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#but yeah that being said
oifaaa · 10 months
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I find that people who get upset at fans who prefer canon are also the ones who don't read comics/don't want to read comics though I don't really get it. I like a bit of fanon too but what's the point of fanon if not supplemented by canon? if your fanon so directly contradicts canon then how is that not just an oc? ("but new52/modern writer says--!" those people don't read comics either and just go by word of mouth that's how we got stuck with Morrison's Talia)
Here's the thing and I've said it before I don't care if you've never picked up a comic in your life and your happy enough just getting content for these characters through fan works - honestly if your happy and enjoying yourself that's all that should matter - but then I've also spoken to a lot of lovely people who have never seen a comic panel in their life and don't get offended when I bring up more canon traits of characters or try to argue with me when I mention something that is canon but has a popular fanon that contradicts it - which really is the thing that bugs me when someone sees me discussing canon and takes that as a personal attack against them and all their beloved fanon like I've not got my own beloved fanon I refuse to let go of
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hiveswap · 10 months
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starry-bi-sky · 4 months
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There are two things that Damian knows that he knows Father doesn’t.
He has an older brother
He was dead
(And a secret third thing: Damian was glad he was dead. They did not get along.)
Well. No, correction, they were two things that Damian knew that Father didn't. Past tense. Strange magic swirled through the air and created a mirage before his eyes, and immediately a scowl forms across his face.
The mirage shifts and shimmers like the light hitting a slowly turning prism, and then it settles into a memory. One that Damian does not recall. Like looking into a tv screen, it shows, faintly, a room, with most of the magic going into the image of a crib.
His mother was standing on one side, and next to her, standing on his tiptoes was a small five year old boy looking up at her. With dark hair and skin that was only few shades lighter brown than Damian's, the little boy's resemblance to Damian was undeniable.
However, his eyes were blue. Not green. Damian's scowl deepens, and he sinks back. "Danyal." He mutters, and feels eyes turn on to him.
Danyal Al Ghul. Damian's older brother. A prodigal swordsman like Damian, and five years his senior. He'd be fifteen if he was still alive. His memory of the last time he saw his brother was still clear in his mind.
(A sword to Danyal's neck. Stars were glittering through his window. Damian was five, Danyal ten. He is not sure why Danyal had snuck into his room, all he remembers is hearing a sound and on instinct reaching for his sword.)
(His brother had intercepted easily. But had not shoved the sword away. Moonlight hit his blue eyes, and Damian remembers seeing the pupils shrink to let the light in. His eyes looked almost silver.)
(His brother bares his teeth at him. Damian wants to slice his neck more than anything, and he bares his teeth back. "Good." Danyal says, his voice low in a hiss, "Your reflexes are good, little brother.")
("Of course they are," Damian remembers snarling, and presses the sword closer. But it does not budge. "I am an Al Ghul.")
(Something unrecognizable passes through his brother's eyes, and his mouth twists into something like a smile. "I know." He says, and tilts his head downwards at him. "And you will be great.")
(His brother shoves the sword back, causing Damian to stumble. And like the wind, he is gone.)
(The next morning, he goes on a mission with mother and a few others. Mother is the only one to return with Danyal's sword, and a red-eyed look in her eyes. Damian does not mourn. Now there's only one of them.)
"Momma." The little Danyal-mirage speaks, a furrow between his childlike brows as mother lowers a bundle into the crib. His blue eyes watch her, and lifts onto his toes to peer into the crib as she sets the baby down. "Who is this?"
Their mother's hand comes to rest along his back. "This is Damian, my son." She murmurs, voice low. "He is your little brother. Protect him well."
Damian scoffs internally -- not likely. He remembers every spar he ever had with Danyal, every harsh word and insult. His pushing, pushing, pushing for Damian to get up. To try again. Do it again. The only kindness he ever showed him was when his fingers bled. And even that was harsh, firm. Rolling gauze around his wrist and scolding him, telling him how to wield his weapon better.
