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#but i appreciate the thought <3<3<3
cuddlytogas · 2 months
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So I accidentally almost got into an argument on Twitter, and now I'm thinking about bad historical costuming tropes. Specifically, Action Hero Leather Pants.
See, I was light-heartedly pointing out the inaccuracies of the costumes in Black Sails, and someone came out of the woodwork to defend the show. The misunderstanding was that they thought I was dismissing the show just for its costumes, which I wasn't - I was simply pointing out that it can't entirely care about material history (meaning specifically physical objects/culture) if it treats its clothes like that.
But this person was slightly offended on behalf of their show - especially, quote, "And from a fan of OFMD, no less!" Which got me thinking - it's true! I can abide a lot more historical costuming inaccuracy from Our Flag than I can Black Sails or Vikings. And I don't think it's just because one has my blorbos in it. But really, when it comes down to it...
What is the difference between this and this?
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Here's the thing. Leather pants in period dramas isn't new. You've got your Vikings, Tudors, Outlander, Pirates of the Caribbean, Once Upon a Time, Will, The Musketeers, even Shakespeare in Love - they love to shove people in leather and call it a day. But where does this come from?
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Obviously we have the modern connotations. Modern leather clothes developed in a few subcultures: cowboys drew on Native American clothing. (Allegedly. This is a little beyond my purview, I haven't seen any solid evidence, and it sounds like the kind of fact that people repeat a lot but is based on an assumption. I wouldn't know, though.) Leather was used in some WWI and II uniforms.
But the big boom came in the mid-C20th in motorcycle, punk/goth, and gay subcultures, all intertwined with each other and the above. Motorcyclists wear leather as practical protective gear, and it gets picked up by rock and punk artists as a symbol of counterculture, and transferred to movie designs. It gets wrapped up in gay and kink communities, with even more countercultural and taboo meanings. By the late C20th, leather has entered mainstream fashion, but it still carries those references to goths, punks, BDSM, and motorbike gangs, to James Dean, Marlon Brando, and Mick Jagger. This is whence we get our Spikes and Dave Listers in 1980s/90s media, bad boys and working-class punks.
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And some of the above "historical" design choices clearly build on these meanings. William Shakespeare is dressed in a black leather doublet to evoke the swaggering bad boy artist heartthrob, probably down on his luck. So is Kit Marlowe.
But the associations get a little fuzzier after that. Hook, with his eyeliner and jewellery, sure. King Henry, yeah, I see it. It's hideously ahistorical, but sure. But what about Jamie and Will and Ragnar, in their browns and shabby, battle-ready chic? Well, here we get the other strain of Bad Period Drama Leather.
See, designers like to point to history, but it's just not true. Leather armour, especially in the western/European world, is very, very rare, and not just because it decays faster than metal. (Yes, even in ancient Greece/Rome, despite many articles claiming that as the start of the leather armour trend!) It simply wasn't used a lot, because it's frankly useless at defending the body compared to metal. Leather was used as a backing for some splint armour pieces, and for belts, sheathes, and buckles, but it simply wasn't worn like the costumes above. It's heavy, uncomfortable, and hard to repair - it's simply not practical for a garment when you have perfectly comfortable, insulating, and widely available linen, wool, and cotton!
As far as I can see, the real influence on leather in period dramas is fantasy. Fantasy media has proliferated the idea of leather armour as the lightweight choice for rangers, elves, and rogues, a natural, quiet, flexible material, less flashy or restrictive than metal. And it is cheaper for a costume department to make, and easier for an actor to wear on set. It's in Dungeons and Dragons and Lord of the Rings, King Arthur, Runescape, and World of Warcraft.
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And I think this is how we get to characters like Ragnar and Vane. This idea of leather as practical gear and light armour, it's fantasy, but it has this lineage, behind which sits cowboy chaps and bomber/flight jackets. It's usually brown compared to the punk bad boy's black, less shiny, and more often piecemeal or decorated. In fact, there's a great distinction between the two Period Leather Modes within the same piece of media: Robin Hood (2006)! Compare the brooding, fascist-coded villain Guy of Gisborne with the shabby, bow-wielding, forest-dwelling Robin:
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So, back to the original question: What's the difference between Charles Vane in Black Sails, and Edward Teach in Our Flag Means Death?
Simply put, it's intention. There is nothing intentional about Vane's leather in Black Sails. It's not the only leather in the show, and it only says what all shabby period leather says, relying on the same tropes as fantasy armour: he's a bad boy and a fighter in workaday leather, poor, flexible, and practical. None of these connotations are based in reality or history, and they've been done countless times before. It's boring design, neither historically accurate nor particularly creative, but much the same as all the other shabby chic fighters on our screens. He has a broad lineage in Lord of the Rings and Pirates of the Caribbean and such, but that's it.
In Our Flag, however, the lineage is much, much more intentional. Ed is a direct homage to Mad Max, the costuming in which is both practical (Max is an ex-cop and road warrior), and draws on punk and kink designs to evoke a counterculture gone mad to the point of social breakdown, exploiting the thrill of the taboo to frighten and titillate the audience.
