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#because of assumptions they make about MY body
wildclaw41 · 3 days
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Why did everyone had such a huge crush on Chris kratt real life and animated analysis.
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Hi creature adventurers I am wildclaw41 and today its the day that I talk about this serious question and yes maybe I did put the shirtless shots on purpose but that's assumption so without further ado let's began and in the near future I might make one on Martin but that won't happen right away so again without any interruptions let's start.
THE START.
Now I can sit on my butt all day and talk about the complicated beginning of the crushing on him but that will be long and I am tired so let's just say it started when some children start simping on this dude and I was simper as well but I didn't get why did I crush on him or why did anyone crushed on him in general, I know what you guys are going to say "Well wildclaw41 he's hot!!! Duh!! And has a nice body and is sexy and everything. Okay let me tell you something while yes those are the reasons but there is more to that, because he knows Latin and he's smart and is sassy and an animal fanatic now if you don't like this you can go check something else out but these are my opinions even though there is no clear answer I can only tell you the partial history of it, so I'm terribly sorry if I am no help but I can tell you my experiences and talk about it.
THE HEARTTHROB
Like I mentioned above most people say the reasons they crushed on him or still crushing on him or as one friend said to me because. "But wildclaw41 he's soooooo hot!!! That your eyeballs can't resist him and you know that better than anyone he was the first guy you had hots for". And I told them. "Uh not anymore!!! I moved on! Plus I only like him for professional scientific reasons and besides he's married and has kids And is now same age as my mom and I still respect both brothers as scientists and that it's not like that anymore. Now there are lots of I mean lots of comments or posts about people saying they crushed on him or still crushing on him you guys can look for your selves if you want more detailed information and also you can ask @Be-The-Creature-Fan and @estrella2oo for more details nowbl lets move on to the next and final paragraph.
PRESENT DAY/ FINAL ANSWER.
Now I still think some people still crush on Chris kratt and that's completely fine and I agree he is crush worthy and here is the final reasons why everyone had such a huge crush on Chris kratt real life and animated. Because of his looks and knowledge and humour and kind heart and his spunkiness I believe those are The real reasons.
CONCLUSION.
I think those are the reasons why people crushed on him and thank you for tuning in.
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chroniccoolness · 12 hours
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I find it interesting that a lot of gendered expectations are framed (at least in my experience) as just. "logical" or obvious. often you don't need to be directly and straightforwardly told that something is Wrong For Your Gender (though you absolutely can be ofc), it's just... the norm. Examples include:
1. I was allowed to wear leggings/pants from a young age. BUT,
1a) an Event meant a dress. There was a lot of jokes about how i hated dresses, but it was still unquestioned for the first 13 years of my life--piano recital, family reunion, wedding, theater? We go straight to the dress section. I was allowed to eventually wear a vest and pants to my middle school graduation, but i had to make a fuss abt it, because the assumption was "woman, formal space, dress".
1b) pants always came from the women's section. If I asked for men's, up until the last year, I got the response "those aren't right for your body". by "right" my mother meant that sure, they'd get on my body, but they wouldn't accentuate it properly at the hips or waist, and this makes them Wrong For Me.
2. Every woman I know in real life, bar two (one transfem, one nonbinary*), has hair shoulder length or longer. When I asked to cut my ribcage-length hair short, I got a "compromise" of shoulder length for 6 months. When I got to cut it *shorter*, my mom helped me make a pinterest board... with the keywords "short women's hair", "women's pixie cuts", and at most, "gender neutral hairstyles". When I said I wanted SHORT hair, the response from cis women I got was always "oh, like a cute pixie?" No, Sharon, like a dyke. And that's what I got called when I did it--specifically, a kid in the grade above me asked another kid if I was trying to be "a dyke or a tranny". All I did was cut my hair.
[*their words, to be clear! they identify as a nonbinary woman + i respect both aspects.]
3. Around age 11/12, my mom started asking me if I wanted her to teach me how to shave my legs. When i said no, I got an "Are you sure?" and once, "it's almost summer". This happened 3 times. She stopped after she realized the answer would say no, but always seemed bewildered, because shaving is just a Thing Women Do.
4. I have been told that if I have a baby, hormones will force me to love it, because that's just how it is. I wish I was kidding. Additionally, every time I bring up that I don't want to have kids, i get a horde of middle aged women telling me "I thought that when i was a young girl!". The gender role is "perceived woman? HAVE BABY" and if I voice a lack of desire for that, I am told I'm simply young, immature, and can't know myself. this continues even now that I am out as a trans guy.
these aren't me being directly forced not to do anything---instead, I'm free to do/not do the Thing, social stigma just attempts to tell me I'm wrong or strange for my choice. A lot of the people who've said/done these things identify as feminists--my mom and every woman who's done point 4 are. "default" gender expectations are everywhere and people have to actively think about and dismantle them.
