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derinwrites · 2 days

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The Three Commandments

The thing about writing is this: you gotta start in medias res, to hook your readers with action immediately. But readers aren’t invested in people they know nothing about, so start with a framing scene that instead describes the characters and the stakes. But those scenes are boring, so cut straight to the action, after opening with a clever quip, but open in the style of the story, and try not to be too clever in the opener, it looks tacky. One shouldn’t use too many dialogue tags, it’s distracting; but you can use ‘said’ a lot, because ‘said’ is invisible, but don’t use ‘said’ too much because it’s boring and uninformative – make sure to vary your dialogue tags to be as descriptive as possible, except don’t do that because it’s distracting, and instead rely mostly on ‘said’ and only use others when you need them. But don’t use ‘said’ too often; you should avoid dialogue tags as much as you possibly can and indicate speakers through describing their reactions. But don’t do that, it’s distracting.

Having a viewpoint character describe themselves is amateurish, so avoid that. But also be sure to describe your viewpoint character so that the reader can picture them. And include a lot of introspection, so we can see their mindset, but don’t include too much introspection, because it’s boring and takes away from the action and really bogs down the story, but also remember to include plenty of introspection so your character doesn’t feel like a robot. And adverbs are great action descriptors; you should have a lot of them, but don’t use a lot of adverbs; they’re amateurish and bog down the story. And

The reason new writers are bombarded with so much outright contradictory writing advice is that these tips are conditional. It depends on your style, your genre, your audience, your level of skill, and what problems in your writing you’re trying to fix. Which is why, when I’m writing, I tend to focus on what I call my Three Commandments of Writing. These are the overall rules; before accepting any writing advice, I check whether it reinforces one of these rules or not. If not, I ditch it.

1: Thou Shalt Have Something To Say

What’s your book about?

I don’t mean, describe to me the plot. I mean, why should anybody read this? What’s its thesis? What’s its reason for existence, from the reader’s perspective? People write stories for all kinds of reasons, but things like ‘I just wanted to get it out of my head’ are meaningless from a reader perspective. The greatest piece of writing advice I ever received was you putting words on a page does not obligate anybody to read them. So why are the words there? What point are you trying to make?

The purpose of your story can vary wildly. Usually, you’ll be exploring some kind of thesis, especially if you write genre fiction. Curse Words, for example, is an exploration of self-perpetuating power structures and how aiming for short-term stability and safety can cause long-term problems, as well as the responsibilities of an agitator when seeking to do the necessary work of dismantling those power structures. Most of the things in Curse Words eventually fold back into exploring this question. Alternately, you might just have a really cool idea for a society or alien species or something and want to show it off (note: it can be VERY VERY HARD to carry a story on a ‘cool original concept’ by itself. You think your sky society where they fly above the clouds and have no rainfall and have to harvest water from the clouds below is a cool enough idea to carry a story: You’re almost certainly wrong. These cool concept stories work best when they are either very short, or working in conjunction with exploring a theme). You might be writing a mystery series where each story is a standalone mystery and the point is to present a puzzle and solve a fun mystery each book. Maybe you’re just here to make the reader laugh, and will throw in anything you can find that’ll act as framing for better jokes. In some genres, readers know exactly what they want and have gotten it a hundred times before and want that story again but with different character names – maybe you’re writing one of those. (These stories are popular in romance, pulp fantasy, some action genres, and rather a lot of types of fanfiction).

Whatever the main point of your story is, you should know it by the time you finish the first draft, because you simply cannot write the second draft if you don’t know what the point of the story is. (If you write web serials and are publishing the first draft, you’ll need to figure it out a lot faster.)

Once you know what the point of your story is, you can assess all writing decisions through this lens – does this help or hurt the point of my story?

2: Thou Shalt Respect Thy Reader’s Investment

Readers invest a lot in a story. Sometimes it’s money, if they bought your book, but even if your story is free, they invest time, attention, and emotional investment. The vast majority of your job is making that investment worth it. There are two factors to this – lowering the investment, and increasing the payoff. If you can lower your audience’s suspension of disbelief through consistent characterisation, realistic (for your genre – this may deviate from real realism) worldbuilding, and appropriately foreshadowing and forewarning any unexpected rules of your world. You can lower the amount of effort or attention your audience need to put into getting into your story by writing in a clear manner, using an entertaining tone, and relying on cultural touchpoints they understand already instead of pushing them in the deep end into a completely unfamiliar situation. The lower their initial investment, the easier it is to make the payoff worth it.

Two important notes here: one, not all audiences view investment in the same way. Your average reader views time as a major investment, but readers of long fiction (epic fantasies, web serials, et cetera) often view length as part of the payoff. Brandon Sanderson fans don’t grab his latest book and think “Uuuugh, why does it have to be so looong!” Similarly, some people like being thrown in the deep end and having to put a lot of work into figuring out what the fuck is going on with no onboarding. This is one of science fiction’s main tactics for forcibly immersing you in a future world. So the valuation of what counts as too much investment varies drastically between readers.

Two, it’s not always the best idea to minimise the necessary investment at all costs. Generally, engagement with art asks something of us, and that’s part of the appeal. Minimum-effort books do have their appeal and their place, in the same way that idle games or repetitive sitcoms have their appeal and their place, but the memorable stories, the ones that have staying power and provide real value, are the ones that ask something of the reader. If they’re not investing anything, they have no incentive to engage, and you’re just filling in time. This commandment does not exist to tell you to try to ask nothing of your audience – you should be asking something of your audience. It exists to tell you to respect that investment. Know what you’re asking of your audience, and make sure that the ask is less than the payoff.

The other way to respect the investment is of course to focus on a great payoff. Make those characters socially fascinating, make that sacrifice emotionally rending, make the answer to that mystery intellectually fulfilling. If you can make the investment worth it, they’ll enjoy your story. And if you consistently make their investment worth it, you build trust, and they’ll be willing to invest more next time, which means you can ask more of them and give them an even better payoff. Audience trust is a very precious currency and this is how you build it – be worth their time.

But how do you know what your audience does and doesn’t consider an onerous investment? And how do you know what kinds of payoff they’ll find rewarding? Easy – they self-sort. Part of your job is telling your audience what to expect from you as soon as you can, so that if it’s not for them, they’ll leave, and if it is, they’ll invest and appreciate the return. (“Oh but I want as many people reading my story as possible!” No, you don’t. If you want that, you can write paint-by-numbers common denominator mass appeal fic. What you want is the audience who will enjoy your story; everyone else is a waste of time, and is in fact, detrimental to your success, because if they don’t like your story then they’re likely to be bad marketing. You want these people to bounce off and leave before you disappoint them. Don’t try to trick them into staying around.) Your audience should know, very early on, what kind of an experience they’re in for, what the tone will be, the genre and character(s) they’re going to follow, that sort of thing. The first couple of chapters of Time to Orbit: Unknown, for example, are a micro-example of the sorts of mysteries that Aspen will be dealing with for most of the book, as well as a sample of their character voice, the way they approach problems, and enough of their background, world and behaviour for the reader to decide if this sort of story is for them. We also start the story with some mildly graphic medical stuff, enough physics for the reader to determine the ‘hardness’ of the scifi, and about the level of physical risk that Aspen will be putting themselves at for most of the book. This is all important information for a reader to have.

If you are mindful of the investment your readers are making, mindful of the value of the payoff, and honest with them about both from the start so that they can decide whether the story is for them, you can respect their investment and make sure they have a good time.

