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#braman
taz-clark · 4 months
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some days you just need to paint a cow
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ix69ibxmgfr · 1 year
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Gia Derza and Nia Nacci cums loudly as they finger fucks each other Hot Tgirl throats and analed by big cock Japanese schoolgirls teachers buried in the ground and urinated on his face Milf small cock and mom just wants Ryder Skye in Stepmother Sex Lechazo y tragadita escort Mily Love Luna Bright In Brace Yourself For Blowage Sylvie sexy milf essaye ses premiers blacks en gangbang hot milf Alexis Fawx fucks young cock Jony Stepbrother gets Blow Job by Hot Step sister Hana real homemade bronx thot fucked
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casualist-tendency · 9 months
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Sarah Braman, 2011. 
Camper chunk, steel, plexiglas, and paint at Mitchell-Innes and Nash
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garadinervi · 11 months
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Elisabeth Kley: ‘Minutes of Sand’, Edited by Sarah Braman, Essay by Amelia Stein, Interview with Rachel Adams and Karen Patterson, Designed by Joe Gilmore, Photography by Joe DeNardo, Carlos Avendaño, and Colin Conces, The Fabric Workshop and Museum, Philadelphia, PA / The Bemis Center for Contemporary Arts, Omaha, NE, 2023 [Exhibitions: The Fabric Workshop and Museum, Philadelphia, PA, March 5, 2021 – August 15, 2021; The Bemis Center for Contemporary Arts, Omaha, NE, December 8, 2022 – April 16, 2023]
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athletic-collection · 5 months
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Trent Braman
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View of Bramans, Maurienne region of south-eastern France
French vintage postcard
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frenchcurious · 1 year
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Sarah Braman (b. 1970) Indian Summer 8pm 2010. - source Sotheby's.
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thesewildreams · 5 months
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This graphic is so useful, I just wish it was easier to read
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ramyeonpng · 1 year
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(via Caution: Art May Cause You to Feel | Magazine | MoMA)
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My visually formatted SUD scale is a helpful way to communicate internal feelings because it gives both sides a starting point for understanding. Scales like the SUDS help providers and patients speak the same language when they talk about internal experiences. People who are in therapy can use these scales to see how things are going. They can also use them to help them understand and identify their own experiences. Through the use of SUD scales, providers and patients can build a relationship built on trust and clear communication. lindsay braman
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thunderbirds-showdown · 2 months
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Which Thunderbirds Are Go episode is better?
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Vote on which episode you think is better. Episode synopses below the cut.
The Long Reach Part 2: Havoc and Fuse attempt to cause chaos on Tracy Island, leading to Kayo, Grandma Tracy and the Mechanic working together to thwart their schemes. Meanwhile, with Jeff Tracy recovered, the rest of International Rescue find themselves dealing with one more problem - the sudden attempt by the Hood to steal the Zero-XL, having stowed away on it.
SOS Part 2: Gordon travels in Thunderbird 4 to recover Braman but discovers that the Chaos Crew have gotten to the robot first. An underwater battle ensues, resulting in the destruction of Thunderbird 4 and leaving Gordon severely injured. While the rest of the International Rescue team rescue Gordon and get him to a hospital, Kayo manages to recover Braman and get him back to Tracy Island, where Brains makes a startling discovery regarding the mayday signal that Braman was receiving…
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idontknowreallywhy · 2 months
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Just chucking my rambling about the soundtrack of SOS2 in a separate post rather than buried in the showdown reblogs… mostly because I’m impressed by how many things there are to say even though I don’t feel like I mentioned half of them!!
🎵🎵🎵🎵🎵🎵🎵🎵🎵🎵🎵🎵🎵🎵🎵🎵
Musically (which is my particular obsession, especially as I also listen to the episodes a lot in the car so don’t have the picture to tell the story)… SOS2 though is next level.
It has all the themes, plus the new ones from Calypso/Braman but it shifts and develops them.
We have Four launching to the theme in 5/4! That’s so clever, it really sets me on edge as it makes it clear something is OFF. The scene before when they are discussing Braman adds to this edginess because the quiet tremolo strings in the background just tip it off comfortable.
The search / chase / trap cues are brilliantly executed… the chaos crew themselves could have been written a lot better, but the theme is a very clever and flexible one (much like the mechanic’s was - the Fosters clearly love a baddie) and it’s well incorporated here, especially in how it is blended with the ‘underwater’ soundscape and then with the tension music as the choir backing happens and the pulse increases… your high panic from the upper voices, strings and solo trumpet… the sense of inevitability and hugeness from the lower end of the orchestra… till it all culminates in what is effectively a musical scream… and then the strings give us quiet pain.
