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anonymous-dentist · 17 hours

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A very confusing day in the Merpepito AU

Richarlyson is being weird.

...Okay, so Richarlyson is usually weird, but now he's being super weird! Maybe he's dying. He has a worm in his brain eating it or something. Oh! Or there is a sea cucumber growing between his ears!

Pepito isn't a doctor, but he thinks that Richarlyson might actually be dying. Because there's no other reason why Richarlyson would be hanging out with Apa Roier so much.

It's been a week since the Sky fell, and maybe Richarlyson got hit by a piece of the Sky and his brain started bleeding, because he's decided that he's Apa Roier's new best friend. (Which is crazy because Apa Roier doesn't have friends! He always says so.)

Every morning, Richarlyson sits next to Apa Roier at breakfast. He helps Apa Roier with his chores. He brings Apa Roier cups of water when it starts getting hot out. He eats lunch next to Apa Roier. He tells Apa Roier that he'll take care of his afternoon chores so Apa Roier can take a siesta. He eats dinner next to Apa Roier. He calls Apa Roier cool, he says that Apa Roier is the strongest Pepito he's ever seen, he says that he hopes that Apa Roier stays forever on the ship.

It's weird! Richarlyson has to be dying.

...But maybe Apa Roier is dying, too, because he's been talking to Richarlyson a lot over the past week. He saves Richarlyson a seat at the table between himself and Captain Celbi, but he's never saved Pepito a seat. He says that he's going to teach Richarlyson how to fight, but he won't teach Pepito how to fight.

But it's fine! Pepito isn't upset at all! Pepito is happy that Apa Roier is making friends... even if his new friend is the person who hates Pepito the most.

Pepito doesn't interfere. Pepito keeps doing Pepito's chores: helping Richarlyson and Pomme mop the deck, helping Mister Pac sort through foods in the kitchen, helping Mister Felps tie knots. Miss Mouse says that she's gonna teach Pepito how to do magic soon, and Miss Baghera wants to teach Pepito how to draw and read maps.

Pepito likes being a pirate. It's super fun! Pepito likes the ocean, and Pepito likes the stars- and his best friend, the Moon. Pepito likes helping around the ship. Pepito likes watching Captain Celbi at the wheel. (He's so cool!)

...Pepito just misses Ama Rivers and Apa Carre and Apa Mariana and Apa Quackity and Awuelo Foolish and Leo and Empi and Sunny a lot. And Pepito thinks that Apa Roier misses them, too.

He has to.

But Apa Roier has been smiling a lot, recently. He smiles when he's near Captain Celbi, and he smiles when he's with Richarlyson. Sometimes he smiles when he's with Pepito, but not always.

He doesn't smile when he's talking to Captain Celbi about Pepito's brother. Bobby always makes people sad, though, so Pepito doesn't think about that too much.

Pepito thinks about Pirate Things instead, because Pepito is going to be the Best Pirate Ever!

Apparently, Pepito is a really Good Pirate because Captain Celbi wants to talk to Pepito alone in his office!

Pepito is sooooooo getting promoted! He won't just be the ship's Pepito, he'll be the ship's Pirate Pepito. He'll get a fancy pirate hat and everything; Richarlyson doesn't have a fancy pirate hat, so Apa Roier is going to look at Pepito and pick him up and tell him that he's such a Good Pepito that he's going to sit with Pepito at dinner and teach Pepito how to fight!

"Now, Pepito, I called you in here for a very good reason," Captain Celbi says as soon as Pepito is sitting (evilly!!) in the chair in front of his desk.

Pepito nods, serious.

Captain Celbi takes that as a sign to continue: "I understand that you're Roier's son?"

Pepito nods. Pepito is Apa Roier's Pepito!

Captain Celbi sighs, relieved. "Okay, good."

And then Captain Celbi's face falls. He almost looks ready to cry- his face is all red and his eyes are all wide and he looks really super freaked out.

"What does your dad like?" Captain Celbi asks, face all scrunched up like he's in pain. He sticks his hands up under his hat and pulls at his hair so hard that his knuckles knock the hat off of his head. The pointy things on the top of his head lay flat, unable to be seen through his hair.

Pepito blinks. Apa Roier likes Bobby? But, no, Bobby just makes Apa Roier cry. Hmm...

Captain Celbi groans and slumps back in his chair, his wrists and arms covering his face.

"He's impossible," he moans. "Every time I've tried subtly asking him, he's just shrugged!"

That sounds like Apa Roier. He's never liked talking about himself. Pepito didn't even know his name until all of the other Ocean Pepitos yelled at and made Apa Roier take Pepito home.

"He's always just-" (Captain Celbi's Pointy Things twitch, and he pitches his voice up in an impression.) "-'Hey, man! I don't know, man! I like lots of things, man! I like fish!' Like!" (He drops his impression and his hands, sitting up in frustration.) "What fish!? We're on the ocean! There are lots of fish in the ocean!"

Pepito nods sagely. There are lots of fish in the ocean. Captain Celbi is very smart, that's why he's the captain!

Captain Celbi rubs his eyes with his thumb and pointer finger.

"He deserves something nice," he sighs, much quieter and much calmer. "Better than fish. He deserves... gold. Silver. Diamonds. Rubies. He deserves good things."

Apa Roier has never been one for shiny things. That's always been Apa Quackity, even though he can't ever afford anything shiny because of how many times the Sea Witch has blown up his house with Sea Witch Magic, and Awuelo Foolish, who is basically the King of the Reef.

Apa Roier likes fish. He likes Bobby. He hates pirates. He likes crabs. He likes blue and red coral. He likes Miss Niki's candy. He likes-

Captain Celbi looks at Pepito seriously. "I need your help, Pepito. I want to get your father a really nice gift. It has to be perfect."

Pepito looks at the notepad on Captain Celbi's desk.

Following Pepito's gaze, Captain Celbi slides the paper over along with a pen.

Pepito hums, and he thinks. What does Apa Roier like most?

Aha!

Pepito draws exactly what Apa Roier would like! Once he's done, he flips the notepad around to show Captain Celbi with a triumphant grin.

"Pepito," says Captain Celbi, smiling only a little, "that's a picture of me."

Pepito nods. Captain Celbi makes Apa Roier really happy! The perfect gift!

Captain Celbi sighs, and he leans across the desk to ruffle Pepito's hair.

"That's a good thought," he says, "but let's try and think of something I can buy him."

Ooooooh! Okay!

Pepito turns the page and starts to think again. Something you can buy...

Oh! Pepito knows!

So, Awuelo Foolish has this friend named Mister Vegetta, and Awuelo Foolish wanted to give Mister Vegetta the BEST gift ever. So Awuelo Foolish found the most perfect shell at the Bottom of the Ocean, and he put it on a string of kelp, and he gave it to Mister Vegetta, and now they're Best Friends! They have sleepovers every night and they kiss a lot, which Pepito thinks that Married Pepitos do, but Awuelo Foolish and Mister Vegetta aren't Married Pepitos yet, they're just Best Friends who make each other super happy.

So Pepito draws the shell, and he draws the string, and he even draws Captain Celbi giving Apa Roier the necklace.

He holds the picture up to Captain Celbi, and Captain Celbi grins.

"That's perfect, Pepito," he says. "The next time we're near a beach, you and I are going to find your dad the perfect seashell."

YES!! Another secret mission with Captain Celbi!

Take that, Richarlyson! You might be friends with Apa Roier now, but are you going on secret missions with the captain? Nuh-uh!

Pepito is the best pirate ever!!!

--------

To Be Continued...

#a.d.'s fics i suppose #a.d.'s fics i suppose.#merpepito au #THAT'S RIGHT THIS ONE IS A PART ONE #Also. Pepito please.#he's playing matchmaker ig

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ingo-ingoing-ingone · 20 hours

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A Personal Post

Hi guys, I'm finally making the post I kept telling myself and my best friends I'd make but wanted to put it off until I felt better. That hasn't happened and with how things are going I thought it was best to just post it now.

So for a while, since probably late 2023, I've felt less like my blog is for me, and more like it's some kind of fandom archive. Which, if you use it this way as-is, great! I'm glad my blog could make you happy like that! But that's not what I set out for it to be.

I'm the sort of neurodivergent person who likes to categorize things, including my interests. All my tumblr blogs are specific to one thing, and this one was no exception.

I began tagging things soon after I made the blog because I saw a lot of people were sad about the twins, and I thought "well since I love both sad and happy stuff, and I'm really good about categorizing things, maybe I can try and help!" And according to many, it did help!

But I think that also gave off the impression that I was making this blog for other folks, and that isn't the case. I'm sorry I never clarified. It's not an archive; I do not reblog shipping posts, posts from people I've blocked, AUs I don't click with, and sometimes just not everything I see.

I've gotten popular in the fandom, and for the most part I do, from the bottom of my heart, enjoy it. I have people who care about my hyperfixation! That's amazing! I have people who love my cosplay and want to meet up with me. I've made so many friends of all shapes and sizes and it's probably the most incredible thing I've ever experienced, truth be told.

But yeah my blog being mine has gotten away from me a bit, I think.

I want to keep tagging my submas tags, that isn't going to change. I will tag triggers when asked, unless it's kind of impossible due to the blog's subject (trains, for instance) or a name or really common word (like the word 'head' or something). Other than that please reach out and I'll do my best to remember. But other tags? Those will be up to me. I don't want to tag when OCs show up. I love OCs and like seeing them, and don't want to have to remember that one person who visits my blog doesn't.

I had anon off for a while because honestly ever since making this blog, there have been anons who really made me unhappy. (Also yes, non-anons but that's been fewer and far between). I've gotten misinformation, accusations, horrible and disgusting explicit asks, and criticisms and complaints, and I'm just... Not here for that. Keep the explicit things and misinfo out of my inbox, I am no arbiter of morality or personal decisions, and I am not here for you to share your negative opinions of submas or the fandom.

