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#don't tell me he has developed as a character i know and i don't care

dbzkaka · 2 days

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I geniunely cannot stand when allistics try to say Resident Alien is actually making fun of autistic people because they believe Harry is too childish now because I JUST-

In the beginning, Harry tried SO MUCH HARDER to fit in with the humans around him. He mimicked their speech patterns, consistently observed them, emersed himself in their activities so they wouldn't suspect he was different.

The Harry now? He doesn't care. He's loud in places he should be quiet. He talks how he wants. He laughs FREELY. He's learned large crowds of people? Not for him. He doesn't like being touched by strangers.

He's just Harry. Himself. Because he can be. Because he's realized even if some of the people of Patience find him strange, it doesn't matter. They'll never guess he's from outer space.

Have you noticed that every other alien we have seen is not like Harry? Not the greys, or the half human hybrids, not even Heather. When Heather is around humans who know she is an alien, we get to see the difference, but when she isn't? She fits in so well with any other neurotypical human.

Not Harry though. So yes, he is autistic because I said he is. Because I am autistic. And if you're allistic, you don't get to tell autistic people they shouldn't headcanon Harry as autistic (even though it is very obvious they're purposefully playing him as neurodivergent now.)

When you take an autistically coded character that a lot of autistic individuals relate to, and try to argue the character is actually a "child" and being "infantalised," you're actually being ableist.

You're saying that the traits we have resonated with are childish... Harry seems like he's "regressed" because instead of trying to adapt and pretend to be human, he is becoming something else entirely. Not human, but not fully alien either.

The body of doctor Harry Vanderspeigle was once just a disguise. Now it IS Harry's. It's his body, his own skin. And he's gotten comfortable in it and you know this because you deliberately witness times where he might be holding his hands like he would his claws (primarily when he's sleeping.) His brain doesn't realize he's not in his normal form, because in many ways, this is his new normal form.

He has emotions. He cares. He's in completely new territory and finding himself. And in doing so, that carefully crafted human mask? It's fallen a bit.

So that thing you label as "regression" is a thing I label as progress. He's learning still. Let him learn. Let him be. And give it time. And I hope to GOD Harry never becomes fully human to the point we can't recognize him. I hope he never loses his unique inflictions, or his love for pizza and pie. I hope he continues to love the quiet. I hope he ALWAYS laughs obnoxiously. I hope he always runs like he doesn't know what to do with his limbs. I hope you always see his emotions throughout his body because they simply cannot be contained. I hope he continues to jump when excited or pace when he's angry. I hope he stays obsessed with Law & Order forever.

Because if you take all that away, you're taking away the bits that make him Harry. You want a carbon copy human. I want the autistic alien struggling to understand human nature.

That being said, of course you can express your opinion him. And it can be discussed because everyone is going to have a different perspective.

But you don't get to dictate an autistic perspective if you are not autistic. Or try to cancel anyone for it either.

I love Harry. And I relate to him SO MUCH. And I love how much representation I can see him through him for me. Because I personally believe Alan and the writers have chosen to keep presenting this character as ND.

It's okay to dislike the direction of his character development. It's okay to find the flaws. It's okay to share that perspective. What's NOT okay is dictating the feelings of others because they might not agree with you.

I don't find him childish. I see him as an autistic individual trying to navigate a society that his brain hasn't been hardwired to understand.

And if you think he's too childish, please look closer at the why you think he is. Really be introspective on this one.

Because Harry is a parent. And has a child. And he has relationships. And he takes care of himself. Not only that, he is the town doctor and takes care of everyone else too. He is the smartest. He is the strongest. None of the characters have had to worry about the wellfare of Harry specifically. Its why no one realizes the greys have captured him. Because of course Harry would be fine, hes the alien expert. He knows what he's doing. So while everyone else spent so much time worrying about each other, no one was left to worry about Harry.

So ask yourself why you believe Harry has become "too childish" and if your answer comes down to any of his quirky traits or his misunderstandings of human nature, then you really need to consider if what you're actually uncomfortable with is autism/autistic traits.

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10underoot2 · 2 days

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I finally rewatched Queen of Tears Episode 16.

Its given me a lot of clarity on why I didn't like it all that much. The episode feels very filler like, reiterating what I already know, no development nothing to draw me in. So here's a list of thing I really like vs things I had beef with:

The Good:

- Hyunwoo's understanding of what marriage is is very profound and beautiful. Really appreciate that bit.

- The employees in this corporate sector have been 10/10 throughout. I cannot with how much I love them to bits. Still not over 'I just want to see the rich argue' 😭😂

- Yangi's bond with Hyunwoo is absolutely 10/10

- I like Haein trying to find the reason of their divorce. It's important for her cause why did two people who love each other want to divorce each other. But again I hate how this wasn't a main cause of comcern around epsidoe 7. Like don't brush over it fam. Don't you wanna know why the man you love and who loved you to bits wanted to divorce you?

- Those last 7-8 mins. Though I wish I had more of them. I needed a linear passing of time. Something like the Germany Montage at the start would've been perfect. But at the very end just 'Way home' playing, Hyunwoo seeing Haein as an angel to pick him up, the familiar happiness and love just spreading around them was beautiful to witness. Really got me teary eyed both times I watched it.

The Bad:

- I'm not even getting into the uselessness and bad execution of the whole Yoon Eun Sung plot line since episode 14.

- Still have no idea why Mol Soo Hee she wanted Suwan dead? Like there's no rationale? Why not kill Hae-in or SeoCheol in all those 20 years as well? It makes no sense to me.

- the episode felt so unnecessarily dramatic. I get it he got shot and was in a car accident but I was so sure he'd be okay? Did not understand or appreciate the over dramaticness also those Yangi shots in that sequence were a little tooo dramatic for me

- I don't like Haein getting back her memories cause they said the hippocampus would be destroyed. It's my fault for looking for logic in the first place but can we please stick to what we established writernim. Also wasn't this the whole problem that she's not getting back ANY memories EVER?!

- The scene between the mothers at this point was also unnecessary. We could've gotten to this realization back in the episode this was brought up the first time. She knew the location and date I don't see how reviewing her album was the light bulb moment.

- I feel super bad for this one but for me even Hae-in's bedside speech, once Hyunwoo woke up, lacked sincerity. As much as she might realize she loves him. He's still a stranger. Who does she miss? Her husband who's love she has no recollection of? The man she loved but she has no idea how she loved him? Take out the loss of memories and it would've hit me like a truck. Like she's not even holding his hand as she waits cause she recently met him. What am supposed to cry over here? What could've been? The pre ep 15 Baekhong I dearly misssed at this point?

- More on the Hyunwoo hospital scene. When he says 'I had forgotten' As sweet as it is I already knew all of it. It was so ill placed I didn't have to see it here. Also like what does she care? She doesn't remember if you forgot or not in the first place 💀

- The Yangi x Haeina acene in the hospital - what notebook are we talking about? Did I miss something? Did I fall asleep somewhere like what?! Also I feally do like Yangi but I thought all of the scenes with him were kinda forced this episode.

- The conversations where Haein tells Hyunwoo he's perfect. Is it just me or is Haein extremely expressive after the surgery? I can never imagine Haein telling Hyunwoo that he's perfect even if she think so. It was a little off putting for me being introduced to this new character in the last episode. I miss my inexpressible power girl.

- Just the voice over off what happened with Mol Soo Hee would've sufficed but I guess we had to see that SNU degree in action.

- The turn in Da hye's emotion - as sweet as it was also felt forced. They just showed me earlier she didn't care for him and bullied him. Now you want me to belive she mistook her feeling okay sureeee 🙃

- This is what meant by killing the temperment. They start Hyunwoo's monolougue 'We forgave those who we used to resent and then we cut to this long scene of Aunt Beom ja. Then we have Hyunwoo, then we have his brother's scene. The editing was off here. I wish we had a monologue of just them. It all threw me off so much.

And here's why a sequence of Baekhong was so necessary cause remember the first episode we instantly fall in love and get curious because of that lovely montage of BaekHong Germany scenes.

All in all good ending, horrible last two epsiode. Kinda left a bad taste in my mouth. It makes me long so much for the show I saw and fell in love with before. I have never felt this way about a last episode, I think I just expected better from this show.

#queen of tears #didn't change my mind at all #so much of what I said in my last post still holds #i didn't know this BaekHong #but ah well #it was a good ride #I do appreciate the good parts #baek hyun woo #baek hyunwoo #hong hae in #kim ji won #kim soo hyun #kdrama

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blossomthepinkbunny · 2 days

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Stolas & Loona should have friends

(something I feel would work well for their characters)

I feel like Loona's and Stolas' character would really benefit from giving them friendships. Relationships that could help to humanize them, make them more sympathetic or help to develop/change them as people.

For Loona it makes sense to go into that direction because this huge part of her character is dealing with the fact that she grew up sheltered and never had someone who really cared for her. Blitzø is the first real parental figure she has in her life and she is often pretty cruel to him because she never learned to interact with others who genuinely wanted to be kind to her.

I think giving her more of a social life and potential friendships like we kinda got to see in the Beelzebub episode is something they are working up to with her character, though I find it weird that we didn't really get to see her in the new s2 trailer (or in any of the last 5 episodes for that matter). It seems like Loona wont have any focus on her which is dissapointing because right now her character is in a state where she is still pretty unlikable and comes off as just rude more often.

The show had three good opportunities to give Loona someone to be friends with. First one was Tex which didn't work out because she had a crush on him and even after meeting his girlfriend being defensive and jealous rather than realizing that maybe they'd be better as just friends. Second one could've been Beelzebub (if you ignore the fact that she's the one organizing the pounds for hellhounds) but she is Tex's girlfriend so Loona immediately doesn't like her. And lastly Loona and Octavia, who they were kinda setting up as having a sister-like bond in "Seeing Stars".

But Loona and Octavia have never interacted after that as far as we know. Like I said, Loona basically hasn't shown up in a relevant way for 5 episodes now. It could've been small stuff even. Like maybe in "Western energy" instead of having the stupid nursery subplot it could've just been mentioned that Loona and Octavia are hanging out while Stolas is on his meeting with Stella and Andrealphus. Or just see them chilling together in the background of some episodes.

Giving Loona friends would give her someone she could share her feelings with and that could make her less toxic because she can get her emotions out in a non destructive way. She needs someone who isn't Blitzø, someone who is closer to her in age and someone who will understand her and help her with socializing. And in my opinion that someone shouldn't necessarily be a love interest either. We already have so many romantic/sexual relationships in HB and rarely see relevant friendships which I think is a huge missed opportunity, especially in Loonas case.

And for Stolas, giving him a friend would maybe show more of the sympathetic aspects of his character. Right now I don't like Stolas at all and I don't see a reason to either. He forced Blitzø into a sexual relationship so he can do his job and then starts to whine about Blitzø not loving him back. Knowingly or not, he made great use of hells classist system and basically neglects his daughter as well in the process (though the show will tell you that he actually cares a lot despite us not really seeing that on screen).

What pisses me off most about his character is that they don't acknowledge him being a terrible person. I don't care if he's bad as long as the show doesn't try to woobify him out of nowhere. If they pointed out what he does and he would recieve consequences that aren't treated as unfair or mean i'd like him a lot more because then they could also genuinely show him becoming a better person. A characterization similar to Rex Splode from Invincible would really do wonders for him (I've only watched the show for Invincible so I dont know if/how they move his character forward, but so far I really like it).

Anyways, giving him a friend or something could also help. HB tries to make a big point about people having layers and showing that someone who does harmful stuff can still have sympathetic sides to them. Stolas' problem is, that the only focus he ever gets is in relationships where he is acting bad. I already mentioned how he treats Blitzø and with how hard they're pushing them as a couple they're showing Stolas to be pretty terrible in retrospective. We also don't really get to see how hard he apparently cares for Octavia. Giving him a relationship that shows the sympathetic sides to his character could be done by making his relationship with Octavia be actually good. Like showing them hanging out, actively interacting in positive ways and basically making him a great dad but bad partner sort of guy. Giving him a friend would also work as I said. Maybe Asmodeus could've been that or just a new character. Something that makes him more sympathetic because we get to see a positive side to him with how he cares for this other person.

I really hope they put some focus on Loona again because I kinda care for her and I think dealing with what she has going on could be nice and cute. And for Stolas idk. It might already be too late to make me not dislike him. He is just way too far into being victimized already for me to assume that i will sympathize with him anytime soon.

#helluva boss critical #helluva boss critique #helluva boss criticism #vivzepop critical

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a-little-ray-of-fantasy · 3 months

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An analysis on how Sir Pentious' character design represents his personality and development perfectly (beware of Hazbin Hotel spoilers)

Let's get this out of the way: Sir Pentious is a snake, an animal mostly known for generally believed negative traits such as poison, deceit and betrayal. We don't know WHY he's in Hell, maybe he was a "snake oil salesman" considering he comes from the Victorian times and he's into hyping up what he does, or maybe he was into war. Thing is, he's a Sinner whose design just scream "Evil".

(BTW, a snake could also represent "fertility": looking at you, Egg Boiz!)

He always had eyes all around him not just because of a stylistic choice.

Sir Pentious always felt like he was watched, and had to watch out for any danger.

"Everyone here is too nice: obviously it must be a lie! I can sense they are planning to kill me, but when?! HOW?! I must be PREPARED!"

Sadly, he's been constantly berated by other demons, far more effective in destruction, status, cruelty and charisma. Alastor won't ever bother to remember him, Cherri always ones up him, and the Vs, the ones he admires to most, won't care less about him.

To the point that Vox sent him as a spy without the intention to save him if things were going to fail. Heck, he even openly tells him to die while calling him a failure.

So of course he's got reasons to have trust issues, or taking everything so seriously, being constantly reminded of what he can't accomplish. So he puts an air of grandure that may be very flamboyant, but is VERY frail.

But, if we have to be frank here, his biggest source of insecurities... is himself.

He has eyes on his tail (his softer, more vulnerable side, which is ironically made even MORE lieable to getting hurt because of how sensitive those organs are), and inside his hood, so he could look out better for danger when on alert mode.

Heck, even the mark on his hood kinda resembles one eye.