(It was the same as everyone else, but somehow it hurt worse coming from his own brother.)
But he watches his older brother's youngest self tilt his head to the side, and then reach his chubby hand through the crib's bars. He runs small, blunt fingers over the baby's arm, and the baby jerks. Through the crib's bars, Damian sees himself grab Danyal's fingers.
And he scowls even deeper.
And Danyal's eyes... widen. He lets out a little gasp, and a small smile Damian's never seen him wear tilts at the corner of his mouth as he looks up at their mother. "Mother," he whispers, "he grabbed me!"
Damian... his scowl falters, for a moment.
He doesn't wait for a response, he looks back to the baby with sparking eyes. His expression melts like sugar as he bounces the finger being gripped tight by the small hand. "Hello, little brother." His brother says, voice its of usual firmness, but there's more fondness underlying it than Damian's ever heard. "My name is Danyal."
The mirage shifts before Damian can comprehend his older brother's voice. It shows the crib again, appearing as if a few days had passed. There is night lilting through the nearby window, and a creek of the door. The baby doesn't stir.
Danyal sneaks in, still wearing his training clothes and a sword strapped to his side. Damian's scowl returns, watching him creep over to the crib. Of course -- the last night he saw his brother wasn't the only time he'd snuck into his room.
Would he go so low as to attack an infant? Damian wonders, watching his brother cross the room to his crib. But while his fingers rest against the hilt, they never curl to unsheathe.
His brother peers into the crib again, and there it is again, that smile wider in the corner of his mouth. It's not a full one, but its as uninhibited as it gets. Dripping honey-sweet with awe. "You are so tiny." Danyal whispers, and pokes a finger back through the crib. It wriggles, then pokes Damian's cheek gently. "Was I as small as you when mother gave birth to me?"
There is no response from the baby. Not a coherent one anyways, the little thing snuffles and turns his head, mouth open to latch. Danyal stills, his eyes grow ever wider again.
Danyal says nothing else, just rests his cheek against the crib and watches the baby sleep in silence. The affection never leaves his young face.
Damian feels unsettled. Off-foot. This Danyal is foreign to him... He wonders what happened to have changed his brother's mind on him.
There's a scuffle, quiet, but there. Danyal picks up on it just as Damian does, and his head pricks up like a deer, head already turning away from the crib. The affection leaves his face, falling away like water into something serious. His blade is already slightly unsheathed.
Two assassins, belonging to grandfather, burst out of the shadows. Their swords swinging into the air and ready to strike.
Danyal kills them both, his back to the crib. It's not without struggle, and when the two assassins lay dead on the floor, the baby is wailing at the top of his lungs. Danyal has a laceration cleaving down diagonal of his cheek. It's close to his eye, just barely missed blinding him.
Damian never knew how he got that scar. He does now. (He doesn't know how to feel about it.)
His brother clutches his bleeding face, sheathing his sword as tears well up onto his face. But he turns towards the crib, and hurries over. "You're okay, you're okay, you're okay." He hushes rapidly, the League-drilled seriousness fallen away to reveal a panic-stricken five year old. He sticks one hand into the crib, the one not clutching anything, and grabs little Damian's hand.
Their mother comes bursting in that moment, and Danyal turns his head towards her. "Mother." He says, his voice cracks un-wantingly. Their mother steps over the bodies of the assassins easily. "They tried to kill Damian."
"But they did not." Talias says, kneeling down next to the crib to inspect Danyal's face and Damian's well-being. When she finds nothing of concern beyond the injury, she continues. "You killed them before they could, Danyal. Well done."
The mirage of his brother nods, his eyes teary and red.
Damian... is discomfited. he never thought Danyal would kill assassins for him. He would have thought his brother would sooner look the other way. The mirage shifts again, and it quickly shows time passing.
Danyal sits in Damian's nursery every night, after that. He lays at the foot of the crib with his sword, a pillow and a blanket with him. Some nights there is nothing but peace -- or as close to peace as a baby could achieve -- and some days assassins break in.
