#but you should know that those cartoons were more for adults than for children

[iloveyouemanuelmarco]

I don't understand how Vivziepop still has a fanbase anymore that unironically still supports her after all the scenarios of controversy where she brushes it off as petty internet drama from "petty envious antis" atleast before she runs off into her crowd of chronically online and discourse obsessed problematic adults on any social media platform(Mostly Twitter to be specific but still)who are just a group of yes-men for her to use to attack not even only children on the interwebs who just happen to be uncomfortable with the fandom she's cultivated over her career of a wannabe artist and animator, but other adults too who by the way are somewhat consisting of survivors of abuse, rape, are LGBTQIA+, BIPOC, neurodivergent/disabled and possibly more. It honestly makes me sad as it does angry because the concept of the show isn't that crazily impossible in my opinion atleast and it could of had so much potential to do way better if not only the obvious subject matters were treated with much more care in an attempt to rework the scripts but also if Viv didn't do half of the stuff she did just a bad person in general. Like...is that really the best you can do for your fanbase???You cannot be not-joking atleast a little bit when you're telling me that apparently not only are children not being stopped from engaging with an 18+ rated show(even though the amount of vulgar language is done so poorly that it could pass of as your average failed Newgrounds animation), but that they're literally being encouraged to interact with the fandom???Are you out of your mind???Don't even get me started on the other stuff that you all probably already know about such as the blatant mockery of S.A., abusive relationship dynamics, hypersexuality in victims of said scenarios that happen irl, having other such "jokes" including some sort of rapey scene at all and having someone who actively and openly supports "non-con" fiction???!!!! What is wrong with you people??And apparently I have to share the home of the beautiful planet Earth with these idiots choosing to have the cognitive dissonance and brain function of an almost-empty and dusty old peanut...Along with the fact that the woman herself treats her animators at Spindlehorse Productions(her studio I suppose)like utter dog-dung, she has proven to drag anyone who defies her problematic and dare I say dangerous behavior through the mud and gets away with it all because of her stans/fans making her the "face of independent animation/indie animators". I honestly feel so awful for those who may have genuinely looked up to her at one point, atleast not knowing how much of a horrible person she was behind the scenes of the computer screen but its whatever anyways I guess. If any aspiring makers of cartoons or comics(LGBTQIA+/BIPOC/Disabled preferred) would like to promote the stuff they male down below in my comments section than feel free☆. It's the least anyone can do under the storm that's being made and has happened for such a long time ughh. The project should have been attempted a little more to be prevented from the confines of those echo-chambery and gross parts of fandom-centric social media communities and It's so discouraging how long this has been going on too, but hey. She's the lady that unironically made a literal pedo character that she attempted to present as a villain while just having the original character end up as a sort of "cool af bad-girl aesthetic uwu" character. Oh my fucking God please stop at once I swear to the highest Heavens and the deepest, most darkest depths of Hell(Ironic).

#TW Vivziepop #Vivziepop TW #CW Vivziepop #Vivziepop CW #Vivienne Medrano #Vivziepop Critical #Vivziepop Criticism #Vivziepop Critique #Vivziepop Slander #Vivziepop #Spindlehorse #Spindlehorse Critical #Spindlehorse Criticism #Spindlehorse Critique #Anti Spindlehorse #Anti Vivziepop #Hazbin Hotel #Hazbin Critical #Hazbin Critique #Hazbin Criticism #Hazbin Hotel Critical #Hazbin Hotel Criticism #Hazbin Hotel Critique #Anti Hazbin Hotel #Helluva Boss #Helluva Boss Critical #Helluva Boss Criticism #Helluva Boss Critique #Anti Helluva Boss #Independent Animation

[oneatlatime]

The Journey to Ba Sing Se Part 2: The Drill

Could I have Appa back please?

The Previously On segment actually didn't spoil anything for once. Nice.

I do like these tank things. In fact I like all Fire Nation technology. Not what it's used for. But the designs are neat. And more interesting than most actual military tech. You ever look at something techy, and think to yourself 'there was an artist involved here,' because that's the impression FN tech gives me. It's not beautiful, but there's a pleasing toothiness to it.

Excellent sound design on the metal screechy moving bits. And is that tank escort really necessary?

I know this is a kids' cartoon, with characters that are designed to be the audience's age. I know! And usually I can suspend my disbelief and forget that I'm watching children do very adult jobs! But this caught me so off guard I laughed. The Fire Nation's big secret project to break through the wall once and for all, that would be an absolute career making achievement for whoever is in charge, and they've given it to a bunch of teenage girls. This is where my suspension of disbelief stops.

Can you imagine the meeting where this was proposed? The Fire Lord being like "Who can lead the attack on Ba Sing Se? We lost Zhao at the North Pole, does whoever it is who occupies his equivalent rank in the Army want the job? Or even Zhao's second in command perhaps? Or how about: three middle school girls, two of which aren't even members of the military? Doesn't that sound like a good plan?" And of course all his advisors have to agree and be like "that sounds like an excellent plan your lordship; did you have any particular girls in mind or should we go scout out the local Claire's?" because the last guy who disagreed with him got his face blown off. I don't care how viciously talented Azula and friends are; a country that puts eighth graders in charge of invasion plans should have lost the war in year one, not still be winning it in year 99.

Did that random commander guy just smack Ty Lee in the face?

Problem the first of this plan: unless the Fire Nation has invented pocket dimensions or bags of holding, there is no way that that drill, even stuffed full of soldiers, would hold enough people to take a city that seemingly contains every single refugee in the entire Earth Kingdom.

Do you think those refugees got preferential treatment for arriving on an Avatar powered elevator?

"I'm the Avatar. Take me to whoever's in charge." OWN IT BABY!!!

That's one hell of an irrigation system they must have.

"He was quickly expunged." Was he? I got the impression he quit. Of his own accord.

Something tells me like forty guys throwing rocks won't stop that thing.

So... what was Mai doing that whole fight? Hanging decoratively off a rope?

I'd forgotten how stupid Earth Kingdom generals were. Luckily Sokka is there to vicariously express my opinion of them. A reverse beat up Sokka quota fulfillment!

Toph is such a little shit and I love her.

Aang sure does put up with a lot sometimes. Part of being the Avatar. It's a good thing he has such patience. Can we talk about how lucky the world is that Aang is the one tasked with putting up with nonsense like this? Imagine if Sokka or Toph were the Avatar. There would be casualties.

I like complaining too buddy. Nice to see Sokka's worth being recognised. Now can we do that outside of a life or death situation too please?

I joke about Zuko's dumbass behaviour, but let's be honest, it's inherited.

Jet. Fuckboy. You do not make it easy to even slightly like you. Guy is missing the point as much as Zuko usually does. Going straight MEANS leaving the freedom fighters behind. It doesn't mean reforming them somewhere else. And what Fire Nation threat are you going to find in Ba Sing Se for your Freedom Fighters to fight? You know, if this idiot was actually serious about fighting for Freedom rather than blowing stuff up for fun, he'd fudge his age and enlist in the Earth Kingdom Army.

Four points: How does Katara know Ty Lee's name? Is this confirmation that waterbending healing cannot remove a Chi block? I love that the trait that gives away Ty Lee's identity is the fact that she cartwheeled away. I love Sokka. Just in general.

There is no way this girl is not tripping.

Can you imagine how loud standing right next to that drill must be?

ABS

Normally I'd say that one earthbender trying to slow the drill down with spikes will work even worse than the Terra Team who tried and failed with like 40, but this is Toph we're talking about. It could work.

These children are so polite when they're committing industrial sabotage. Truly, they were raised well.

Do you ever get the feeling that whoever is in charge of designing Fire Nation armour is into a few things that he's trying to repress so hard that they're coming out in all the wrong places?

Jet seems to have lost all the manipulative abilities he had in his episode. Suddenly he's very bad at reading body language and keeps saying the exact opposite of what he should.

New achievement unlocked! 1000% agreeing with something Zuko said! That was a pretty stupid move.

Cups made out of leaves are neat.

Katara, you can't have it both ways. You can't look to Sokka to make the plan, then get snippy when the plan correctly plays to all of your strengths. He physically CAN'T bend. Either you come up with a better plan yourself, or you do as the guy you appointed planner suggests.

Points in favour of allowing Katara to murder people, exhibit 1.

Confirmed: Sokka is catnip for girls.

Even in comparison to the others, Ty Lee has a bad case of cartoon physics.

Did Katara just disarm herself? That'll come back to bite her in 3, 2, 1...

Mai gets a second personality trait! Yay!

There is no way this is actually practical armour. This is someone in procurement with a thing for sweaty bulging muscles and puppy masks.

And thus, the log ride was born. Later versions would go on to perfect the concept by introducing a log.

I felt Sokka's mud freakout in my bones. Looks like Katara giving away her water isn't going to be a problem.

Petition to let Katara say bitch. The voice actress said Circus Freak but I know what I heard in my heart.

Remember that time Sokka smacked his forehead so many times that his face was permanently red? My turn now.

Aang. I know you love your friends. But maybe a battle on top of a moving machine of destruction in the midst of an aerial assault from your idiotic allies while facing off with the single most powerful and amoral firebender in existence, isn't a place to bring your pet lemur?

Beat up Sokka quota fulfilled by little sister. It's surprising that isn't the case more often. I know Sokka took it too far, but if you don't want him telling you what to do, maybe you shouldn't have looked to him for a plan?

Toph is here! Day saved.

Finally some sense re: Momo safety.

Time for the Western showdown. There's even something that could stand in for a water tower in the background.

If Azula had just struck at Aang the second he got knocked unconscious, rather than waiting until he woke up for dramatic purposes, she would have won this. I give Zuko Hell for being a theatre kid, but he's not the only one in the family.

I would love to know what they make Fire Nation boot soles out of. They have supernatural traction.

I take back everything I said about pet safety. That was a really cool Momo assist.

Aang invents the pneumatic hammer.

I LOVE that the cut braces had an effect after all. Sokka's contribution counts!

I bet this guy's wishing he'd been eaten by a giant fishman like Zhao right about now. Have fun explaining that one to the Firelord!

HOW is Ty Lee still alive?

HOW does Azula still have knees after that drop?

HOW does Mai have such perfect timing?

ROCK TRAIN ROCK TRAIN ROCK TRAIN ROCK TRAIN ROCK TRAIN ROCK TRAIN ROCK TRAIN ROCK TRAIN ROCK TRAIN ROCK TRAIN ROCK TRAIN ROCK TRAIN ROCK TRAIN ROCK TRAIN ROCK TRAIN ROCK TRAIN ROCK TRAIN ROCK TRAIN ROCK TRAIN ROCK TRAIN ROCK TRAIN ROCK TRAIN ROCK TRAIN ROCK TRAIN ROCK TRAIN ROCK TRAIN ROCK TRAIN ROCK TRAIN ROCK TRAIN ROCK TRAIN

They really ought to put wheels on all but the back car to reduce friction and save energy. Then again, if the Earth Kingdom is one thing, it's stupid.

So... Jet's change of heart lasted a bit less than one episode. Good job fuckboy!

So precious.

So Pretty.

Final Thoughts

This was like 90% action, with the other 10% being split between Zuko & Iroh plot stuff and Sokka playing comic relief. So there's not that much to talk about here really (she says, having found a whole post's worth of stuff to talk about).

