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#but at that point I think we are talking about branes
nimblermortal · 1 year
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(Tea is reading The Return of Fitzroy Angursell, Nimbler is reading about De Sitter spaces.)
Tea: I really like that wild magic just sort of distorts the probability with which things happen to someone. So most people, if they want to go to another world, plan to travel for many months, go to the right place, wait for the gate to open... and Fitzroy slips on a rock.
--a short time later--
Nimbler: In sum, the universe is a big blob that we can describe magically. But a closed one! Like a deflated kickball, and mass is a heavy rock that, placed upon the kickball, causes a dent in it.
Tea: So wild magic is like a really really dense rock.
Nimbler: Well one of the ways that the blob is mathematically defined is that we have one virtual dimension of time and three physical dimensions of space - which I personally do not understand why we make that distinction but there we are. So I would say that wild magic is an additional virtual dimension, and that wild mages are particularly dense in that virtual dimension, which makes magical items and events tend to be attracted toward them, while not further distorting the physical dimension. Although they are perfectly capable of doing so! Spaces do distort each other.
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therealgchu · 1 month
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WIP Wednesday - To the Shore
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hey, check it out, actually doing a main fic thing! mainly cos my brane is still stuck in the middle of chapter 4 of Seven Days, and i'm getting real tired of its shit. so tired of it that, apparently, i'm writing back on my main fic.
tagging the coemancer crew, and anyone else if you want to share a WIP.
anyway, something fuzzy and warm for today's WIP wednesday. i've skipped a bit ahead, but not too far. still trying to plot out some major plot points and how that's all going to happen.
if you want to read To the Shore from the beginning, check it out here.
there's also the backstories, Anamnesis here. i'll be putting some some spicy backstories soon, but it'll be in a different fic since i don't want to muddy the tags for the OG backstories.
and, Seven Days, if my brane ever gets chapter 4 finished.
on with the sneak peek!
“I want a bunk bed,” Cora said.
Sam smiled, “I think we can do that, right Hwa?” he asked as he turned to her.
Hwa smiled, “Of course. Why a bunk bed?”
“So, I can put my plushies on top!” Cora answered.
“Makes sense,” Hwa nodded, “yeah, no problem.”
“And, I want a computer, of course. Have you seen the new processors that came out recently? Some of them can get up to a couple petaflops!” Cora gushed. “I’ve got the specs written down,” she announced as she rummaged through her backpack
Sam looked in askance at his daughter, “That might be pretty expensive, gumdrop,” he said, attempting to temper her enthusiasm.
Hwa grinned at the girl, the first real smile she’d had in weeks. “Don’t worry about computers. I’ve already got some specc’d out for the both of us.”
“Hey, don’t I get to have a say?” Sam interrupted. 
Hwa moved over to stand by Cora’s side and the two looked at each other, then looked back to Sam. “Umm…Dad, would you even know what we’re talking about?” Cora asked.
He grunted and shook his head. “Fine, you two do whatever. No illegal stuff, though, got it?”
“Yessss,” both answered sarcastically.
“Good,” he said as Cora raced down to her berth in the lower deck. Sam crossed the way and put his arm around Hwa’s waist. “It’s good to see you smiling again, darlin,” he said as he kissed her cheek.
She leaned against his chest, “I’m sorry. I know it’s been hard on the both of you,” she said.
“There’s nothing to apologize for,” he said as he gave her waist a squeeze. “I’m glad we’re going back to Ternion. I kinda missed working on the homestead.”
The term made her smile, “Homestead, huh? Your Akila is showing,” she ribbed him.
“Well now, miss, I reckon that as an Akila man, born and raised, we should rightly call our home a homestead. It only sounds right and proper,” Sam said, laying it on thick.
Hwa laughed as Sam cocked his hat to her. They both heard Cora moan from the lower deck, “Daaddd! That’s terrible!” she shouted. He grinned even wider.
“Really, though, we should come up with a name,” Hwa said.
A herd of small horses was heard on the lower deck as Cora made her way back and up the ladder. “I want to name it!” she shouted.
Hwa and Sam looked at each other, both seeing agreement on the other’s face. “Sure, gumdrop. What do you want to name the homestead?”
“Pemberley!” Cora said excitedly.
Sam looked quizzically while Hwa chuckled, “It’s Mr. Darcy’s estate,” Hwa explained.
“I remember that now, thought it sounded familiar,” Sam said, scratching his head.
“You don’t like it,” Cora said, crestfallen.
“It’s not that I don’t like it, it’s that, well, I don’t think we’re a ‘Pemberley Estate’ sort of family,” Sam explained.
“We could be if we wanted to be,” Cora wheedled, pouting a bit.
“Cora, I don’t think I could be an ‘Estate’ person if I tried,” he said, trying not to be too harsh.
“How about a compromise,” Hwa interjected, “Pemberley Homestead,” she suggested.
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4gravitons · 11 months
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now that this Euclid telescope is on its way to L2 to to do some kind of survey of distant galaxies, want to explain what's up with these string theorists quantifying statistics of galaxy triangles or some shit? Do you know what I'm talking about? I never really got what that was about
I think you’re talking about this stuff, right?
So, the first thing to understand is that the whole “triangles” thing is a fanciful way to refer to three-point correlation functions. You’re measuring something (density of galaxies for galaxy surveys, temperature for the CMB) in three places, nothing more mysterious than that. The idea is that (if you subtract off backgrounds, yadda yadda), those three-point correlation functions should let you infer the three-point correlation functions of the quantum field theory that governed inflation (so, expectation values of three operators).
Currently, all of the data we have has only been good enough to get statistical significance for two-point functions (measure something at two places). Two-point functions can tell us some general things, but they don’t tell us a lot about the underlying physics. One way to think about why is that two-point functions are very constrained kinematically. If you’re looking at an isotropic patch of sky (which you’re always trying to do for stuff like this), then the two-point function can only depend on the distance between the two points. Fourier transform that and you’ve got a momentum, or a frequency, so really what two-point functions give you are a spectrum. That’s why you see a bunch of plots of the power spectrum of the CMB that look like this:
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The three-point function tells you more, not just the spectrum but something about how whatever quantum fields that generated the data interact. (For certain theories, that’s actually all you need: for a scale-invariant (more properly, conformal) theory, the theory is uniquely determined by two-point and three-point functions.)
So what does this have to do with string theory?
Inflation is pretty much the only process we have evidence for that could probe anywhere close to the energy scale of string theory. As such, certain string theorists are quite interested in this stuff. There are a bunch of candidate quantum field theories of inflation, and some of them are “string theory inspired” in more or less direct ways, with stories about branes and curled up dimensions and so on. Evidence for any of those wouldn’t be a “smoking gun” for string theory because most of these things can be reproduced with a more normal quantum field theory, but it would at least be a validation of the model as inspirationally useful. (Plus, evidence for specific beyond-the-standard-model physics, which a lot of people would be quite happy to see anyway.)
The Quanta article I linked above suggests something more direct, though. This is based on a paper by Maldacena and Arkani-Hamed, Cosmological Collider Physics. Most of the paper is just filling out the math in the above argument: how different n-point functions can reveal different things about the quantum field theory that governed inflation, including finding evidence for particles with specific masses and spins. They do mention string theory in the introduction, where they briefly point out that, if we see a particle with spin greater than the graviton then we could interpret that as evidence for string theory, since having particles like that that are weakly interacting at such high scales seems to demand that a theory be string-theory-like in a broad sense. It wouldn’t refute string theory if we didn’t see those particles, though, since string theory doesn’t require that such things have a role in inflation specifically.
So anyway, yeah, missions like Euclid have the potential to tell us something about high-energy beyond-the-standard-model physics! There really is something meaningful to be excited about there. There’s nothing that’s “required to show up” though, and nothing that has the potential to “falsify string theory”.
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automatismoateo · 1 year
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I need someone else to read this because I refuse to be the only one who suffers through it. This broke me. I don't understand how these people are real. via /r/atheism
I need someone else to read this because I refuse to be the only one who suffers through it. This broke me. I don't understand how these people are real.
So I got into a discussion with a theist on Tiktok (yes I know, terrible place for a discussion). It started off normally with them making claims they couldn't explain and me asking him for proof of any of his claims.
After a lengthy back and forth, he ended up telling me there was proof of what the Bible claimed, specifically of Noah's ark, of the parting of the red sea, and Jesus having been a real person. It was obvious to me that this was bullshit because he hesitated for another ten messages to send me anything, but to my delight I finally ended up convincing him to send me this so called "proof" through DMs (which was also great because talking through dms is much easier than through tiktok's shitty comments system).
This is the conversation that followed. (It's not necessary for you to read it all)
Now, I can deal with stupid. I can deal with uneducated. I can deal with outlandish claims. But this? This was above my paygrade. Even though it was instantly clear to me that this person had just picked the first three links off Google and called it a day, I THOUGHT, I was STUPID enough to think that maybe, just maybe, if I broke down everything he just sent me, if I tried my best to explain myself on why these were not reliable sources and how they're still no proof of what he's claiming, that MAYBE he would start to realize that he has no reason to have these beliefs, or at the very least that he would start questioning them.
And I was so wrong. Nothing, and I mean nothing, could have prepared me for his last message. This is what it said:
when you take a moment and think about it science can't even prove how the universe was created. let's dissect the evolution claim. evolution claims that 2 atoms came together to form the universe. that would mean that the universe created itself. meaning it had an awareness. and actually the big bang theory is taught in schools. i'm pretty sure you've heard of it. you are the one who is illiterate. science is a physical man made construct. it was our way of understanding the world we live in. and if you stop trying to downplay religion and combine science with religion you will have the answer. first: the big bang theory actually does suggest that let me quote the exact theory(A COLLISION between TWO BRANES could have jolted the universe from contraction to expansion). making that single point(their collision) the start of the universe. which makes my statement somewhat true.
second if jesus isn't proven to be real the why is there an entire era of his time (2023 A.D) A.D meaning after death which refers to the death of Christ. (Jesus Christ). well it wouldn't make sense to refer to the death of someone who doesn't exist now does it? you like to think that you're smart right? maybe you might think that doesn't make sense either. now i have to ask you this, if a person were to make a claim that there was a spaceship with an alien inside of it. and later on they find the spaceship, and it's clearly not from earth. doesn't that kinda prove that the persons claim was true? second: if big bang theory was just a theory then why is it taught in EVERY school in the united states? third: all religious beliefs are based upon faith. that's how religion works actually Imfaoo.you have to believe it's real before you can understand it.seems i'm not the one who's "scientifically illiterate". fourth: you didn't think about your argument very well. your entire point is that "there's no scientific proof that god or a divine being exists so it can't exist". there's no proof that the center of the earth is made of magma so that can't be true right? exactly, that stupid ass argument doesn't make any sense.
fifth: proof of gods existence is in us. the world is to perfectly designed for it to be a coincidence that it was created. the planet is at the perfect distance from the sun to sustain life. that Can't be a coincidence. plus if that's the case then why can't we prove that's what happened? science ALONE isn't the "best method" for determining the truth. if it was then why is religion still even relevant?
This message honestly broke me. I didn't think people like this could actually be real. I didn't even know how to even start explaining how fundamentally wrong his understanding of EVERYTHING was. I didn't think it was possible for someone to have such a fundamental lack of understanding in all areas of science. And that was real. That was a real message from a real person who genuinely believes what he is saying.
I told him he was beyond help and to never contact me again. And now I'm posting this here in the hopes that someone finds enjoyment in my suffering or suffers through it themselves.
Submitted March 10, 2023 at 12:04PM by FlyingUmbrellaThing (From Reddit https://ift.tt/01qBm7e)
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axvoter · 2 years
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Blatantly Partisan Party Review XXXVII (federal 2022): Socialist Equality Party
Running where: Senate grouped independents in NSW (Group F), QLD (Group I), VIC (Group Y)
Prior reviews: federal 2013, federal 2016, federal 2019
What I said before: “This is the sort of party so disagreeable, so keen to condemn anyone for stepping outside of a very narrow expression of ideology, that they could split over almost anything. Why not have a split about splitting! I do not take them seriously and I never have.”
What I think this year: The worst socialist option. I’m genuinely surprised the Socialist Equality Party (SEP) are fielding candidates, albeit as grouped independents. Back in the Group Ticket Voting days, the SEP had such contempt for electoral politics that it registered donkey votes as its tickets. But here they are anyway, stumping up the cash to get on the ballot knowing full well they won’t get the 4% first-preference vote required to have their deposit returned.
You might be wondering why they are standing as independents. The Australian Electoral Commission deregistered the SEP on 23 February 2022 after a genuinely funny sequence of events (AEC notice of decision here). Legislative amendments last year raised the party membership threshold from 500 to 1,500. Many parties met this with ease, a few merged with likeminded souls, and some simply gave up. The SEP, comically, submitted a list of 700 members, less than half of what was required, and the Australian Electoral Commission got to make surely the easiest deregistration decision of all time. What did the SEP do? Protest, of course. They pled that it was utterly unreasonable for them to be expected to sign up new members in the midst of a pandemic. Now, if this were 1922 and you needed to organise town hall meetings and stump speeches to reach potential supporters, that might be reasonable. But if you cannot find enough supporters despite you and everyone else being stuck in their homes on the Internet all the time—mate, mate, that’s on you.
You might also be waiting for me to get to the point: why is this the worst socialist option? Simply put, the SEP are the cranks of the Australian socialist space. That’s saying a lot given some of the weird units out there too. The SEP are still ranting that all other left-wing parties and trade unions, including other socialist parties, are on the “pseudo-left”. It’s tedious and childish. Just because you have minor ideological disagreements does not mean everyone else is some stooge of global capital.
The SEP also love to rant against identity politics and believe other socialist parties “represent the interests of an upper middle-class layer steeped in the divisive and regressive politics of identity based on race and ethnicity, sexuality and gender”. That’s right, these brane geniouses think that attention to—pervasive! systemic!—problems surrounding e.g. racism, sexism, and misogyny is simply “divisive and regressive”. They wouldn’t know solidarity if it bit them on the bum and they are sure as shit not intersectional. Everything else must bow to their class campaign, and only once there is a dictatorship of the proletariat dare you think about doing something about sexual harassment or racial discrimination.
Oh yeah and they’re also doing the whole thing of “covid proves everything we ever said was right; even though we weren’t talking about pandemic respiratory diseases, we told you bro!”
In the past I’ve recommended a middling preference because at least they have some core principles that leftists share, even if they won’t recognise this. I’ve bumped this down because I think their behaviour is childish and their failure to even cobble together enough members shows how poorly they engage people.
My recommendation: Give Group F (NSW), Group I (QLD), or Group Y (VIC) a weak or no preference.
Website: https://www.wsws.org/en/articles/2022/04/23/svgy-a23.html lists the candidates and https://www.wsws.org/en/articles/2022/04/13/aust-a13.html contains their election manifesto
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nyctospoilers · 5 years
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How do you think maleficent brought everyone into the future?
Thank you so much for waiting for a couple days anon
I promise I will circle back to your question OP, but first: I THINK I WAS WRONG BEFORE IN SAYING IT’S LUXU TALKING TO MALEFICENT IN THIS SCENE (alternative translation). I DON’T THINK IT’S LUXU, I THINK IT’S AVA. THIS IS WHY:
so I said in this post that I thought the character in shadow was Luxu for three reasons: one, he refers to the MoM as “the Master”, two, “Darkness” as a name may be mistranslated (as darkness isn’t a name in this translation), and three, that Luxu referencing Radiant Garden as not having a “projection” from the book of prophecies so that Maleficent doesn’t effect that world could connect to why Braig went there years in the future.
I still think the “darkness”/maleficent scene happened before Observations Excerpt 1, and I also still think we’re going to see a scene between Luxu and Maleficent in the future. BUT, I realize an error in how I thought about the scene with “darkness” and Maleficent and how it correlates to Luxu’s Observation Excerpt 1. Luxu genuinely doesn’t now how the Foretellers would escape from the data world as he states in Observations, so he goes to Maleficent to find out because she knows, and she learns from “darkness”. “Darkness” clearly isn’t The Master, but there is one other character who knows how the dandelions entered the data worldline, the person who made them enter it: Ava!
I talk about Xigbar’s reference to “Ava’s own mission” in this post. In that post, I say how in KHX Gula recites a passage from the lost page that refers to Ava: “Misreading the truth, you will venture forth in secrecy…” I believe Ava is currently discarding her name and going by the vague alias of darkness (and is the “darkness” referenced by Luxu in Observations Excerpt 2). I think Ava’s own mission was to destroy Data Daybreak Town with the help of Brane (as she had to venture in secrecy, so she needed an inside man), and put the dandelions back into the worldline. Ava tells Maleficent about how it’s possible to leave the data world and land in current times right after this scene fades out mid conversation. Then later, shit starts going bananas in Data Daybreak Town as we now see in the last update, and Luxu goes to Maleficent himself and asks her if she knows something (which by this point, she will). 
SO, to get to your point Anon, I don’t think Maleficent will bring everyone to the future herself (and if I said that before I’m sorry, that wasn’t my intention), I think Ava will return Maleficent and The Five Union Leaders to the future by her own means.
————————————-
And on another note, because I said I would say this on my main blog, I think Ava purposely going against her role of having the dandelions be in Data Daybreak Town and destroying it instead, as well as making the Union Leaders jump to current time, makes Ava the traitor. Multiple times in Back Cover it’s stated the lost page is talking about the traitor, and it’s implied that Gula’s recitation of the lost page in KHX is about Ava as he recites it during Ava and Luxu’s confrontation before the Keyblade War.
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nyctoheart · 5 years
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((I’m mass answering anons, and just know I have an xkit widget on that makes all anons Michael Cera and the word ‘Anonymous’ to ‘This bitch’))
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So I DO reference this on my WIP Theory page. But that’s a good point saying Ava would have had to know before talking to Luxu so I’m glad you told me. In terms of this post, I think it’s a big possibility that Brane really was acting on his own accord for the time being, and Ava recognizing that Brane is an impostor decides to take advantage of the situation, and approaches him after the Keyblade War. However, there is still the mystery of how Brane discovered Data Daybreak Town in general before hand in the first place anyway.
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I talk about this here. We have to remember the next chess game will probably symbolize an entire saga, like before. So we still have a few titles to go over, so it’s possible that Ava will become a pawn of darkness further in the franchise. Or, It could also symbolize Ava discarding her identity to hide under the “darkness” alias like I discussed.
