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beanclam · 11 months
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my contribution to fear and hunger fandom... 
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screebyy · 4 months
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A little crowlyon dawning comic wheee i finished it please clap
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I have lots more written on this but idk if i will do another comic or write part of it as a fic or some mix of both. im just very normal about them right now 🙂
ID/transcript below cut
Panel 1: Crow is walking down a path outside of the dreaming city with a brown cross-body messenger bag slung over his shoulder. Crow is holding the strap of the messenger bag and looking up in exasperation as he talks to Glint, who is floating beside him and speaking emphatically. Crow: “There's still time to turn back…” Glint: “Don't!” Crow: “But -” Glint: “You said you wanted to go through with this!” Crow: “I know but -” Panel 2: Close up of Crow’s eyes as he spots something off-screen. He looks startled. Crow: “!-”
Panel 3: Jolyon is standing next to a natural stone wall, looking away from the viewer. He is resting one hand on the wall and staring out at the Dreaming City watchtower and buildings in the distance, which are overtaken with taken corruption and several taken orbs hang in the air around the city. Crow is standing in the foreground, looking at Jolyon with one hand resting on his messenger bag. Crow: “Jolyon.”
Panel 4: Close shot of Jolyon turning towards the viewer, he is only visible from his shoulder to his nose so his expression is neutral and unreadable.
Panel 5: Camera is looking over Jolyon’s shoulder as he looks at crow. Crow looks at Jolyon with determination. He is holding the strap of his bag with one hand where it falls across his chest. Glint is transmatting away with an enthusiastic expression. Jolyon’s face is not visible.  Crow: “Thanks for meeting me” Glint: “ok good luck bye”
Panel 6: Close shot of Crow’s face. He is looking down and to his left, blushing lightly. He looks uncertain and slightly embarrassed. Crow: “I’m sorry if you… didn’t want to hear from me.” Jolyon (offscreen): “It’s fine.”
Panel 7: Close shot of Jolyon’s face. He is staring down at Crow with a distant, slightly pained expression.  Jolyon: “What do you want?”
Panel 8: Close shot of Crow’s hands gripping the strap of the messenger bag. He is twisting it with both hands, clearly fidgeting due to nervousness. Crow: “I’m…”
Panel 9: Side shot of Crow and Jolyon looking at each other. Crow is leaning slightly forward, while Jolyon looks entirely neutral. Crow: “I’m trying to make amends.” Jolyon: “Amends. For what?”
Panel 10: Close shot of Crow’s face. He looks confused but determined, and is looking up at Jolyon with a furrowed brow.  Crow: “For-... For Uldren, for everything-”
Panel 11: Extreme closeup of Jolyon’s eyes. He looks angry and his eyes are suddenly glowing with intensity as he glares down at Crow. Jolyon: “No. What specifically?”
Panel 12: Low angle looking up at Jolyon, who is glaring down at Crow with an intense, angry expression, bordering on hatred. Jolyon: “Tell me. What exactly do you remember?”
Panel 13: Extreme closeup of Jolyon’s mouth as he sneers, speaking through gritted teeth. Jolyon: “Crow.”
Panel 14: Shot of Crow’s face, he looks startled and distraught as he stares at Jolyon. Crow: “...”
Panel 15: Crow looks away to his right, looking ashamed. Crow: “I remember enough. I remember when things were good between us. And when they were… less good.”
Panel 16: Extreme close up of Jolyon’s left eye, he is looking down at Crow and looks alarmed. Crow: “I remember the garden.”
Panel 17: Wide shot from behind Crow. Crow is looking up at Jolyon. Jolyon is flinching and looking swiftly away from Crow to his left. Crow: “After that… things start to get confused. Honestly, I don’t understand everything that happened between us at the end… But I know it wasn’t what he wanted.”
Panel 18: Shot of Jolyon looking away, looking extremely upset as Crow talks. Crow: “So… I’m sorry. For all of it.”
Panel 19: Extreme close up of Jolyon’s eyes, he is squeezing his eyes shut and still looks emotional. Crow: “And so is he.”
Jolyon: “...”
Panel 20: Wide shot from behind Jolyon. Jolyon turns back to look down at crow, his face is not visible. Crow is still looking up at him. Jolyon: “Okay. Is that all?”
Panel 21: Shot of Crow’s face, turning down to look at the messenger bag at his hip. Crow looks nervous and is blushing with embarrassment. Crow: “Um…”
Panel 22: Close shot of Crow’s hand as he opens the messenger bag and reaches inside. A purple box is visible inside the bag. Crow: “No.”