3: Thou Shalt Not Make Thy World Less Interesting

This one’s really about payoff, but it’s important enough to be its own commandment. It relates primarily to twists, reveals, worldbuilding, and killing off storylines or characters. One mistake that I see new writers make all the time is that they tank the engagement of their story by introducing a cool fun twist that seems so awesome in the moment and then… is a major letdown, because the implications make the world less interesting.

“It was all a dream” twists often fall into this trap. Contrary to popular opinion, I think these twists can be done extremely well. I’ve seen them done extremely well. The vast majority of the time, they’re very bad. They’re bad because they take an interesting world and make it boring. The same is true of poorly thought out, shocking character deaths – when you kill a character, you kill their potential, and if they’re a character worth killing in a high impact way then this is always a huge sacrifice on your part. Is it worth it? Will it make the story more interesting? Similarly, if your bad guy is going to get up and gloat ‘Aha, your quest was all planned by me, I was working in the shadows to get you to acquire the Mystery Object since I could not! You have fallen into my trap! Now give me the Mystery Object!’, is this a more interesting story than if the protagonist’s journey had actually been their own unmanipulated adventure? It makes your bad guy look clever and can be a cool twist, but does it mean that all those times your protagonist escaped the bad guy’s men by the skin of his teeth, he was being allowed to escape? Are they retroactively less interesting now?

Whether these twists work or not will depend on how you’ve constructed the rest of your story. Do they make your world more or less interesting?

If you have the audience’s trust, it’s permissible to make your world temporarily less interesting. You can kill off the cool guy with the awesome plan, or make it so that the Chosen One wasn’t actually the Chosen One, or even have the main character wake up and find out it was all a dream, and let the reader marinate in disappointment for a little while before you pick it up again and turn things around so that actually, that twist does lead to a more interesting story! But you have to pick it up again. Don’t leave them with the version that’s less interesting than the story you tanked for the twist. The general slop of interest must trend upward, and your sacrifices need to all lead into the more interesting world. Otherwise, your readers will be disappointed, and their experience will be tainted.

Whenever I’m looking at a new piece of writing advice, I view it through these three rules. Is this plot still delivering on the book’s purpose, or have I gone off the rails somewhere and just stared writing random stuff? Does making this character ‘more relateable’ help or hinder that goal? Does this argument with the protagonists’ mother tell the reader anything or lead to any useful payoff; is it respectful of their time? Will starting in medias res give the audience an accurate view of the story and help them decide whether to invest? Does this big twist that challenges all the assumptions we’ve made so far imply a world that is more or less interesting than the world previously implied?

Hopefully these can help you, too.

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meiieiri · 1 day

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when do we get to see megumi in your new series ^3^

𝐛𝐞𝐰𝐚𝐫𝐞 𝐨𝐟 𝐤𝐢𝐬𝐬𝐞𝐬 ! [toji fushiguro]

synopsis: “you really are your mother’s son,” toji grumbles to megumi as the little brat yet again refuses another kiss from him.

pairing: toji fushiguro x f!reader | art: @/amulin67 on twt/ig | hidden inventory: the lost tapes series masterlist

warnings: n/a | a/n: finally welcoming megumi to this series, yay! 💓💞

“I’m just gonna go nap for a bit. Promise me you’ll wake me up if something happens. But either way, his bottle is over there, just heat it up when he gets hungry and you know where his diapers are—“

You are interrupted by a sweet kiss that still manages to catch you off guard ‘till this day.

“I wasn’t done, you know.” You place your hands on your hips, shooting him a warning glance. “And don’t you go tossing him too high. Need I remind you, our apartment has a literal ceiling fan—“

“—You worry too much,” Toji cuts you off again with another kiss. “Not gonna lie though, seeing you all worked up like that is kinda turning me on.”

“You’re horrible,” you conclude. Honestly, at this point, almost anything and everything you do can be classified as a thirst trap for Toji. You blush when Toji inches closer, his hips pressed against yours, a smirk plastered on his face when he sneakily squeezes your ass causing you to yelp. “Ah! Toji!” you swat his hand away, burying your blushing face in his chest.

Chuckling at you, he plants a soft kiss on your temple as he pulls away. “Alright, mama, go get some rest. I’ll hold down the fort.”

“Thank you.”

No one ever told you that motherhood would be so stressful. Which is why you’re so blessed to have a supportive husband who may have started out a little awkward with caring for your newborn son but gradually became a natural with this whole fatherhood business as time went by. And that’s mostly because when Megumi arrived in this world at half past two in the afternoon of December 22 with nothing more but a small hiccup as he slipped into his papa’s waiting arms, Toji fell in love. And you don’t pretend to not know why. Because whenever you look at Megumi, your heart always just seems to melt at his pudgy rose-colored cheeks and his deep expressive green eyes that fill up with tears regardless if he’s crying or being overcome by a laughing fit whenever you pepper his tiny face with kisses.

Speaking of kisses, today’s latest fiasco is centered exactly on that: kisses.

You see, you have this habit that goes way back to when you and Toji first started dating. Toji remembers it well, you have certain moods when it comes to kisses. Sometimes, you’re the one initiating it which mostly results in Toji becoming an incoherent blushing mess, or most times, Toji gets the party started by slowly kissing up your neck, his breath hot on your earlobe as he presses his hips against yours while you slept fitfully, your hushed dulcet whines ringing in his ear as your lips instinctively find each other. Fun fact: that’s exactly how Megumi came to be.

But there are times too, when you were just not having it and you’d gently nudge Toji’s face away when he tries to kiss you.

It was a typical afternoon. Toji didn’t have work that day which was a huge relief for him because you’ve been suffering from dizziness and lower back pain all day. And being the helicopter partner and soon-to-be papa that he is, Toji keeps a close eye on you as you nap the afternoon away on the couch. He smiles softly as he sees you instinctively put a protective hand over your belly whenever you’d feel the slightest movements from the baby.

“Shhh, you’re alright,” he’d whisper to you as you slept, combing his fingers through your hair, a permanent worried frown on his face when a whimper falling from your pursed lips as the baby kicks you again. “It’s just the overgrown parasite fidgeting around.”

“Don’t call him that.” You brush his hand away, your eyebrows knitting in discomfort.

Toji chuckles, going to press a kiss to your soft lips only for you to place your entire palm on his face, applying gentle force to pry him away. “I mean, what is he then? Other than this thing that competes for your nutrients? He’s—“

“—Our baby boy.”

“—An overgrown parasite.”

Fuming at his words, you decide to hit back with a quick retort of your own. “Yeah? It really does take one to know one, huh?”

“What a cute comeback but maybe not as cute as you,” Toji smirks, his hand gently removing your smaller one from his face, his lips puckered up as he leans in. Teasingly, you place a hand over your lips, still refusing to indulge him with his much-craved kisses. “Come on, I just want one sloppy one~”

“No!” Your laughter-filled voice comes out muffled against your palm.

“Mm, yes,” Toji teases. “Yes. Come on, baby, just one.”

“You and I both know it’s never just one.”

Of course. Why else would you be in this situation if Toji knew how to spell the words: self and control? Still, it’s not like the two of you were complaining. After all, the bond you and Toji share is an unbreakable one that’s only been strengthened by time and the many trials you’ve survived together. And now, the arrival of the very product of your love is only a hair’s breath away. Toji rests his chin on top of your head, plopping down next to you and spooning you from behind. “Guilty as charged.”

And unfortunately, it seemed your son had inherited that troublesome quirk of yours and it’s beginning to break Toji’s infuriated heart because whenever he tries to give Megumi a kiss…

“Mmph—“

There it was.