Sokka had his bossy pants on, admittedly because he was asked to don them. Aang got to do some proper Avataring. Katara and Toph got to exercise their bending muscles. I'm not surprised that Toph was absent for much of the middle of the episode, because - let's be honest - given the right tools, Toph would have finished the Drill in one move. And then they'd be out of episode.

Actually, Mai got to have a personality beyond Too Bored To Live this episode. This is probably the most personality I've seen out of her so far. She's much more expressive when she's with just Ty Lee, rather than Ty Lee and Azula.

And Zuko! Had! Common! Sense! Iroh had to be a dumbass for Zuko to shine, but Zuko was, once again, the most reasonable character in his little B plot. For future reference: If you want to make Zuko reasonable, all you have to do is nerf his uncle and juxtapose him with a terrorist.

I loathe Jet. Always have, probably always will. But I'm still disappointed in him. His 'turning over a new leaf' - if it was sincere at all - lasted like 10 on-screen minutes. I feel sorry for Smellerbee and Longshot. I don't think their faith in their glorious leader is going to be repaid. He seems to brush off Smellerbee's opinions.

The strangest thing this episode was how few lines Azula had. I guess maybe they were using silence to try to show how calculating and collected she is compared to others, but honestly my first thought was that the voice actress had something going on. A cold? A previous engagement? It felt really weird to hear her speak so little, since previous episodes have shown she's not averse to gloating and dramatic monologues. She didn't even have much in the way of facial expressions.

I think the winners this episode were Mai, who got to have a personality; Zuko, who got a turn with the brain cell; and Aang, who got to work out pretty much all the bending he knows so far and successfully Avatar.

I did notice with some of the shots of Aang moving the big boulders the idiots were chucking down, that there was a kind of fuzziness to the air between Aang and what he was moving. Was I seeing the actual bending energy (Chi I guess) moving?

#atla #avatar: the last airbender #avatar the last airbender #the drill

[atlaculture]

Live-Action Promo Pics: Zuko

I’ve been hesitant to comment much on the the live-action series, as most of the discourse has revolved around the casting. I’ve already made my ideal ATLA fancast pretty well-known and I don’t feel comfortable harshly critiquing children/teens for not looking like my favorite cartoon characters. At the end of the day, it’s the casting directors that we should hold responsible, not working actors trying to make a living.

However, I have no problem reviewing the costumes--- which I presume were made by industry professionals of adult age. In fact, I’d say the goals of this blog obligate me to give my two cents. So enjoy my completely subjective take on the promotional costumes:

Zuko

What I Liked

They maintained the silhouette of Zuko’s armor. Considering what they did for Sokka’s warrior look, it’s a relief that the FN’s armor is immediately recognizable.

I like the design on Zuko’s spaulders; it reminds me of designs that you see on traditional Thai armor.

I also like that the pattern and other parts of the armor look old and worn. Given that he’s Ozai’s least favorite child and has been banished for three years, his equipment is probably all outdated hand-me-downs.

It appears that Zuko’s live-action armor has two layers of shoulder spikes. I think that’s a good detail, as members of the FN’s royal family tend to sport two or three layers of shoulder pads.

The plume on his helmet is a nice addition. Many historical Chinese armors have plumes, especially the helmets of high-ranking officials. And, in the cartoon, the shape of the helmet almost looks like it was meant to have a plume originally.

The sash is also a good addition. It adds a nice splash of red to the dark tones of his armor. I like it better than the belt in the original show.

What I Didn’t Care For

I’m not an expert on crafts at all, but even I can tell that some very modern, synthetic materials were used for this costume. I know it would’ve been very expensive, but I really wish they had used more metal and leather for Zuko’s armor. Or at least materials that better imitated metal and leather.

The mesh girdle around his waist bothers me. I think it’s supposed to emulate chain mail, but it just reminds me of the polyester mesh they use for basketball uniforms.

I wish his plume was red instead of black.

Overall, I give it 7 broadswords out of 10.

To be honest, this was probably the most difficult of the four promo pictures to review, mainly because I find most armor to be pretty boring-looking. Generally speaking, most practical armors are going to look pretty similar to each other, with the exception of those adapted for extreme climates. I’m basically fine with Zuko’s armor, as its faults are more general issues found in all of the Netflix costumes.

I’ll probably have more to say once they give us a better view of his armor from the front.

#avatar #atla #Avatar The Last Airbender #fire nation #atlaculture #in short #the costume is really more of a meh out of 10 #for me

[who-do-i-know-this-man]

Obituary for Antigravitesla (Ben 10)

Let me first say that I completely believe that this man is a victim of people who know the source assuming they know him. Because if you know Ben 10 there is a good chance you DON'T know him.

So Cartoon Network, specifically Latin America Cartoon Network I believe, had an event for Children's Day where they would show a lot of the behind the scenes stuff related to Ben 10, including scrapped aliens. Antigravatesla is one of those aliens.

The event also had advertisements that made of new animated footage. And these ads are WILD (more on that later) and one of these ads is where we see the only on screen appearance of Antigravatesla. Ben transforms into him, and he has antigravity powers that he can't control, so he goes through the roof. That's it. About 2 and a half seconds of total screen time.

But while I have your attention let's discus the other ads cause they get weird.

Firstly they are weirdly well animated. Like these were ads for a one time event yet range from "this could be better" to more fluid and over-animated than the show. Also there are english dubs of these ads for some reason with most of the official cast. And then there's an ad where Ben, notoriously pro saving the word, turns into a plant that eats a bunch of people and destroys the world. And then you'll have one were it's young Ben with old Ben's voice, and young Gwen with some random adult woman's voice, and she's being attacked by a dnalien which were not a thing in the series with young Ben, and he turns into a southern alien who's only power is to seeming be slow. There's an ad where Ben is currently an alien made of fire and scares a hippie's girlfriend away, and the hippie's response is "doesn't that hurt?" and I can't tell if he means the fire or girl screaming and running away.

In conclusion: Antigravatesla should have won his poll, and all of you should watch the Ben 10 ultimate access ads (they are on youtube), and I need to know more about how and why these ads were made.

#not blorbo poll #propaganda?

[just-antithings]

I'm not saying adults insisting they only need to read YA books and watch children's cartoons is leading to this culture wide phobia of sex which in turn is becoming a useful vector for the increasing spread of fascism except that is exactly what I'm saying.

Im not that anon but want to expand on their thought, if they're saying what I think they are.

I thought of this more when seeing an old post of someone saying their English teacher should have let them write a report on Divergent instead making them read 1984. Someone commented supporting the OP, saying that they never read Divergent, but 1984 is problematic. Iirc, the commenter referred to Winston (I think that's the protag in 1984; sorry I haven't reread it in years) as a creep. I can't remember is this specific commenter called Winston a misogynist, but that's a common complaint I hear when people say they don't like 1984.

The screenshot of that post also had other screenshots, including the twt posts of YA authors saying that the classics were problematic. It's a sentiment I keep seeing around book twt before I deactivated my account but still on booktube as well, and it's always booktubers who also read and rant about Colleen Hoover, because they know her name gets clicks. Or booktubers that do those videos titled "I read [old/popular/controversial] series so you don't have to".

Sorry, sliding off topic a bit. Going back to what anon said, YA books tend to be more sanitized. They're supposed to be written for a 15-19 audience, so sex and gore aren't supposed to be explicit. There are YA books with sex scenes. 2 I read recently have sex scenes, but they aren't explicit. One uses mostly poetic language and infers to what's happening, and the other essentially fades to black after they get into bed, as they're touching and then picks up the next morning. (One of these YA books had a big controversy on booktube a few years ago for being problematic, though. Gee, wonder why /s)

But for the most part, often for people who enjoy urban fantasy or romances but not steamy scenes, they may go for YA, since it's usually more "PG". Unfortunately, some people get it in their head that this makes YA inherently "better", that adult books that are being more explicit are only doing it to get more sales, when YA tbh has a tighter hold on it marketing-wise.

Okay, I'm not published (yet), but I've been studying it when I need to take a break from writing to see what course is best for me and what I want to write. YA is becoming oversaturated in the market, so it's not as big a "money making genre" for debut authors as it might have been once (and I'd argue that even in the past when YA was smaller, you still had to be lucky, known, or connected to get that 6-figure check for a debut YA novel). YA is more likely to get scrutinized, considering its supposed to he for a younger audience, so a YA author wanting to push boundaries is going to receive more push-back than an adult lit author.

Now pushback happens in adult lit, too, like Ava Reid saying her editor or publisher (I forget who) told her that Juniper&Thorn might be too dark. (I've read it. Yes, it's dark, but bad reviews I saw for the book blew it way out of proportion. If you (gen) like lyrical/poetic narration and gothic horror, I highly suggest it).

But it feels like there's more of a push to keep YA books "clean". You can find some outliers, but like the YA I mentioned above, those outliers in YA that push boundaries can get wrapped in controversy and called problematic.

And for whatever reason, some people on booktube say this is a good thing and say "think of the children!"

They will say censorship is bad but then advocate for sanitized YA to be read instead of classics, because the classics are "bad" and "teach bad things" and "should be left in the past". They advocate for censorship without realizing they are advocating for censorship. It's exhausting, and as someone who wants to be published and does enjoy a lot of YA, it makes me feel discouraged. I don't think I'm "pushing boundaries" at all in my writing or saying anything new, but I'm very sure it's not sanitized enough for most publishers, especially if I wanted to try for one of the beg houses in the US.

Tl;dr One of the major problems in this anti-intellectualism is capitalism.

.

#mod erin #ask #posted without comment #fascism mention

[sabraeal]

at home with the glass half empty, Part 1

[Read on AO3]

It’s not that Nanami expected fanfare when he returned to the realm of curses and sorcerers; they hardly have time to mourn their dead, let alone celebrate the living. It’s only…

There should be more to it than this. More than Gojo-senpai’s crooned, ‘Nanami-kun’ crackling over the speaker of his phone, rousing him before even the sun's bothered to heave itself over the horizon. More than the mission brief being a location and time couched in a stream of that idiot's nonsense, more than showing up at to the rendezvous as the sole adult not wearing his high school uniform--

More than the situation going pear-shaped at the moment of contact. At least, that's what he'd thought there'd be when he still trained under these people. Last minute texts seemed normal when he was just some shitty teenager; when he was just some student called in as an afterthought once instructors had deemed the situation safe enough to stand in for a lesson. He'd assumed that when he was an adult, when he finally became a peer rather than a pupil, he'd finally be privy to all the secret strategies the other sorcerers seemed to know down to their bones

Now he'd just settle for a plan before they turned a children’s park into a battleground.

Cursed energy drips off his knuckles, liquid in a way real fire never could be. It flickers with the same frantic rhythm as his breath, a flare of flame before it extinguishes itself on the concrete. That had been the reason he’d left, wasn’t it? That there never had been a plan. That their only way of fighting the creeping tide of humanity’s apathy was to throw more bodies at the problem until it was solved.

Even if those bodies were children.

“Threat neutralized,” he pants, quenching the cursed energy licking over his shoulders. They tense in its wake, braced for a fight long over. “…Gojo-san.”