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klapollo · 2 months
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thinness as a marker of health just pisses me off even more now that i live a "healthy" lifestyle and do all the things fatphobes tell you to do (eat a balanced diet with nutritious food, exercise regularly, drink a lot of water) and im still liable to be sneered at by a sedentary thin person whose daily intake is two quesaritos and a green machine juice. i did what you want! i'm not meant to be thin! sorry!
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spiribia · 11 months
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once you hit adulthood a day will come when you’re suddenly like VEGETABLES 🔥 🔥 🔥 🔥 🔥 and it never goes away
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ride-a-dromedary · 6 months
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Alright, the jack in the box is wound, and the coherence is coming to me. Halsin and the dryad, I was talking about his response if the PC indicates that he is most comfortable after a supper large enough to induce hibernation:
"Mindless gorging...? No, that is not right. I did not realize you thought that of me."
And why this keeps catching in my mind is not necessarily what he says, but how he says it (so I am commending Dave Jones' voice acting here). The rest of Halsin's responses to incorrect answers are generally even toned and corrective; firm, usually, but not inherently overly emotional. Much like a teacher correcting a student. But this one...he sounds genuinely surprised and taken aback that the PC would even suggest that. The "no, that is not right" is even firmer on its heels. And the last part...the last part, his voice is smaller. Less forward. I would not go so far as to suggest hurt, but it is approaching that territory. It comes so fast after his firm no, that it almost sounds like something that slipped by accident. Like something that was meant to be muttered under the breath, but it slipped from him because the surprise was so organic.
Alone, it doesn't mean too much. It's a slight offense to an obviously nonfactual statement. And that's likely all it is. I'm about to read too deep into this, I am aware.
But combined with the other things spread throughout Halsin's dialogue, particularly the implication that he is otherwise used to people making commentary on his physical appearance or the physicality of his being, it suggests an extra layer of hurt. An extra layer of: "I did not expect this from you, of all people." Not quite a betrayal, but approaching one.
What makes it particularly catching, is that one of the things you are able to wrench (and I say wrench because getting Halsin to share mundane personal details about himself is a production - and it makes *sense* it's a production if a. We keep in mind that Halsin himself doesn't seem all too sure who he is beyond his preoccupation - which elves are prone to but Halsin also just has...a lot on his plate that have evidently stunted his identity formation - to the point where he even claims he was forgetting who he was, and b. If he is used to questions concerning himself and his experience leading into questions regarding his sex life or his physical activities, see: the companion banter with Wyll and Karlach, he likely...doesn't really keep ready details about himself personally on tap anymore. He's so unused to people being interested in Halsin, that he's taken aback when they are. It becomes the "In the moment, I forget everything and anything I like to do for fun" mentality - no one really cares about what I like to do anyway - if you will. He even goes so far as to joking that the PC may be a doppelganger because *why else would they want to know these things*) out of Halsin when you ask him about himself is that he has a sweet tooth. That he likes honey, and people find that amusing. He chuckles, but his face falls, evidently prepping for the PC to make a similar comment (and he attempts to beat you to the joke about that, though a PC can still call that "on the nose" to which he responds that there is little point in denying oneself if it doesn't hurt anybody - indulging isn't a bad thing). If the PC instead chooses that he should pay little attention to what others think, he gives that infamous: "sometimes I think people look at me and imagine my feelings can't be hurt" line. Which implies - regardless of whether he verbalizes it or not - things in this thread hurt his feelings. Comments or assumptions about his body and his person hurt his feelings. He won't say it, but they do. The PC is likely aware of this by this point in the relationship.
Halsin does not otherwise bring up eating or food to any level of significance or directness - the sweet tooth comment was the only time (you could assume outside of canon interactions that they've had other conversations between them and that perhaps this was brought up, but we are going to base this solely in what Halsin reveals in canon). He brings up hibernation, but specifically the sleeping part of it. Nothing else.
So, the PC then potentially goes ahead and makes an assumption of him during the dryad. How'd they arrive at this conclusion, as it obviously surprises Halsin that they did? It reads, very much, that the PC is making this assumption based on the comment about his sweet tooth, his comment on indulgence, and his physicality (note: the ha ha bear and hibernation thing almost seems like an afterthought - Halsin latches *very* quickly onto the "mindless gorging" part). All things that he has shown very evident discomfort (which is ironic because the question is when he feels most comfortable) or hesitance towards (he claims there is nothing wrong with indulgence, but never seems to indulge himself beyond sex, if that. Gee, what does that remind you of?)
Halsin entrusted this individual with this information, as frivolous as it was, potentially revealed that it hurts his feelings when people make assumptions of him, and this individual then went used that information and made the assuming connection: "So, this is a big man. He said he liked sugar, so he must like to eat and indulge. It must be his favourite thing to do because look at him." I am going to essentially ignore everything else I could have possibly heard, and make a bear hibernation joke that has nothing to do with sleeping being a comfort, but emphasize the eating part.