Danyal kills each one.
The mirage shifts again, and it shows more memories of Danyal interacting with Damian during his youth too young for him to remember. His first steps, his first words.
"Danya." The small toddler of Damian says, arms reaching for Danyal.
A frown curls across Danyal's face, and pulls Damian into his lap. "No, no, little brother." He scolds, voice firm but.. softer. "It is Danyal, Damian. Danyal."
"Danya!"
Damian's brother sighs, but there is that same-small tilt at the corner of his mouth. A glimmer in his eyes. A glimmer... that Damian is finding he recognizes.
(He always thought his brother got that look in his eyes when he was mocking him. Was he wrong?)
The mirage shifts again, and this time it shows only mother and Danyal, alone. Danyal is older, taller. Seven, if Damian had to guess. Mother has a stern look on her face, her hands tight on his shoulders. "Damian will be starting training soon, my son."
Ah, then close to eight then. Training starts, always, at three years old. He watches Danyal nod, his expression mimicking their mother's. His arms are folded, always folded, behind his back, always neat.
"You can no longer have the relationship with your brother as you did before." Mother says.
Danyal's expression... falters. It shifts, it fluctuates. He looks surprised, thrown off. Like he isn't quite sure he heard what mother just said. His brows furrow. "What... do you mean, mother?"
"I mean what I said, Danyal." Mother says, stern, "Ra's will be keeping a closer eye on Damian now that he is of age to begin his training. He will not like if he sees you both getting along."
"I am sorry, my child. But your relationship with Damian ends here. You are rivals now, not brothers." In a cruel form a gentleness, mother raises her hand and tucks a stray curl out of Danyal's face.
Of course. Damian never had a relationship with his brother because of Grandfather. Of course. No, he's not feeling a little bitter. No. There's not an inner child that still, like a candleflame, wishes that he'd had a bond with his only flesh and blood.
Danyal is dead now. So it's not like it matters. He's happy about this.
Danyal frowns, and he steps back. He looks lost in thought. "We are still brothers, mother," he says, argues, and looks up to meet mother's eyes. "Let me train him, I will make sure he gets the skill he needs. If we must be rivals, then I will teach him how to defeat me. If he can defeat me, he can defeat anybody."
Their mother, and Damian, both blink in unison. Then mother smiles something sharp, calculated. She folds her hands behind her back. "Then do it. But you will make him hate you."
"...So be it."
Damian.... Damian is silent. His world axis has been tilted on its head. He is sliding, and sliding, and sliding down. Spinning. Many things click into place at once.
More memories from the mirage show. It shows Danyal training Damian. It shows their arguing, their bickering. It shows Danyal going to their mother to praise Damian and his skills, how fast he is picking up on the sword. How one day he will surpass even him.
It shows Danyal sitting outside Damian's bedroom door every night, listening in for anyone who dares to break in. His knees drawn to his chest, his sword at his side. Sometimes he sneaks in, sword drawn, when he hears a sound.
Some nights, Damian wakes up. He remembers those nights. Danyal standing over his bed with his sword unsheathed and tight at his side. He remembers the instant terror as he immediately reached for his own weapon.
His brother always scolded him for his lack of vigilance. That had he been anyone else, Damian would have had his neck cut. He would've been dead already. It only made Damian's hatred of him grow.
But he understands now. Because there were assassins in the room that Damian, four years old, three, did not notice. Not until later. He always assumed the attacks on him after Danyal's death had been because now there was a new heir to target.
It had been the only lesson he'd been even somewhat grateful for.
Then finally the mirage shimmers, and it shows Danyal, ten years old, in one of the training rooms, mid-spar with Mother. It's fast, sharp, impressive and like a blur. Damian is unsure if at ten which one of them was the better swordsman. Some of the assassins who have never met Danyal said Damian was, but the ones who had said it was Danyal. He'll never know.