Anon is on for people who are too self conscious to chat face to face, for people to send fun headcanon ideas (remember when people did that back in 2022 when this blog started? I miss that, it was sweet and wholesome), to share song recommendations... That kind of stuff. If you have an actual problem, please, PLEASE talk to me off anon, whether that be DMs or a non-anon ask that I can answer privately. Especially if we're friends; please, please just talk to me about stuff. I don't bite! I swear!

But yeah the bottom line is I'm here to participate in fun (and sometimes heartbreaking!) fandom stuff. I'm here for FUN, not as my job. I know that we're all a bunch of neurodivergent folks and sometimes interactions can be a swing and a miss, but please try to be mindful. Please treat me like a person and not just like a museum curator for this blog.

Truth is, I haven't been okay for a while now. It's gotten worse this year for sure, and due to life stuff I cannot see things feeling better for me for some time. I need to go day by day for a lot of things, and I am trying to get better about needing to set boundaries and all that sort of thing. I suffer from intense paranoia too, and having so many eyes on me is genuinely terrifying at times. I'm trying to manage that as best I can, but I do ask that folks be kind.

NO I am not going anywhere, my blog is staying and will continue on as normal, but I really, really needed to get this posted.

Please continue to interact with me and chat and everything like that! But also please remember to treat this space, my blog, as my space. Thanks for reading!

#blue blogs #basically just. if you wouldn't want someone saying it to you please don't say it to me i guess?#please treat me like an individual person and not just a curator.#i do really and truly appreciate you all #most of you haven't done anything wrong and those who've made me uncomfortable mostly have done so just due to social mishaps #it's not the end of the world #please just try again and keep my boundaries in mind is all #going to link this in my pinned post as well

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taizi · 12 hours

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okay just because we were talking about this - how do you think an asl reunion at alabasta would look like?

i hope its ok that i took this as an excuse to write an au no one asked for :')

read on ao3

A lot of the problems in Ace’s young life—most of them, if he was being honest—could be attributed to the shitty choices that adults around him made.

When Bluejam grabbed Luffy by the scruff, the business end of a pistol jammed painfully into the nape of his neck, he was talking a bunch of shit about how Sabo’s dad ripped him off. He was paid to kill Ace and Luffy but he’d been short-changed, and for a man who seemed to think he was entitled to a certain lot in life, it rankled.

“But that noble brat doesn’t make a bad ransom,” the man said, shaking a weepy Luffy in one meaty hand to shut him up, like Ace’s baby brother was nothing but a piece of dirty laundry. “If his family won’t buy him back, I’m sure someone will.”

Ace’s blood turned to ice in his veins. Whatever time Ace didn’t spend in the jungle he spent in the gutters and outskirts of the city, where every unwanted, street-sharpened child knew the risk a certain kind of stranger brought with them.

If Sabo ended up with a slaver, Ace would never get his brother back. Pieces of him, maybe. But not the same golden boy he was right now. Not the brave, proud, secretly soft-hearted person Ace loved so much. He’d come back different if he came back at all.

He had to compartmentalize. He couldn’t act rashly until he had Luffy back. His mind raced frantically, but he made sure it didn’t show on his face. He snatched Luffy up when Bluejam finally let him go and made his own body a wall between his brother and the men who had no compunctions about hurting him to prove a point.

They were left to spread gasoline throughout the terminal, while the pirates made their way back down to the beach. Not one of them lingered to make sure Ace and Luffy did as they were told, and Ace should have wondered about that. Should have wondered why they were making themselves scarce, why the city gates were barred, what all those fuel canisters are for, but his thoughts were too full of other things.

That was why, the second the coast was clear, he tossed his gasoline drum aside and seized Luffy by the arms. He stooped to look right into his eyes, trying to ignore the way his chest panged at how wide and red they were.

“I have to go get Sabo,” he said firmly. “You have to stay here.”

“Let me come!” Luffy cried immediately, predictably. “Don’t leave me behind!”

“It’ll be faster if you wait,” Ace snapped, because he didn’t want to say that Luffy was going nowhere near any ship bound for the slave market, because then he would have to explain why. Even without the Fruit that made him a special novelty in the Blues, Luffy would be snatched up by evil hands in a heartbeat. “You’re too little, you’ll just slow me down,” he said instead.

It wasn’t nice, and when Ace had time later, he would feel bad about the way Luffy’s lip trembled. But for now, it was important that he got his point across. Every second he lingered was another inch ahead Bluejam’s crew got. Ace’s world would literally end if their ship left port without him.

So he gave Luffy’s shoulders a push that propelled him back a step. Then he pointed in the direction of the treeline. He made his face mean and forbidding.

“I mean it, Luffy,” he said. “Go wait for me at home.”

Luffy finally tucked his chin in a miserable little nod. Ace gentled despite himself and reached out because there were two people he would always reach out for and one of them was right in front of him.

He flicked the brim of Luffy’s hat up enough that it fell off his head, and then ruffled his hair. A gesture so familiar and well-practiced it was like muscle memory to him now. Luffy didn’t smile, but it kept the tears at bay for a bit longer, and Ace left him with another firm point back at the jungle.

Ace was a child, doing his best to keep his tiny family together. He had a half-formed plan that he would sneak about Bluejam’s ship and find Sabo wherever he was and they would fight their way out and escape together and reunite with Luffy in time for a midnight dinner. He was a pragmatic youth, and was made wiser by the world than any ten-year-old should have been, but he was still only ten years old. He couldn’t have guessed what was going to happen.

He would piece it together later—that Bluejam had been commissioned by the kingdom to make sure the Gray Terminal burned down, a noble title he planned to come back to collect once he had auctioned off Outlook’s eldest son to the highest bidder—that Ace had chased after one brother and left the other alone in a place that was about to go up in flames.

When he climbed aboard the Blood Batako, he didn’t realize it would be the last time he saw Dawn Island for almost half a year.

He didn’t realize that Luffy would wait for him right there where Ace left him, even as the fire spread into walls of flames much taller than a scrawny seven year old—frightened and crying, little hands bunched in the front of his own shirt as he choked for each breath in the thick, acrid smoke. That Dadan would find him there and haul him away kicking weakly but not screaming, because there wasn’t enough oxygen left in his body to scream. That the asphyxiation, not the fire, is what nearly killed Luffy that night. That he would spend the next week in Foosha Village tended to by their only doctor and wake up with some of his memory intact, but not all. That he would recognize Makino, but wouldn’t know Dadan.

Ace had no way of knowing, when he and Sabo finally made their way home, well-traveled at the tender young age of freshly eleven, and relieved to see journey’s end for the time being, and looking forward to reuniting with a certain crybaby who had probably been miserable cooped up in Dadan’s country or at Party’s Bar without them, that Luffy will have been gone for months by then.

“A cruise ship docked further up the island,” Makino says fretfully, “and a little boy who worked in the kitchens came down here to play because he said he didn’t like the way the kingdom smelled. He and Luffy were fast friends. I had no idea Luffy was planning to leave with him until I found the note he left in his room, and by then they were long gone.”

It’s a good thing Sabo is there, because Ace’s head is just a roar of white noise. Sabo is the one who chokes out, “But—what—did—did you call Gramps? What did he say? Is he going to find him?”

“I don’t have his direct line. I’ve left a dozen messages with his office, but you know how he is,” Makino says, forgetting that they don’t, actually. “He hardly remembers that he has an office. And the number Dadan has for him is no good.”

“Why would Luffy wander off like that?” Sabo says, progressively getting louder. “Why wasn’t someone watching him?”

“He’s just been so restless since the fire,” Makino replies. “There wasn’t anything keeping him here anymore, and it seemed like he just needed one good excuse to leave.”

Sabo looks as gutted by that as Ace probably feels, hurt and confusion racing their way across his face. And Ace finally makes his contribution, in the form of a choked, “What do you mean?” which is when Makino realizes there’s something they still don’t know.

She sits them both down at a table and holds one of each of their hands in hers, and gently explains that while they were gone, the world as they knew it had changed forever, and the happy little boy who always ran to catch up to them wasn’t running after them anymore.

———

Ace still forms the Spades, and Sabo still falls in with the Revolutionary Army, and the only reason they don’t sail together the way they promised when they were young is because the ocean is awfully big. They have a lot of square footage to cover, and splitting up is the only way they could even hope to cover it all.

It doesn’t occur to either of them to give up at any point. As Sabo climbs ranks, as Ace gathers a crew, both their bounties increasing every day, they continue to search faithfully. Either they’ll find him one day, or they’ll simply spend the rest of their lives looking.

Masked Deuce says, “What about the cruise ship he left on? Did you track it down?”

“Boarded by pirates that same year,” Ace replies. “According to the official report, it sank in a storm.”

The loaded silence says everything Masked Deuce will not say. Ace doesn’t care what someone who has never met Luffy thinks about his odds of survival at sea. If Deuce knew Luffy, he would understand. Since he doesn’t, Ace’s first mate can believe his captain is delusional all he likes as long as it doesn’t keep him from doing his job.

Deuce turns out to be a better friend than Ace deserves. One day when Ace leaves his crew to party with some locals and sets off into town to distribute flyers and put his ear to the ground, he hears someone rumble something under their breath about a hopeless cause. He doesn’t even have time to turn around before Deuce has seemingly teleported across the bar and knocked the dissenter out cold.

“Anyone who shares his opinion is free to get their shit and leave,” he says calmly.

The only voices that rise up are ones who sound very offended that Deuce would lump them in with that guy, and Ace refuses to look as touched as he feels.

When he hears word of Red-Hair Shanks in nearby waters, he tracks the man down to a wintery island and leads his crew up a small mountain to meet him. In part, he wants to thank this man who saved his little brother all those years ago. But also…

“I heard about the fire,” Shanks said grimly. “And Makino kept me updated about little Anchor until he disappeared. I’ve got eyes out looking, too, Ace. The world is big, but not so big that we’ll never find him.”

