” This suggests that a the Doctor could be a woman. In the 2011 episode “The Doctor’s Wife” Neil Gaiman wrote from over six years ago, the Time Lord Corsair is mentioned and it is divulged that Corsair had a Regeneration that switched him into a her. In the 2013 mini-episode “The Night of the Doctor”, the Sisterhood of Karn (first appearance was in The Brain of Morbius that aired in 1976) asks the Doctor what Regeneration is desired (“Fat or thin, young or old, man or woman?” “Fast or strong, wise or angry, what do you need now?”): ultimately Paul McGann’s 8th Doctor wishes to be a “warrior” and is transformed into the War Doctor (portrayed by the late and incredibly great John Hurt). Since the show’s 2005 revival, an infamous Time Lord villain known as The Master went from being solely men into a woman named Missy (Michelle Gomez) after an off-screen Regeneration took place.

Change is important for the purposes of bringing a fresh angle to an established accepted formula whilst having potential narrative merit, symbolizing growth, modern day relevance, and validation to something existing. How change is navigated, utilized, or coped with is equally as important. Each Regeneration leads to viewers, writers, showrunners, and cast members having to accept that a previous version of the Time Lord is gone. “No more.” Their look, personality, memories, relationships, mannerisms, and whatever else gets scrambled into something entirely different post-Regeneration.

Likewise, the companions of the Doctor go through switcheroos often as well. Some leave us furious. Sad. Perhaps even glad.

My point is that we’re resist to change. Struggle with it. Less of a fan as a result. Which is understandable. However, when a certain demographic has been catered to for decades, altering this comes with a price. To be candid, I find the reactionary backlash a tad odd and chuckle-inducing. As if the time-traveling alien Doctor was ever defined by masculinity before. If that’s your chief defining attribute of the Doctor then I legitimately feel sorry for you. The Doctor represents more than a man or a woman and that’s why this beloved character has obtained a prestigious status among fictional creations.

This is the inherent beauty of science fiction. Close to infinite possibilities at one’s creative fingertips are there. That’s why Daisy Ridley’s Rey being a protagonist and an in training Jedi (General Leia Organa never got this despite her mighty connection to the Force) within the new Star Wars flicks is a big deal. Nichelle Nichols’ Lieutenant Uhura from Gene Roddenberry’s Star Trek was historical by being the first African-American not to play a servant on American television. Did you know that Civil rights leader Martin Luther King Jr. asked her to remain on Star Trek when she thought about leaving in the late 60s? “For the first time on television, we [people of African descent] will be seen as we should be seen every day, as intelligent, quality, beautiful people who can sing and dance, yes, but who can go into space, who can be lawyers and teachers, who can be professors — who are in this day, yet you don’t see it on television until now." Nichols would further influence Dr. Mae Jemison, the first black woman to fly aboard the Space Shuttle, directly cited Star Trek in her decision making. Additionally, Nichols’ Uhura would serves as a role model to Star Trek: The Next Generation Guinan actor Whoopi Goldberg ("I just saw a black woman on television; and she ain't no maid!") too. Should I list all of the ways in which Charlize Theron’s Furiosa of Mad Max: Fury Road and Gal Gadot’s Wonder Woman have contributed to the more inclusive than most genre?

The casting choice of actor Peter Capaldi as the 12th Doctor bothered me from the get-go. Since Peter Capaldi had already been on the series via the 10th Doctor (David Tennant) episode “The Fires of Pompeii” as Caecilius. Not too long after that Peter would be in the Doctor Who spin-off series Torchwood: Children of Earth as John Frobisher too. Capaldi took over the role of the Doctor from Smith in 2013. Why the Doctor’s facial appearance is similar to Caecilus was eventually addressed in the 2015 episode “The Girl Who Died”. For whatever reason I’ve been unable to decipher, I’ve just never clicked with Capaldi’s Doctor. On the other hand, I am still grieving a tremendous loss...Which is actor Pearl Mackie’s SDCC announcement she’s leaving the companion position this December. Meaning I do have some level of viewership enjoyment with Capaldi due to Bill’s accompaniment with him.

I’m sincerely going to miss her.

In short, what has been hinted at in the past will become reality this December. No one’s being blindsided, I’d argue. Not about being PC either. These seeds were clearly being planted prior to.

Yes, this a holiday present I’m fondly looking forward to. Especially after seeing Jodie Whittaker’s nuanced performance as Beth Latimer in Chris Chibnall’s Broadchurch. Or Jodie’s role in the Black Mirror (a dark genius sci-fi series courtesy of Charlie Brooker) episode “The Entire History of You.” Psst, the entirety of Black Mirror is on Netflix...There’s even an episode that warned about a candidate like Donald Trump rising to power. I’d be remiss not to type about Whittaker being in the cult science fiction hit film Attack the Block (2011) as well. All of that she’s done deserves to be seen. That’s what I’ve been re-doing in anticipation actually!

With both Peter Capaldi’s and Steven Moffat’s tenures with Doctor Who coming to a personally welcomed close, my ranking of excitement is considerably lofty I must admit. We’ve needed an overhaul for awhile now. The long awaited for revolution of making the protagonist Time Lord a woman next brings a fresh dynamic to Doctor Who. I reckon she won’t be able to coast or take some things for granted like previous incarnations did. The involvement of Chris Chibnall and the inclusion of Jodie Whittaker has me ridiculously psyched for Doctor Who’s future. I believe both of them will positively contribute to the series with their injection of needed new. I even feel compelled to finally watch Doctor Who again in a strangely devoted fashion (something I haven’t done in years) versus sporadic glances at the telly throughout Capaldi’s run.

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