In a lull in the fight, when their swords are crossed, mother speaks. "Ra's wants you and Damian to fight." She says, teeth grit into a deep scowl. The cross breaks and Danyal jumps back, he frowns.
"We have fought, mother." He says, and dives in first, swinging for mother's feet. Mother dodges, and slices at his arm. He swerves out of the way, twisting on his feet like a dance. "We are always fighting, doesn't he see our spars?"
"Not a spar like that, my son." Mother says, a snarl in her voice. She lunges, and Danyal blocks her blade. "A fight to the death. Father has grown tired of having two heirs."
That gets Danyal's attention -- or, more accurately, it distracts it. His eyes widen, and his sword lowers for a single moment. A mistake. "What?" Is all he gets out before mother has him on his back, her blade pressed to his throat.
He freezes. As does Damian. Danyal's brows furrow, then unfurrow, only to knot up again. "Mother, what do you mean a fight to the death?" He flips to his feet when mother removes the sword. She walks over to grab her water.
"Must I repeat myself, Danyal?" Mother snaps, rubbing her forehead before swigging from her canteen. "Father wants to find out which one of you is the stronger heir, and so you will fight to the death after your training in a few days."
Danyal's tan face loses a shade of color, he looks ashy. "There must be some mistake!" He exclaims, his arms gesturing out as he peers around mother. "There is a five year disparity between us, Damian has only just started training two years ago. It would be an unfair fight!"
"Do you think me unaware?" Mother whirls on him, and there is a grief-stricken look on her face. Like she is already mourning Damian's death. Damian feels ill. "Your skill is far beyond what Damian can accomplish right now, and there is nothing that I say that can convince Father otherwise."
Danyal wears an expression like he is scrambling for answers. A white knuckle grip on his weapon. There is a long silence, and his lower lip curls up. His throat bobs, he swallows. "Is there really nothing we can do?"
Mother makes a frustrated sound, pushing her loose hairs out of her face. "Not unless Father changes his mind, or I send one of you away. But Father would surely send someone to look for you or Damian."
"What if one of us faked our death?"
Mother stills. As does Damian. No, he thinks, stiff as a rod, no way. These mirages were lying, nothing but figments of an imagination. Of some quiet what-if that Damian had not yet stomped out.
Mother's expression shifts, and then turns contemplative. Danyal notices, and keeps pushing, he looks as hopeful as he could get beyond his usual unwavering, stone-like expression. "One of us could go to father--"
"No." Mother cuts off, voice sharp. Danyal wilts, confusion flittering across his face. Damian, from the corner of his eye, sees Father tense as stone. His white-slit eyes have not left the mirage. Nobody's has.
"Father will undoubtedly check there first, it would not be a good idea. You or Damian will have to go somewhere where he would not think to look. Someone unaffiliated with the League."
Danyal's face falls, shutters, and then closes up again into stone. Mother begins to pace, and Danyal's blue eyes follow her. "So a stranger?" He asks, and there is disgust lilting into his voice.
Mother nods, and she looks just as offput as Danyal.
The mirage of Damian's brother rolls his shoulders back. "Then I will do it, mother." He says, voice unwavering. There is a stubborn note behind it all, one that Damian recognizes. "I will fake my death, and Damian will stay here."
Mother's eyes turn sharp on him, and she stops in her spot. She pivots. "Are you sure?" She asks, eyebrow raising, "There is a chance you will never meet your Father if you leave. Nor will you see I or Damian again, if you do this."
Something like fear flickers across Danyal's face, eyes widening momentarily -- as if that very thought had not crossed his mind. But then it smooths over to sharp determination. He nods. "It would be the same for Damian if it was him instead. I will do it, Mother."
Damian feels ill again. Father has a strong set in his jaw, his teeth grinding.
Mother stares at Danyal, and then her expression softens. And like before, it is grieving. "In a few days time, I and another member of the League will be going on a mission to the American States. I will tell Father that you will accompany me, once there we will dispose of the other member and then orchestrate your death."