“As expected from my reliable kouhai!” A lanky arms slings itself over his shoulders, drawing him far too close to that smug smile. “Tell me, was it fun? Is it just like old times?”

“I’ve been doing this for a year.” And Gojo-senpai— intolerable, as always— never changes his script. Unbelievable that they gave this man dominion over children. “It’s shit.”

He nods, sagely. “Just like old times.”

Isn’t that the truth. Nanami plucks his blazer off the carousel's rail, slinging it over his shoulders. “If there’s nothing else…?”

“What? You’re not going to stick around? Reminisce about old times?” Gojo’s lip juts out, wounded. “Come on, Nanami-kun—”

“I told you not to call me that.” They’re work colleagues, not classmates.

“You were a salaryman, weren’t you? You know about post-work drinks. Happy Hour?”

He hadn’t gone to those either, not once it was clear he would make more money on overtime than schmoozing for a promotion. “It’s two in the afternoon.”

“Lunch, then,” Gojo-senpai decides far too quickly. As if he’d already planned— “I made bento!”

Ah, there it is. The metal teeth snapping shut on this trap. “All right,” he sighs, slumping under his senpai’s weight. “Show me this…bento.”

*

The paper bag should have been his warning. It’s rumpled, like it’d been pulled out of the bin, the top not even neatly rolled down but merely clenched shut in Gojo-senpai’s fist, like a cartoon bank robber making his getaway.

“I made your favorite,” he says, so saccharine Nanami’s teeth ache. “What is it you always get now? The casse-croute.”

The casse-croûte is a light meal— a snack, really, though a substantial one— an idea that includes but is not exclusive to sandwiches. What he prefers is the jambon-buerre, the parisien, a baguette slathered in butter and layered with Paris ham— or more often, prosciutto— lettuce and brie. But the konbini around here don’t make a distinction between the two, and by the terrible mockery Gojo-senpai’s mouth makes of a French accent, neither will he.

He takes the bag anyway, top pinched between two of his fingers. Between the grit of his teeth, Nanami manages, “Thank you for the meal.”

What he finds inside is…unspeakable.

“Is this…?” His mouth works, at a loss. “Mozzarella?”

“Nice, isn’t it?” Gojo-senpai’s nose wrinkles above his own egg salad, pressed sloppily between two slices of white bread. “Better than that stinky stuff they usually put on. You know it has a rind?”

The bread squishes beneath his fingers— not a baguette at all, not even a French loaf, but some sort of mass-produced bread-like product. A...sandwich roll, shoved into a plastic bag with a half dozen other of its ilk, sold for cheap and then bought by this absolute fool to be split in twain and abet this blasphemy trying to pass as a sandwich. The lettuce is soggy and— he’s pretty sure— shredded. Maybe even iceburg.

Even still, his mouth salivates. Not for this abomination, but the superior sandwich it apes; the same way cursed spirits shuffle, mere shadows of the human fears that birth them. One sitting behind a glass case, wrapped in crinkling film, crusty bread glimmering enticingly beneath the bakery’s lights. He can taste it, the funk of the cheese and the crispness of the lettuce, the baguette shedding sesame as it yielded to his teeth. And the girl behind the counter—

It’s much better than the konbini’s, isn’t it? The curse coiled on her shoulder cocked its fly-head to match hers, as if it had a share in her pride. As if it were anything more than a leech, sucking the life out of her sip by sip, until only a hollowed-out shell remained. He’d gotten rid of it; his last gift to the world he’d left behind. To the girl who made the perfect jambon-buerre.

A year ago now. His mouth twists. A lot can happen in a year. Do her shoulders still sit so proud? So easy? If he went back, would he find her still smiling, or would there be another one of those worms wrapped around her neck, squeezing tighter every night. Killing her day by day, unchecked, no sorcerer to—

Nanami balls up the bag, sandwich and all, and throws it into the nearest bin. That has nothing to do with him now.

“What’s the matter, Nanami-kun?” Gojo sing-songs, impossibly long limbs sprawled over the bench, taking up as much space as his smile. “Don’t like the sandwich? What’s wrong, too much mayo?”

Mayo. He pinches his nose, adjusting the way his glasses straddle it. “I don’t like anything about this.”

The sandwich, the job. The growing amount of cursed spirits spawning around the city. The strange way Gojo-senpai smiles when he asks about it. Gojo-senpai in general.

His phone buzzes in his pocket. Gojo's must as well; he slips his out from his trousers, brows knitted as his eyes scan over the message.

“Lucky us,” he drawls, smirk stiff as a carcass across the spread of his lips. “Another cursed spirit, and only a few streets over.”

Nanami frowns as the man unfurls from the bench, casual as a cat on its way to batter yet another mouse. “There’s more now, aren’t there? That’s why you were all so happy to have me back.”

“Whatever do you mean, my dear kouhai?” Gojo swings close— too close, his mouth all teeth. “Clearly we missed your scintillating personality.”

“It’s gotten worse.” He doesn’t need to see the man’s eyes to know how tightly he’s holding them, not when the rest of him is strung as taut as piano wire. “You think they’re going to overrun us, the way they did when Geto-san—”

“See? There he is.” One of those long hands reach out, patting him on the cheek. Slapping, really. “That’s the kouhai I missed so much. Nanami-kun, always so positive.”

“Don’t call me that,” he grunts, shrugging him off. A tug fixes the sit of his blazer of his shoulders. “Come on, let’s get going. I’m not about to put in overtime for you.”

Gojo rocks back on his heels as he walks away, taking in a deep breath. Despite the clear skies, a thunder rumbles through the city.

“It’s a lovely day for walk, isn’t it?” he hums, the words dogging Nanami’s heels. “How lucky for us.”

*

The cursed spirit might only have been lingering only a few streets away, but it’s a slippery one, leading them on what Gojo calls a ‘merry chase’ to the other side of town. By the time they corner it, writhing and helpless now that senpai's patience has run out, his stomach is empty enough that even that war crime of a sandwich seems appetizing.

A good thing that he’d put it in the garbage, then. Nanami would never be able to live with himself if he ate mayonnaise with brie. He had never been to France, but he would one day— if only for the food— and they certainly wouldn’t let him in after that.

Gojo-senpai doesn’t stick around to offer another; he’s got to go back to his class, to the children he’s teaching to sacrifice themselves before they even know who they might be. That’s what they’d wanted him to do when he’d first come back. Even had a promising crop of scouted talent, still wide-eyed from having the veil thrown back, the way he had been when he’d first enrolled, but—

But he’d just laughed. Told them to leave all that to Gojo, a man who tasted death and liked the flavor. They had his number; he’d come when they called.

So there’s no reason for him to be here. No reason for him to be idling next to this awning as rain pours down, pelting umbrella he’d bought from the konbini a street over. His old one; the shortest jaunt from his last apartment, closer still to the building where he used to work. One that still didn’t have casse-croute in the case.

But she would.

It’s busy now— the dinner rush, now that the salarymen have been turned out from their offices, ravenous and eager to avoid their empty apartments. Or worse yet, the filled ones— the kind with the children their parents wanted and the wife that begrudges their existence just as much as they begrudge hers.

A red beret blazes behind the counter, but even through the plate glass, it’s outshone by the smile beneath it. She’s been doing well, it seems— it had only even been her at the till before, but there’s two other employees working behind her now. They’re laughing as she tallies up an order, one of them wiping tears from his eyes.

It’s…nice. Good even. More camaraderie than he’d ever seen on the front lines of the stock market. More than he sees now, despite how close these missions fly to death. And that should be enough for him, to see proof of her success, but—

But that fly-head cocks its head, its unblinking stare settling on him through the glass. A larger one than the last. Makes sense; it’s had a whole year to siphon off its sustenance.

Nanami heaves a sigh, and with a nudge of his shoulders, opens the door.

The bell rings, the same bright chime he remembers, but the shop is so full, so lively, that no one bothers to look at the man stepping off to the side, letting another glut of customers through. He collapses his umbrella, careful to keep the extra water from dripping all over her floor. Even from here, he can hear that damn thing chittering on her shoulder, teeth clicking at every twitch of his fingers.

There’s nothing to be done about the thing from back here— he’s not Gojo-senpai, he can’t simply exorcise a spirit from annoyance alone— but he can’t bring himself to join the crowd. To hop in line and simply be yet another customer, not when she could look up and know—

But she wouldn’t. Couldn’t. He’d been a regular for only a few months more than a year ago. There’s no reason for her to remember his face, at least not enough to see past the new set of glasses on his face.

It’s better that way.

One of her employees passes behind her, leaning down to murmur in her ear, and her eyes jerk up, scanning the back of the shop. Not casual, no— that gaze is sharp, focused. Searching. It skims over him— once, twice— then catches, the tense lines collected at the corners of her eyes easing.

Oh.

She does remember him.

Her mouth opens, a hand lifting to a wave— only to flounder in empty air as the next customer shoulders his way to the counter, spitting out his order. She blinks, attention dragged back to the mundane, to the only reality she knows, and—

He should have never come. What difference did it make if he rid her of that curse? Oh, he can pretend it’s altruism, that all he cares about is gaining one small foothold in this war of attrition, but this isn’t about her. No, all this— it’s about him. About his pride. About proving to himself that these small victories meant something-- that even if he fell protecting this world from the horrors they’d never see, he’d leave a mark. That he'd have done something to make is better.

And now Nanami has his answer: he can push these boulders up this hill all he wants, but they’ll always fall back down. It’s only a matter of time.

He should leave.

The rain is still coming down outside, hard enough it bounces off the awning, splattering his already half-soaked blazer. A cluck catches between his teeth, trapped tight as he wrangles his umbrella open. An unremarkable black, one that will disappear into the sea of identical canopies; one more body in the surging tide, and—

And the bell rings. “Wait!”

He’s too close to feign ignorance, to pretend that he can’t hear her as easily as the heart pounding in his chest. That he can’t see her panting where she leans against the glass, rain dripping onto her chef whites. “This is for you!”

It’s the second time today that a paper bag has been foisted on him, but unlike the last, this one is crisp, a clean white with a neat fold at the top. And when he unfurls it, glancing into its pristine depths—

It’s his usual. The jambon-buerre. It’s a miracle his stomach doesn’t growl. “I didn’t…”

Order anything. He shouldn’t even be here.

“I know!” If he’d thought her smile was bright behind the counter, it is blinding this close. He squints into it, half-surprised it hasn’t burned the clouds away. “I keep one in stock, just in case you stop by. As a thank you!”

He blinks down at the bag. It’s been a year, he doesn’t say.

“Your neck,” he manages instead. “Does it still bother you?”

“Ah…!” Her eyes pulse wide. “Yes! How did you know?”

The fly-head chitters on her shoulder, and if it were possible for it to know what danger it was in, Nanami might have called that beady gaze a glare.

“Could you step closer?” His request isn’t breathless, but it is soft; softer than he’s ever spoken. She follows before he’s even finished, quick enough to leave his mouth strangely dry.

His movements are not practiced like he’d thought they’d be. Before he’d been relying on memory, on the feel of how cursed energy collected in his palms, but now he’s used to the way it sits there, to the way it tingles against his skin. He brings up his hand too fast, expecting the weight of the cleaver, but it doesn’t matter— the cut is same with an edge or without, his fingers honed just as sharp when it comes to little pissant curses like this one. It explodes over her shoulder, like a fly beneath a swatter.