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In particular, Ed is styled after Max in the second movie, having lost his family, been badly injured, and watched the world turn into an apocalypse. He's a broken man, withdrawn, violent, and deliberately cutting himself off from others to avoid getting hurt again. The plot of Mad Max 2 is him learning to open up and help others, making himself vulnerable to more loss, but more human in the process.
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This ties directly into the themes of Our Flag - it's a deliberate intertext. Ed's emotional journey is also one from isolation and pain to vulnerability, community, and love. Mad Max (intentionally and unintentionally) explores themes of masculinity, violence, and power, while Max has become simplified in the popular imagination as a stoic, badass action hero rather than the more complex character he is, struggling with loss and humanity. Similarly, Our Flag explores masculinity, both textually (Stede is trying to build a less abusive pirate culture) and metatextually (the show champions complex, banal, and tender masculinities, especially when we're used to only seeing pirates in either gritty action movies or childish comedies).
Our Flag also draws on the specific countercultures of motorcycles, rockers, and gay/BDSM culture in its design and themes. Naturally, in such a queer show, one can't help but make the connection between leather pirates and leather daddies, and the design certainly nods at this, with its vests and studs. I always think about this guy, with his flat cap so reminiscient of gay leather fashions.
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More overtly, though, Blackbeard and his crew are styled as both violent gangsters and countercultural rockstars. They rove the seas like a bikie gang, free and violent, and are seen as icons, bad boys and celebrities. Other pirates revere Blackbeard and wish they could be on his crew, while civilians are awed by his reputation, desperate for juicy, gory details.
This isn't all of why I like the costuming in Our Flag Means Death (especially season 1). Stede's outfits are by no means accurate, but they're a lot more accurate than most pirate media, and they're bright and colourful, with accurate and delightful silks, lace, velvets, and brocades, and lovely, puffy skirts on his jackets. Many of the Revenge crew wear recognisable sailor's trousers, and practical but bright, varied gear that easily conveys personality and flair. There is a surprising dedication to little details, like changing Ed's trousers to fall-fronts for a historical feel, Izzy's puffy sleeves, the handmade fringe on Lucius's red jacket, or the increasing absurdity of navy uniform cuffs between Nigel and Chauncey.
A really big one is the fact that they don't shy away from historical footwear! In almost every example above, we see the period drama's obsession with putting men in skinny jeans and bucket-top boots, but not only does Stede wear his little red-heeled shoes with stockings, but most of his crew, and the ordinary people of Barbados, wear low boots or pumps, and even rough, masculine characters like Pete wear knee breeches and bright colours. It's inaccurate, but at least it's a new kind of inaccuracy, that builds much more on actual historical fashions, and eschews the shortcuts of other, grittier period dramas in favour of colour and personality.
But also. At least it fucking says something with its leather.
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screebyy · 4 months
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A little crowlyon dawning comic wheee i finished it please clap
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I have lots more written on this but idk if i will do another comic or write part of it as a fic or some mix of both. im just very normal about them right now 🙂
ID/transcript below cut
Panel 1: Crow is walking down a path outside of the dreaming city with a brown cross-body messenger bag slung over his shoulder. Crow is holding the strap of the messenger bag and looking up in exasperation as he talks to Glint, who is floating beside him and speaking emphatically. Crow: “There's still time to turn back…” Glint: “Don't!” Crow: “But -” Glint: “You said you wanted to go through with this!” Crow: “I know but -” Panel 2: Close up of Crow’s eyes as he spots something off-screen. He looks startled. Crow: “!-”
Panel 3: Jolyon is standing next to a natural stone wall, looking away from the viewer. He is resting one hand on the wall and staring out at the Dreaming City watchtower and buildings in the distance, which are overtaken with taken corruption and several taken orbs hang in the air around the city. Crow is standing in the foreground, looking at Jolyon with one hand resting on his messenger bag. Crow: “Jolyon.”
Panel 4: Close shot of Jolyon turning towards the viewer, he is only visible from his shoulder to his nose so his expression is neutral and unreadable.
Panel 5: Camera is looking over Jolyon’s shoulder as he looks at crow. Crow looks at Jolyon with determination. He is holding the strap of his bag with one hand where it falls across his chest. Glint is transmatting away with an enthusiastic expression. Jolyon’s face is not visible.  Crow: “Thanks for meeting me” Glint: “ok good luck bye”
Panel 6: Close shot of Crow’s face. He is looking down and to his left, blushing lightly. He looks uncertain and slightly embarrassed. Crow: “I’m sorry if you… didn’t want to hear from me.” Jolyon (offscreen): “It’s fine.”
Panel 7: Close shot of Jolyon’s face. He is staring down at Crow with a distant, slightly pained expression.  Jolyon: “What do you want?”