It’s a relief to know that Luffy is so loved, that more than just his brothers care if he’s ever found. But in true Luffy fashion, he explodes onto the scene when he’s good and ready.

Ace is woken up by Deuce kicking the door of the captain’s quarters off its hinges and shoving a crinkled Wanted poster into Ace’s bleary face so that a toothy, stretching smile is the first thing he sees.

He accidentally sets half the room on fire, a slip-up the likes of which hasn’t happened since the first week after he ate his Fruit, and there’s a lot of screaming, and someone shoves a baby Den-Den at him so he can call Sabo. From the way his nakama were carrying on, you would think it was their long-lost brother in the paper.

“I was about to call,” Sabo says breathlessly in lieu of a hello after only barely half a ring. “You saw it?”

“I saw,” Ace replies. The newspaper is rattling noisily in his hands but he can’t get them to stop shaking. “He took down Arlong Park. There are all these witness statements from the villagers. They’re saying he did it all for his friend.”

“If anyone even thinks about coming for his bounty, I’m killing everyone on the Grand Line and then myself,” Sabo says. It takes knowing him as well as Ace knows him to be able to tell over the phone that he’s crying buckets.

“Get in line,” Ace says. If anyone so much as looks at Luffy wrong he’s burning this goddamn planet down. He can’t tear his eyes away from the poster for more than a few seconds at a time. At the urchin grin, the pencil-mark curve of a scar, this bright young man he’s never met who is so, so familiar.

“They’re calling him Straw Hat Luffy,” Deuce says. He’s a pillar of serenity in a sea of absolute chaos, leaning on Ace’s shoulder to read with him. There’s a smile tugging at the corner of his mouth. “Now I’ll finally get to meet him.”

Which turns out to be easier said than done, because Luffy and his merry band of lunatics won’t seem to stay in one fucking spot for longer than an hour. It takes weeks to finally track that cute little caravel down to a summer island about halfway through the Grand Line, and by that time Sabo has taken a leave of absence from the Army to join him. They’re close now. They’re so close.

Wait for me, Ace would beg him if he could, wondering if this was how Luffy felt all those times his big brothers ran ahead and left him behind.

———

Ace never knew how heavy a heart could be when he was a child, a half-feral, angry, touch-starved thing. But now his heart is full—now it bursts at the seams, spills through his ribcage, until there’s no part of him that isn’t touched by it—and it’s the heaviest thing he’s ever carried.

A precious burden. He’s twice the man he would have been without it. He will never, not one time in his life ever, entertain the idea of putting it down.

But gods, Ace thinks, it would be easier, so much easier, to rip the stupid thing out of his chest and walk around a hollow shell of someone once-loved than it would be to stand here for one more minute and look down at his baby brother looking up at him like he’s a total stranger.

“Who’s this guy?” a blond man behind Luffy mutters. With the touseled hair hanging in an artful curtain over half his face and the cigarette between his teeth and the well-cut linen suit that makes it very clear he never skips leg day, blondie gives off an air of Do Not Fuck With Me just by breathing in a way that reminds Ace of Sabo at that age.

The swordsman beside him, called Roronoa Zoro on his bounty poster, is scowling outright, gray eyes sharp, ready at any moment to leap over Luffy like a faithful hound and dig into Ace with his teeth the second he presents as danger.

It makes Ace feel kind of nostalgic, like he’s looking at an old photo of himself.

He tries to focus on the nostalgic feeling, because all the rest of his brain is drowning in guilt and grief.

Somehow, he wasn’t prepared for this moment. Years of searching, nearly half his life, and he’s finally standing in front of the person whose absence tore a hole clean out of his whole future, and he has no idea what to say.

You look well, springs to mind, because Luffy does. His hair and skin and eyes are all different shades of brown that gleam with good health under the desert sun. He’s still skinny, but not in the waifish, underfed way of all the Gray Terminal kids. He looks like he’s been eating well. It settles something in Ace’s heart in the one tiny corner of it that isn’t breaking.

I should have been there, is the next-most immediate thought, and it almost takes Ace’s knees out from under him. He should have been there to make sure Luffy ate well. He should have been there to save him from the fire, to help him recover from the smoke sickness, to hold him when he cried in his sleep and to take his hand when he wandered aimlessly around the village with no one to play with and nothing to look forward to.

I’m sorry I left you, is what it boils down to, what Ace has held close and carved into his heart over the years, hating himself, hating the child he was who thought he knew better, who thought he could conquer everything without losing anything. I never should have left you.

But Luffy doesn’t know him from any other person in this busy marketplace, his head tilting to one side like a curious little bird’s, and Ace can’t think of anything to say to him that he’ll understand.

He needs Sabo. He’s about to become a walking fire hazard, and he’s about to mess this whole thing up, this reunion that was almost a decade in the making. Luffy’s two friends are eyeing him with mounting suspicion the longer he stands there and stares at their captain, every line of their body still the way a predator’s body stills in preparation for a pounce. Luffy, for his part, is still engaged, but only barely. His interest is slipping away—there are too many sights and smells and things bustling all around for him to want to stand still for a gawking stranger that doesn’t even have anything exciting to say.

His little brother. Crybaby Luffy. The boy who crawled under Ace’s blanket when their treehouse quaked in a storm, who held Sabo’s hand when they stayed out too late and walked home through the jungle in the dark. He’s a pirate now, a Wanted person, with a crew and a ship all his own, and he got this far without them. The last time Ace saw him was that last night in the Gray Terminal, when Ace was being mean on purpose to make sure Luffy stayed away from certain danger.

It occurs to Ace, for the very first time, that Luffy doesn't need him anymore. That tiny seven year old grew up.

“I saw you in the paper,” he finally says, making a concentrated effort to sound like a human being. “You’re pretty cool.”

Luffy brightens immediately. “Yeah? Are you a pirate, too?”

“I am. Made a promise to my brothers when I was a kid that we’d sail the seas together one day.”

“Wow!” Luffy says, suitably impressed. “We made a promise like that, too.” He loops both his arms through one of Blondie’s and one of Roronoa’s. “We decided way back when we were little that we were gonna stick together and become the pirate king, and the greatest swordsman, and the man who discovers All Blue!”

So one of his two guard dogs must be the little kitchen boy from The Orbit who spirited Luffy away from Foosha. The other must have come along not much later if they were all children together. Ace wants to hear the story so badly he has to clench his jaw to keep from asking. He wants to hear about everything.

Instead, ignoring the way Roronoa’s hand closes around the hilt of one of his swords, Ace reaches out and flicks the brim of Luffy’s hat so that it slips backwards off his head. Luffy squawks, and tries to free his arms in time to catch it, and then freezes in place at the touch to his hair.

Ace ruffles it fondly, muscle memory that hasn’t corroded even after a decade, and says what he should have said the first time that sunshine child in a worn straw hat shared a wild, impossible wish;

“I hope I’m there to see it when all those dreams of yours come true.”

If he had stayed a second longer, he would have seen the way Luffy mirrored Ace’s touch with his own fingers, frozen in place.

Instead, Ace has officially reached his emotional threshold, and formally retreats to find his twin. They take turns being the stable one and Ace is calling dibs on being a basket case for the next month. Masked Deuce is just going to have to deal.

Sabo got back to their meeting spot first, an outdoor table outside a tavern that hasn’t yet opened for the day, and already has their map rolled out and pinned down at the corners by various junk from their luggage. He’s marking something down and calls over a distracted hello, and Ace bleakly replies, “I found him.”

His tone is all wrong for the remarkably momentous occasion he’s announcing, so it’s not really Sabo’s fault that it doesn’t click right away. Sabo says, “Found who?” and Ace just looks at him with all his helplessness and weariness plain on his face, and Sabo drags an ink mark all across Sandy Island on the map as he whirls around and says, “You found him?”

“It’s not going to be how we thought,” Ace says, trying to manage his brother’s expectations. They share everything, but Ace would keep this heartbreak to himself if he knew how. “It’s—I think we took too long.”

“What do you mean?” Sabo asks, hands clenching into fists and unclenching. The fountain pen is dripping ink, ruining the fine leather of his left glove.

“He didn’t know me. I knew he wouldn’t, not really, but he—he didn’t recognize me at all,” Ace tries to explain. He feels stupid and childish and ungrateful, but really he just has no idea what to do. Luffy doesn’t know him and doesn’t need him and how is he supposed to fill a place in that kid’s life that doesn’t exist anymore? “We’ll have to—to start over from scratch, but how? How are we supposed to make someone like Luffy care about people like us? He’s sunshine personified, and deserves to have everything he wants and the best this shitty world has to offer, and we’re just—two selfish idiots who couldn’t even take care of one little kid between the two of us.” The awful truth, delivered quietly: “Luffy doesn’t need us anymore. I can’t see why he’d want us around now.”

Sabo is watching him like something carved from marble. Ace would never tell him, because it would hurt his feelings in a way nothing else ever could, but there are times when Sabo looks every bit the nobleman his biological family wanted him to be. The line of his jaw and the fall of his hair and his deep set eyes are regal, especially when he’s focused, when he’s working through a problem, when he’s the last sane voice in a room and he’s waiting for the morons wasting his time to run out of breath.

And then his eyes flicker past Ace’s shoulder, and his expression transforms. The breath leaves him in a rush like it was punched out of him, his lips parting, blue eyes widening in a way that seems to shave whole years from his face.

Something causes him, impossibly, incongruously, to smile.

“Would you put money on that?” he asks.

“What? Yes,” Ace says, thrown off by the inappropriate lightness of his tone. He feels himself start to bristle defensively. “Are you even paying attention?”