Problem is, when you see his hood folded, when he's at ease, neutral or sad, those are not looking at outside sources.

They're looking at him, at his back. A constant stare that happens everytime he lets his guard down and shows how vulnerable he is. A gaze that can sense all of his weakness, his struggles, his insecurities.

And it's all him.

Pentious constantly believes that his inferiority complex will fade away once he'll accomplish something grand that will make others accept him. But he is his biggest critic, his worst enemy: HE is the one who believes he's a failure, that he'll never gain approval from others.

This show takes place in Hell, but this is Sir Pentious' personal Hell: insecurity born out of self hatred. Doomed to feel everyone's gaze upon him, including his own. Believing the danger to his self esteem is from others, when it's really from him.

But then he's accepted at the Hazbin Hotel: Charlie forgives him, he bonds with Angel, Husk and Niffty who don't care a bit about what he's accomplished or not, or what he's done in the past.

He feels more comfortable in showing his vulnerable side, and no one judges him for how easy it is for him to get emotional.

Of course he's still very insecure, considering how he struggles to confess to Cherri, but notice how he stops building machines or planning to attack others as soon as he starts bonding with the others: he doesn't have a reason to destroy or attack, now that he knows he's loved.

And his final design, when he goes to Heaven, shows how much he's changed, yet stayed the same. He may have died a hero, but he's still the same awkward snake we've come to love.

Speaking of love, let's talk about that!

No more eyes on his tail, now it's just on his chest (showing he's opened his heart), his glasses are now heart shaped, and even the markings inside his hood resemble kiss marks more than anything else.

And look: the mark on his hood is now heart shaped!

Why all these hearts? Why did all the eyes disappeared from his body? Even his eyes that were looking at his back?

Simple: love. Love defeated his insecurities and self hatred. He died for love.

He died protecting his friends, his new family, his new home.

He confessed and kissed Cherri knowing full well he wouldn't have made it, and yet he went anyway.

The usually cowardly and timid Pentious actually faced a great danger with courage and determination: he acted selflessly by putting himself in harm's way, he didn't steal (naturally) and by going against Adam he did indeed "stick it to the man"!

He used his weaponry knowhow and battle experience not to conquer, but to save his loved ones.

His only thought up until his demise was: "I'll go down protecting them".

And he's been rewarded not only by becoming an angel, but also being spawned directly in front of Emily and Sera, two Seraphim, the highest rank for an angel to have, who have also been depicted as snakes of fire throughout history! Sir Pentious, the lowly demon considered a failure by everyone, actually has been noticed by the Seraphim! He's come so far!

He's now come to represent the REAL symbolism of a snake: the duality of death and rebirth, transformation and immortality (ironically a reference to the fact he's been around since 1888 without ever dying from any Extermination or blessed weapons).

And isn't so poetic that a snake, the "source of the original evil", was the first sinner to ascend to Heaven? Or that this episode was released on February 1st, or National Serpent Day?

And of course, as the Bible itself says:

"Greater love has no one than this: to lay down one’s life for one’s friends."

(John 15:13)

And knowing him, I'm confident in saying he'll keep helping his friends even in his new position, like the soft hearted noodle he's always been, but was to afraid to show it up until now.

#Vivziepop #Hazbin Hotel #Hazbin Hotel Spoilers #Hazbin Spoilers #Sir Pentious #Fave Character #Comfort Character #Personal Rambles #What a wonderful lovable character he turned out to be 🥲#Character Analysis

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daegall · 7 months

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☆ tiny mishap

➷ in which your very protective boyfriend interrogates you about a certain wound you have

pairing: (opla!)bf!zoro x reader

genre: fluff, slight crack, established relationship!AU

warnings: injuries, booze, mentions of self harm (it is assumed, but false) based off opla!zoro, but has chopper bc chopper <3

word count: 1.5k words

a/n: to my nct audience; LOL SORRY IF THIS CAME UP IN UR FEED AND YOU GOT CONFUSED 😇🙏 currently obssesed over one piece live action dude i physically cannot explain how much i love all the characters :( (esp koby and nami's character development!!!) anw ive been having a major zoro brainrot so :) enjoy!!!

You grumble and keep a hand to your cheek, shoulders slumped and sore, as you walk into the kitchen, in search of someone specific.

Chopper, your trusty nurse and adorable friend, of course. Who else would heal the cut on your face and bruises on your arm?

Hearing a little action going on in the kitchen, you can only assume is your captain Luffy, or Usopp, as they both are food lovers, after all.

"Hey, have you guys seen Chopper anywhe–"

However, once you make it inside the kitchen, you are shocked to see the person you've been avoiding this whole morning.

"Oh," You breathe out. A frown curls on your lips once you realize he's got a bottle of booze wrapped in his hand, bringing it up to his lips as he turns to gaze at you. "Damn it, I thought I hid those..."

Your boyfriend's got a nasty habit of drinking alcohol. Anytime he wanted. Bored? He's either napping, training, or drinking his stupid booze. Tired? Booze. Feeling happy or sad? Stupid booze.

You've been trying to stop him before he becomes 80% alcohol, but he's better at finding it than you are at hiding it.

"Morning," Zoro mumbles, as he puts his bottle down. "tried to hide these just like you've been hiding from me me all day?"

At his words, you look away, taking a step away from him. "I don't know what you're talking about,"

"Why are you holding your cheek?"

When your eyes flicker back at him, he's got a worried frown, a crease in his eyebrows some might mistake as anger, but you recognize it as care.

He cares for you, and you hate how soft it makes you.

"It's just... cold," You attempt to lie, rubbing at your skin. Bad idea, as you fail to stop your hiss of pain.

Zoro instantly walks towards you, his hands releasing his bottle of beer, and his swords, to raise it to your face. One hand hovers over your uncovered cheek, the other wrapping it's fingers around your wrist gently.

"Show me."

You still, not knowing what to do. You know you're gonna succumb to him anyway, so there's no need to put up a fight, but you can't help how stubborn you are.

So, you don't step away, but you don't lower your hand anyway.

"Y/N," Zoro says sternly.

"It's nothing, I swear, just a tiny... mishap,"

"Then show me,"

Despite his voice being so harsh, and his gaze just as much, you know this is all because he loves you. You can tell by the way his thumb softly runs over your skin, you can tell by the way he steps closer to observe further, you can tell by the way he doesn't force you. He trusts that you trust him, and you hate how it works on you every time.

"Do you at least have any bandages?"

With your tiny voice and small gaze up at him, Zoro knows you've given in.

"You know I always do,"

It's true. With the amount of fights he gets himself into, he has at least 2 packs on him. Also in case you scrape your knee or get a papercut. It's the small things he does that assure you he cares.

He finally releases his grip on your wrist, walking back to pick up his bottle of beer on the counter. Before he can even take a sip, however, you hop onto the counter in front of him, and snatch the bottle, shaking your head.

"It's 10 in the morning." You remind him sternly.

Zoro can't stop the tiny smirk on the corner of his lips, huffing. "Yeah, yeah,"

You know he loves you, he knows you love him too.

It's the tiny things like this that prove it. The way you try to make him a better man, the way you'd instantly take care of his wounds yourself, the way you shush the other crewmembers when he's napping. And unlike you, he loves how soft it makes him.

"Take your hand off now."

Though you have a disapproving look, and grimace, you comply, slowly lowering your hand from your cheek.

You look down at your lap once you hear his sharp intake of air, playing with the hem of your shirt.

Zoro can't take his eyes off the cut on your cheekbone, his heart sinking impossibly quickly, cracking when he sees a bruise right under the cut. "What the fuck happened?"

"It just... happened," You mumble weakly.

"Who did it?" Zoro'a voice, once again, is harsh, but you hear the shake in it, worry.

"...I did,"

You know he takes it the wrong way the next second, considering how you answered him, you would have skipped to conclusions yourself.

"You're harming yourself?!"

You interject immediently, reaching out to grab his wrist, "No! God, no, Zoro,"

You haven't said his name until now, and it still manages to send a wave of warmth over his body. The way you are so quick to reassure him, the way you lean into his warmth, how your skin rubs against his comfortingly, it all warms him inside. He's only ever felt warm with you, which is why he loves you so much.

"Then how did it happen?"

At his question, you frown again, but it's less serious than before, it's more of a pout, if anything.

"It's stupid."

"It's not stupid if you're getting hurt."

"You'll think it's stupid,"

"Our captain is Luffy, whatever you do can't be that bad."

Zoro waits patiently for your answer, taking out the band-aid from his pocket. His eyes shine with anticipation, no longer (that) angry, and you're glad he isn't as worried anymore. You hate making him worry.

"I..." You hesitate for a second, tearing your eyes away from his gaze. You decide that it doesn't matter if he laughs or not in the end, because he won't ever see you differently. He's your Zoro, and he'll always be by your side.

"You know how there was a storm last night?"

Your boyfriend's eyebrows raise at your words, and he nods silently, gently sticking the band-aid to your cheek. He blows on it, making sure it's secure.

"I fell off my bed and face planted onto the floor,"

At your words, Zoro completely freezes, his fingers grazing the skin of your jaw. You can't tell what he's quite feeling, as one, you didn't have the pride to look at him for more than 2 seconds, and two, he remains as emotionless as a rock.

"...Zoro?"

Suddenly, there's a sound. A strange sound that comes from him. It's unfamiliar, but... strangely warm. You come to a conclusion that Roronoa Zoro, your cold, stoic boyfriend, is laughing. He's laughing with his whole heart, eyes squinting as he finally smiles, the prettiest, most precious smile you have ever seen.

Zoro's forehead lands on your shoulder as he continues, an arm wrapping around your waist to secure you in place.

"Roronoa Zoro are you laughing at me?"

"N-no–" He snorts. How dare he lie to your face.

Although he did flat out lie to your face, it's endearing. His laugh and smile is new, comforting, and you swear your could listen to it your whole life and not complain.

"I-I'm not laughing at you, I promise!"

"Doesn't look like it," You huff out with a grumble, facing away from, attempting to hide the shy smile curling on your lips.

"N-nooo!" Zoro chuckles. A sudden warm feeling envelops not only your chin, but your whole entire being, as Zoro tilts your head back to him, your heart almost stopping at the sight of his charming grin.

He's grinning.

And it's all because of you.

You have to admit, you're proud of yourself.

"You're just... too adorable,"

"Roronoa Zoro, you're flirting with me now?!"

"Shhh!" He shushes you, though its playful, and loving, placing his index finger on your smiley lips.

You two sit there, alone and together, for minutes on end, unable to let the moment become a memory. Zoro resumes with patching you up, caressing the bruises on your arm comfortingly.

It's moments like these that make you realize just how special you are to Zoro, and just how special he is to you, because who else on planet earth would be able to get him to laugh thay hard, grin that much, and love you that much?

You'd crash into the floor a million times if it meant seeing Zoro's smile, you'd admit to any embarassing moment, if it meant having to hear his melodious laugh.

"You know," He breaks the peaceful silence, causing you to grow concious of how you were staring at him. To be fair, the both of you don't mind staring at each other. What's there to hide? You love him, he loves you.

"you could come nap with me if you want. I could keep you anchored to the bed so you don't fall out again."

Considering how much he valued his hours of sleep, and alone time, this is something big he asks you of, and you feel a sweet warmth stirr in you.

This time, you don't grow shy, or snarl at his sarcastic remark. Rather, you grin at your lover, reaching up to pinch his chin playfully. "You'd like that, huh?"

"Don't say you wouldn't,"

"And if I drag you down with me?"

Zoro shrugs, ruffling your bed-head. "We'll both get to laugh and patch each other up."

You reach up to peck his cheek, before hopping off the counter. "I'll take you up on that someday,"

#roronoa zoro #roronoa zoro x reader #zoro x reader #zoro #one piece #one piece imagines #one piece x reader #roronoa zoro imagines #zoro imagines #one piece live action #opla #roronoa zoro live action #zoro live action

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inafever · 9 months

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On how much Aziraphale has learned since season one:

This is about character development. Inside of a story, everything that happens, happens for a reason. It's meant to tell you something, to teach you or the character of your story, something.

So if the story continues and your character repeats the same mistakes again you know that they are bound to be doomed this time, and even worse the audience is going to certainly lose respect for them, cause they have made the same mistake twice, they haven't learned anything, they're gonna do it again another time, they don't deserve a happy ending. (yes I'm talking about good omens here) So you don't do that to a character that matters to you and you respect even the tiniest bit.

A Lot of us here are thinking that this is what has happened to Aziraphale's character at the end of season two, that he has done it again, repeated the same mistake again and has left Crowley to join heaven and it's been because of reasons like wanting to change Crowley (not true, see this post), still believing in heaven's goodness (not true at all), not being on the same page with Crowley (I'm gonna talk about this one especially in this post) and such likes. But these are the things he should've known better about after 6000 years and all the events that we've learnt about especially throughout season two. (It seems to be rather the whole point doesn't it?)

But we all seem to rather believe that he's made that mistake again nonetheless. so what we're doing here is trying to find reasons to justify the mistake and somehow make the reason behind the wrong actions something relatable to ourselves so we can forgive him when the time comes.

In fact I don't believe that he's made a mistake. for Aziraphale's character to be redeemable, what he has done, must be the only option that he's had for saving them both. I don't care what kind of situation could have resulted in him making this decision, but the only reason, the one and only reason, must be his love for Crowley. Otherwise it'll prove that he hasn't learnt his lessons or doesn't love Crowley enough to make a compromise, and in both cases, he's not worthy of love. He won't earn his happy ending by being tortured and feeling sorry and doing the apology dance for Crowley if he's hurt Crowley out of selfishness and stupidity again

But I'm sure he'll earn his happy ending and I'm sure he's learnt his lessons and it's too late for him to have unlearned them all in a matter of a few seconds. (He is an idiot but he's not stupid) and it's mostly because of this, that I believe the reason why he made that decision, must be very different from what it appears to be on the surface.

Anyway, this post is about what Aziraphale has learned and how he's changed.

