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#ouatis
fayzart136 · 2 months
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Once upon a time, in a far off sector of a very old galaxy...
(I decided to put the design details in the alt text this time! Once again, genre mixing is very fun.)
closeups under the cut! Please tap/click for better quality and to see the full picture.
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cavalierclavier · 10 months
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tfw you’re breaking out a science experiment with a broken snooze button and you keep sassing one another between the senseless violence
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reegis · 10 months
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✨mechanisms character designs!!✨
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lyf gets to be blue because i said so
who else should i draw!!!!
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sorry we used your girlfriend in an unethical cloning experiment. she's the new genetic base for an army now. yeah, she has fought and she has bled. now eternity will see her dead. sorry.
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ifthestarsarewilling · 8 months
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Mechs albums have taught me:
OUAT(IS): love conquers evil. gays rule, old men drool
UDAD: the government hates you
HNOC: racism caused global warming
TBI: eldritch trains kill people, or make you snakes if you're gay enough for the mind-bending squamous beings
DTTM: gay people dying is very sad, and the bury your gays trope transcends immortality
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rowan-on-the-moon · 9 months
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*walks up to a lesbian couple* so, which one of you is waging war on a hundred worlds on a thousand battle grounds and which one took your name from the ashes of your burning planet
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miralines · 3 months
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happy fuck the rose and you as well sunday! in honor, I am posting my thoughts about the line in pump shanty, because god do I have thoughts!
there are no rose reds at that point, right? they're fleeing the wedding. The only Rose explicitly in canon is... Rose. Snow's sister, who's just been kidnapped. Even for Greyditch, this seems... a little insensitive, to say the least.
But! There's also the phrasing. It's not "fuck Rose." It's "fuck the Rose."
See also Our Boy Jack. "When the red Rose, it comes a'marching," and "when the Rose comes over the water." Now, these could very concievably both refer to the Rose Reds, but consider: what if they don't?
What if the Rose is an established Crown insignia? Greyditch isn't saying fuck Rose, he's saying fuck the Crown. This makes a lot more sense in context.
This leads me to believe that Rose was named for the Crown symbol, which. Adds whole new layers to everything that happens to her. Woman destined from birth, by her name, to be a tool for Cole. I think her parents saw her red hair (the Crown’s color) and named her for it, in the hopes she’d continue their family’s legacy of serving the king. And she did, and every one of her clones did, to hundreds of thousands of deaths…
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posting it here too actually...... was thinking about rose a lot today
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amelie-isnt-french · 1 month
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"Jonny 'I don't write happy endings' Sims" this, "Jonny sits in his castle of screams and tortures characters" that - every story that man has put out into the universe is three raccoons called Hope, Humanity and Love wrapped up in a trenchcoat of horror and his writing gives me hope that us humans aren't completely doomed maybe.
Try to change my mind, but you can't!
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Based on the album Once Upon A Time In Space by The Mechanisms
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candlecoo-sideb-art · 11 months
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i would KILL to see rose and cinders
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I'll give a Snow if you don't kill.
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secretlyhuntokar · 1 month
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(Also including the super long songs bc I love them)
((This is how I find out every album starts with the album name except dttm))
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cryptile · 3 months
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Hey hey shhh dont cry- twenty theee warriors and a king, laid in blood when the battle has done
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reegis · 8 months
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Happily Ever [ERROR]
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allthedoorsareopennow · 5 months
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I'm feeling soo normal about how fucking beautiful jonny's voice is in rose red
also can we talk about the really cool round thing TS and jonny do??
open fire, opEN FIRE! is a kind of gender I think
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bisexual-lemon1 · 4 months
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I wanna talk about the main four mechanisms albums, and the ways in which they tackle tragedy. This shouldn’t be too long, and I’m kinda new to writing essays like this, but it seemed like fun.
Firstly OUATIS, I could go on and on abour OUATIS, like how the tragedy of OUATIS is baked into the genre. from the get go it’s about war and trauma and fascism, all things that while not exclusively, lend themselves to death and murder. You can listen to the first half of OUATIS and realize “oh shit, everyone involved is gonna die” by genre and the thematics of it alone.
Because that’s what war does
That’s what war is
For UDAD it’s a little more esoteric, and I probably have the least to say about it cuz it’s not my least Favoirte, not bad, just my least favorite. I think the best way to describe it is the line from twisted threads “how can you expect to escape if you were caught in a web before you began.” It’s made clear from the base set up that the olympians control everything, and as much as a heroic victory and triumph would be nice, some things just truly are too big to fail. Though arguably, amongst all the albums it has the best ending, the Olympians may not be brought down(in the album), the city might not be saved
But Ulysses gets to die, truly die and rest.
Something billions, perhaps trillions had stolen from them.
HNOC is definitely one of my favorites on this, being such a distinct and fun story and narrative. The tragedy is of the people themselves, and in a way I think it makes it the “most tragedy” out of the four, all of its preventable, yet entirely understandable. Hell, “just this once there could be a happy ending” is literally a line in it. Mordred’s actions are deplorable and violent and ruin everything but they’re understandable. He lost everything, why should the world live? It’s a dip into true nihilism and whag could lead someone to feel that way. Sometimes worlds are saved, and sometimes they aren’t. Sometimes worlds are killed, sometimes they simply grow old, but sometimes they kill themselves. And I think what makes it the most special compared to the other three is when it becomes doomed. OUATIS is about a bloody war, UDAD they were born into a web, TBI yhe conflict itself was resolved 80 years before the modern day the story is told through. But HNOC wasnt doomed from the start, the station wasn’t guaranteed to die, the Saxons weren’t guaranteed to be slaughtered. Yet nonetheless they were.
And finally TBI, now it’s what rly got my brain going on all of this, because I had the question “where does the tragedy become inevitable?” And frankly, there’s a lot of answers. TBI is doomed because the nuclear chaos was on its way before lyfrassir was even before. Because Odin wouldn’t stop no matter what. Because even if they hadn’t of messed with kyvasir there would have been dozens of other bifrost trains. But more than ALL OF THAT I think that the tragedy is inevitable because, as the album says. “A day, a week, a thousand years, means naught to what the train draws near.” It doesn’t matter, even if Loki’s missile had killed Odin and stopped the bifrost, someone else would have come along. Even the victory we got in the album itself, it wasn’t a victory, it was merely a prolonging, inevitable death was merely stalled, that’s the closest thing anyone could ever get to victory against the roiling nuclear chaos.
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