When she breathes in, it’s with noticeably more ease, the tense line of her shoulders softened to a more natural curve. Funny how such a little thing could carry so much weight.

“Ohhh,” she sighs, eyes fluttering shut. Her hand raises, rubbing at where it sat, and he— he has to look away. “That’s so much better.”

“Thank you.” The words are foreign on his lips. “For the sandwich.”

For remembering. He turns, umbrella resting on his shoulder. It’s time.

“Wait!”

Fingers tangle in the sleeve of his blazer. Small, insignificant things, grip so weak a hard breath might break it. But it’s enough. This time, he turns back.

“How…?” Her face scrunches, head shaking. “No, wait. I asked last time, but I don’t think you heard me.”

She plucks her phone from an apron pocket, waving it with a smile. Not a shy one, but hopeful. “Can we exchange contacts?”

He stares. Not…forbidding. Simply…blindsided.

“No pressure,” she tells him brightly, despite the pink flush across her cheeks. “If you drop me a line the next time you’re around, I’ll make your sandwich fresh. No charge.”

That, if anything, tempts him. But still— he should go. It’s not good to make connections among the mundane. It only hurts them when they get caught up in his world.

“I don’t think that’s a good idea.” He smiles to ease the sting. “Thank you, though.”

This time when he leaves, she doesn’t call after him.

*

Nanami waits to eat until he’s home, setting the bag on the counter, right beside his keys. There’s a part of him that’s reluctant to eat it, to take advantage of her kindness when the best he can do is walk away. But the famished part wins out, salivating at the very memory of its taste, of how the butter and brie meld into the most decadent expression of flavor, and—

And he might get a plate, at least. A luxury; he’d always eaten it on the run, trying to finish before he went back to the office, putting more hours in on the clock. Watching his life tick away through rows of a spreadsheet.

He sits down too— ah, what a dream this would have been back then, to sit and savor each bite. To not just cram as much into his mouth as he could before the elevator finish twenty-four flight climb, spitting him out into yet another soulless lobby. He unfurls the bag, extracting the sandwich with exquisite care. There’s a napkin wrapped around it; it flutters to the plate first, and he nearly leaves it there, but—

Sayo, it reads, followed by a string of numbers. Ten of them, to be exact, grouped two, four and four.

Ah. Heat flares where his collar rests at his neck. A phone number. That’s…persistent.

He stands up, skin tingling the same way it does in battle, but there's no curse energy to blame. Only the strange beat of his heart, and the even more foreign sensation of heat beneath his collar. He paces the kitchen, once, twice, trying to expend the tremble in his muscles, to still the half-formed thoughts racing in her head, and--

And with a delicate swipe of his hand, he guide the paper into the bin. Sayo, it still reads, and a number after it. Right there, on top of all his rubbish.

Nanami turns away, taking the plate with him. He’ll eat on the couch tonight.

#jujitsu kaisen #jjk #nanami kento #kento nanami #nanami x bakery girl #my fic #at home with the glass half empty #god okay i wrote the draft for all three parts #but unfortunately only had time to write the first one #this is one of those 'rating subject to change' fics #because this is pretty G right now! #but it is not gonna stay that way

[deadrobinthoughts]

†  focus : richard.

request: no beta’d: no a/u: adult themes, not for children, mdni

Sitting in front of the t.v, you could hardly focus due to the twisting and turning in your abdomen and the tingling sensation roaming across your skin. Your fingers twitched and picked at the stitching of the throw pillow, the ache between your legs growing with each passing second. The day had been spent mostly sitting still, trying not to get off on whatever soft object you could get your hands on; it started while staring at Dick’s pillow but you knew better than to try that.

You were starting to think he’d slipped something into your drink when you sent him off this morning. 

It was becoming almost unbearable, doing everything you could to focus on the bright colored characters of some random cartoon you’d put on, under the impression it would take your mind off of rather sinful things. You were wrong. You were so wrong, even, that you didn’t even know what you were watching. It was blobs, colors and words you couldn’t even comprehend. It sounded like everything was in a completely different language at that point and suddenly, you were reminded of what it was like when you’d first met your fiancé. 

Your first year together consisted of making sure every surface of your apartment was acquainted with both of your bodies. Those thoughts though were doing nothing for you, earning a whine as you fell against the couch, forcing the pillow over your face. Your skin was practically on fire and your clothes were becoming increasingly uncomfortable. 

The sound of the front door opening had you off the couch faster than you were aware you could move, over the moon to see the tall man. Height was never a problem for you but there was a set back reaching up to angle his head down before pressing your lips to his, cutting off whatever greeting the man was attempting to get out. Your kiss was cut short, sadly, as he pulled away with a chuckle. 

‘Can I at least take my shoes off before you jump me?‘

You were tempted not to listen but groaned and stepped aside, arms crossing as he pulled his boots off. The moment the second boot hit the floor, you were once again attempting to get at him, fingers seeking out the zipper to his coat while lifting up on your toes to kiss him again. Dick indulged you in a short kiss before holding your shoulders, trying to calm you down.

‘Babe, hey,’ he began, a cocky grin on his features, ‘should probably wait til Jason leaves.’ He shifted his weight to reveal the male behind him who offered a short wave. ‘Unless you want an audience.’ 

You pursed your lips and furrowed your brows. ‘I don’t care who is here at this point!’ you answered, becoming more and more frustrated, ‘if he wants to stay, let him stay.’

Both of you shifted your attention to him, knowing very well that wasn't a possibility and he was suddenly leaving without a word. You never even learned why he trailed Dick home anyway.

#dc comics #batfam #batfam x reader #batboys #batboys x reader #nightwing #nightwing x reader #dick grayson #dick grayson x reader #mdni

[thelittlemermage]

Actually, I do completely understand how and why Gen Z came to feel the way they do about internet/fandom culture. I just think their solution to fixing the issue is misguided and more reactionary than solution-oriented based on personal trauma. The open internet and fandom culture itself was never built for small children to be able to safely wander around in. There were specific spaces for children like Neopets, Disney.com games, stuff like that. You wouldn’t have a little kid on social media. There was no social media. You’d have forums and myspace at best. Youtube was literally built because the creator wanted to show an uncensored nip slip. So the idea of protecting children was not a necessity because children were not online yet in the way adults or older teenagers were online.

What happened was technology progresses at and extremely fast rate. Faster than you can move around content on the internet or develop a different culture where kids are expected to just be around. And this unfortunately happened alongside child-friendly sites being eliminated. I’d say even with those sites tho, no one should have ever been giving two year olds ipads with unrestricted internet access. None of these kids should have been in the position to be able to come across fandom porn without their parents noticing. That’s crazy to me. My parents would check what sites I was visiting on our family computer. I think these kids were failed by ignorant parents and just...our ability to create technology faster than we know what to do with it. I think it’s horrifying we have a generation of kids who were all exposed to porn at a young age. I think a lot of things they say and do are because it fucked up their view of sex. And that’s not their fault, but I think a lot of young adults probably need to be in therapy about it and idk if they’re aware. Attacking art on the internet can’t heal your inner child. But I’m getting ahead of things.

I think we can all agree a lot of shit came to a head with MLP fandom. Those guys generated an unprecedented amount of porn, even for fandom. And this was also at a time when a lot of kids were now online and looking up their favorite shows. I don’t think there could be worse timing for anything. I don’t even want to say MLP fandom was all bad, a lot of them dedicated time to rounding up nsfw images that show up in google search and reporting it. But it was definitely a huge shitshow that I think molded a lot of people’s ideas of cartoon porn on the internet.

I still find the idea of a “kid’s fandom” oxymoronic because until recently a fandom for any cartoon would not be a “kid’s fandom”. It would be a fandom of adults and teens talking about a show that as aimed at kids, but no one would find that particularly relevant. Because the people present were not young kids. Animaniacs was actually one of the first big fandoms on the internet and it was big with college students. (Btw I feel like someone is going to purposefully start something because I keep referring to kids and teens separately. This is because there is obviously a huge difference developmentally in what content say a 7 year old and a 17 year old can handle. Whether or not a 17 year old should look at adult content, it’s not going to fuck them up the way it would a prepubescent child. I think that’s obvious. Trust and believe I’d look at a lot of shit I wasn’t supposed to as a teen and that was a purposeful choice on my part. I don’t have any particular regrets about this and I don’t feel any disgust towards sexual content, nor did I at the time. But if I was a little kid and it was being shoved in my face at random, I imagine I’d have to shit to work through. So for clarity, that’s what I mean.) I think fandom in the current year would look at something like patb fandom and be like “yea, a kid’s show for kids. It’s a kid fandom.” Maybe it would be currently, idk, but until now everyone here was in their 20′s and 30′s because it’s a show from the 90′s. So I do think there’s a culture gap in the understanding of what a fandom even looks like.

Ultimately tho, and this is my opinion based on living through all of it so far, I don’t think the problem is with the type of content people make. Frankly, having grown up in a time when every other fic was untagged noncon (because believe it or not, it’s a very common fetish and I promise that has not changed as much as people act shocked and outraged by it now. The same amount of people are still into it. They’re just in an environment where all their friends would come after them if they knew and they aren’t stupid. So they join in attacking others, but just know a lot of your friends do read it on the side, regardless of what they say publicly. 🤷‍♀️I see those kudos.) and I’ve never been as disgusted and genuinely distressed by that as I have with how real living people are treated in fandom today. It makes me sick to my stomach the things people do to each other. Fanfic and fanart have NEVER triggered me. This shit does. That CANNOT be the solution. It’s an impossible fight to begin with to eliminate everything you don’t like from fandom. And really things have come a long way with tagging believe it or not. I can avoid things like never before. So actually going out of your way to attack something you don’t NEED to look at just because it exists is just stupid to me. I’m not sure how purposefully looking at stuff you hate actually helps you with not seeing the things you hate. People obviously won’t agree with me, but I don’t think your art defines your morals. Art can be/mean anything, and I don’t personally want to live in a world that dictates “immoral” art as illegal because it’s obvious where that sort of thing can lead and it’s not pretty. (I do not necessarily agree with everything people make. I just think censorship is ultimately worse like...as far as real world ramifications go.) What you do to other people determines what kind of person you are. It’s weird this is even an unpopular opinion, but it is. You can treat others like absolute trash and still be seen as a good person so long as they “deserved it” for making The Wrong Kind Of Art. Which varies depending on which fandom you’re in anyway. And I really can’t get behind hurting people for reasons that are often so arbitrary to me.

I think the issue is just. The internet exists and kids are on it and there’s no place for them. And I really don’t know what the solution for that is. Because fandom aside, the internet is the internet. There are random porn ads on any given site, tiktok can lead you down an alt right rabbit hole in a matter of hours, twitter is....twitter lol. It’s a hostile environment for anyone these days tbh. I don’t think kids should be exposed to any of that. I think childhood is shrinking in our culture. Kids don’t have a tween phase anymore. It’s like you’re a kid and then you’re expected to look and act like a mini adult. It’s sad to me. I think that’s why a lot of people want to recapture some type of innocence and childhood. You were pushed out of it way too fast. There’s some state I think that was proposing children be banned from the internet until they’re 18. While that would be cool for me, I think that’s dangerous in a different way given how a lot of extreme alt right parents are starting to homeschool their kids. I think it’s more about putting a stopper on information than about protecting kids. And I think this would have a devastating effect on queer kids in particular. So idk. There has to be something in between we can do.