The American States. Danyal was here, in the country. He was out there somewhere -- but no this was fake. It had to be. Danyal was dead. A fool who got himself killed on a mission with mother and left the title of Heir to Damian.
Or maybe it had been his plan all along. His and mother's both.
...Was mother ever going to tell him?
The mirage of Danyal nods, sharp. Understanding. There is a gleam in his eyes that is not pride, it is tears. And when Mother leaves the room and leaves him alone, the stone-like expression on his face crumbles and falls.
His brother, ten years old, curls up his lip in an ugly way. It wobbles as the tears in his eyes do, and he brings up his hand to slam it over his mouth. And sinks to his knees, a yell-like sob muffled behind the skin.
His brother, ten years old, looks smaller than Damian remembers him being, and cries.
Damian has never seen Danyal cry. Not once in the mirage of memories, nor in his own.
The memory holds for a minute, and then disappears. And no new one shows up. The magic is gone, and it leaves a silence in its wake. Heavy, staticky, and full of revelations.
So there are two things that Damian knows that his Father now knows too.
He has an older brother
His older brother is alive.
(And a new secret third thing: Damian wasn't sure how to feel about it.)
#dpxdc#dp x dc#dp x dc crossover#danny fenton is not the ghost king#dp x dc prompt#dpxdc prompt#i promise this is a prompt#it just got very long#danyal al ghul au#my take on a danyal al ghul au#older brother danny#dpdc#dpxdc crossover#i know the usual gist is that danyal al ghul is a better knife thrower than he is a swordsman but hey#consider: phantom has a sword when he fights ghosts. how sick is that?#his ghost form having allusions to the LoA. its not obvious but its there#did i make danny brown skinned? yeah. because him being white or not is irrelevant to me and i wanted to make him darker skinned#thinking about the angst of bruce seeing his firstborn son going “i could stay with father!” and then said child being visibly crushed#when told no. and that he may never see his father ever. actually. if he fakes his death. and still doing it anyways for damian's sake#danny loves his little brother he just shows it in an unorthodox way. some of it is not his fault#also danny being an absolute grump in amity park is very funny to me. he's an arrogant little assassin child in AP who is only here for#his little brother's sake and safety. he loves his brother but that doesnt stop him from being an arrogant little brat#gremlin assassin child danny is so funny#i know this is very ironic for me to post after posting my thoughts on danyal al ghul aus and their missed potential#but actually this prompt is what spurred that post into creation in the first place actually.#because i was thinking about this au and then went “oh hey you know whats funny--” and then i#thought about it too much to the point where i had to make a post talking about it#tried to find a balance between danny being mature for his age and also still being a kid#like yeah he’s a trained assassin and has killed but also he’s a 10yo boy about to be separated - Assumingly permanently- from his family
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wavesoutbeingtossed · 1 month
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Obviously we have to wait for the video to know the story, but for anyone who’s studied any kind of social history/psychology/sociology/etc. And knows a little about the diagnosis of hysteria, Victorian mores, the use of lobotomies/shock therapy/etc to treat women who failed to live up to patriarchal ideals and the minimizing of women’s physical and mental health issues historically in the medical and psychiatric fields plus the old Hollywood of it all… the imagery is Telling The Story. I am fucking SEATED.
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poorly-drawn-mdzs · 2 months
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Swapping tips on how to be a bestie in the bath.