Toji’s eyes shot open, grimacing as Megumi turns his head away, his eyes trained stubbornly on his dog plushie, and his chubby hands pushing his poor papa’s chin away with all the might a six-month-old like him could muster. And to top things off, he must be imagining things because newborns surely couldn’t scowl right? Their tiny little brains couldn’t possibly have enough electrical energy to charge a snow globe much less, learn how to hate certain people’s kisses.

“You little shit—“

Sure enough, the tiny little baby seems gravely unamused, his eyebrows are knitted, the corner of his lips curled into a disappointed frown as if to say: Go kiss someone else, you even bigger shit.

Toji mirrors the unfriendly scowl on his son’s face, noting how Megumi seems to be glaring at him. Oh, okay. The brat ain’t messing around, his eyes twitches but somehow, Toji is also a picture of a proud father. At least the little shit’s got spunk. And he wonders momentarily who he should blame for that.

Definitely not him, that’s for sure.

Toji doesn’t recall the last time he’s ever had the comforts of a peace like this one. Actually, this might just be the first time that Toji knew what that word meant: “peace”. A freedom from disturbance; tranquility, as per the Merriam Webster Dictionary. But Toji has a better definition for peace: you and Megumi.

But…

“I meant what I said to your mother though,” Toji engages in a one-way conversation with his son. He won’t recall any of this, but it didn’t hurt for Toji to be candid about his feelings every now and then especially when it came to this little one that came accidentally into your lives but brightened it up nonetheless. “The two of you would be better off — maybe even happier — with someone else.” He presses his thumb against Megumi’s cheek. “It’s what you two deserve.”

He’s been gone close to a whole day now and you were probably beginning to worry. Out of all the shitty things Toji has done, this, by far, has to be the shittiest. Standing outside a pachinko den, his back pressed against the wall, and his hand absentmindedly playing with the tokens he just bought. When he left the apartment that day, you knew that could very well be the last time you ever see him. Types like him aren’t keen on the whole picket fence idea of settling down.

“I’m heading out today.”

Your blood runs cold when Toji steps into the kitchen to inform you of his plans. You don’t even bother to look at him, your gaze simply settled on the positive pregnancy test on the table. The right thing to do was to stay, he should have held you in his arms and tell you that everything’s going to be okay not plant seeds of doubt in your mind by taking off and running away like a coward.

But for once, Toji was scared.

He had no business becoming a father when he’s lived in a dysfunctional household for majority of his life. What good would he even impart to his child? His pathetic existence has been a picture of disorder that was only recently resolved when you came into the picture. Well, if he were being completely honest, he still hasn’t figured things out quite as well yet. And as a father, that could be catastrophic for a child that required stability if nothing else.

Frowning, Toji leaves the pachinko den, chucking the tokens in the trash. It was far too early in the day to be hanging around shady places like these anyway. He wanders the streets for a good while, his hands buried in his jacket’s pockets as his mind swirls with thoughts about the all too terrifying future.

A pang of guilt strikes his heart and he wonders what you’re doing now. You must still be in the kitchen, your face buried in your hands as you try to think of something. You were probably assuming he wasn’t coming back. After all, you did say: “I don’t wanna pressure you into staying, Toji. You deserve to live your life the way you want it.”

A life without you? Sounds pretty miserable.

Toji must have been walking on autopilot because for some reason, he unknowingly finds himself in front of a bank. Mizuho Bank, Toji reads the sign, his eyes flicking over to one of the posters plastered on the window about opening a savings account.

He looks at the promotional material, transfixed at the picture of a family of four donning on those typical wide stupid grins in ads, the father is holding a hundred yen bill and is seen dropping it into a piggy bank that was filled with both cash and words like: health insurance, family vacation, utility bills, rent, tax, school, and…happiness.

…

Toji returns to the apartment at around eight in the evening after making a quick stop at the supermarket and the pharmacy. He finds you asleep on the couch, your cheeks stained with dry tears. He crouches on the edge of the couch, worriedly taking in your appearance. You’ve been crying. “Hey…hey, wake up,” he gently shakes you awake and your tired eyes flutter open. “Got you something.”

He holds out a shopping bag, chock full of fresh produce, and from the pharmacy, some camphor oil to relieve your symptoms and those folate supplements the attending pharmacist kept yapping about.

“You didn’t leave,” you said, bewildered. “I thought you—“

“—You thought wrong,” Toji says firmly. He pulls out something from his back pocket and you stare at him, perplexed.

“A bank passbook?” You open it to see that Toji had just made his first deposit amounting to fifty thousand yen earlier today. “You opened a savings account?”

Toji nods, looking a little proud of himself. “Yeah,” he tries to play it off with a shrug of his shoulders. “Every week, we’ll be depositing fifteen thousand yen in that thing. Ten thousand for your maternity needs, and five for the little brat’s schooling one day.”

Tears spring to your eyes upon realizing that Toji was here to stay. “You mean you’re—?” You are cut off by a warm kiss on your lips, and you place a hand over Toji’s chest, your fingertips gripping the fabric of his shirt as his lips move against yours. He pulls away after a while.

“Gonna spite the hell out of the Zenin clan and send my brat to the most expensive preschool in Tokyo? Yes, I am.”

Toji sighs, his thumb rubbing across Megumi’s chubby cheek. “But maybe — just maybe — hear me out and don’t you give me another glare.” Megumi’s not gonna remember any of this. After all, memories begin when the brain can fully register speech. But Toji felt the need to say this so, subconsciously, his son will understand just how much he’s done and he’s willing to do for the both of you.

“…Maybe I deserve the two of you too, you know.”

Megumi looks up at his father, curiosity gleaming in his eyes. Toji sticks his tongue out at the little one causing the latter to…hiccup? Nah, Toji was sure that was a giggle.

Smirking, Toji leans down to give his son a kiss, thinking he’s patched things up between them now only for Megumi to curl up again, his feet and hands resisting against Toji, his lip downturned in effort as he pushes him away yet again. Conceding, Toji grumbles, rubbing the spot where Megumi roughly pushed him away.

“You really are your mother’s son.”

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lorarri · 2 days

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★ . . . 𝐂𝐇𝐈𝐂𝐊𝐄𝐍 𝐒𝐇𝐎𝐏 𝐃𝐀𝐓𝐄 , 𝐋𝐍𝟒

summary , when making a guest appearance on your youtube series chicken shop date you were surprised by how much you actually enjoyed his company and the rest was history

pairing , lando norris x fem! youtuber! reader

main masterlist | f1 masterlist | lando norris masterlist

yourinstagram now playing: friday - riton, nightcrawlers, mufasa & hypeman

liked by landonorris charles_leclerc 89,279,365 others

yourinstagram landonorris has my heart racing 🏎️ chickenshopdate out Friday !

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user Lando is literally perfect for this you don't understand

user brb need a pit stop you two are too good together ❤️‍🔥

user ICONIC collab 😮‍💨🙌🏽

user cold

charles_leclerc me next??? ⤷ landonorris no she mine ⤷ yourinstagram ummmmm since when sirrrr

user STOP STOP STOP IM SCREAMING!!!!!!!!

user He’s P1 in our hearts 😍🧡

user Get him some fish sticks

user ok song choice, you know what’s up

user can already hear his giggles

user Yeah, we needed this for sure

user IT'S FRIDAY THENNN 🕺

user Lando buzzing that he gets to eat a proper meal for once 😂

user At this point I don’t watch for the celebrities, I watch for Y/N.

user the capri sun is so iconic

user Weird, I’m jealous of a ketchup bottle

user BROOO IS THAT HOW IT FEELS TO GO ON A DATE WITH LANDOOO!???? cause im in

user We can’t gatekeep him anymore😭

user So this is what a date with Lando Norris is like?

user not him and charles beefing in the comments over Y/N 😭😭

user 😭 HOW 😭 DOES 😭 IT 😭 FEEL 😭 TO 😭 BE 😭 LIVING 😭 MY 😭DREAM 😭

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yourinstagram . 2hrs ago

seen by landonorris maxverstappen1 57,279,364 others

landonorris replied to your story!

you love me really

no comment

yourinstagram

yourinstagram The secret is out 💋 chickenshopdate with landonorris out now!