More than anything I wish we could all work together to try to fix this because I don’t think people WANT to see kids get hurt. We’re all on the same side at the end of the day. But I think the environment is too hostile to actually achieve anything useful atm. 🤷‍♀️I think that sucks. I’d love for fandom to be a fun and close-knit community again. It’s something that always meant a lot to me growing up and I think it’s sad people can no longer have what I had. But I don’t see that happening anytime soon.

#these aren't in any way fighting words lol #I think it's a really important conversation and I do wish more people were having it #even if you disagree with me #tho tbh I doubt anyone who generally disagrees with me will be reading all that lol #people do not like when I get all wordy :p #Kind of funny imo. But I have a lot of thoughts on things so 🤷‍♀️ #if any of you can be polite tho I do encourage conversation #generally I think people just fundamentally misunderstand each other

[fandoms-uniteds-blog]

My Top 10 Favorite Cartoons!

Number 10 Octonauts

What attracted me to this show when I was ten was the lessons on animals since most shows for little kids are about shapes, numbers, letter, and other boring stuff. But not the Octonauts! They talk about two of my favorite things: science and animals. And sea creatures no less. When was the last time you’ve seen a show meant for young children that educated them on the ocean and everything in it? Maybe that one show on PBS with the Cat in the Hat? But I like Octonauts better. Just look at those designs. Absolutely adorable!

It’s simple, it’s cute, and it’s surprisingly interesting sometimes.

I used to be super embarrassed for watching a show meant for toddlers since I’m in my twenties, but then I found out that their are grown adults that enjoy wholesome shows too, like Paw Patrol and PJ Masks! It was a nice relief to know that I wasn’t the only one.

Number 9 Wander over Yonder

This has got to be the sweetest show to every be put on Television. Most main characters have to be strong and cool and have an internal struggle to be impressing, but Wander doesn’t. He’s the cinnamon roll of all cinnamon rolls!

All he does is travel the universe with his bestie Sylvia (in a bubble!) and goes sightseeing. And if he happens to help people along the way, even better!

What gets me about this show is that Wonder’s optimistic and naivety doesn’t always lead to everything being hunky dory. Sometimes being nice gets him in trouble or makes even the simplest tasks harder than necessary. Heck, if Sylvia wasn’t there to have his back, his kindness would be a lot easier to take advantage of.

And I love that because it’s true that sometime being nice doesn’t feel as accomplishing as is should and can even backfire on us. But even though Wander’s experienced betrayal and hardships in his life, he still has enough hope in his heart to keep helping people.

Number 8 LEGO Ninjago

I remember when this show came out all those years ago. Back when TV’s were these big, chunky machines and you had to prop them up on tables instead of mounting them on walls.

This show is full of so much creativity and lore. From the elemental powers, to Ninjago City’s history, to the characters, and even the ideas that were dropped, it’s no wonder why the show’s still going. It’s great watching Kai, Jay, Cole, and Zane make friends, battle enemies, learn life lessons, discover secrets about themselves, and go on the craziest adventures.

I ended up being too busy because of middle school after season 3 ended and missed out of the rest of it up until Sea Bound was announced. Thanks to the birthday specials LEGO did for Ninjago’s anniversary, I learned that the show was still running and on Netflix. So me and my sister binge watched the series from the start and we fell right back in love with it.

Number 7 Transformers Animated

Out of all the Transformers series, this one is my personal favorite. Yes the other shows are pretty good too, but this one is different from all the other shows, comics, games, and movies. And I like different!

Optimus Prime has been depicted as a lot of things. A war hero that keeps his men’s spirits up with good humor and cheesy quips (G1). A powerful warrior who has become jaded after a millennia of war (Bay). A stoic leader and friend who won’t give up hope for a better future (Prime). But TFA Optimus isn’t any of that. If anything, he’s a little bit of everything but still his own thing.

And Optimus’s not the only one who’s different. Prowl is a nature loving ninja, Ratchet is a grouchy war veteran who cares about his team, Bulkhead is full of knowledge and creativity, and Bumblebee is the kid of the group with a lot to learn. The Decepticons are just as entertaining too with their own unique abilities and personalities.

All in all, there isn’t any other version of Transformers like this one and I wish more long time franchises would try something new from time to time.

Number 6 LEGO Monkie Kid

Based on one of the four classic Chinese literatures, Monkie Kid is a wonderful adaptation of a four hundred year old book that’s had a crap ton of movies, shows, and even an upcoming video game inspired by it.

I’m very picky about shows and movies based on history, mythology, or folklore. I like it when it’s accurate, but understand when things have to be changed around. It’s why I’m not the biggest Disney’s Hercules fan since they got the mythology completely and utterly wrong.

But Monkie Kid is freaking amazing. The amination is so colorful and lively and exhilarating! MK, the Monkey King, and all of their friends are so much fun to watch and I love all of them. The story is wild and mystical, which is fitting since Chinese folklore makes little to no sense but is still entertaining as heck. Don’t believe me? Read the original Journey to the West novels and just try to make logical sense out of it. Like why the dragon stays a horse for 95% of the book when he can be a huge fire breathing dragon!

I used to bug my little sister to watch this show with me all the time. And her being the little sh*t that she is always said “no” just because she has this weird habit of turning me down. But I was finally able to tie her down and force her to watch the first season! And guess what? She liked it! All this talk about NoT bEiNg InTeReStEd and now she’s getting ready to go cosplay as MK for a convention!

Number 5 Gargoyles

This has got to be Disney’s coolest show of all time. Disney usually sticks with cutey family friendly stuff like Duck Tales and Goof Troop, but they decided to take a risk and try to gain an older audience with Gargoyles. And they succeeded!

The show’s based on some of Shakespeare's books and has a good mix of fantasy and sci-fi. Especially when it takes places in 90′s New York. It also teaches a lot of mature life lessons like the importance of taking responsibility for your actions, the dangers of being stubborn and in denial, prejudice, gun safety, death, and so much more.

The characters are all lovable tropes of the 90′s, including the smart one (Lexington), the big eater (Broadway), the guy who wants to look cool but is actually a dork (Brooklyn), the dog (Bronx), the wise mentor (Hutson), the badass leader (goliath), and the girl of the group (Elisa). But their personalities and arcs are expanded on after the first few episodes. And the people they met also get a chance to shine in their own way and I appreciate that.

I’d recommend this to anyone who’s into Shakespeare or anyone who needs something to push their interest towards those kinds of stories.

Number 4 Arcane

I’m not a gamer, so I have little to no information on League of Legends. I don’t know the characters, the landscapes, the items, the history, or the lore of this world. But you don’t need to be a LoL fan to watch Arcane.

The animation? Gorgeous. The music? Amazing. The action? Thrilling! The characters? Complex. The voice acting? Impressive. And the story in general? Captivating.

I like how this show demonstrates how everyone’s actions have consequences and that there’s more to people than meets the eyes. Humans (and whatever other creatures exist in this world) are complex being and the choices we make don’t just affect our own life, but the lives of others too. Seeing the domino effect of everyone’s actions is as entertaining as it is nerve wracking since no one knows what the end results will be until it’s too late.

Another thing I love about this show is that it’s a Netflix original so it’s translated in Spanish. I was able to watch Arcane with my parents and they loved it. It was so much fun watching their reactions to the action, the conflict, and the sisters’ relationship because the two of them are very vocal and expressive. When the season one finale ended with that jaw dropper of a cliffhanger, they were both waiting for me to put on the next episode. They were devastated when I told them that that was it and had to wait for season two.

Number 3 Final Space

Like most animated series nowadays, Final Space is a mix of goofy, angsty, and lore heavy. But then, as the series progresses, the angst is doubled, if not tripled, and the side characters are given a chance to be fleshed out.

Everyone in the show has a story to tell. Gary, Mooncake, Avocato, Little Cato, Quinn, HUE, and everyone else have a past that ends with them being brought together to help each other reach their goals. Each with their own strength, weaknesses, and arcs to go through that make us love or hate them.

The first season is easily a fun space adventure with a few mysterious for us to look forward to and heart felt moments that have us sobbing. Then season two ups the stakes with the universe needing saving and more trauma for the characters to endure. And then there’s season three, which hits us in the feels in every episode and leaves us with an ending like no other.

If you're going to watch this show, then I’d advise you to prepare yourself emotionally.

Number 2 Rise of the Teenage Mutant Ninja Turtles

If you haven’t guessed one of my guilty pleasures from my favorite Transformers shows, I like it when the usual formula is shaken up a bit.

The TMNT franchise has had dozens of shows, movies, comics, and video games dedicated to these guys. All of them about four mutant turtles in their teens being raised as ninjas by their rat father and using their skills to fight all kinds of evil lurking in New York City.

But Rise turns the sci-fi into fantasy and use that to give us something brand new. Not just rebooted, but reimagined! Each turtle is a different species, they have their own unique powers, they have different personalities from their previous incarnations, and the adventures they go on feel a lot more fun and sometimes grander than before.

And it’s not just the TMNT part that I love. The animation is jaw dropping. The voice acting is very fitting. The humor leaves me laughing every time. The action scenes are so fast and creative. The characters are likable and memorable. And the brotherly relationship of Leo, Raph, Donnie, and Mikey are put front and center for us to gush over.

I know some people have a thing about changes, but if you give this show a chance, I swear you’ll love it.

Number 1 Mao Mao: Heroes of Pure Heart

I have never related to a fictional character before, much less three, yet here they are in the form of a grumpy cat with big dreams, a cybernetic badger with a big imagination, and a chaotic bat with a big heart.

And if you’ve watched even one episode of the show and know what I mean when I say that I relate to them, then yes, you should be very concern for my mental health.

This show is truly a treasure. It has everything I love in a cartoon and more. It has fluff, angst, mystery, comedy, friendship, bromance, humor, hurt/comfort, sci-fi, fantasy, anthro animals, and the classic found family trope all rolled into one! What else is there to say other than this show is nothing less than amazing. The characters are charming, the world is interesting, the adventures are entertaining, the visual humor is hilarious, and the main trio have their own tragic backstories that make them easy to sympathize with.

Funny story: me and my little sister were watching it together and she started laughing her butt off when Badgerclops was complaining to Mao Mao and Adorabat about having too many chores. I was glad she was enjoying herself until it got to the part where Badgerclops was says something along the lines of “It’s always Badgerclops, fix the arocycle. Badgerclops, go get groceries. It’s overwhelming dude!” Then my b*tch of a sister turns to me with a sh*t eating grin and goes “Rose, do the dishes. Rose, clean the bathroom,” and laughed in my face!

It’s not my fault I live with a bunch of gluttons who can’t put their dirty dishes in the kitchen or wipe the bathroom sink after they splash water everywhere!

...

