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#bat in the sun
oatmea1cookie · 1 year
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If you haven’t seen this you MUST check it out. It’s an amazing fan made short film by batinthesun called Dying is Easy. It has an amazing cast with well thought out characters.
Also side note I don’t know what the budget for this was but it is so aesthetically pleasing as well, with good costume design!
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abs0luteb4stard · 1 year
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Sorry if you're annoyed with the Green Ranger Jason David Frank posts. It's hot me pretty hard.
I have been suicidal in my life.
But JDF was such a positive pro-fan humble but confident dude. Dead at 49. From suicide.
It's left me with a deep cut in.my soul. I'm wondering if someone like him with positivity, success, family, a form of faith, love, his children, love from all over - could kill himself, then what chance do I have to live into old age??
Who he was, that wasn't an act. He's so positive and uplifting. So it's hard to think he died the way he did.
Suicide for me is just a hibernating giant. If he couldn't see a way out to live, then how will I ever??
So I'm deeply hurt. I mean even as a 12-13 year old. I had stopped watching the show, but i was being mercilessly bullied. I mean utterly tortured. I'm talking a Turkish prison here. Nobody to confide in. Noisy to back me up or defend me. No friends willing to step in. There was groups around me. It was practically coordinated. If a few were in my classes, they'd make sure I had some kind of a harassment or attack.
In desperation I found my Green Ranger Karate VHS. and I practiced. Nite so much for a fight, because could fight just fine, but against a group or 3 groups? I practiced you focus and "Imagine" that "training" was to fight these assholes. Like a group of putties on the show.
About 10 years later I followed JDFs social medias. He was such a good role model. I don't care about private matters as much. But what he did for people, his castmates, his daughter, the fans. I mean during covid he was touring comic shops to help them keep their doors open. Masks and all!
So I'm just devastated. Because I feel like he was a long distance mentor. Someone who had a great life ethic. His positivity was infectious. And I even had planned to meet him at some point.
This tragic dark ending is just crushing for me.
So you'll have endure my indulgences in Power Ranger reblogs.
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flexingtyger99 · 1 year
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Batman: Dying is easy
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craftyandy · 1 year
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RIP Jason D Frank Power Ranger Forever
https://youtu.be/5ZdK66ELi3s #jasondavidfrank #powerrangers #powerrangerslegacy  A hero to many childhoods and many as a adults power rangers forever. It's terrible and it was even not to long after congratulating one of his kids for graduating from high school. There wasn't any kind of sign of this coming. Rest easy. 
Posted using PostyBirb
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abduloki · 1 year
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Jason David Frank was still kicking even in his 40s.
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White Ranger vs Scorpion & Green Ranger VS Ryu
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Power Rangers Legacy Wars: Street Fighter Showdown Short Film
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Legend of the White Dragon
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xxjessabugxx · 1 year
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No matter how old I am , I’m still going to enjoy coloring eggs . I made a Batman egg because I wanted too . 😍 #tradition #batman #batinthesun #fun #life #love #dc
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daminouspurity · 1 year
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WATCH! MARVEL VS DC - LIVE ACTION!
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BATMAN: DYING IS EASY
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oobbbear · 4 months
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Warnings(?) for smooches and bitings
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I’ve gathered another 10 for a doodle post
Gitm belongs to @venomous-qwille !!!
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rileyclaw · 1 year
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new TOH animatic on my channel!
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puppetmaster13u · 8 days
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Prompt 293
Jason takes a deep breath. He takes a deep breath, in for ten seconds, out for eight, and just takes a minute before looking again. Nope, there’s still the strange quartet of orbs in the box of what should be stolen weapons (What, the government had enough, honestly) that gave his workers the heebie-jeebies. 
Which is not the vibe he gets from them. In fact, he’s actually kind of concerned with how much he has to beat the Pit back with how quickly it lurches to latch onto the… Well they’re not gems, and he’s a little wary about touching them at first, but the Pit does seem to settle when he does.
Alright, he can deal with this. It’s not like he has several heads in a duffel bag that needs to be delivered or a tiny assassin child back in his safehouse (Seriously Talia, why was he the preferred babysitter?) or an entire gang in Crime Alley to deal with. It’ll be fine. 