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user RUNNING TO WATCH RN

user Y/N if you don’t I will

user Please make out with every guest, okay thank you bye

user STOP SMILING MAN WHAT THE HECK HE IS SO CUTE

user “i’m down” fell to my knees in the grocery store

user LMFAOO the way she answered “playing hard to get” too😭😭😭😭

user The LIP BITE after the ‘even hotter if I was in there’ 😅😅😅 OH MY

user LMAO she still didn’t follow him back😭😭😭😭😭

user lmk when someone writes this fanfic pls

user Y/N. This man is in love with you.

user Man was offended by "thats why your not winning" 😭

user Nah because they’re cuteeeee together 😩😩

user Wow I think I might like this one more than the one with central cee 😭

user Freaking get married right now

user he’s so bashful loveeee

user best duo ever ahahahahaah so chaotic

user Wasn’t long enough!!!!! 😭😭

user Okay, now I need every F1 racer to do chicken shop date

user This is a real date

user Lmao, best crossover

user This is illegal 😭 too cute😍

user PLS HE COULDN'T EVEN STOP BLUSHING 😩😩😩

user Amelia, this is so darn cute, please just date him already

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Y/N L/N → LANDO NORRIS | CHICKEN SHOP DATE

landonorris

liked by yourinstagram carlossainz55 89,265,186 others

landonorris Gonna go get my appendix removed. Apparently you do it and you win a race soooooo…. congrats Carlitos 🌶️ #weightloss

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user CARLANDO. 🙏

yourinstagram Yay you were faster !!! 😍 xxx ⤷ landonorris all for you bae ⤷ user 😭💀 ⤷ user CSD effect💅 ⤷ user HELP HE WAS ⤷ user followed him back after getting on the podium 😂😂😂 ⤷ user it’s the power of love….🎶 ⤷ user more Y/N motivation 😍😍😍👏👏 ⤷ user FAV WAG 🥰 ⤷ user the most supportive gf for real ⤷ user not him calling her bae on the main

user What a duo 🔥

user Another Carlando podium….Another happy day 😁

user every racing driver about to go remove their appendix

user CARLANDO NATION! WE WON 🧡❤️

user All drivers take notes 📝 🤣🤣

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landonorris and yourinstagram . 4hrs ago

seen by carlossainz55 charles_leclerc 79,394,579 others

charles_leclerc replied to yourinstagram story!

so is this still a no for that chicken shop date??

get lando's blessing and then we'll talk

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communistkenobi · 3 days

Note

Hi, genuine good faith question if you'd like! How is TOS racist? It was my understanding that the OG Series was like, huge for equality in media?

I’m speaking primarily about the content of TOS itself, not its historical impact - I understand it had various historic firsts in terms of having characters of colour in respectable roles, which I’m not dismissing. My experience with the discourse on here surrounding the show is that people front-load these character representations as emblematic of the show’s progressive politics. Which, if we want to go that route, TOS was contemporary to the US civil rights movement, which provides us with a handy measuring stick to see how TOS actually grapples with race, not just the presence of characters of colour themselves. I'm going to be kind of defensive in this explanation, not towards you specifically, but because I have had this conversation with people online many, many, many times, and so any defensiveness on my part is in anticipation of arguments I know will come up as a result of making the basic claim that a show made in America in the 1960s is racist. I'm also going to be copy + pasting from an older post I've made on the subject since it's been a while now since I've watched TOS so some of the details are fuzzy.

Like okay, the premise of TOS is that the Enterprise, as an ambassador of Starfleet/the Federation, is seeking out new alien life to study. The Prime Directive prohibits the Enterprise crew from interfering with the development of any alien culture or people while they do this, so the research they collect needs to be done in an unobtrusive way. I think this is the first point at which people balk at the argument that TOS is racist or has a colonial conception of the world - the Enterprise’s mission is premised on non-interference, and I think when people hear ‘colonial’ as a descriptor they (understandably, obviously) assume it is describing active conquest, genocide, and dispossession. Even setting aside all the times where Kirk does directly interfere with the “development” of a people or culture (usually because they’ve “stagnated” culturally, because a culture "without conflict" cannot evolve or “develop” beyond its current presumed capacity - he is pretty explicitly imposing his own values onto another culture in order to force them to change in a particular way), or the times when the Enterprise is actually looking to extract resources from a given planet or people, I’m not exactly making this claim, or rather, that’s not the only thing I’m describing when calling TOS racist/colonial.

The show's presentation of scientific discovery and inquiry is anthropological - the “object” of analysis is alien/foreign culture, meaning that when the Enterprise crew comes into contact with a new being or person, this person is always read first and foremost through the level of (the Enterprise’s understanding of) culture. Their behaviour, beliefs, dress, way of speaking, appearance, and so on are always reflective of their culture as a whole, and more importantly, that their racial or phenotypic characteristics define the boundaries of their culture. Put another way, culture is interpreted, navigated, and bound racially - the show presents aliens as a Species, but these species are racially homogeneous, flattening race to a natural, biological difference that is always physically apparent and presented through the lens of scientific objectivity, as "species" is a unit of biological taxonomy. Basically species is a shorthand for race. This is the standard of most sci-fi/fantasy genre work, so this is not a sin unique to Star Trek.

Because of this however, Kirk and Co are never really interacting with individuals, they are interacting with components of a (foreign, exotic, fundamentally different) culture, the same way we understand that a biologist can generalize about a species using the example of an individual 'specimen'. And when the Enterprise interacts with these cultures, they very frequently measure them using a universalized scale of development - they have a teleological (which is to say, evolutionary) view of culture, ie, that all cultures go from savage to rational, primitive to advanced, economically simple to economically complex (ie, to capitalist modes of production). And the metrics they are judging these cultures by are fundamentally Western ones, always emphasising to the audience that the final destination of all cultures (that are worthy of advancing beyond their current limited/“primitive” stages) is a culture identical to the Federation, a culture that can itself engage in this anthropological mission to catalogue all life as fitting within a universal set of practices and racial similarities they call “culture.”

This is a western, colonial understanding of culture - racially and spatially homogeneous people comprise the organs of a social totality, ie, a society, which can then be analysed as an “object,” as a “phenomenon,” by the scientists in order to extract information from them to produce and advance state (ie Federation) knowledge. The Enterprise crew are allowed to be individuals, are allowed to be subjects with a capacity for reason, contradiction, emotion, compassion, and even moments of savagery or violence, without those things being assigned to their “race” or “culture” as a whole, but the people they interact with are only components of a whole which are “discovered” by the Enterprise as opportunities to expand and refine the Federation’s body of knowledge.