I have made a post about their moments of conflict from both season one and two, it's here and you can look it up. This is where you begin to understand how Aziraphale has changed since season one because these are his dialogues after he's had a fight with Crowley in the bandstand, season one:

"even if I did know where the antichrist was I wouldn't tell you we're on opposite sides"

"friends? We're not friends. We are an angel and a demon. We have nothing whatsoever in common. I don't even like you"

"there is no our side Crowley. Not anymore. It's over"

And then there's season two, when they disagree on what to do with Gabriel, Aziraphale is the one to point out that they both rely on the life they've built together

He's asking him to help him take care of Gabriel together and in response Crowley leaves

In the final scene he asks Crowley to come back to heaven

"work with me" "We can be together as Angels, Doing good" "I need you."

He says anything he can think of literally to convince him to stay with him and it doesn't work

We start from "we're not friends" and arrive at "work with me. we can be together"

Even if we don't know the reason why he's insisting on taking Crowley back to heaven with him, this is an Angel that has picked up the pace. That wants them to be an us. No matter what.

But these are only a few dialogues. I think there's more than that. I think the show in five and a half episodes (out of six) has tried its hardest to make the point quite clear about how Aziraphale feels about Crowley (or how strongly he feels those emotions). all through the way he looks at him and through his gestures and soft touches from time to time

I'm gonna make another post of those moments separately and I'm gonna link it to this when I do.

update: (here's the post. not just average moments of Aziraphale looking cute, it's something about the way he looks at him)

And I'd like to even compare those wishful glances to some of those from season one, but I can't, cause they are nonexistent in there.

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butterfluffy · 11 months

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strawhats + d. mihawk with a healer!s/o

⠀⠀ੈ♡˳· what would it be like being a healer, and an s/o to these people?

⠀⠀➧ unlabeled | strawhats, d. mihawk (separate) x gn!reader | multi-character headcanons

⠀⠀➧ warnings — idk, none, ig? mistakes may be present tho.. so do ignore them, thanks.

⠀⠀➧ requests are closed, sorryyyyy..!

⠀⠀꒰ 🍨 ꒱ notes: finally writing to clear out my inbox aAaaaAahhHhhHHHHh

req by @n0body-1mportant

MONKEY D. LUFFY

This trouble maker captain right here is always injured lol

So that said, you always go on healing your big, trouble maker baby

Wild card : Though he can take punches, kicks, and even stabs without screaming in pain—Luffy starts whining like a poor puppy everytime he comes to ask you to patch him up.

“Y/n...! Look, look, I'm heavily injured! I'm reaallyy hurt! Won't you heal me!? And, and! Won't you give me a kiss, too, for doing a great job in beating that bastard's ass!?”

RORONOA ZORO

Same as his captain, the first mate is always injured—due to fights, his harsh training, and other causes

..Despite always being injured, Zoro hates getting himself patched up. But if you're the one doing the healing so he could get better, it's all good for him!

Wild card : Zoro doesn't care if he's greatly bleeding out during a fight—but outside a fight, if he got the smallest cut, Zoro immediately dashes to you to get himself healed up..!

“Hey, so, I was peeling myself apples a while ago using that ero-cook's damned knife—now I got this cut. Heal it now, and eat these with me, yeah?”

NAMI

Nami very much hates getting herself injured, especially getting scars

So Nami is quick to rush to you to get her injury fixed

Wild card : this happens quite rarely, since as said above, she hates getting scars—but, nami sometimes get herself injured on 'places' to see you flushed when she asks you to heal it~

“Babyyy..! Look, look! Look at my perfectly beautiful legs here! They've got a scar! Their beauty has been tarnished, so, please.. Take care of them, yeah~?”

USOPP

Usopp avoids getting himself injured at all cost.

And when he does get injured, he screeches as he dash towards you with tears on his eyes, asking you to heal his injury ASAP.

Wild card : I have this headcanon for Usopp where he's a real clutz, so he always has an injury here and there, and wounds that he doesn't know where it came from.

“Y-Y/n..! W..When I woke up, I saw this new wound on my arm..! I..I don't know where it came from—it's probably from the spirits that I've angered, waaahh!!”

(it was caused by Luffy. He was dreaming that Usopp was a piece of meat, and bit him during their sleep. 💀)

VINSMOKE SANJI

As the left hand man of the ship's captain, Sanji is always out on a fight to support his captain, so injuries are unavoidable.

He's developed durability to the beating up he receives and shows it off his coolness to you, BUT AFTER THE FIGHT, he whines.

Wild card : This perv right here always has a nosebleed everytime you go patch up his beaten up ass, causing you more trouble.

“My loveee..! I'm injured, I'm badly hurt..! Everything's so painful, so please, heal me with your magic kiss—*you kiss him* *he nosebleeds*”

NICO ROBIN

Robin isn't a big fan of getting injuries during combat, or whenever.

Though despite being injured, she handles it like a Queen! (You don't.)

Wild card : As said above she handles her injuries like the Queen she is, BUT, you don't—you're more panicked when she's injured as she stays calm while telling you some morbid jokes.

“Darling.. Please calm down. I'm not going to die, you know? All I got is this small scratch the size of a severed finger, so, don't worry about me too much, okay?”

FRANKY

SUPEEEERRRRR Franky right here who's a barely gets himself injured.

↑ Why? Because, he's a cyborg, a cool one who will barely get a scratch..!

Wild card : ...When Franky does get injured for some reason being during a fight or where else, he starts crying like a small child to you as he asks you to heal him...!

“Waaahh! This damned injury hurts so bad..! It's SUPEEEERRRR painful, I'm gonna cry! Y/n, Y/n, quick, quickly, heal me and ease my pain..!!”

DRACULE MIHAWK

The greatest swordsman? Injured?? Pfft, not a chance.

Though when he's going against strong fellas, he gets some scratches here and there, which he deals with by himself—not wanting to bother you.

Wild card : Mihawk doesn't show it, but, he loves, and finds it cute when you insist on helping him with his injury that he already had managed, or can obviously handle fixing by himself.

“My dear... I already fixed my injury, so don't worry about it. But.. If you really insist on using your ability to speed up the healing process.. Alright. I'll let you.”

⠀⠀ʚїɞ · likes, comments, reblogs, and/or feedbacks are highly appreciated!

#ੈ♡˳· butterfluffy #one piece #one piece x reader #one piece fanfiction #one piece scenario #one piece headcanons #monkey d. luffy x reader #roronoa zoro x reader #nami x reader #usopp x reader #vinsmoke sanji x reader #nico robin x reader #franky x reader #dracule mihawk x reader

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coriphallus · 7 months

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The Dark Urge thoughts (and prayers)

anyone whos been following me knows im absolutely not normal about durge and i wanna share some tidbits that are implied, but not necessarily canonised, from their story;

I already made a post about it but it seems like bhaal has a degree of control over whether they live or die. he can deny them death, if they fail the duel with orin.

bhaal can command the slayer. he forces orin to transform if you talk to her about sarevok and the scene makes it clear that its against her will.

bhaal manipulates his kin in a subtler way. in the colony you can find a letter from old durge thats apologising to his father for 'liking' gortash. you can interpret their relationship as something deeper but even if it wasnt, this reads to me as terrified and desperate.

the reason being, if you have a LI in act 2 you get the famous bondage scene. coupled up with the letter above makes me think this is a pattern. bhaal can use their feelings against them. he did it with sarevok and orin's mother, orin's mother and orin, etc... it's not as straightforward as 'if you disobey ill kill the one you love'. you will. durge will.

bhaal is testing them in act 2, he revels in chaos, sure, but in the grand scheme of things he doesn't care about isobel. even if you tell scel that you'll kill her you're told that youre too late, you ignored your urges. from durge, bhaal doesn't expect calm calculated murder, he expects blind obedience. failing to receive that his first punishment is to take away something they cherish. there are no half measures, theres no bargaining with a god.

we get so many snippets of information that this has happened before, their foster family being their first victims. theyre made to kill their support system with their own hands, with no one to blame but themselves. they are actually apologising to their father for being fond of gortash because (in my humble opinion) theyre genuinely afraid.

how many times could this have happened, how many nights durge couldve woken up covered in the blood of someone they love until they gave in, became daddys obedient puppet?

durge is groomed for murder. scel says 'you always failed to conduct yourself without me' and given who he is i dont think hes talking about table manners when he says 'conduct'. durge needs 24/7 oversight to set themselves right lest they get tempted by softer things. lest they dare to step away from bhaals grand plan.

durge do have a choice. just as shadowheart had a choice, just as wyll or astarion had a choice. its a choice only in name.

theres no ending besides refusing bhaal that their friends and LI wont die by their hands. the entire lore of bhaalspawn is that theyre meant to conquer the world in his name and slit their own throat a top the mountain of corpses. as cazador aptly put, 'theyre made to be consumed.'

you can pray to bhaal and the narrator says he won't accept [any offering] but the entire world.

durge (and bhaalspawn) do get some sort of euphoria from murder. they crave it like an addict, but bhaalspawn (on prev games) don't constantly have to grapple with these urges as durge does.

now durge is a slightly special case but not in a good way. its implied that theyre not like a regular bhaalspawn, that theyre made by bhaal directly -so to speak-. which is to say, if youre playing a drow, they are bhaals closest approximation of a drow rather than a drow flesh and blood.

thats why theyre fighting tooth and nail against these urges every step of the way, they are literally bhaal himself(in essence). the personality they develop, the person who calls themselves 'tainted' and 'wretched', the character thats making choices throughout the game, theyre the tumour.

theirs is the story of cycle of abuse cranked up to 1000 and it is in parallel to all other origin companions.

#bg3 #durge #the dark urge #dark urge #DU #bg3 spoilers #baldur's gate 3 #personal

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wttcsms · 1 month

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angels like you can't fly down here with me (i'm everything they say i would be), megumi fushiguro ;

pairing megumi fushiguro x f!reader word count 11k synopsis people like him don't get happy endings but megumi fushiguro (foolishly) considers himself to be the exception — after all, he has you. content contains yakuza au, childhood friends to lovers, mutual pining, breeding kink, slight daddy kink, attempted sa, minor violence & depictions of blood author's note if ur on my ao3, you know this is from 2021!!! my writing has changed up since then, but i'm going to be releasing a revised version of this which will be rewritten and feature more scenes, more worldbuilding, more plot, relationship and character development, etc!! i figured releasing this on tumblr would help me gauge how worthwhile revision of this fic will be, so lmk if u like this au & want to see it become even better <3

Don’t do it.

He repeats the command inside his head again, and then one more time for good measure. (And then another time, just to drive the point across.)

He won’t — can’t; isn’t really allowed to — get into (another!) fight.

(Well, there’s a part of Megumi that knows that despite Gojo’s sing-songy warning of “now, now, Megumi, I don’t need a frequent visitor’s card for the principal’s office”, he doesn’t actually care. All he’s really concerned about — if the mild interest the reckless teenager turned legal guardian shows can even be called that — is whether or not Megumi wins.

And he does.

Every. Single. Time.)

For the most part, Megumi Fushiguro is fairly stoic in general, but to a concerning degree when one accounts for the fact that he’s only ten years old. For the odd three or so years he’s been under Gojo’s wing, Megumi’s mask of disinterest stopped becoming a mask and started becoming a part of him.

(Try as he might, Gojo’s not nearly as funny as he thinks he is. Maybe the connection between them might have been stronger if Gojo was a bit more responsible and if he was actually present, but he’s got his own shit to deal with. Besides, Gojo’s under the impression that what he’s doing isn’t cruel, but rather a means to an end. Megumi’s never going to be able to get stronger if he doesn’t learn how to survive on his own.

After all, being alone and having to fight to survive is the life people like them live.)

The older preteens in the area have a bad habit of picking on the younger students. Because the elementary and middle schools are so close together, the younger students who have the misfortune of walking alone tend to be targets for bullies in need of pocket change or a good laugh. Most of the time, they get both.

As of late, everyone’s favorite target happens to be Megumi Fushiguro, the boy with the messy black hair and indifferent attitude, even when confronted by boys two years his senior and almost a whole entire head taller than him.

Last week, Megumi gave the three older boys dumb enough to harass him for money bloody noses, bruised egos, and a thirst for revenge. That was the first (and supposed to be the last) time he got into a fight (for this school year, at least — something Gojo had told him, while winking). So, even when the trio is back together again, taunting him and trying to get him to take the first swing, Megumi keeps walking forward with his perpetual look of disinterest, those cold blue eyes of his staring straight at the path ahead of him, never paying any mind to the gangly bodies of the middle school boys who keep trying to block him from moving.

Don’t do it.

He tells himself this once more. You don’t want to have to inconvenience Gojo. Then, you’ll be stuck listening to him pretend to lecture you. You don’t like spending too much time with Gojo. He’ll make weird jokes.

The thought of having to deal with Gojo’s presence is enough to get Megumi to unclench his fists.

“Move.”

It’s the first thing he says to the group since they started following him after school. He tells the boy with the brown hair this. The brunet seems to be their ringleader of sorts, and even as nothing more than a ten year old child, Megumi knows that being twelve/thirteen and harassing little kids for sport is a sign of patheticness that will only grow and fester into something darker unless someone beats some sense into them. Obviously, they didn’t learn their lesson from last week.

“Huh? What the hell did ya just say, ya little brat?” The brown haired boy sneers, looking down at Megumi.

School has just let out, so there are dozens of kids of all ages walking down the sidewalk. They’re all aware of the situation happening, but everyone chooses to turn a blind eye to it. Partly because this is such a common occurrence that it just starts to become something that blends into the scenery, but also because there are some rumors surrounding the Fushiguro kid that’s enough to make anyone with a heart of gold reluctant to come to his rescue.

The main rumor circulating around the school is that Megumi Fushiguro has ties to the yakuza. Granted, most kids his age have no idea what the yakuza is, and even those who somewhat know only know through exaggerated definitions from their older siblings. Generally, everyone just accepts the fact that the yakuza is bad, and by default, Megumi Fushiguro must be bad too. Older siblings tell their younger siblings to avoid “that boy” at all costs, unless they want to end up with a finger cut off. Megumi’s classmates huddle together and conveniently choose to look everywhere else but at him when on the playground.

For anyone else, this might have been enough to cause some hurt feelings. Everyone thinks the boy must be some type of stupid to be so oblivious to the rumors centered around him, but the truth is this: Megumi is well aware of what people whisper about behind his back; he just doesn’t care enough to prove them wrong.