So, yeah, he's a little taken aback - incredulous, you might say. A little hurt. Resigned, almost. Because at that point, you can make a very logical assumption that Halsin came to a very quick snap realization that perhaps this person was not so different from the others as he thought. That it always eventually comes back to that. What else was he expecting? When has it ever been any different for him?
#BG3 Musing#Halsin Posting#does this make sense i don't think it does but it's like...jumping from a - z based on assumption and you know what they say about that#note: this isn't actually this deep i am just making it this deep - also yes i'm aware it probably means none of this#i have a degree in bullshit#but this is also why halsin should have had a legitimate bear like build of a body#i understand why he didn't - but this is *verbatim* what fat individuals receive as assumptions on their person#*all the time* that oh you must overindulge yourself you must eat a lot you must you MUST#and in that thread of thought of halsin's relationship with his body#there's also something to say when halsin says 'my ears are all yours...any part of me is yours should you wish it'#because he *begins* by offering his sympathy and understanding...but follows it up with 'but if i am more valuable to you in this way#then that's fine too - i'm used to that'#almost parallels (inadvertently) astarion's:#'i think i'll enjoy having halsin around not for his wit or wisdom he'll just make an excellent shield if we're attacked'#he's self aware#and in regards to how halsin sees his body as a separate entity - a. body dysmorphia and b. i don't think he truly does#halsin claims he sees his body as a vessel to serve nature and wrinkles his nose at vanity - but i feel there is enough old hurt in him#that this can never be true of him even is he so desperately wishes it was#does he have a level of confidence in himself? obviously he does - but it is marred - it's an exchange#there's always going to be that little voice in the back
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wild-wombytch · 6 months
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Healthy anxiety coping mechanism ✅:
using the sophrology exercises I learnt today before tackling the call with my brother
My toxic chosen anxiety coping mechanism 😈 :
Sending a seething reply with thinly veiled threats to my ex harassing me/being creepy + filling it with radfem propaganda before having a 1min monologue with my brother's voicemail
#as a note : said ex is a male who made me realise that my idea of men was very different than the actual male body and being in a#relationship with one. He's also the kind radblr would want dead. He's a conservative pornsick pua who paid prostitues and raped me#on top of about all the male degeneracy you can imagine. So defo a terrible person I got with only because I was groomed#had internalised lesbophobia lack of self-awareness due to traumas and because I was overall in a terrible mental place#so don't feel sorry for him and please don't question my sexuality over him. I literally had my suicide planned back then#and made a lot of terrible and traumatizing life choices back then in order to self-sabotage and prompted by previous traumas#my agency over this was to break up/return in my country after three weeks of rapes under the same roof only to be raped againj#when I completely wasted myself and was coping with the process of whatever happened to me#I shouldn't have to justify it but some people here are quick to make assumptions and I've come to care a lot about radblr#and understand why some women here are wary of lesbians who have been with men given the rampant bi/lesbophobia#I was already repulsed by the male body before my rapes. i just thought I had to fix it and something was wrong with me and that being#a lesbian was bigoted (thanks TRAs for that one)#Anywaaaaays. I hope y'all are having a better day than me. It was fun to dump on my rapist that he has no business giving his opinion#about my sexuality or anything in general tho 🙃#Tañ ha Gerioù
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oh-katsuki · 2 years
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tw: body image, mentions of weight, mentions of being self conscious, alludes to fatphobia
im so hesitant to go to others when i have body image issues because the fact is that most of the time they don’t understand. i am not mourning because i am fat. i am not grieving over the shape of my body. i am not unhappy with the curve (or lack thereof) of my body. i love the way i look and the way i am shaped. i love who i am and who i will become and who i used to be. all of it i deeply love. 
what i am upset about is that i know that no matter how much i love myself, others will not simply because i do not fit the beauty standard. 
my problem is not that i don’t like myself enough. i don’t need to be told in those moments that i am beautiful (though it does feel nice to hear) because i already know. i need someone to hear me and understand me.
even in moments where i don’t like myself, i don’t need to hear that i am “pretty anyway”. i need someone to see what lead to me not liking myself. i need someone to understand that it is not that i am not beautiful, but that i do not fit a standard and my life is different because of it. 
so it’s hard to talk to others (mainly people who are thin) about things like this, which is incredibly isolating. it’s a hard pill to swallow that people who have always been thin will not understand where i am coming from. 
it actually sucks to say that because a lot of the time in conversations about this stuff, the first place people go is “well skinny people are self conscious too!!!” but they are still entirely different experiences. they’re different enough that a lot of the time people who have not lived it will not understand it. and that’s okay! they don’t have to understand. but that doesn’t mean that it’s not frustrating to be asked what’s bothering me, pushed to talk about it or mention it, only to be met with a glaringly wide gap between our personal experiences with the world that causes resentment that isn’t particularly deserved. 