Spock is actually a good example of what I'm talking about, because he is an exception to this rule - unlike the others in the crew, his behaviour is always read as a symptom of his innate Vulcan-ness, where his human and Vulcan halves war for dominance in his mind and character. Bones (the doctor, one of the main cast) constantly comments on Spock's inability to feel things, that he is callous and unsympathetic, ruled by Vulcan logic to such an extreme that his rationality is a form of irrationality, as his Vulcan blood prohibits him from tempering logic with human emotion and intuition. Now you can argue that Bones is a stand-in for the racists of the world, that Spock proves Bones wrong in that he is able to feel but merely keeps it under wraps, that Vulcans are not biologically incapable of emotion but merely live in a socially repressive culture, but this still engages in the racial logic of the show - Vulcans are a racially-bound species with a single monolithic culture, and Spock's ability to express and feel 'human emotions' is the metric by which he is granted human subjectivity and sympathy.

And on the flip side you have the Klingons - a “race” that is uniformly savage, backward, violent, and dangerous. In the episode Day of the Dove, where Klingons board the Enterprise along with an alien cloud that makes everyone suddenly aggressive and racist (this show is insane lol), the Enterprise crew begins acting violent and racist, but the Klingons don’t change. They aren’t more violent than before (because they already were fundamentally violent and racist), and they don’t become less violent when the cloud eventually leaves (because they are never able to emerge from their violence and savagery as a social condition or external imposition - they simply are that way). Klingons are racially, behaviourally, psychologically, and culturally homogeneous, universally violent and immune to reason, and their racial characteristics are both physical manifestations of this universal violence as well as the origin of it. The writers and creators of TOS are explicitly invoking the orientalist idea of the “Mongolian horde,” representing both the American fear of Soviet global takeover as well as blatantly racist fears about “Asiatics” (a word used in the show, particularly in The Omega Glory where a fear of racialised communist takeover is made explicit) dominating the world.

This is colonial thinking! Like, fundamentally, at its core, this is colonial white supremacist thinking. Now this is not because TOS invents these tropes or is the origin of them, it is not individually responsible for these racial and colonial logics - these conceptions are endemic to Western thought, and I am not expecting a television show to navigate its way outside of this current colonial paradigm of scientific knowledge. I’m also not expecting an average person watching this to pick out all the intricacies of this and link it to the colonial history of Europe or the colonial history of western philosophy/thought. But this base premise of Star Trek is why the show is fundamentally colonial - even if it was the case that the crew never intervened in any alien conflict, never extracted any material resources from other people, this would still be colonial logic and colonial thinking. The show has a fundamentally colonial imagination when it comes to exploration, discovery, and culture.

I think a good place to end is the opening sequence. The show's first line is always "Space! The final frontier." I do not think the word frontier is meant metaphorically or poetically - I think the show is being honest about its conception of space as an infinitely vast, infinitely exotic frontier from which a globally Western civilisation (which the Enterprise is an emblem of) can extract resources, be they material or epistemic

#tos.txt #< have more posts in there also

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rafecameroninterlude · 1 day

Text

₊˚⊹˚ 𐙚 𝟐𝟒

pairing: dark!rafe x fem!pogue!reader

summary: ❝there’s only 24 hours in a day, and half of those you lay awake with thoughts of murder and carnage.❞ — when you accidentally witness rafe commit a murder, he’s willing to do everything he has to do in order to make sure there’s no loose ends. even if that means tracking you down and killing you himself.

warnings: predator/prey dynamic, murder, descriptions of violence and blood, time skips (just hours apart), choking (not the good kind), rafe quite literally tries to kill you, it kinda gives stockholm syndrome ngl

word count: 3.1k

a/n: series masterlist

hour one - 9:00 PM

“i can’t believe you talked me into taking this short cut to the boneyard, this is creepy as fuck.” you shivered, regretting your shoe choice as the gravel crunched underneath your sandals. “you’ll be here in no time, i swear! did you pass that abandoned house on the left already?” you froze, glancing back at the isolated dirt path. “girl- i haven’t seen anything since i turned this way like fifteen minutes back.” your friend gasped on the other end of the line. “where the hell are you then?!” lizzie yelled, attempting to shout over the music in the background.

“you tell me!” you cursed under your breath when you got a low battery notification. “look, my phone is about to die, i’ll try to call when i get closer.” you hung up, spotting a clear field to cut through. up in the distance you could see what looked like headlights. “thank god.” you sighed, making your way over in hopes of getting a ride out of here. as you got closer, you started rethinking your decision when two men came into your view, one pushing the other onto the ground. “what the fuck?” you whispered to yourself, your heart dropping as the man that was standing up pulled out a gun.

“please don’t do this! i’ll never steal from you again, man. i swear!” you were stuck, your feet not moving no matter how hard you tried. “you didn’t just steal from me, you stole from my family.” the cock of the gun was loud enough for your heart to beat wildly in your chest. “please, i’m begging you!” terror flooded through your system when the man on his knees glanced up, pointing a finger at you before the sound of a chamber being emptied pierced through the chilly night air. you jumped, covering your ears as they rung. the man fell with a thud, the realization of what you’ve just seen made your breath catch in your throat.

“hey!” the guy with the gun started running towards you, sending a shock of fear down your spine as you stumbled back. you whimpered when the palms of your hands landed on the bed of grass below you, the man’s footsteps only getting closer with each second you stayed on the ground. finally, when he was close enough for you to make out his face, you bolted in the opposite direction, a scream leaving your lips when he grabbed a handful of your hair, pulling you against his front as he breathed against your skin. “you shouldn’t have seen that.” he traced your arm with the cold metal of his gun. “please, i won’t tell anyone, i was just trying to get to a party when i saw your truck. i thought you could help me out.” you whimpered.

“thought i could help you out?” he repeated, turning you around in his grip, “you’ve seen my truck, and now you’ve seen my face. i don’t want to do this but your pretty little self was just at the wrong place at the wrong time.” tears welled in your eyes as he held the gun up to your head. “i won’t go to the cops, i promise!” you cried, hands wrapping around his wrist. “i’ll forget all of this even happened.” truth be told, he really didn’t want to kill you. the second you saw his eyes soften, you knee’d him in the groin, pushing him in the chest as you took the gun from his hand. “sorry, not sorry!” you shouted, running as fast as you can while he groaned in pain. “you stupid fucking bitch!” he yelled, punching the ground in frustration.

you put the gun on safety mode, throwing it in your purse as you ran and didn’t stop until you reached what looked like the beach. sure enough as you got closer, you could hear the cheer of nearby partygoers. you sighed in relief, making your way to the center where lizzie and jj were sitting down at. “oh my god, are you alright?!” your best friend wrapped her arms around you, pulling you into a hug while jj examined you closely. “dude, you look like you just climbed out of the woods or something.” you rolled your eyes at his words. “thanks, jayj.” you sat down, contemplating if whether or not you should tell lizzie what happened.

“i texted you like fifteen minutes ago to check on you!” she hit your arm playfully. your phone. you quickly patted yourself down, subtly looking through your small purse for the device, only to realize that you might’ve dropped it during the whole ‘escape from the killer!’ fiasco. “oh, fuck.” you whispered to yourself, lizzie and jj already back in their own little love bubble. meanwhile just on the other side of the island, rafe was seated in his truck, still sore from you kicking him in his manhood. he didn’t dwell on it too much, everything he needed to physically get ahold of you currently sat in the palm of his hand.

not only did rafe have your phone, but when he took off your phone case just to see your state id wrapped in a twenty dollar bill, he also had your full name along with your address.

hour ten - 7:00 AM

you barely slept a wink last night. after you got home from the party, you showered with the bathroom door open, way too paranoid to go over five minutes without looking out the window. you glanced at your purse, still not being able to bring yourself to open it. the flash backs of the man’s lifeless body falling to the ground was enough to keep you up. now, with the morning sun flooding through your bedroom, you knew had to get up at some point and get yourself together. “fuck.” you rubbed your eyes, quickly brushing your teeth before making your way to the small kitchen. washing some dishes from the day before, you stared out the window as you got lost in your thoughts.

he doesn’t know my name, how could he even find me? what if he found my phone with my id in it? eh, he’s probably too busy burying a body to worry about me.

