so much happened in this whole episode but i’m still on fig infiltrating ruben’s dream, making it look like the place where his friend was murdered, and then disguising herself as kipperlilly & repeatedly saying different variants of “somebody needs to take the fall for this, and it’s not going to be me. it’s going to be you.” while adaine as the elven oracle shows up next to her. can you imagine waking up from that, the idea of a horrible truth being pinned on you by your friend to save her own skin while the personification of fate and destiny stands there, almost as a promise that this is GOING to happen to you. we don’t even know if this kid is guilty. my god.
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He’s fucking hilarious and I’m tired of the internet pretending he’s not
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There’s a general consensus that above all else Jason should be homicidal again. However I think what’s also very important is that he should be a fucking hoot.
There’s nothing not funny about this entire bit.
1. He couldn’t give less of a shit about explaining that he’s single-handedly trying to stop a terrorist attack. Obviously cause he’s short on time, but even if he had all the time in the world he would still be this indifferent towards explaining himself to cops.
2. This bomb is seconds away from exploding but he’s at most mildly annoyed like he’s in the office doing some menial task.
3. The perfectly timed British jokes.
4. Circling back to number 1 on the list. After he throws the bomb into the water he just dips. For all they know he’s the (weird) terrorist. (But as long as everyone’s okay he doesn’t care! The beauty of Jason Todd everybody).
This one is funny (but it’s also true)? Like yes … that is exactly what you are. (A sweet, kind-hearted goodboy learning how to effectively poison people, shoot guns, and blow shit up with all manner of explosives like a certified pro).
Bonus:
Red Hood: The Lost Days #5 (2010-)
Red Hood: The Lost Days #4 (2010-)
“Not so irritating for an American” is a far more impressive title than “genius” if you ask me. Although I think Jason balances both pretty well.
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I love Trucy so much but I’m just thinking about her and Phoenix’s first couple of months living together
Trucy moves so silently (“she’s like… the twins from that scary movie”), so Phoenix either has his eye on her constantly so she won’t get into trouble (or hurt herself) or
“Hello Daddy.”
SHIT— has to restraint himself from flinging what he’s holding into the nearest wall, “o-oh! Hey Trucy!”
Staring at him with her All Seeing Eyes, “do you want to see something cool.”
Oh— oh god please don’t let it be a body. Do we have mice? Did she catch a mouse??? “Oh, yeah, sure thing kiddo.”
Tenderly takes him by the hand and pulls him into her room, “I organized all my socks by color.”
“…oh. Wow. Cool!”
“I also organized all my construction paper by color but that seemed less important at the time”
“Uh-…huh”
AND AN ASIDE I THINK ITS VERY IMPORTANT that Phoenix takes EVERYTHING IN STRIDE, like yessss king, water off a ducks back, this is your child now
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Actually obsessed with the difference in the whole Garp situation in the live action compared to the anime. In the la it’s a big deal like “Luffy how could you not tell us your grandpa is a vice admiral! This is so serious and relevant!!” But in the anime they’ve already seen this kid throw hands with god and declare war on the entire world so after the initial shock it’s just “luffy’s the grandson of a navy hero and the son of the most wanted criminal in the world? Yeah that checks out. Explains the crazy, must run in the family.”
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this scene is ruining my life at first I didn’t get it but now I get it and Aughdhyfhfheujfuejfjjfjfnv
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(sorry for leaving y’all in suspense I was grocery shopping) Surprise!! I accidentally got into Len’en like two weeks ago. Whoops! I got ideas for cool drawings to do with each of the BPoHC shrine team members (and you-know-who, ofc, but that one might be… weird lol), but Tsubakura gets to go first cause theirs is the simplest; just greyscale + red color scheme with a split background and the pose is mostly random (maybe they’re squishing Tsurubami’s little eye thing? Idk). Very pleased with how everything worked out; the line for the eye is exactly where the dividing line for the background was and the way I managed to make the vest corseted while not changing the ribbon placement is just perfect. Although I did make their hat smaller out of the aforementioned cowardice also that thing is hard to draw
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God, there’s something about the framing of Shauna beating up on Lottie. To have Lottie place her hands deliberately behind her back. To have her expressly ask the only boys to leave the room—to have her ask Travis to take Javi out of the room, as this kind of scene would normally request a young woman to be removed before the violence can start. To have no slapping, no hair-pulling, but the sheer escalation of grief into brutality. To pull no punches. And to cut in all these slow motion scenes of the women they become—traumatized, grief-stricken, lonely, guilty, dying—dancing, laughing, letting the snow wash away the blood and the pain for a little while. Letting the friendship montage together with the violence. It’s poetic, and it’s awful, and it’s perfectly done in the most haunting sense.
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Oh. I am thinking about not only all the people Robin would’ve seen die in his afterlife, but the people he would’ve seen born, and watched as they grew up. Did he see all the plague ghosts as care free children? Was he reminded of his own children? And what about Mary? Did he see her as a weird little girl, talking to animals, helping her mother in the garden and learning how to weave baskets? Did he see Humphrey as an awkward teenager, nervous and sweating in his finery as he met his betrothed for the first time? Did he watch Kitty time and time again as she hid in the garden, talking to the statues as she waited for her sister to finally come find her? Oh. Oh my god.
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Man remember that time Talia tried to get Slade to think that he was Damian’s dad and Slade was like “Nuh-uh” and Talia was like “Ah, well. Nevertheless.”
And now it turns out they do have a (secret test tube) baby.
Oh except no ‘cause he’s dead (for now).
DC is fucking wild.
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No one:
Helluva boss fans whenever the writing is inconsistent, doesn’t make any sense, lazy, or flat: B-but……but…..BUT IT’S A QUEER SHOW!! 😰
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pixal, making her new body look butch as fuck bc she’s definitely just committing to nya’s bit and keeping an ironclad secret identity, no other reason: hehe he. hehe :]
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cas’s every other line of dialogue in chapters 1-8: vampires are infinitely superior to humans you are the prey and we are the predators i am so sexy and dangerous i jump off cliffs for fun i kill and murder people and no one tells me shit about it i could end you with a thought
gabe, teaching mc how to defend themselves against vampires: ya you just gotta plant your feet :)
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you can have the big one I want that femme with the cute moustache
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“now this is real horror, it makes you uncomfortable and doesn’t rely on cheap jumpscares” would it kill you to stop being such a prick and have fun for once. could you try anyway
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I know Alfendi being Layton’s biological son doesn’t make much sense if you consider that, according to the timeline, Alfendi would have had to have been at least 4 by the time of Last Specter, and Layton never mentions having a son (bc he didn’t exist until after game 5)
But now I’m considering the idea that Alfendi is his biological son, and Layton’s taking care of him during all the games, it’s just. He never mentions him. At least not in what we see
Just like. He has a son, he just never mentions it. And so no one knows he has one (well maybe Luke, Emmy, Flora and Rosa, but that’s only after the fact)
And then just some time later he’s talking with one of his friends (maybe Randall and co or Desmond, maybe someone else), and he casually mentions Alfendi, and they’re just like “wait you have a SON?!”
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