And they’re not wrong, anyway.

(For some parts of the rumors, at least.)

Because it’s true — Megumi does have ties to the yakuza. His father, who he can’t seem to attach neither a name nor a face to, must have done something bad. Something bad enough to have him cross paths with Satoru Gojo, the young head of the Gojo Clan, one of Tokyo’s most prominent crime families. It’s the same Gojo who decided to adopt both Megumi and his stepsister, Tsumiki, despite having nothing (so far) to gain from it. After all, why would a teenager willingly assign himself the responsibilities of caring for small children — one who resembles the man that tried to kill him and the other being an ill little girl confined to a hospital bed for who knows how long. All Gojo gets from this deal is a headache, bills, and more problems than necessary.

Megumi’s not really sure how the rumors started in the first place. He thinks it’s because kids his age are easily influenced and have a tendency to run wild with their imaginations. With the rising popularity of gangs from the high school students, this interest seems to have trickled all the way down to the elementary levels. Megumi certainly fits the description of their idea of someone from the yakuza: silent, secretive, scary.

(If they were a little bit older, maybe they would have just seen him as an introvert.)

No matter how ridiculous the rumors get, though, it doesn’t change the fact that the root of them is true: he is connected to the yakuza. After all, he’s being primed and prepped to be someone of value in the clan. Once you’re tied with the likes of them, you might as well just resign to the knot fate’s trapped you with. He’s learned quickly that the only thing harder than getting into the yakuza is getting out.

And because his sister’s and his life both depend on him doing as he’s told, getting out is a funny pipe dream at best and the Fushiguro siblings’ cause of death at worst.

“I told you to move. You’re blocking my way.” Megumi’s tone of voice betrays nothing. Annoyance, maybe, but he speaks flatly regardless of how he’s truly feeling. Gojo says it’s kinda creepy. Gojo also says that being a little creepy isn’t bad.

(Gojo should know; he’s a certified creep in Megumi’s eyes.)

“Oh — so the little boy can speak up.” The boy with blond hair laughs. It’s a nasally sound that grates Megumi’s ears.

He’s not an idiot. Megumi is well aware of the fact that no matter how much he feels like it isn’t true, he’s still just a little ten year old boy. He should be playing with the toy cars Gojo bought him, not worrying about the gritty future that lies ahead. But still, the phrase rubs him the wrong way.

Little boy.

He wasn’t so little when he kicked them down to his height before properly bashing their faces, now was he? Even now, he can feel the anger coming up. He clenches his fists, wondering if he’ll get suspended for fighting right next to school property.

“Leave him alone.”

Another voice appears, but not from any of the boys. No — this time, it’s coming from a little girl on the sidewalk across from theirs. Everyone involved turns to stare at the source of such a command and are greeted with the sight of you with a Hello Kitty backpack. You’ve got a frown on your face that doesn’t match the brightness of your pink outfit.

Megumi recognizes you instantly. You’re in the same class as him. You were in the same class as him last year, too. He tilts his head, trying to figure out what exactly it is you’re trying to accomplish here — and why.

He knows his social standing in the school. If he’s at the bottom, you’re right at the top. A beaming pillar of light, everyone flocks to you like moths after a flame. But you’re alone today, not surrounded by the usual crowd of boys and girls who are often vying for your attention. Seeing you alone enables him to see you more clearly, without all the distractions getting in his way.

You’re small. Shorter than him, and way shorter than the middle school boys. You’ve got a bow in your hair and brand new shoes on your feet. If anybody should be socially aware, it has to be you. Those at the top, Megumi knows, like to remind everyone of their placement. You shouldn’t be here. You should be ignoring him like he’s got the plague, just like everyone else.

All three of the boys start to laugh after sizing you up. The laughter only serves to make you even more irritated, but you can’t speak because one of them is already talking through his laughs.

“Don’t tell me. Is this your girlfriend?”

The group erupts into more laughter, and while Megumi’s expression remains the same as it’s been for the past few minutes, yours only shows your growing contempt.

“She’s no one.” Megumi throws you an odd look, one of neither annoyance nor gratitude for trying to help him out. He uses your presence as a distraction, and he manages to take a few more steps before one of the boys is yanking him back by his bookbag.

“Grab her.” One of the boys says, and the third boy, the one with the messy red hair, starts to cross the street.

Megumi watches as you stay right where you are. Are you stupid? Why won’t you run? The boy still has a solid grip on his bookbag, keeping him in place. He wonders if it’ll be a waste of his breath if he tells you to start running — you probably wouldn’t listen to him anyway.

But then Megumi figures out why you don’t look too frightened, because not even a second before the older boy manages to cross the street to your side of the sidewalk, a man in a suit is running towards you, a scowl on his face.

“You said you were going to the restroom, young lady!” The man scolds you while panting for breath. He surveys the scene, looking at you, and then the middle school boy by your side before turning his head and seeing Megumi in between the other two boys. “What’s going on? Is everything alright? Did they do anything to you?”

“No, Mr. Higashi. B-but—“ Your bottom lip starts to tremble, and even though Higashi is certain that the tears about to fall are fake, the situation itself looks serious enough to the point where he doesn’t call you out on it. “Th-these boys are being really mean.” You let out a high pitched wail that makes the boy let go of Megumi’s bookbag. “They just threatened to attack me and my friend out of nowhere.”

“Your father will be informed.” Higashi frowns, eyeing the guilty boys who look confused and a little shocked at this turn of events. “Mr. [Surname] certainly won’t be pleased to hear about this.”

The middle school boys pale when they hear the man name drop your family’s surname.

After all, it’s the same last name that’s engraved on plaques all over the school, thanking your family for the many donations they’ve received.

You enter into Megumi’s life that way: unexpectedly. He never thanked you for intervening, but it’s not like you did it for the thanks anyway. You did it, you tell him, because you figured he needed some help.

“I had it handled.” He tells you flatly. “Why are you even sitting here? Your friends keep staring at us.”

It’s true. Stories of what happened are already circulating around both schools, and while all your friends spent the whole entire day pestering you for the full story, you chose to keep quiet about the situation. And now, here you are, choosing to sit and eat lunch with Megumi, someone who also knows the true story of what went down but the only one people aren't brave enough to ask.

Your whole entire table of friends keep their heads huddled together as they go back and forth with each other, every one of them sparing glances at Megumi’s table. It makes the rice in his mouth taste stale. He should have just stayed in the classroom to eat, especially if he knew you would be bothering him.

“Gee, is that any way to treat a friend?” You huff, not at all actually annoyed with him.

“We’re not friends.”

“Too late. I told my dad we were.”

There has been one question on his mind ever since that incident. Just who exactly is your father? He’s not stupid; he knows that you must come from a wealthy family. If the buildings and auditorium named after your family isn’t enough proof, the fact that you always have the latest toys, the nicest shoes, the cutest stationery sets — that’s material proof of a spoiled princess.

You continue speaking, and as if you can read his mind, you’re already answering his question. “My daddy’s called a CEO. But the man you saw is Mr. Higashi. He takes care of me when dad’s away at work, and everything I do gets typed up in a report that dad sees every day. He wasn’t happy about what happened, so he says the boys will get in trouble. He told us not to worry, though.” You have a pleased smile on your face, waiting for Megumi to say something in reply.

“Okay.” He says, after a while. He only spoke because it seemed like you were waiting for him to. “It doesn’t mean we’re friends.”

“What’s so wrong about being friends with me?” You tilt your head. Everyone wants to be friends with you. And that’s before they even figure out that you live in a real life mansion with actual servants, and that sometimes you’re allowed to eat dessert for dinner. Even without the wealth, you still draw people in, whether it be with your bright smile or cheery attitude.

“Don’t you already have enough friends?” He can’t figure out what you could possibly want with him. Even though Gojo’s got the backing of the clan and enough funds to run the Tokyo underground with cash to spare, it’s not like Megumi is in a position to take advantage of it. Gojo hands him a thick wad of cash every week with a tip to “spend wisely, hehehehe”, and Megumi takes the tip to heart. A majority of the money sits saved in his bedroom, underneath a floorboard he spent a week trying to figure out how to loosen without anyone catching on. (Which was actually easy whenever he realized that nobody seems to really watch him to begin with.) So, he doesn’t look like he has money, and isn’t that what all rich kids want? To surround themselves with equally rich kids?

“I guess.” Your bubbly mood seems to dampen a bit at the mention of the other kids. They like you, sure. But they like each other a lot more. The gap between you and the other kids isn’t noticeable at first, but the novelty of having an endless supply of company has lost its luster. Meanwhile, the glamor of your life only keeps the hoards of “friends” to grow as the days go by. It’s always “let’s have a sleepover at [Names]’s!” or “[Name], we have to go to your house because you have the best toys!”. You wonder if they like you, or the shiny things that they get when they’re with you. “But, it’s not like youhave any friends.”

“I don’t need any.” The response is quick — instinctual. Gojo, even if not the greatest guardian by any parental standards, still presses Megumi to have a proper (or, as proper as it can be) childhood.

(“You know, I don’t care if you bring any friends over. Just make sure no one ends up accidentally getting shot, okay, Megumi?”

Yeah, because that’s definitely gonna push him towards throwing as many parties as he wants.)

People in his position don’t have many friends. It’s hard to, he assumes, because of all the killings and betrayals and power plays.

(And, he’ll soon learn that it hurts a lot less to lose an enemy than it does a friend.)

“Hmm. Okay.”

But you don’t get up from your seat, and he doesn’t tell you to move.

The next day, you’re carrying two bento boxes. The lunches are prepared for you by world class chefs and everything is done in a rather cutesy manner to entice you into not wasting your food. The fruit is cut into pretty shapes, the food has picks with animals on them, and everything is colorful and to your own personal tastes.

You take a seat next to him once again. He looks up for a second, sees that it’s you, and returns back to his meal that looks pitiful in comparison. Leftover rice and some cold meat. You think it’s the same thing he had last time.

“For you.” You slide the second bento you had requested towards him before opening up your own.

“What’s this for?”

“For you to eat, silly.”

“...How much?”

“Huh? All of it, I guess? If you don’t like something, tell me, and I’ll request something different tomorrow.” You don’t quite understand what he’s asking you.

“No. How much does it cost? I'll bring you the money tomorrow.”

“Why would it cost you?” Now you’re really confused.

Didn’t anyone ever teach you that everything comes attached with a price? If it’s not money you want, it must be something else. At least, if Megumi’s judgments are right. (And they usually are.)

“Fushiguro, I brought you this because I want you to eat well and grow strong.”

He wonders what rice shaped like Hello Kitty has to do with his strength.

“Also, so the next time people give you or me trouble, you can fight them, okay?”

Oh. So it’s protection you want. He contemplates what he thinks your request is before popping a piece of food into his mouth. A meal made with care — he can taste the thought that’s been put into it. Shoving his old lunch to the side, he quickly starts eating at the one you brought him.

Okay. So maybe he does accept your offer.

“Meguuuumi.” You whine out his name, messing up the navy sheets of his bed while he sits at his desk, trying to finish his application for university. “I’m bored.”

“Good. Go to your own house then, and leave me alone.”

“You’re so mean to me.” You sigh, turning your head so that half of your face is pressed against his pillow. The scent of his shampoo still sticks to the fabric, and you subconsciously inhale the scent some more. It’s familiar and reminds you of him, your favorite person in the world.

No one believes you when you tell them that Megumi is your best friend. No one wants to believe that it’s true. After all, the two of you look more like a shoujo manga trope than an actual pair of best friends. The cold, inexpressive dark haired male lead with a secretive past he doesn’t want anyone to know about and the bright, bubbly, ball of energy that is constantly clinging to his side. It’s like looking at night and day with you two.

“And yet, you’re still always here.”

You’re still by his side, even when the two of you reached middle school and high school together, and he spent a majority of his time starting (and finishing) fights.

(“Get off of him!” You screamed, yanking on the collar of one of the boys who happened to be trying to grab Megumi from behind. You don’t have the same amount of strength as them, but everyone at this point knows who you are and who exactly your father is. No matter what the origin of the fight is won’t matter; all that matters is that the precious daughter of one of Tokyo’s richest CEOs got caught in it, and that’s enough to get everyone involved into some deep shit.

Immediately, the boy scampers off, and the other boy Megumi was punching into the squeaky clean floors of the hallway begins to thrash around wildly, eyes wide at the sudden sight of you. Seeing you coming from behind Megumi is like watching the sun peek through a dozen storm clouds.

Megumi gives him one last punch, not nearly as satisfied as he thought he would be. Honestly, getting into fights with low level delinquents is beneath him. It’s not just his knuckles and clothes that are getting dirty; by feeding into the school’s image that he’s this young, violent yakuza heir, he’s dirtying the prestige Gojo claims is oh so important.

“Megumi.” He straightens up at the sound of your voice, which usually sounds so sweet, especially when it’s directed towards him. Instead, you have an uncharacteristic frown on your face and you sound… mad. “Let’s go.”

You’ve got a hand wrapped around his wrist, and people part when they spot the two of you making a hasty exit. The teachers aren’t bold enough to cause a scene with you, and the students know both you and Megumi are practically untouchable — one being the spoiled brat daughter of a rich and powerful businessman, the other, a ticking time bomb with ties to the yakuza.

You don’t stop walking until the two of you are in a secluded courtyard at the school. No one goes here, mainly because it’s in such an inconvenient location and there’s nothing but trees and weeds over growing it. The two of you found it within your first week of being here, and ever since then, it’s become your designated spot to avoid prying eyes.

“I thought you were over stupid fights. You told me yourself that they weren’t the type of people worth beating up.” You scold him, forcing him to take a seat on the bench that creaks under his weight. You make a noise as you inspect the drying blood on his knuckles.

If an outsider were to look at the scene before them, they would gape at the unbecoming sight of you on your knees, in between his legs, too close for a duo who claims to be “just good friends”. But there’s nothing inherently dirty in your thoughts. Instead, you’re staring thoughtfully at his hands, inspecting the minor damage done to them.

Megumi swallows hard as he looks down on you. He shouldn’t be feeling like this — you’re his best friend, his only friend. The only person who’s by his side. If you could read in his mind, there’s no doubt that you would be recoiling away from him in disgust…)

You’re still by his side, even when he told you the truth about himself after waiting years to see if you were truly his friend or not.

