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#both apply i guess?
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also I haven't gotten to drawing yet but my headcanon design for Currant's clothing style is like. Gothic Lolita. it involves a lot of dark colors of course, and in aroiis that's a good thing. plus accents of blue, I love the red/blue siblings thing with Etienne being red and Currant being blue
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thankstothe · 11 months
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One liners the sequel
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DPxDC Prompt
Thinking back on it, Danny probably should have been more wary of being given the title ‘Ender Of Timelines’.
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l-just-want-to-see · 7 months
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All I kept thinking about, over and over, was ‘You can’t live forever; you can’t live forever.’ 8/10
The Great Gatsby, F. Scott Fitzgerald
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ladymelisande · 9 months
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My problem with this implication that Crowley is the Selfish One™ for panicking and wanting to run instead of going with Aziraphale to Heaven and Aziraphale being a supposed saint that wants to save humanity (or fix Heaven just for love of Crowley, which is quite reductive and I will to that in a minute) is that it just acts as ir Aziraphale knew that the Second Coming was happening all along (which he didn't) and that once again just ignores that 1) he was pretty excited at the idea of coming back there, 2) that he did imply he misses reporting to Heaven AKA he is struggling to be part of The Company™ - Michael Sheen also mentioned this before the season started - and 3) Aziraphale was spiraling and in denial of the situations happening around him all season.
There are some points I disagree with so much and they are just... Not in the show?
'That Aziraphale didn't know that Heaven tried to kill him.' Yes, he did, he didn't know the whole dialogue word for word, but Crowley says in the first episode that Gabriel tried to cast him into hellfire.
'That Heaven has good angels and that's why Aziraphale was doing the right thing by going.' Okay, I hate this point with passion. Heaven having nice, innocent angels like Muriel doesn't make it less of a cult/totalitarian environment/dystopia/you pick your metaphor. Just because some angels are good doesn't mean the system is not broken. In any case, those angels deserve to get the fuck out too.
Crowley can't let go of his hate of Heaven and that's bad for some reason. This point is so... victim blamy. Why in the hell should Crowley feel anything but hate for Heaven or God by the matter? Huh?!
The point that argues that Aziraphale only wanted to go back to Heaven because of Crowley and to keep him safe deserves a paragraph of his own because I think it's such a 'reduce into shipping' reading. Aziraphale has been struggling with letting go of Heaven, he hasn't been eating, he is playing humans like fiddles during that ball and denying the danger around him, he accepted Gabriel in his home when anyone with some self-preservation would have thrown him out of in the street. All of this, plus his line in Season 1 when he still hesitated about 'his side' not liking him staying with Crowley, all of this is a build up that goes up to the moment where he presents Metatron's offer to Crowley.
Because as much as I ship them and I do think Crowley going was a mayor factor on making him accept, I don't think it's only about Crowley, it's about Aziraphale's inability to let go of his perception of Heaven as the side of goodness.
Crowley going back to Heaven is how Aziraphale thinks he can have his cake and eat it. Crowley is safe from Hell (because he thinks in terms of Hell being more harmful to Crowley than Heaven) and Aziraphale gets to 'fix' Heaven and never, ever confront the fact that Heaven is not the side of good, most importantly, never confront the fact that God is not a force of good.
Aziraphale's acceptance of the offer is not just doing Good and Save Earth™ (because remember he didn't know about the Second Coming when he accepted), it's him regressing (in the psychological term, not in the character term) and not wanting to accept real change, which sort of goes with his character being the sort of slow and frozen previous eras (contrasting with Crowley 'going too fast'). It's the same thing with him just believing Crowley is a good person because he is fundamentally an angel Deep Down™, and not because he developed his own moral compass.
Like, I'm sorry, but I don't think him accepting that offer had anything to do with some super mega selfless impulse to save Earth. He doesn't mention Earth in his whole speech. He goes around how Heaven is 'the side of truth, of light, of good' and he looks at Crowley confused as if he doesn't get why Crowley wouldn't want to go back to The Side of Truth, Light and Good™. I don't see Earth and humans mentioned there. It's not about them and deep down is not even about Crowley.
It's about Aziraphale and Heaven. It's about how he, as much as he loves Crowley, he still wants Heaven, he still wants their praise, he wants to be needed by them and how he can't and (in that moment) doesn't want to accept what they truly are.
This is why he will fail in Season 3. There won't be growth if he suddenly manages to change an unchangeable system. He needs to fail, he needs to have this view of them and God broken or he will never grow out of it.
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flare-the-freak · 9 months
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N needs to go batshit insane(MURDER DRONES EP 6 SPOILERS!!)