Panel 8: Close shot of Crow’s hands gripping the strap of the messenger bag. He is twisting it with both hands, clearly fidgeting due to nervousness. Crow: “I’m…”
Panel 9: Side shot of Crow and Jolyon looking at each other. Crow is leaning slightly forward, while Jolyon looks entirely neutral. Crow: “I’m trying to make amends.” Jolyon: “Amends. For what?”
Panel 10: Close shot of Crow’s face. He looks confused but determined, and is looking up at Jolyon with a furrowed brow.  Crow: “For-... For Uldren, for everything-”
Panel 11: Extreme closeup of Jolyon’s eyes. He looks angry and his eyes are suddenly glowing with intensity as he glares down at Crow. Jolyon: “No. What specifically?”
Panel 12: Low angle looking up at Jolyon, who is glaring down at Crow with an intense, angry expression, bordering on hatred. Jolyon: “Tell me. What exactly do you remember?”
Panel 13: Extreme closeup of Jolyon’s mouth as he sneers, speaking through gritted teeth. Jolyon: “Crow.”
Panel 14: Shot of Crow’s face, he looks startled and distraught as he stares at Jolyon. Crow: “...”
Panel 15: Crow looks away to his right, looking ashamed. Crow: “I remember enough. I remember when things were good between us. And when they were… less good.”
Panel 16: Extreme close up of Jolyon’s left eye, he is looking down at Crow and looks alarmed. Crow: “I remember the garden.”
Panel 17: Wide shot from behind Crow. Crow is looking up at Jolyon. Jolyon is flinching and looking swiftly away from Crow to his left. Crow: “After that… things start to get confused. Honestly, I don’t understand everything that happened between us at the end… But I know it wasn’t what he wanted.”
Panel 18: Shot of Jolyon looking away, looking extremely upset as Crow talks. Crow: “So… I’m sorry. For all of it.”
Panel 19: Extreme close up of Jolyon’s eyes, he is squeezing his eyes shut and still looks emotional. Crow: “And so is he.”
Jolyon: “...”
Panel 20: Wide shot from behind Jolyon. Jolyon turns back to look down at crow, his face is not visible. Crow is still looking up at him. Jolyon: “Okay. Is that all?”
Panel 21: Shot of Crow’s face, turning down to look at the messenger bag at his hip. Crow looks nervous and is blushing with embarrassment. Crow: “Um…”
Panel 22: Close shot of Crow’s hand as he opens the messenger bag and reaches inside. A purple box is visible inside the bag. Crow: “No.”
Panel 23: Wide shot of Crow. He has pulled the purple box out of the bag, and is looking down at it, blushing slightly. In an inset panel, Jolyon is looking at him suspiciously. Crow: “Do you know about the dawning?” Jolyon: “Yes… The Awoken don’t celebrate it.” Crow: “I know.”
Panel 24: Close shot of Crow’s face as he looks down at the box. He is smiling wistfully, and blushing. Crow: “But… in the city, we give each other sweets, to say thanks. And… I don’t know. Now, it always reminds me of this time…”
The background shifts to a black backdrop, with white snowflakes falling quickly.
Panel 25: Extreme close up of Uldren Sov’s face in a flashback. It is dark, and snowing. Uldren is wearing a hood and is hunched over while looking straight ahead at the viewer. His hair is obscuring his right eye, and he looks serious and intense. Crow: “It was centuries ago. Back when the last city was just a tiny settlement.”
Panel 26: Close up of Uldren holding a pair of dark gray-purple binoculars, with glowing magenta lenses. He is resting his hand with the binoculars on one knee in the air. Uldren is wearing a dark blue shirt and black gloves with burnt orange detailing, and a long black cloak. Crow: “I… He was doing surveillance on earth. Keeping tabs on the people trying to build a sanctuary beneath the traveler.”
Panel 27: A wide shot from behind Uldren, who is sitting on top of a dilapidated building on earth. He is looking down on a festive nighttime scene. There are several buildings that have been partially destroyed and reclaimed by time, but dark silhouettes of people have made a home in them. The windows are all glowing with firelight, and the buildings have been decorated with glowing garlands and colorful flags. Between the buildings, many people are visible, holding hands, hugging, and waving at each other. It is snowing very hard, and snow is piled up around Uldren and the village. Four inset panels show closer views of people within the village.  The first shows a woman hugging a man from behind. The man is holding a steaming hot cake inside a baking tray, and is wearing baking gloves. The woman is pressing her face against his neck, and the man is turning towards her and laughing. The second panel shows a human man throwing his arm over the shoulder of a blue exo. The Exo is waving at somebody to the left, and the man is looking the other direction and lifting a tankard of beer in cheers. The third panel shows an Awoken person and a human woman sitting at a table. The Awoken is holding a warm mug of tea, and is smiling lightly at the human woman. The human woman is turned towards the Awoken and is leaning close to them. She has placed one hand on their arm tenderly. The fourth panel shows a closeup of two people, one with dark hair and one with light hair. The light haired person is cupping the dark haired person with one hand, and is leaning in to kiss their other cheek. The dark haired person is blushign and laughing with their eyes closed. Crow: “They had almost nothing. But they were celebrating. Sharing, and laughing.”