“ouch!” you hissed, looking down to see that you accidentally cut yourself with one of the kitchen knives. “snap out of it.” you sighed to yourself, sucking on your finger as you looked through one of the drawers for a band aid. just as you spotted one, your heart stopped when you heard the familiar crunch of gravel in the driveway. your worst nightmare coming true when you saw the same black truck from last night parked outside. “no, no, no, no, no,” you ran to the front door, where you were met with a loud bang. “open up, y/n.” you paced around nervously, having no phone to call anyone for help. “leave me alone! i didn’t go to the police last night, and i won’t go to them ever, okay? please leave.”

“i can’t do that. you have something of mine, and i want it back.” you shuddered at the sound of his voice. “if you give me my gun, you’ll get your phone back. easy trade off.” that explains why he knew your name and where you lived. “you have my phone?” you wiped your eyes, walking closer to the trailer door. “i sure do, babe.” you debated with yourself, your breath quickening with each second you stayed silent. “will you leave me alone after this?” you unlocked the small latch, your heart beating in your ears as you opened the door, revealing the, rather beautiful, psycho that tried to kill you yesterday. “i’ll leave you alone. promise.” his eyes danced over your body. you were just in a tank top and underwear.

“i’ll be right back.” you took a deep breath, grabbing the gun out of your purse before returning back to him. when you opened the door once more, he was no where to be seen. “you make this too easy for me.” he clamped a hand over your mouth as he dragged you out of the living room and into your bedroom where he shoved you into the wall. you had no idea where the gun was pointing to, but you still pulled the trigger in a last minute effort to defend yourself. both of you jumped back, a bullet hole now adorning a spot next to your bed frame. you held the gun up, your hand shaking as you aimed at his head. “where’s my phone?” all the fear in your body was now replaced by anger. he held his hands up in defense, his chest rising and falling with each breath.

“here,” he took the device out of his pocket, tossing it on your bed. “if i was going to rat you out i would’ve done it already,” you started, “this gun has my prints all over it, too. if i went to the cops with this i’d look just as guilty.” you watched as his face fell in realization. “i don’t even know your name.” you emptied the clip of the gun, the bullets falling to the floor with a clink. “rafe.” was all he said as you pushed the gun into his chest. “listen, rafe, i’m not a runner, i don’t run from anyone. you, however, killed somebody and i happened to witness it. that’s all. you got what you wanted now, so leave.” you grabbed your phone, walking past him to the kitchen.

“i believe you, but i can’t trust you. ‘not when i have too much to lose.” he followed you, unaware of the knife you had in your grip. “so make a move.” you turned around. rafe glanced at the knife in your hand, a smirk forming on his lips. “i’m into knifeplay, don’t threaten me with a good time.” he charged at you, knocking the weapon out of your grasp. before you could react, he wrapped a hand around your throat, lifting you up onto the counter as he started choking you out. your eyes widened while you frantically reached to the side for anything to hit him with. just as your vision started getting hazy, you felt the cast iron of your skillet on the stovetop, swinging it across his head. he fell instantly, his eyes fluttering shut as he his body slumped against the floor.

you rubbed the skin of your neck, tears running down your face as you fought to catch your breath. “oh, shit.” you whimpered, leaning down to check if he had a pulse. still alive, dammit. you leaned against the wall, trying to come up with something fast before he woke up. thirty minutes later, and you had him tied to a chair in the middle of your living room. “this will have to do.” you sighed, sticking a piece of tape over his mouth.

hour eighteen - 3:00 PM

“what the fuck?” rafe’s voice was raspy when he woke up, his eyes widening slightly as he spotted you staring at him from the couch. “what time it is?” he groaned, nearly knocking his chair over at how hard he was thrashing in it. “three o’ clock, which means you’ve been knocked out cold for eight hours.” you blinked. “eight hours?! what the fuck happened?” he looked around. you couldn’t help the scoff that left your lips. “what happened? you started choking me like a crazy person and i hit you with a skillet before you could actually kill me.” you moved closer, showing him the purple marks that now adorned your neck. apart of him hated that he did it, but it was too late to take it back now.

he licked his lips, cringing at the weird taste. “did i have tape on my mouth?” he grimaced. “yes, but you started breathing weird so i took it off.” you walked to the kitchen, rafe’s eyes glued to the way your jeans hugged your ass. “can you untie me?” he sighed when he heard you laugh. “not a chance,” you came back to the living room with a water bottle and a chair. “we’re gonna talk first before i let you go anywhere.” you took a seat in front of him, your knees knocking against his. you opened the water bottle, bringing it up to his lips. “i choked the shit out of you and you wanna give me water?” if he felt like crap before, he felt even worse now. “do you want it or not?” he nodded.

you hated how attractive you found him, the way he was gazing up at you right now made butterflies flutter in your tummy. once he hummed that he had enough, you leaned back in your seat. “before you shot that guy last night you said he stole something from your family. what was it?” rafe sighed, shaking his head. “why should i tell you?” he scoffed. “i’ll answer whatever questions you ask me in return.” you leaned forward, your cleavage making him uncomfortably hard in his cargo shorts. “any question?” you tilted your head. “yes, but answer mine first.” you ignored the smirk that lifted in the corner of his lips. “he stole gold,” rafe cleared his throat, “like a shit ton of it.” he swallowed.

“did you get it back?” you peered up at him through your eyelashes, completely oblivious to the tent in his shorts, or so he thought. “of course i did.” you shivered at the deep baritone of his voice. rafe knew both of you were treading dangerous territory as your looks started lingering a second longer, your fingers tracing his chin everytime he asked for more water. “what does one do with that much gold? when they’re already rich, i mean.” you licked your lips, resting your cheek in the palm of your hand. “get more richer.” he shrugged. “my turn.” rafe cleared his throat.

“you can’t go to the cops, and you can’t leave me tied here forever. what are you gonna do?” you sighed, spending the last eight hours asking yourself the same thing. “i don’t know, rafe. if i let you go, you might try to kill me again.” he watched you carefully, guilt settling in his gut. “i won’t do anything, i swear i’ll-” you cut him off, “you said that last time.” rafe’s eyes flickered down to your neck, his jaw clenching. “nah, you have my word.” even though he looked sincere, you knew better than to give in right away. “no.” you got up, grabbing your purse as you made your way to the front door. “woah, where are you going?” rafe started pulling at the restraints, shouting after you as you walked out your trailer.

hour twenty three - 8:00 PM

the last thing you expected to see when you got home was rafe lying on his side, staring at nothing as you rushed over to help him up. “what the hell?” you grunted, pulling the chair up. “i tried to get out of this.” he looked completely defeated as you pulled your hair out of your face. “yeah, i can see that,” you placed the bag of food you had on the kitchen table, returning with a pair of scissors. “y/n, it’s been well over a day since my last meal, just let me go i swear i’ll be out of your hair.” he swallowed dryly. kneeling down on the floor, you started cutting the ropes from the chair, mumbling a ‘don’t make me regret this.’

rafe stared wide eyed as you set him free, immediately backing away from him as he rolled his shoulders back. “your keys are on the small table by the front door.” you were practically trembling with fear when he loomed over you. with a gentle hand, he softly traced your face, his fingers trailing down your neck to touch the bruises there. “i’m sorry.” rafe whispered. not knowing how to respond, you simply blinked with a small nod. “i got you something to eat in the kitchen,” you motioned towards the white paper bag with a burger and fries in it. rafe looked at you as if he couldn’t believe you were real.