Wait a minute, why do a lot of of my favorite shows end in tragedy?! And I don’t mean the final episode or whatever, I mean the program as a whole! Final Space was canceled after giving us a depressing season three finale, Gargoyles had a terrible season three because Disney switched their writers with people who knew nothing about the show and had to wing it, Transformers Animated was cancelled when a season four was planned, ROTTMNT was “put on hold” for years until the movie came out with hopes of bringing it back, Wander over Yonder was going to have a season three with an ever bigger baddy but was shot down, and Mao Mao was promised a season two until a certain company that will burn in hell took that away from us!

Hopefully Ninjago, Arcane, Octonauts, and Monkie Kid aren’t hit with the same bad luck.

Just how many more amazing shows were screwed over and why are they always the ones I love?!

#mao mao: heroes of pure heart #mmhoph #rise of the teenage mutant ninja turtles #rotmnt #tmnt #final space #arcane #gargoyles #disney's gargoyles #monkie kid #lego monkie kid #lmk #transformers #transformers animated #tfa #south park #lego ninjago #ninjago #octonauts #top 10 #cartoons #animation

[godtier]

so I'm bored watching someone playing poppy playtime ep 3 before I sleep and all I can say is that I hate how mascot horror just so often starts p strong and then quickly runs too far in the wrong direction with the way they present their settings and world building.

it's clear to me that the writers just kinda went "u know what'd be scary... if there were like... these carebear-like characters but one of them was EVIL and also there was a cartoon where the EVIL one killed ALL the other carebears... THAT'D BE REALLY SCARY"

and I'm sitting here like "ok it was plenty creepy without the cat randomly coming to the door and spewing red evil fart gas at them to kill them in this cartoon that was supposedly broadcast for children on TV"

like that's where this falls flat... even tho it's a factory/playhouse/whatever where large mascot creatures grow fangs and chase you, there should still be a level of believable realism... and the fact of the matter is that the opening cutscene came off more like happy tree friends (a cartoon definitely not made for kids lol) than a believable commercial for a toy product. there's no conceivable way you could convince me that this commercial/cartoon aired in this universe in a realistic fashion... no network would have played it lmao and that ruins the creep-factor.

like the mommy long legs commercial they did for part 2 was more believeable while still being uncanny and creepy... idg why they went so hard on the creepy cat bc imo the character designs for the smiling critters were equally believeable and creepy without the extra bs. like they were still cute while having that twinge of "offness" to them! I could believe that some corp would have produced those toys despite them being off putting... but the cat one... that just ruined it entirely lmao

they could have pulled back a bit on the commercial and made it less "in your face" that the cat one was EVILLLL by instead leaving some subtle hint in the commercial and then having the cat doll have weird sound bytes like the barney toys or elmo toys from the 90s that parents were convinced were saying satanic shit to their kids. they seemed to be doing that in the rest of the opening cutscene but by that point it lost it's creepiness bc like... you just showed the cartoon commercial where the cat one is clearly evil... no shit the doll is gonna be saying fucked up shit YOU BLEW YOUR LOAD TOO EARLY

but alas

I'm not even in this fandom or anything lmao I just enjoy yters like markiplier and jacksepticeye playing them as bg noise and passive consumption... but poppy playtime clearly has some thought and care put into its lore and gameplay so it's just frustrating to even passively consume lmao

inb4 "it's mascot horror what r u expecting it's for dumb kids"

I'm expecting ppl to stop writing stupid shit and then hiding behind the "but it's for kids" excuse BC THERE'S BLOOD AND GORE IN IT FIRST OF ALL LMAO but secondly, and more importantly, I think that's a lame, lazy, and unimaginative excuse. it's a way for writers to just be lazy and predicable. just bc kids aren't as "advanced" as adults as far as cognitive ability doesn't mean the media geared towards them should be as dumb as possible. kids deserve shit that's written well as much as anyone else imo

and tbh, poppy playtime rly does have a knack for character design and other lore/world building aspects, esp for the fake toys and their packaging. it's just frustrating to see these missteps and lack of subtlety when the rest could be really good

#I'm just rambling at fuckin 1 am don't mind me #poppy playtime #not spoilers bc this is all shit that you see in the intro cutscene #text post

[katoska]

About (I'm paraphrasing) "Why does the OTW not send all reports of CSAM to crime-fighting agencies directly? Why is it on the PAC team to evaluate that with their own untrained eyes on their own computers, risking their safety and mental health, when NCMEC have far better tools and training to do that work?" questions and worries brought up by current anti-ao3/otw talk going around.

Do you WANT the NCMEC to be spammed with hentai?

More than it is already, I mean. Yes, website mods and evaluators of reported content do not have access to the databases that would let them determine whether a pornographic photograph/gif was of an actual, already identified child, or just of a short adult porn actor with a baby face whose porn gets reported frequently enough to be in any database under "Not CSAM". And if there were any A.I.s who could determine the likely ages in new/non-archieved material, they probably couldn't afford them (though I personally would not trust those tools to be accurate or incapable of messing up - in either direction - one bit). These A.I. would be extremely unlikely to impossible to be better at that work than human beings.

Evaluation and moderation - if a site chooses to do the latter - is important work, and while it sucks that many websites outsource it to barely-paid workers offshore or have to rely on unpaid volunteers to do it due to the sheer manpower it requires for larger sites, it's still necessary to do it. No matter how unpleasant and taxing it is. I'd love if everyone who did that work was well-compensated for it and had access to mental-health services, but that just isn't affordable for organisations who aren't specifically given money to do that (unlike police and agencies).

Someone needs to sort through the (reported or actively moderated) content to seperate the fanart of Steven Universe from the photos of real people, and the photos of what appears to be actual children from photos that appear to be of adults. Do those people sometimes fuck up? Sure. Wrt "cartoon vs photo", even, child protection organisations that should really know better have fucked up on occasion. To say nothing of the amount of people reporting cartoons as CSAM/CSEM all over fandom/the US-based internet.

That's why those layers of evaluation are so crucial to enabling actual law-enforcement to do their jobs. You see something that you believe is CSEM on a website, you report it to the evaluators on that website. They make a call whether that is a child in danger and, if yes, pass it on to the NCMEC or similar, and then they make their own evaluation to decide whether or not to notify the police, who makes their own evaluation to determine if it's truly legally actionable and then opens a case and tries to find the perpetrator. But if it doesn't look like any child is in danger according to the lower layers of evaluators - from the average person making a good-faith judgement to professional organisation workers allegedly trained to deal with this stuff - actual investigators don't have to waste their time dealing all by themselves with it. Or, to put it another way, so it's not all left up to the judgement of cops whether or nor someone committed an online sex crime.

Encouraging people to skip those layers out of worry that members of an Abuse Team - who took that job voluntarily, (well-)paid or not - might get disturbed by doing their jobs, is a terrible idea. And as long as those evaluators have a report to point to in the unlikely event that police find suspicious pictures in their cache during any unrelated investigation of them, they are gonna be fine wrt accusations of possession. Nor is the OTW liable if someone evaluate a ticket and determines the content legal when it later turns out it wasn't, as long as the illegality wasn't obvious (eg the words "Does anyone want to buy some photos of naked minors?" in a non-fictional context) or could have been proven with the tools at their disposal (which, since those tools are "human eyes and brains", means there's only proof of liability in fairly obvious cases). And that is as it should be, because lot whole lot of porn could be argued to feature people who aren't clearly 18 or older. You can't report all porn of people who look between 16 and 25 as CSEM, cause that would create a lot of false - and if not false, not proveable - reports.

The OTW cannot moderate all content, and the nature and purpose of the site makes forbidding certain suspicious words or tags pretty much impossible (but is also why it would be hard for anyone looking for criminal content to find and download it). But if they were to moderate certain suspicious-but-not-obviously-illegal content/tags, it would then make them liable if any content they didn't get to due to sheer volume - even as of yet unreported content - turns out to be illegal. Because it could be argued that if they moderate/screen a tag, they were likely to know about illegal activity in it, or at least suspected that the tag fascilitates such activity (cause why else moderate that tag but not others?). So they should have banned the tag, since they couldn't adequately moderate it. Which is why the people of the OTW don't look at anything or evaluate it unless it's been reported, and they don't kick it off the site "just in case" because then they would be moderating and liable. Kind of like how writers can't admit they read any fanfiction, only much much worse.

I'm not sure what would happen to AO3 if no one in PAC was willing to take "potential CSEM" tickets anymore. It's not like anyone can force them, nor should they. I doubt the OTW would be allowed to forward content to NCMEC automatically, in that case. Both because of the "layers are needed" argument above, and cause I'm sure that if website owners didn't have to hire their own people to deal with illegal material, they (the for-profit ones, at least) mostly just... wouldn't. So the most likely outcome would be that AO3 would have to be shut down.

#pro-fiction #AO3 #OTW #I know there's not much discussion about this specific thing here #it's mostly happening in AO3 comments dreamwidth and twitter #but a few of the people with those questions and worries might find this useful #and I know a few of them are using this site and this seems simpler than responding to several ppl individually somewhere else

[jabberwockprince]

OK I JUST NEED TO TALK ABT CHLOE BOURGEOIS AGAIN NO ONE LOOK AT ME

seeing chloe be SO casual about being akumatized despite the implied effects it has on people is REALLY fucking funny and good but consider my very cool very nice very epic alternative of chloe choosing to dwell on negative feelings JUST to get akumatized because that's the ONLY time people will actually worry about her and treat her like a victim/real person, even if its out of DUTY like ladybug and cat noir. not just akumatized bc she wants to be a bully and then have all the other villains treat her like a nuisance for no fucking reason

you can even keep her being super casual and happy about being akumatized, it fits within this entire thing too, shes happy because people are gonna be forced to pay attention to her one way or another

then realizing that it's not enough because everyone knows she's being this rotten and getting herself akumatized on purpose, so she resorts to straight up becoming a villain because negative attention is still attention in the end ???

SORRY I JUST NEED TO TALK ABT THIS REAL QUICK

idk you cant just give adrien a rich spoiled friend who also has a dysfunctional family to parallel his own and then tell me they used to be each other's only support while growing up and not make me think about that forever?????

chloe as queen bee finally seeing one of her heroes treat her (albeit reluctantly since. yknow, marinette) like a human being with potential. and then wanting to become a better person as a result, but not being able to progress as fast as she wants to bc you just cant undo all those years of bullying in a second. and changing for the better takes so much effort and time too. THAT mixed with marinette and her PTSD being unable to reconcile with the fact that chloe, the person who made her life so awful as seen in derision, is TRYING to be better, leading to ladybug

chloe as miracle queen AND queen wasp still being effectively manipulated by monarch because "hey, another deeply insecure and damaged child, just like my son! lets take advantage of that". like. they had the set up already, with chloe wanting to trust ladybug and rejecting a goddamn akuma bc SOMEONE finally trusted HER to be more than a shitty rich brat. EVEN if ladybug wasnt gonna give her the bee miraculous anymore, chLOE STILL MADE BABY STEPS INTO BEING A BETTER PERSON????

you can still keep lila and monarch's constant manipulation, getting chloe to be worse and straight up hate ladybug, its the perfect set up. idk why they just had to retcon or forget everything they had for chloe in the first seasons????????

do you KNOW what chloe as a supervillain that acts as a foil to ladybug would've DONE to me????????? the scenes they had between marinette and chloe about how theyre not so different???? the fact that chloe is a perfect parallel to marinette and all the ways they could've found common ground??? NOT EVEN LIKE. BEING FRIENDS AT ALL, JUST "we strongly dislike each other, but we agree on many things and make really good points together". marinette forced to confront the fact that theres STILL more to people than what she sees, even the ones that she DISLIKES and that she needs to mature more as ladybug ????

why does FELIX get the benefit of the doubt as some "well meaning" villain but CHLOE GETS DEMOTED TO CARTOON VILLAIN ????? THIS LORE IPSUM WIKIPEDIA HAVER IS JUST OUT THERE LIKE "FUCK ADULTS AND AUTHORITY, THEY JUST TAKE ADVANTAGE OF US CHILDREN" LIKE I DONT EVEN KNOW YOU SIR????? why should i CARE abt this one he JUST showed up out of the blue

like, this season was really good at giving marinette more depth, taking some aspects that were played for fun in the first seasons AS SERIOUS THINGS NOW, like her out of the blue obsessive nature that EVERYONE (me included) complained about. a lot of the episodes are really well written and theres ACTUAL ADVANCEMENT in plot and character dynamics but chloe is straight up STUCK as the mid arc villain whose dialogue has been demoted to "i hate the poor and i hate the planet and i love the sound of my own voice" with zero depth whatsoever????????????????????????