Panel 23: Wide shot of Crow. He has pulled the purple box out of the bag, and is looking down at it, blushing slightly. In an inset panel, Jolyon is looking at him suspiciously. Crow: “Do you know about the dawning?” Jolyon: “Yes… The Awoken don’t celebrate it.” Crow: “I know.”
Panel 24: Close shot of Crow’s face as he looks down at the box. He is smiling wistfully, and blushing. Crow: “But… in the city, we give each other sweets, to say thanks. And… I don’t know. Now, it always reminds me of this time…”
The background shifts to a black backdrop, with white snowflakes falling quickly.
Panel 25: Extreme close up of Uldren Sov’s face in a flashback. It is dark, and snowing. Uldren is wearing a hood and is hunched over while looking straight ahead at the viewer. His hair is obscuring his right eye, and he looks serious and intense. Crow: “It was centuries ago. Back when the last city was just a tiny settlement.”
Panel 26: Close up of Uldren holding a pair of dark gray-purple binoculars, with glowing magenta lenses. He is resting his hand with the binoculars on one knee in the air. Uldren is wearing a dark blue shirt and black gloves with burnt orange detailing, and a long black cloak. Crow: “I… He was doing surveillance on earth. Keeping tabs on the people trying to build a sanctuary beneath the traveler.”
Panel 27: A wide shot from behind Uldren, who is sitting on top of a dilapidated building on earth. He is looking down on a festive nighttime scene. There are several buildings that have been partially destroyed and reclaimed by time, but dark silhouettes of people have made a home in them. The windows are all glowing with firelight, and the buildings have been decorated with glowing garlands and colorful flags. Between the buildings, many people are visible, holding hands, hugging, and waving at each other. It is snowing very hard, and snow is piled up around Uldren and the village. Four inset panels show closer views of people within the village.  The first shows a woman hugging a man from behind. The man is holding a steaming hot cake inside a baking tray, and is wearing baking gloves. The woman is pressing her face against his neck, and the man is turning towards her and laughing. The second panel shows a human man throwing his arm over the shoulder of a blue exo. The Exo is waving at somebody to the left, and the man is looking the other direction and lifting a tankard of beer in cheers. The third panel shows an Awoken person and a human woman sitting at a table. The Awoken is holding a warm mug of tea, and is smiling lightly at the human woman. The human woman is turned towards the Awoken and is leaning close to them. She has placed one hand on their arm tenderly. The fourth panel shows a closeup of two people, one with dark hair and one with light hair. The light haired person is cupping the dark haired person with one hand, and is leaning in to kiss their other cheek. The dark haired person is blushign and laughing with their eyes closed. Crow: “They had almost nothing. But they were celebrating. Sharing, and laughing.”
Panel 28: Another closeup of Uldren’s eye as he watches the scenes below him, he now looks sad and distant. Crow: “It was snowing, nonstop. It was so cold. And he was so lonely…”
Panel 29: Uldren is walking away from the viewer, through a dark pine forest covered in snow. His cloak is blowing in the wind.
Panel 30: Uldren’s ship is flying towards the Dreaming city in the distance, weaving between two cliffs in the reef. Snow is blowing in the ships glowing purple trail.
Panel 31: Wide, side view of Uldren as he walks through the snow-covered dreaming city. In the background, ornate arches and pillars can be seen, along with an awoken statue. Snow is falling hard, and it looks windy.
Panel 32: Shot over Uldren’s shoulder as he bangs loudly on a wooden door. His hood is up and his face is not visible.
Panel 33: Waist-high shot of Jolyon opening the door. Jolyon is wearing a green sweater with the sleeves rolled up, and gray sweatpants. Jolyon: “Hello?”
Panel 34: Side shot of Uldren rushing inside, tackling Jolyon with a hug. Jolyon looks startled, and is stumbling back inside the doorway as the snow blows inside. Jolyon: “Wha-”
Panel 35: Side shot of Jolyon and Uldren embracing. Uldren has buried his face in Jolyon’s shoulder, and Jolyon is cupping the back of his head tenderly with one hand while his other arm drapes around Uldren’s shoulder. Uldren is clutching Jolyon’s sweater with one hand. Jolyon: “Aren’t you supposed to be on earth? Why are you back so soon?” Uldren: “Why do you think? I was freezing my ass off.”
Panel 36: Close shot of Uldren’s face pressed into Jolyon’s sweater, he is smiling wide and blushing slightly. His hair is falling over his face and his eyes are not visible. Uldren: “Listen- this is kind of stupid, but… Do you want to bake something with me? Something sweet?”