“you bought me food?” you relaxed when he stepped away, his hands on his head as he slowly paced back and forth. “yes..” your voice came out small. rafe was quiet for a minute before he looked at you with a look that sent shivers down your spine, except this time it wasn’t out of terror. “do you want to play a game, y/n?” he eyed your frame, loving the way your tits looked in that pretty tube top of yours. “i’m kind of tired of games, don’t you think we’ve played cat and mouse long enough?” you smiled softly when he laughed. “while you do have a point, this is a game that you win regardless.” rafe watched as you let your hair down from it’s claw clip, “why not?”

“i’m sure you’re familiar with hide and seek?” your eyebrows knitted in confusion. “of course i’m familiar, but why that one?” you questioned. “well here’s the thing; i’m gonna count to sixty and give you one minute to hide. if i don’t find you in two minutes, you’ll never have to worry about me showing up at your doorstep again, but if i do find you.. i fuck you.” you were immediately taken aback, your heart pounding in your ears as he got close to you once again. any normal person would immediately reject, not even giving it a second thought before declining, but a large part of you was thrilled at the idea of being hunted down. only when your life didn’t actually depend on it, of course.

you looked up at him, taking your bottom lip between your teeth as a nervous habit. “okay.” rafe smiled devilishly. “run.” his eyes were dark when the word left his mouth. “w-what?” you stuttered, panic coursing through your veins. “i said fucking run.” he said through gritted teeth, your feet moving as he started counting down. you ran into the bedroom, cursing under your breath as you look around for a concealed hiding spot. you lived in a trailer for god’s sake, you had limited space. choosing your best bet, you squeezed into your closet, bringing your knees up to your chest as the words ‘ready or not, here i come!’ echoed in your ears.

you could hear shuffling in the bathroom and the kitchen, your eyes screwing shut as his foot steps got closer to your room. rafe was already a minute down. just as you thought he was going to walk away, the door to your closet swung open.

hour twenty four - 9:00 PM

“gotcha.”

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ghost-proofbaby · 2 days

Text

SO SCARLET (IT WAS MAROON)

CHAPTER EIGHT: LOML

AND I'LL STILL SEE IT, UNTIL I DIE - YOU'RE THE LOSS OF MY LIFE.

☆ pairings: rockstar!eddie munson x fem!reader

☆ warnings: no use of y/n, strong language, angst, consumption of alcohol, (overly poetic) smut, oral (f receiving), fingering, technically unprotected sex even after the idiots discussed protection, minors dni

☆ WC: 3.9K+

☆ A/N: extremely sorry for the shortest chapter in this series yet. also, out of all the songs referenced for the title of chapters, this one might be the most on the nose. i kid you not, i cannot explain how perfectly loml encapsulates reader/sugar's emotions during this chapter. if you'd like the extra hurt, 10/10 recommends listening as you read. :)

thank you to my love @hellfire--cult for the divider!

masterlist

“Can I kiss you, Sugar?”

You’ve made your fair share of dumb decisions in your life. Plenty of moments have slipped right between your fingers due to hesitation that you’d later regret, you have a catalog of embarrassing encounters to serve you a lifetime. You’ve said yes when your answer should have been a resounding no, you’ve made promises you knew were impossible to keep, and you’ve always had an unexplainable habit of digging yourself into graves that will surely bury you alive.

This moment is no different.

The correct reaction is to tell him no, to push him away and end the night here. You should leave before either of you make any mistakes and ruin whatever fragile thing resides between the two of you any further. There’s a million other options you should be taking, but at the end of the day, you still nod your head.

Not even a second later, Eddie’s lips are on yours, and it’s hard to call it a mistake when it’s the first time you’ve felt like you could properly breathe in two years.

He tastes like bourbon, and mistakes, and regret, and a youthful type of love impossible to grasp onto. A vague memory you never get to hold, but always learn to miss. When his hands travel slowly to your hips, you’re only pressing closer, deepening the kiss with the desperation of someone starved. Someone stained.

You were an idiot to think it wouldn’t end this way. You were in his apartment, and you were drunk. You were brimming with bad decisions. It was always going to end up this way.

Your knees somehow end up digging into the sofa cushions on either side of his hips, your recollection of how you climbed into his lap nonexistent. Had it been his doing, his own needy hands guiding you here? Or had it been you? You, with an ache that rang throughout your entire body, soothed only by sharing each of his breaths with him when he finally pulls back from the kiss.

“Are you sure you want thi-”

“Don’t ruin it,” you beg, silencing him as you look into those deep autumn eyes, memorizing rivets of soft auburn that never really changed. An ever changing kaleidoscope, but there were simply parts of Eddie he’d never be able to hide from you,to change, “Not yet. Please.”

You don’t know if you’ll want it come morning. You can’t estimate just how deeply the regret will burrow once it’s all said and done; you’re not in the mood to think sensibly. No hypotheticals, no curiosity for the future.

You just want him. Right here, right now. Far beyond just sex, and far beyond casual touches. But it’s the only way you can have him, the only way he can have you, for now.

His fingers are more skilled these days. More deft and nimble as they race up and down your sides, quickly undoing the button of your jeans and easily sneaking beneath your shirt. Two years could be two seconds with the way he still knows you and your body, knowing exactly where to apply more pressure as he plucks on every string beneath your skin that makes you sing out for him. Hums, gasps, moans – they all sort of blend together at some point, don’t they?

“I’ve missed you,” you swear you hear him mumble against the skin of your neck when his mouth begins to wander, “I’ve missed this.”

You convince yourself he didn’t say it just to avoid ripping yourself apart any further.

Instead, you busy your mouth with kissing him harder, faster, more desperately. You’re all but burying yourself in him. Your hips grinding against his, your lips swallowed in his, your hands finding themselves tangled in his hair.

You’re drunk enough that you convince yourself that this is it – this is home.

It feels natural to let him run you down this way. It’s instinctual as he takes his shirt off and your hands roam over bare skin that whispers with the ridges of paths you’ve traced before. You know that scar on his right hip from when he got his appendix removed as a child, you know that lightened patch of skin on his left thumb from when he’d managed to burn himself with a lighter while cutting class one day with you. You know him – so much better than you’d let yourself believe these last few weeks.

“Do you have a condom?” you pant, and you both pretend like your words are choked up from gasping to recover the air you’d offered to the kiss, and not the emotions rearing their ugly heads.

He does. Of course he does. He’s a rockstar now – he has women throwing themselves at him constantly. Of course he’s prepared.

It happens somewhere between him pulling the condom out of his wallet, and managing to pull his own shirt off. At some point in which you’re left in nothing but your undergarments, hips grinding down on his in sloppy circles, he lets out a low and drawn out moan. All your movements stutter, nearly halting, as that sound rings out around you. You swear, it echoes off the walls of your own head and not the eerily empty apartment.

You break as you gasp out, “Fuck, Eddie.”

Another dumb decision for the books. All it takes is you sighing his name for him to flip the entire script. Suddenly, you’re no longer straddling his lap, no longer biting his lip and gripping onto the back of the sofa for balance.

Your back collides with the cushions below and he hovers over you, kissing with more intent and purpose this time. Each press of his lips is followed by the nipping of teeth, desperately trying to mark you up along your chest, completely oblivious to the way he’s already left his stain.

You’re convinced if he presses his lips just hard enough, if he bares his teeth just sharp enough, he’ll see right through you. Your skin will become all but cellophane and he’ll see all those blooming violets and deep maroons still left behind in the shape of his mouth. He’ll see the way another has never followed these paths, not after him.