(“The rumors—” He starts to say, but you shush him, rolling over on your side to face him. The two of you are lying on the grass in your massive backyard, trying to spot a shooting star that’s supposed to be passing by at any second now.

“I don’t care about that.” You tell him. Middle school was a bitch to deal with, mainly because as everyone was in the process of growing up and “maturing”, so did the rumors they spread. Now, the two of you are halfway through your first week of high school. A new school, a couple of new classmates, and new rumors surrounding the odd pair.

“If I told you the rumors about me being someone you should avoid were true, would you be mad?” He’s lying on his back, still staring up at the night sky. He’s not turning to face you, almost as if he’s scared to look at you.

“Yes.” You answer without any hesitation. “At the person who’s spreading that around.” You clarify, poking him on his side to lighten the somber mood he’s setting. “You’re the only real friend I’ve had in forever, Megumi. I don’t think what anyone says about you would change that.”

“What if I did something bad?” Like kill a person. What then? What would you think of him if he told you the full truth: that Gojo told him that he can’t shield Megumi from the dirtier aspects of this type of life. That he’s spent hours after school, hours after hanging out with you and pretending to be a normal teenager, learning how to assemble, disassemble, and then reassemble a gun. That his target practice isn’t glass bottles lined up in a row or sheets printed out with human bodies. What happens if he told you that his target practice was low level scum from rival yakuza clans that Gojo couldn’t be bothered to kill himself?

“Mmm. How bad are we talking? Like, lied to me when you said my Christmas outfit looked good but half my ass was practically exposed bad or committing a felony bad?”

“What if I told you… that I really was a yakuza heir.”

The silence is palpable and especially soul crushing to Megumi as he waits for your reply.

“It wouldn’t matter to me, Megumi.” You say. You know that this isn’t just some type of hypothetical question he’s asking for fun. From his odd living situation to the intense nature of him in general to the fact that he knows practically everything about you, but you barely know the full extent of his childhood traumas despite growing up alongside him, you know deep in your heart that there has to be something going on with him. Something dark enough to harbor stories about him.

“Are you sure about that?”

You reach for his hand in the dark, finding it without really needing to look. He’s not one that’s prone to initiating physical contact, but you found out that he doesn’t really mind when you reach for him first.

“You can’t get rid of me, no matter how crazy or fucked up you think your life is.” You squeeze his hand, still staring at him.

You don’t notice the shooting star flying past the night sky, but Megumi is looking right at it. He knows what he’s wishing for.

For your words to be true.)

You’re still by his side, even when he brought you to his sister’s bedside. She’s sick, afflicted with something no one knows, not even the private doctors that Gojo’s spent millions on. She was still conscious, albeit confined to her bed when the two of you first met, but she’s been in a coma ever since the last year of middle school. You were by his side as he broke down about the news. It was the first time you’ve ever seen him cry.

So, no matter how much it may seem like he’s pushing you away, you don’t budge. For someone smaller than him and definitely weaker, you’re awfully resilient. And while people make the occasional joke, telling you to “blink twice if you need help”, you don’t pay any attention to them. If only they knew the truth: that you’ve got Megumi Fushiguro, heir to a massive yakuza clan, wrapped around your dainty finger.

He’s so whipped that he found himself asking Gojo for a rare favor.

(“College?” Gojo rubs the back of his neck, staring at Megumi. “I mean, I guess it’ll be good for you. Meet a wild party girl, take her to your dorm room, tame her—”

“An education is the whole point of attending, you know.” Megumi interrupts him before Gojo can jump into a story highlighting all of his sexual endeavors with college girls back in the day.

“Eh. I guess.” But then a grin lights up the feature of the man who [kind of/by definition] raised him. “But y’know what I know for a fact.” He wiggles his eyebrows, his glasses slipping down his nose as he tilts his head downwards. “You wanna follow [Name].”)

It doesn’t really matter if he’s not good enough to get into the university you’ve already received an early acceptance for. Because Gojo tries to make up for being an absent father figure, he fills in those empty spaces with cold, hard cash. All it takes is one nice donation, and Megumi’s wherever he wants to be.

Where he wants to be, he realizes, is to be by your side. Wherever you go, he’ll gladly follow. Funnily enough, despite the two vastly different backgrounds the both of you come from, you both have similar means of getting what you want.

Your father had already looked over the list of universities you had in mind, and all you could do was excitedly squeal and start rambling the moment the acceptance letters came in the mail. Despite the fact that your father’s physically absent from your life most of the time, he still tries to show he cares in the things he does for you. If paying off over half a dozen major universities in order to make you happy is something he has to do, he’ll do it without batting an eye.

It’s the same thing on Megumi’s end. Granted, Gojo’s means are more along the lines of using money as a lubricant and then death as an inevitable. Money talks, a gunshot to the head silences. Nobody can accuse anyone of taking bribes if said accused person is in a grave six feet under.

Sometimes, Megumi wonders how you’re just so oblivious to the fortunate circumstances in your life. You chalk up a lot of your father’s wishes as just “good luck”. In school, you’re placed on a pedestal, revered as some goddess-like, otherworldly being. People are practically tripping over themselves, running towards you for a crumb of your attention. Anyone sane would gladly wield this power and use it for all its worth. Not you, though. Not you, who’s kind and considerate and completely clean from the corruptness that plagues everyone else.

Megumi knows good and well that he’s not a hero — couldn’t be farther from it, if he’s being honest. He doesn’t feel a moral obligation to go out and rid the world of all evil. (It’d be hypocritical, he thinks, considering the fact that he’s most likely belonging under the evil category himself.) From a young age, he’s already known and come to terms with his fate. He’s going to train and learn from the best, and eventually, he will succeed as head of the clan. That is his purpose. That right there is the reason why he’s still alive today. That is why he can find himself sitting at his desk, submitting an application that’s already guaranteed to be followed up with an acceptance letter, ready to pretend for four more years that he’s normal.

“D’you think college will be fun?” You ask him, making yourself comfortable in his bed.

“No.”

You laugh at that. You like Megumi for a lot of reasons, and his honesty is one of them. Despite the fact that he likes to keep most of the darker details of his life to himself, you know that he would never lie to you. In a world full of people who are constantly lying, it gets tiring trying to figure out who’s real and who’s fake. It doesn’t help that you want to believe in everyone either. If you didn’t have Megumi loyally staying by your side all this time, you doubt you would have made it this far in your life without anyone taking advantage of you and your kindness.

“My dad said I can finally get a boyfriend when I go to college.” You say this fact so casually that Megumi almost — almost — gets fooled into believing that this is not a cause for concern. Almost.

“Oh.” He’s at a loss for words. He knows that it’s inevitable; that one day, you’ll find a guy you like and want to get closer to him. He knows that you’re not always going to be by his side, and he knows that it’s going to happen because he’ll have to push you away eventually. The older he gets, the deeper he’s burying himself into his grave. He doesn’t want you to get caught in the crossfire.

It’s not like boys have never tried approaching you before. People have spent years thinking that you and Megumi were a couple, and then after finding out from you that the two of you are nothing more than “best friends”, boys were still hesitant to talk to you. The glare Megumi would give them from behind your shoulder acted as a strong enough deterrent.

“I know. Now the only problem is finding a guy who’ll actually wanna date me.”

“They all will.” The words leave his mouth faster than he can even think about them. He’s not wrong, though. Every time the two of you are out in public together, he sees people shooting quick glances at you, at your ass, at your bright smile. The looks they give are predatory, dangerous, even. If it’s not your looks, it’s your shining personality that draws them all in. And if that’s not good enough, there’s always the enormous wealth attached to your last name. That’s the key to getting them to stay.

“You can be so sweet sometimes, you know that?” You giggle, glad that he’s still typing away on his laptop. If he were to look at you right now, he would see that you’re reacting way too positively to such a lackluster compliment. It’s not like he listed reasons on why anyone would ever want to date you, so he probably could just be complimenting you to make you happy.

(That’s just the excuse you’re going with. You know your best friend — that means you know that he would never say something he doesn’t truly think or believe.)

There’s a secret you’ve been keeping from him. A secret so big that you think you might’ve been keeping it from yourself, too. Something so big that your body simply can’t contain it any longer.

You like Megumi.

Of course you do. You keep telling the whole world what great friends the two of you are. You talk to him about your dad all the time (which must mean he’s important, because you rarely get to speak to your dad, so you have to choose your topics of conversation wiseley). You trust him more than you trust yourself. Ever since middle school, you’ve been telling yourself that you liking Megumi isn’t anything to be ashamed or confused about. You like him because he’s your friend, and you’re supposed to like your friends.

And then you came to terms with the fact that you like Megumi beyond the borders of friendship.

It starts with you seeing him the way other girls must see him. You’re not blind, you know. It’s obvious that Megumi is far from ugly. If he wasn’t so intimidating, you’re sure he would have had his fair share of confessions, too. Megumi’s pretty, although calling him a pretty boy wouldn’t do his character justice. He’s got lashes people pay extensions for theirs to look like, and the prettiest dark blue eyes you’ve ever seen, and his hair, which he doesn’t put forth any type of effort in, always looks good whereas the same hairstyle would look messy on anyone else.

It’s not just his looks, though. Even if you look like the type of person who would judge others based on such shallow standards, you didn’t approach Megumi simply because he’s attractive. He’s… interesting. He’s got this reputation for being a delinquent, and maybe all the fights on his school record prove it, but he’s surprisingly respectful. He’s the type of guy who gets up from his seat to let an eldery woman have it. He loves animals. He’s honest and sweet despite his seemingly stoic nature, and he’s so oblivious to just how good he is.

Maybe it’s because he’s so blinded by the light that is you. You, with your cutesy bento boxes that used to be made by your team of personal chefs but are now made with your own manicured hands. You, with that bright smile of yours that he wants to always see because god — he thinks he would be willing to destroy the whole world if something were to ever make you so upset. You’re kind and beautiful and everything people write love songs about. You’re so good, and he’s nothing like you.

He’s nothing like you, because he highly doubts that you spend your time fantasizing about him like he does with you. It’s wrong, he thinks. And dirty, and disgusting, and vile. You’d hate him, he’s sure of it, if you knew what he thinks about late at night. That he sits on his bed with his cock pulled out from his shorts, leaking with precum as he strokes himself to the thought of you. Do you not see him as any other guy? Despite your lack of experience, surely you know just how dirty boys’ minds can be? You’ve got to be conscious of the fact that he’s any other guy, right? So, why — why — do you always roll around in his sheets, letting your sweet perfume stick to his sheets. Your tiny tops and skirts are always clinging tight to your body, and you never feel the need to readjust your clothing when it rides up. Do you not see him trying his hardest to look you in the eyes when the two of you are talking, despite the tantalizing sight of your skirt bunching up, exposing the smooth skin of your thighs?

Little does Megumi know (and if you have your way, he’ll never find out), you spend nights in your room, whining and trying to stuff your cunt with the same fingers that painstakingly made him his lunch. He’s your best friend since childhood. He looks at you like you’re an angel, and you don’t want to destroy that image by revealing just how dirty you really are. How every time he gets so close to you, you subconsciously bring your thighs together, trying to rub them together in a poor attempt to relieve some tension. He’d be disgusted with you, you’re sure of it. Maybe even betrayed.

Besides, it would never work out. Megumi doesn’t see you the way you see him. He might look at you with a soft look you’ve never seen him give anyone else, but that’s because you’re his only friend. It’s not like he’s harboring any hidden feelings for you, and just because you’re so convinced that there’s no one better than Megumi around, it doesn’t exactly mean that you won’t feel this way about anyone else.

Megumi’s got a rather monotone cadence with his voice, so you’re not too surprised by his seemingly unethusiatic response to you saying you’re now allowed to date. Still — there’s a slight pang of disappointment when you realize that he doesn’t sound jealous at the prospect of you dating someone else.

You decide right then and there that the healthiest thing to do now is to just bury your feelings for him deep inside your heart, to tightly pack in all those pesky feelings and store them away so you can make room to allow others to fill in his space.

gumi <3: where are you? gumi <3: i’m feeling tired and i have an assignment due tomorrow. i’m going home. gumi <3: you know i wouldn’t leave without you. cmon [name]. let’s leave now

Megumi frowns at his phone. He can clearly see that all his messages are being delivered, not to mention that he’s already called you twice and has been sent to voicemail twice. He can be patient when he wants to be, but right now, he’s getting a little pissed.

You know that he doesn’t like parties, and you know that he doesn’t hang out with the same people you do. He also knows that you don’t even really like most of the people you surround yourself with, so whyyou suddenly decided to do a 180 and reestablish your throne as the head of the social pyramid, he doesn’t know.

Lately, things between the two of you have been a little… weird. Sometimes he catches you staring at him with a sad smile on your face; one that you immediately replace with your usual one when you realize he’s looking right at you. Despite him asking you if everything’s okay, you vehemently deny that there’s anything wrong, and you’re quick to change the subject.

He thinks he’s losing his best friend, his only friend. And maybe it only hurts because he’s grown used to your presence in his life. Maybe it hurts because you’re his friend. But he knows the truth. It hurts because he’s losing you.

Did he do something wrong? Did he accidentally somehow reveal the extent of his feelings for you? Did you suddenly decide that maybe associating with someone like him isn’t something you’re meant for? Do you…

Do you hate him now?

It doesn’t matter. Maybe it does, but not right now. Right now, he’s more focused on getting the hell out of this stuffy ass living room, filled to the brim with drunken young adults and people he couldn’t care less about. The only person that matters right now is you, and he’s on a mission to find your location.

He’s got this ominous feeling in his gut, like something bad is about to happen. He’s Megumi Fushiguro, for fuck’s sake, so bad things have a habit of following him wherever he goes. But still, he’s made a personal promise to himself that no matter how bad things get, you’ll never get caught in the crossfire. He’s willing to die to keep that vow.

If you don’t reply to him, you most likely have a good reason. He doesn’t want to be clingy, is pretty damn certain he doesn’t even have a right to be, but he’s still worried about you. He’s pushing past the wall of sweaty bodies, trying to catch a glimpse of your hair color, the waft of your perfume, the familiarity of your laugh, but he can’t catch a single crumb of you anywhere.