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I mention that here (3rd bullet point). ;) And if the Data Daybreak Town is just based on the real Daybreak Town and it’s past, it still doesn’t explain why strelitzia was dying because the MoM disappeared long before her death. So, if we see both instances glitching in Data Daybreak Town, then at least one of those bullet points in that link must be true (or, another loophole that I’m not thinking of, but a loophole nonetheless)
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No it’s definitely on there! Here, I point it out in this post on my [now inactive] kh3 spoiler blog ;)
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You know, I think it is a possibility. I said a long time ago that Data Daybreak Town may have been just an existing data world for all these years, so when the Union Leaders jumped, it would explain why they landed in future times. However, this wouldn’t explain why Brane and Ephemer landed in historical times, or why “Subject X” landed 4 years after Ventus (which I explain that math here, in the second-to-last post). However, honestly it kinda looks like it’s falling apart a bit rapidly, to the point where even Luxu says in Observations Excerpt 2 “ Amid the chaos”. So maybe it doesn’t exist. But I don’t like thinking about that because if the rest of the dandelions didn’t jump back onto the worldline with the Union Leaders.... then they were deleted with the data world and... thats too sad... i dont like that- OH WAIT, there’s a chance they DID escape before Data Daybreak Town got deleted (IF it did) because there’s still the legend of “light survived in the hearts of children”. So it’s possibly Brane, Ephemer, and the rest of the dandelions jumped to historic times, while the other Union Leaders jumped to present times. But there is also Demyx and Luxord who may be from khx (i’m not going to say it’s definite until we SEE them in khx) so maybe they’re dandelions ? i dont fucki ng know
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Is it okay if I ask you to show me where Brane says every single minute of the town was recorded? Because in Observations Excerpt 2 Luxu states it was the Master who created Data Daybreak Town, which then relates to the last four bullet points I mentioned that brought all this up in the first place LOL I mean I guess if it makes sense that he creates a program so complex that records a world even without his presence?
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wumblr · 6 years
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All of the allegorical chapter intros from Warped Passages
Entryway Passages: Demystifying Dimensions
“Ike, I’m not so sure about this story I’m writing. I’m considering adding more dimensions. What do you think of that idea?
“Athena, your big brother knows very little about fixing stories. But odds are it won’t hurt to add new dimensions. Do you plan to add new characters, or flesh out your current ones some more?”
“Neither; that’s not what I meant. I plan to introduce new dimensions--as in new dimensions of space.”
“You’re kidding, right? You’re going to write about alternative realities--like places where people have alternative spiritual experiences or where they go when they die, or when they have near-death experiences?* I didn’t think you went in for that sort of thing.”
“Come on, Ike. You know I don’t. I’m talking about different spatial dimensions--not different spiritual planes!”
“But how can different spatial dimensions change anything? Why would using paper with different dimensions--11″ x 8″ instead of 12″ x 9″, for example--make any difference at all?”
“Stop teasing. That’s not what I’m talking about either. I’m really planning to introduce new dimensions of space, just like the dimensions we see, but along entirely new directions.”
“Dimensions we don’t see? I thought three dimensions is all there are.”
“Hang on, Ike. We’ll soon see about that.”
*Questions I’ve actually been asked.
Restricted Passages: Rolled-up Extra Dimensions
Athena awoke with a start. The previous day she had read Alice in Wonderland and Flatland in order to seek some inspiration about dimensions. But that night she had the strangest dream, which, when fully conscious, she recognized as the result of having read the two books on the same day.*
Athena dreamed she had turned into Alice, slipped into a rabbit hole, and met the resident Rabbit, who had pushed her out into an unfamiliar world. Athena had thought it a rather rude way to convey a guest. Even so, she had eagerly looked forward to the upcoming adventure in Wonderland.
Athena was in for a disappointment, however. The resident Rabbit, who was fond of puns, had sent her instead to OneDLand, a strange, not so wonderful, one-dimensional world. Athena looked around--or, I should say, to her left and right--and discovered that all she could see were two points--one to her left and another to her right (but in a prettier color, she thought).
In OneDLand, all the one-dimensional people with their one-dimensional possessions were lined up along this single dimension like long, thin beads strung out along a thread. But even with her limited purview, Athena knew there must be more to OneDLand than met her eyes because of the outrageous din that met her ears. A Red Queen was well hidden behind a dot, but Athena couldn’t miss her strident yells: “This is the most ridiculous chess game I have ever seen! I can’t move any pieces, not even to castle!” Athena was relieved when she realized her one-dimensional existence shielded her from the wrath of the Red Queen.
But Athena’s cozy universe did not last long. Slipping through a gap in ONeDLand, she returned to the dreamworld’s rabbit hole, which had an elevator that could take her to hypothetical, other dimensional universes. Almost immediately, the Rabbit announced, “Next stop: TwoDLand--a two-dimensional world.” Athena didn’t think “TwoDLand” a very nice name, but she cautiously entered all the same.
Athena needn’t have been so hesitant. Almost everything in TwoDLand looked the same as in OneDLand. SHe did notice one difference--a vial labeled “Drink me.” Bored with one dimension, Athena promptly obeyed. She quickly shrank to a tiny size, and as she became smaller, a second dimension came into view. This second dimension was not very big--it was wrapped around in a fairly small circle. Her surroundings now resembled the surface of an extremely long tube. A Dodo was racing around the circular dimension, but he wanted to stop. So he kindly offered Athena, who looked rather hungry, some cake.
When Athena ate a morsel of the Dodo’s dreamcake, she started to grow. After only a few bites (she was quite sure of this, as she was still rather hungry), the cake very nearly disappeared; all that remained was a very tiny crumb. At least Athena thought there was a crumb, but she could see it only when she squinted very hard. And the cake wasn’t the only thing that had vanished from view: when Athena returned to her usual size, the entire second dimension had disappeared.
She thought to herself, “TwoDLand is very yodd indeed. I’d best be getting home.” Her return journey was not without further adventures, but those will be kept for another time.
*Or perhaps this story is a result of my having begun my education at the perhaps questionably named Lewis Carroll School, P.S. 179, in Queens. 
Exclusive Passages: Branes, Braneworlds, and the Bulk
Unlike the studious Athena, Ike rarely read any books. He generally preferred playing with games, gadgets, and cars. But Ike hated driving in Boston, where the drivers were reckless, the roads were badly signposted, and the highways were invariably under construction. Ike always ended up stuck in traffic, which he found especially frustrating when he could see a nearly empty freeway overhead. Though the empty road would be tempting, Ike would have no way to quickly reach it since, unlike Athena’s owls*, he couldn’t fly. For Ike trapped on slow roads in Boston, the third dimension was no use at all. 
[*nb: owls are mentioned in the chapter body:]
When you peg someone as one-dimensional, you actually have something rather specific in mind: you mean that the person only has a single interest. For example, Sam, who does nothing but sit at home watching sports, can be described with just one piece of information. If you felt so inclined, you could picture this information with a one-dimensional graph: Sam’s proclivity to watch sports, for example. In drawing this graph you need to specify your units so that someone else can udnerstand what the distance along this single axis means, such as the number of hours Sam spends per week watching sports on TV. (Fortunately, Sam won’t be insulted by this example; he is not among the multidimensional readers of this book.)
When we describe most people, however, we usually assign them more than one, or even three, characteristics. Athena is an eleven-year-old who reads avidly, excels at math, keeps abreast of current events, and raises pet owls. You might want to plot this too (though why, exactly, I’m not really sure). In that case, Athena would have to be plotted a s point in a five-dimensional space with axes corresponding to age, number of books read per week, average math test score, number of minutes spent reading the newspaper per day, and nubmer of owls she owns. However, I’m having trouble drawing such a graph.
“Hey, Athena, is that Casablanca you’re watching?”
“Sure is. Want to join me? This is such a great scene.”
You must remember this, A kiss is just a kiss, A sigh is just a sigh, The fundamental things apply as time goes by.
“Hang on, Ike. Don’t you think that last line’s a little weird? It’s supposed to be so romantic, but it almost sounds as if it’s about physics.”
“Athena, if you think that’s strange, you’ve got to hear the opening verse of the original:”
This day and age we’re living in, Give cause for apprehension, With speed and new invention, And things like fourth dimension, Yet we get a trifle weary, With Mr. Einstein’s theory...
“Ike, you don’t really expect me to believe that, do you? Next thing I know you’ll tell me Rick and Ilsa escape into the seventh dimension! Why don’t we forget I ever said anything and just sit back and watch the movie?”
[nb: actually true]
Relativity: The Evolution of Einstein’s Gravity
Icarus (Ike) Rushmore II couldn’t wait to show Dieter his new Porsche. But as proud as he was of his car, he was even more excited about his Global Positioning System (GPS) that he had recently designed and installed himself.
Ike wanted to impress Dieter, so he convinced his friend to drive with him to the local track. They got in the car, Ike programmed in their destination, and the two of them set off. But to Ike’s chagrin, they ended up in the wrong place--the GPS system didn’t work nearly as well as he had thought it would. Dieter’s first thought was that Ike must have made some ridiculous error, like confusing meters and feet. But Ike didn’t believe he could have made such a stupid mistake, and he bet Dieter that wasn’t the problem.
The next day, Ike and Dieter did some troubleshooting. But to their dismay, when they went for a drive, the GPS was even worse than before. Ike and Dieter searched again for the problem and finally, after a frustrating week, Dieter had an epiphany. He did a quick calculation and made the startling discovery that without accounting for general relativity, the GPS system would build up errors at the rate of more than 10 km per day. Ike didn’t think his Porsche was fast enough to warrant relativistic calculations, but Dieter explained that the GPS signals--not the car--travel at the speed of light. Dieter modified the software to account for the changing gravitational field the GPS signals had to pass through. .Ike’s system then worked as well as the readily available commercial variety. Relieved, Ike and Dieter began to plan a road trip.
Quantum Mechanics: Principled Uncertainty, the Principal Uncertainties, and the Uncertainty Principle
Ike wondered whether Athena was making him watch too many movies or Dieter was talking too much about physics. But whatever the reason, the previous night Ike dreamed he met a quantum detective. Dressed in a fedora, a trench coat, and with a stone-faced expression, the dream detective spoke:
“I knew nothing about her except her name, and that she was standing there before me. But from the moment I set eyes on her I knew Electra* would be trouble. When I asked her where she came from, she refused to say. The room had two entrances, and she must have come through one. But Electra whispered hoarsely, ‘Mister, forget it. I’ll never tell you which.’
“Although I saw that she was shaking, I tried to pin this lady down. But Electra paced frenetically when I started to approach. She begged me to come no closer. Seeing she was agitated, I kept away. I was no stranger to uncertainty, but this time it had me beat. It looked like uncertainty was going to stick around here for a while.”
*The name refers to the electron, not the character in Greek mythology.
The Standard Model of Particle Physics: Matter’s Most Basic Known Structure
Of all the stories she had read, Athena was most thoroughly perplexed by Hans Christian Andersen’s “The Princess and the Pea.” The story tells of a Prince who searched unsuccessfully for a suitable princess to wed. After he had searched in vain for weeks, a potential princess arrived by chance at his palace, seeking shelter from a storm. This soggy visitor thereby became the unwitting subject of the Queen’s litmus test for princesses.
The Queen prepared a bed, which she piled high with mattresses and eiderdown quilts. At the very bottom of the pile she placed a solitary pea. That night, she showed her visitor to the carefully prepared guest room. The next morning, the princess (as indeed she proved herself to be) complained that she had not been able to sleep at all. She had tossed and turned the whole night, and found she had actually turned black and blue--all because of the uncomfortable pea. The Queen and Prince were convinced that their visitor was truly of royal blood, for who else could be so delicate?
Athena turned the story round and round in her head. She thought it fairly ridiculous, even the most sensitive of princesses, would ever have discovered the pea by lying passively on top of the pile of mattresses. After many days’ deliberation, Athena found a plausible interpretation, which she rushed to tell her brother.
She rejected the common interpretation that the princess proved her royal nature by demonstrating delicacy and refinement with her sensitivity to even something as minor as a pea under a pile of mattresses. She offered an alternative explanation.
Athena suggested that when the Queen went away and left the princess alone in the room, the princess threw decorum to the wind and gave vent to her boisterous youthful nature. The princess ran around and jumped up and down on her bed until she was exhausted, and only then lay down to try to sleep. Through her rambunctiousness, the princess compressed the mattresses so much that for a brief moment the pea stuck out like a sore thumb and gave her a small bruise. Athena thought this princess was still rather impressive, but found her revisionist interpretation much more satisfactory.
Experimental Interlude: Verifying the Standard Model
Ike once again dreamed he met the quantum detective. This time, the sleuth knew what he was after--and he had a pretty good idea where it should be. All he had to do was wait--sooner or later, if he wasn’t mistaken, his quarry would appear.
Symmetry: The Essential Organizing Principle
Athena uncaged three of her owls and let them fly around. Unfortunately for Ike, he had left the top of his convertible down that day and the curious owls flew right in. The most mischievous of the owls pecked at the car’s interior and ended up tearing it a little.
When Ike saw the damage, he stormed into Athena’s room and demanded that she watch her owls more carefully in the future. Athena protested that her owls were almost all well-behaved and she need only keep an eye on the bad one. But by that time the owls were back in their cages, and neither Ike nor Athena could identify which one was guilty.
The Origin of Elementary Particle Masses: Spontaneous Symmetry Breaking and the Higgs Mechanism
The stricter enforcement of speed limits made long-distance driving a nightmare for Icarus III. He longed to race as fast as he pleased, but police pulled him over nearly every half-mile. The cops never bothered with dull, neutral cars, but harassed only the lively, turbo-charged vehicles, like his own.
Ike resigned himself to driving only short distances, since that way he could avoid the police altogether. Within the half-mile-wide region around where he started, police never interfered and he could always drive impressively fast. Though the Porsche engine’s force was unknown outside his neighborhood, closer to home it became legendary.
Scaling and Grand Unification: Relating Interactions at Different Lengths and Energies
Athena often felt like she was the last to be told anything interesting. She didn’t even hear about Ike’s adventures with his car until after he had owned it for over a month. And she didn’t learn them from him directly--she learned about them from a friend of hers who had heard about them from Dieter’s cousin’s brother, who had learned about them from Dieter’s cousin, who had heard about them from Dieter.
Through this indirect route, Athena was told Ike’s remark, “The influence of forces depends on where you are.” Ike’s uncharacteristic pronouncement completely mystified Athena until she realized that the message must have been distorted along the way. After thinking about it for a while, she decided that Ike’s real remark must have been, “The performance of Porsches depends on the model of the car.”
The Hierarchy Problem: The Only Effective Trickle-Down Theory
Ike Rushmore III came to an ignominious end when he drove his resplendent new Porsche into a lamppost.  He was nonetheless happy in Heaven, where he could play games all the time. He was a gambling man at heart.
One day, God Himself invited Ike to a rather strange game. God told him to write down a sixteen-digit number. God would roll the heavenly isocahedral die. Unlike a normal, cubic die with six sides, this die had twenty sides, with the digits 0 through 9 written twice. God explained that He would throw this die sixteen times and construct a sixteen-digit number by listing the results, one after the other. If God and Ike came up with the same enormous number--that is, if all the digits matched in the correct order--God would win. If the numbers weren’t exactly the same--that is, if any of the digits failed to match--Ike would defeat God.
God began to roll. The first side that came up was the number 4. This agreed with the first digit of Ike’s number, which was 4,715,031,495,526,312. Ike was surprised when God rolled correctly, since the odds were only one in ten. Nevertheless, he was pretty sure the second or third number would be wrong; the odds of God’s rolling both numbers correctly in succession was only one in a hundred.
God threw the first die for a second and then a third time. He rolled a 7 and then a 1, which were also correct. He kept rolling until, to Ike’s astonishment, He had rolled all sixteen digits correctly. The chances of this happening randomly were only 1 in 10,000,000,000,000,000. How could God have won?
Ike was a bit angry (one can’t get very angry in Heaven) and asked how something so ridiculously unlikely could have happened. God sagely replied, “I am the only one who could expect to win, since I am both omniscient and omnipotent. Howeer, you must have heard, I do not like to play dice.”
And with that, GAMBLING FORBIDDEN was posted on a cloud. Ike was furious (of course, only a little). Not only had he lost the game, but he’d also lost the right to gamble.
Supersymmetry: A Leap Beyond the Standard Model
When Icarus first arrived in Heaven, he was directed to an orientation seminar where the authorities explained the local rules. To his surprise, he learned that right-wing religious groups were essentially correct, and family values were indeed a cornerstone of his new environment. The authorities had long ago established and traditional family structure premised on the separation of generations and the stability of marriages; a top would always marry a bottom, a charmer would always align with a strange bird, and an uptown girl would always marry a downtown cool cat. Everyone, including Ike, was satisfied with the arrangement.
But Ike later learned that the social structure in Heaven had not always been so secure. Originally, dangerous energetic infiltrators had threatened the hierarchical foundation of society. In Heaven, however, most problems can be solved. God had sent everyone a personal guardian angel, and the angels and their charges had heroically worked together to avert the threat to the hierarchy and preserve the ordered society that Ike could now enjoy.
Even so, Heaven was not entirely safe. The angels turned out to be free agents, with no contract binding them to a single generation. The fickle angels, who had so bravely rescued the hierarchy, now threatened to destroy Heaven’s family values. Ike was appalled. Despite Heaven’s well-advertised attractions, he was finding it a surprisingly stressful place.
Allegro (Ma Non Troppo) Passage for Strings
Fast forward a millennium.
Icarus Rushmore XLII was trying out his new Alicxvr Device, Model 6.3, that he had recently purchased from the Spacernet. (Icarus III’s interest in speed and gadgets had apparently been passed down through many generations.) The Alicxvr was designed to let the user view things of any size, from the very small to the very large. Ike was pretty sure that most of his friends who had purchased the Alicxvr Device would first try the large settings, of many megaparsecs, so they could see into outer space beyond the known universe. But Ike thought, “I know just as little about what is happening at extremely tiny distances,” and decided to investigate a miniscule scale instead.
However, Ike was an impatient sort. He couldn’t be bothered to read the extensive instruction manual accompanying his device and instead decided to plunge right in. Blithely ignoring the red indicator overlapping the smallest sizes, he adjusted his dial to the 10 -33 cm setting and pressed the button labeled “Go.”
To his horror, he found himself space-sick in a wildly oscilllating, precipitous landscape filled with strings. Space was no longer the smooth, anonymous background he was accustomed to. Instead it was jiggling rapidly in places, heading into pointy sections in others, or wandering off into loops that pinched off or later rejoined the surface. Ike fumbled desperately for the “Stop” button and only just managed to press it in time to return to normal with his senses intact.
After recovering his stability, Ike decided he probably should have read the manual after all. He turned to the “Warning” section and read: “Your new Alicxvr Device Model 6.3 works only for sizes larger than 10 -33 cm. We have not yet incorporated the latest string theory developments, whose predictions physicist and mathematicians connected to the physical world only last year.”
Ike was very disappointed when he realized that only the newer Model 7.0 included the latest results. But Ike then caught up with the most recent string theory developments, souped up his Alicxvr, and never got space-sick again.