“One of us has to,” Sabo says, only smiling wider, and Ace feels sparks falling off his fingers in sheer aggravation as he turns around to see what is so—

He has three seconds at most to take in the sight of Luffy hurtling up the hill at top speed. It’s been years and years, but three seconds is all he needs. His arms remember how to reach out and catch him.

“I waited where you left me, but you never came back!” Luffy shouts. “You can’t be mad! I waited and waited, and then I went out to find you instead! I didn’t remember you but I had to find you! I still don’t—I still don’t know some things—but I know it’s your fault for taking too long!”

Sabo lurches over and Luffy’s rubbery hug wraps around them both and Ace is too shell-shocked by the last minute to do anything but hug back.

Luffy shoves his face in Ace’s shoulder, and there’s a hot, wet smear of tears there. It gives away that Straw Hat Luffy, the pirate captain worth thirty million berries, is maybe not as grown-up as Ace had initially feared.

Sabo presses his face against the crown of Luffy’s head, too overcome to do anything but hold him. The regal young man from moments ago is long gone. The one standing here with them is that street-rat from Dawn who knew the best places to steal food from, who always made sure they never went hungry, who once shrugged off his fine winter coat at the market and traded it to a vendor for a pair of sturdy boots for Ace and thick woolen mittens for Luffy. He had shivered all the way home, where there was an extra coat in the treehouse he could use, until Luffy had the bright idea that they should all bundle into Ace’s oversized cloak together for warmth and whined until Ace agreed just to shut him up. That had been the most annoying hike up Mount Colubo in history. It’s a memory that Ace cherishes beyond reason.

Ace whispers, “Of course I’m not mad, Lu.” It’s been ages since he was that hostile, hateful little thing who would take a bite out of anything that dared to show its soft underbelly to him. He presses as close as he can, cheek to cheek with this piece of his family that’s gone missing for far too long, and adds, “You’ve never been obedient a day in your life. If I expected anything different, that’s on me.”

Luffy laughs, and it’s snotty and choked and pure music to Ace’s ears. The kid worms closer, makes himself smaller, and lets himself be held.

He doesn’t need his brothers. His shoulders are broad, and his arms are solid and strong. He’s already made a name for himself, and even now those two friends of his are lingering watchfully further down the road—far enough away to give the respectful illusion of privacy, near enough to make Ace and Sabo’s day a living hell if they try anything fishy. It’s probably been a long time since he’s needed someone to hold his hand or carry him home.

But if, by some insane, undeserved miracle, Luffy still wants them…

It’s enough. It’s more than enough. It’s more than Ace has had in ten years.

What one piece? he thinks, arms full and aching. I’ve got it all right here.

#one piece #op #opfic #asl bros #portgas d ace #revolutionary sabo #monkey d luffy #my writing #prompt #wizardmafianinjapirate

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valewritessss · 3 days

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I saw someone on TikTok say that Percabeth is one sided and all I could say is that it looks like someone didn’t read Mark of Athena. Then I did some research and I found out they’re a Pereyna shipper(I had no idea that existed).

Personally, I don't get it, Reyna literally just tried to make a move on Percy but he rejected her and neither of them thought about it again so I don’t really see it. Either way, that's not the issue because I don't really care what people ship as long as it's not weird or creepy (I'm looking at any Artemis x Percy, Luke x Percy, Annabeth x Luke, or Percy x Nico shippers).

But back to the Percabeth is one sided thing, I’m a little bit confused. Because, did they miss the Annabeth pining silently but obviously for Percy for YEARS, Annabeth being jealous of Rachel partly because she liked Percy, Annabeth telling Athena that Percy is everything to her, Annabeth driving herself crazy those months Percy was gone and searching for him without giving up. So “Percabeth is one sided” where???

Then upon further research I found that of course, turns out they are an Annabeth hater(they don’t admit it but it’s obvious for apparent reasons). Some of their reasons: Annabeth's nickname for Percy, “seaweed brain” is degrading and implies he is stupid, Annabeth is mean to Rachel, and Annabeth is scared of Percy which made him feel like he deserves to die.

1. Annabeths nickname for Percy started out as teasing but became endearing for the both of them, just like the nickname “wise girl”. Percy even gets mad at Thalia for using this nickname because he considers it something solely Annabeth can use. In no way has Percy ever said or even mentioned that he feels put down because of the nickname. Also, Percy never hesitates to call anyone, even gods, out on their shit, so if it was really bothering him, he would most likely say something.

2. Honestly, the whole deal with Rachel was never that deep. Like, it did have a deeper meaning for Annabeth than many could comprehend but the whole catty part was never that big. A few snide remarks, sure, but it's not like she was bullying Rachel. If anyone thinks otherwise, that's okay, but in my opinion it was meant to be funny and it came off as such, and even Rachel and Annabeth themselves moved on and became fiends. Moving forward, considering the context of Annabeth's jealousy, it makes total sense for her to feel resentment towards Rachel. I'm not saying it's justified, but if a boy she'd been crushing on for years and is destined to die soon spends his last summer with another girl who is closer to normal than Annabeth could ever be, in what world would she not be mad? In fact, some of it was just teenage pettiness. And that's fine, she wasn't hurting anyone. Being a teenager with a crush is hard, and it's harder when you're a demigod with a huge prophecy hanging over you and your best friends heads. So is her anger justified? Maybe. But is she valid? Absolutely.

3. This is the most ridiculous reason yet. First of all, has Percy ever told Annabeth he feels like he deserves to die? I don't think so. Especially not before he almost let himself die with Jason there. I don't know if that person was just expecting Annabeth to guess, or what. Secondly, they were in Tartarus, and Percy did something scary. So of course, Annabeth is going to be scared. If Percy feels like Annabeth being scared makes him want to die, that's not really Annabeth's fault. And to expect Annabeth to make him feel better about something she is still recovering from herself doesn't make much sense, does it. At this point it just felt like they were going to hate Annabeth regardless, and these weren't actual issues they had with her they just saw a reason to hate her and went for it.

Hey, ship whatever you want and hate whoever you want, but don't come with false interpretations(that I know was easy to comprehend) as evidence for why you are right, please.

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eggdrawsthings · 3 days

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I love aroace Din so much!! As an aroace person myself, I identified so much with Din's general lack of attraction and wanting to just do his silly little side quests. He also doesn't have any canon love interests. The show and the BTS never explicitly show or imply that he's had any relations or interest (assuming that he was into Omera, Xi'an or Bo-Katan is all good for shipping but that's never been confirmed by canon or its intent). It's so interesting that we have a main character from Star Wars that's never been given a love interest. The only other character I know who wasn't given any is Luke Skywalker (someone I HC as aroace too).

So yeah. Even though season 3 wasn't well liked by many fans, I was very happy with the last scene of the finale because it ended with Din owning his own cabin (away from any prying neighbors) with his formally adopted son and apprentice Grogu 💕

totally agree with all of your points haha. to me he only has enough head space for his gremlin son, his ship, and his code (and maybe running away from cops asjdhla). everything else doesn't matter much.

🚨rant alert🚨

also i'm a true hater of the din & bo katan ship. idm omera and xi'an much cuz yeah there are hints of sth there in canon. but he clearly just wanna go about his day and be left alone in peace. bro pledges allegiance to 2 ppl and everyone just assumes he has feelings for them like???? no hate to the shippers tho, do what u like this is just me being me. I just hate it when they push their ship onto me when i already said that i don't care and don't want to draw any of that lol

anw sr for the rant. I'm so glad to find another aroace Din truther here! my blog is a safe place to no romo Mando so enjoy your stay ^^

#Anonymous #thoughts in space

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beanghostprincess · 1 day

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Sorry I really didn’t mean I’m attacking you or your ship. I also don’t think it’s a red flag, most gay men I saw don’t really like shuggy either. I mean, probably the entire world prefers any other shanks ships? On almost every site, con or store there’s always tons of mishanks and Bennshanks and never shuggy. I get it’s also about dynamic and connection those two pairs have, like with the parallels to other ships the base for them is extremely strong. But the minimal shuggy does speak volumes. I genuinely wonder about this. Shuggy is unpopular and again while I do agree there’s strong connection between “rival ships” I don’t think that’s the only reason… and like…. Buggy is ugly, isn’t he? He doesn’t have cool style, doesn’t look cool, makes ugly faces all the time, also is a coward. I like him as comedy character and shanks brother though!

I understand where you're coming from when you say Shuggy is unpopular amongst some people (actually, before anyone says anything. It IS an extremely popular ship in Japan but I have seen A LOT of hatred towards it in this side of the fandom, so that's what I'm talking about when I say it's unpopular). I have talked about this before. And I have said a lot of times that the reason why is often because people only focus on looks and Buggy is not conventionally attractive for the fangirly twinkified sexualized gaze numerous sides of the fandom and the general audience seek. Like, I am not forcing people to ship them, but I have had people admitting the only reason they don't is because of the looks, and I personally believe that is a very (despite valid, of course) dull way of seeing ships. And respectfully, I don't care that other gay dudes or all the people in the world agree with you. It's not a red flag to not like Shuggy, what it is a red flag, though, is to come into people's inboxes to do what you're doing!

I know you don't mean to attack me or anybody who ships them but your tone does wonders showing otherwise. Your perception of shipping is just based on looks and the fact that you came here, to a blog that explicitly ships these characters and is fond of Buggy, talking shit about one of the characters' looks... Is just straight-up mean and not following the social etiquette this site should follow, which is "let people do whatever the fuck they want".

So with all due respect, what makes you think I won't find your questions offensive in any way? Because you keep talking bad about a character I like in my inbox for literally no reason. Do you expect me to admit that the ship is unpopular because Buggy is ugly and boring? Well, I do admit people view him as ugly and only a comedy relief, but I don't. Expecting others to find beautiful and interesting the same things you do is having a very close-minded vision that One Piece's plot itself is against.