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Hot take, I really don’t think we should assign human morals onto animals and call them bad or evil. Fishblr has internalised this idea really well with sharks, and I think that’s good! Sharks don’t deserve all the fearmongering they suffer from in media. But… can we please remember to extend this to other animals too? Even to intelligent animals like dolphins (most commonly bottlenose dolphins) and orcas. It seems to be a counter to pop culture’s tendency to show dolphins as complete angels when they partake in some messed up things, but like…. Dolphins are still animals? They may be able to recognize themselves in mirrors and they may have language and culture and know how to use tools but their intelligence is still on the level of a human child (and how empathetic are those!!??). I see people talk about how evil dolphins are but I never see people talking about other animals the same way, like, why aren’t sea otters and their “evilness” the topic of discussion? :/
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cosmicrhetoric · 25 days
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LOVE that robin + franky + brook are like look. we're the adults. we're all over 30. we gotta keep this shit running so no one gets hurt. and then they spend all their time doing absolute bullshit <33333333
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lenateliier · 6 months
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Maomao in various hanfu #1: Garden Party Outfit
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unreachedgalaxy · 9 months
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ohhhhh I just realized the point of the fucking coffee shop AU. like, there's many points to the coffee shop AU. but...harrow in the coffee shop AU proves definitively that she would fall for gideon in any life, regardless of their relationship. no matter the circumstance - harrow would love gideon if she were nobody, if she was nothing more than a cute barista with a flirty smile. gideon, on the other hand, is quite clearly under the impression that harrow only loves her because she is her cavalier. she places being harrow's cavalier as evidence of her importance to harrow. as long as harrow accepts her as her cavalier, then she can never be nothing to harrow, because one flesh, one end.
even as kiriona, she's just waiting for the day she can swear to be harrow's cavalier again (get in line, thou big slut!). but harrow doesn't care if gideon is her cavalier at all - she loves gideon, just gideon.
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turtleblogatlast · 1 month
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I think a lot about Leo’s tendency to push his way into the spotlight despite clearly being a natural in the shadows. Hell, you could argue that his worst moments are when he’s forcing himself onstage, and his best are when he does things no one notices until it’s already been done.
#rottmnt#rise of the teenage mutant ninja turtles#rottmnt leo#rottmnt headcanons#rise leo#His aptitude with subterfuge sleight of hand stealth and speed really push how being a ninja really comes naturally to him.#it’s arguable that his desperation for the spotlight and validation is an act of subterfuge against himself#note that when he’s offered a job as a mascot he’s fine being unknown#when he and splinter win the battle nexus Leo immediately says ‘they love YOU pops’#idk I think so much about how good a ninja Leo is#and how much his persona is more an actor#Leo as a tot is shown a natural skill at katana too so hear me out-#every Leo is a natural ninja but every Leo’s route in life is directly tied to their splinter so#since rise splinter is an actor Leo too aims for it#and he brings it into his whole life - masking always because a Leo makes what they do who they are#I think that Leo naturally falls more in line with that of a typical ninja#his eccentric performer self is his subterfuge skill just set to an 11 at all times#not that that’s NOT him - like I said it’s still undoubtedly a part of Leo#but? idk I think about little moments like Leo being the only one to choose stealth in bug busters#or Leo being the only one to almost get Gus’s dog tags in The Ninja Art of Hide and Seek (he was so close but luck was against him alas)#like- he’s clearly in his element there and he falls into those skills so easily#it’s like how everyone has skills in so many things but some exceed more in some than others do#like Raph? Raph’s the biggest Hero of the bunch of them let’s be perfectly real here. Raph is THE Hero#All the boys are smart in their own rights but Donnie is THE Genius.#and they all have mystic powers but Mikey is THE Mystic Warrior with immense untapped potential#likewise Leo I feel is THE Ninja#but yeah I love how much Leo goes for the spotlight anyway for better or for worse#he IS a performer again make no mistake! but again the way he does it still lines up with his natural ninja aptitude and I love it#Leo loving magic tricks and magicians so much works doubly well here because like#you’d think he’s focused solely on the performance flair - no it’s ALSO and ESPECIALLY the DECEPTION
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ovenproofowl · 5 months
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it was a really charming surprise to find out that the song ncuti and millie performed wasn't pre-recorded and that they literally just had to sing it on the fly while dancing around. most sequences like that would have just been lip-synced with the done up vocals being played in the background which always feels a bit inauthentic, but this just adds to the chaos of the scene and makes the stakes feel a bit more genuine, that ruby and the doctor are actually struggling to come up with this song to offer a proper distraction.