Supporting Passages: Brane Development
Ike Rushmore XLII decided to dive down once again to the miniscule Planck scale. Happily, his souped-up Alicxvr worked perfectly and he smoothly arrived in a ten-dimensional universe filled with strings. Eager to explore his new environment, Ike cranked up the hyperdrive attachment he had purchased from Gbay. He watched with fascination as strings collided and tangled in mesmerizing ways.
Although Ike worried that the Alicxvr might break down, he was curious to learn more about this novel world. So he increased the pressure on the hyperdrive lever. At first strings collided together even more frequently. But when he cranked up the lever still more, he entered a new, completely unrecognizable environment. Ike couldn’t even tell whether spacetime was intact. But he kept cranking up the hyperdrive, and, strangely enough, emerged unscathed.*
However, his surroundings were now quite different. Ike was no longer in the ten-dimensional universe he had started off in. He was instead in an eleven-dimensional universe filled with particles and branes. And, odd as it seemed, nothing in this new universe interacted very much. When Ike looked back at his controls, he discovered the hyperdrive lever had mysteriously reset to low. Confused and rather exasperated, Ike cranked up the lever once again, only to find himself back where he started. When Ike checked thee controls, he discovered that the hyperdrive lever was once again back at low.
Ike thought his Alicxvr was probably malfunctioning. But when he checked his up-to-date manual he discovered that his device was operating perfectly--high hyperdrive in ten-dimensional string theory was the same as low hyperdrive in an alternate eleven-dimensional world. And vice versa.
The manual didn’t say what should happen when the hyperdrive wasn’t very low or very high, so Ike entered the spacernet and put himself on the wait-list for an improved version that would solve the problem. But the Alicxvr designers promised only that the release date would be some time within the millennium.
*Actually, according to the duality we learn about in this chapter, even the probes used to study a given version of string theory change character when the coupling becomes strong. So if Ike really was part of the string world, he, too, would change.
Bustling Passages: Braneworlds
Icarus III was becoming increasingly disillusioned with Heaven. He had expected it to be a liberal, forgiving environment. But instead, gambling was prohibited, metal silverware was forbidden, and smoking was no longer allowed. The most restrictive constraint of all was that Heaven was stuck on a Heavenbrane; its residents were forbidden to travel into the fifth dimension.
Everyone on the Heavenbrane knew about the fifth dimension and the existence of other branes. In fact, the righteous Heavenbraners often whispered about the unsavory characters sequestered on a Jailbrane not too far away. However, the Jailbraners couldn’t hear any of the slander that Heavenbraners spread about them, so all remained peaceful in the bulk and on the branes.
Sparsely Populated Passages: Multiverses and Sequestering
Despite its explicit prohibition on the Heavenbrane, Icarus III ultimately returned to gambling. After ignoring repeated reprimands, he was sentenced to confinement on the Jailbrane, a distant brane separated from the Heavenbrane along a fifth dimension. Even after he was sequestered on the Jailbrane, Ike doggedly tried to contact his former buddies. But the distance between their two branes made communication difficult. He was reduced to flagging down passing bulk mail carriers, many of whom ignored his entreaties altogether. The few who did stop always conveyed his messages to the Heavenbrane, but at a frustratingly leisurely pace.
Meanwhile, back on the Heavenbrane, disaster loomed. The guardian angels, who had so bravely rescued the hierarchy, had no respect for the other residents’ family values and were on the verge of creating intergenerational instability. Heaven’s fallen angels considered all pairings acceptable and encouraged everyone to mix with a trophy partner from another generation.
When Ike learned of the threat, he was aghast and he resolved to redeem the situation. Ike realized that by using the slow and deliberate manner with which he was constrained to communicate with the Heavenbrane, he could judiciously feed the massive egos of the unruly angels living there. Thanks to Ike’s helpful intervention, the angels stopped threatening the social order. Although Icarus III still had to serve his sentence, the relieved residents on the Heavenbrane honored him forevermore in urban myth.
Leaky Passages: Fingerprints of Extra Dimensions
Athena had to admit that she missed Ike. Even though she had often found him annoying, she was pretty lonely without him. She was looking forward to spending time with K. Square, an exchange student who was planning to visit. But she was appalled by the closed-mindedness of her neighbors, who were all apprehensive about K. Square’s arrival. It didn’t matter that he spoke the same language and behaved the same way as everyone else. In the current climate, K. Square’s foreign origin alone was enough to make them wary.
When Athena asked her neighbors why they were so anxious, they replied “What if he sends for his heavier relatives? What if they’re not so well behaved as he is and stick to their foreign laws? And when they all arrive together, what will happen then?”
Unfortunately, Athena heightened their suspicions by telling them that K. Square and his relatives couldn’t possibly stay long in any case, since they were all very unstable and the K. Square family could visit only during the commotion of energetic gatherings. Recognizing her unfortunate choice of words, Athena reassuringly added that the foreigners would stick to local laws during their brief and exciting visits. Convinced, her neighbors then joined her in welcoming the K. Square clan.
Voluminous Passages: Large Extra Dimensions
Now that K. Square’s visit was over, Athena spent a lot of time at the local Internet cafe. She was exhilarated by her recent discovery of some mysterious new websites, the most intriguing of which was xxx.socloseandyetsofar.al. Athena suspected that these suggestive sites were a consequence of the recent AOB (America On Brane)/Spacetime Warner multimedia merger, but she had to go home before she had time to investigate.
When Athena arrived at her house she rushed to her computer, where she once again sought the exotic hyperlinks that had been so readily accessible at the Internet cafe. To her frustration, however, CyberNanny prevented her from reaching the forbidden dimensionally enhanced sites.* But by cloaking her identity with her secure alias, Mentor, Athena vanquished her cybercensor and succeeded in finally returning to the mysterious hyperlinks.
Athena secretly hoped that K. Square had sent her a message that was hidden in a webpage. But the sites were not easy to understand, and she managed to pick up only a few potentially meaningful signals. She resolved to study their content some more and hoped the merger--unlike the other merger with a similar name--would last long enough for her to figure them out.
*Physicists post their papers on a website that begins with “xxx”: check out xxx.lanl.gov. Internet filters have occasionally forbidden access to this site as well.
Warped Passage: A Solution to the Hierarchy Problem
Athena awoke with a start. She had just revisited her recurring dream, which had again begun with her entering the dreamworld’s rabbit hole. In this episode, when the Rabbit announced, “Next stop, TwoDLand,” Athena ignored him and waited to hear the choices that remained.
At the three-spatial-dimensional stop, the Rabbit announced “If you lived here, you’d be home by now.” But he refused to open the doors, despite Athena’s pleas that she did indeed live there and very much wanted to return home.
At the next stop, uniformed six-dimensioners tried to enter. But the Rabbit took one look at their inordinately large girth and abruptly closed the doors, saying that they couldn’t possibly fit. They quickly departed once the Rabbit threatened to cut them down to size.*
The elevator continued on its extraordinary journey. When it stopped again, the Rabbit announced, “Warped Geometry--a five-dimensional world.”** He gently pushed Athena towards the door, advising her, “Enter the funhouse mirror--it will take you home.”
Since the Rabbit had mentioned a fifth dimension, Athena found this highly unlikely. But she didn’t have any choice but to enter and hope the tricky Rabbit was right.
*As we saw in Chapter 18, extra dimensions can be uniform, large, and flat. The Rabbit is skeptical about this idea. **This counting includes a dimension of time.
The Warped Annontated “Alice” ¹
Athena stepped out of the dreamworld’s elevator into the warped five-dimensional world and was astonished to see only three spatial dimensions. Was the Rabbit playing games, pretending to take her to a world with four spatial dimensions when in fact there were only three? What a funny way to travel to what looked like an ordinary world!²
With great gallantry, a local received the puzzled new arrival. “Welcome to Branesville,³  our glorious capital. Permit me to show you around.” Athena, who was tired and confused, blurted out, “Branesville doesn’t look all that special. Even the mayor looks completely normal,” although she had to confess, she wasn’t entirely sure as she had never seen a mayor before.
The mayor to whom Athena referred had arrived accompanied by the Cheshire Fat Cat, his Chief Advisor. The Cat’s job was keeping tabs on everything in the city, which was greatly facilitated by his skill at catching people unawares--especially surprising in lgith of the Cat’s enormous bulk. The Cat loved to explain that he owed this skill to his ability to disappear into the bulk, but no one ever understood what he meant.⁴
The Cat materialized next to Athena and asked if she would like to accompany him as he made his rounds. He warned her tha she had better be comfortable ith bulk, to which Athena eagerly responded that her favorite uncle was in fact very, very fat. The Cat looked skeptical, but agreed to take her along. He offered Athena cream cake with butter frosting, in which she happily indulged. And off they went.
Athena wondered what it was she’d eaten. She now appeared to be on a four-dimensional slice of a five-dimensional world, and as far as she could tell, she was no thicker than this thin four-dimensional slice. She exclaimed, “I am like my paper doll! But whereas Dolly has two spatial dimensions in a three-dimensional world, I have three spatial dimensions in a four-dimensional world.
The Cat grinned sagely and explained, “You are now conscious of what I like to call The Bulk. You are still in Branesville, but will be leaving (and growing) momentarily. Branesville is in reality part of a five-dimensional universe, but the fifth dimension is warped so discreetly that Branesville residents are completely unaware of its existence. They have no idea that Branesville is the border of a five-dimensional state. You too mistakenly concluded on your arrival that there are only three spatial dimensions. The new Athena, untethered from the brane, is free to travel out into the fifth dimension. May I suggest for our destination another village called Weakbrane, at the other edge of the five-dimensional universe?”
What a strange five-dimensional journey it turned out to be. After leaving Branesville, Athena found herself moving in another dimension, and growing as she did so.⁵  When the observant Cat noticed the confused look on Athena’s face, he reassuringly explained, “Weakbrane is close by and we will be there very soon.⁶ It’s lovely, but don’t be alarmed when you see that, like the Branesville residents you encountered, Weakbrane residents scoff at the notion of four spatial dimensions. You, who can see out into the bulk, will see a huge shadow on Branesville, ten million billion times bigger than the one with which you started. Almost everything else will seem to you and to them to be entirely normal.”
But upon her arrival in Weakbrane, Athena noticed one other thing. The four-dimensional graviton had quietly accompanied the travelers on their journey and was softly tapping on her shoulder. He touched her so extremely gently that she had barely noticed.⁷
But she couldnt’ ignore the graviton when he launched into a litany of complaints. “Weakbrane would be so exciting, were it not for the superior influence of the entrenched hierarchy. The strong, weak, and electromagnetic armed forces on the Weakbrane permit me only the most feeble strength.” The graviton whined how everywhere else he was a force to be reckoned with, especially in Branesville, which is ruled by an oligarchy with comparably strong forces.⁸  Weakbrane, where gravity was the most suppressed, was the graviton’s least favorite place.⁹ The graviton turned to Athena in hope of enlisting her in his plan to wrest power from the reigning authorities.
Athena thought she had better leave immediately and looked around for the rabbit hole, but couldn’t find it. She did find a white rabbit, whom she expected to be an efficient guide. But the Weakbrane rabbit had an alarmingly sluggish gait, and kept repeating how happy he was that his date would wait.¹⁰ Athena realized that this rabbit wasn’t going anywhere, so she found a more anxious rabbit she could follow, and worked her way back home. Once she understood the physics implications, Athena enjoyed her dream enormously--though it should be noted that she never again ate cream cake.
¹ This title borrows from Martin Gardner’s delightful Annotated Alice, in which he explains the wordplay, math riddles, and references in Lewis Carroll’s Alice in Wonderland. ² The brane itself is large and flat and has only three spatial dimensions. Only gravity makes contact with the additional dimension. Remember that the five-dimensional space has four spatial dimensions (and one of time), whereas the brane has three spatial dimensions. I’ll still call time the fourth dimension, and I’ll call the additional dimension the fifth. ³ Branesville is the Gravitybrane. ⁴ The Fat Cat, unlike Branesville residents, is not confined to the brane. ⁵ Everything is bigger and lighter near the Weakbrane. Athena’s shadow over Branesville grew as she got closer to the Weakbrane and further away from the Gravitybrane. ⁶ The fifth dimension does not have to be very big in order to solve the hierarchy problem. ⁷ Gravity is feeble on the Weakbrane, where the graviton’s probability function is so small. ⁸ On the Gravitybrane, gravity is no weaker than the other forces. ⁹ The petulant graviton is complaining that on the Weakbrane, gravity is much weaker than the electromagnetic, weak, and strong forces. Gravity would be much stronger (and have a strength closer to that of the other forces) closer to the Gravitybrane. ¹⁰ Things are bigger and time is slower on the Weakbrane.  The rabbit’s laxness is accounted for by rescaling time. 
Profound Passage: An Infinite Extra Dimension
Athena woke up with a start. Her recurring dream had once again taken her down the rabbit hole. This time, however, she asked the rabbit to take her straight back to the warped five-dimensional world. Athena arrived back in Branesville (or so she thought). The Cat soon appeared, and she eagerly turned to him, anticipating her dream cake and a delightful excursion to the Weakbrane. She was sorely disappointed when the Cat told her there was no such thing as Weakbrane in this particular universe.*
Athena didn’t believe the Cat and thought there must be another brane further away. Proud of herself for understanding how, in the warped geometry, further-away branes had weaker gravity, she decided it was probably called the “Meekbrane” and asked the Cat whether she could go there.
But once again she was in for a disappointment. The Cat explained, “There is no such place. You are on the Brane; there are no others.”
“Curiouser and curiouser, thought Athena. This clearly wasn’t exactly the same space as before, since it had only a single brane. But Athena wasn’t ready to give up. “May I see for myself that there is no other brane?” she asked in her sweetest tone.
The Cat strongly advised her against it, warning, “Four-dimensional gravity on the brane is no guarantee of four-dimensional gravity in the bulk. Once I nearly lost everything but my smile there.”
Athena was a cautious girl, despite her many adventures, and she took the Cat’s warning to heart. But she often wondered what the Cat meant. What did lie beyond the Brane, and how would she ever know?
*The geomery of this chapter is warped, as in the previous ones, but now there is only a single brane--the Gravitybrane. Although this means that there is an infinite fifth dimension, this chapter will show why this is perfectly fine with the warped spacetime. 
A Reflective and Expansive Passage
Ike XLII as ready to live large. He wanted to test the Alicxvr’s ultra-high settings of many megaparsecs, with which he could explore places beyond the Galaxy and the known universe and experience distant regions no one had ever seen before.
So he was thrilled when the Alicxvr took him to distances 9, 12, and 13 billion light-years away. But his excitement diminished when he tried to go farther and his signal strength fell precipitously. When he aimed for 15 billion years, his exploration aborted completely: he no longer received any information at all. Instead, he heard, “Message 5B73: The Horizon customer you are trying to reach is beyond your calling area. If you need assistance, please contact your local long-distance operator.”
Ike couldnt’ believe his ears. It was the thirty-first century, yet his Horizon service still provided only limited coverage. When Ike tried to contact the operator, a recording said, “Please stay on the brane. Your call will be answered in the order in which it was received.” Ike suspected that the operator would never respond, and was wise enough not to wait.
Extra Dimensions: Are You In or Are You Out?
Athena’s dreams about OneDLand, branes, and five dimensions were passed down for generations. When Ike XLII heard them, he wanted to check whether there was any truth to her stories. So he took out his Alicxvr and went down to a very small scale--not so small that strings would appear, but sufficiently small to check whether there was a fifth dimension. The Alicxvr answered Ike’s question by sending him off to a five-dimensional world.
But Ike was not completely satisfied. He remembered the bizarre things that had happened earlier on when he had fooled around with the hyperdrive option. So he once again cranked up the hyperdrive lever--and once again, everything changed drastically. Ike couldn’t identify a single familiar point. He could tell only one thing: the fifth dimension had disappeared.
Ike was mystified, so he searched the spacernet to see what it could tell him about “dimensions.” He waded through numerous sites that he recognized from his more embarassing spam, but soon realized that he’d have to refine his search. When he still couldn’t find anything definitive, he conceded that he wouldn’t know the fundamental origin of dimensions any time soon. So he decided to turn his attention to time travel instead.
(In)Conclusion
Icarus Rushmore XLII used his time machine to visit the past and warn Icarus III of the disaster that awaited him should he continue driving his Porsche. Ike III was so astounded by his visitor from the future that he heeded Ike XLII’s warning. He traded in his Porsche for a Fiat and subsequently led a full, contented, and slower-paced life.
Athena was ecstatic to be reunited with her brother, and Dieter was happy to see his friend, though both of them were confused since it seemed as if Ike had never left. Athena and Dieter realized that the time travel that Ike reported to them was pure fiction. Even in dreams, the Cat never looped through time, the Rabbit never reached a stop with extra time dimensions, and the quantum detective refused to contemplate such odd behavior of time. But Athena and Dieter preferred happy endings. So they suspended disbelief and accepted Ike’s fantastic story all the same.
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shay-iamiam · 6 years
Text
Him and I
He’s trouble laced with a smile 
Based off  “Him and I” By G~eazy and Halsey 
Boxer!Bucky x reader 
WC:1,954
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Cross my heart, hope to die To my lover, I’d never lie He said “be true”, I swear I’ll try In the end, it’s him and I He’s out of his head, I’m out of my mind We got that love, that crazy kind I am his, and he is mind In the end, it’s him and I, him and I 
The moment you laid eyes on him you knew he would be trouble. He strolled into the diner with a stone cold look on his face. With another black eye. He trained at the gym two blocks away from the dinner. And like clock work he came in at the same time 10 P.M every Friday night. You already knew what he was up to the guy couldn’t take no for an answer. The smirk on his face, that full beard those stone cold blue eyes. It’s enough to make any girl swoon. With a couple of flirty words and anyone would be ready to leave with him. With a face like that who would say no.
But you’ve said no to him a thousand times. But he keeps coming back same smirk same time every Friday night. You walk up to him already knowing what he’ll order. But you have to ask anyway. Your manager is always crying about your “customer service skills”
“I’m Y/N I’ll be your server tonight what can I get for you sir?” You asked him already knowing what would come next.
“I’ve told you a thousand times darling not sir just Bucky.” he smirks. He says the same thing everytime. But you don’t feel like dealing with his same shards tonight.
“What can I get you sir?’ you throw a lot of emphasizes on sir
“The same thing I get every Friday night a King burger and your number with a side of fries will do it for me.” he sits there wearing that lopsided grin you’ve come to think was actually pretty damn cute, but you’ll never tell him that. His head is already big from some of the groupies form his gym who follow him to the dinner gawking over him.
“Alright one King burger with a side of fries coming up for you sir.” you smirl and walk away you know how much it bugs him when you call him sir. It’s your way of keeping it semi-profesional even when he constantly tried to flirt with you. Besides his blatant staring and winking. He wasn’t that much trouble tonight. You thought to yourself maybe i finally got threw to him that. Him and I are never happening.
You dropped off his bill and he came up to pay shortly after.