By the way, you're showing that you clearly don't like Buggy in the slightest because you're only talking about the traits that you find negative about him. But of course, you like him as comedy relief. Of course, you like him as a character in Shanks' story and not as a character himself. Despite Buggy having lots of depth. Your perception of these characters seems, in my opinion, extremely empty and, as I said, only based on looks. And you're free of shipping whatever you want however you want! But please, please, don't do this anymore. This is just petty high school mean girl behavior. Even Regina George would word this in a more polite way.

So, as a little advice for you, let people ship whatever they want without questioning their favorite characters! I am sure you will live a more peaceful life!

#this is my polite way of saying get the fuck out of my sweet sweet peaceful inbox !#i think i made pretty clear in the last ask that i did not agree with your views and that your tone was pretty much attacking me and others #and also???? NOT COOL??????? BUGGY????? ARE WE TALKING ABOUT THE SAME CHARACTER #ONLY COMEDY RELIEF?????????? sweetie you did NOT read chapter 1082 or. well. understand buggy's character at all #and to answer what you said in the last ask: no i do not think shanks should be with someone prettier bc shanks wants to be with buggy #and also who said shanks is the pretty one in that dynamic damnnn he is not the one who pulled cross guild let me tell you #okay i am being meannn i love shanks you all know i do but uhhh #buggy's character design and story are like. extremely way more colorful and interesting and it's obvious oda loves him so damn much #and nothing against you seeing them as brothers btw that's a reasonable view of the dynamic but #the wording makes it seem like you just care about shanks #and sending these asks to someone who obviously cares about both but is extremely fond of buggy is so ????#why #like why would you do it #don't you have better things to do 😭#not even gonna tag this as shuggy bc this is triggering my rsd and god i am sorry for the people reading this #i love you shuggy shippers mwah mwah #ask-bean!

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hard--headed--woman · 18 hours

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Sorry for the very late post! I had to change my plans, because I wanted to talk about someone else but changed my mind for some reasons ; so I had to find another story and rewrite everything.

This time, the post isn’t going to be about one woman, but two. Last year, I had already made a post about these two women, but I couldn't just not talk about them this month given how amazing their story is.

Here is the story of :

Elisa and Marcela !

Marcela Gracia Ibeas and Elisa Sánchez Loriga got married on June 8, 1901, in A Coruña, at Galicia, in Spain. Their marriage was the first homosexual marriage in Spain since the Roman imperial era and happened more than 100 years before the country legalized homosexual marriages !

To achieve this, Elisa disguised herself as a man, and adopted a male identity, Mario Sánchez, which is the name on their marriage certificate. Their lie was later discovered, but their marriage was never annulled, and they remained married for the rest of their lives.

There is a Netflix movie about them if you want to see it. Though it has it flaws, I personally enjoyed it a lot, and from what I know, it is not too bad historically speaking. There's just one thing that happens in the movie that we are far from sure happened in real life. (I personally do not believe it did) Here's the trailer if you are interested! It's a very good movie in my opinion!

(But if you plan to watch it, maybe you shouldn't read the rest of the post as it's gonna spoil you everything lol)

The two young women met at the teacher training college in La Coruña. Marcela, 18, is a student there, while Elisa, 23, works there after completing the same course. They become friends, then lovers. Marcela's parents, fearing a scandal, send their daughter to study in Madrid, but this is not enough to put an end to their romance. Marcela is appointed teacher in Vimianzo, in the village of Calo, while Elisa, not far from there, works as a temporary replacement in Couso. They decided to live together in Calo until 1889, when Marcela left to teach in Dumbría, while Elisa remained in Calo. They kept in touch, writing to each other, until Elisa joined Marcela.

They live their love for years, hiding their relationship, until they get fed up and decide to hatch a plan to get married.

In 1901, Elisa adopted a masculine appearance. She created a past for herself based on a cousin who died in a shipwreck, and claimed to have spent her childhood in London with an atheist father. She was baptized as Mario on May 26, 1901, and made her First Communion under the same identity.

The couple married on June 8, 1901. A brief wedding ceremony was performed before witnesses, and the couple spent their wedding night in the Corcubión inn on Calle de San Andrés - Elisa and Marcela were officially the first Spanish homosexual couple to marry. Their plan was a success.

Unfortunately, the villagers began to have doubts and realized that this marriage was what they called "a marriage without a man".

The Galician and Madrid press reported the affair, and the two women lost their jobs, were excommunicated and placed under arrest.

Here's a picture of them after their arrest :

Despite this, and attempts by the Guardia Civil to prosecute them, their marriage was never annulled, and the two lovers managed to run away. Their story became famous in Spain and many other European countries.

(Un matrimonio sin hombre = a marriage without a man)

After that, we don't know what happened to them. The last thing we know fore sure about them is that they embarked on a ship bound for South America - perhaps Argentina, like so many other Spaniards of the time, where they spent their honeymoon and settled.

A book published in 2008 tries to tell their story after they left Spain for Argentina, but this books seems suspicious to a lot of people, including me, and I don't trust it so I am not going to talk about it but finding informations about it is easy if you are interested !

Anyway, this story is just incredible!!! It is so so important in lesbian history (though we do not really know if they were lesbian or bisexual. Elisa was probably a lesbian, but the book, based on some rumours, claimed that Marcela slept with a man in order to have a child, so she might have been bi if it is true) and so, so interesting. I can't believe it's not like 100× more famous. The fact that two women got married in 1901!!! Whith one of them dressed as a guy! I love it.

#lesbian #pride #lesbian pride #elisa y marcela #elisa and marcela #pride month #lesbian history

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epiphainie · 1 day

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I completely agree with you in that there are many bad faith interpretations of tommy and buck and tommy’s relationship. I don’t know if this one I’m about to share would necessarily be a bad faith interpretation but I’d like your take on it. In the scene where buck comes out to eddie, eddie says to buck “this changes nothing between us” and buck responds with something along the lines of “uh good, that’s a relief”. I’ve seen a lot of people interpret buck’s facial expressions as not showing just relief but relief mixed disappointment because a part of buck wanted things to change between them, in the romantic sense, he just doesn’t realize it. I do agree that buck’s expression as he says the words is interesting but I don’t personally think it has anything to do with him harbouring romantic feelings for eddie. for me it felt like one of those moments where you dread the reaction for so long, that when you finally face the thing and open up, even if the other person’s reaction is positive, it takes a minute for you to really internalise it and let yourself believe it.

Another moment that people often talk about from this scene is reaction to buck saying he can’t stop thinking about tommy. People often say eddie’s facial expression shows some sort of disappointment but again, I don’t know if that’s it? again, it is an interesting expression so I get why people would pause and focus for a minute but to me, it reads as eddie searching for a moment to give his honest advice to buck in the scenario.

Anyway, I’d love your thoughts on those particular moments and how you see them. Again, I’m not saying that the interpretations people are making of that scene in relation to buddie are necessarily in bad faith. I know it’s fun to analyze and interpret scenes in ways that you enjoy and I’d never want people to stop doing that. I just feel like Oliver and Tim have been very clear in that they do not want to tell a story where a guy comes out and is in love with his best friend and if buck was truly disappointed in hearing eddie say nothing’s going to change between them post buck’s coming out, that would be a quite bold contradiction.

Hi anon!

I'm not sure if you actually meant to send this to me because I'm kind of the exact opposite of a person who engages in the practice of reverse-engineering actors' faces to find deep secret meanings that doesn't actually exist in the script. I think it's a slippery slop of a fan practice where if you go "haha he looks jealous here" and want to make it gay in your fantasy world and are capable of compartmentalizing that from the actual text, it's great! If you look at it like it's subtext that is meant to one day come to surface, as some sort of proof that this is not the actual story, you're either too deep in your world that you treat these characters like they have agencies and thoughts and feelings and are not, yknow, fictional - or that actors are making the conscious choice to layer their performances with breadcrumbs for a plot that doesn't exist at the time.

I've seen all these arguments with almost every scene this season. Eddie's face when Tommy enters the bachelor party. Buck's face when Bobby says Tommy is good for him. Bobby's face when he says Tommy is good for Buck. Eddie's smile when they enter the hospital room. Most of these are insignificant and the others have in-text explanation (Yeah, Bobby smiles weirdly in that scene. Guess what, he's kind of planning to kill himself). And like I said, if people want to read these in a pro-Buddie sense and go do fandom stuff with it, that's great. But we all know this fandom is taken over by the question of "will Buck and Eddie happen?" so everyone who's not even doing this in bad faith (I don't think all do) are looking at it in "does this support canon romantic Buddie?" lenses. So much of shipping Buddie is about speculating for the next episode, next season, next whatever that I think it's so easy to find yourself on that slippery slop where you fit every shot, face, editing choice to your interpretation. There's also the sunk cost fallacy at play here - once you do it for so long, it's hard to give up on the belief that it'll happen.

I think both Oliver and Ryan great actors - and that scene is one of my favorites in the season - but no, I don't think there's more to their faces than what they're given to play. Which is as all of them mentioned a billion times, a scene of a guy nervously coming out as queer to his best friend and receiving support. If I'm wrong and the rest of this fandom is right and the production/writers/showrunners are actually fully married to the idea of canon romantic Buddie but The Powers That Be are keeping gay Eddie in the closet as if he's a real person and they're the evil step-mother, and come S10 Buck realizes he's been in love with his bff all along, then yeah in-text, that would recontextualize all their performances. It still wouldn't change what the writers' intention has been with the text as it exists today or be proof that Oliver and Ryan are making acting choices for a hypothetical future SL.