Then the silence.
Oh the silence.
There is no musical background as Fuse approaches. It’s just water and rocket noise. Which in such a musically rich episode is jarring, it makes me hold my breath.
Then when he sees Gordon and we hear the start of the string and horn backing for the elegy… I like to think it’s a turning point for Fuse, him realising this is bad, having regrets at the same time the audience are desperately worried for Gordon. But they are brave - they start the mourning song but they stop it! When it cuts back to the Chaos Cruiser and the Hood deserves no music.
It’s only when Fuse asks whether Gordon will be ok that we get the music back and… oh my.
THAT ELEGY.
Look I know I have raved about this before but holy moley it’s beautiful.
But but - notice - where the hood got only engine noise & no music, once the chaos cruiser is gone and it cuts to Thunderbird 2 we have all music no sound effects. I believe it’s the only time in all 3 seasons where the soundscape is entirely bare but for music. The Fosters talked about what a privilege it was to be given sole charge of what the audience hears at that key emotional moment. Thunderbird 2 silent??? The Tracys silent - they communicate only by looks. The music speaks their agony for them. The rockets on Thunderbird 2 fire but there is no sound from them. Virgil says Thunderbird Two is Go but we don’t hear it fly overhead.
The Thunder is gone.
The theme develops as FAB 1 is in shot and the sound effects coming back is another little shock - like you’re waking from a bad dream to find out it’s real.
The Rescuing Gordon cue gives us part of the elegy theme with Gordon’s launch again, back it’s back in a slow 4/4. Because Two is there and Two is safe and stable. BUT… it’s still not quite right - listen to the strings… not the semiquavers in the bass but the single broken notes over the top - slowly rising and then falling - they aren’t on the beat! Every time the note starts just a little sooner than it feels like it’s supposed to. They have a plan, they know what to do, but agh they are also in a rush and there’s a sense of fumbling desperation. So. Flipping. Clever. I didn’t notice it until maybe the 30th time of listening.
The strings climax at the point the pods lock on and we hold our breath… and as Penny cuts Gordon free so does the music - they really play around with the speed here, the new string tune that comes in… with too many notes to fit into the 4/4 pattern it’s like the beat pauses but the melody continues until with a *gasp* she has him and the pulse restarts.
When they get him into Two’s med bay it seems like the music is gonna stop, like it does on the Chaos Cruiser but no. There is a single, quiet, sustained note… the orchestra doesn’t let Gordon go.
I mean I could go on all day… Shadow V Chaos, wonderfully scored too… the fact the Braman’s Sacrifice theme (from when he steered the Calypso into the sea) soars in and combines with Kayo’s theme as she gives up her advantage over the Chaos Cruiser to turn and save him. Lush. The soft family theme at the hospital… aaah.
But one final thing…
The ending.
Because I have listened to this hundreds of times and STILL the goosebumps.
Brains brings up the data - We have the insistent pulse of the familiar theme but then a slow minor key string version of Braman’s sailing sailing song. Then as they start to realise what’s going on that fades and Jeff’s theme starts! Are we going to get it? It’s not totally clear… as Brains is trying to decrypt the hidden message the notes are held but as we see FAB we get the end of the melody! At last! JEFF TRACY! And it all rises and climaxes into the main theme at the end. PERFECT! BRAVO! *leaps from chair and dances*
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rinconliterario · 2 months
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Nos iremos, me iré con los que aman, dejaré mis jardines y mi perro aunque parezca dura como el hierro cuando los vientos vagabundos braman. Nos iremos, tu voz, tu amor me llaman: dejaré el son plateado del cencerro aunque llegue a las luces del desierto por ti, porque tus frases me reclaman. Buscaré el mar por ti, por tus hechizos, me echaré bajo el ala de la vela, después que el barro zarpe cuando vuela la sombra del adiós. Como en los fríos lloraré la cabeza entre tu mano lo que me diste y me negaste en vano. Silvina Ocampo.
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whatgaviiformes · 2 months
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Fic: Grannies (part 1)
A/N: When I am in a writing lull I default to two things: crafting and post-Hydrofoil/post-SOS. I hope this is still enjoyable - dedicated to the craftyfam for inspiration. In this part: Scott
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On a new day, Scott realized he wasn't alone in the lounge. Sometime in the early morning his younger brother must have stumbled in, still encumbered as he was with the cast helping his leg to heal, but Scott had been too engrossed with the work begging for his attention to notice. 