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majorshatterandhare · 7 months
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Shout out to my fiddle/violin teacher for teaching me Shipping Up to Boston, because, as a result, most of what I hear when listening to No Happy Ending is “bosenberry strawberry strawberry, bosenberry strawberry pie, bosenberry strawberry strawberry, strawberry strawberry strawberry pie”
#the mechanisms#ouatis#no happy ending#i dont know if this is gonna make sense to anyone else#i assume that this is a normal method for teaching fiddle but i have no way of knowing#the thing is. at the end the fiddle stops but you can keep hearing it in the accordion because its just the length of the notes#and the bowing of the fiddle A determines the length of the notes but B is very parallel in sound at least to the accordion#idk if any of that made sense idk shit about the accordion#and i used the term ‘fiddle’ throughout here because a fiddle is typically a violin. but afaiaa nastya played a viola.#now the black one they had that didnt have a hollow body (and thus i think is electric. but again idk shit) has five strings which means-#its *both* a viola and violin. usually these combo instruments have a viola body because the lowest string needs the larger body to sound-#good basically. and the highest string can resonate well in the larger body. whereas as the sound of the highest string is great in the-#small body of the violin but the lowest one gets fucked up. however since that instrument doesnt have a hollow body i have no idea how that-#affects it. my assumption would be that even in this form the viola size is more common. since it is in the typical form. and that since-#viola is what nastya played anyway thats what they would have wanted#all of that is to say that i dont know which instrument they were using for performances or the recording of ouatis. but either way.-#fiddles are typically violins and it my understanding that nastya played a viola. therefore i just said fiddle instead of violin or viola-#wow! over explaining my beloved /j#gonna just state again that idk SHIT about the accordion and thats what i think im hearing but i could be wrong
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nehts · 2 years
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Cannot. cannot relate to so many things. hate it here
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spacedykez · 2 years
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#the otter ventposts#tw dysphoria#tw dysmorphia#i don't know the difference and can't be bothered to google it#vent in readmore#seriously do not feel obligated to read i just need to get it out#i wanna cry im going to cry i hate my chest so much i hate that i have to deal with my body despite the fact i'll never use it i dont want-#-this consant assumption that i'll have kids one day anyways but i just hate my chest its so fucking big and uncomfortable and bras never-#-fucking make it GO AWAY they dont hold it in place and then i get fucking reminded of it every time i take a STEP and i can't ignore it-#-because it just gets worse and worse and weighs in the back of my mind and now i can't do Anything because i'm just fucking THINKING-#-about it and ive never felt more sure im not faking something in my Life because it's a physical feeling of Dread and Hate and FUCK i-#-hate them so much. i dont want to see them i dont want to deal with them i dont want the weight on my chest i dont want the fucking-#-FEELINGS and theres no way to solve it why cant i just have a small chest at least why do i have to have these stupid fucking things-#-and i'm pretty sure it's just body dysmorphia but i don't have it for any other part of my body Ever and definitely never in this amount-#-i don't know maybe im demigender or something i dont fucking know i cant figure it out its fucking exhausting nothing feels right and-#-i know she/her doesn't Feel fully right but then i keep thinking no im just trying to be like everyone else and i dont think i am because-#-i dont fucking Want this confusion and hate and everything but i dont know. feminine doesn't feel wrong but Female and Woman and Girl-#-don't feel right either. and she/her doesn't feel Wrong like i'm not upset by it irl at all so. fuck. sorry. i just wish i could figure-#-it out. and i wish i didnt have this stupid chest. yeag.
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vertigala · 4 months
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*Grabs you by the throat* Listen to me you TMAGP-loving freaks. Listen to me right now. RedCanary might be the host for this universe's Jonah Magnus.
This is under the assumption that TMAGP takes place in a parallel universe that may or may not have already had the fears in it prior to Jon releasing them at the end of TMA.
RedCanary goes to explore the Magnus Institute ruins. They become paranoid because the Eye is watching them. They pick up a wooden box with strange symbols carved into it. They go to put it back. Next we hear from them, they post an image of gouged out eyes with the caption "Canaries should stay above ground."
They found the tunnels, hence that caption. Then they found Jonah Magnus's body sitting down there, waiting for a new host.
In this universe, the Magnus Institute burned down in 1999. Maybe in this universe Gertrude went through with her original plan of burning the place to the ground after finding out Elias was actually Jonah in 1997. Either way, let's say Jonah's original body is down there, maybe with Elias's body and his eyes and all that, and with his plans foiled, he's just chilling down there waiting for an opportunity which RedCanary then gives him. This is my going theory due to the specificity of the caption "canaries should stay above ground" (referring to the tunnels, and also it being in third-person) and the fact that RedCanary themselves would be pretty unlikely to be able to post that picture of THEIR OWN EYES GOUGED OUT unless it was Magnus assuming their body and identity and being a freak about it.