Panel 37: Shot of Jolyon’s hands in present day, holding the purple box that Crow has given him. The lid has been removed, revealing that it is full of cookies. They look like italian almond cookes, covered in powdered sugar and slivered almonds. Jolyon: “Hah… you remember that?”
Panel 38: Crow glances away, smiling nostalgically and blushing lightly. Crow: “Yeah. We made… well, I guess they were kind of like almond cookes? There were almonds in them, at least…”
Flashback Panel 1: In the background, a memory from the flashback is visible. It shows Uldren and Jolyon standing in a kitchen. Jolyon is standing behind Uldren and holding his waist affectionately. Uldren is holding a mixing bowl on the kitchen counter with one hand, and is pouring something into the bowl with his other hand. Several ingredients are visible strewn all over the counter, along with piles of spilled dough. Jolyon: “Haha, what are you doing? You’ve got to measure.” Uldren: “Following my royal intuition.” Jolyon: “Your intuition kind of looks like cat puke.”
Flashback Panel 2: View of Jolyon and Uldren from the front. Uldren is mixing the dough with a wooden spoon, and looking down at the bowl with a soft smile. Jolyon is behind him, with one arm wrapped around his waist. His other hand is holding Uldren’s arm tenderly. Jolyon is leaning down to kiss Uldren’s cheek. Jolyon: “You’re making a mess of my kitchen, Sov.” Uldren: “I’ll clean it up.” Jolyon: “Will you?” Uldren: “For you? Probably.”
Panel 39: In present day, Jolyon is staring down at the tin of cookies, smiling faintly. Crow (offscreen): “We didn’t really have much of a plan…” Jolyon: “Uldren wasn’t big on plans. Or recipes.”
Panel 40: Jolyon says from offscreen, above the rest of the panel: “Whatever they were, they didn’t turn out very good.” In the panel, Crow is blushing furiously, looking nervously at a thought bubble to his left with a shaky smile. Within his thought bubble another memory is visible, of Jolyon and Uldren kissing passionately on a couch. In the background of the memory, several “BEEP” sound effects are visible. Jolyon is on top of Uldren, holding Uldren’s head in one hand while kissing his neck. Uldren is smirking, while pulling Jolyon’s shirt off with both hands. Jolyon (flashback): “Oven’s going off. We should probably get that.” Uldren (flashback): “I don’t give a shit.” Crow (present day): “Um. Yeah. They were kind of… burnt…”
Panel 41: In present day, Jolyon is smiling faintly, looking at one of the cookies as he holds it up in front of his face. Crow (offscreen): “These are better, I hope.” Jolyon: “Seems like it.”
Panel 42: Close up of Jolyon taking a bite of the cookie.
Panel 43: Crow is smiling enthusiastically up at Jolyon. Jolyon (offscreen): “They’re good.” Crow: “Good!”
Panel 44: Close up of Jolyon. His smile is falling, he looks seems distant and emotional as he looks down at Crow. His eyes are glistening with the first signs of tears. Jolyon: “I uh…”
Panel 45: Jolyon turning to his right, digging the heel of his hand into his right eye as his tears start to fall. He looks distraught, squeezing his eyes shut. Jolyon: “I should go.”
Panel 46: Shot over Crow’s shoulder, Jolyon is walking swiftly away, holding one hand over his face. Crow is looking after him, with one hand reaching awkwardly towards Jolyon. Crow: “Wait…” Jolyon: “Thank you.”
Panel 47: Shot of Crow’s face as he watches Jolyon leave. He looks startled and upset. Crow: “...”
Panel 48: Crow facepalms, looking frustrated and embarrassed. Crow: AUGH.
Panel 49: Crow is sitting on a rock on the cliffside, he is hunched over and propping up his face on one hand. He looks defeated and is sighing. Glint has re-appeared next to him, and looks enthusiastic. Glint: “That could have gone worse! He said they were good! How do you feel?” Crow. “Fantastic. Why did I let you talk me into this?”
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yuurionviktor · 6 months
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Did not change much in the end
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egberts · 4 months
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also made a little crow sitting on a skull but then he was too big so i made another smaller crow sitting on a skull to put inside of this tiny display case
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HC that Jesper and Wylan have multiple offices/working spaces throughout the Van Eck estate.
While Wylan simply didnt want to use his fathers office for obvious reasons, fidgety perpetual movement Jesper needed an outlet for that energy or he risks falling back to old habits
Jesper would sit and read to Wylan for the rest of his days without complaint out of love but to say it wouldn’t be a struggle to sit in one place day after day would be a lie
They have enough rooms and space to make multiple work locations, so why not?