“Alright look doll, i’ve come to realize that my blatant flirting was probably a little annoying. So i’ll make a deal with you. Give me a chance just one to show you i’m not a complete asshole and if you don’t have a good time i’ll leave you alone. I won’t even walk by the dinner if that’s what you want.” you looked at him like he had two heads was this the Bucky Barnes giving up. Just one little date and that’s all it took for him to be out your life for good. You were in.
“Alright Barens one little date and that’s all?” you quiped at him. He clearly thought he wouldn’t get that far with you. He stared at you for a good ten seconds and then he finally answers. He tried to be smooth running his clearly shaky hand threw his hair.
“Yeah doll just uh.. Just one date. You deceived you don’t like me than. And i’ll leave you alone.” you didn’t know what to expect from him. But you guessed you would see.
“I’ll sit aside some tickets for you at the box office doll.” he smirked with a new found confidence in his step as he quickly made his way to the door. Box office gou said to yourself i’m not watching you fight someone.
“Come on doll don’t act like you haven’t thought about punching me in the face at least once. It will make you feel better if you see someone getting a hit or two in on me. But don’t bet they’ll win. I’ll see you after the fight doll.” than he left out. After about a hour or so you finally asked yourself . what did I just agree to.
You’ve never been to a fight you had no clue what to wear so you did something casual and comfortable. You got to the match thirty minutes early. You picked up your tickets at the box office and were headed in to sit when you were stopped. By a tall brooding  man. He looked like he could do a hundred push up and not break a sweat.
“Are you Branes girl” he asked clearly excited for the fight. But how did he know who you where.
“Yeah I’m a friend of his.” by any means where you “Branes girl” but you would get over it.
“He asked me to wait for you up front and bring you to the back before the match. Come on follow me.” he began walking off. Why would he want to see me before the fight you asked yourself. But your thoughts were interrupted by a low voice.
“Im Sam by the way” you introduce yourself as well.
“Barens would not stop talking about you. You should have heard him “she finally said yes, shes coming tonight, i’m gonna win this match. I got to impress her.” Sam counited on. You were giggling at what he what old you. You never thought that you out of all people could make Bucky this nervous. Sam was funny you had to thank him later for the info.
You got to his room loud music was playing and the air smelled of fresh leather. You saw Bucky sitting on a stool getting his gloves laced up. You walked in and everyone in the room started making kissy faces towards Bucky. They were acting like school girls. You smiled and waited for him to finish up.
“Alright guys that’s enough will you give me the room for five minutes.” as the guys passed they all made kissy faces and taunted Bucky.
“Alright. Alright get out of here yeah yeah go on.” when they finally left the room. You were left with a red faced Bucky. “That was nice you giggled, Sam told me you talked about me.”
Bucky was clearly embarrassed by his confessions. “Yeah I may have mentioned you once or twice. God remind me to puch Sam later.” he rubbed his face and smiled.
You and Bucky talked before his team came and got him for the fight. You sat front row right behind them and the fight began. Bucky was good he dodged punches bobbed and weaved he was incredibly light on his feet for a man is size. You were having fun until he got hit. It was pretty hard to but he recovered quickly with his own punch back. The next thing you know you were yelling and screaming his name.
“Come on Bucky you’re better than him” you were yelling along with everyone else now. Sam turned around and gave you a surprised smile and kept watching the fight. The fight was over and Bucky managed to knock out his opponent and you were jumping up and down yelling his name. You actually enjoyed the fight. Bucky went to the back and got cleaned up. Sam told you he would meet you by the ring in twenty. You were so caught up in thought you didn’t notice him walk up. You nearly took out his left eye.
“Whoa doll you nearly took out my eye” he laughed “Did you enjoy the fight? I heard you yelling from the stands. It sounded like you were having a good time. I’m glad you enjoyed yourself.” he smiled. “But our date is just begging come on i want to take you somewhere.
Out of all places you never thought he would take you to a ice cream parlor. You all chatted the night away. The next thing you know it was midnight and he was walking you home. You had to admit to him that you had a good time and when he asked if he could see you again you told him. “You know where to find me.” you kissed his cheek and walked into your complex.
Bucky was smiling for the rest of the night.
You never thought you would find yourself here. You and bucky had been dating for two months. And he wanted to cook for you tonight. Yes he actually could cook pretty good at that. You had come over and ate he fixed spaghetti at it was pretty good. You all got comfortable on his couch and drifted off to sleep watching a movie, you never thought it could be pure bliss with him. But you were living it.
You heard him saying someone’s name over and over again “Becca… Becca it’s alright.” he whispered. Than he started scraeming.you tried to wake him with soft touches but nothing worked. “Bucky wake up your having a nightmare wake up” you shouted and he snapped out of it and began weeping. That night he told you the why he started boxing. His sister was killed in a home invasion when he was a teenager and he couldn’t fight off the invader. They knocked him unconscious and killed his sister. That night you saw Bucky in a new light. Behind this strong face was a hurt boy fighting for himself.
Your relationship with Bucky was stronger from that point. You were glad he didn’t give up on you. And he was glad you didn’t give up on him. You went to everyone of his matches. The loudest one in the crowd yelling for him. After every match you all went to the same place for ice cream and cut threw the park to get back to his place.
That night after the fight you all did the same thing ice cream a nice quiet walk and cuddling on the couch. He was different that night more affectionate with you. Not that he wasn’t to begin with. You all were sitting in silence on his couch. Curled up just enjoying each other company. Bucky go up and went to his room and returned with a box. He didn’t speak as he walked back he just grabbed your hand and spoke.
“I never thought I would find someone who understands me so well. Who gets me. Who outs up with me when i’m being a asshole ]. And who can set me in my place. Amd center me with a few simple words. Y/N i’ve come to love you. I love you.” his voice began to crack and he let out a shaky laugh.
“This is not a proposal. It’s a promise ring. A promise to make you laugh whenever i can. To be your friend when your down. And to let my love for you continue to grow.” you don’t know what to say by this point you were crying. Never in a million years would you have thought that you would be this way with anyone. Especially not the boxer Bucky Barnes but you were. From This point you one you just wanted him. There would never be anyone else. Your words were lost so you accepted the ring with a breathy yes. And a kiss that would make a priest swear. From this point on it was you and Bucky. It was Him and I.
Cross my heart, hope to die To my lover, I’d never lie He said “be true”, I swear I’ll try In the end, it’s him and I He’s out of his head, I’m out of my mind We got that love, that crazy kind I am his, and he is mind In the end, it’s him and I, him and I
Alright I was very nervous to post this. I had this idea in my head for a while and decided to type it up today. I’m trying something new. Please leave me some feedback. I’m nervous as if anyway. lmao okay I’m done 
~ Shay  
Taglist (WIDE OPEN!! )
@debbielovesbucky @void-imaginations @buckitybarnes @xgminigypsy @papi-chulo-bucky @fandomimcurrentlyobsessedabout @feigningintrest @meowmeow230 @laceys-notebook
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wineanddinosaur · 3 years
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EOD Drinks with Dan Aykroyd
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In this episode of “End Of Day Drinks,” VinePair’s editorial team is joined by Dan Aykroyd, comedian, actor, and owner of Crystal Head Vodka. Listeners may know Aykroyd from his award-winning films such as “Ghostbusters,” “The Blues Brothers,” and “Trading Places.” He was also one of the original cast members of “Saturday Night Live.” Apart from these ventures, Dan Aykroyd has also made a lot of noise in the beverage alcohol industry, most notably with his creation of Crystal Head Vodka.
Listeners will get a glimpse into Aykroyd’s pivot from Hollywood stardom to beverage alcohol entrepreneurship — starting with a tequila tasting that he calls a “revelation.” Aykroyd also explains Crystal Head Vodka’s forward-thinking style, starting with his decision to remove all additives from the product. Finally, listeners will learn about the mythos of the crystal head and why Aykroyd chose it as the shape of the bottle.
Tune in to learn more about Aykroyd and his leading premium vodka brand.
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Or check out the conversation here
Tim McKirdy: Hey, everybody, this is Tim McKirdy, staff writer at VinePair, and welcome to the “EOD Drinks” podcast. Joining us for today’s episode, we have an award-winning actor, producer, comedian, and owner of Crystal Head Vodka, among other boozy ventures: Dan Aykroyd. Welcome to the show.
Dan Aykroyd: Oh, good. Good to be on. Good to be with your listeners and with all of you today.
T: Thanks so much for joining us. As always, I’m pleased to be joined by some colleagues from the editorial team at VinePair. Today, we have Joanna Sciarrino, Cat Wolinski, Katie Brown, and Keith Beavers. Hey, everybody.
All: Hello!
D: Wow, what a panel. I wonder what you have in front of you right there. I’ve got a mini-Head going. But I just love that your thing is just educating people about beverage alcohol brands, and exciting new breakthroughs for the consumer. You guys make it accessible. I was in the wine business for a while, and I got into it through Niagara. That was 12 years ago, and the grapes were very young. The Niagara grapes. Now, they’re approaching those 60, 70 years old. There are some really incredible Niagara reds coming out of that region. Not as fruity as when I was into it. People come to me and they say, “I’m going out to a restaurant. I want to order red wine.” Well, I say “anything that’s got a saint in it.” St.-Julien. I say anything that has an x. Bordeaux, Margaux, you just can’t go wrong. We see these years being slammed all the time. This year was bad or that year is bad. I don’t know, man. I think that you can drink a Bordeaux right now that’s not even 10 years old from Brane-Cantenac Margaux or one of these great red wines from France. If you let them go too long, they get bad, a lot of them. I drink them if they’re eight, nine, 10 years old. I don’t save them anymore. I drink the nice reds coming out of France. Then, Washington State, wow. The Walla Walla reds, and the Cabernets.
T: Some great wine up there.
D: It’s exciting. I learn as I go and whatever my taste or palate that I had left after years of whatever, maybe other substances. When I order a Walla Walla or a Columbia Valley Wine, I’m always pleased. The prices are good on those in restaurants. Well, if restaurants will continue to exist.
T: I’m very happy you are able to share your drinking advice or red wine-buying advice with our listeners, Dan. Anything with a saint or an x, that definitely beats the second on the list.
D: There are all kinds of incredible restaurants and vintners in the world now that are in partnership. I love Diamond Creek out of California. Al Brounstein was the founder. His wife, Boots, I think took it over if she’s still with us alongside his kids. Very limited production, I’m sure you’ve heard of it. Keith, you’re the wine guy, right?
T: Keith is the wine guy.
D: Well, you’ve heard of Diamond Creek?
Keith Beavers: Yes, and I love that you’re talking about Niagara. Oh, my gosh, the Pinot Noir coming out of there is incredible. It’s an amazing place.
D: It was a little spotty when I was starting out, but I did it because I wanted to help Ontario’s industry. I wanted to lend my name to Ontario’s industry. The distributor that I brought Patrón into Canada for was a wine company. I said, “Well, let’s swing in and try to make some neat wines.” We actually did for a while. Now I’ve let that lapse because they’re focusing on other things, but I’d like to revive it. I know exactly the type of wine I would like to put a label on. DeLoach Vineyards built me an American wine that was wonderful. It had Grenache in it, peppery flavors, and wow, it was fine. And of course, that’s Jean-Charles Boisset who many of you met. He and I partnered, but I guess the agency wasn’t right. There weren’t enough salespeople out there to get it going, but wow, we put up some quality white Chardonnay and a beautiful Cabernet there from DeLoach.
K: Spicy Grenache, you’re talking to my heart right now.
D: With a burger! I order the wine first and then I complement the wine with the food. Now, people may have it the other way sometimes. You order the food and then ask what wine would be good with it. Now I say, “What food would go well with this wine?” That’s how I started along with many who drink moderately and enjoy wine.
T: More sound wine-buying advice there from Dan Aykroyd. These are all things that I love to get into, especially the wine side. I wonder if I can take us on a quick detour before that, though, Dan. I was really hoping we could start out by looking at Crystal Head. You launched Crystal Head over a decade ago now. That’s a time when very few of your Hollywood colleagues were getting into the booze industry. You also went down the vodka road instead of tequila, but earlier you alluded to the fact that you have some business interest with Patrón and tequila. I’d love to hear about that and how you got your start in booze alongside Hollywood?
D: Well, you know, it just comes from a simple musing on an afternoon in the summer, in August, down at the dock by the lake. Canadians love their cottages. Down to the dock by the lake, I’m looking at the two dominant brands of tequila sold in Canada at that time. I’m looking at my Margarita jar with my mix and going, “Oh boy, I wish I had something better to work with.” I recall a time in L.A. with John Paul Dejoria, the great entrepreneur who founded Paul Mitchell Hair Systems and also the Patrón Spirits Company, and we were drinking at the House of Blues. He was one of our first investors. He said, “Would you like to try this Patrón tequila?” I said, “Well, I don’t really have too much of a good record with tequila.” It’s the technicolor mule in the back of a yard in Tijuana. That’s my association with it at that time. Then, he said, “no, no, this is different. This is sipping tequila, it’s magnificent.” He poured me a warm shot of the Patrón Silver. I sniffed it and I thought, “Whoa, earth. Nice.” Then, I sipped it, and it was a revelation to me. It was tequila as I’d never seen it before, a premium tequila. I never knew, living in Canada, that such a thing was possible. We only had two brands to work with. I recalled back on that summer’s day and said “Wow, what if I could get Patrón up in Canada to make a better Margarita here for this party on the dock?” The next time I saw J.P., I said, “I really would like to bring Patrón into the little village government liquor store up here. How can I do it?” He said, “Well, Dan, you’d have to bring it to the whole country.” We both agreed to do it. In partnership, J.P., myself, and David Brown, another ex-mailman. We brought Patrón to Canada 12 years ago and it is now one of the dominant luxury brands in the country. Canadians can now enjoy what Americans did all along with fine tequila. We made it a great success right up to the point where Bacardi bought it. I’m no longer involved in it, but I’ll always be a friend to Patrón because of its quality and that silver, smoky, lovely flavor. That’s really how I got into booze, by wanting something better. That led me to research, exploring, and improving another category. That was the vodka category. I opened a lot of vodkas, and they smelled like Chanel No. 10. Or they didn’t have a taste or a flavor. Or they were harsh and had an over-viscosity. I thought, what’s going on here? Why? Why can’t we get an old-fashioned, pure, clean-water vodka? Well, I came to find out that a lot of glycerol is added. Glycerol is added to a lot of alcoholic products, but not enough to hurt or kill you. Laminine is added to vodka to disguise the alcohol smell and taste to mask it. Then, they added sugar to a lot of the brands. I thought, well, what if we eliminated all of these fusel oils? Fusel oils are the industry name for these additives. German fusel. We eliminated the glycerol in the Crystal Head corn mash. We eliminated the laminine in the Crystal Head corn mash. We eliminated the sugar in the Crystal Head corn mash. You don’t need any more sugar when you’ve got ethyl alcohol corn, C2H5O6 sugars. Laminine has a cousin as a caustic cleanser. You could take pure laminine and cut through mechanics’ grease with it. Then, glycerol is a cousin to ethylene glycol, which cooled the spitfires in World War II. It’s antifreeze. I thought they didn’t put enough to kill you. It’s been done for years, it’s industry standard. Let’s change the industry. Let’s come up with a pure spirit. Let’s not put the additives in. Let’s not add these things. Right out of the gate, the tastes were great, we went to the purest water source in North America, Newfoundland, Canada. We source the water there because you see original water from the aquifer of the Wisconsin glacier that sat 800 feet above us 16,000 years ago. There was ice all over this part of the world. Then, that just melted into the porous rock into the province of Newfoundland. It sits 900 feet above the ocean, away from the eerie plume of pollution. That water has never been touched by acid rain. It sits in an aquifer in these lakes underneath the province of Newfoundland. There is a still right above it, and it’s owned by the provincial government. Not only does Crystal Head have no additives in it but also has the purest water in the world right from the aquifer that was originally the ice over our planet at that time. It’s also manufactured by the province of Newfoundland Labrador Liquor Distillery Corporation. It’s a government manufacturer. With Baltic vodkas, you go into those stills, and it’s a little rough. However, the government manufacturer guarantees us a policing of quality that’s quite outstanding. Today, Crystal Head has won numerous awards for taste, and our vodkas are in about 80 countries. I’m proud to go around the world and say it’s a Canadian product, from a country that is tolerant. We have our pride bottle. We celebrate the LGBTQ+ community frequently. We had the same-gender preference marriage long ago in Canada. We are a Canadian company, and we espouse Canadian values, quality, and dependability for the consumer. The best water with the best manufacturer. The corn comes from Chatham, Ontario, from same-system corn farming. Now, no one in the world works as hard as I do to make this vodka. We grab the corn, take it to the same farming system, with the peaches and cream corn, the big, fat kernels there. We harvest them. They go into the mash truck. The truck then drives a fifth of the way across Canada to a nine-hour ferry ride to Newfoundland, where we mix it with the water in the distillery. Then it goes out into containers, and into the world from there. We’re going to great trouble to make it.
T: I’m glad that you went to some length there to share the process with us. You also mentioned accolades. Crystal Head is a vodka that we’ve long enjoyed at VinePair. You can check it in the reviews, in the roundups. What I always say to people as well is that you have this amazing-looking bottle, but don’t look past what’s inside it as well. Can you also tell us about the bottle? Obviously, it is very striking and definitely sets you apart on the liquor shelf.
D: Well, it does. Of course, being that we wanted to have a business that sustains, we had to put a quality fluid in it. One that people will enjoy and look past the bottle to drink it. Many bottles are still around the world. I have 200 of them in my barn here in Canada because of the parties I’ve had over the years. I don’t throw them away. We wanted to sell the idea of enlightened drinking and to have a drink that doesn’t have additives, which is very popular with bar chefs. Crystal Head is the virgin slate, it’s a blank canvas in which to do mixes. As you know. You guys are mixologists, you know bar chefs, and you know what is going into vodka. We’ve got one that is high-quality with no additives and pure. We wanted to sell the idea and the mythos of purity. With the myth of the crystal heads, we wanted to utilize that myth because they were enlightening the tribes that own them. The Anasazi, the Navajo, the Aztec, and the Mayans all purportedly had these star children’s heads or crystal heads that were used as scrying devices. There was a positive aspect and a positive myth. A myth of purity and power to these heads owned by these various aboriginal indigenous tribal bands around the planet — in legend anyway. I thought that this is the perfect vessel to put our stripped-down, zero-additives, pure fluid in. Let’s take the mythos of purity and put it into the bottle. Now, you’ve got an award-winning fluid with no junk in it. The crystal heads, you saw the “Indiana Jones” movie, they were ascribed to extraterrestrial origin. The Navajo said they’re from the star children. In the movie, they certainly take advantage of that myth of the heads being from another planet. There were 13 of them in the world that were known, and five out of the eight are in the hands of mankind, and five are missing. Three of them are in museums, one at the V&A in London and two in the Smithsonian. One was found in the Yucatan; that’s the most popular and famous one, the Mitchell Hedges skull. Mitchell Hedges was the granddaughter of an explorer. They were in Central America and found this head wrapped in an oilcloth. She reached into a hole in a cave and found it. It had a detachable jaw. It was beautiful. It had so-called healing powers. People who would see it, the velvet cape would come off it, and you’d get an immediate feeling of wellbeing and warmth in the belly just by looking at it. It was very beautiful to look at. You can get pictures of it. The Mitchell Hedges skull. People can look it up on any search engine and dig up a picture of it. It sat here in Ontario for a long time. There is one in Mexico City with a cross stuck right on the top of it. Were they ancient or were they made by man? Either way, they are beautiful to look at. For my purposes, it was the perfect sales legend to sell our quality story by tying into the mythos of purity that the skulls had in legend. It worked well for us.