But there's more.
Narratively speaking, it makes sense for the third voice in the computer to be Jonah Magnus, right? If Jon and Martin ended up in this universe as voices in a computer, the only other person sharing their fate would have to be Magnus, given how TMA ended. Recall, also, the boot-up sequence in the trailer of TMAGP.
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[id: a screenshot of the text from the TMAGP teaser, which says “initializing J.01… OK/initializing M.01… OK/initializing J.02… OK”. end id.]
Jonathan, Martin, and Jonah, right? Unless Augustus is gonna be a new J name or this is just an unrelated easter egg but like. It's Jonah right?? Right??? And he's watching the O.I.R.A through the systems like a good little voyeur, and Colin knows it!
So now we possibly have TWO Jonah Magnuses in this universe!! That's absurd!! One from the TMAGP universe now loose and running around in RedCanary's body, and one from the TMA universe trapped in a computer. But if this is true...doesn't that mean there would be two Jons and Martins too?
And listen...I'm thinking about what Jonny and Alex said during that liveshow panel about this story's themes regarding "what makes a human." If we dare to hope that Jon and Martin (and Jonah, if it's his voice in the computer) are going to gain consciousness and once again become proper characters...then, are they going to simply stay in the computer? Or are they going to "manifest" physically? Are they going to UPLOAD themselves into THEIR OWN TMAGP UNIVERSE BODIES?
@doomatix and I have been going crazy over these theories and they were the one that initially considered RedCanary's new identity as Jonah Magnus. Are our facts wrong? Does any of this even make sense? We haven't seen anyone else posting about this particular theory. Someone help us we are rotting. And don't even get me started on how GWEN would fit into this--
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ploncc · 1 year
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i always assumed that i had a slow metabolism since i could go a rather long time eating very little and only realize once i was Suddenly Very Fucking Hungry that i'd missed a meal, but recently i have realized that i may, in fact, actually just have adhd and a fast metabolism, and that chronically just-slightly-under-eating may, in fact, explain quite a few Weird Things my body and brain have, in fact, been up to.
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badgertracksart · 10 months
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Portfolio advice, from a lead who hires Concept Artists
(This was originally a twitter thread I wrote before the site self imolated, hense it's strange structure.) I wrote this after a weekend of portfolio reviews - 1. Like a maths exam, please please show your working. I want to see thumbs options, mid options and of course a final design.
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2. Arrange your portfolio, I don't want to bounce about between subject matter and pipeline. Your portfolio's narrative should be as strong as your work... 3. Please make worlds that excite the viewer, make them want to go in and explore them, explain to them the interesting parts of the town, or the way the character's hat unfolds. How will this draw the viewer in? 4. As I've said before the majority of your project work is explanatory not mood, make sure your portfolio contains explanatory work. Explained here -
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5. A lot of beautiful post apocolyptic paintings, , but 80% of realistic games and film, we just give the environment artists photo ref, they are capable artists in their own right. Different work in stylised where you do need to create rules for how things can be translated. 6. Production art contains call out sheets, material references and flat graphics. This doesn't have to be your final image, but it should support it.
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7. Design characters on a swatch(es) of the environment they will be viewed in. Not on white. I make swatch backgrounds from screenshots, it avoids assumptions that damage readability. 8. Reverse of this, put people in your environments, show me the scale.
9. It's not a deal breaker for a review, but if you intend to get a job, please show me your work on a screen larger than a smartphone (print outs probably the cheapest option with the best battery life). 10. Please have your contact details clearly visible, and by that I mean email address, I will not pass your social media contact on, I cannot input your form into my tracking system. EMAIL ADDRESS emblazoned and bake it in, sometimes recruiters do funky stuff to pdfs
11. Your portfolio will never feel done, not to you anyway. You will have learnt from your latest pieces and want to apply it to older work. But we know art is a journey. Send your portfolio anyway. I've been in the industry 10+ years and my portfolio is still not 'finished'. 12. If you are applying to an environment centric Concept Art position then please vary your times of day! Golden hour is cool but show me some happy sunny days, looming overcast days, what about at night? Vary your weather too! Sunny snowy day? Rainy Spring day? Stormy night?
13. If you are applying for a character centric Concept Art role then please ensure your portfolio shows a variety of body types and ethnicities. 14. Designing characters for games? Please show back views and feet (!) Many potfolios contain only front views. This is a problem because:
You haven't shown you are considering the design from all angles.
In many games rear view is the main view.
Stop cropping feet.
15. If you are entry / graduating and looking at Portfolios to compare content and standard of yr own work too, look at hired grad/junior artists as opposed to seniors Seniors and leads often have old or personal work in their portfolio which isnt representative of the day job. 16a. Show clearly the intended use case for your Concept Art. Mention the game type in the description. Are these player character designs for a 3rd person adventure game? Then more back views please. Bonus points for diagetic ways of showing health / equipment / role etc.