They work in the garden, they work in the music room, the kitchen, the living room, heck even the main hallway on occasion so Jesper can people watch
They find a balance that works for them
Wylan grateful that Jesper reads to him as if its no big deal and Jesper thankful that Wylan understood him enough to know how to make it not only feasible but enjoyable
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crowcryptid · 3 months
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I cross the street and get hit by the Amazon truck which instantly transports me into the next universe where the halo show is a short 6 episode series about some ODSTs getting picked off one by one but it is regarded as a masterpiece because you actually give a shit about them
or literally anything else.
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padfoot-lupin77 · 8 days
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Hey fellow SoC fans, for research purposes, does anyone know what’s the average amount of members the Barel gangs have?
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sophieswundergarten · 10 months
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TPJ thoughts again. But. Martina.
Over the course of TPJ, Jackson and Jillson get captured by Milligan, and Martina's probably, what? 16/17? She's running around Europe, maybe as an orphan maybe as someone who just got swept up in Curtain's plans and didn't have the option to go home to her family, and these two people she views as "adults" get taken out.
She doesn't know where, she doesn't know how. But these "big kids" she's looked up to and modeled her behaviour after and idolized for years are suddenly out of the picture. And Curtain just cuts his losses and abandons them.
The period of time between that happening and Martina getting left on the island must have been filled with so much grief and terror. We don't even hear Curtain say anything about where J&J might be, or if his plans have been thrown off or really anything. Martina was mourning the loss of these people she respected and trusted (And probably looked to for protection and at least some kind of older-sibling assistance) when no one else said a word about it, and she didn't even really know Milligan.
She knew he was the guy they all taunted when he got captured at the Institute, and that he was a really good fighter, but that's about it. The Ten Men probably really enjoyed telling her and SQ horribly frightening (And probably 65% made up) stories about what a competent agent Milligan was whenever they got bored.
If she got told anything about the situation, in all likelihood she was petrified that he was out for revenge, and would hurt her and the other Executives just to be cruel the way McCracken and his men would. So, she's bouncing between sheer terror and coming to terms with what Curtain's plans really mean, and then they just leave her.
She gets abandoned to the mercy these people she's been indoctrinated are awful and fully expects to hurt her as the only (Admittedly abhorrent) security and direct parental influence in her life disappears in a very aggressive betrayal.
I just checked, and they leave her caught in a rope hanging upside down off the side of the Shortcut, ten feet above the water
And then she goes on to give up a bunch of Curtain's secrets, but how happy do you think she was to see Jackson and Jillson again? She probably thought they were dead in a ditch or else in some maximum security prison where they'd all be kept in solitary confinement for the rest of their lives. But, lo and behold, they're safe and sound and the Benedicts are actually fighting to keep it that way.
(And then of course there's a spin off idea here of Milligan being the one to have captured and then interrogate them and the three of them learning that he's not a horrible person who's going to hurt them but I don't have time to go into all that right now)
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avesdraws · 1 year
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I downshifted as I pulled into the driveway The motor screaming out, stuck in second gear The scene ends badly, as you might imagine In a cavalcade of anger and fear
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kradogsrats · 5 months
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Length: 6k~ for chapters one and two
Summary: More than a year has passed since the dark mage Viren lost his life to the spell that brought his young son back from the brink of death, and now the newly-crowned King Harrow and Queen Sarai are facing the first great challenge of their reign: a famine that ravages the kingdom of Duren and could threaten the very survival of the Pentarchy and humanity itself. Can Lissa, Viren's widow and friend and confidant of Queen Sarai, be content to sit idly by while her world faces slow starvation? (Spoilers: no, she cannot.)
“Queen Annika of Duren and her wife, Queen Neha, arrived unannounced today,” Sarai finally said. “Duren’s harvests have been failing for seven years—a hundred thousand of their people will starve, this winter. They begged on their knees for Katolis’s help. It seemed best to adjourn, after that.”
“Seven years?“ Lissa stared at her in shock, glad that she was already sitting. If she’d still been on her feet, she might have fallen. “But if Duren is starving—they feed half the Pentarchy. Del Bar and Evenere both buy their grain, not to mention Neolandia.”
“Far more than a hundred thousand will die, yes—all five kingdoms will suffer terribly. Maybe for years, if Duren’s harvests do not recover.”