#couldn't fit this in my answer but it's kind of bewildering to me how much of shipping in this fandom is about whether they'll become canon #i mean look at ao3 one of every three fics is a spec fic or a coda #ive been in many fandoms like fandoms with infamous queerbaiting and i dont remember the fandom practice being so solely dedicated to #whether the ship will become canon #instead of like this is kinda gay in the text well i will make it REALLY GAY in my fanfiction and having fun #also 'you' used as universal you here nonnie i agree with you #mimi talks #anti buddie #bucktommy #911

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dystopicjumpsuit · 3 days

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It's so nice to see that other people ship Omera with Din! I didn't realize how small the ship is, but I loved them together. And I keep hoping we'll see her again (a nonsensical hope? probably). Anyway, I am curious, do you have any headcanons or general thoughts about them that you want to share? I've literally never seen people talk about them before

YES. The only other person I know is a Mandomera appreciator is @wings-and-beskar, and I literally screamed out loud when I found out. They would be so perfect together! With their little blended family, on a peaceful world where Grogu could chase frogs to his little heart's content and grow up with all the village kids who adored him. And Din wouldn't have to struggle for every single basic necessity; he could just chill and drink spotchka and be an excellent father to Grogu and Winta and all the other babies he'd inevitably make with Omera. God damn, Cara Dune knew what was up (not her actor, though).

And I agree, I keep hoping beyond reason that we'll see more of Omera, because she's intriguing as hell. Clearly, she has some history, because she is a sharpshooting badass who is excellent in a crisis, while still being warm and kind. I have a mighty need to know her back story, and a sinking feeling that we'll never find out.

Not to mention that their chemistry is absolutely off the charts. To be fair, Din has chemistry with literally every character, but damn. This scene?

Just watching the gif is giving me butterflies. Like. I need a shower from the thots this is generating.

The hands. On the wrists. Oh, my god.

Please, Din. I am begging you. Retire to Sorgan and ride that gorgeous widow into the sunset.

BTW there exists an extraordinarily spicy fanart (caveat emptor: Reddit link; wildly NSFW; minors absolutely DNI) of these two that lives rent free in my head at all times. I think the artist may have deleted their account, but this epic bit of filth lives on in their memory. May their pillow be forever cool.

I would absolutely love to read any headcanons or thoughts you have as well, and if there are any other Mandomera shippers lurking out there, please consider this my official invitation to scream about them with me!

#mandomera #din djarin #omera #the mandalorian

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nordickies · 2 days

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What's your opinion on rusfin? And the time Finland spent in Russian empire

While I don't really vibe with "Russia/Soviet State" ships in general (RusAme, RusFra, RoChu, etc. are more of my thing), I don't really have strong feelings about RusFin one way or another. It's not quite as unbalanced or overused as some other Russia ships, I feel like? Plus, like I stated earlier, I kind of like the idea of Russia being disinterested in romance, at least in the traditional sense. I personally don't have an interest in exploring them as a serious couple in my writing; I just can't see them ever working out. They'd become too toxic at some point and it wouldn't be fun anymore. And I think they have enough to deal with each other even without romance getting involved

And I'll be honest: I have never focused on Russia's character, and I'm always a bit lost on what I'd like to do with him. How would I characterize him? I think all hws characters should be allowed to have nuance and let be individuals at the end of the day. So, I don't think Ivan is the manifestation of all the evil things in the world. To me, he's an extremely flawed person who is easy to blame and villainize. For many of the characters, he embodies the worst memories and moments of their lives. Surely this is the case for Finland, too, which makes their friendship extremely complicated.

I think Fin is quite naive at the end of the day and always tries to see the good in people. He values mutual trust more than anything, which can be an admirable trait but also makes him prone to ignoring warning signs. Fin, in his youth at least, was rather easily led, and he unsuspectingly followed others and their orders, counting on them to have his back no matter what. While his trustiness can backfire at times, with Russia, it might have been the right approach. Because right away, Fin managed to build trust with him and Ivan, being calm and respectful, expecting them to handle this new situation in a professional manner. Perhaps Ivan is used to people being terrified around him, giving his paranoia reason to doubt their loyalty. But he never had that problem with Finland, and they got along surprisingly well.

Historical context: When Finland was seized by the Russian Empire in 1809, the Grand Duchy got a pretty good deal in exchange for the Estates swearing loyalty to the Russian Tsar; Finland would remain an autonomous region in the Russian Empire, and it got to keep its Swedish constitution, laws, language, religion, and even the right to keep the taxes it collected for itself. Finns were also exempted from the Russian military. The reason why Finns got such a good deal came down to Tsar Alexander I wanting to avoid excessive fighting during the Napoleonic Wars (he only seized Finland to pressure the King of Sweden in the embargo against England to begin with). By making a good enough offer, the Finns, who had been getting tired of the Swedish monarchy's growing incompetence and turmoil, wouldn't fight back. Also, the Tsar was interested in westernizing his Empire, so Finland's western state structure was perfect for that. Finland's and Tsars' relationship was rather special in the Empire, and Finns were viewed as exceptionally loyal and cooperative by the state. Finns had an easier time remaining loyal to the Tsar due to their freedoms and autonomy status, which they sought to protect by subjecting. For example, Tsar Nicholas I abolished various autonomies and freedoms in his Empire during his reign; except in Finland. This was partly due to Finnish soldiers' voluntary participation in crushing the November Uprising in 1830. When the Tsar's officials criticized Finland's independent status in 1850, Nicholas had allegedly said: "Leave the Finns alone. Finland is my large Empire's only province that has not caused me a minute of worry or dismay during my reign." Nicholas was not the only Tsar who viewed Finland so positively. Most Tsars had a summer house in Finland, and many of them wrote about their time in Finland being some of the most serene they have ever felt. For example, in 1891, Tsar Alexander III shocked his court by deciding to travel through Finland via train instead of by boat. When the court opposed this idea, calling it unsafe, the Tsar called their worries nonsense, stating "I have never needed any guards in Finland."

During his time in the Empire, Finland tried his best to get along with Russia, never provoking him and more so trying to keep attention away from himself, just so he didn't accidentally upset him. Like the aforementioned references tell us, I think Ivan actually trusted Finny and felt comfortable giving him more responsibilities, which inevitably let Fin get closer to him. And while Fin was aware of Russia's flaws and his own privileged position, he surely was also grateful for the freedoms that he had been granted. As bad as it must have felt, he had more possibilities there than he did with Sweden.

Finland probably had his own place, and he was free to come and go as he pleased. He was allowed to join Russia's events and meetings, probably as some kind of assistant, which was crucial for Finland to learn how their job operated and all the responsibilities that came with it. Traveling around Europe from event to event also meant Finny could build his first diplomatic relations with other nations he had never even met before - and even put his own name out there to begin with. It was all new and exciting to him, which in return made him want to keep up the positive relationship

However, Russia's clear favoritism toward Finland would not go unnoticed, and I think that could create some unfair gossip at Finland's expense. People probably think Russia is never nice or does anything good without wanting to gain something from it, so Finland must have done something really special to get his position. Without a doubt, this would sour Finland's relationship with some other people around the house who wouldn't respect his "bootlicking" and respect for Ivan. In the worst case, Finland didn't even know such rumors were spreading about him initially, leading to confusing encounters. I doubt Russia had any intention of clearing such rumors. After all, he didn't suffer from such gossip himself; more than anything, he could use it to his advantage. Whenever he wanted to annoy his old enemy Sweden, all he had to do was wrap his arm around Finland or move him closer - Innocent enough for Fin to not consider it too weird but powerful enough to upset Swe, who couldn't do anything about it. I also think Ivan would try to manipulate Fin's thoughts and insecurities just like anyone else's, being one of the tactics to keep people dependent and loyal to him. He'd feed misinformed ideas to Finland about his past, painting Swe in a worse light than he actually was.

I can really only talk from Finland's point of view, but I doubt Finland himself would have had romantic feelings toward Ivan. I think he saw their relationship as purely beneficial, something to better his own status after living in someone else's shadow for centuries. But he still respected Ivan, at least in the beginning, and believed they could work it out as friends. But I could also see Finny being prepared to act passive to Ivan's potential advances - at least to a certain point, if it meant a more favorable position for himself. Finny can be more cunning than people give him credit for. So even if something had happened between them, I doubt it was genuine, at least on his part. But again, I really don't know if Ivan would even care or try anything.

But in the end, their mutual respect wouldn't last forever. There's no way Finland's and Russia's relationship didn't crumple during the Russification period from the 1890s onwards. Finny most likely lost a lot of his previous freedoms, and he wasn't going to accept it, becoming uncooperative and dishonest. Due to this, Ivan quickly lost his trust in Fin as well, treating him like everyone else around the house. Unfortunately for Ivan, by letting Finny get so close to him in the beginning, it had opened Finland the opportunity to learn all of his tricks. By having had so much freedom and experience in nationwork, Finny was ready to seek his independence as soon as possible, when the moment was just right.

I could always write more, but maybe this is a good overview of their situation during the Empire years specifically. The decades after Finland's independence have been their own rollercoaster entirely. Also, I think personifications' relations are way more complicated than drawing one-to-one comparisons between real-life emperors and people, but here the emperors' favoritism just somehow works for their characters? Anyway, I just really don't know where I'd like to take Russia's character, so I can only write from Finland's point of view here. You can come to your own conclusions and ideas, I suppose!

#hws finland #hws russia #headcanons #rusfin #my art #anyway i need to start adding fin next to normal fucking people because i swear he's not that short

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suffersinfandom · 3 days

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Heyo, @nidmightcookies! This is my response to your reply on Atticus' post over here -- I didn't want to take away from the message of that post or the additions from other POC.

Sidenote: I'm extremely white and have no credentials that make me qualified to talk about race (I'm just a person who reads and tries to listen), and my takes are probably going to show that. That's another reason I didn't want to clutter up the original post with my reply.

In response to this

“Why is it racist to depict Ed as uncontrollably violent? Because he's not actually depicted that way in the show.”

you talk about Ed baiting the crew to murder him and committing other violent acts. The original point is stating that Ed is not depicted as uncontrollably violent in the show, not claiming that he perpetrated no violence full stop. Yes, Ed does violence. No, he is not uncontrollably violent.