Cat Wolinski: Dan, this is Cat. I am following up on your story about the myth of purity and alcohol. I’m curious to hear your thoughts on the brands that are marketing themselves as better-for-you, “healthy” beer, spirits, wine, etc.
D: I think organic is a movement that is not doing too much harm to the consumer. I think we’re an organic product. It’s up to the consumer to be discriminating and to decide whether something is better for them or not. Is it better to have a drink that has 100 calories? With Crystal Head, we have 65 calories. We don’t say we’re better for your health in our marketing, but I think that you have to trust the consumer to believe stories or not. Certainly, we say we’re pure, and you can run our product on a spectrograph. It will run completely flat. There are no impurities in it because of our filtration system. If you want a vodka that doesn’t have a cousin to antifreeze it in or a caustic cleanser, then maybe it is better for you to have vodka, like Crystal Head, that doesn’t have that stuff. Look at all the stuff you’re adding today to vodka and mixes. I don’t know Pernod, vermouth, Fernet-Branca, emulsified sugars, Bloody Caesars. Our bar chefs around the world love our Aurora bottle. That’s the one with the mirror finish. That’s a wheat vodka that comes out of Yorkshire, England. Very soft, sunset wheat. A little more spice to it than the corn. The corn’s notes are sweet vanilla, dry and crisp. And the other one is star anise and peppercorn. Then we have our new expression, which is quite exciting because the whole legend, as you’ve taken me through here today of where we got started with my partners and myself, is the tequila. We now build a vodka that is vodka-style distillation, but we use the Blue Weber agave. This is in the black head, the Onyx. This is taking a vodka treatment of distillation and filtration, then making it from the Blue Weber agave mash. It is a big hit because of its floral, earthy, long finish when you’re tasting it. It’s like nothing I’ve ever had. It’s almost like a white whiskey with tequila.
T: Can you try to describe that? Say you were giving someone the elevator pitch. It’s tequila made in the vodka way, but how would you describe it?
D: I would say it’s like a beautiful, white whiskey. If you were to close your eyes, is it brown or white? You wouldn’t know but you get the taste of tequila. You would think this tastes like tequila, but it’s not as overpowering as some tequilas can be. There’s a softness to it.
T: I believe it serves as an intro to tequila. The way that I’ve described it to people is maybe you didn’t have a good experience with tequila before. A lot of people didn’t in college. People may want to take a little step before you dive into that category again. Maybe you should try this. Yet, I definitely think it stands on its own as a unique product. It’s super interesting.
D: It crosses vodka and tequila grounds a bit. There are some notes that have been written about white pepper, citrus. I mean, you can have notes on anything like a hint of baby diaper with a burnt tire. Notes can get into some heavy pretensions when you get to some of the critics. However, I would say earthy. It’s just something that’s never been done, and people are loving it. It’s never been done to take Blue Weber agave and then adjust the temperature and distillation so you can get a vodka-style treatment on it.
Katie Brown: So that leads into my question. I’ve been curious, with that specific spirit, do you drink it as if it’s a tequila? Would you put it in a Margarita? Or do you use it for classic vodka cocktails, like a Martini? What’s your favorite way to drink it?
D: You can drink it as a traditional vodka. You can drink it as a tequila. Either way, it crosses both lines there and serves in a Margarita beautifully. Of course, as a Martini, there’s no taste like it, if it’s cold and shaken with a lemon peel.
T: That’s your preferred serve on the Martini?
D: I like it shaken. I like to hear a steward on the Long Island Rail Road with white gloves in the bar car, shaking, shaking, shaking as the tracks click, click, click by. Then, I’m coming to my seat as I’ve got my Wall Street Journal folded into a single column. I can get a drink from that steward, handed to me in a tumbler, a vodka Martini, shaken with ice, with lime or olives, maybe a hint of white vermouth, throw it out. That’s the 1954 Long Island Rail Road  Bar Car Martini. In 1954, you’re a Madison Avenue executive going in from New Rochelle into the city. You sit there with your Wall Street Journal folded into a single column at 10:30 in the morning. Get a Martini. That’s the dream way to have a Martini. I like a rinse of fine white vermouth, throw the rinse out and shake it, put it up in a Martini glass with ice chips and a lemon peel or olives. I do like the vodka that way. Now, the other way I like the Aurora, the Onyx, or the Original, is to put it in a tumbler with ice and pour about two and a half, three ounces, and then I take a freshly squeezed jug of clementine or fine citrus. I pour that orange juice in very slowly. It’s important to do this, because somehow it makes a difference. Treat it as if you’re cracking the yolk of an egg. You pour it very slow while you watch the yellow emulsify and go out through the vodka, and the color changes. Then, just a quick stir. That’s the Crystal Driver. That’s the best Screwdriver I’ve ever had.
However, I love to have people experiment. I love going and visiting bars. We sold gallons of our Crystal Heads there in Vegas with a white Cosmo at a few of the casinos. It’s basically white cranberry juice with egg white. I forgot what casino it was, but they had some great formulations there. We also got a bar in the Boystown district of Chicago that has a machine downstairs. They put the bottles in, and it serves out a punch on Sunday. They have these massive Sunday brunches in Boystown where you can go get food and drink and dance and watch old movies and karaoke. It’s the fun-est thing. One of the clubs there has this dispenser downstairs, and there’s basically a tap where you can get Crystal Head punch. I love that application. They are mixing a fruit punch, like a Hawaiian Punch type of treatment.
K: That sounds amazing. I want to go there now.
T: I’m enjoying the way that you’re describing making cocktails to us. I’m wondering whether you could ever do an audio cocktail recipe book.
D: If you get on the World Wide Web, crystalhead.com, we’ve got our professional bar chef. We were playing around with some recipes there, you can go to our cocktail section. We actually have professionals doing it, and I like to watch and drink. You can get on there and see what we’re doing with the recipes that we’ve gotten from around the world. We have a Startender program worldwide. Bar chefs from around the world submit recipes to us, we select them and award prizes sometimes where it’s legal. Our Startender program is very popular. The gateway to the consumer for any beverage alcohol is the bar chef on the front line. They love talking about the Crystal Head. It’s the only one you can throw up in the air or put on your shoulder and do voices with. It’s fun and easy. It’s a safe product. The seal, of course, is very safe. It’s just a high-quality, premium Canadian entry into the industry that I’m happy to say people worldwide are loving.
T: That is a nice segue because you’ve mentioned a couple of pretty good drinking cities already on the pod. I wanted to get your opinion when we’re all able to travel again, what is the best city in the world to go to for a drink and for cocktails?
D: London, England. Hands down.
K: Home of the Vesper.
D: London has molecular bar chefs there. They’re really into construction and they love the Head because of the no additives. One of our largest markets is the City of London. I would say next, you want to be looking at Sydney, Australia.
T: I hear that, too. And there’s a lot of crossover between Sydney and London. I used to work as a chef for many years in London, and we got a ton of chefs from Sydney. I want to say that London made Sydney good. That’s what I’m getting at here.
D: In Melbourne, there’s a famous cocktail bar down in an alley there. Melbourne, Australia, is also a great city for bar chefs and recipes. Toronto, Ontario. Can’t ignore that place where great people are doing stuff there.
T: You’re missing New York! Dan, you’re speaking to a couple of people based in New York, and you’re not bringing up the best drinking city in the world.
D: New York needs a little more sophistication. They need to embrace the Crystal Head, the no-additive story a little more before I talk about New York.
T: Well, sometimes bartenders do occasionally, and I don’t want comments at this, but move away from vodka. I don’t think that’s always fair.
D: Here’s my argument there, and I know exactly what you’re talking about. It’s the notion of “Oh, everybody has vodka. Brown spirits are where we’ve got to focus or the rums, gins of the world.” Now, there’s some great gins, don’t get me wrong. There are great rums and whiskeys but every bar of quality, if you’re going to be serving your customer, why not serve a premium vodka? Every bar needs vodka. You need it on the back shelf. Why not have the Head on your back shelf? It draws attention to your bar, it’s a beautiful art piece, and provides the consumer with a 90-plus point consistent rating. Also with quality, it’s only about $1.32 more a shot if you price it competitively. Now, I say to bar chefs out there who are doing wonderful things with whiskeys, brown spirits, rums, and gins that you need vodka. You’re doing these wonderful things, you’re purveying these quality drinks to your consumer and for the one or two or three or 100 people that want vodka, Crystal Head is your non-additive choice. Put it up there with your premium stock, and it’s only $1.32 a shot more if you price it right.
T: New York City bar chefs, you heard.
D: I have great friends in New York. The W Hotel has been great to us for many years. However, I think there are more people that need to embrace the story. I think I need to blow through there on a tour in the “Headmobile.” We might be cranking it up again because Onyx is growing at a beautiful rate for us and we may get on the wave of that. Yes, it was a Freightliner tractor that is used for hauling race cars around. It was a big cat tractor. It was wonderful on the highway. With that turbo, it was a beautiful sound. I drove it many times. It lit up at night. We had a red infrared choice at night. It was like the Star Trek cruiser there, and it had an apartment on the back. It really moved. You could do about 90 in it because it had nothing in the back and we painted it up like a delivery truck. We had the Crystal Head all over it, and we went all over when we were launching. Even in New York, we need to revive the Head and go out there to educate bar chefs that are missing it. We want to let them know that there is a choice out there for premium vodka that is superior to some of the lesser stock that the consumer is being forced to consume because of a lack of knowledge.
K: I can see that vehicle pulling up to a speakeasy, like, “Oh, well, I guess we know where the speakeasy is now”.
D: Sure, even at a biker bar, a dance club, or anywhere there are people, you’ll find Crystal Head, along with people having a good time. I will also say that anywhere I am with people consuming Crystal Head, there will be treats. I will buy rounds. I put my money where my product is. Now, we don’t go down to the spring break. We’re not pushing it on the youth; we never have. Our consumer range is 25 to 85, with a huge female demographic. A lot of our consumers, both male and female, have double college degrees. They’re very knowledgeable in that way. Many are in the tech professions or design, we found in our surveys. They have the discretionary income to buy something better, an affordable luxury for themselves, which is Crystal Head. We’re not going down to spring break with the Head machines and the pipes with the guzzling youngsters. That is something we’ve never chased. If you happen to be down on spring break and you go to a bar and Crystal Head is there, then I urge it. I don’t think you’ll ever see it being consumed from the Headmobile on a beach on spring break. We’re selling to the people who are halfway through college or finished.
T: What is the name of your fans? I heard you say head machine there. I’m guessing that’s not the name of Crystal Head fans.
D: I would say, the fans are “Head-heads.” If you’re a Head-head, that works. Again, we’ve got people that are discriminating so they want something better and are willing to pay a little more for it. Why not? We have impeccable water sources. In some of the other vodkas, the water has been called into question — specifically, the hygiene of the factory. But we have a beautiful filtration system. We have seven filtrations, micron, and charcoal with an agitated charcoal filtration system. It’s not just being poured through like a charcoal sieve. In the end, we pour through Herkimer Diamonds. There are semi-precious stones that are white double-sided semi-precious crystals, and we pour the final pour through a cone of them, and it just comes out so satiny and lovely. It does add something! I don’t know if you ask the high school chemistry teacher if you were to say, “What does pouring a C2H5O6 over double-sided crystals do for the beverage?” They probably would say, “scientifically, maybe not much,” but we’ve done tests where we pour over the crystals, and people like it poured over the crystals better. The last vestiges of any negative psychic energy on the planet are coming out because some of those crystals turn yellow, and that’s surprising. We have to sometimes turn them over or buy new ones. By the time that fluid hits those crystals, it’s already flat pure. I don’t know what else is being weaned out of there, but we do have the world’s purest vodka. I can definitely say that. I don’t think anybody’s doing it without the oils today. I may be wrong, I don’t know.
K: Well, it sounds amazing. I want to go on a train right now and order a Martini.
D: They outlawed it! The Long Island Rail Road outlawed it. Now, you can still get vodka on Amtrak. Now, on Canadian National Rail, you can get Crystal Head, I believe. We had a program running so that you could get it on the cross-country Canadian railroad. However, the commuting Wall Street advertising man can no longer get a Martini on the Long Island Rail Road as of three or four years ago. A tragedy.
T: Indeed. Dan, I would urge people to go out there and taste the difference for themselves, taste the effect of the crystal. See the proof in the pudding or the proof in the Head. Just wanted to say, thank you so much for spending the time today to talk with us. I feel there are two or three more episodes of stuff we need to get into. But I appreciate your time today, and thanks from all of us! It’s been great chatting.
D: Oh, sure! We’ve got some great beers and wines up in Canada. I encourage you to come when the borders are open. Come up to Niagara to the farm, and we’ll sit and have some T-bones or vegetarian meals. The daughters are all vegetarian. We eat and drink hearty here at the lake in the summer. If you’re passing through, you can get through KLG Public Relations to set this up. By all means to any and all of you, if you’re in the Kingston, Ontario, region, which is a beautiful lakeside town up here where the Cork Regatta is held. It’s a sailing regatta, the home of Royal Military College, which is our equivalent of West Point or Sandringham military school. Queen’s University is here where the brilliant, inspiring genius of our age, Elon Musk, went to school here at Queen’s University for two years. This is a devoted town to his legend, and if you’re up here, come up to the farm. By all means, we entertain heavily and heartily in the summer.
K: Definitely coming up.
Joanna Sciarrino: Maybe you could bring the Head-mobile to our New York office.
D: For sure. That would look good!
K: Going 90 down the Hutch. It’s going to be awesome.
D: Well, thank you, guys. Great to talk to you.
Thanks for listening to this week’s episode of “EOD Drinks.” If you’ve enjoyed this program, please leave us a rating or a review wherever you get your podcasts. It really helps other people discover the show. And tell your friends. We want as many people as possible listening to this amazing program.
And now for the credits. “End of Day Drinks” is recorded live in New York City at VinePair’s headquarters. And it is produced, edited, and engineered by VinePair tastings director, yes, he wears a lot of hats, Keith Beavers. I also want to give a special thanks to VinePair’s co-founder, Josh Malin, to the executive editor Joanna Sciarrino, to our senior editor, Cat Wolinski, senior staff writer Tim McKirdy, and our associate editor Katie Brown. And a special shout-out to Danielle Grinberg, VinePair’s art director who designed the sick logo for this program. The music for “End of Day Drinks” was produced, written, and recorded by Darby Cici. I’m VinePair co-founder Adam Teeter, and we’ll see you next week. Thanks a lot.
The article EOD Drinks with Dan Aykroyd appeared first on VinePair.
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EOD Drinks with Dan Aykroyd
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In this episode of “End Of Day Drinks,” VinePair’s editorial team is joined by Dan Aykroyd, comedian, actor, and owner of Crystal Head Vodka. Listeners may know Aykroyd from his award-winning films such as “Ghostbusters,” “The Blues Brothers,” and “Trading Places.” He was also one of the original cast members of “Saturday Night Live.” Apart from these ventures, Dan Aykroyd has also made a lot of noise in the beverage alcohol industry, most notably with his creation of Crystal Head Vodka.
Listeners will get a glimpse into Aykroyd’s pivot from Hollywood stardom to beverage alcohol entrepreneurship — starting with a tequila tasting that he calls a “revelation.” Aykroyd also explains Crystal Head Vodka’s forward-thinking style, starting with his decision to remove all additives from the product. Finally, listeners will learn about the mythos of the crystal head and why Aykroyd chose it as the shape of the bottle.
Tune in to learn more about Aykroyd and his leading premium vodka brand.
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Or check out the conversation here
Tim McKirdy: Hey, everybody, this is Tim McKirdy, staff writer at VinePair, and welcome to the “EOD Drinks” podcast. Joining us for today’s episode, we have an award-winning actor, producer, comedian, and owner of Crystal Head Vodka, among other boozy ventures: Dan Aykroyd. Welcome to the show.
Dan Aykroyd: Oh, good. Good to be on. Good to be with your listeners and with all of you today.
T: Thanks so much for joining us. As always, I’m pleased to be joined by some colleagues from the editorial team at VinePair. Today, we have Joanna Sciarrino, Cat Wolinski, Katie Brown, and Keith Beavers. Hey, everybody.
All: Hello!
D: Wow, what a panel. I wonder what you have in front of you right there. I’ve got a mini-Head going. But I just love that your thing is just educating people about beverage alcohol brands, and exciting new breakthroughs for the consumer. You guys make it accessible. I was in the wine business for a while, and I got into it through Niagara. That was 12 years ago, and the grapes were very young. The Niagara grapes. Now, they’re approaching those 60, 70 years old. There are some really incredible Niagara reds coming out of that region. Not as fruity as when I was into it. People come to me and they say, “I’m going out to a restaurant. I want to order red wine.” Well, I say “anything that’s got a saint in it.” St.-Julien. I say anything that has an x. Bordeaux, Margaux, you just can’t go wrong. We see these years being slammed all the time. This year was bad or that year is bad. I don’t know, man. I think that you can drink a Bordeaux right now that’s not even 10 years old from Brane-Cantenac Margaux or one of these great red wines from France. If you let them go too long, they get bad, a lot of them. I drink them if they’re eight, nine, 10 years old. I don’t save them anymore. I drink the nice reds coming out of France. Then, Washington State, wow. The Walla Walla reds, and the Cabernets.
T: Some great wine up there.
D: It’s exciting. I learn as I go and whatever my taste or palate that I had left after years of whatever, maybe other substances. When I order a Walla Walla or a Columbia Valley Wine, I’m always pleased. The prices are good on those in restaurants. Well, if restaurants will continue to exist.
T: I’m very happy you are able to share your drinking advice or red wine-buying advice with our listeners, Dan. Anything with a saint or an x, that definitely beats the second on the list.
D: There are all kinds of incredible restaurants and vintners in the world now that are in partnership. I love Diamond Creek out of California. Al Brounstein was the founder. His wife, Boots, I think took it over if she’s still with us alongside his kids. Very limited production, I’m sure you’ve heard of it. Keith, you’re the wine guy, right?