Lissa’s mind spun. It was Duren’s farmland that had allowed humanity to thrive in the west. The booming populations of Katolis and Del Bar had been built on the reliability of Durenian grain for supplementing their own more variable harvests, and Neolandia would barely even exist without it—the earliest desert settlements had only survived by raiding Duren’s borders, until Duren began to feed them willingly. If Duren’s bounty failed, all of humanity would experience deprivation on a scale not seen in centuries.
“What will you do?” she asked.
Sarai looked down at Ezran, who wiggled drowsily, still nursing. “Harrow has already promised to aid them.”
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chimchiri · 4 months
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Listen I love, love, love Imani and Randy but BY GOD I can't wait to also work more on the butches... Tbh I'm not sure how many polls I'll make with them because they are kinda already formed in my head.
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screebyy · 3 months
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Part 3 wheeeee :)))))
and FYI Night of Ascents is referencing the Awoken's celebration on the anniversary of the day they left the Distributary, which was revealed in the Hiera Hodos lore tab that was released w/ this past dawning :)))
Prev | Next Part 1
Panel 1: In the dreaming city, Jolyon is leaning back casually against a white stone wall covered with green vines with pink flowers. His arms are crossed and he is looking down, lost in thought. Crow is walking around a corner towards him, up a rocky path with blue gemstones embedded in natural rock formations. It is almost dusk, and the setting sun is casting soft golden light and deep blue shadows on the scene. Crow: “Jolyon, hi…” Jolyon: “Hey.” Crow: “You wanted to talk?
Panel 2: Close up of Jolyon’s face. He turns his head towards the camera, to glance at Crow from the corner of his eyes. He looks sad and a little uneasy, like looking at Crow is painful for him. Jolyon: “...”
Panel 3: Jolyon turns his head away, looking off into the distance. His expression is not visible. Jolyon: “I used to live out here. When we first came to Sol.”
Panel 4: The landscape Jolyon is looking out at, split into two panels. On the left is the present day in the Dreaming city - the sun is setting behind a ridge, and a white set of stairs is visible winding up the mountainside. There is a white statue embedded in the rock, and there are trees and grass growing along the sides of the staircase. On the right, is the same ridge in the distant past, before the Dreaming City was created - the rocks are barren and desolate, and there is a crashed metal ship painted with red stripes that has long since been abandoned on the mountainside. The windows of the ship are glowing with light from inside. The silhouette of a tall person is inside the ship, opening a sliding hatch on the side of the ship to greet another, shorter person standing outside. Jolyon: “In the hull of an old cargo ship, just under that ridge.”
Panel 5: In present day, Jolyon is still leaning against the wall. He looks down and away from Crow, who is staring out at the landscape. Jolyon: “Before Mara and Riven reshaped everything.” Crow: “I remember...”
Panel 6: Close up of Jolyon’s face in profile. He is staring down at the ground, and looks distant. Jolyon: “...”
Panel 7: Jolyon looks back at Crow with a determined and slightly wary expression. Crow looks back at Jolyon, though his expression is not visible. Jolyon: “You told me about the Dawning. You remember what we celebrate here?” Crow: “Yeah…”
Panel 8: Close up of Jolyon from over his shoulder, as he looks at Crow. His face is not visible. Crow (offscreen): “The Night of Ascents.”
Panel 9: Jolyon turns back towards the ridge, looking up at it with a grave expression on his face. Crow looks away from him, glancing back up at the mountainside with a sad, distant Jolyon: “Do you remember coming here? The first one?” Crow: “...”
Panel 10: Close up of Jolyon, centered around his shoulder. Only the bottom half of his face is visible, and his expression is unreadable - he is still looking forward, out at the ridge instead of at Crow. Crow (offscreen): “I remember.”
Panel 11: Jolyon pushes himself up off the wall, and turns towards Crow. Jolyon: “Technically, it isn’t for a few more weeks, but….”
Panel 12: Close up of Jolyon, staring straight at the viewer. There is still a pained, sad expression in his eyes, though he looks like he’s trying to hide it. Jolyon: “Will you walk with me tonight?”
Panel 13: Close up of Crow, who looks surprised by the request. Crow: “Y-… Yeah.”
Panel 14: Wide shot of Jolyon and Crow climbing the white stone staircase that leads up the mountainside. Jolyon is a step ahead of Crow. Crow: “Of course.”
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prolibytherium · 5 months
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First mega-murder sighting of the winter
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in-tua-deep · 20 days
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Just watched a rabbit try and fight a crow who was trying to steal its baby ????
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crowscadence · 2 months
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I started befriending the crow in my neighborhood.
The innate human urge to domesticate everything is strong
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google-sheets · 5 months
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Heartbreaking... i just saw some birds flying overhead and couldn't identify them
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