What Ed does is purposeful, not uncontrollable. He doesn’t push Lucius off the ship after he gives up all hope because he’s a violent guy who just does stuff like that, and the mutiny situation in S2E2… as allthinky said in a response, “that’s Ed at the end of his rope,” not him being uncontrollably violent. He’d been working towards suicide ever since he started baiting Low. As a backup plan, he’s been working the crew hard, disregarding their well-being, and being an overall awful boss in an attempt to incite a mutiny.

Yes, he was “a serious, immediate threat to his crew” by the time he was out of other ideas to make someone take him out. Ed commits acts of violence -- I don’t think I’ve seen anyone claim he doesn’t -- but he always does so with some amount of reason (not necessarily good reasons) and control.

“Upon reflection, my biggest issue may be with the people who argue that Ed's never been shown to be violent, or that any time he has resorted to violence, he's absolved of blame by the fact that someone was mean to him first. Which... I don't think I've seen you make either of those arguments at any point in the past.”

I’m really glad that you mentioned that OP hadn’t made either of those arguments (that you know of), that was genuinely very cool. As for the rest of it, I don’t believe I’ve seen anyone say that Ed is “never shown to be violent” or that he can always be “absolved of the blame” unless you want to remove all of the nuance from common talking points.

He is never shown to be more violent than the average pirate and, due to his deep-seated trauma relating to his own capacity for violence, he’s actually on the less violent end of the pirate spectrum. He can’t be absolved of all blame for his actions because he’s a grown man who makes his own choices (and saying otherwise robs him of his agency). What I’ve seen said is that Ed’s actions are informed by things like trauma, abuse, and racism. His actions make sense. They’re not spontaneous violence committed because Ed flies into rages and homicidal spirals out of the blue.

“Not saying we shouldn't consider it [that is, are we “assigning more weight to Ed's violent actions than those of other characters or assuming he's worse than he actually is”], but I mean. If a white character on the show had cut off his employee's toes and fed them to him, shot him in the leg, ordered his death, held a gun on his other subordinates, marooned some/tossed one overboard, threatened to drown the ones that remained... because he was pushed into it, with the same combination of abusive childhood/hostile work environment... would he be equally deserving of that consideration? Would it be an overreaction to call him dangerous?”

Probably, but if everything was the same except Ed Is White Now, his baggage and his relationship with Izzy wouldn’t be exactly the same. Ed's race isn’t inconsequential. We can't really remove race from the story and end up with the same character, y'know?

Also: I do think it’s inappropriate to turn this question back on POC. I don’t think that POC are obligated to reconsider biases against a white character.

“Izzy is crew”

Ed’s relationship to Izzy is not comparable to his relationship with the crew. The crew have done nothing wrong and haven’t behaved antagonistically towards Ed. Izzy and Ed have a complicated, toxic, and difficult relationship (regardless of where you stand on whether or not Izzy’s abusive), therefore any harm caused to Izzy has to be considered differently than harm caused to the rest of the crew.

“Even if we say that he doesn't count, Ed still pushed Lucius off the ship.”

Yes, Ed did do that, but I think that Atticus is talking about Ed’s S2 actions in that point, not what happened in S1. Most (I think all?) meta I’ve read does consider Ed pushing Lucius off the ship an act of violence that Lucius himself did nothing to provoke.

This might be controversial, but I’d put Ed pushing Lucius overboard on par with, like, a particularly unjust firing in a workplace that isn’t a pirate vessel. When we watch OFMD, we have to adjust our physical violence meters to account for the fact that we’re dealing with an environment that’s full of physical violence.

“Also, emotional abuse directed at the rest of the crew is still abuse”

I don't consider Ed emotionally abusive. He works the crew hard. He’s a terrible boss who doesn’t give his employees vacation days or paid time off and then throws them a sad pizza party. That sucks, it’s not okay, and his final death spiral in S2E2 is terrible and he never should have involved the crew in that.

Abuse is a pattern of behavior that’s meant to control people. Not all harm is abuse. When I say that Ed isn't abusive, I'm not saying that he didn't hurt people.

“So... I was raised by a physically and psychologically abusive parent. I get that Ed's been hurt, is still hurting, and why. The "why" doesn't matter for the question of "did he or didn't he", though. It may or may not be his fault, he may or may not have done it because he felt unsafe. The point is, his actions did hurt people.”

Same, friend, and I'm sorry you went through that. (That’s actually one of the reasons I’ve always been wary of Izzy. What he says and does in S1 is too familiar to me, sometimes to a point where I can’t watch certain scenes.) I don’t think anyone’s saying that Ed isn’t hurting anyone, or that all of his actions can be attributed to abuse. If that’s not what you’re getting at here, apologies for misunderstanding.

“His boss that he was trying to control was brown. Was that a factor in his power play though, or was it because Taika wound up being cast as Blackbeard? Any other (white) actor in the role, would Izzy be as bad for trying to control him? Would the scripts have gone a different way?”

Here’s the thing. In the show we have, Blackbeard is played by a Maori/Jewish man, and this fundamentally alters the character. There are things in the show -- whole episodes, if you want to look at S1E5 and the fancy party guests who treat Ed like exotic entertainment and not a peer -- that wouldn’t be the same if Ed was white.

And yeah, Ed being brown changes the dynamic between Ed and Izzy. It would still be bad if a white guy was trying to control another white guy, but it wouldn’t be bad on the same level. Same goes if they were both brown. A white man trying to control the behavior of an indigenous man is worse.

“Izzy got permanently disfigured, crippled, and dead, while Ed came out largely unscathed in a physical sense, due to Muppet logic. Not to say one is more deserving than the other, but for a bunch of fans, there's probably a sense of Izzy getting the short end of the stick, to consider.”

That’s fine if some people feel like Izzy got the short end of the stick. It’s fine that some people feel like Izzy’s arc was kinder to him than it should have been. It’s okay to feel whatever! We connect emotionally to different characters and that biases our opinions and meta. That’s not a crime. We just need to be aware of our biases and why they exist.

The thing with OFMD is that Ed is a main character with more background and a story that, at every turn, asks you to sympathize with him. We’re given a look into Ed’s psyche. We understand at least some of his trauma and hurt and why he acts the way he does. Izzy has virtually no backstory and we’re never offered a glimpse into his mind; we don’t know why he’s like that. You can totally like a secondary character (or even an antagonist!) with no real canonical background or mental groundwork. It’s fun to ask why characters do what they do when canon doesn’t offer us any answers, and who doesn’t love a mystery box?

But with OFMD, it can raise eyebrows when people say their main concern is the suffering of a white man who behaves antagonistically towards a brown man, especially when that brown character is a well-developed lead who also suffers (and suffers at the hands of aforementioned white character). It’s not inherently racist for someone to care more about Izzy than Ed, but it’s also not unreasonable to ask that someone to think about the possibility that subconscious racism could be factoring into their point of view.

“I don't think it's fair discussion to have a rule saying ‘even though you didn't directly call out the brown man, your argument is still racist’... even if it's true in many cases, it effectively means that no criticism of the character can ever be considered valid. If someone wants to argue ‘removing your employee's toes and feeding them to him is abusive behavior’, they can't, because of the unspoken skin colors involved? I don't know what the solution to this is.”

No one is saying that all criticism of a character of color is racist or invalid. As allthinky said in response, we’re saying that “those critiques have to be based on real evidence, and placed in a careful context, so that their actions can be understood as human, and not just the brutality of some brute.”

Criticize, but criticize with evidence and with awareness of the context of the criticized behavior.

With the Izzy example, you have to consider the context of their relationship and Izzy’s actions throughout S1. Izzy isn’t just an employee: he’s a trusted second-in-command who has been insulting, controlling, and disloyal; he endangered not just Stede but also Ed and the rest of the crew; he told Ed that he was better off dead than acting as he was, and that Izzy's loyalty belongs to the violent worksona that Ed wants to shed. Is Ed being abusive when he’s reacting in response to abuse from his abuser?

“[T]he show has layers (like an onion). Sometimes the meaning is not entirely surface-level, and everyone has a different level of comprehension. Sometimes obvious things to us aren't obvious to other fans/vice-versa. There's a whole 'nother discussion of media literacy to be had.”

I think that Atticus said it best here: “This is not a subtle show. That's not to say it's a simple one [...]. It's amazingly layered and emotional responses by characters are often extremely complex. However, when the show is trying to tell you something, it's not subtle and it never tries to hide it.”

There are a lot of things in OFMD that are subjective and open to interpretation, and those things are fun to discuss even when we have different takes. There are also a lot of things that are very clear. When people try to subvert the messages and ideas that OFMD is conveying loudly and openly, other fans get suspicious and wonder if the folks doing the subverting have an agenda, a bias, or just misunderstand what the show is saying.

I hope that reply was sufficient!

#ofmd #edward teach #the izzy problem #hey what tags do people have blocked if they don't want to see stuff like this?#ofmd discourse #fandom racism

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tamelee · 2 days

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i just saw a posts about novels that went like

sarada told sasuke he has lipstick stain, sasuke tries to wipes it off and she says he doesn't have one and sakura doesn't wear lipstick.

how do they defend this novels with their lives? it confirms sasuke never kisses sakura and doesn't know if she wears lipstick or not and kisses someone else who wears lipstick. it also confirms naruto likes to wear lipstick XD.

Please. These novels are ridiculous. Kishimoto already confirmed they’ve never kissed in Gaiden. Twice.

(* something nicer = meant the forehead poke)

Though I wouldn't believe anyone if they said they actually like these novels, because the story (or lack thereof) is complete shit, but it’s fine if they do. A good story isn't the intention unfortunately. I genuinely wish that people understood what exactly it is they are defending. I’m writing a post for someone who asked something regarding canon, but I need to take brakes from it because it pisses me off that this happens constantly to franchises— not just Naruto.