He would like to curse out his past self, because there’s now four babies in his safehouse that appeared to have fucking hatched from the orbs. Goddamnit. 
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crabsnpersimmons · 3 months
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This one goes out to all the slow burn enjoyers, the dense Y/Ns, and the soft robo jesters that suffer in silence!
Inspired by @bamsara's “Solar Lunacy” fic.
If you feel like reading my ramblings and want to experience more heartbreak for fictional jester blorbos, check under the cut where I detail all the planning behind the frames!
so i heard this song for the first time in a while and the opening lyrics immediately made me think of moon, so i was daydreaming some scenes and then i decided to thumbnail some ideas:
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and it all went downhill from there as everything became a metaphor and a parallel to each other, which i will now go into detail on!
you thought the animatic itself was sad?
*writing muse laughs maniacally* IT'S ALL A METAPHOR
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Frame 1. "turn down the lights" We start with a back view on Moon. The lights are out, the Moon is out, but we do not see his face. The music and the greyscale atmosphere are enough to establish the weight of the moment and the weight on Moon’s mind.
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Frame 2. "turn down the bed" We cut to a shot of Moon's body, kneeling on the ground of the daycare, like a padded cell. Moon’s hands are twitching with the effects of the glitch, with purple sparks coming from his hands. We still do not see his face.
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Frame 3. "turn down these voices inside my head" Cut to an extreme close up on the dark half of Moon’s face. Now we see his face, but only a portion of it. His left eye is wide open, red and glitching out. The voices in his head can refer to the glitch but also his repressed feelings. Or maybe it could be Sun's voice in their shared headspace.
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Frame 4. "lay down with me" Y/N's hand enters the frame from the upper right corner, lowering down to meet Moon where he kneels on the ground. Only a corner of Moon's face appears on the bottom left corner of the frame, his starry nightcap beginning to cover his glitched left eye.
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Frame 5. "tell me no lies" An full shot of Moon on the floor and Y/N standing in front of him with their hand stretched towards him. A light spills out from behind Y/N, creating a boundary between them.
Now we see more of Moon. It is only when Y/N enters the frame—enters his world—that Moon’s body is shown in its entirely. When Y/N is here, he is no longer fragmented. He is whole.
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Frame 6. "just hold me close" pspspspsps Playfully, Moon extends his own hand, beckoning Y/N to come closer, to join him. His right hand crossed over his body as he uses the playful gesture to hide his true feelings—to put distance between him and Y/N. His hat continues to cover his glitching left eye. He doesn’t want to worry Y/N.
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Frame 7. "don't patronize" In response, Y/N’s hand pats Moon on the head, returning his playfulness. Moon looks surprised by the action. Moon, notably, does not lower his hand—perhaps he has forgotten it or perhaps his invitation is still open.
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Frames 8-9. "don't patronize me" Moon rotates his faceplate so Y/N’s hand is touching the side of his faceplate, a more intimate gesture than a head pat. However, his hat is in the way. At this angle, his starry nightcap fully covers his glitchy eye and the dark side of his face, hiding his defect and acting as a veil between him and Y/N. A self-imposed boundary. So close, yet thinly separated. It's better this way. It's safer this way.
The lyrics are broken up by Y/N's arm, both to illustrate how the song is sung ("patronize" is drawn out and "me" is briefly added in before the chorus starts) but also to show how Y/N interrupts Moon's resolve, highlighting the irony between the visuals and the lyrics. Demanding not to be patronized, yet Moon happily accepts this play at intimacy. Don't patronize me, I am weak for it.
This is also the only instance where the red light of Moon's eyes glow and tint the surfaces around it. Visually, it makes it look like Moon is blushing (heavily inspired by @restinsodaroni's art). But also, in this moment of honesty, Moon's intrinsic light spills out, colouring the greyscale world. In this brief moment of honesty, Moon touches the world with his own colours, his own light.
(and this is also where i forgot to clean up the shading on Y/N's arm, but it's okay it doesn't need to be perfect it simply needs to be. And Moon will still love Y/N even if they are a continuity error.)
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Frame 10. "'cause I can't make you love me if you don't" A parallel to a frame 4, Y/N retrieves their hand away and immediately Moon is reduced to the corner of his faceplate in the frame. Only now his glitched eye is fully covered by his hat.