Panel 28: Another closeup of Uldren’s eye as he watches the scenes below him, he now looks sad and distant. Crow: “It was snowing, nonstop. It was so cold. And he was so lonely…”
Panel 29: Uldren is walking away from the viewer, through a dark pine forest covered in snow. His cloak is blowing in the wind.
Panel 30: Uldren’s ship is flying towards the Dreaming city in the distance, weaving between two cliffs in the reef. Snow is blowing in the ships glowing purple trail.
Panel 31: Wide, side view of Uldren as he walks through the snow-covered dreaming city. In the background, ornate arches and pillars can be seen, along with an awoken statue. Snow is falling hard, and it looks windy.
Panel 32: Shot over Uldren’s shoulder as he bangs loudly on a wooden door. His hood is up and his face is not visible.
Panel 33: Waist-high shot of Jolyon opening the door. Jolyon is wearing a green sweater with the sleeves rolled up, and gray sweatpants. Jolyon: “Hello?”
Panel 34: Side shot of Uldren rushing inside, tackling Jolyon with a hug. Jolyon looks startled, and is stumbling back inside the doorway as the snow blows inside. Jolyon: “Wha-”
Panel 35: Side shot of Jolyon and Uldren embracing. Uldren has buried his face in Jolyon’s shoulder, and Jolyon is cupping the back of his head tenderly with one hand while his other arm drapes around Uldren’s shoulder. Uldren is clutching Jolyon’s sweater with one hand. Jolyon: “Aren’t you supposed to be on earth? Why are you back so soon?” Uldren: “Why do you think? I was freezing my ass off.”
Panel 36: Close shot of Uldren’s face pressed into Jolyon’s sweater, he is smiling wide and blushing slightly. His hair is falling over his face and his eyes are not visible. Uldren: “Listen- this is kind of stupid, but… Do you want to bake something with me? Something sweet?”
Panel 37: Shot of Jolyon’s hands in present day, holding the purple box that Crow has given him. The lid has been removed, revealing that it is full of cookies. They look like italian almond cookes, covered in powdered sugar and slivered almonds. Jolyon: “Hah… you remember that?”
Panel 38: Crow glances away, smiling nostalgically and blushing lightly. Crow: “Yeah. We made… well, I guess they were kind of like almond cookes? There were almonds in them, at least…”
Flashback Panel 1: In the background, a memory from the flashback is visible. It shows Uldren and Jolyon standing in a kitchen. Jolyon is standing behind Uldren and holding his waist affectionately. Uldren is holding a mixing bowl on the kitchen counter with one hand, and is pouring something into the bowl with his other hand. Several ingredients are visible strewn all over the counter, along with piles of spilled dough. Jolyon: “Haha, what are you doing? You’ve got to measure.” Uldren: “Following my royal intuition.” Jolyon: “Your intuition kind of looks like cat puke.”
Flashback Panel 2: View of Jolyon and Uldren from the front. Uldren is mixing the dough with a wooden spoon, and looking down at the bowl with a soft smile. Jolyon is behind him, with one arm wrapped around his waist. His other hand is holding Uldren’s arm tenderly. Jolyon is leaning down to kiss Uldren’s cheek. Jolyon: “You’re making a mess of my kitchen, Sov.” Uldren: “I’ll clean it up.” Jolyon: “Will you?” Uldren: “For you? Probably.”
Panel 39: In present day, Jolyon is staring down at the tin of cookies, smiling faintly. Crow (offscreen): “We didn’t really have much of a plan…” Jolyon: “Uldren wasn’t big on plans. Or recipes.”
Panel 40: Jolyon says from offscreen, above the rest of the panel: “Whatever they were, they didn’t turn out very good.” In the panel, Crow is blushing furiously, looking nervously at a thought bubble to his left with a shaky smile. Within his thought bubble another memory is visible, of Jolyon and Uldren kissing passionately on a couch. In the background of the memory, several “BEEP” sound effects are visible. Jolyon is on top of Uldren, holding Uldren’s head in one hand while kissing his neck. Uldren is smirking, while pulling Jolyon’s shirt off with both hands. Jolyon (flashback): “Oven’s going off. We should probably get that.” Uldren (flashback): “I don’t give a shit.” Crow (present day): “Um. Yeah. They were kind of… burnt…”
Panel 41: In present day, Jolyon is smiling faintly, looking at one of the cookies as he holds it up in front of his face. Crow (offscreen): “These are better, I hope.” Jolyon: “Seems like it.”
Panel 42: Close up of Jolyon taking a bite of the cookie.
Panel 43: Crow is smiling enthusiastically up at Jolyon. Jolyon (offscreen): “They’re good.” Crow: “Good!”
Panel 44: Close up of Jolyon. His smile is falling, he looks seems distant and emotional as he looks down at Crow. His eyes are glistening with the first signs of tears. Jolyon: “I uh…”
Panel 45: Jolyon turning to his right, digging the heel of his hand into his right eye as his tears start to fall. He looks distraught, squeezing his eyes shut. Jolyon: “I should go.”