He apologizes for it now. 
Gordon has used pillows to prop himself up against the arm of the sofa so that he's sitting, and there's a space right past the injured limb for Scott to gently position his weight. This couch is made for Scott’s height, so Gordon seems entirely too small against the decor pillows. 
He’s healed nicely after the events of finding Braman - the strain on his arm and shoulder had just needed rest. Their caution saved his neck and spine, though he hadn't been able to escape the head injury, which still gives him headaches from time to time. And the leg - well that needed a bit more than just TLC. 
Scott’s hand finds the ankle attached to the uninjured leg, his voice crackling a “good morning” from the lack of use and dryness he hadn’t realized was there. Gordon, with honey-brown eyes that shine with a knowing amusement, pauses the movement of his hands and lets the strand of orange yarn drop at the reminder of Scott’s presence. They both share in the explosion of color just outside the lounge windows.
Clouds like peach fluffs remind Scott of just how long it’s been since they were able to enjoy the dawnslight together. Prior to the accident, their routines aligned with daybreak, the timing of their exercises overlapping. Gordon’s, of course, included laps in the pool. The pool which was decidedly off limits with Gordon’s current accessory. Scott would often go for a run, chasing the sun. Scott’s not so much a fan of this new normal created by the Hood’s attack - the world where Gordon is unable to partake in what runs through his blood, and where the rest of them are spread far, far too thin. 
“Granny for your thoughts?” 
Scott shakes his head. “They’re not worth the - wait, what?” 
In response Gordon tosses him a square of fabric, blaming aerodynamics when it lands on his own foot instead of on Scott’s face where he was aiming. “Well, I can’t reach my wallet and you don’t need my pennies anyway.” 
“So this is your substitute?” Scott picks it up between two fingers to inspect it. He’s not trying to make it seem like there’s a practical joke here… but it’s Gordon. So there’s a practical joke here somewhere. 
If anything, it’s the color combination. Gordon’s never been afraid of putting clashing colors together, though Scott’s never been sure if that’s truly fearlessness or whether it’s just Gordon being oblivious about it. There was a period when they were younger where Dad thought Gordon might even be colorblind - had him tested and everything. But when all was said and done, Gordon could see what he was doing when he dressed himself with one green sock and one orange - he just didn’t care. 
The square’s got the same energy, the only pattern being that no color is repeated. Otherwise, it’s random and clashing, and oh so Gordon. 
He loves it immediately. 
Even the Barbie pink near the autumn orange.
“Can I keep this?” 
“Sure. What’s one granny?” Gordon cuts the orange yarn with a flourish and loops it back through his work. “I have hundreds more where that came from.” 
“Oh, wow, that’s … a lot.” Scott wonders if they all channel Gordon’s chaos the way his square does. 
“Yeah, well. Not being able to swim is a lot.”
“Oh, Gordon…”
“Don’t. I’m irritated, and it’s not your fault. Pick a color for me.” 
“Hmm. Teal.” 
There’s a basket on the floor. Gordon reaches for it, placing it instead on his lap while he digs through his options. In the end the color he holds up for Scott is more turquoise than teal, but it’s close enough to the bird feathers outside the window, which inspired his choice in the first place, that he nods his approval. 
For a while, Scott watches him work the green-ish blue over the row of orange. Without knowing exactly what Gordon’s doing with the hook and the yarn, Scott catches the general pattern: spaces over the clusters of color and new stitches where the previous row had spaces. Each row around the row before it with corners shaped into a square. 
He understands the principle.
“What do I do with it?” he asks. It's small, despite the volume of its color. “Will it work as a coaster?” Scott hopes so; he could use some life for when working at Dad's desk. 
“It's perfect for a coaster.” 
“What are you doing with them? You can't possibly need hundreds of coasters, can you?” There's actually very little Scott assumes about Gordon’s logic. This is one he feels fairly certain about. 
“Ha, no.” Gordon's sly smile would make warriors cower. “Virgil's making me a blanket.”
“Virgil is?” 
“Well, yeah. He doesn't know I know. But it's Virgil so of course he is.” Gordon leans in conspiratorially, lowering his voice. “I'm leaving them around the villa for him to find. There's one in his favorite coffee mug right now.”