Okay so I know the title is weird af, but here me out here N has gotten fucked over so much. Like it's depressing, he's had his head chopped off, been lied to, lost his childhood best friend/love (V) TWICE. TWICE. The manor she was clearly first to go, and now she just sacrificed herself for them. Not to mention, his best friend and definitely love is probably gonna be dead soon. Uzi doesn't have time, she's fighting and in so much pain and N might be forced to kill her because of Tessa. Not to mention that Tessa is clearly not telling the full truth, and hell might not even be Tessa. He's lost his childhood best friend and is about to literally lose his love/best friend again. He even might be the one to kill Uzi. He's been robbed of his childhood and tossed around like crazy, Tessa is lying to him and he's terrified. And we've seen N fight (episode 1) when he's going after something, he doesn't let it escape.
Uzi and Khan were the only ones during his massacre to survive, only because Uzi pointed out obvious and was friendly, and Khan because he left Uzi for dead and ran. He killed everyone and even went up against V, V of all people who we know is an amazing fighter. (SHE CAUGHT A FUCKING BULLET) Now I want N to literally be able to take out that anger, he's been lied to, killed multiple times, robbed of his memories and childhood, might lose two of his best friends in a row and currently I'm thinking he's gunning for Doll, why? She released the Sentinals, she's the reason V is "dead" (which I ngl, doubt) and Uzi lost her arm and is in so much pain fighting for her body. I just hope he has a happy ending.
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i remember being a little kid and thinking how incredibly unlikely it must be for two people to meet, fall in love, get married etc. that it would take a once-in-a-billion chance to happen to anyone, much less two people.
now im happily aromantic :]
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85-rend · 4 months
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They really like each other btw :) I sure hope nothing bad happens to them of the many many things that could go horribly wrong!
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justmenoworries · 4 months
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This is gonna sound beyond weird, and it's gonna be egg on my face if the show doesn't go in the direction that I think it will with Vox but...
Is it just me or are there several paralells between Vox and Angel?
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toastedclownery · 1 year
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I was so distracted by Amanda's puffs and the wool/eyes on the demon creature, that I never stopped to think that it also has Wooly's nostrils and their face shapes are very similar
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thrandilf · 1 year
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papers-pamphlet · 2 months
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In a love hate relationship with TURN's Abraham Woodhull because on one hand:
I really enjoy his character. It's really interesting to see his lies, methods of deception and all the different masks he puts on for the sake of gaining information. I really just want to peer into his brain and study his very being.
And on the other hand:
Don't,, cheat on your wife??? What the hell Abe
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ask-nicaise-anything · 10 months
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Smaurent bc why not
Afraid of ALL bugs. Absolutely scared shitless over them
Slept in a pile of stuffed animals (and still has most of them)
Extremely picky eater
Master of hiding spots. (Some of his favs were under the stairs, under his bed, in a closet)
Would stay up waaaaay past his bedtime reading under the covers. Auguste would replace his flashlight batteries. (He still does this, but now he doesn’t have a bedtime)
Lover of pasta.
From the ages of 2 - 9 he always had a bandage on at least one of his knees from falling down.
Broke multiple bones falling off his horse when learning to ride (both arms at one point)
LOVED bounce houses and trampolines (also fell off of those a lot)
Liked making forts out of blankets, chairs, cardboard boxes, pillows etc for reading in
Had a tree house (and fell out of the tree several times. He was fine. Broke arms, but was fine)
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fuckmeyer · 10 months
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Wiggins!) the bizarre thing about the vampire men in the cullen family all seem to be at least subconsciously what Smeyer wants Bella to have but can’t seem to get over her initial vision of what she saw in her drafts or whatever. It’s odd that every single one of the Cullen men are like strongly devoted (but mostly devoid of personality because it’s so Bella centric) but when you compare them to Edward they seem interesting in some ways. Like Narratively we’re supposed to have this threat that Edward is constantly holding back from killer her but I don’t feel like we see that. Conversely, Jasper is constantly the one who is suffering about human smells and is the more vampire-like. But he’s also a glorified lap dog. So it’s like ‘oh he’s a monster but he’ll never hurt me” (things Alice has said out loud. Man even psychics slip up. I swear her powers weren’t so accurate until Smeyer needed an excuse for plot reasons)
Emmett feels like when some women say they like waifish guys because they don’t want to seem like they’re vapid for liking “big dudes with muscles” so of course you pair Emmett with the “shallow blonde”
Carlisle, I swear only exists so Edward has someone to model but I would also argue that he’s proto-Edward before whatever reworking she had to do when writing Twilight for a YA audience and brought him back as a different character.