T: Keith is the wine guy.
D: Well, you’ve heard of Diamond Creek?
Keith Beavers: Yes, and I love that you’re talking about Niagara. Oh, my gosh, the Pinot Noir coming out of there is incredible. It’s an amazing place.
D: It was a little spotty when I was starting out, but I did it because I wanted to help Ontario’s industry. I wanted to lend my name to Ontario’s industry. The distributor that I brought Patrón into Canada for was a wine company. I said, “Well, let’s swing in and try to make some neat wines.” We actually did for a while. Now I’ve let that lapse because they’re focusing on other things, but I’d like to revive it. I know exactly the type of wine I would like to put a label on. DeLoach Vineyards built me an American wine that was wonderful. It had Grenache in it, peppery flavors, and wow, it was fine. And of course, that’s Jean-Charles Boisset who many of you met. He and I partnered, but I guess the agency wasn’t right. There weren’t enough salespeople out there to get it going, but wow, we put up some quality white Chardonnay and a beautiful Cabernet there from DeLoach.
K: Spicy Grenache, you’re talking to my heart right now.
D: With a burger! I order the wine first and then I complement the wine with the food. Now, people may have it the other way sometimes. You order the food and then ask what wine would be good with it. Now I say, “What food would go well with this wine?” That’s how I started along with many who drink moderately and enjoy wine.
T: More sound wine-buying advice there from Dan Aykroyd. These are all things that I love to get into, especially the wine side. I wonder if I can take us on a quick detour before that, though, Dan. I was really hoping we could start out by looking at Crystal Head. You launched Crystal Head over a decade ago now. That’s a time when very few of your Hollywood colleagues were getting into the booze industry. You also went down the vodka road instead of tequila, but earlier you alluded to the fact that you have some business interest with Patrón and tequila. I’d love to hear about that and how you got your start in booze alongside Hollywood?
D: Well, you know, it just comes from a simple musing on an afternoon in the summer, in August, down at the dock by the lake. Canadians love their cottages. Down to the dock by the lake, I’m looking at the two dominant brands of tequila sold in Canada at that time. I’m looking at my Margarita jar with my mix and going, “Oh boy, I wish I had something better to work with.” I recall a time in L.A. with John Paul Dejoria, the great entrepreneur who founded Paul Mitchell Hair Systems and also the Patrón Spirits Company, and we were drinking at the House of Blues. He was one of our first investors. He said, “Would you like to try this Patrón tequila?” I said, “Well, I don’t really have too much of a good record with tequila.” It’s the technicolor mule in the back of a yard in Tijuana. That’s my association with it at that time. Then, he said, “no, no, this is different. This is sipping tequila, it’s magnificent.” He poured me a warm shot of the Patrón Silver. I sniffed it and I thought, “Whoa, earth. Nice.” Then, I sipped it, and it was a revelation to me. It was tequila as I’d never seen it before, a premium tequila. I never knew, living in Canada, that such a thing was possible. We only had two brands to work with. I recalled back on that summer’s day and said “Wow, what if I could get Patrón up in Canada to make a better Margarita here for this party on the dock?” The next time I saw J.P., I said, “I really would like to bring Patrón into the little village government liquor store up here. How can I do it?” He said, “Well, Dan, you’d have to bring it to the whole country.” We both agreed to do it. In partnership, J.P., myself, and David Brown, another ex-mailman. We brought Patrón to Canada 12 years ago and it is now one of the dominant luxury brands in the country. Canadians can now enjoy what Americans did all along with fine tequila. We made it a great success right up to the point where Bacardi bought it. I’m no longer involved in it, but I’ll always be a friend to Patrón because of its quality and that silver, smoky, lovely flavor. That’s really how I got into booze, by wanting something better. That led me to research, exploring, and improving another category. That was the vodka category. I opened a lot of vodkas, and they smelled like Chanel No. 10. Or they didn’t have a taste or a flavor. Or they were harsh and had an over-viscosity. I thought, what’s going on here? Why? Why can’t we get an old-fashioned, pure, clean-water vodka? Well, I came to find out that a lot of glycerol is added. Glycerol is added to a lot of alcoholic products, but not enough to hurt or kill you. Laminine is added to vodka to disguise the alcohol smell and taste to mask it. Then, they added sugar to a lot of the brands. I thought, well, what if we eliminated all of these fusel oils? Fusel oils are the industry name for these additives. German fusel. We eliminated the glycerol in the Crystal Head corn mash. We eliminated the laminine in the Crystal Head corn mash. We eliminated the sugar in the Crystal Head corn mash. You don’t need any more sugar when you’ve got ethyl alcohol corn, C2H5O6 sugars. Laminine has a cousin as a caustic cleanser. You could take pure laminine and cut through mechanics’ grease with it. Then, glycerol is a cousin to ethylene glycol, which cooled the spitfires in World War II. It’s antifreeze. I thought they didn’t put enough to kill you. It’s been done for years, it’s industry standard. Let’s change the industry. Let’s come up with a pure spirit. Let’s not put the additives in. Let’s not add these things. Right out of the gate, the tastes were great, we went to the purest water source in North America, Newfoundland, Canada. We source the water there because you see original water from the aquifer of the Wisconsin glacier that sat 800 feet above us 16,000 years ago. There was ice all over this part of the world. Then, that just melted into the porous rock into the province of Newfoundland. It sits 900 feet above the ocean, away from the eerie plume of pollution. That water has never been touched by acid rain. It sits in an aquifer in these lakes underneath the province of Newfoundland. There is a still right above it, and it’s owned by the provincial government. Not only does Crystal Head have no additives in it but also has the purest water in the world right from the aquifer that was originally the ice over our planet at that time. It’s also manufactured by the province of Newfoundland Labrador Liquor Distillery Corporation. It’s a government manufacturer. With Baltic vodkas, you go into those stills, and it’s a little rough. However, the government manufacturer guarantees us a policing of quality that’s quite outstanding. Today, Crystal Head has won numerous awards for taste, and our vodkas are in about 80 countries. I’m proud to go around the world and say it’s a Canadian product, from a country that is tolerant. We have our pride bottle. We celebrate the LGBTQ+ community frequently. We had the same-gender preference marriage long ago in Canada. We are a Canadian company, and we espouse Canadian values, quality, and dependability for the consumer. The best water with the best manufacturer. The corn comes from Chatham, Ontario, from same-system corn farming. Now, no one in the world works as hard as I do to make this vodka. We grab the corn, take it to the same farming system, with the peaches and cream corn, the big, fat kernels there. We harvest them. They go into the mash truck. The truck then drives a fifth of the way across Canada to a nine-hour ferry ride to Newfoundland, where we mix it with the water in the distillery. Then it goes out into containers, and into the world from there. We’re going to great trouble to make it.
T: I’m glad that you went to some length there to share the process with us. You also mentioned accolades. Crystal Head is a vodka that we’ve long enjoyed at VinePair. You can check it in the reviews, in the roundups. What I always say to people as well is that you have this amazing-looking bottle, but don’t look past what’s inside it as well. Can you also tell us about the bottle? Obviously, it is very striking and definitely sets you apart on the liquor shelf.
D: Well, it does. Of course, being that we wanted to have a business that sustains, we had to put a quality fluid in it. One that people will enjoy and look past the bottle to drink it. Many bottles are still around the world. I have 200 of them in my barn here in Canada because of the parties I’ve had over the years. I don’t throw them away. We wanted to sell the idea of enlightened drinking and to have a drink that doesn’t have additives, which is very popular with bar chefs. Crystal Head is the virgin slate, it’s a blank canvas in which to do mixes. As you know. You guys are mixologists, you know bar chefs, and you know what is going into vodka. We’ve got one that is high-quality with no additives and pure. We wanted to sell the idea and the mythos of purity. With the myth of the crystal heads, we wanted to utilize that myth because they were enlightening the tribes that own them. The Anasazi, the Navajo, the Aztec, and the Mayans all purportedly had these star children’s heads or crystal heads that were used as scrying devices. There was a positive aspect and a positive myth. A myth of purity and power to these heads owned by these various aboriginal indigenous tribal bands around the planet — in legend anyway. I thought that this is the perfect vessel to put our stripped-down, zero-additives, pure fluid in. Let’s take the mythos of purity and put it into the bottle. Now, you’ve got an award-winning fluid with no junk in it. The crystal heads, you saw the “Indiana Jones” movie, they were ascribed to extraterrestrial origin. The Navajo said they’re from the star children. In the movie, they certainly take advantage of that myth of the heads being from another planet. There were 13 of them in the world that were known, and five out of the eight are in the hands of mankind, and five are missing. Three of them are in museums, one at the V&A in London and two in the Smithsonian. One was found in the Yucatan; that’s the most popular and famous one, the Mitchell Hedges skull. Mitchell Hedges was the granddaughter of an explorer. They were in Central America and found this head wrapped in an oilcloth. She reached into a hole in a cave and found it. It had a detachable jaw. It was beautiful. It had so-called healing powers. People who would see it, the velvet cape would come off it, and you’d get an immediate feeling of wellbeing and warmth in the belly just by looking at it. It was very beautiful to look at. You can get pictures of it. The Mitchell Hedges skull. People can look it up on any search engine and dig up a picture of it. It sat here in Ontario for a long time. There is one in Mexico City with a cross stuck right on the top of it. Were they ancient or were they made by man? Either way, they are beautiful to look at. For my purposes, it was the perfect sales legend to sell our quality story by tying into the mythos of purity that the skulls had in legend. It worked well for us.
Cat Wolinski: Dan, this is Cat. I am following up on your story about the myth of purity and alcohol. I’m curious to hear your thoughts on the brands that are marketing themselves as better-for-you, “healthy” beer, spirits, wine, etc.
D: I think organic is a movement that is not doing too much harm to the consumer. I think we’re an organic product. It’s up to the consumer to be discriminating and to decide whether something is better for them or not. Is it better to have a drink that has 100 calories? With Crystal Head, we have 65 calories. We don’t say we’re better for your health in our marketing, but I think that you have to trust the consumer to believe stories or not. Certainly, we say we’re pure, and you can run our product on a spectrograph. It will run completely flat. There are no impurities in it because of our filtration system. If you want a vodka that doesn’t have a cousin to antifreeze it in or a caustic cleanser, then maybe it is better for you to have vodka, like Crystal Head, that doesn’t have that stuff. Look at all the stuff you’re adding today to vodka and mixes. I don’t know Pernod, vermouth, Fernet-Branca, emulsified sugars, Bloody Caesars. Our bar chefs around the world love our Aurora bottle. That’s the one with the mirror finish. That’s a wheat vodka that comes out of Yorkshire, England. Very soft, sunset wheat. A little more spice to it than the corn. The corn’s notes are sweet vanilla, dry and crisp. And the other one is star anise and peppercorn. Then we have our new expression, which is quite exciting because the whole legend, as you’ve taken me through here today of where we got started with my partners and myself, is the tequila. We now build a vodka that is vodka-style distillation, but we use the Blue Weber agave. This is in the black head, the Onyx. This is taking a vodka treatment of distillation and filtration, then making it from the Blue Weber agave mash. It is a big hit because of its floral, earthy, long finish when you’re tasting it. It’s like nothing I’ve ever had. It’s almost like a white whiskey with tequila.
T: Can you try to describe that? Say you were giving someone the elevator pitch. It’s tequila made in the vodka way, but how would you describe it?
D: I would say it’s like a beautiful, white whiskey. If you were to close your eyes, is it brown or white? You wouldn’t know but you get the taste of tequila. You would think this tastes like tequila, but it’s not as overpowering as some tequilas can be. There’s a softness to it.
T: I believe it serves as an intro to tequila. The way that I’ve described it to people is maybe you didn’t have a good experience with tequila before. A lot of people didn’t in college. People may want to take a little step before you dive into that category again. Maybe you should try this. Yet, I definitely think it stands on its own as a unique product. It’s super interesting.
D: It crosses vodka and tequila grounds a bit. There are some notes that have been written about white pepper, citrus. I mean, you can have notes on anything like a hint of baby diaper with a burnt tire. Notes can get into some heavy pretensions when you get to some of the critics. However, I would say earthy. It’s just something that’s never been done, and people are loving it. It’s never been done to take Blue Weber agave and then adjust the temperature and distillation so you can get a vodka-style treatment on it.
Katie Brown: So that leads into my question. I’ve been curious, with that specific spirit, do you drink it as if it’s a tequila? Would you put it in a Margarita? Or do you use it for classic vodka cocktails, like a Martini? What’s your favorite way to drink it?
D: You can drink it as a traditional vodka. You can drink it as a tequila. Either way, it crosses both lines there and serves in a Margarita beautifully. Of course, as a Martini, there’s no taste like it, if it’s cold and shaken with a lemon peel.
T: That’s your preferred serve on the Martini?
D: I like it shaken. I like to hear a steward on the Long Island Rail Road with white gloves in the bar car, shaking, shaking, shaking as the tracks click, click, click by. Then, I’m coming to my seat as I’ve got my Wall Street Journal folded into a single column. I can get a drink from that steward, handed to me in a tumbler, a vodka Martini, shaken with ice, with lime or olives, maybe a hint of white vermouth, throw it out. That’s the 1954 Long Island Rail Road  Bar Car Martini. In 1954, you’re a Madison Avenue executive going in from New Rochelle into the city. You sit there with your Wall Street Journal folded into a single column at 10:30 in the morning. Get a Martini. That’s the dream way to have a Martini. I like a rinse of fine white vermouth, throw the rinse out and shake it, put it up in a Martini glass with ice chips and a lemon peel or olives. I do like the vodka that way. Now, the other way I like the Aurora, the Onyx, or the Original, is to put it in a tumbler with ice and pour about two and a half, three ounces, and then I take a freshly squeezed jug of clementine or fine citrus. I pour that orange juice in very slowly. It’s important to do this, because somehow it makes a difference. Treat it as if you’re cracking the yolk of an egg. You pour it very slow while you watch the yellow emulsify and go out through the vodka, and the color changes. Then, just a quick stir. That’s the Crystal Driver. That’s the best Screwdriver I’ve ever had.
However, I love to have people experiment. I love going and visiting bars. We sold gallons of our Crystal Heads there in Vegas with a white Cosmo at a few of the casinos. It’s basically white cranberry juice with egg white. I forgot what casino it was, but they had some great formulations there. We also got a bar in the Boystown district of Chicago that has a machine downstairs. They put the bottles in, and it serves out a punch on Sunday. They have these massive Sunday brunches in Boystown where you can go get food and drink and dance and watch old movies and karaoke. It’s the fun-est thing. One of the clubs there has this dispenser downstairs, and there’s basically a tap where you can get Crystal Head punch. I love that application. They are mixing a fruit punch, like a Hawaiian Punch type of treatment.
K: That sounds amazing. I want to go there now.
T: I’m enjoying the way that you’re describing making cocktails to us. I’m wondering whether you could ever do an audio cocktail recipe book.
D: If you get on the World Wide Web, crystalhead.com, we’ve got our professional bar chef. We were playing around with some recipes there, you can go to our cocktail section. We actually have professionals doing it, and I like to watch and drink. You can get on there and see what we’re doing with the recipes that we’ve gotten from around the world. We have a Startender program worldwide. Bar chefs from around the world submit recipes to us, we select them and award prizes sometimes where it’s legal. Our Startender program is very popular. The gateway to the consumer for any beverage alcohol is the bar chef on the front line. They love talking about the Crystal Head. It’s the only one you can throw up in the air or put on your shoulder and do voices with. It’s fun and easy. It’s a safe product. The seal, of course, is very safe. It’s just a high-quality, premium Canadian entry into the industry that I’m happy to say people worldwide are loving.
T: That is a nice segue because you’ve mentioned a couple of pretty good drinking cities already on the pod. I wanted to get your opinion when we’re all able to travel again, what is the best city in the world to go to for a drink and for cocktails?
D: London, England. Hands down.
K: Home of the Vesper.
D: London has molecular bar chefs there. They’re really into construction and they love the Head because of the no additives. One of our largest markets is the City of London. I would say next, you want to be looking at Sydney, Australia.
T: I hear that, too. And there’s a lot of crossover between Sydney and London. I used to work as a chef for many years in London, and we got a ton of chefs from Sydney. I want to say that London made Sydney good. That’s what I’m getting at here.
D: In Melbourne, there’s a famous cocktail bar down in an alley there. Melbourne, Australia, is also a great city for bar chefs and recipes. Toronto, Ontario. Can’t ignore that place where great people are doing stuff there.
T: You’re missing New York! Dan, you’re speaking to a couple of people based in New York, and you’re not bringing up the best drinking city in the world.
D: New York needs a little more sophistication. They need to embrace the Crystal Head, the no-additive story a little more before I talk about New York.
T: Well, sometimes bartenders do occasionally, and I don’t want comments at this, but move away from vodka. I don’t think that’s always fair.
D: Here’s my argument there, and I know exactly what you’re talking about. It’s the notion of “Oh, everybody has vodka. Brown spirits are where we’ve got to focus or the rums, gins of the world.” Now, there’s some great gins, don’t get me wrong. There are great rums and whiskeys but every bar of quality, if you’re going to be serving your customer, why not serve a premium vodka? Every bar needs vodka. You need it on the back shelf. Why not have the Head on your back shelf? It draws attention to your bar, it’s a beautiful art piece, and provides the consumer with a 90-plus point consistent rating. Also with quality, it’s only about $1.32 more a shot if you price it competitively. Now, I say to bar chefs out there who are doing wonderful things with whiskeys, brown spirits, rums, and gins that you need vodka. You’re doing these wonderful things, you’re purveying these quality drinks to your consumer and for the one or two or three or 100 people that want vodka, Crystal Head is your non-additive choice. Put it up there with your premium stock, and it’s only $1.32 a shot more if you price it right.
T: New York City bar chefs, you heard.
D: I have great friends in New York. The W Hotel has been great to us for many years. However, I think there are more people that need to embrace the story. I think I need to blow through there on a tour in the “Headmobile.” We might be cranking it up again because Onyx is growing at a beautiful rate for us and we may get on the wave of that. Yes, it was a Freightliner tractor that is used for hauling race cars around. It was a big cat tractor. It was wonderful on the highway. With that turbo, it was a beautiful sound. I drove it many times. It lit up at night. We had a red infrared choice at night. It was like the Star Trek cruiser there, and it had an apartment on the back. It really moved. You could do about 90 in it because it had nothing in the back and we painted it up like a delivery truck. We had the Crystal Head all over it, and we went all over when we were launching. Even in New York, we need to revive the Head and go out there to educate bar chefs that are missing it. We want to let them know that there is a choice out there for premium vodka that is superior to some of the lesser stock that the consumer is being forced to consume because of a lack of knowledge.
K: I can see that vehicle pulling up to a speakeasy, like, “Oh, well, I guess we know where the speakeasy is now”.