Panel 46: Shot over Crow’s shoulder, Jolyon is walking swiftly away, holding one hand over his face. Crow is looking after him, with one hand reaching awkwardly towards Jolyon. Crow: “Wait…” Jolyon: “Thank you.”
Panel 47: Shot of Crow’s face as he watches Jolyon leave. He looks startled and upset. Crow: “...”
Panel 48: Crow facepalms, looking frustrated and embarrassed. Crow: AUGH.
Panel 49: Crow is sitting on a rock on the cliffside, he is hunched over and propping up his face on one hand. He looks defeated and is sighing. Glint has re-appeared next to him, and looks enthusiastic. Glint: “That could have gone worse! He said they were good! How do you feel?” Crow. “Fantastic. Why did I let you talk me into this?”
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kiirotoao · 1 month
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Season 2 Mike said, “he’s quiet today.” He really said, ‘hey, I know that something’s wrong,’ without a single hint from Will that anything was wrong.
And when Mike learned that things were going wrong, he said, “if we’re both going crazy, we’ll go crazy together, right?” He really said, ‘hey, I’m here for you. No matter how rough it gets, I’m not going anywhere,’ even in the face of this new, terrifying, bad force.
And after Mike made that promise, he stayed by Will’s side and said, “we won’t let him.” He really said, ‘I’m sticking to my word and we will overcome this,’ even as the Mind Flayer was actively taking Will over.
And throughout this whole horrific ordeal, as Will got worse and worse, Mike said, “what’s wrong?” Multiple times, at that. He really said, ‘I want to help you no matter what. Tell me what you see. Let me help you,’ and he never, ever feared Will or doubted him.
And after Mike figured out the Mind Flayer’s plan, after it possessed Will completely, after everything he knew, he said to Will,
“You remember the first day that we met? It was the first day of kindergarten. I knew nobody. I had no friends. I just felt so alone. And so scared. But I saw you on the swings, and you were alone, too. You were just swinging by yourself, and I just walked up to you, and I asked. I asked if you wanted to be my friend. You said, ‘yes.’ You said, ‘yes.’ It was the best thing I’ve ever done.”
And… do I even need to elaborate on how sweet that is?
The more and more Will was taken from him, the more and more Mike gave to him. It didn’t matter to Mike that Will was almost gone, he poured everything out to him to reach him.
That’s not just love. It’s not even just unconditional love that looks past bad circumstances, that’s dedicated love that actively works in the face of hardship.
Season 2 Mike loved Will so much that it hurt. And he was only 13.
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magicshop · 2 months
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*sweating* is this allowed [for @outroindigo ♡]
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bisexualrapline · 1 year
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every gratuitous shot of yoongi's hands in people pt. 2 (feat. iu) mv for @yooboobies ♡
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caffeinated-cryptid · 3 months
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something something jason todd and death symbolism
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merriclo · 10 months
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I want to know your LU headcanons!
ohHO i will absolutely tell you tysm for asking!! i’ve been wanting to talk abt them for ages but just never got around to it ig ahjdkcka
Time’s actually like 32 and is just really committed to the bit of being ancient
Sky is horrific at making new friends. he grew up with the same small group of people, so he never learned how to make friends with complete strangers because there simply wasn’t the need to. so, when he first starts traveling with the chain, he makes little wooden charms for them because he isn’t entirely sure how else to get close with them. Zelda always enjoyed his woodcarvings, so maybe they will too??
as a result, the entire chain has little trinkets made by Sky. on Legend’s bag there’s charms hanging off the straps, and Twilight wears his as necklaces (both because it looks cool as fuck and it helps the shadow crystal stand out less). yes Wind has specifically commissioned him to make something for Aryll
yeah yeah bunny Legend but consider: the mermaid suit (which I like to think is more of a curse bc get fished pink man <3) giving him some marine animal qualities as well. no matter what tho that bitch is an Ariel kinnie, they’re collecting all the shiny shit they can find
Sky is obsessed with doing puzzles the Right and Proper way, meanwhile Wild cheeses absolutely everything he can
Wind believes in all of those classic pirate superstitions
the witches in Legend’s era adore him. Grandma Syrup dotes on him, Maple is like a teasing older sister, and Irene is like a teasing younger sister. this is where he learned most of his magic skills from, and he takes all potentially enchanted or cursed items to them to check out. he’ll never admit it, but Legend finds lots of comfort in all of them, as they’re one of the few people who’ve stayed in his life this long.