The lyrics here (and in the next frame) in particular grow lighter to emphasize Moon's diminishing resolve and agency.
From here on out, the lyrics here are broken up, carrying on this theme of fragmentation. Y/N is pulling away, Moon is breaking up, the words are breaking up. Everything is coming apart.
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Frame 11. "you can't make your heart feel something it won't" Y/N turns to leave. The lyrics, broken up as before, highlight the irony of the situation. Y/N, a human, can’t feel something they simply don’t feel. Whereas, Moon, the machine, feels something his code never intended him to feel.
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Frame 12. "here in the dark in these final hours" Another full shot that parallels frame 5, as Y/N steps towards the light and Moon leans forward into the space Y/N once occupied. Y/N is leaving—that which makes him whole is leaving. And he is only capable of making it to the boundary where the light cuts into the darkness. The "final hours" suggest it might be the end of Y/N’s shift, or perhaps this scene takes place right before the glitch takes over—the final hours that Y/N has with the true Moon. Either way, time is running out—and only Moon knows it.
There is a contrasting display of body language here. Moon is on the floor leaning towards Y/N with his hand still left out. Whereas Y/N is turned away, walking away, and has already slipped their hand away and into their pocket. Y/N is closed off while Moon is limply open. Y/N is actively moving while Moon is on the floor, waiting, hoping, for that which he lacks the agency to reach for himself.
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Frame 13. "I will lay down my heart" A close up on Moon’s hand, rising up again, perhaps to beckon Y/N back once more. This is a slight parallel to Y/N's hand reaching out to Moon. While Y/N can freely reach out and touch Moon, Moon cannot. He can't enter the light and more importantly he can't risk potentially harming his relationship with Y/N—be it through the glitch or by his feelings. He can only lay down his heart—put aside his feelings or hope that someone will pick up his pieces and make him whole.
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Frame 14. "and I'll feel the power" Still on a close up on Moon’s hand, now clenched in slightly. This initially was going to have the glitch effects. However, I felt it more meaningful for it to be left without. Leave it up for interpretation why Moon pauses his hand. What is the power that he alone feels and stays his hand?
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Frame 15. "but you won't, no, you won't" A parallel to frame 1, a view of on Moon's back with his hand stretched out towards the light, and Y/N walking into the light spilling through the open daycare door.
The placement of the lyrics suggest two different “you won’t”—Y/N who won’t realize Moon’s feelings, and Moon who won’t dare speak them into reality.
Another note on the parallel to frame 1, this time we also see Y/N's back, but it is notably different from our view of Moon's back. With Moon, we literally see inside him through the hole for his loop. However, Y/N is shrouded in shadow, just a solid, obscure silhouette against the bright light of a world Moon—and Sun for that matter—are closed off from. We don’t see into Y/N, just as the Daycare Attendant doesn't have any vantage point of Y/N's life beyond their time at the PizzaPlex. (The unfortunate reality of a being a character made for the purpose of being a vessel for the reader.)
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Frame 16. "'cause I can't make you love me" We finally cut to face Moon head-on, frozen in place with his hand stretched out, unable to cross the boundary into the light. His eyes have gone dark. Where we began by seeing bits and parts of Moon, and never seeing his full face—now we, the viewer, see the full Moon, open and vulnerable—unbeknownst to Y/N.
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Frame 17. "if you don't" But in the dark, behind closed doors, there is no one to perceive him—no one to receive him. The light dwindles as the daycare doors are closed. Moon stays frozen where he kneels. It is no longer the glitch that plagues him, but a far deeper dread.
But a lone streak of light peaks through the gap in the daycare doors. Perhaps that is just enough. A silver lining. A frail hope. A single, ethereal thread out of darkness and into light.
Thanks for reading and watching!
We'll be back to our regularly scheduled fun and games shortly!
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supercosplaylover · 2 years
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Coming soon on YouTube...
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son1c · 3 months
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more snowpoint au stuff :)
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the sandhill cranes are back! I got to see some mating displays, which apparently involve tossing things in the air and hopping around (。>ヮ< )
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wigglebox · 7 months
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Suptober - Day 1 || Liminal [x]
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