D: Sure, even at a biker bar, a dance club, or anywhere there are people, you’ll find Crystal Head, along with people having a good time. I will also say that anywhere I am with people consuming Crystal Head, there will be treats. I will buy rounds. I put my money where my product is. Now, we don’t go down to the spring break. We’re not pushing it on the youth; we never have. Our consumer range is 25 to 85, with a huge female demographic. A lot of our consumers, both male and female, have double college degrees. They’re very knowledgeable in that way. Many are in the tech professions or design, we found in our surveys. They have the discretionary income to buy something better, an affordable luxury for themselves, which is Crystal Head. We’re not going down to spring break with the Head machines and the pipes with the guzzling youngsters. That is something we’ve never chased. If you happen to be down on spring break and you go to a bar and Crystal Head is there, then I urge it. I don’t think you’ll ever see it being consumed from the Headmobile on a beach on spring break. We’re selling to the people who are halfway through college or finished.
T: What is the name of your fans? I heard you say head machine there. I’m guessing that’s not the name of Crystal Head fans.
D: I would say, the fans are “Head-heads.” If you’re a Head-head, that works. Again, we’ve got people that are discriminating so they want something better and are willing to pay a little more for it. Why not? We have impeccable water sources. In some of the other vodkas, the water has been called into question — specifically, the hygiene of the factory. But we have a beautiful filtration system. We have seven filtrations, micron, and charcoal with an agitated charcoal filtration system. It’s not just being poured through like a charcoal sieve. In the end, we pour through Herkimer Diamonds. There are semi-precious stones that are white double-sided semi-precious crystals, and we pour the final pour through a cone of them, and it just comes out so satiny and lovely. It does add something! I don’t know if you ask the high school chemistry teacher if you were to say, “What does pouring a C2H5O6 over double-sided crystals do for the beverage?” They probably would say, “scientifically, maybe not much,” but we’ve done tests where we pour over the crystals, and people like it poured over the crystals better. The last vestiges of any negative psychic energy on the planet are coming out because some of those crystals turn yellow, and that’s surprising. We have to sometimes turn them over or buy new ones. By the time that fluid hits those crystals, it’s already flat pure. I don’t know what else is being weaned out of there, but we do have the world’s purest vodka. I can definitely say that. I don’t think anybody’s doing it without the oils today. I may be wrong, I don’t know.
K: Well, it sounds amazing. I want to go on a train right now and order a Martini.
D: They outlawed it! The Long Island Rail Road outlawed it. Now, you can still get vodka on Amtrak. Now, on Canadian National Rail, you can get Crystal Head, I believe. We had a program running so that you could get it on the cross-country Canadian railroad. However, the commuting Wall Street advertising man can no longer get a Martini on the Long Island Rail Road as of three or four years ago. A tragedy.
T: Indeed. Dan, I would urge people to go out there and taste the difference for themselves, taste the effect of the crystal. See the proof in the pudding or the proof in the Head. Just wanted to say, thank you so much for spending the time today to talk with us. I feel there are two or three more episodes of stuff we need to get into. But I appreciate your time today, and thanks from all of us! It’s been great chatting.
D: Oh, sure! We’ve got some great beers and wines up in Canada. I encourage you to come when the borders are open. Come up to Niagara to the farm, and we’ll sit and have some T-bones or vegetarian meals. The daughters are all vegetarian. We eat and drink hearty here at the lake in the summer. If you’re passing through, you can get through KLG Public Relations to set this up. By all means to any and all of you, if you’re in the Kingston, Ontario, region, which is a beautiful lakeside town up here where the Cork Regatta is held. It’s a sailing regatta, the home of Royal Military College, which is our equivalent of West Point or Sandringham military school. Queen’s University is here where the brilliant, inspiring genius of our age, Elon Musk, went to school here at Queen’s University for two years. This is a devoted town to his legend, and if you’re up here, come up to the farm. By all means, we entertain heavily and heartily in the summer.
K: Definitely coming up.
Joanna Sciarrino: Maybe you could bring the Head-mobile to our New York office.
D: For sure. That would look good!
K: Going 90 down the Hutch. It’s going to be awesome.
D: Well, thank you, guys. Great to talk to you.
Thanks for listening to this week’s episode of “EOD Drinks.” If you’ve enjoyed this program, please leave us a rating or a review wherever you get your podcasts. It really helps other people discover the show. And tell your friends. We want as many people as possible listening to this amazing program.
And now for the credits. “End of Day Drinks” is recorded live in New York City at VinePair’s headquarters. And it is produced, edited, and engineered by VinePair tastings director, yes, he wears a lot of hats, Keith Beavers. I also want to give a special thanks to VinePair’s co-founder, Josh Malin, to the executive editor Joanna Sciarrino, to our senior editor, Cat Wolinski, senior staff writer Tim McKirdy, and our associate editor Katie Brown. And a special shout-out to Danielle Grinberg, VinePair’s art director who designed the sick logo for this program. The music for “End of Day Drinks” was produced, written, and recorded by Darby Cici. I’m VinePair co-founder Adam Teeter, and we’ll see you next week. Thanks a lot.
The article EOD Drinks with Dan Aykroyd appeared first on VinePair.
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lightandwinged · 6 years
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HOO BOY.
(non-spoiler: my Carrie spent the entire film kicking me like mad; I think she knew. Isaac, on the other hand, seemed to sleep through it all)
(there be spoilers within)
I am trying to decide how much of my feeling right now is “I really liked that” and how much of my feeling right now is “AHAUHSUHASUHFHGUHH CARRRRIIIIEEEEEEE” because I do not know. Because it was, objectively, a good film. Really well shot, really well acted, no more plot holes than the OT and pretty good writing overall (I heard somewhere that Carrie script doctored it, so of course the writing was good). I just don’t know if I liked it.
So let’s go through it, shall we?
First of all, if you’ve been venturing into spoiler tags like I have (I can’t not be spoiled, I’m sorry, I did my time with Lost and Harry Potter and feel I’m worse for the wear), everything is true. Luke milks some sort of naked space sloth slug thing and it’s the worst thing I’ve ever seen. Luke also dies, but I don’t know how you’d recover from that milking scene, tbh. Like he just milks the sloth and then he drinks the blue milk and looks at Rey like “wut” and LITERALLY THAT SCENE IS AWKWARD AND TERRIBLE WHY WAS IT IN THE MOVIE.
Sorry.
The other rumors are true, too. And I’m going through the smaller ones first because I’m still processing the big ones.
Leia flies through space like Superman, and honestly, it is the most awesome thing I’ve seen in my entire life. Every fake fanboy in the world has been like “SHE DOESN’T EVEN HAVE THE FORCE” and I’m like you fakers, you know nothing. And that scene was awesome and 100% how I imagine Carrie Fisher ascending to the heavens to watch over us all and bring sexual predators to justice. My only regret about that scene is that she wasn’t flipping off the First Order as she flew, but Disney and all that.
Porgs were... look, I don’t like the noise, but they weren’t obtrusive. They did not redeem themselves enough to receive billing alongside like. R2 and BB8, but they didn’t kind of reach out and poke you in the eye and force you to enjoy them. They just were there. 
Like the SLUG SLOTH THING OKAY I’M SORRY I’M MOVING ON.
it makes a sound like it’s aroused and it’s like RIAN JOHNSON WE DO NOT NEED TO KNOW ABOUT YOUR LACTATION FETISH YOU WEIRDO
The subplot with Finn and Rose... it wasn’t a complete red herring, and it was interesting enough, but I think it’ll end up having way more payoff in the next film. Finn, Rose, and Poe aren’t as sidelined as a lot of spoilers led me to believe, and honestly? They have the most fun of anyone in the entire movie. ...well, Finn and Rose do. Poe kind of mutinies against Laura Dern because something or another, which
Actually, I rather liked it. Poe got way more characterization in this film than he did in the last, where he largely served to sort of follow orders, shoot things, and think naughty things about Finn. You learned things about him that you probably could also learn from reading the novels, but lbr, not everyone’s going to read the novels. Poe (and everyone, really) got a real arc in this film and got to be fantastically dynamic, and honestly, as much as I love and want to protect Finn and Rey, he’s my favorite of the new trio.
Back to the Finn and Rose plot. I felt like... you know, I felt like a lot of it was kind of the emotions that have been surrounding life since the current administration took office. There’s every form of resistance out there, and Finn gets a fantastic arc about that, where he’s initially just selfishly looking out for himself and Rey, but Rose kind of gives him some deeper insight into “look we’re not just rebelling against the First Order because it’s cool; if you just peel back the surface of all these places that seem to be doing okay with them in charge, you’re going to see that NOBODY IS FUCKING OKAY.” In a sense, she’s able to show him his privilege, and ultimately, his compassion gets him to a point he didn’t quite reach in the last movie--where he’s fighting for the Resistance/Rebellion (it kind of changed names at some point? Why are we quibbling about this?) not because Rey is there and it’s the thing to do but because he honestly believes in it. And that’s awesome.
Finn and Rose’s little smooch at the end was kiiiiiiiiinda weird, we’ll have to see where that goes next time. But Rose Tico is literally the cutest most wonderful sweet thing in the galaxy and please let us all protect her at all costs.
And then we get Rey, Luke, and Crylo Ron (who is ACTIVELY THE ACTUAL WORST see below). I’m still processing all of this, honestly, because it’s like... even though some unexpected things happened, it went pretty much exactly like you’d expect and hit all the beats you’d expect. And it wasn’t all filmed as well as the rest of the movie, which... bugged me. The rest of the movie looked really awesome, but these sequences just smacked of a director who was like “...I legit have no idea how to do this, so let’s just do it this way.” 
For example, the Rey/Crylo braning thing (HEY MOVIES STOP DOING MY THING). It was weird, but it also like... wasn’t filmed well? You got the idea of how they were acting like crazy people in the real world, talking to and shooting at nobody, but it didn’t feel like they were talking to each other just like... I don’t even know. There are great ways of making that sort of scene work, and instead, it all just felt very lazy. 
As a plot point it was... eh? I can see where the R3yl0s are coming from, but I’m also 7000% not on board because half the lines that nightmare douche used on Rey were lines that were used on me in the past by abusers. “You’re nobody. But not to me.” Like holy shit, you piece of garbage. You just get right to it, don’t you? He was literally every abusive piece of shit I dated in college telling me how broken they were and letting me think I could fix them. And bless her heart, Rey fell for it, just like we always do when we’re young and haven’t been bruised that way before. And bless her heart, she stopped herself from falling and was like... “yeah no, you’re the worst, byeeeee.”
(like literally slammed the door in his face)
So I mean, ship what you wanna ship, but I’m not going to jump on that bandwagon, and I’ll be honestly pissed if she does redeem him because what a sick fucking idea to perpetuate... that yes, you are the one to fix this awful person who’s told you that you’re nobody, your heroes are nobody, that they’re the only one who can make you awesome. NO, girls. You are awesome on your own; don’t listen to that stinking dump heap.
Anyway.
Luke’s arc was way better than I expected it to be, and I think Yoda helped with that along with the final scene (with the kid and the broom that I saw and was like SAMMMMMMM and that was not the last time I cried). I vastly appreciated his impact on Crying Rong because MY GOD DID IT REMIND ME HOW AWFUL HE IS. Like much props to J.J. Abrams and Rian Johnson for taking the literal worst male human in existence and turning him into the villain he is. It’s extraordinary. He’s so hateable. 
BUT ANYWAY. His impotent raging against Luke, against himself, against everybody... boy is going down hard in the next film. He’s not going to get his ass redeemed because he won’t allow himself. He sees going full dark as the only true success and he will not let anyone turn him... not even Leia (which was my pet theory but now can’t happen, sob). And our entire theater whooped and cheered when it was revealed that Luke wasn’t actually on Crait. I mean, they also whooped and cheered when the lights went down, so that’s not saying much, BUT STILL.
Luke’s arc closing made me absolutely sob and it was... you know, I’m satisfied with it. Knowing that he was at least partly responsible for Ben turning, even if only because of an instinct, that made his self-imposed exile logical. It wasn’t that he’d failed; it was that he’d almost succeeded and by coming that close to succeeding in preventing Ben from going dark but ultimately failing, he made something worse than he could have imagined. Leia and Han would have forgiven him in a heartbeat, but he couldn’t forgive himself, and that was where his storyline went. 
And what Yoda pointed out, and the gasps of delight and surprise when Yoda appeared on screen were fantastic.
Um. What else. 
Hux kind of gets shafted, but oh my lord, Huxlo has wayyyyy more ammunition now than R3yl0, I AM JUST SAYING. I was half expecting him to say “choke me harder Daddy” when Crying Rain was taking over the First Order. I am not kidding. 
Phasma got RIPPED OFF.
Snoke proved himself to be about as useful as a lamp covered in bubblegum, which was... annoying, honestly. His death was awesome, and the Praetorian Guards were SO COOL, but Snoke was useless. Absolutely pointless. And everyone applauded when Kerler Rern killed him but I was like nope. His death was preceded by Snoke telling Kerler Rern to complete his training, and I turned to Kyle and whispered, “Sith complete their training by killing their masters, shame nobody told Snoke that.” And sure enough...
I couldn’t find the Gary Fisher stand-in :(
BB8 is still the most precious and wonderful of things.
Laura Dern goes out like a badass, which made up for how much she bothered me to start. Poor Leia’s Purple Girlfriend :(
The dedication to Carrie made me sob while we all applauded. 
And now I am dead. We’re taking Sam this weekend, so I’ll likely have more to say on Saturday.
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X-Tech: Never Possible Until it is
THU JAN 02 2020
I just watched the latest video by YouTuber, Isaac Arthur, who I’ve been following for years, and greatly respect, addressing time travel, but while he tried to cover every version of time travel that comes up in science fiction, and in legit scientific discourse... he did not cover the version I talk about in this blog.
I was a bit surprised, but then again, mine (explained in the entry entitled, Time Travel Basics, and fleshed out in some follow ups shortly after it) is basically the John Titor version of time travel.
And over the 13 or so years since I first read the Titor stuff online, I’ve noticed that nobody, either in fiction, or legit discourse, ever does venture anywhere near the Titor model... which is kinda strange, given that so many other, clearly unworkable models pop up all the time.
It’s not as though the Titor model is just so ridiculous that it’s not even worth considering... because, well... plenty of very ridiculous models for time travel are given very serious consideration, in our movies and science fiction novels, if not elsewhere.
Still, the original message boards where Titor appeared, to talk about how he was a time traveler, and explain what he knew about how his military issue time distortion unit worked, were forums for physics students and physics enthusiasts.
And what always struck me reading the back and forth on those forums was that nobody ever challenged his technical explanations.  Everybody seemed to agree that the physics part of his story held up.
But that part was way over my head at the time, so I was very curious to understand why the physics seemed to hold up so well.
It took me most of those 13 years, watching recorded lectures and other videos on YouTube, and listening to several audio books on my commutes, dealing with different aspects of both quantum physics and string theory... before it finally clicked in my head, and I could see that Titor’s explanation not only squared with physics, but so did the schematics he’d provided.
Again, go back and read, Time Travel Basics, but, in a nutshell, it’s this idea of using two micro black holes... controlled by manifolds that inject electrons either into them, to increase their spin, or at angles across their event horizons, to slow the spin... to create two nested bubbles of frame-dragged spacetime, the inner one with positive time, and the outer one with negative time.
I won’t get further into it than that here, except to say that the one thing Titor talked about that always stumped me were the gravity sensors.  
Inside his two nested bubbles of spacetime, he was essentially in his own tiny universe, outside the main universe, but was able to maintain a lock on the Earth’s movements backward through time (rotating backward and revolving around the sun backward as the whole solar system revolved backward around the center of the galaxy) thanks to gravity sensors that would give feedback to the manifolds, telling them how to maneuver the two micro-singularities to stay with the GPS coordinates on Earth’s surface, from which he had departed.
I finally got my answer one morning in the car on the way to work, listening to an audio book on string theory, when the author explained how, unlike light, gravity could be felt between branes (or membranes) of space time.
It’s one possible explanation for why gravity is such a weak force on our own brane, compared to much stronger forces like electromagnetism... because gravity leaks out into the greater, “bulk,” of the multiverse.
He didn’t know it, but he’d told me that Titor’s gravity sensors could work... which was the final piece of the puzzle.
Everything else, from creating micro-singularities in particle accelerators, and capturing them magnetically, for industrial use... to manipulating their spin, mass, and attitude with a manifold of cathode rays (such manifolds were how old color tube TV sets worked)... to the nuclear powering of the device... to the many worlds theory... all passed, for being physically plausible.  So when the gravity sensors checked out too... well, that’s when I knew Titor was probably telling the truth.
So why am I so alone in this belief, in 2020... and why has the whole Titor model pretty much vanished from the conversation?
Well... this is what you might expect to happen when a person with a working model of something tries to explain it to people from the past who just aren’t there yet.
Imagine going back to the year 2000, and explaining on a serious tech forum how a typical smart phone from 2010 works... it’s a got a touch screen, and a bunch of gyros and sensors packed inside, and a lithium battery and... bla bla bla... 
Even though they are all well versed on the subject of tech, and are only about seven years away from the first smart phone... it’s likely that nobody will take your strange new idea seriously.  
Some will point out how certain features are just too far away... and the internet infrastructure couldn’t support such a thing... and the level of miniaturization isn’t realistic... and the batteries would be volatile and prone to explosions.
Others will argue that even if such a device could be Frankensteined together, nobody would want one device to do everything.  Nobody wants to watch TV shows on their alarm clock, that is also their flashlight! 
Why would they be like that?  Well... you know how people are.. when they consider themselves the experts and the vanguards of a given field.
Who are you anyway?  You’re just some rando who claims to own one of these so-called, “smart phones,” and you don’t even know how it works.  
You’re just a fanciful futurist describing some fanciful vision for a thing that would be nearly impossible to make, and totally impractical, probably, and that nobody asked for.  Get out of here!
My other example would be explaining how a modern airplane works, to scientists in... say... 1875.  Even if you were spot on with your description of a typical 737... with its wings, aelerons, flaps, jets, etc... its hydraulic control tubes and its aluminum body... fueled by a petroleum based liquid stored in its wings...
They would counter by explaining to you why none of that would actually work, and even if it could... nobody would ever convince a hundred regular civilians to climb into such a death trap and “fly” from New York to Los Angeles... in “hours.”
Get the fuck out of here!
My argument here, about experts and vanguards rejecting working ideas from the future... is kind of borne out by how far off the mark they always are, when asked to envision future tech.
Such visions are always hilariously wrong, because they are always clearly based on exactly what they know in the moment... plus what little they know about a few experimental things going on.  
But they never think about the unforeseen breakthroughs, both large and small, that can help make seemingly ridiculous things like the Boeing 737, or the IPhone 4, possible, practical, and marketable.