Wild’s a pretty good medic!! during his adventure, he very quickly realized how dangerous infection is, so they learned about a lot of home remedies and medicinal herbs, as well as how to tend to a wound from other travelers at stables and inns. he didn’t really get a choice in learning, considering how he probably got stung or bit by painful insects or accidentally brushed up against painful plants a lot during the early days of their adventure, and thus showed up to stables covered in rashes and hives and such, causing every decent person in the area to flock to them and try to help. their Hyrule is very sweet, okay?
they’re not the only one who’s well acquainted with medicinal herbs, though! while I think all of them would have a basic understanding, Time, Hyrule, Warriors, and Wind would know a lot. dw i’m elaborating
Time quite literally grew up in the forest, was raised by a tree, and had actual forest spirits for siblings—he knows his plants. he and Saria would peel willow bark and collect dandelions together
I like to think that Hyrule being half-fae makes him very sensitive to all magic-based auras, including that of plants, so they’re very good at picking out the healing herbs, even if they’re not quite sure what they’re called
listen ok hear me out about Warriors. young Time was appalled that he knew jackshit about nature and forcefully taught him. also, before modern medicine, medicinal plants were used all the fucking time on the battle field. yarrow, an herb that stops bleeding and prevents infection, is called soldiers’ woundwort because of this. i mention this because he was probably concerned about the health and safety of his troops, so he learned what the medics were doing and using.
Wind grew up on a small, tight-knit island, realistically they would’ve had to have learned how to use the things around them to their fullest advantage. that being said, his knowledge is sort of useless outside of his own era, aside from what he was taught in the war. ok i’m done talking about medicinal herbs now i promise sorry it’s a hobby of mine ahhsjdka
Legend’s terrified of dogs. in Link’s Awakening, the dogs are literally balls on chains with huge mouths full of sharp teeth (basically just Chain Chomps). if you want to get angsty with it: it comes from guard dogs being sent after him on his first adventure. he became a lot less scared to more he spent time with BowBow (the ball and chain dog) but, when he woke up, he got the belief that he could only be safe around a dog in his dreams. he’s pretty damn uncomfortable around Wolfie at first, but after lots of time and learning to trust Twilight, he’s able to slowly overcome his fear. sort of. mostly just with Wolfie. he still hates staying at stables in Wild’s Hyrule.
if Wild doesn’t want to explain/source something he’ll just say it came to him via divine intervention. Sky believes it every single time
I was thinking about Legend’s story a while ago and realized it was kind of similar to Joan of Arc’s so take that as you will. idk if this even counts as a headcanon but i’m putting it here
Warriors and Twilight are really close friends because they both understand the struggles of wrangling dirt worshipping nature freaks. anytime Twilight (lovingly) complains about Wild, Wars will counter with whatever asinine feral child antics young Time got up to and suddenly Twi will feel very blessed and lucky
whenever Four sees someone with their hair in a high ponytail he subconsciously thinks they’re very smart and respectable because Dot always wears her hair in a high ponytail
Hyrule is completely fine with not sleeping on a bedroll. they like the dirt, actually. let them sleep in the dirt.
Legend uses apples in his red potions, both to increase their potency and to make them taste better. he also learned how to enchant apples to be healing on their own so sometimes when someone’s hurt he’ll just shove an apple in their face
uhh so ik this is a lot but this isn’t even close to of all my headcanons so yeah there’s that lmao
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thebookofbill · 3 months
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ALEX HIRSCH POSTED BILL CIPHER VALENTINES. JOE PITT DREW THEM. I CANNOT BELIEVE THIS IS REAL. THEY DID THIS FOR ME
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“I’m broken, wanna fix me?” HE KNOWS WHAT HE’S FUCKING DOING.
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cillyscribbles · 27 days
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idk what the cats fandom is putting into the water but id just like you guys to know how ridiculously encouraging creating for yall has been so far. i'll post a little drawing and like 50% of the notes are reblogs and half of those have little comments or tags and it just WARMS my COLD HEART !!! i've never gotten this sort of genuine interaction with my art or memes or whatever!!! the MEMES get little comments!!! WHAT!!!! i haven't felt this happy to make content in my life!!! innsane ! astounding! incredible! i am drawing more fanart as we speak!!!
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phalaraluve · 9 months
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normal people log off. i want to be alone with the gale dekarios understanders
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preseriesdean · 1 year
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It's cute, though. You pretending you're trying to save Sam for the greater good, when we both know you're doing it for you. You can't lose him. 
SAM AND DEAN in SEASON 11
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vibingandsimping · 8 months
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Wrote this at 5am and I cannot get this thought off my mind… I gave up on proofreading it after the first couple paragraphs, whoops. Enjoy anyways.
Forewarnings: Darker Content
Normal Tav + Gortash
someone on tumblr posted this photo and I literally drooled like a rabid dog
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Imagine having tried to escape Gortash. A little while ago, he invited you into his palace, but he caught you in his trap and you've been stuck ever since. He lavishly fed you and provided you with fine silk to wear. If necessary, maids would assist you, and he gave you paints and pen to entertain yourself with. He considered you to be nothing more than a toy. One he could dress up and take care of... you were simply so pretty. One that he could also bend over and take whenever he pleased. You stumbled upon an opening during one of his days. He was occupied and left you with only a few guards. The reason he didn't have his usual number was because security had been on high alert. After a scuffle, per se, happened in the audience hall. You seized the perfect opportunity to escape. You ran, taking rapid breaths, until you hit a dead end. During it all, you managed to hurt yourself trying to avoid being pursued. Although your legs were aching, your chest was the most pressing of your concerns. It hurt to breathe- you were sure you bruised a couple of ribs.