#you cant have a scene with chloe asking her own mother something like 'why dont you love me' and not expect me to make her my favorite #bratty and awful girls who act spoiled and entitled #but who will destroy anything and anyone JUST to have their abusive and neglecting parents pay attention #felix doesnt fucking count bc his mother loves him #but prince the mayor loves chloe. DOES HE. DOES HE REALLY. AFTER THAT EPISODE WITH ZOE #miraculous ladybug makes REALLY good connections between characters at the cost of other characters' entire development #the scene with the mayor and zoe was cute. but it was at the cost of chloe and audrey #im pissed i love ith ere #dont even get me fucking started on kagami #im missing three episodes i know a lila one came out the other day and im

[clarktooncrossing]

HEY THERE PEOPLE OF TODAY AND ROBOTS OF TOMORROW! IT'S ME, CLARK! There is a madness deep in the dark catacombs of Castle Clarkenstein. For years these claustrophobic corridors have been the home of the ghoulish giraffe himself, watching as the world passes by. He prefers it this way. It gives him more time alone with the voices. The voices tell him many strange things. Yet they always come back to one: make more monsters! Everyday they tell him this. Everyday he is unable to comply. Hey, being a mad scientist on a budget means he can’t afford the fancy scientific equipment needed to breathe life into newborn abominations. Guy’s gotta afford pizza somehow. Luckily, he has discovered a way of sorts to please the voices. During all those years of watching, Dr. Clarkenstein noticed a particular pattern. Every night during October saw artists posting new pictures based on peculiar prompts. Many of them based on children of the night. While the spotted specter might not be able to craft new zombies, he can sure as heck sketch’m! As such, I provide this friendly warning to you all now: Be afraid. Few people can survive the horrors that are DUDELZ of the Damned!

By that I mean I decided to do my own take on Sketchtober this year just minus the prompts. Anybody gotta problem with that? Tough, cuz I already drew this crap so you might as well check it out.

Octoberfair has returned to Clarksburg! Based on the German festival of a similar name, adults are invited to partake in food and beer sampling while the kids run around and play. Since this is an Americanized version of the event, naturally the events lean heavily on Halloween theming more than fall itself. Hence carnival attractions like The Haunted House, Down the Zombie, a FEARis Wheel, and of course the Creepy Corn Maze! It’s here we find Bumper and Xena, the two out to have fun as Crocie feeds on pumpkin-spiced funnel cake in the main tent. Bumper would’ve stayed with his fat friend for it not for Xena presenting her pal with a wager. Should he escape the corn maze before her, without the aid of any of his phantom powers, he may pick their Halloween costumes for this year. Having the perfect costumes in mind, Bumper accepted his alien friend’s terms, thinking this would be a piece of pumpkin pie. About a minute in was enough to prove the little ghoul wrong. He was constantly set upon by scare actors whenever he wasn’t lost in the paths of corn. Just as the floating marshmallow was about to throw in the towel, a rustling noise made its way through the stalks. His fear was immediately replaced by interest when the source of the noise turned out to be a black cat named Kiki. Like always, it didn’t take long for Bumper to befriend the feline, who led Bumper out of the maze. Xena followed close behind, congratulating her best buddy on a job well done. When asked how he did it, the ghost revealed he had some help. Yet when he turned to introduce Xena to Kiki, the cat was gone. What happened to her?

Who knows, cuz she’s not gonna be a recurring character. Sorry folks, the Samp Gang doesn’t need a pet. Their quota of mostly silent, largely adorable companions has already been met by the giggling lil’ ghouly himself. Adding a cat to the mix would just complicate things and draw attention away from our main four heroes. If I’m feeling nice I’ll have Kiki pop up in future Halloween pictures, but for now I just wanted to draw Bumper being friendly to a black cat. Personally I’ve always thought it was weird how they were associated with bad luck when they’re such adorable fuzzballs. Considering Crocie’s stories are about finding kindred spirits in the most peculiar places, I figured a black cat would fit the bill nicely. Of course I had to name it after one of my favorite cartoon witches, but I had trouble deciding on either Luz or Kiki. Only after I ran the names and sketch by my friend @the-pale-servant did I settle for Kiki. I hope you all enjoy her and this DUDEL!

MAY THE GLASSES BE WITH YOU!

#clarktoons #clarktooncrossing #Halloween #original art #original character #ai art sucks #dudelz #dudelz of the damned #halloween art #inktober #orange #say no to ai art #black cat #witch #witch cat #Kiki #Bumper #ghost #floating marshmallow #corn maze #Crocs Swamp Gang

[omnipresent-sights]

some final complaints about cartoon network before I stop wasting my time over them

if you follow me on twitter, you know i’ve been very disdainful of the direction warner bros. discovery has taken cartoon network these last few months

but corporate sabotage and TV decline aside, there is a major reason why they’re so irrelevant nowadays, and it’s something i’m ready to make peace with (though I still think they could’ve handled it so much better)

although we call CN a “children’s channel” they (along with competitors nick and disney) were more popular with preteens at the height of their popularity than actual kids (for reference, I consider children >10, preteens 10-13, and teens 13+)

but the preteen demographic doesn’t really exist anymore. thanks to rise of social media/streaming, kids are exposed to teen pop culture (and sometimes adult pop culture) at a faster rate, making it harder for kid-focused companies to understand what they want or how they should cater to them

so a lot of these companies end up skewing younger or older, and in CN’s case they chose to skew younger — in the new cartoons they made, in their branding, in their marketing, even in major business decisions like launching cartoonito

the preteen wane also goes hand-in-hand with CN and AS being treated as separate networks for ratings purposes, despite being the same brand with differing names

even if CN wanted to return to being a general animation channel, or make older-skewing cartoons again, their brand is strictly associated with children nowadays

and witnessing the treatment some of their remaining preteen shows got during the transition, I don’t think the cartoon community (or the general public) trusts them enough to make a comeback

that’s why, as much as I don’t like how AS is expanding into early primetime (because they aren’t doing anything of value with those hours) or that shows made for CN are airing over there and on max, I understand where it’s coming from 🤷🏾‍♂️

#cartoon network #adult swim #warner bros

[obsidiancreates]

Turtles in Time Liveblog

Turtles in Time 1993 is my least favorite of the 90's movies, so let's hope this episode is better than it's film counterpart.

Oh more Giving Up On Karai stuff.

... Is he, still hung up on April? He hasn't really been acting like it these last few episodes, one of very few saving graces in them. Also LEO THAT'S YOUR SISTER STOP TRYING TO BE LIKE LUTHER AND ALLISON IN TUA ABOUT THIS GROSS

Awwww, Mikey saying he'll never have a crush is adorable.

Door in sky- woman? Woman with claw-like Chronoscepter from Ratchet & Clank: A Crack in Time? Oh it's the lady from the Monster Arc in Season 5

She looks like an adult. I don't like that she and Mikey have a thing. They better specify her age in this episode.

Awww really? Mikey is just The Cute One in the future? He should be The Surprising One, he's always pulling out surprises, be it parties or badassery

Very casual about being from the future, okay.

AWWW DONNIE IS SO EXCITED TO BE FAMOUS

Ew Mikey is flirting, I don't like this.

GIRL THEY'RE TEENS RIGHT NOW MAYBE BRINGING THIS GUY BACK WHEN THEY'RE SO YOUNG WAS A DUMB ACTUALLY

Oh god this guy looks so lame. God I miss The Kraang.

HIS VOICE SHEESH

Okay just right into a nonsense rant. Oh well, he was easy to get rid of.

THANK YOU DONNIE I HAVE NO IDEA WHAT'S GOING ON EITHER

Can I just say, I fucking hate that trope/idea that someday in the future humans will somehow become responsible for upholding the concept of time. I truly hate it.

YEAH GIRL THAT'S WHY YOU DON'T SEND THAT BITCH TO THE PAST

YEAH YOU PROBABLY SHOULD HAVE LET THEM DEFEAT HIM WHAT- I HATE THIS EPISODE

You're right Donnie. This isn't good. Isn't a good episode.

It's not as bad as 1993... yet.

Oh god they're in the bad DND episode costumes again.

THEY WOULDN'T KNOW WHAT ORCS ARE ORCS WERE INVENTED BY JRR TOLKEIN GRRRRRRR

I can't even enjoy the boys fighting because of how much I hate the costumes.

Girl this isn't how Medieval Time- DONNIE WHY ARE YOU DOING AN ACCENT WHAT WAS THAT

Oh a He's Right Behind Me moment.

I feel. No tension. Oh, a loop. Okay. How many times do we have to see it though?

Didn't that stick Demon Guy in a loop too, though? Or was it a temporal clone?

Donnie it wasn't that awesome. Mikey don't be jealous.

Was Raph referencing 1993 with the Turtles on Horses is Weird part?

Yeah this is- I dislike everything about this.

Oh haha Raph fell off the horse. Maybe I just need to sleep and it'll start being fun again? It's like trying to watch Season 3 of Danny Phantom all over again... why are Nickelodeon Season 3 of Cartoons always so bad? Well, this one started really, really good, but. Once The Kraang left, it got bad.

Let's talk about something else. How about we talk about what I think human versions of the boys would be like, like a Normal Humans AU? Not even ninjas in this.

So basically I created this idea of them within the concept of "One of those tropes where the heroes are put into a Perfect World dream and have to help each other escape" and Donnie's would be them all as normal humans.

So they're all Japanese, Splinter is a single parent of 5 kids. He's got his biological daughter, Karai (named Miwa at birth but she's goin through a Rebellious Phase right now so she changed it) and his four adopted sons. He's a trained martial artist, but he never felt a need to train his children very heavily in it, because they live pretty peaceful lives. They know enough to defend themselves if needed, but they're not ninjas.

They're quadruplets, but not identical. Splinter finds it curious how they all have varying eye colors but are definitely all blood related. He adopted them sort of by accident, meaning to just foster them for a while when they were babies, but well, they just claimed his heart!