16b. Are these designs for an FPS? Then really the player view of the gun needs to sell the player style/ choices, in an FPS your weapons are almost your character. Are these world designs? What's the view distance? For an RTS your shapes need to read from above & a distance. 16c. The lack of clarification means I am judging the design in isolation, which both harms the design (you might be considering the backview of a char as the main adventure character.) Or an NPC, their waist up expressions may be important for conveying exposition and mechanics.
16d. Concept art is not separate from gameplay, great concept art serves the game team before it is a good illustration.
17. Play games. A variety of games. Think about them. IMO to be a good concept artist you need to understand the common language & references used by your peers. Also understand the principles and common language your audience are used to. FPS design rules are v.diff from RTS.
18. There are many skills that are needed in concept art, please show them. For example: Graphic design - logos, liveries, typographic use etc. VFX concepts - Abilities, Ambience, motion concepts. Architectural knowledge - How buildings are built! & more but I'm out of space :O
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cuddlytogas · 2 months
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So I accidentally almost got into an argument on Twitter, and now I'm thinking about bad historical costuming tropes. Specifically, Action Hero Leather Pants.
See, I was light-heartedly pointing out the inaccuracies of the costumes in Black Sails, and someone came out of the woodwork to defend the show. The misunderstanding was that they thought I was dismissing the show just for its costumes, which I wasn't - I was simply pointing out that it can't entirely care about material history (meaning specifically physical objects/culture) if it treats its clothes like that.
But this person was slightly offended on behalf of their show - especially, quote, "And from a fan of OFMD, no less!" Which got me thinking - it's true! I can abide a lot more historical costuming inaccuracy from Our Flag than I can Black Sails or Vikings. And I don't think it's just because one has my blorbos in it. But really, when it comes down to it...
What is the difference between this and this?
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Here's the thing. Leather pants in period dramas isn't new. You've got your Vikings, Tudors, Outlander, Pirates of the Caribbean, Once Upon a Time, Will, The Musketeers, even Shakespeare in Love - they love to shove people in leather and call it a day. But where does this come from?
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Obviously we have the modern connotations. Modern leather clothes developed in a few subcultures: cowboys drew on Native American clothing. (Allegedly. This is a little beyond my purview, I haven't seen any solid evidence, and it sounds like the kind of fact that people repeat a lot but is based on an assumption. I wouldn't know, though.) Leather was used in some WWI and II uniforms.
But the big boom came in the mid-C20th in motorcycle, punk/goth, and gay subcultures, all intertwined with each other and the above. Motorcyclists wear leather as practical protective gear, and it gets picked up by rock and punk artists as a symbol of counterculture, and transferred to movie designs. It gets wrapped up in gay and kink communities, with even more countercultural and taboo meanings. By the late C20th, leather has entered mainstream fashion, but it still carries those references to goths, punks, BDSM, and motorbike gangs, to James Dean, Marlon Brando, and Mick Jagger. This is whence we get our Spikes and Dave Listers in 1980s/90s media, bad boys and working-class punks.
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And some of the above "historical" design choices clearly build on these meanings. William Shakespeare is dressed in a black leather doublet to evoke the swaggering bad boy artist heartthrob, probably down on his luck. So is Kit Marlowe.
But the associations get a little fuzzier after that. Hook, with his eyeliner and jewellery, sure. King Henry, yeah, I see it. It's hideously ahistorical, but sure. But what about Jamie and Will and Ragnar, in their browns and shabby, battle-ready chic? Well, here we get the other strain of Bad Period Drama Leather.
See, designers like to point to history, but it's just not true. Leather armour, especially in the western/European world, is very, very rare, and not just because it decays faster than metal. (Yes, even in ancient Greece/Rome, despite many articles claiming that as the start of the leather armour trend!) It simply wasn't used a lot, because it's frankly useless at defending the body compared to metal. Leather was used as a backing for some splint armour pieces, and for belts, sheathes, and buckles, but it simply wasn't worn like the costumes above. It's heavy, uncomfortable, and hard to repair - it's simply not practical for a garment when you have perfectly comfortable, insulating, and widely available linen, wool, and cotton!
As far as I can see, the real influence on leather in period dramas is fantasy. Fantasy media has proliferated the idea of leather armour as the lightweight choice for rangers, elves, and rogues, a natural, quiet, flexible material, less flashy or restrictive than metal. And it is cheaper for a costume department to make, and easier for an actor to wear on set. It's in Dungeons and Dragons and Lord of the Rings, King Arthur, Runescape, and World of Warcraft.