Gortash sought to meet you in his private chambers. He demanded it quite frankly. Had this been under different circumstances, he would have taken care of you by the medical wing. He would make sure to establish himself after you betrayed him directly. To prevent you from trying to escape him again. Perhaps he was too lenient on you and thought him a fool? He approached a shelf and flicked his metallic fingers through while you sat on one of his padded chairs. He landed on a small vial with precision. The contents were a deep and dark red color like coagulated blood. If you were to guess, you would assume it was a concentrated health potion. The way he looked at you was predatory when he turned around and held it between his fingers. He presented it to you with expectation, observing your behavior. It was almost a test of your will - how badly you wished to leave him. A fleeting defiance struck you when you reached out for it. The grave has already been dug, why not step in and enjoy the last moments of freedom? The vial slipped and landed on the ground with a clink. As the glass cracked, the contents spilled onto the marble. For a few seconds, his gaze twisted with fury before steeling itself.
Now, this could go one of two ways.
He grabs you by the hair and guides you to look at him. His dark gaze made you instinctively swallow. It’s clear that was a mistake. You’re sure you’ll be punished for later. He speaks with a venom, his every word enunciated. “Dirty pet,” he spat. “I won’t be putting any of that to waste.” Then, a smirk fills his face and he pushes you onto your knees before him. He lets go of your hair and strokes it once. “Lick it up.” He speaks simply as if it were casual conversation. You knew it wasn’t. The tone he held was too commanding.
Or,
He watches with an unreadable expression. As the liquid trickles to his feet, he hums and turns back around. He fetches another vial- but different. The color was too dark to tell which without inspection. His golden claws dug into the skin on your chin. “No worries. I can always help.” The last word is punctuated by him applying pressure to your cheeks. It made you wince as he forced your lips apart. The cap made a popping sound as it flicked off. Tilting your head back, you’re made to helplessly consume the potion as he made his dominance clear. “Good, now swallow and maybe we can talk a lesser sentence.”
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lightandfellowship · 10 days
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There are several bagged lunches scattered around the (normally inaccesible) Scala classroom. And Urd is seen with a similar lunch in the New Years artwork that the JP KHDR Twitter account posted some years ago.
I like that whoever made this artwork remembered this unseen detail from the KH3 classroom and canonized it further. :)
Footage of the room comes from this video.
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wispforever · 10 months
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not talking about any post or comment in particular, just what I’ve seen around tumblr and in my own ask box/tags. reminder that it is not a compliment to refer to someone’s art as a shitpost (even if you mean it’s funny or random lol), and also. don’t refer to art as a sketch, doodle, or unfinished unless the creator said so themself. what looks undone to you might be the artist’s whole process. further, what looks undone to you may have taken them hours, it could have been really difficult or a challenge for the artist. they get to say what’s a sketch and what isn’t. every finished artwork will not be colored, shaded, or even clean. that’s just the facts. so give artists some love that way <3
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beanghostprincess · 2 months
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*holds you by shoulders*
WHAT IS YOUR FAVOURITE THING ABOUT 1082 I WAS SURE IT WAS SHIPPY THING AND NOW I NEED TO KNOW
*starts sobbing while slowly falling to my knees*
…….please
I SAW THIS YESTERDAY NIGHT WHEN I WAS ABOUT TO FALL ASLEEP AND I JUST WOKE UP EARLY TO REPLY BECAUSE I'VE BEEN WAITING FOR AGES FOR THIS QUESTION I AM GOING TO KISS YOU ANON-
I do love and adore the shippy part of 1082 because I am a very intense Shuggy shipper and I had been waiting to read their break-up for sooo long. But it's not exactly what made the chapter life-changing for me, tbh.
Buggy's speech is... Is incredibly beautiful and encouraging. It explains so much about his character, the dynamic he has with Cross Guild, and why he's so resentful toward Shanks. Throughout the manga, we've seen him in serious moments, yes, but usually, Buggy is pretty much used for comedy relief more than anything. This is one of the first times we've seen Buggy realize the position he has now and say "Fuck it. Already on the verge of dead for these two, might as well do something with this shitty situation because for once, I have the opportunity to be brave and be more than what people think of me". There's literally nothing stopping him right now, and he prefers to risk his life enraging Crocodile and Mihawk than letting this opportunity of showing who he truly is slide.
And tbh, we haven't seen them ever since (I am starving please-) but I am really hopeful his speech somehow makes Crocodile and Mihawk have a little tiny itty bitty of respect for him at least. Because out of the three? Buggy is the one who deserves the title of pirate more.