Leo is very into yoga and zen sort of exercise methods. He's a total nerd, of course, and goes to cosplay conventions pretty regularly. Mikey usually helps him make his homemade cosplays, with extra flair like lights and stuff added by Donnie. He's decently well-liked in school, except he tends to be a bit of a snitch and a hypocrite at times. He lets his hair grow out the most and wears mostly baggy shirts and plain jeans, very Chill Guy vibes (basically if Leo didn't have to worry about saving the world all of the time).

Raph is following in his older sister's footsteps and entering his Rebellious Phase. He's in therapy for anger issues, and uses sports as a release. He's on the school football team, still very short but stocky enough to be a good player. He's a little more balanced thanks to being able to actually go to therapy, so he lashes out less. It's well-known around school not to mess with The Hamato Siblings, because both the older sister (who's been known to carry knives around on her) and the short football brother have no issues Pummeling People Who Mess With Their Siblings. Raph tends to wear t-shirts and gym shorts, but sometimes he goes for an all-out Punk Badboy look. Only when he's really feeling it though, because it's a real hassle to put the look together in the morning. He keeps his hair pretty short, not buzzed though.

Donnie is willowy and lanky, though surprisingly not wimpy. Splinter makes sure all of his kids exercise regularly, so he's got lean muscle, but much less than any of his other siblings. He usually doesn't need glasses, but when he needs to make sure the smallest detail possible is perfect, he has a pair of them. Otherwise his sight is... passable. He's the kid everyone hopes to be paired with on science projects, because he'll inevitably end up doing the whole thing himself and be happy to just let you sit there and watch. He likes to tinker with electronics and chemistry, but he's already planning to go into some field of Biology as a career, possibly something medical. His gap tooth is just because, when that baby tooth fell out, there was no adult tooth to replace it. Genetics, what're you gonna do? It's actually what got him curious about biology, so he doesn't mind it. he prefers sweatshirts usually, or anything easy to toss on in the morning, because he has a bad habit of staying up way too late reading or tinkering. Yes, he is neurodivergent, of course. He usually lets his hair grow out a little, not on purpose, just because he forgets to make the barber's appointments.

Mikey is a gymnast and an artist! He's really good at gymnastics and wins competitions pretty often, and would be captain of the school team if he could just get his grades up a little more. He only just got diagnosed with ADHD and is still getting his medication and therapy regiment set up, but he feels good about how things will go once that's done. He's also the artist of the family, in that he draws the most. Raph is actually better at the technical aspects of art, but he doesn't really do much art beyond sometimes going out with Karai to do some graffiti. Mikey however is always doodling and drawing, their house is covered in old wall drawings form when he was small. He has a million fidget toys. He likes to layer up, usually a long sleeved shirt with a jacket, one of the kinds where the torso is denim but the sleeves and hood aren't, is the minimum he must have every day. He draws on all of his jeans (Donnie actually does too, but he writes down notes to himself and formulas and idea, while Mikey just doodles train-of-thought style). His hair is short and oddly poofy, and always gets in his eyes. How he does gymnastics so well in spite of that is a mystery to all.

Karai is very protective of her brothers, because she's had one too many people say something about them "not being her real brothers" and it makes her Furious. She's gotten into a real rebellious phase, because while Splinter is a good dad he can be a little too strict sometimes, and she got tired of it. She got piercings at a friend's house, started going the graphic liner, decided to get a big leather jacket and spiked gloves... she loves it, and loves feeling very powerful and badass. She actually isn't super happy about Raph following in her footsteps so early (she's a couple years older) but knows he won't just Stop Doing Stuff, so she usually offers to let him tag along with her trouble so he's supervised and not out spray painting places alone.

April met the Hamato Clan in freshman year of highschool, she was trying to find her class and they were all arguing in the hallway about where to go. Donnie broke away from the argument and helped her out. She knows he has a crush on her, but he's a lot less creepy about it in this AU, it's mainly just he blushes around her a lot and gets self-conscious when they're along together. But she doesn't want to make things weird by telling him no, or yes, she's not sure, so she pretends not to notice. The brothers basically adopted her as another sister, which Karai also eventually came around to. She's into things like astrology and tarot cards, but on the downlow, she's a little embarrassed about it.

Casey was friend with Raph first, both of them trying out for the hockey team at the same time. Raph didn't end up making the cut, but they stayed friends. Eventually Casey and Donnie realized they both like tinkering and making little gadgets and they became friends, and then Casey was talking about his graffiti art and Mikey joined in and they became friends, and Leo warmed up to him when Raph asked Leo to take over a video game fight for a bit while he went and got some snacks. He thinks Karai is really cool, and Karai trusts him to take care of Raph or the others if Casey convinces them to do some mischief with him.

Splinter tries his best to be a good dad. It can be hard, and he makes lots of mistakes, but he tries. He was raised in a very Traditional household, but all of his children are very much the opposite of that, and he struggles with breaking away from how he was brought up to do things for the sake of not stifling his children. Still, he seeks counseling so he can do his best, especially once Mikey was diagnosed (Donnie hasn't been diagnosed yet but Splinter has his suspicions) as neurodivergent. He's still strict, usually, but has been known to soften up sometimes and allow a bit more excitement into their lives and home.

So there. That's that AU. I got so bored of the episode I jotted down this AU instead, and I'll put it in it's own post too sometime later.

#tmnt 2k12 #tmnt 2012 #sid blogs live

[mortallyclearwonderland]

Top 10 tropes/cliches/trends that I'm sick and tired of!

In no particular order.

1. Get down!

Someone screams ''Get down!'' or ''Look out!'' but not everybody gets down. Most of the time it's fine. The characters don't have enough time to react and get hit with an attack or whatnot. What I am actually mad about is when characters have quite a lot of time to get out of the way and they're not distracted by anything yet just choose to just stand there and do nothing.

That also applies to whoever is screaming for them to watch out. You see your friend is in danger, you have an ability that can be useful, do something!

But the most infuriating iteration of that cliche is when they say a character's name before whatever they are screaming and it somehow makes anybody else unable to hear what they're talking about.

''Bob, the train is coming!''

‘’My name is Eric, not Bob. I guess I'll just stand on the track and not even acknowledge what I've heard.’’

Extra salt to the wound when the character can totally see what is coming or at least they should but the animators couldn't be bothered to keep track of who and what is where in relation to each other.

2. Meta

I fucking LOATHE this new trend where they make self referential humor to mock the earnestness of the old stories.

Can’t they just let us get immersed in the universe without having those “We know it’s cliché *wink wink*” Especially when they do nothing to deconstruct it, show it in a new light, have an interesting spin on it, nothing. They just point it out like in CinemaSins! And it's especially annoying when they're ''breaking the stereotypes'' which have been broken years ago.

‘’She's not like other girls/princesses! She fights, speaks her mind, and doesn't want to get married to someone she doesn't love at all.’‘

Wow, you broke new ground. It's not like princesses in the 90s were already independent, princes Leia was a badass in the 70s, and even the older princesses, Snow White, Cinderella, and Sleeping Beauty, get way too much hate. Go subvert the cliche which hasn't been used in years and replace it with this other cliche. There are adults and children today who haven't seen a legitimate, 100% helpless, damsel in distress. Seriously, at this point, I would've been more shocked if there was an actual romance in a Disney princess movie.

And they act so smug about it too. Do you want to talk about unwanted marriage? How about you talk about child brides right now? Because that would be actually controversial in those countries!

Just make a movie about a badass princess, nobody cares!

3. Squidward like character

Do you remember how in the bad episodes of Spongebob, Squidward would be just minding his own business, not harming anyone and then Patrick and Spongebob would just barge in and mess everything up. Squidward would straight up say that he wants them to leave but those two numskulls couldn't take a hint. The episode just ends with no consequence whatsoever for the people who made an innocent person's day a living nightmare.

This used to be everywhere! Seemingly every cartoon channel would at least have one cartoon like that if not more.

I guess the idea is that the children are supposed to relate to the annoying obnoxious little brats energetic and innocent little angels who just want to have fun with their parent/older sibling friend but he's being boring and doesn't know how to have fun.

How did the meme go? The older you get the more you relate to Squidward.

4. Why are you surprised by this?

Don't you just hate when a character doesn't know something that should've been common knowledge?

Ash not knowing pokemon can only say their own name, not knowing what contests are or whatever the gimmick for the season/game is.

People not knowing what mutants are or where to go when they find out they're a mutant.

I know shows and movies need to explain their lore and world building but can't you find a better way than creating that one moron character who asks all the basic questions and gets lectured and info dumped on. At least make them like Tarzan, raised in the jungle not knowing anything else about the world.

5. Super-let-down

When you have a team of superheroes one, if not the most, important and interesting part is their relationship and dynamic. Who's the parent of the team, who's the heart, who's the jokester? How do their superpowers mix, who needs to be careful to not hurt who, what combo moves they can pull off, how they cover each other weaknesses?

Wouldn't it be cool to see super villains do something like that? Guess what? They just argue all the time and when they fight they just get in each other's way. It's especially frustrating when they stop attacking the hero to fight each other. Even more so when the hero is egging them on by saying something along the lines ''Shouldn't you be the leader?'', ''Who's going to be the one to finish me off?'' or ''Are you going to let them treat you like that?'' It makes the villains look like complete idiots with the mentality of a kindergartner.

What a waste of a potentially great team!

Sinister six from the Spectacular Spider-Man is the closest to the satisfying villain team. Wish they had more screen time! They had great chemistry and their banter went above throwing insults at each other.

6. Too many supers in New York City

Since the MCU became big average people started to wonder, if all those superheroes exist in the same universe, then where were they when -insert huge event from a solo hero movie here- was going on.

At least DC has an excuse that pretty much every superhero has their own city to take care of.

It's especially outrages when you have the avengers, fantastic four, spider-man, and probably many others I can't remember right now leaving in the same city. What's also funny is when they meet and act as if they never heard of each other.

7. Stop with all the food!

Recently a lot of Disney movies and shows will have excessively long scenes of food making and I don't know why.

I know that movies that want to showcase some culture focus on the food too because it's part of the culture but come on. I don't want a tutorial on how to cook, put it on a DVD. Animators just want to flex how great they are at animating food, just like anime.

I know it's a weird thing to get hung up on but in a movie, every minute counts and the movie just wasted 1-5 minutes on food porn. Just put the food in the background, make it last a couple of seconds, or be part of the story.

8. Characters look never changes

I know characters always having the same clothes saves time and budget. Animators even make jokes/try to justify it by showing multiple versions of the same outfit.

It gets confusing when supposedly years have passed yet everybody looks the same. That's why I appreciate HTTYD. They let their characters grow up.

9.Did you switch bodies or voices?

I know that you want people to be able to tell who is in who’s body but vocal cords aka voice are part of the body and should stay in the body they belong to.

Change characters' posture, body language, way of speaking, etc.

But please don't change the eyes. It somehow makes even less sense and looks creepy.

10. Fight-cut-Scene

Do you ever see those fights when characters talk for a bit, throw a punch or kick, stop to talk some more, and again and again? Looking at you CW! Also, a massive amount of cutting to hide that the actors don't know how to fight and imitate speed. You know you can just show people being fast, right? Just because something or someone is out of the frame doesn't mean they stopped existing.

#Disney #animation #movie cliches #cartoon cliches