And in this case it’s even worse, or perhaps it’s just a prime example, because Jun Esaka (writer for some of these novels) made such a fool of herself on twt by making it all too obvious what her intentions were by writing them. (If it wasn’t already obvious.) First, when people pointed out the many flaws, she admitted that it’s “just her story” and “just her interpretation” (she had only read 'Naruto' for the first time a few months before that), but when other ss-shippers started to defend her and said she was a better writer than Kishimoto (as there’s 0 love between SS when he writes), she basked in that glory and went along with it. Even to the point that she completely disrespected Kishimoto, the story, the craft, openly made fun of other characters (mostly Hinata) and ships like NH and demanded her other novels to be animated as well. It’s unprofessional af. And then when fans asked her for a nsfw novel for SS she agreed and told them to harass the company about it. (She didn’t say ‘harass’ exactly, but come on you can’t be that dense given their reputation with staff.)

What are they defending?

How can you defend anything when the motive is so obviously just personal bias/gain and/or financial profit to a company where both in this case don’t give a shit about the original story. It's not about shipping though, it happens all the damn time to all my favorite franchises and I'm genuinely sick of it. And it's not even about a writer writing about what they want either because I already expected that, but Esaka did her absolute best to try and disprove the bond between Naruto and Sasuke and change narratives completely even for individual cases for the sake of telling her "story". SNS-moments weren’t romantic to her and she quite literally made fun of it by copying them in her story to point out its "irrelevance", but give them to her het-ship and now all of a sudden it is romantic???? She basically calls Kishimoto a liar because ‘Sasuke Retsuden’ in particular is a direct response to ‘Gaiden’ (made by Kishimoto). She blatantly tried to disprove anything he said and indicated about her ship. She wrote about characters that, yes, have the same name as those in ‘Naruto’, but are so out of character it hurts. It took me months to recover my lost braincells.

I don't think my post about it is still up, but to name a few things in that novel if you're interested: Sasuke resents Naruto and his test-tube daughter because he’d rather travel with Sakura, his wife whom he loves so much. But he has to do stuff just because Hokage Naruto said so and his daughter wants to stay in Konoha so he has no choice but to comply. Being apart from his wife-(did we mention he loves her so much? because he does. so much.)- makes him feel so very lonely and he misses her body so much because he knows it so well. He fails to do anything other than being jealous about the women-deprived prisoners going after the new hot doctor, Sakura, who is his wife btw. that he loves a lot in case you missed it. and he rather stares at trees that remind him of her than helping his friend Naruto who’s apparently dying from his own chakra or whatever kind of bs. Sasuke lets himself be bullied by prison-guards that aren’t even Shinobi, for having long hair and looking like a girl, though Esaka makes sure to mention how so very handsome he is and he looks like a cat. Sasuke loses a battle against an overgrown lizard and tries the same damn jutsu 4 times(!!!!) before realizing it may actually not work, I think because he forgot how to fight, but he can however create anything from ice like Elsa (Frozen), or from dirt like some Gaara-hybrid to make Sakura a ring because he loves her so much ofc… oh and he’s now a healer too. Sasuke sacrifices people’s lives even when it’s not necessary at all bc ig Esaka thinks he's a killer, and also he wouldn’t mind being brought back with Edo Tensei if it means he can stay with Sakura, because fuck everything they’ve been through in the original story, yeah? They also immediately forgive the bad guy cuz he's so relatable even though he just murdered I dunno how many people. SS kiss while an injured Naruto is squished in between them because SS-shippers have some sort of “Naruto has to watch our ship being in love to really make it legit because that’ll learn him for getting in between!”-kink (that's real actually) and according to Esaka, Sasuke is so worried about his daughter and in fact did meet up with them during those 10+ years because he loves them oh-so-much and fuck you Kishimoto that’s why.

Be so fr right now. It’s such a joke. And these are just the few things on the top of my head that I remembered ;-; ...

Again, what are they defending exactly? It would be nice to just have a genuine fan of the story write an actual story. No other motive other than "I really like the story and would love to explore some options while respecting Kishimoto's work because it'd be fun!" Except, that's unfortunately not very marketable and ffs it's just sad. (I know there's a Kakashi version and I personally really want to know more about his role as Hokage and what he's done etc, but alas.)

#asktamelee #naruto fandom talk #naruto marketing #naruto rant #hetsuden

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mossy123302 · 2 days

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I am not exactly entirely good with character or relationship analysis (A reason why my dumb fox head is aroace because I am not good w/ navigating romantic relationships)

So this is just my best effort writing the dynamic Q! Philza and Q! Missa have.

I do like to headcanon, like others, that Philza is indeed aroace, but not in a way, that like he doesn't understand what platonic or romantic means. Sure, it's funny to tease Philza about it, but it's also true that close friends could very much do so. I think Philza is quite aware of what is romantic and platonic, he knows the boundaries of it. I mean Philza is literally married to the Goddess of Death (implied) Kristin. It's more or less that Philza doesn't simply care for such labels. (I very much hc that Philza could probably be genderfluid, like me- Peeposmile)

It's something Philza even mentioned in the live stream when talking about the deities in hardcore world. It's something they don't care about and just vibe with whatever they're vibing with. They don't care and I think Philza is the same in that mindset. He just doesn't care, and will be blunt about it, if he needs to actually talk about it.

Philza seems to deeply cherish those that are ... similar to himself from what I can tell. I don't fully watch Fit or other POV to get a clear understanding of Phil's relationship w/ others so I'm sorry if I don't include them, same with Technoblade. I've recently started watching mcyt again and I don't want to talk about something I don't have a full understanding of.

Anyways, Phil deeply connects with those that share similar traits to him in some regard. Techno whose the Blood God, who clearly has an understanding of death, war and loyalty and this clearly shows via Missa too. Missa, while not a fighter, does understand death and how important it is... He literally is a gentle grim reaper. He understands death much clearly, because his mother is also a Goddess tied to Death as well. Missa is also fiercely loyal to Phil and his children, because honestly, he was so busy! He didn't have to return to Quesadilla Island but he did because he cares about Phil and his children, quickly adopted Tallulah and he hadn't even seen her yet.

Whoever Phil trusted and guards with his life, Missa will guard that person with his life as well. Of course, unless, we talk about BadboyHalo then that's another discussion LOL. Such a mess between the demon (?) and grim reaper.

Anyways, we know how much Phil values such loyalty that, I cannot remember what Tubbo said, but he immediately locked Tubbo out of his own home because of what he said about someone and while despite implied flings with others. Philza never spoke about others the way he speaks about Missa.

Their relationship definitely...crosses the line of platonic and romantic. I can see why it would be considered queer platonic relationship, but also at the same time, it's like there is some line being breached which makes everyone raise an eyebrow cause sir, what do you mean platonic-

Philza is clearly...possessive over Missa, because the way he got so defensive when Bagi mentions Antoine (right?) and Missa should date. Philza didn't have to get so defensive, because Missa already immediately denied. Philza could have kissed anyone else, like Fit, but chose Missa instead. He even demanded Tall Missa to the admins, got jealous over any shipping fanart and acts like he's fine and doesn't miss Missa at all. *Coughs in* "I'm going to f*cking off myself. Did Missa log on again?!" (Side eye Philza)

Like he's done lots of things that makes everyone just raise an eyebrow- Philza is fooling no one but himself (& Missa)

I also enjoy the lore Missa has going on with accepting that he is indeed a part of the family and isn't alone. Missa had just lost Spreen, and suddenly, he had no one but the Angel of Death as his assigned partner. Missa must have felt so unmatched compared to Philza because what could he even offer to the family? He had nothing but his music and kind words, which is everyone that Death Family wanted. Missa brought a different change to the family that makes them be vulnerable, to not be so serious all the time and to actually just relax and be like a family that's just on vacation.

I mean, and just talking about loyalty and kindness. Missa never gave up... He fought his way back, despite getting taken away by wolves and suddenly Badboyhalo being so cruel. He always made sure his family was safe and always brought something for them.

Didn't Missa say he got lost because he tried to find a gift for Philza?! Like...the commitment to find a perfect gift for Philza, and still returning (sure, without the gift). While it's hilarious, Missa doesn't run away because of his wet cat behavior. He runs away because he doesn't want to put his family in danger, he cannot fight as well as others can. He relies on others to fight for him and then he jumps in to help, but because the time zone doesn't allow such things. Missa is forced to run.

And Missa is good at it. He will run as far as he can, if it means his family will be safe. He isn't running away from his family, but the danger because at the end of it all, he will return back to his family, no matter how long it takes.

And Missa casually admitted to Chayanne that he needs Philza more than he realized, the same way Philza realizes he needed Missa but didn't dare admit, whether it is out of fear or something else that he couldn't voice it. But Philza clearly showed it through his actions, that he brought/dragged Missa to Rose's Sanctuary before they went to sleep forever. He didn't have to do so, but he did... indicating their bond is much deeper because Rose's Sanctuary is literally a pocket dimension that no one cannot access.

Missa has access. Now he sleeps eternally with his family...

Also their whole dynamic just being Sun/Moon. Fated to never see each other at times, until an eclipse and yet...they still leave signs to let the other know that they're still remembered. This also brought to my attention how Missa is afraid of the sky, while Philza yearns for the sky/to fly.

You think The Sun (Philza) misses the Moon (Missa) so much, because of how far they are, instead of just not seeing each other. The Moon clings to Earth, because they're afraid to go beyond...to something unknown while the Sun cannot stay still, and yearns to burn and be free.

Deathduo/Pissa has me on chokehold.

I do hope this was an interesting analysis, I'm not very good at this..honestly it's probably just me rambling if anything.

#deathduo #pissa #thoughts #qsmp #qsmp missa #philza qsmp #goddess of death kristin #i have more to say tbh #but my brain is gone #i am so tired

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