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And I think this is how we get to characters like Ragnar and Vane. This idea of leather as practical gear and light armour, it's fantasy, but it has this lineage, behind which sits cowboy chaps and bomber/flight jackets. It's usually brown compared to the punk bad boy's black, less shiny, and more often piecemeal or decorated. In fact, there's a great distinction between the two Period Leather Modes within the same piece of media: Robin Hood (2006)! Compare the brooding, fascist-coded villain Guy of Gisborne with the shabby, bow-wielding, forest-dwelling Robin:
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So, back to the original question: What's the difference between Charles Vane in Black Sails, and Edward Teach in Our Flag Means Death?
Simply put, it's intention. There is nothing intentional about Vane's leather in Black Sails. It's not the only leather in the show, and it only says what all shabby period leather says, relying on the same tropes as fantasy armour: he's a bad boy and a fighter in workaday leather, poor, flexible, and practical. None of these connotations are based in reality or history, and they've been done countless times before. It's boring design, neither historically accurate nor particularly creative, but much the same as all the other shabby chic fighters on our screens. He has a broad lineage in Lord of the Rings and Pirates of the Caribbean and such, but that's it.
In Our Flag, however, the lineage is much, much more intentional. Ed is a direct homage to Mad Max, the costuming in which is both practical (Max is an ex-cop and road warrior), and draws on punk and kink designs to evoke a counterculture gone mad to the point of social breakdown, exploiting the thrill of the taboo to frighten and titillate the audience.
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In particular, Ed is styled after Max in the second movie, having lost his family, been badly injured, and watched the world turn into an apocalypse. He's a broken man, withdrawn, violent, and deliberately cutting himself off from others to avoid getting hurt again. The plot of Mad Max 2 is him learning to open up and help others, making himself vulnerable to more loss, but more human in the process.
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This ties directly into the themes of Our Flag - it's a deliberate intertext. Ed's emotional journey is also one from isolation and pain to vulnerability, community, and love. Mad Max (intentionally and unintentionally) explores themes of masculinity, violence, and power, while Max has become simplified in the popular imagination as a stoic, badass action hero rather than the more complex character he is, struggling with loss and humanity. Similarly, Our Flag explores masculinity, both textually (Stede is trying to build a less abusive pirate culture) and metatextually (the show champions complex, banal, and tender masculinities, especially when we're used to only seeing pirates in either gritty action movies or childish comedies).
Our Flag also draws on the specific countercultures of motorcycles, rockers, and gay/BDSM culture in its design and themes. Naturally, in such a queer show, one can't help but make the connection between leather pirates and leather daddies, and the design certainly nods at this, with its vests and studs. I always think about this guy, with his flat cap so reminiscient of gay leather fashions.
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More overtly, though, Blackbeard and his crew are styled as both violent gangsters and countercultural rockstars. They rove the seas like a bikie gang, free and violent, and are seen as icons, bad boys and celebrities. Other pirates revere Blackbeard and wish they could be on his crew, while civilians are awed by his reputation, desperate for juicy, gory details.
This isn't all of why I like the costuming in Our Flag Means Death (especially season 1). Stede's outfits are by no means accurate, but they're a lot more accurate than most pirate media, and they're bright and colourful, with accurate and delightful silks, lace, velvets, and brocades, and lovely, puffy skirts on his jackets. Many of the Revenge crew wear recognisable sailor's trousers, and practical but bright, varied gear that easily conveys personality and flair. There is a surprising dedication to little details, like changing Ed's trousers to fall-fronts for a historical feel, Izzy's puffy sleeves, the handmade fringe on Lucius's red jacket, or the increasing absurdity of navy uniform cuffs between Nigel and Chauncey.
A really big one is the fact that they don't shy away from historical footwear! In almost every example above, we see the period drama's obsession with putting men in skinny jeans and bucket-top boots, but not only does Stede wear his little red-heeled shoes with stockings, but most of his crew, and the ordinary people of Barbados, wear low boots or pumps, and even rough, masculine characters like Pete wear knee breeches and bright colours. It's inaccurate, but at least it's a new kind of inaccuracy, that builds much more on actual historical fashions, and eschews the shortcuts of other, grittier period dramas in favour of colour and personality.
But also. At least it fucking says something with its leather.
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transmascissues · 7 months
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gay trans men: isn’t it fucked up that so many cis gay men proudly talk about how disgusting they think our bodies are, get violent when they realize they were attracted to one of us, push us out of community spaces because they don’t think we belong there, invalidate the orientation of the cis gay men who enter into relationships with us, accuse us of raping the cis gay men we’ve had sex with, aggressively misgender us and make assumptions about our bodies, act like their personal lack of desire to be with us means we must be fundamentally unattractive and morally reprehensible, and generally treat our existence like a personal attack worthy of a violent response when all we’re trying to do is exist?
those cis gay men & their friends: oh my god, you’re literally trying to force your disgusting female pussy onto gay men! this is conversion therapy! you’re a predator and a rapist and you deserve to die!
gay trans men: …we literally do not care if you have sex with us. nobody said anything about that. a lot of us are t4t, asexual, and/or already in a relationship, and the rest of also don’t want to have sex with you that badly because we would much rather be fucking someone who actually likes us; this has never been about who we personally want to sleep with. we’d just really appreciate it if you could treat us like human beings and not actively try to make the gay community hostile toward our existence. you don’t have to be attracted to us, just don’t be awful to us? and maybe, once you have that part down, ask yourself why you were so quick to assume a subset of queer people are all violent predators?
those people: HOMOPHOBES! EVIL GROSS FETISHIZING RAPIST HOMOPHOBES!