Yeah a rant
hello again bestie Wiglet! (note to self: learn Photoshop so i can shop Jacob's bad wig onto a pic of Piglet)
this is such an interesting take! thanks for sharing. i totally see what you're saying. in all the Cullen men we see both a blend of softness & devotion *and*, interestingly enough, a patchwork of patriarchal ideas of what a man "should" be. & this idea comes to the forefront with the depiction of the love interests
smeyer wants us to see Edward as the chivalric gentlemen from the Days of Yore. we see this in the opening doors, the cutsey little romance taglines ("you are my life now," "look after my heart; i've left it with you," "so the lion fell in love" etc), the knight saving the damsel in distress, the expensive tokens of his affection, etc.
at the same time, in both Edward & Jacob we see the crude traits of the Patriarchy Dreamboat kinda guy. if i had to sum it up, it's like the guy you see in 80s movies. "bad boy." "opposites attract." he's a jerk. he's a hunk. he's domineering. he's allowed to show emotion only & especially if that emotion is anger. he's persistent in his efforts to get the girl, going so far as to kiss her without her consent if it's For a Good Cause (Edward in New Moon post-Volterra, Jacob in Eclipse). he's a cool guy who's In Control 👉😎👉
perhaps that's why the Twilight saga appealed so such a large swath of women & girls. the women, who grew up with the notion that they could have the true love of their dreams so long as they submitted to the patriarchal social contract, saw the contract being fulfilled in Edward. (i.e., "you can be the king if you treat me like a princess.")
on the other hand, the 90s/00s girlies who grew up in the midst of a feminist revolution & who could see the glimmer of a dismantled patriarchy on the horizon were attracted to Edward for the flashes of radical feminist love they saw: the unapologetic expressions of emotion, the honesty of him sharing his vulnerabilities & weaknesses, Bella's ability to override Edward's will when necessary, etc.
sorry, i know this isn't really the crux of the rant you submitted, but it is extremely interesting to see these contradictions playing out in all the male characters of the saga. it's almost like smeyer is having this internal debate with herself without even realizing it...
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screams!
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blueberry-macaron · 10 months
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Do you think people who always hated the LS have an easier time hating on Movie!Adrien than people who used to ship it?
From what I've seen anti LS peeps like movie!Adrien, while fans of the show hate him. I thought that was weird at first, but after thinking about it, I think I have an explanation as to why.
The focus of Movie!Adrien's sad backstory was the death of his mother and that causing problems in his relationship to his dad (who wasn't as much of a horrible person as in the show, so abuse wasn't really an issue the movie touched on) but also affecting him as a person. He was closed off and afraid of getting close to people. Basically you could say he was more like his PV version. That's already a strong contrast from his show self with the strong craving for human friendship and love, so that probably already threw people off who liked show!Adrien.
We first learn about his mom when he goes to that theather where she used to perform. It's his place where he feels closest to her. Then he starts talking about it with Marinette/Ladybug and in the end he reconsiles with his dad, telling him that "yes, mother's gone, but we're still here" and they hug it out, accepting things for what they are. Now I don't want to give the movie too much credit because this "arc" was not fleshed out at all. Most of that happens in the montage. The basis was there, but after establishing that, they rush through the movie and put their focus more on fights, the romance and the music. And I think this rushing through things is the reason Adrien enjoyers couldn't connect to this other Adrien. Basically "The first one was great, so why should I care about this new one that is so different? He's less outgoing despite his dad already pushing him away and him hating loneliness? He's more mean to LB during their banter for no apparent reason? Where is Chat being a shoulder to cry on when LB looses her self confidence?"
If you present a new interpretation of a character to fans of said character, you'll have to try a little harder to convince them this interpretation is good with actual good story telling, which this movie severely lacks due to the very simplistic plot, and also... not relying on the show and the audience having to fill the blanks with information from the show as much as the movie did.
Meanwhile salters see show!Adrien as someone who gets a lot just handed to him because he made a sad face, generally has no agency and makes Marinette's life harder than it has to be and they don't like that. Then along comes this other version where his emotions don't feel like a constant pity party but are something he learns how to deal with, he doesn't constantly makes missions harder than they have to be (expect the ending sort of) and he finally has some agency. That's what I like about the way he's being portrayed. And as I said, the movie doesn't flesh those aspects out, but the premise alone of Adrien having to overcome his mother's death with the help of people around him is so much more interesting and likeable for me and probably others too, unlike the constant whining about how hard his life is until somebondy (Marinette) comes along and bends over backwards to fix it for him while he stands around and looks pretty.
So yeah, that's my take on the situation. I do find it pretty funny though how some stans act like Movie!Adrien is some alpha dude bro while show!Adrien drinks his respect women juice. Not to burst your bubble but both handle LB's rejection very poorly and are dicks to her about it. At least movie!Adrien still jumped to action instead of immediately abandoning his miraculous
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