You’re nowhere in sight, and he’s immediately filled with dread.

He yanks a guy who’s coming from upstairs.

“Ow, man, what the fuc—”

“Is anyone else up there?” Most of the time, the parties are restricted to just the first floor, with the unspoken rule being that only the upstairs should be used for people trying to fuck or to use the bathroom (or, people trying to use the bathroom to fuck). You’re not anywhere downstairs, and if you were simply using the restroom, you would have been back down here by now.

“Shit, I don’t fucking know.” The guy squints at Megumi, as if trying to see if he knows him or not. With the way his expression pales, Megumi comes to the conclusion that the guy might not really know him, but he knows ofhim. Gojo says that with the right reputation, the two concepts are practically synonymous. “But I heard a guy ‘n a girl, I think, walk past the bathroom. I don’t know who, though!”

Megumi lets go of the boy’s shirt, and he’s quick to run off before Megumi can give him any more wrinkles in his shirt — or do something much worse.

He’s thinking. Odds are, it’s probably not even you. With so many people roaming around this house, it’s likely that he just missed your presence. Your phone could have died, so that explains why he can’t reach you.

He finds himself heading up the stairs anyway.

It’s fine. He tells himself. You’re fine. You’re okay. Nobody would dare to touch a single hair on your head unless they want to suffer directly at the hands of Megumi. People around campus call him your guard dog, and it’s not necessarily a nickname he hates.

The atmosphere upstairs is vastly different from the one downstairs. There are no lights turned on, and all the doors to the rooms are closed. He hears a flush coming from one end, and out walks a tipsy girl who’s staggering a bit. There are only so many doors to choose from, and he doesn’t really want to accidentally walk in on two people trying to have sex, but the need to confirm your safety outweighs any possible embarrassment he may suffer from, so he continues on his mission.

The first two rooms are revealed to be empty, leaving just one more. Megumi takes a deep breath before trying to turn the handle.

It’s locked.

His gut is telling him something isn’t right, but he’s forcing himself to chalk it all up to paranoia. He curses under his breath, wondering why he even let you out of his sights for a single second.

Because he didn’t want to seem clingy. Because he didn’t want you to have any more reasons to keep on pushing him away.

He decides to call you one more time, and as he’s listening to the dial tone, he hears a faint sound coming from the other side of the locked door.

It’s a phone ringing.

He presses his ear against the door, trying to make out any more sounds he possibly can. Is it still a coincidence when the phone stops ringing right as Megumi is greeted with your voicemail message of “sorry, I can’t come to the phone right now, but you probably should’ve just texted me!”

Without the annoying dial tone distracting him, Megumi can listen a little more clearly to what’s going on. There’s… there’s someone crying.

The voices are muffled, but he can make out bits and pieces of what’s being said.

“—fuck up… crying like a damn bitch… want this.”

He’s heard enough before he’s banging his shoulder against the door.

“OPEN THE FUCKING DOOR!” He’s screaming, hitting it again. There’s a chance, the voice of reason inside of him is saying, that it’s not you that’s crying behind that door. Even if it wasn’t, Megumi still wouldn’t have stood by idly. But instinct is telling him that it is you, and that’s enough cause for him to bang his shoulder against the door once again. He hears a scream, and a male voice cursing.

The force of his body banding against it is enough to have the door really test the strength of its lock. Megumi’s never been the bulkiest person in the world, but he’s still got some defined muscle to him. The door is creaking, almost bending to his will, but he fumbles in the dark for the gun safely tucked away by his side.

It’s a gift from Gojo. To speed up the process when something needs to be done quick is what Gojo said it was for. He’s never used it in such close proximity to you, but desperate times call for desperate measures.

No silencer. He forgot the fucking silencer. With the deep bass rumbling from the speakers, he doubts anyone would be able to hear the gun go off anyway. He aims for the handle, pulling back the safety, and fires once, then twice. With a foot aimed at the door, he kicks at it, pleased to see the way the abused door finally bends to his will.

The open door reveals a scene that makes Megumi see red: you, with tear stained cheeks and your clothes bunched up and strewn across the floor with a guy Megumi vaguely recognizes as someone sharing the same Econ class as the two of you — Mahito.

“You fucking bastard.” Megumi practically lunges forward, tossing his gun to the side. He doesn’t see reason, is numb to common sense at this moment. All he feels is the need to hurt this fucker. To make him bleed, to have him on the brink of death, to see the light of life leave his dark eyes.

Mahito is fast, but even he couldn’t imagine the speed that Megumi would possess when pushed to the edge. This is different from the fights you’ve witnessed during school. This is something entirelydifferent.

The first punch has Mahito wincing in pain. The second, third, and fourth ones are thrown back to back, and there’s no time given to recover, no chance to gain the upper hand. He’s falling down, and Megumi’s on top of him, drawing back his fist only to slam it against him again and againand again.

Megumi knows he’s got something fucked up inside of his head — what other explanation is there to reason with why he finds this bloody violence so satisfying? His knuckles are bloody, and he can’t tell where Mahito’s blood starts and where his own ends. There’s a wild grin on his face, one that you’ve never seen before. You’re not sure if it’s a trick of the shadows, but the feral expression on Megumi’s face transforms him from your loyal best friend to something monstrous.

“‘Gumi, st-stop.” The words stumble out of your mouth as hiccups, but you don’t miss the way Megumi’s raised arm freezes in its higher position before he slowly brings it back down to his side. He’s breathing deeply, and all is silent in the room.

As if the sound of your cries is enough to snap him out of his daze, it’s almost scary how fast his mood shifts. Just a second ago, he was hellbent on beating Mahito to a bloody pulp, and now the darkness drowning those blue eyes of his is practically gone. He makes his way to the bed, each step hurried but still hesitant. Do you even want to be near him right now?

You answer his question with some more small sobs. “‘Gumi, I—”

“Shh, it’s okay, [Name].” He’s picking up your clothes from the floor, ready to help you get dressed. “Everything’s going to be okay.”

“Megumi.” His name seems to be the only thing you’re capable of saying right now. After he helps you get dressed, he’s thrown off guard when you cling to him, with your arms wrapped around his neck and your wet cheeks pressed against his shoulder.

The moment the two of you are exiting the room, both of you far too wrapped up with the other to pay him any mind, Mahito lets out a laugh before groaning at the pain Megumi inflicted.

The two of you don’t know what you just started, but no worries — Mahito has the means of ending it.

It’s only a matter of time.

You’re too good to be true.

You won’t listen to him when he tells you this (you never do), but he swears you’re a fucking angel or something otherwordly. There’s no other possible explanation for just how breathtakingly beautiful you are, or how you’re the only thing consuming his every thought. Despite the fact that all the blood on his hands has reached an amount that he’s sure he’ll never truly be able to wash it all off, you don’t shy away from his touch. As a matter of fact, it seems like you’re keening for it.

“‘Gumi.” You mewl out, sticking out your tongue to lap at the precum on Megumi’s thumb.

You’re well aware of just how dangerous your boyfriend (the title makes you giddy every time you refer to him as that) is, but you know him. You know that the hands of a killer are the hands of your lover, and most of the time, you have a hard time believing the awful things he’s had to do with them. Because right now, those hands that are meant to be weapons are handling you with care, touching you so gently, you would have thought you were made of glass and ready to shatter.

“Look at you, all spread out for me. What happened to my precious, shy little girl, huh?” He removes the hand that was cradling your face back to his cock, stroking his length, the saliva from your tongue acting as a minor lubricant. The first time he fucked you was the first time you’ve ever had sex with anyone ever, and it had been the start of an addiction. You love Megumi. You love everything about him, from his character to his tenacity, all the way down to his cock, with its red tip that’s sticky with pre and leaking out more as he stares down at the obscene position you’re in.

Your face feels warm as he stares down at you, his eyes darkened with a mix of love and lust that you don’t think you’ll ever get used to being on the receiving end of.

“Need you, need you so bad, please, ‘Gumi—” You’re staring up at him, giving him your best doe eyes.

“Fuck.” Just the sight of you beneath him, completely bending to his will, whining out for him to pretty please fuck you has him ready to cum right on the fucking spot. He’s pressing the tip in, his breathing faltering just the slightest as the warmth you provide envelopes the most sensitive part of him, nearly causing him to lose all self control right then and there.

You let out a cry as he pushes himself deeper in you, making himself at home in your gummy walls, one hand gripping your hip and the other holding onto the headboard.

“You feel so good for me, baby, shit.” He hisses, waiting for you to adjust, impatient but willing to bear it if it means it’ll feel better for you in the long run. After all, there’s nothing he wouldn’t do, nothing he wouldn’t endure, just to ensure your happiness.

“Mm — ah — please.” There are still tears welling up in your eyes — precious girl, he hasn’t even began to properly fuck you, and you’re already tearing up? The sight of you completely and willingly at his mercy is enough to get him to start rutting his hips against yours, the satisfying sound of skin slapping against skin resounding and bouncing against the walls of his bedroom that is starting to feel more like the both of yours.

“Y’feel so fuckin’ good for me, baby.” He groans, his pace quickening, the thrusts getting sharper and rougher with every roll of his hips. You’re powerless against his strength, and this type of easy submission feels so natural, feels so good, when it’s him that’s taking advantage of it. “You’ve got the sweetest pussy, y’know that? I could fuck you forever.”

His praise goes through one ear and out the other with you, but your heart swells up to twice its size. Even if you can’t focus on the words all too clearly, you’re still aware that Megumi’s probably praising you. You can come to this conclusion because he’s always praising you. He’s always so sweet, so gentle, so loving — when it comes to you, that is.

“Hng — daddy!” You can’t help but let out a high pitched moan as he hits that sweet spot inside of you that makes you buck your hips up.

There’s no way you don’t know what you’re doing. Clenching around his cock like that, making those cute little noises that he can’t help but want to hear all the time, and then calling him that.

“Daddy, daddy, daddy.”

Forget igniting something within him; you whining for him, calling him something that’s the root cause of all his childhood traumas… That’s like dousing him with gasoline and tossing a lighter at him. He’s going to burn through all his energy, channel all this dark, feral energy, and use you as the one unfortunate enough to be on the receiving end.

He fucks into you so deeply that if your eyes weren’t shut tight, there’s no doubt that you wouldn’t see the unmistakable shape of his cock outlined against your tummy. The headboard is banging against the wall, and the squelching sounds of him roughly thrusting in and out of your sopping cunt is so lewd and so dirty that if you had any room to harbor a single ounce of shame, you would be downright embarrassed.

“How about you make me a daddy, huh? How about I fuck a baby in you?” He won’t lie and say it’s not something that’s never crossed his mind. The thought of your stomach round with a life the two of you created is enough to get him to continue with this near-brutal pace he’s set forth. “Doesn’t it sound nice, baby? My baby giving me a baby, what—” He grits his teeth as you tighten up. “—a fucking dream.”

“Baby. Wanna have your babies.” You cry out, tears spilling out and wetting your cheeks as your arms find their way to his neck and broad shoulders, trying to pull him in closer. The heat building up from within you feels like you’re about to fucking explode. “‘Gumi, I love you, Iloveyoupleasegimmeababy—'' Your words are practically unintelligible as you slur them out, the words sticking together as you cum all over his cock, all that pleasure that has been building up now physically tangible, if the white ring encasing his cock every time he pulls out is evidence.

“Fuck! You feel so fucking good. Always so fuckin’ tight.” He’s reaching his own end, and you’re just lying there, trying to recover from such an intense orgasm but unable to as your too sensitive walls clench around the constant intrusion of his cock. Spurred by your little love confession and his mind imagining his daydreams coming true — you, as his cute little housewife, taking care of the kids the two of you made together — he finally shoves himself as deep as he physically can, making sure that as he cums, nothing will spill out.

“‘Gumi.” You whisper, your head resting against his chest, listening to the beat of his heart. “Did you mean it when you said you wanted to start a family?”

He’s silent for a minute.

“I wouldn’t mind starting a family with you.” And he means it. He knows this life isn’t one meant for children — look at how he turned out, for god’s sake — but he thinks that for you, he can do anything. Even make a family work out. As long as it’s what you want, he doesn’t mind how hard it may be.

You snuggle closer to him, burying your face in the warmth of his chest. “Good.” You mumble. “I wanna start a family with you, too.”

Megumi feels… at peace. Like he’s got the whole entire world in the palm of his hands. He wraps his arms around you, and realizes that no — right now, he’s got his world right in his arms.

Mahito likes to play with his food before he devours them whole.

Humans are just so… vulnerable. Even the coldest people have a heart; it’s only a matter of whether or not they find someone warm enough to defrost it. Megumi Fushiguro, for example, likes to walk around this world, acting indifferent and claiming to follow his own moral conduct, only to give himself the biggest weakness he could possibly harbor: you.

He still remembers that party. He still remembers the way you were dressed like a little slut, completely oblivious (or maybe you were just acting coy) to the wolfish stares all the guys were giving you. He had the same class as you. Seen the way you clung to Gojo’s charity case, as if the ground would swallow Megumi whole if you let go of him. You’re cute, and you scream naive virgin, and that’s precisely why Mahito wanted to take you to that bedroom and have his way with you.

And then, your infamous little guard dog bared his teeth and pummeled him into the hardwood of a stranger’s bedroom floor.

Grudges are cancerous. If you don’t deal with it right away, it develops into something worse. It takes over all your internal organs, ruining you ‘til the only thing you can focus on is getting revenge. And the longer you wait, the more vengeful you get. It doesn’t become a matter of ruined pride or reestablishing honor — it becomes about inflicting the most pain one possibly can. It becomes about suffering — about transferring your pain, your anguish, onto someone else.

Mahito isn’t the type to hold grudges, but for Megumi, he’ll make a special exception. He wants to see just how well trained the boy is; after all, he’s been taken under the wing and supervision of Satoru Gojo, the myth himself. Surely, his student must be nearly as skilled, right?