Gordon cackles. An actual full belly laugh. “I haven't had any sent back to me in retaliation,” he explains further. “Ergo…”
“Ergo,” Scott echoes, the pieces coming together. He absolutely understands now that Gordon is doing just the part he enjoys, a welcome distraction from his current misery. The injured aquanaut gets to enjoy the instant gratification of the small project while Virgil…
…does the heavy lifting. 
That’s so entirely them it makes his teeth hurt grinning. 
Scott glances at his square with a rush of warmth being welcomed into the language his brothers seem to share over yarn. He never learned when Mom taught Virgil her magic, but he knows it’s important to the two of them and that Virgil taught Gordon at the hospital all those years ago now. 
There is still one more thing he’s wondering. 
“Gordon? About these ends?” The square looks unfinished with the strands dangling with each color change.
“Oh, do they bother you?” He beams. “I don't mind them so much.”
Scott's gaze immediately jumps to Gordon's gaze away from the trailing yarn. That little shit. Virgil will hate that. Hell, Scott can't stand them unfinished like that himself. And Gordon knows exactly what he's doing. 
“You're maniacal.”
Gordon shakes his head. “No, I'm bored. And Virgil likes fixing things, remember?”
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mrmustachious · 2 months
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Aight before we go into the third round and I have a very real fear the best episode (in my opinion) has a good chance of going out next round, it's time for some propaganda
✨️Vote for SOS Part 2✨️
This episode is jam packed full of action, emotion, angst, beautiful shots, and an awesome cliffhanger
Ok first of all let's start with the CHASE
Guys GUYS okay the way Gordon goes off to search for Braman and we know that the Hood also knows about Braman and we're just waiting for him and the chaos crew to show up
The way we all panic with Gordon when they do show up (and hello that shot of the chaos cruiser!) and Gordon's slick manoeuvre to get away and his heavy breathing whilst he's hiding. Like we're now like ok this is real this is more than just a normal encounter with the hood. Gordon is actually terrified
But he knows the risk of what's going to happen is worth it because although he has no idea where or who Braman's transmission is coming from, he knows something is UP and he is willing to risk his life for a robot (something he has previously shown distrust in- see chaos part 1 & 2- so this just further shows the risk he is willing to take)
So he goes for Braman anyway and we think oh maybe he might make it out of there and then BOOM Braman starts singing and no surprise really because it was never going to be that easy.
Now the chase is on which is a classic in Thunderbirds. Chases always happen. And we're thinking that Gordon might get away. Barely. But he'll get away.
And this seems true when he dodges their missiles but then. THE DAUNTING LOOK on Gordon's face when he realises they were never actually aiming for Four, but were actually aiming for the wall. And they hit it. And Gordon knows he can't get away and it's gonna hit him, so all he can do is put on his helmet to minimise the damage.
And then there's nothing.
It's quiet. The only thing we hear is Gordon struggling to activate his emergency call, and John's response. John who doesn't seem to be too worried at first, but then when his baby brother doesn't respond he goes into full blown Panic
And then we get the best sequence in the whole god damn show. Thunderbird Two launches with no countdown. No words are said. Virgil and Scott exchange a look and us viewers just KNOW what they are saying to each other.
AND THE MUSIC GUYS THE MUSIC THAT PLAYS WHEN THEYRE ALL RUSHING TO THE SCENE
And let's also talk about THIS moment
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This shot. My favourite shot. Fuse lit up, like he is Gordon's saviour. Like he is going to rescue him. The way this shot lingers for a few seconds in just quiet
Then we see Fuse's conflicting emotions when he sees the crumpled tb4. When for a moment you think he's going to save Gordon instead of Braman. When the side of him controlled by the Hood wins out (God I would love to have seen a chaos crew backstory as to how they started working for the man) and when he takes Braman back to the ship, he shows very real worry about Gordon's wellbeing. And we see how little the Hood actually cares about the Tracys.
Then of course we get the rescue (Penelope rescuing Gordon!!) Then the other chase with Kayo vs the hood and chaos crew. And Brains' cryptic message to forget them and finish what Gordon started and rescue Braman
Later we get the soft scene of all the fam in the hospital and a broken (but thankfully alive <3<3) Gordon, and a cute pen&ink moment.
And then we end with the cliffhanger! Jeff is alive!! And this sets up the rest of the season to go and rescue their dad!
Asgdsfs I just love this episode so much guys
Anyway I hope this reminds you all why SOS part 2 is the best episode and you are all persuaded to vote for it in the coming rounds. If anyone else needs convincing then obligatory cat propaganda post
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