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MENTALLY JUST BE, PHYSICALLY JUST SLEEP
The 3D is a RESULT
If you assume something in the 4D(your mind) watch it unravel in your 3D
Why is this???
I’m gonna yell at you now
BECAUSE THE 3D IS CHANGEABLE AND IT IS SO BECAUSE OF THE FACT THAT IT IS A RESULT
The 3D is a result of assumption
The assumptions you created yourself subconsciously
Manifesting a new job is the same as manifesting
A billionaire status
Stop doubting something that’s so easy
Whether you manifest through The void or whatever other methods it is sooo easy
Quit victimizing and babying yourself and get it the fuck done
Ain’t nobody gonna do it for ya
It’s your life baby you write it design it however the heck you want it to be
I’m not one of those bloggers to be be like “it’s ok pookie if you fail🥹”
NO BITCH YOU CANNOT FAIL
THE VOID IS LITERALLY YOU
YOUR GORGEOUS SELF IS THE REASON WHY IT EXISTS AND YOU OVERCOMPLICATING IT FOR WHAT???
Ignore the 3D
It’s physical
The jeans you’re wearing right now or that hoodie
Is physical
You can change it up for you want
The 3D is that
It’s those jeans that hoodie those socks
Change it
If you don’t wanna wear it
THEN DONT
If you feel like you deserve better
ASSUME BETTER
LOOK IN THAT MF MIRROR AND TELL YOURSELF YOU ARE BEAUTIFUL AND YOU ALWAYS BEEN THAT BITCH NOBODY IS ABOVE YOU WE ALL FINE AS HELL
JEALOUSY FOR WHATTTTTT
BBY GIRL ITS ALWAYS BEEN YOU YOU ALWAYS BEEN THAT BITCH
YOU TOO PRETTY TO BE SAD YOU KNOW ABOUT THE VOID CUZ THE UNIVERSE SHOWED YOU YOU ARE THE CHOSEN ONE
ACT LIKE IT GIRL!!!!!!
THIS IS YOUR SIGN TO STOP READING AND GO GET THAT DREAM LIFE
LIKE TF YOU STILL READING FOR
TAKE YOU FINE ASS TO THE VOID AND GET WHAT YOU ALWAYS WANTED
WITH YOUR CUTE SELF😏
I LOVE YOU ALL SO MUCH
BUT STOP SAYING “hoW dO EnTEr tHE vOiD?”
👁️👄👁️
Bitch you just did
YOU ALWAYS DOOOOOO
Jesus peanut butter Christ
Cmon y’all
yOu HavE alWayS dONe tHis!!!!
Every time you go to bed
You’re detaching from the 3D(physical reality)
To be in the 4D reality
All you’re doing is becoming aware of it
Oh my god
How hard is that?!!!!
You’re killing me babes😔✋🏾
Please for the love of jell-o
Understand how easy this shizzz is
Bruh
You’re in the 3D void rn
I know that probably doesn’t exist but hear me out
You’re so attached to this reality right
Every day you are aware that you’re here living in this physical world as a physical being
This is like our 3D version of the void state
It’s not actually the void
But it’s like our state of awareness
Just in this 3D world
We’re aware that we are physical
So to shift your awareness to the 4D simply just
Be aware
Just like you’re aware now
“BUtt hoW dO sTaY aWAkE?”
Who said you gotta be sleepy??
Bitch you could do it rn if you really want to
It’s dumb to think you gotta be tired at to enter the void
NOOOOO
You literally are mentally awake
Your BODY is asleep
So why should you??
It’s different if you wanna tap into it WHILE asleep
Like waking up in it
But you don’t need to be dead tired to do it y’all
Listen bitch
You will never make it if you don’t claim your power and go get it
Stop wasting time stop assuming you fail or it’s hard
YOU DA POWERFUL ONE BABE
Sugar baby it’s all in your hands
You’re the God of your reality
Go make your life the way you want it
Quit spending hours trying to find methods to something to you naturally do every night with NO method
When you go to sleep
You are in the state of just being
You’re just sleep
When you’re awake you’re in the state of awakened awareness
You’re just awake and aware
Soooo in the void mix those two together in the void
Mentally Just BE
Physical Just sleep
Omg my new motto
The key to the void state is
“MENTALLY JUST BE
PHYSICALLY JUST SLEEP”
That’s it
That’s all
And If your favorite celebrities can manifest so can you
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