It’s been a long game of watching and waiting on Mahito’s end. A lot of lurking in the shadows and gathering intel. It’s a lot more boring than he anticipated, but today’s the day where all his hard work finally comes to fruition. Megumi Fushiguro is going to regret ever interfering with him that one fateful night. The burning humiliation he’s felt has long since fizzled out, but since he’s already been set on the path of orchestrating Megumi’s destruction, he figures it only makes sense to see it through. You only can let go of a grudge after you get your proper revenge.

He’s been leaving Megumi all sort of taunting, teasing threats any chance he gets. Mahito’s got nothing but disgraced yakuza members on his side; those who have committed acts vile enough to get them kicked out of what is essentially a group of criminals. He knows how to be twisted — hell, twisted might be the only thing he knows how to be.

Killing girls that resemble you and sending him the photos. Taking videos of you when you’re out in public alone. Leaving voicemails for Megumi, ones that leave him pale faced and unable to breathe as he listens to how Mahito wants to tortue you.

Megumi’s been on edge for the past few months, unable to explain to you why. It’s why you don’t understand why Megumi won’t let you go back to your car, even though you left your phone in there.

“I’ll go. Or, we can go together.”

“You have to wait for our coffee! And besides, I don’t even know where I left my phone. It might not even be in the car, but you’ll just waste your time searching for it if it’s not there.”

“So then why do you have to go look for it?”

“Because it’s my phone? Also, I reeeeeallly don’t wanna have to wait for our coffee, so I figured looking for my phone in the car would kill some time.” You give him that sweet smile of yours that he loves so much before waving him goodbye. “I’ll be back by the time our order is ready, pinky promise!”

At the end of the day, it’s all luck. Mahito realizes this as you happily skip out of the crowded cafe, headed towards your car to search for your phone. He doesn’t know why you’re returning back to your car, doesn’t even really care. All he knows and all he cares about is that you’re headed there alone. And while you’ve been alone plenty of times, he’s never had an opportunity quite like this one. A chance to finally detonate the bomb that’s been lying dormant underneath your car, ready to be activated at the press of a button. He could’ve killed you plenty of times already, but it’s not enough to merely murder you. He wants to make it a spectacle, sure, but he also only cares about one audience member watching: Megumi.

From where he’s hiding, blending in with the rest of the customers from the bakery across the street, he’s got a decent enough view of Megumi, who’s sitting by the glass windows, watching you with furrowed brows as you unlock the car door.

Mahito can’t help the cruel smile that spreads across his face as pushes the remote connected to the bomb.

Nobody expects to hear the loud, resounding boom of something exploding. The surrounding cars parked next to yours have their alarms going off like crazy; it’s nothing but high pitched, blaring noises blending together to create a disruptive harmony. People are screaming, someone is on the line with emergency services, and—

—your precious car is set aflame, reduced to a burning pile of scrap metal no salvage yard will take.

In this moment, Megumi Fushiguro’s world crumbles to ashes.

#megumi fushiguro x you #megumi fushiguro x reader #megumi fushiguro x y/n #jjk x reader #jujutsu kaisen x reader #megumi x reader #angst #fluff #one shot #drabble #smut #megumi smut #jjk smut #jjk imagines #yakuza au #THIS IS SO OLD IM CRYING #like rereading it... omg what was i ON???

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yumeka-sxf · 18 days

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I try to stay away from negative topics, but after hearing talk on social media yesterday and seeing this post from @such-a-downer, I just had to give my two cents about the complaints regarding yesterday's chapter being "another short mission" and that Endo is somehow being "lazy" or whatever.

I honestly don't understand this mentality of criticizing manga-ka, or any artists really, because they aren't delivering by whatever standards you personally think are appropriate. To me, it just seems like entitlement because Endo has no obligation to cater to any specific fan's wants. This is his story to tell the way he wants, and his characters to develop at the pace he deems fit. This isn't a business contract where we're paying him to deliver content we want every two weeks without fail. If I'm consuming the fruits of someone's creative labor for free, I certainly feel no right to complain if sometimes their content isn't what I wanted or expected. I'm fine with that because 1) I know it's what they (the creator) wanted/needed at the time, and 2) even if a particular chapter wasn't my cup of tea, I know other fellow fans out there somewhere are enjoying the heck out of it, and that's cool!

We also have to remember that SxF is basically a one-man show. If Endo is busy or sick or whatever, it's not like he can have someone fill in for him to write and draw the series. That's what a hiatus is for, that's what making a short chapter instead of a longer one is for...that's how artists should be treated so they don't get burned out and stressed. Plus, art shouldn't be rushed. Any artist knows that there are times when you have trouble coming up with ideas and maybe need a little extra time to develop a more complex section of the story. To immediately jump to conclusions that he's lazy or doesn't know what he's doing is ridiculous. Maybe he didn't feel good for a few days, maybe he's been busy with other SxF events, maybe he just needed more time to get a particular future arc developed, or maybe he just has basic IRL obligations to take care of like we all do...you don't know what's going on in his life, so don't make assumptions.

Another thing to keep in mind is that it's literally impossible to please every fan. One of the comments I read for example, someone was ready to drop the series because we haven't seen much of Yor in "a while." All I could think of was "didn't she just have a pretty big role only four chapters ago when they went to the ski resort?" Plus she was the star of chapter 91, which was less than ten chapters ago. So according to this person's standards, four chapters without seeing a particular character is "too long"? What if it was only three chapters, would that be acceptable? It's not right to push our own personal standards of a series' pacing as the "correct" way: some people want to see more of character X while someone else wants to see more of subplot Y, so should both complain that the manga-ka isn't doing right whenever they focus on something else? I'm not saying you shouldn't make criticisms of a manga-ka's work, but the criticisms should come from within the narrative itself, not superficial things like chapters focusing on subplots/characters you don't want to see or not having enough "plot-advancing" content when it's not a plot-focused series.

People who have read SxF up to this point should know the general flow of the chapters: mostly slice-of-life episodic, with more plot-heavy, intense arcs once in a while, like the cruise arc and bus arc. It's an ensemble series that spends most of its chapters focused on at least one of the Forgers, but occasionally other characters here and there. That's how the series has been for years and will likely continue to be. So if you keep complaining because you only like the dramatic story arcs and not the "nothing happens" episodic chapters, then maybe the series just isn't for you. It's totally fine if that's the case, but don't act like Endo is doing something wrong because he's not providing the particular thing you want in his story.

To summarize, Endo has no obligation to cater to particular fans' standards, just as we have no obligation to keep reading his work if we don't like it. But being a fan to me means respecting the creator's pace and vision even if it's not always what I personally want. I can find something to enjoy in every chapter because I'm a fan of SxF, not a fan of one particular aspect of it. But I also will not complain every time my tastes aren't being catered to and will simply occupy myself with other things while I wait. What's the big hurry, after all? I'm in no rush for SxF to wrap up its plot and I'm glad Endo isn't rushing either.

And that's all I'm gonna say about this topic, lol. On a happier note, I'm going to finally see Code White on Thursday! 😁 More to come later~

#spy x family #sxf #spy family #spyxfamily #sxf manga #sxf manga spoilers #sxf spoilers

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directdogman · 12 days

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hi, i love your games and i was just wondering something about randy, if he would date anyone cuz "beggars can't be choosers" does that include manipulative relationships?? .. like if someone bad asked him out, and they were extremely manipulative, how long would it take for randy to leave the relationship? or would he just stick with it?

((i love randy so much please tell me he would leave eventually))

It definitely puts him in danger of entering a manipulative relationship, but eventually, if treated badly enough, he would leave.

when i was writing the characters' backstories, i decided to write somewhat about their pasts too in order to get in the right headspace for each character (and knowing it'd be a good launchpad for future content, if dt succeeded) and the thing about randy is that he actually has already gone through some character development pre-meeting gingi.

the last major lesson randy learned, pre-gingi, was recognizing when people don't have your best interests at heart and cutting ties with them if that's the case. while randy is a pushover, he DOES stand up for himself in the ending where you ditch him outside of gingi's tent and then leave, when it's obvious that Gingi does NOT care about Randy. so, yeah, i think randy would leave at a point once his tolerance for bullshit is exhausted, even if his desperation makes him largely more patient than he should be. hope this helps!

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pixelchills · 14 days

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Chill's ramblings about the DCA fandom and personal feelings and issues towards TSAMS (both positive an negative):

(I'm writing this like an essay but treating it like a diary, so if I jump from subject to another, it is because I am just typing as the thoughts hit my head. Sorry for being so wordy.)

I simply feel like I need to write my thoughts down, so why not share them with you. Maybe you can validate my feelings or something, I don't know.

Intro:

So, oof, I got a fic rec from @thedenofravenpuff and I'm loving it so much I really wanna draw fan art for it...

But the problem is that it's a TSAMS fanfic and I've sworn to my name I'll never draw anything related to the show because that will make me engage with a part of the fandom I'm not comfortable with.

My biggest issue with TSAMS:

I have such complicated feelings towards the show and its fanbase and I do not wish to make my life and work more difficult because of it as it already is.

My own work and characters are already constantly being compared to TSAMS. When I first introduced Solar to my fic, he was constantly being referred to Eclipse from TSAMS. Now that the show had a character with THE SAME NAME, it has been even worse.

Dolldrop Moon has been compared to Lunar. Even though the dolldrops existed before the youtube channel was even created (and Lunar made his debut much later).

The biggest issue I've had has always been the fanbase, that takes the show as the canon for Sun and Moon from FNAF and uses it as an excuse to harass shippers like me because they think Sun and Moon are brothers.

I've first handedly seen the damage the fanbase has done to some of my friends who draw, or have previously drawn art for the show besides their own AUs and personal headcanons of Sun and Moon as lovers. I'm sorry to tag you, but @kriimhild and @fablekitty : I've seen how the immature side of the show's fans have treated you, I am so terribly sorry you've had to defend yourselves over and over again for things that were not meant to be mixed up.

I have posted some ideas of a possible Animutant Moon and Sun forming a polyamorous relationship with Solar in the future of "My Dear Daffodil" on my personal/adult Twitter account. Someone kept commenting on my posts that I was glorifying incest, because Sun and Moon were brothers and Solar was their cousin.

The post had "Animutant" in it. Not "TSAMS". These comments came from a person saying they were 19 in their profile. So it's not just kids who can't tell not every fanwork is about TSAMS. It's starting to be some adults too.

Vice versa I've had another person comment on my very clearly SFW Twitter how they're following me because I am an adult artist who draws TSAMS incest. I have never drawn TSAMS art. I ship Sun and Moon, but they're never related with family bond, because I love presenting them as lovers.

Why I ship Sun and Moon:

Because I am a hopeless romantic. I love romantic love. Every single story I write is always about love.

The only exception to this is the Poppy Playtime comic I am doing. But even then, I was originally planning for a romantic love between Dogday and the Player. Yet, I decided to leave it, and keep the relationship open for any type of representation the reader themselves will prefer.

I used to watch The Sun and Moon Show when it first started airing. I loved their playthroughs. I had a big distaste for them calling each other brothers, as well as some of the first "lore" videos they had. My biggest issue at the time was how Moon treated Sun, though. As someone who grew up with an abusive sibling, it sometimes just hit a bit too hard at home.

But it got better after Eclipse and Lunar appeared. Moon was more caring, and I started to really like his character development. There was one episode where Sun explained to Lunar that he and Moon had simply just "decided" to be brothers, despite not having a canonical relationship.

This actually made me really happy. Because the Old Moon was aroace, the love he felt was simply never meant to be romantic, but platonic. And by making Sun his brother by choice clearly indicated that Sun was always the one he loved the most - in a way that was suitable for aromantic person like him.

And it really made me enjoy the show for a while. Sun is my favourite character, and despite not always liking the way the show presents him, I always feel so much love for him, no matter the AU he is in. So I loved that Moon loved him more than anything, even if it was just platonic. Because I've always been under the impression that the canon Moon loves Sun, and is only under a virus to protect him. For me, the best part of any Sun and Moon AU is to know that Sun is the most important thing to Moon.

Why I stopped watching TSAMS:

And then that Moon I had really started to like, who loved Sun more than anyone else but just platonically, died.

It hurt so much I simply stopped watching the show. I've watched a few episodes here and there after that, but I am having a hard time liking the show the same as I did before.

Partially it's because of the fanbase. Partially it's because I don't find the lore very interesting and some of the stuff a bit repetitive. Partially it's because I am scared to see Sun eventually crumble up into madness, because he has been through so much.

I like the New Moon. He is funny and nice, what I've seen. His relationship with Solar has been interesting, and I genuinely hoped they would've been able to take the romantic route after Moon said he wasn't sure if he was aroace anymore. But as I said, I've only watched a few episodes after the old Moon died, so I don't know either of their characters that much to form any strong opinions about them. I just listen to the Monty and Puppet podcast once in a while and get a little inside to some of the lore that has been happening.

But hey, at least there's fanfics. Which is why I am rambling here today.

Fanfics:

It is a rare treat to find Sun x Moon fanfics that aren't simply just porn, or do not include reader inserts. So since my romance-filled brain needed something to fill the void, I've started reading some TSAMS fics with romance (that wasn't between Sun & Moon) and plot in them.

I know Solar was settled to be a "cousin" to the weird family tree of TSAMS. But I simply crave for Solar and New Moon to be at least queerplatonic. Solar is not from their dimension, no matter how much they decide they're 'cousins' it doesn't make him their real cousin or relative because they're not from the same world.

Sun and Moon are brothers but they technically gave birth to Eclipse, who then created Lunar so Eclipse is technically Lunar's parent and then brother and Lunar is Sun and Moon's brother and... do you see what I'm trying to say?

The family tree is so complicated that I don't think I'm a horrible person for shipping Moon and Solar and reading fics about them. Tell me if I am wrong though.

The FIC that is making me question everything:

So Puffy recommended this fic by @theinfamousdoctorf , "Eclipse Meets His Match".

I'm currently on chapter 40, and I am genuinely surprised how much I am liking this fic so far. It got everything; redemption and character growth, the representation of Sun as the good, glowing angel he is in my mind (for canon, and every AU. He is always perfect in my eyes I love him can you tell lol), slow-burn romance, drama, excitment, plot, jokes and funny moments... even if there are a lot of mentions of sex and sexual pleasure, it doesn't feel out of the place as there is so much more to it too.