The above two analogies are not perfect though, because in John Titor’s case, he was in the military, using a military issue time machine.  It wasn’t a tech civilians even knew about, necessarily... and also, as I said earlier, there really wasn’t any push back from the nerds on his forums about the physics.  
They agreed it was theoretically sound enough not to bother attacking, and instead focused on his descriptions of the future... his past... all the world events to come later in the 2000s, 20-teens, and beyond.
And, while he answered honestly, he also explained that his appearance in 2000 meant they were all now on a different world line, that would not play out the same way.
His recollections were framed as predictions... and when the predictions didn’t come to pass... Titor was considered by most, debunked.
Some argued for a while... correctly, that they were never predictions, because he explained that we were on a different world line than his.  But... others countered, by pointing out how this argument makes his predictions unfalsifiable... which, in logical terms, means they’re garbage.
The whole discussion ended there... without ever really touching the mainstream consciousness.  John Titor was considered, by those who knew about him, to be just a fun hoax... and, like any other meme... fell out of fashion and was forgotten.
But my point is... he had schematics!  He had sound explanations for how the tech worked!  Screw the predictions... or arguments that the predictions are unfalsifiable!  The tech holds up!  Look at that!  Talk about that!
Look at the rather flawless descriptions of how it came to be invented, what it was being used for, and what it was like to operate a time distortion unit, from the perspective of the guy in the driver’s seat.  
It really irks me that everybody has both ignored and forgotten about that very tangible, testable part of Titor’s story... and then come back today with those same tired old arguments like, “If time travel were possible, we would have heard from one of them by now!”
Oh, really?
“If it were possible, we would have time tourists all over the place, and always would have, since Ancient Rome.”
Really?  Cuz... what if it was just a military tech not available to the public and what if it only had a small practical range of a few decades... as explained both by Titor, and by my Time Travel Basics entry?  Huh?
Huh???
Well... I guess I’m just gonna have to be content with being a crackpot, with no audience. :(
Be that as it may, my  model predicts that WW2 is the great historical barrier for time travel... with only a few rogue time travelers daring to go even as far back as the late 1940s... where they could still hope to refill their oxygen tanks, and get some kind of crude repairs done to their time distortion units.
Most only go as far back as the mid 1970s, with a few outliers hitting the 60s or 50s, and probably never finding their way back to anything like the home worldline they came from, after straying that far afield with no way to establish their, “divergence” to any useful degree.
But the twenty-teens were (are, will be) a good pit stop... the Denver, or Phoenix of Time Travel... if it were a coast to coast drive across the U.S... because things were (are, will be) just advanced enough to stop and get your bearings, or resupply, or get repairs done... but far enough away from the home time (which is the late 2030s) to bother stopping.
It’s possible that the 2020s will be the same kind of Denver for time travelers of, say, the 2050s... and that the 2030s themselves will be a Denver for time travelers of the 2080s... but if so... these more sophisticated time travelers from further in the future will probably be a lot more careful about the cybernetic impact of their pit stops in these future decades.
In other words, they’ll be more careful not to turn the internet, and therefore the world around them, into a total circus of unreality, in which all the locals question their sanity every day on a regular basis.
Things should calm down for us, in the 2020s, is what I’m saying... at least in the socio-political sphere.  The climate’s gonna be something different, but...
...whereas in the twenty-teens you were saying, “I can’t believe so and so is the leader of my country and so many assholes are coming out of the woodwork, and the rest of us feel unmoored from reality, as if we’ve been sucked into a parallel universe!”
In the 2020s you’re more likely to be saying, “I can’t believe we had a thunder snowphoon in July, and that Lake Eerie is on fire, but thank God the world’s leaders are on top of this, and have the support of pretty much everybody, except for the oldest, shittiest cranks who we all ignore.”
And maybe you’ll also be saying, “Thank God, also for [X-tech] without which everybody would be so fucked right now!”
Man, that was a long ramble!
Sorry.
I’m going to bed.
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thehalfworld · 7 years
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Fanfic MST: ITS MY LIFE!, a Portal fanfic [part 12]
Oh yes, friends, it’s back! It’s been entirely too long (two years too long, to be exact) and I hope you’re all ready for some more vaguely Portal-flavored nonsense. 
No real warnings for this chapter, just typical MarissaTheWriter ridiculousness. And canon character death, maybe, depending on whether or not you take the events of this chapter at face value (and, if I remember this story correctly, you probably shouldn’t).
Recap: Chell and GLaDOS have fused into one entity, P-body is pregnant, and Marissa for some reason decided that Rattman is the only one who can prevent disaster even though dude is strictly a non-action guy. She located him and now the two of them are planning on taking down the Chell/GLaDOS fusion.
Chapter 1
Previous chapter
AN YOU GUYSARE ALL SO WEIRD! YOU WERE GIVIN ME GOOD REVIEWS THEN YOU SAY IM A TROLL AN THAT YUR GONNA KILL ME AN PUT SALT IN MY THINGS? 
That is pretty weird, yeah. 
(I’m not even sure what she’s referencing. Maybe a play on “assault”?)
IF IT WERENT FOR THE PEPOLE HOO REALLY LICK MY STORY LIKE THE BUZINESS GUY AN SEPHRAL AN CAT NOT BOUNCY ID STOP IT RITE NOW!
I dunno who Sephral is, but “the buziness guy” is user ASBusinessMagnet (later a recurring character in MarissaTheWriter’s stories; I’m pretty sure we got married at one point), and “Cat Not Bouncy” is Tumblr user catbountry, who was going by “Not Cat Bountry” on Fanfiction dot net and who did a dramatic reading.
PS - I NO THAT GLADOS IS SPELLED GLADOS I CALLED HER FUSION CHELLGADOS BECOS CHELL ALREADY HAS THE LS AN IT SOUNDED MORE COOLER!
See, I told you she’d explain that. All makes sense now, right? Perfectly logical writing decision.
ITS MY LIFE!
CHAPTER TWELF: THE FINAL BATTLE
Bit of a misnomer, since this is not, in fact, the final chapter.
(Actually, if I remember correctly, MarissaTheWriter may have been writing by the seat of her pants; it’s possible she initially intended this as the True and Honest Final Battle.)
Ratman an I were goin thru the air ducks to get to CHELLGADOSs layer were the final show down wold be. 
Oh my god, she means her lair, not her layer. That literally took me years to figure out. Holy fuck.
Wheatly was growlin an tryin to be scarry becos he didant have weapons so he was lick are cheer leader. 
Considering what happens when Wheatley actually tries to be the bad guy, I think this is preferable.
We intered the layer an saw CHELLGADOS buildin turrents but these ones was speshal becos they cold walk a round an shoot an stuff! 
Hey, I played Portal 2, I saw the turret assembly line. It’s pretty much autonomous. She doesn’t have to build them herself, and honestly I think she’d find it beneath her.
But maybe things have changed since I left the building.
"INTURDER!" One of the turrents called to CHELLGADOS. CHELLGADOS looked at me with all the angry she ever had.
That’s a phenomenal amount of anger. Surprised Marissa didn’t combust on the spot.
"Marrissa Roberts you have interfeared with my plans for the last time becos now I will kill you." 
All right! Time for some murder!
Then she seed Ratman an got more angry. "RATMAN IS A LIFE? NOW YOU WILL BOTH DYE!" 
I doubt she cares about killing Rattman, considering that she didn’t do so before and that he poses basically no threat on his own. Like I said… non-action guy.
CHELLGADOS taked out her portal gun wich was modified to shoot bullets lick a reel gun but cold shoot portals to just in case. 
Okay, but does it really shoot bullets? I ask because the turrets use spring-loaded action in order to fire the entire bullet, which is obviously a hell of a lot less effective despite delivering more bullet per bullet. Explains why Chell can take so many hits without dying.
Point being, there’s no evidence Aperture Science knows how guns are supposed to work.
She fired the portal gun an it hit Ratman with a boom an I thot he was dead for sure.
But Ratman gotted up! 
What? Is he still alive?
"Silly CHELLGADOS you cannt hurt me becos..." He pulled down his pants an I saw that he had replased his man thingys with... the space an rick cores! 
…I know we’re leading up to a “balls of steel” joke, and I shan’t comment on that, but this raises so many goddamn questions. How do you replace your testicles with personality cores? A personality core is a hell of a lot bigger, and heavier, than a human testicle. Also, Space Core is in space, so how did Rattman get ahold of him? Did he shrink the cores somehow? How did this make him immune to bullets? How did he fit two personality cores in his pants? Why did he need to flash everybody?
My brain is hurting over this and I know it’s only in the story because the author wanted to make a stupid pun. Moving the hell on.
"IVE GOT BALLS OF STEEL!" (Thats from a game called Duke Nukum Forever its funny) The space core was still thing he was in space but Rick was mad at been one off Ratmans tentacles. 
One of his tentacles? Are we in a hentai now?
"Well then ill just portal you into space like Wheatly an see how you like it you wont!" CHELLGADOS shooted a nother portal unner Ratmans feet an he was sucked into s space. "No dont you are my dotter Chell!" Ratman yelled as he got sucked in.
Uh… what? How? I thought Marissa and Chell were both Cave and Caroline’s kids in this story. Wasn’t that established several chapters ago?
"OMG HOW?" CHELLGADOS an me said at the same time to gether. "It all storted a long time ago..." Ratman gave us the down lo as he was just barely hanging on to the portal. "I used to work for Gabe Jonson affer he changed his name to Cave in onor of his dead brother. Caroline was got shot as you no Marrissa an was put in a robot body that was called... GLaDOS!" 
Right, we know. How is he hanging on to the portal? Can you do that? I don’t think you can do that.
CHELLGADOS o-mouthed at his shockin words. 
Did she forget she spent the beginning of this story being a goth emo over the revelation that she used to be human? Like… this isn’t news anymore.
"Gabe new he wold have to dotters named Marrissa an Chell but since GLaDOS was a prototip she an Cave coldnt make baby normal way an instead used the artificial enseamanation an grew test toob babys. 
Hey, what the fuck is the “normal way” to have sex with a giant robot? Seriously, please inbox me if you know. It’s for a friend. I swear.
But there was a miksup an my dna got used instead of Gabes for one of the toobs that toob was... CHELL!" Then Rutman coldnt hold on any longer an fell into space an died.
Why did Aperture Science have a sperm sample from Rattman on file? How did they get DNA from Caroline, since her physical human body no longer exists? How does Rattman know about the mixup? Who carried the baby to term? How did two white people birth a woman of color? How did two white people birth a woman of color? I don’t know if I brought this up earlier in the MST, but I am directing that question at every “Chell is Cave and Caroline’s daughter” theorist too. You’re not off the fucking hook.
Then CHELLGADOS started shackin an looked funny. Chell was fightin back a gainst GLaDOSs control! "Marrissa there is not much time left you must kill me to stopped GLaDOS once and four all!" 
Okay, but we know what happens when Marissa kills Chell — thanks to having consumed the “zombie taters,” Chell will just turn into a zombie. You don’t want the most tenacious woman in the world after your brains, but especially not when she’s fused with the most massive collection of wisdom to ever exist, who also hates you.
I o-mouthed becos Chells brane damage was cured so now I coldnt put her out of MISERY lol. 
That’s actually not the concern I expected Marissa to have. She has no problem killing disabled people, but being fused with a homicidal AI who is using your body as her puppet is A-OK, even when the victim is begging for death?
Man, this girl could use some new priorities.
"But I cannt kill you Chell yur my sister there must be a nother way! Chell got sad "Hurry GLaDOS is takin control!" An she started lollin with evil. There was no way I cold kill Chell an then I rembered that GLaDOS used to be Carlion an that made me not want to kill herr neither.
Yeah, and remember how she used to be a well-written and complex character who cannot be reduced to a mere villain and who actually likes Chell so much she keeps writing songs about it?
Sorry, there I go talking about canon again.
"Bloody hell Marrissa shes powerin up!" Wheatly screemed from inside my jump soot an I looked up an saw CHELLGADOS was floatin in air an electric stuff was comin out off her. "THANKS MARRISSA YUO REMINDED ME THAT I USED TO BE CARALIN SO I REMBERED THAT I HAVE POWERS TOO!" 
Hey, uh, what the fuck? 
I o-mouthed, that dumb ingineer forgot to make it so only I gotted the powers! I didant no what to do now an it seemed hope less when a herd a sound. "Hey b**** were heer for backup!" It was... ATLAS AN P-BODY!
Who are they here to back up?
"OMG why are you jersk helpin me?" I asked while o-mouthin from the shock. "Becos CHELLGADOS is half yur sister an we dont lick you so we dont lick Chell neither!" Atlas eksplained. "An I rembered that you gave us the drugs an beer in the first place so if it wasnt for you we woldnt have drugs an beer!" P-Body added an Atlas nodded like yeah! 
I guess that’s reasonable. I, too, feel indebted to those who give me drugs and beer.
We started ti fire are portal guns at CHELLGADOS an the portals combined to make a big portal black hole.
Co-op mode would benefit from the inclusion of this feature, I think.
"OH SH**!" CHELLGADOS screamed as the GLaDOS parts were all sucked out off Chell. 
Should have attached them better, I guess.
Ones all of GLadOS was gone we closed the portal an Chell falled down on the ground. "Chell I safed you!" I rant to my sister an gave her hug. "Marrissa Im sorry, but the damaje from GLaDOS was to much..."
“…not to mention, having my butt sliced off after someone used their powers a little too recklessly…”
An she dyed in my arms. "Nooooo Chell my sister you are died!" I cried soooo much an Whealty cried to becos they was frends even Atlas an P-Body looked kinna sad.
Isn’t Chell gonna turn into a zombie now or are we not doing the zombie stuff anymore? Was that only because she was brain-damaged? This fic is confusing.
I put down Chells body an stand up when there was a clikclak nose be hind me.
Oh no! Not a clikclak nose!
"LOL we tricked you to get yur guard down Marrissa! Now die b****!" An Atlas an P-Body lolled an shot me in head.
I’ve probably mentioned it before, but I love that the author of this mess has no problem writing over-the-top violence but feels the need to censor the word “bitch.”
"Marrissa!" Wheatly screamed an ever thing got really black an I died.
Love the prose.
TO BE CONTINUED?
Yes, indeed, we’re not done with this fic yet!
OH NO MARRISSA IS DIED!
Oh, yes.
CAN WHEATLY SAFE HER?
Well, seeing as she’s dead, I think it may be a bit late for that.
FIND OUT IN THE NEXT ONE PS IM THINKIN OF MAYBE WRITIN A SPINNOFF A BOUT TEEN FORTRESS 2 AN GABE JONSON AN CARALION LIVIN IN PORTAL HIGH SCHOOL WHAT DO YOU GUYS THIN?
She actually did write that spinoff, by the way. I’ll put my MST of it up on this blog at some point.
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nyctospoilers · 5 years
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Please talk about nameless star
OKAY IF YOU INSIST. [[btw I clearly digress here and that’s why I ended up deleted the tangent in the last post]]
For those who don’t know, I said in this post’s tags that I deleted a paragraph, going off about the nameless star. So the context is how The Final World could be outside any realm of reality, since Namine telling Sora after he already died that she’ll contact Terra’s will to help him, which affected a time and place from before Sora died. 
Now in that post’s tags I said I went on a tangent about what it would mean if Strelitzia is the nameless star. Strelitzia supposedly died in the other worldline that the Dandelions jumped too. So, if that’s the case, then her being in The Final World is more evidence that that world exists outside any worldline. However, in truth, I think that sooner or later we will to come to the realization that the “worldline” the Dandelions jumped to was in fact only a data world, one like the disney worlds the dandelions go to in Unchained X and Union cross.
For those who don’t know, in KHX before the keyblade war, the keykids went to disney worlds that were projections of the future (which explains why, for example, Agrabah with Aladdin is in KHX) to collect lux, but they weren’t real worlds. But it’s revealed that the MoM created data from those worlds, so that after the keyblade war when he and the foretellers are gone, the Dandelions can still go about disney worlds. But we were lead to believe that even though the disney worlds are data projections, Daybreak Town is actually Daybreak Town, just in another worldline.
But, in the last KHUX update, we see Elrena seeing a glitching projection of Strelitzia before her death in Daybreak Town, and then later we see Brane describing himself as a virus. And in Luxu’s Observation Excerpts from KH3, he describes Brane as a virus in the MoM’s program. This can imply that the “separate worldline” that the Dandelions jumped to was only a data world. We can take this theory a step further, and say that the dandelions remained in the data world, time passed without them even realizing, and when the Union Leaders leave it like Luxu mentions in his Observation Excerpts, they arrive at the current time (Ventus, Lauriam, Elrena, Subject X, etc). And THIS could explain how they “time traveled” with their bodies.
However, the data theory would not explain Eraqus’s lineage (assuming it originates from Brane) with The Gazing Eye, or Ephemer’s spiritual appearance in the Keyblade Graveyard. I’ve said before that I think Ephemer purposely remains in the past rather than jumps with the other Union Leaders, and his spot is replaced with Elrena. However if the data theory proves true, we DEFINITELY are missing an event that explains why Brane and Ephemer are still in the real world, but arrived way in the past and not in current times like everyone else.
I DIGRESS, MY POINT IS: If Strelitzia is the nameless star, then that means two different things for The Final Wold, depending on if KHUX takes place in a Data Daybreak Town OR if it takes place in an entirely different worldline.
Data Daybreak Town: This would mean that ‘alternate universes’ don’t actually exist like the term ‘worldline’ would suggest. There is only one single line of time (including data worlds, and the sleeping realm/realm of darkness/inbetween), and that The Final World is only separated from that single line of time, as I mentioned with Namine.
Different Worldline Daybreak Town: This would mean that The Final World is so unbelievably disconnected from the reality that our characters know, that people from different times, different worlds, different universes ALL end up in that one singular place if their heart persists after death.
Taking that second theory a step further and how Sora has been known to enter the Final Wold accidentally many times before when being in the Station of Awakening. In either theory it means Sora has the ability to walk across time (and in the second theory, walk across universes) and he doesn’t even fucking KNOW IT.
And all of that stems from the idea of Strelitzia being the Nameless Star asdfasdf
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nyctocodes · 5 years
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I talk about Xigbar’s reference to “Ava’s own mission” in this post. In that post, I say how in KHX Gula recites a passage from the lost page that refers to Ava: “Misreading the truth, you will venture forth in secrecy…” I believe Ava is currently discarding her name and going by the vague alias of darkness (and is the “darkness” referenced by Luxu in Observations Excerpt 2). I think Ava’s own mission was to destroy Data Daybreak Town with the help of Brane (as she had to venture in secrecy, so she needed an inside man), and put the dandelions back into the worldline. Ava tells Maleficent about how it’s possible to leave the data world and land in current times right after this scene fades out mid conversation. Then later, shit starts going bananas in Data Daybreak Town as we now see in the last update, and Luxu goes to Maleficent himself and asks her if she knows something (which by this point, she will). 
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