Mihawk and Crocodile don't have dreams or ambitions and see pirating as a business. Even when Crocodile did have ambitions (remember when the silly rubber guy destroyed all of his dreams that was a funny arc haha) his whole personality has always been more of a mafioso than anything. Mihawk is a simple man and is bored with life being at the top of the top, he clearly wants something interesting to happen but doesn't see any use in looking for it himself. They care about their commodities and wealth. But out of the three, Buggy is the one who had to give up on his dream and now he has the opportunity to fulfill it.
"How can you call yourselves pirates with schemes like that?! You're doing it all backwards!! [...] Way back when... What did you guys want to be?! [...] I wanna be king of the pirates!! Wealth? Power? Why stop there when we can have it all?!"
This is something a real pirate would say. He talks like Roger here, I am going to curl up and cry don't look at me-
What I like about One Piece is the constant use of themes like dreams and freedom etc, etc... That's something we all know. But you wouldn't expect it coming from Buggy, of all people. And I think I'm pretty fond of him being brave and finally acting upon what he truly wants to do. What makes it great is that you have this comedy relief character standing up for his dream in front of clearly two other antagonists that have control over him in, well, strength and everything. But Buggy has something they don't and it's so, so much ambition and a dream that could be considered childish but it's the representation of freedom and doing things because you want to follow your heart. This is kind of why I always say Luffy would be more fond of Buggy if he knew the whole story and would probably support him a lot--
What I like the most about this chapter is both Buggy's character development through a speech + flashback and Mihawk and Crocodile being completely stunned by it because they weren't expecting this to happen from Buggy of all people. I know I sound like a broken record but I really, really, want them to respect Buggy a little bit more after this. Also, Buggy doesn't do this only to announce he's going to follow his dream now that he's on equal footing with Shanks. He does it because the other two mention needing overwhelming power over the rest. Buggy isn't stupid and knows how manipulating people works. The thing that makes pirates work harder isn't money, it's a dream. And there's nothing a pirate desires more than the One Piece, so that's kind of why he announces it publicly. First, to establish power, and second, so that way Mihawk and Crocodile don't get rid of him because seriously, Buggy is a better boss than these two because their followers appreciate him and don't feel forced to follow him.
Not to mention that the whole thing also shows more of Buggy's relationship with Roger and how left out he felt because people thought highly of Shanks instead of him. But Buggy, even if he was jealous, was willing to follow Shanks despite his feelings because he accepted being less worthy of respect than him. Shanks shone brightly and Buggy decided that, even if he wanted to be seen like that too, he'd give up on his dream and support Shanks instead because at least they'd do this together, just the way they did everything back at the time.
But then Shanks hesitates, and I think that's Buggy's last straw because he sees giving up going for the One Piece as something disrespectful to their captain (dad) and thinks it's unfair that Shanks is so respected by everyone even though the one wanting to follow their captain's steps right away is him. It's honestly frustrating. And then you understand better why Buggy is angry at Shanks-- Yeah, he made him eat the devil fruit and lost the map because of him (not really but whatever), but the way I see it that's just a metaphor for the real reason why Buggy is so resentful. Shanks' existence, even if it was not on purpose, made Buggy feel so powerless he gave up on his dream. And eating a devil fruit means the sea hates you and you can't have any independence in the pirate world, and losing the map is kind of like losing the only thing that guides you. He left Buggy with nothing and let him carry the burden of a lost dream.
This is funny because Shanks did absolutely nothing wrong and everything is a product of jealousy and miscommunication, but I understand why Buggy blames Shanks and this chapter makes it clearer and explains it perfectly.
Basically, it's such an amazing chapter for Buggy's character and it's definitely my favorite for him specifically. Although the flashback does wonders for my Shuggy heart.
Also, adding more points for the revolutionary plot in the end and Sabo showing up because I adore him <3
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novakiart · 1 month
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hey! first of all, recently discovered your account and. almost binged it in one sitting. amazing quality stuff, i'm in awe! also, while i'm RAPIDLY making my way through the old content, any new recommendations on fanfiction/comics/anything at all? atp i trust you more than i trust myself. no pressure, feel free to ignore this message! tnx, byee
thank you so so much!!! also ohh wow it's like you're putting your life in my hands... a potentially catastrophic misjudgement
since you've consumed my tumblr I'm assuming you've already seen my fic recs tag, which is filled with kind strangers on the internet recommending all the good stuff, including some recs of my own! if you missed it, I also have some comic recs here
as for some recent stuff I've liked, they've all been pretty lighthearted:
another one bites by seateainthemountains is chaotic and goofy in a very comic book-y kind of way
ryanoid on the brain by firefly_ika is another goofy one but also short and sweet. peter versus bug spray
it had to be you by fancastical in which wade recognises peter every time - except when it counts. I'm just a wimp for identity fics, sorry
cross the highways of fantasy is another one by fancastical and is a special shout out because I adore the concept of peter and weasel having history (and peter and wade using that to be insufferable)
five times peter says I hate you, and one time he (finally) doesn't by bestie has a brief scene with wade wreaking havoc with photographer-on-the-job peter and that's a woefully underrepresented trope I adore
I hope you find something you like here!
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