I know we talk a lot about how doctor who will always pick practical effects and costume over 'cgi-ed to a buggery', so I feel like this also deserved some acknowledgement
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inkskinned · 10 months
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it just sucks because nothing is ever fucking made for you, and if it is made for you like 75% of the time it gets chopped into little pieces by every person alive because this is the one thing you have, so it has to prove itself to you.
like, a thing can't just be for women. men need to assign it to women. women have to experience "must" or "should" before their hobbies and passions - women are allowed to do silly, passive things like tuck our ankles and titter behind a fan, or something. women are allowed to, they are welcomed to. like the world is a house and we are supposed to be in the kitchen and now we are being given the divine right to enter the living room if we bring chips
because when it becomes for you, or about you, that is when the thing is vile. you should/must wear makeup so you can appear beautiful to men. once you wear makeup for yourself, or because you yourself enjoy putting it on, then you are no longer doing the right thing. there is a reason men hate certain fashion trends. there is a reason men hate things like the pumpkin spice latte - because it's not about them. you are buying it because it is good for you. they degrade your passions and interests. there is a reason women-led fields are largely seen as being "not a real" profession. when you are a good cook, that is because you can provide for him. close your eyes. you're not going to be a chef, be honest. that is a man making food for himself.
bras are made so breasts will be appealing to men. they are rarely about comfort or support. you have given up entirely on the idea of pockets. young girls have to worry about a shorter inseam on their shorts. a girl on instagram gets her septum pierced, and men in the comments are rabid about it - i just want to rip it out of her face. she'd be beautiful without it.
and fucking everything is for them. even the media that is "for you" is for them, eventually. remember "my little pony"? remember how hard it is to convince any executive to believe that little girls are worth selling to? in the media that is for you, you see little ways that you still need to make it accessible for them - the man is always powerful, smart, masculine. he is a man's man. the media usually forgives him. it usually says okay, some men are awful, but hey! gotta love 'em. because if you don't hold their hands and say "this is literally just a story about my lived reality", they shit their pants about it. they demand you put them into the media that's for you.
these are people who are so used to glutting themselves on the world. they are used to having every corner and every dollar and every place of leadership. so you say can i please have one slice of cake, just for myself, please, holy shit. and they fucking weep about it. they say you're being unfair, because some of their one-thousand-slices aren't beautiful, and your singular cake slice doesn't have their name on it. and aren't you being rude by not offering to share?
and honestly. fucking - yeah, man. you were kind of surprised, because the cake is a little basic (you bake at home, you're way past this stuff). but holy shit, it was nice just to be offered cake in the first place. you're used to having to starve. you're used to getting nothing, but going to the party anyway, because you're expected (professionally) to show up. you liked that it is a simple cake, and that it is warm, and mostly: you like that there is, for once, a cake-for-you.
in the real world, outside of metaphor, it feels like fucking being slapped. barbie didn't even say anything particularly unusual; it literally just made factually evident points. there are less women in leadership than men. we can look at that fact objectively. that is a real thing that is happening. and the movie is aware that it has to defend itself! that it has to spend like half an hour just turning to the camera and saying: i know this is hard for you to understand, but this is a real thing that women experience.
it's just - this is that one kid on the playground who thinks its allowed to hog all the toys. he builds this hoard that nobody else is allowed to even look at, or he'll get aggressive. everyone's a little scared of him, so they let it slide, because his daddy gave him the golden touch. he hates when people cry and thinks bullying is cool. he writes boys only! on a big sign and makes all his friends take "alpha male" classes.
and then girls pick up barbies, because there was nothing left for them. and in the void they've been given, with their scraps: they make long, spiraling narratives about how barbie is actually descended from snakes and has given her righteous followers magical (if concerning) powers and can speak 32 languages (2 of which are animal related) and has big plans for infrastructure (beginning with the local interstate). and the boy comes over, and he has a huge fit about how the girls aren't "including" him. he wants to know why the girls aren't making the story about ken.