Eclipse's redemption to become better and realising he is in love with Sun has been so interesting to follow. Sun deserves the love. I love when Sun is getting loved. I literally ship him with every other animatronic in the games and love it when people ship him with their self-inserts and OCs. Because I love him so much I want him to be loved in every possible universe he is in.

Even bigger bonus to this fic is the second pairing, Solar and Moon, which I already opened up about above. I don't know how much the fic is truthful to the canon lore of the show, but I wish to pretend this fic is the canon now /hj.

I love the characters and how they're written. I love the descriptions of their flaws and hopes and dreams. How vulnerable they can get. How closely they stick together. And as an appreciation for making me tearful and excited about fanfiction in such a long time, I would hope to be able to gift the author some fan art for their fic.

But I've sworn to not draw anything for the show. For my own good. I've got too many awful comments already from the fans of the show despite never doing any art for it. I am just scared it will turn things worse.

End words:

I don't know if creating a new alias would be the right choice. So my main name/account would be spared from the confusion that the show's fans seem to stirr into, where one tsams artwork turns all of the artist' work into tsams.

I don't care if the art style would be recognisible. The artist would be me, but not PixelChills. Just so I could gift something to the author of this fic that is currently saving me from the boredom of being unable to write my own.

Thank you.

(This text has been typed on my phone, so pardon for any typos).

-Chill

#pixel talks #rambles #tsams #fic rec #essay #sorry my head is simply just confused

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pommedepersephone · 7 months

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Buck up, Hamlet! or how Aziraphale and Crowley's blocking helps communicate the evolution of their relationship

Can we talk about the blocking?

Specifically, I have been rewatching S1E3, one of my favorites. I love how the development of the relationship between Aziraphale and Crowley is shown through these little vignettes. There have been some great explorations of the costuming and dialogue, but what always strikes me is the BLOCKING. The way their placement and movements add such depth and tell the story of living as a queer person, having to communicate in coded language.

Through the episode, we get 4500 years of history - Eden, Mesopotamia, Golgatha, Rome and Wessex - to see Aziraphale and Crowley standing on their opposite sides. Aziraphale always on the right, Crowley always on the left. But after the Arrangement, their blocking changes drastically and becomes much more fluid and nuanced. Each scene after this is distinct but the scenes in at the Globe and the Bastille have the most development, and I find myself rewatching them A LOT. Here is what I see.

All the World's a Stage

This is the first meeting we see that isn’t a chance encounter, though the two try to stage it as such. It takes place in a theatre - and they are acting, playing their roles as demon and angel. Even the humans are complicit in this performance, with Shakespeare stepping in to address the two "in your roles as the audience." Oh, delicious.

But once it's been firmly established for anyone watching that they AREN'T friends, they DON'T know each other (cough cough) the following moves are clearly choreographed and have been played out many times before. Crowley sashays to the right, opening the dance, and Aziraphale accepts the invitation to dance with: “What do you want?”

“Why ever would you insinuate that I might possibly want something?” Crowley is just playing his role as cheeky demon offering up a temptation - but his position to the right of Aziraphale speaks to the fact that they are both very complicit in this performance.

“You are up to no good.” “Obviously. And you are up to good, I take it? Lots of good deeds?” Just standard character establishment, here.

“No rest for the, well, good." Ah, this line, the inversion of the well known idiom. Because the line between good and evil (and between angel and demon) maybe aren't so distinct, and Aziraphale acknowledges this with his words. We are moving into negotiations now. "I have to be in Edinburgh at the end of the week. A couple of blessings to do, and a minor miracle to perform. Apparently, I have to ride a horse.”

“Ah hard on the buttocks, horses. Major design flaw, if you ask me. I’m meant to be headed to Edinburgh too this week. Tempting a clan leader to steal some cattle.” The way Crowley moves AROUND Aziraphale here, intimate but also careful, watching for his reactions.

“Doesn’t sound like hard work.” Said with a little sideways look, because Aziraphale can see where this is going. And he's open to suggestion temptation.

“That was why I thought we should… well, bit of a waste of effort. Both of us going all the way to Scotland.”

“You cannot actually be suggesting what I infer you are implying?” A little bit of pretense, because Aziraphale has to pretend to be tempted, right?

Crowley presses. “Which is?” Because he is willing to play the part of tempting demon, but only if it is clear this is a farce, that this is indeed mutually agreeable. He is making sure they are doing the same dance.

"That one of us goes to Edinburgh and does... both. The blessing and the tempting."

Yes, they are doing the same dance, and what is left is the formality of concluding the dance - a moment of Aziraphale expressing his concern for Crowley, the coin toss - they both know how it ends. It's a ritual, an act of give and take.

But if it were ONLY the Arrangement, a simple quid pro quo, it would have ended there. It doesn't. Instead, the two offer each other a more intimate exchange - "It'd take a miracle to get people to come and see Hamlet."

Aziraphale doesn't even have to ask with words, just a look, and Crowley happily agrees. That is the final part of the dance, a small acknowledgement that this isn't just about making their jobs easier.

A Free Man in Paris

Paris is something else. This is a HUGE step beyond making sure that audiences like a show your angel is particularly fond of. This is a stolen dangerous moment, an OUTRAGEOUS flirtation that takes place outside of time, conducted in clear view of others but beyond their understanding. Isn’t that how their entire relationship is now conducted, hidden in plain view and so clearly affectionate?

And look, Aziraphale is BITCHY in this scene. Peak That Bitch. He's just purchased a bookshop, he's creating a very permanent place for himself here on earth - Aziraphale is feeling quite proud of himself. In fact, he's preening a bit that he has figured out how to exist, even in some small limited way, as himself within the confines of the system of Heaven. Buuuut he may have gone just a bit too far, and gotten himself in a spot of trouble. He has landed in a prison, threatened with "death" and stuck because he's already gotten a warning about being frivolous with his miracles. Oh jolly good that Crowley is here to save the day!

There is something raw being communicated here here, where both Aziraphale and Crowley are presenting themselves to the world in ways that are dangerous. Aziraphale's reaction tells us that Crowley's look is doing things to him, but also in a way that it is NOT socially appropriate. Aziraphale may have showed up in all the trappings of an English aristocrat, but here is Crowley as a French royal sympathizer. NEITHER of these are safe choices in the middle of a revolution. The costuming is so critical to fully appreciating this scene, so check out the amazing clothing overview with @cobragardens.

When Crowley arrives and stops time, he and Aziraphale find themselves situated facing one another, but angled so they aren’t facing straight on. Interestingly, from Crowley’s perspective, he is where he is supposed to be - the left of Aziraphale. But Aziraphale, from his perspective, is also to the left of Crowley. It was Aziraphale after all who initiated this situation, who put himself in danger by being too… Aziraphale. It’s dangerous to be yourself when you don’t fit into heteronormative social expectations, isn’t it? Still, the two keep up a very flirtatious banter as they discuss the situation, and Crowley maintains his very-intentionally-unbothered sitting position up until Aziraphale goes too far and thanks him for coming to his rescue.

While Crowley is also flirting with danger in the way he is dressed, he also didn't just pop over for a nibble dressed this way. And whatever he might have been up to was interrupted so he could rescue Aziraphale from the consequences of his own reckless authenticity. After removing the chains, Crowley pushes Aziraphale to reconsider his honest expression of himself in this exact place and time - for the sake of survival.

Aziraphale, willing to risk himself alone, rather quickly adopts a more acceptable appearance when it might impact Crowley. It is only after Aziraphale is safely disguised and returned to his proper place to the right of Crowley, ONLY then does Crowley restart time. They can go enjoy lunch now, with the proper precautions and masks in place.

For these two particular human-coded occult beings, this is also such an honest moment. They both showed up damn authentically - Aziraphale so fabulously ostentatious, focused on chasing down some pleasure (in this crepes) and Crowley wrapped in a clear protest against the current violence. Just as Aziraphale indicated with his "Oh good LORD" as he looked the demon up and down with obvious thirst, Crowley's request to Aziraphale to change his appearance and mask better is done in such a way that affirms that Crowley LIKES who Aziraphale is without the mask.

The scene is so playful on the surface, the body language and dialogue flirtatious. It's something so familiar to the queer experience, making light of the absolute danger that we must sometimes navigate just to exist. The more I watch it, the more obsessed I become.

A Spot of Bodysnatchin'

It is worth remembering that we didn't get this scene in S1.

I am going to go through it soon, because again they dance back and forth beautifully in this minisode, but suffice to say we all know... it didn't end well for Crowley.

No Walk in the Park

The moment in St. James Park is brief, and it wasn't until S2 and the meeting at Edinburgh that we got the full context for this meeting. But even without this, we can clearly see that things are weighing heavily on Crowley. The scene in the Bastille took place in a prison, with the threat of execution over their heads. The juxtaposition of this conversation taking place in a park - a place that is not only NOT inherently dangerous but looks lovely and welcoming - only highlights the change in Crowley's attitude. He still attempts to be playful, but he's afraid. Look at that paper, it's a bit crumpled, he's been carrying it around for a while.

They are firmly entrenched on their assigned sides for the entire conversation, both very stiff. It feels uncomfortable to watch. When Aziraphale refuses his request, and indicates whatever is between them is just "fraternizing" with the enemy, we get a glimpse of how fearful Crowley really is. In none of these flashbacks has Crowley ever spoken to Aziraphale with the anger we see here. When they part in anger, it feels wrong.

Take Me to Church

So there is a long break between meetings now. But then, ah, the church. The place Aziraphale realizes his feelings. (Look, if Michael says this is where Aziraphale realized he'd fallen in love, I am not here to argue.) What I love is that again we see Crowley and Aziraphale swapping sides. Crowley is here to save his wayward angel, AGAIN. Despite feeling the ill effects of walking on consecrated ground, Crowley is here to save his angel and defeat Nazis. It's definitely not remotely evil intentions.

It isn't like the Bastille, but some of the parallels exist - Aziraphale failing to grasp the risks of his actions. And the silliness of his little dance coupled with just how deadly serious this situation is harks back to their flirtations in the prison.

Crowley is to the right of Aziraphale from the time he arrives until the bomb drops. Then in the rubble, with the danger past, we see them on their assigned sides again. UNTIL Crowley hands Aziraphale the books he saved with a "little demonic miracle of my own." He then crosses Aziraphale, and we see the look of absolute adoration as the angel watches him walk away to the right.

Sweeeeeet baby Jesus, baby girl has it BAD.

Always Crashing in the Same Car

This extremely heartbreaking scene has been dissected, chewed over, breaking our little hearts with it's sharp pieces.

But it is purposeful that this scene took place in the Bentley. Being in the car is symbolic because Aziraphale is here making an offering to Crowley, in his space, something that he Aziraphale feels is WRONG which is highlighted by his placement to the left of Crowley. He is scared, acting against all his own desires, but he does it anyway because he cares for Crowley. It's simple, powerful placement. Need to hurt more? Yeah, thought so. Take a deeper look at the dialogue with @zionworkzs.

#good omens meta #look the blocking has me feeling things #just brilliant #i am very normal about them #neil gaiman #good omens #just theatre kid things

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nekropsii · 23 days

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What a about Caliborn makes him so cool in your opinion?

Go keep track of his progression as an artist alongside his development as a character and think about how these are intrinsically linked. Ponder the fact that he is both at his most obnoxious and at his most amateur when trying to ignore his unique style explicitly brought on by his canonical learning disability and mimic others rather than truly be himself. Consider how his explorations of art are genuinely cool, not a bad thing, and how we get some really neat multimedia stuff out of it.

Caliborn may be a shitty little teenage wretch but the way he is portrayed as an artist and as a disabled person is both really good and very real. It comes from a place of love. His learning disability is handled with a degree of gentle care that you would not really expect from Hussie. The place Caliborn's art style ends up in is so fucking sick and I actually unironically love it. The technique he uses is really interesting. It's intentionally reminiscent of an Etch-a-Sketch, and I'm a little obsessed with it.

This is so fucking good. I mean this seriously. He's right - that is some Pure Art Skill.

I just love the way art is employed as a necessary component of his character arc. It's so neat. You don't see visual cues that intricate too often. Usually it's just in character design, but watching his entire art style and even his medium of choice change several times over is fascinating. You can really tell Hussie had a lot of fun with him. He's also just really, really fucking funny. Just about every sentence that comes out of his mouth is Grade A Absolute Fucking Gold, and I'm honestly obsessed with his dynamic with Dirk. This may get me thrown to the wolves, but I personally think Dirk and Caliborn have way more chemistry than Dirk and Jake. Maybe that's because we actually see Dirk and Caliborn interact on screen... Lmao.

Necessary Topic: I don't know why people hate him so much. Like, I understand hating his misogyny and fatphobia, sure, but those are deliberate character points and not just Hussie-isms. I see people act like Caliborn is indicative of Hussie, as if Homestuck-era Hussie wasn't, like, famously really fucking good at writing female characters and absolutely not a misogynist. Caliborn's a parody of Homestuck Anti-Fans - which is a term we really ought to bring back, god, anti-fans are absolutely still a thing and good lord they're everywhere - who really were just shitty little bigoted haters. Calliope, the opposite side of his coin, was representative of, essentially, "the best kind of Homestuck fan" - an ultimately sweet young teen girl who willingly dedicates almost all of her time to this piece of fiction she loves so, so much, who draws a lot of fan art for the joy of it all, has OCs that don't fit any of the design conventions in Homestuck whom she pairs with the characters in it for innocent fun. Someone who has a lot of theories and analyses, writes a lot of fanfic, and is genuinely just having a lot of fun. Everyone loves Calliope. Even the characters in Homestuck love Calliope. They just think she's the cutest, sweetest little thing they ever did see. Caliborn was the worst kind. He sucks on purpose. No one likes him. He is a total nuisance to characters he is by all means trying to impress. I love them both.

It's also just funny that he's a canonical Intersex Transmasc who is probably Gay and this has, like, no relevance to anything about him, really. So no one really talks about it. Gender Hilarious, Gender Nefarious.

#homestuck #homestuck meta #homestuck analysis #cherubs #homestuck cherubs #caliborn #calliope #caliborn.pdf #nekro.pdf #nekro.sms

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