"we didn't like your story." the girls blink at him. they point to his war stories and the gi joes and the millions of male-led narratives and how still in the modern day men get two-thirds of the speaking roles in movies and they point to men making mediocre shows that don't get lambasted and they point to men encouraging toxic masculinity and they point to men everywhere, men and men and men. and they say: "how is this our fault? you had ken."
"no!" he is already back to screaming and stomping his feet and tearing at his hair and intentionally reminding them that men are holding back thinly concealed violence and he says: "if it's not for me, it's actually sexism."
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lemonouiiid · 8 months
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REUPLOAD BC I MAY BE STUPID 🔥
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flawless, lawless
(sketch version below)
(my ass is NOT studying + bonus hobie)
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I love seeing Danny Phantom showing up and being like ‘don’t ask too many questions but John Constantine I own your soul. All of it. Lmao sucks to suck bitch’, and he’s usually all Ghost King Full Regalia as he does it, at least in front of the Justice League, but consider—
He just shows up as Danny Fenton.
“yeah I got bored and collected the pieces like Pokémon. Gotta catch ‘em all” says the 5’2 teen who looks like a stiff breeze could trip him. He denies being a sorcerer, or a magician, concedes he’s maybe psychic but mostly he’s just…. The kid of two mad scientists—who have a basement lab where they opened a portal to what he SAYS is not hell but no one is frankly CONVINCED, by the way—and he hasn’t decided what to do with Constantine yet besides getting Danny into some r rated horror movies, but figures he should tell the dude probably.
“What’d you even trade for some of his soul contracts?”
“Don’t worry about it”
They worry about it
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thankstothe · 2 months
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lightningidle · 4 months
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I am once again emotional about Riz Gukgak, this time because he is (as far as we know) the only Bad Kid actively thinking about the group's future together. The entire plot of The Seven was the Seven Maidens fighting tooth and nail to all graduate together and remain an adventuring party, but as Junior Year kicks off, Riz is the only one we see trying to chart a course for the whole group.
This doesn't mean the other Bad Kids don't care! Of course they do!! All of them have big things to deal with, be it breakups or a lack of parental figures or a lack of direction or a lack of money, the list goes on. But as the future looms ever nearer, Riz is the only one we've seen thus far thinking about everyone's future together, not just his own.
"The years will go by, and everyone will find someone that matters more to them than you."
It can be hard to be the friend that always makes the plans. It can be hard to be the friend who's constantly reaching out first, who's always the one facilitating hangouts, who's always taking charge because (especially as you get older and your time becomes less structured) without someone taking the wheel, the gang won't be getting together for weeks at a time, if at all. None of this means the gang doesn't want to spend time together, just that as you age, it takes more effort to make happen. and more often than not, it tends to fall on one person to see that through.
And even though you love your friends, even though you know the work is worth it, even though the work itself is your love language, it can sometimes feel like none of them care as much as you do. Whether or not it's true, sometimes it feels like, if you just stopped trying, no one else would pick up the slack, because it doesn't matter to them the way it matters to you.
"Why do you think your friends keep you around, Riz Gukgak? If it had not been for detention on your first day of school, and for you to solve this little mystery, do you think they'd look at you as someone they can truly understand? Or are you just a funny little thing that finds the clues?"
At the end of the day, the Bad Kids love each other. These friendships are meaningful and important, and they all put effort into taking care of each other. Riz is the little shrimp (honorific)(affectionate) of his crew because he belongs, not because he's simply tolerated.
But like he told his mom before Boys Night, he has a hard time relating to them when there's not a problem to solve. As he told his dad, he feels the distance between himself and the group as someone who doesn't get the hype around getting their kisses in. Work is his love language. And if he can do this— lay out the pieces, solve the puzzle, do the work to make sure that there's a future for all of them as a team— then he can prove he's worth keeping around.
Right?
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