All the failed rebounds, all the failed distractions. There’s never been another person capable of taking your mind off of Eddie Munson. No one’s kiss ever made you bleed the way he’s capable, no one’s touch could ever erase the mark of his.

The wine still makes your head swim as your chin tilts to the roof, giving him all the room possible to paint whatever picture he’s vying for on your skin. You let him leave his physical mark; you let him leave a physical reminder of something to regret.

“Do you know how many times I played this moment back over in my head?” his voice is a murmur that vibrates against your sternum, words not quite slurring, “Do you know how many times I swore-”

You don’t know – and you never find out what exactly he had sworn time and time again as the trill ringing of a cell phone shatters the entire atmosphere.

One moment, Eddie’s lips are painting portraits along your chest and neck, the acceptance of making a mistake settling deep into your bones. And the next, he’s lifting up, looking wildly towards his kitchen, where you’re sure that it’s his phone buzzing erratically on the counter.

“I-” he looks wildly between you and the distant phone, pupils blown out and lips swollen, “Fuck, I-”

All the air leaves your lungs.

There will be no mistakes tonight.

“Go answer it,” you whisper, deflating as you accept the interruption. The moment’s over, fading in between the lipstick marks on your wine glass and the glow of the lamps scattered throughout his living room, “It’s fine.”

It’s not fine. It’s written plainly across his face that this is the furthest thing from fine at this moment. But duty calls; his phone is ringing, your mind is buzzing, and the moment is simply gone.

It has to be fine. You have to be fine with it.

“I’ll be right back,” he swears as he lifts himself up off the couch, but you know he won’t be.

Your shirt is already back by the time he’s reached the counter, laptop already tucked safely back into your bag as he answers the call.

“Hello?” he asks, eyes flitting over to you as he watches you gather your things, picking up the wine glass that had been yours the entire night in order to carry it over to the sink he leans against the counter next to. A bit of chatter comes from over the line, and Eddie’s entire face twists, “Am I busy? Yeah, yeah – as a matter of fact, I am.”

Just as you sit the glass into the sink, you bring a hand to his bicep, letting it rest there selfishly. Feeling his bare skin one final time, drinking in the heat he radiates through your palm, giving yourself one last chance to memorize it.

You’re not busy, you mouth to him with a sad smile.

He’s not. Because there will be no mistakes tonight.

You go to pull your hand away, prepared to somehow call an Uber or taxi, but he’s quick to wrap his fingers around your wrist just as your skin slides from his. It’s not forceful, but simply firm. Clinging with a desperation you can’t recognize.

Stay, he mouths back, the person over the line clearly continuing to speak without Eddie paying them any mind.

You almost do. You falter and consider dropping your bag then and there. You nearly stay, wait out the phone call, sit pretty and patient until he returns to you just as he had promised.

But he had left you with a promise of later once before, and he hadn’t kept his promise then.

“Oh,” you whispered, disappointment gripping your lungs, “Oh, that’s fine! Go, they need you.”

“Yeah,” he chuckled. You missed hearing that in person, that soft laughter in the shell of your ear over inside jokes and one too many glasses of wine. “Rockstar duties and all. We’ll talk more later?”

Later had never found its way back to the two of you all those years ago – why would it now?

“I’ll see you tomorrow, Eds,” you whisper, soft enough to guarantee whoever was on the other side of the phone call wouldn’t hear you. The fall of his face is almost enough to make you take back the words and swallow them back down.

“Wait-” he’s not whispering, almost as though he’s forgotten about the call entirely. You can hear the silence over the line, probably in confusion, as you walk away, “Wait- No- I-”

You motion to the phone still pressed to his ear and cheek, trying to remind him that someone else can hear.

He removes it and ends the call before you can protest.

“Eddie-” you start to scold, but he refuses to hear any of it.

“No, no,” he sounds as though he might be begging. And you can’t tell if he’s begging you to not reprimand him, or if he’s begging you to not leave, “I don’t care. It was just Matt, he can wait till morning.”

It doesn’t answer the question of what he wanted from you.

“It’s getting late, anyways,” you’re still trying to detect your escape route, the longer you spend in the aftermath making your chest tighten more and more.

You can’t do this.

You can’t stand in this room with him and pretend that it’s all okay. You can’t act as though the wine’s effects are slipping away from you and you can’t brush off the feeling of his lips across your chest. You have no patience left to act as though your lungs aren’t shriveling up in your chest, unable to get enough air when he’s too close all while being all too far away.

It would have been a mistake, and you’re both better for the interruption.

Eddie shakes his head, letting out a dry laugh, “We aren’t doing this again, Sugar. We aren’t going to just pretend that didn’t happen-”

“Why not?” you challenge him, “This… it’s better this way, Eddie. If we kept it up, we both would have regretted it, and it’d just be another mistake-”

“Who’s we?” he cuts you off.

We. You, me, both of us. We’d both regret it, wouldn’t we?

But you still didn’t regret kissing him. You still didn’t regret sitting in his lap and drinking him in, you still wouldn’t take back whatever moment was shared prior to the phone’s interruption.

All your regrets are spoken in future tense. All the mistakes are somewhere ahead of you, your mind running to things that haven’t happened yet.

How do you know if you’d regret it? How do you know if he’d regret it?

Your hold on your bag begins to loosen, “I- Both of us. We’d both regret it.”

“I wouldn’t regret it. I don’t think I could ever regret you.”

This is the part you walk away. You sling your bag onto your shoulder, you tell him to have a goodnight, and you leave. You’ll see him tomorrow, and you’ll pretend this conversation never happened.

Except you don’t.

Your bag falls to the ground, a muted crash that probably pisses off his downstairs neighbors. The toes of your shoes knock into the worn bag, kicking it to the side with more gentleness than you should be capable of right now. When he reaches out a hand to hold you, you take it.

You let him get his hot palms back on your body. You let his lips find their way back to yours.

You finally just let the mistake happen and take the chance on finding out if the regret is nothing more than shadows in the closet, make-believe once you turn the light back on.

The couch isn’t the destination this time. You’re almost sad that you don’t get to admire any of his decor as he drags you down the hallway, but you also doubt there’s even a sliver of the ghost of the man holding onto you in any of it. He’s not on the walls, he’s not in the pictures; he’s right in front of you, kissing you heavily and desperately, letting his feet stumble right over yours as he finally reaches blindly for the knob of the door behind you. He’s in the rings pressing into the skin of your hips and he’s in the wavering cologne that bursts from his sheets as he carefully drops you back on a bed far too large for one man.

He’s in the shadow hovering over you, he’s in the slide of his leg as he spreads your thighs to find home between them. He may not haunt this apartment, but he haunts you. Your body, your mind, your senses.

Always have, always will.

Alcohol isn’t clouding the moment anymore as each kiss is gentler, retracing the bruises already forming across your collar bones. He’s taking his time, enjoying himself, no longer rushing through the process of getting to know you again. The loss of your shirt and the unbuttoning of your jeans is done with shaking hands this time. Less sure, but far more determined.

Your own hands are steady, though, as you undress him. You’re sure. This is your mistake to make, your mistake to regret. And maybe he had a point – maybe it is impossible for either of you to regret each other. For all the tears shed and all the nights spent cursing his name, it’s never once crossed your tongue that you wanted to erase him. You think if someone were to try and take him, take all that you two had shared together from you, that they’d be met with white knuckles and deathly screams. A rancid animal foaming at the mouth, refusing to let go of the one thing it had ever managed to sink its claws into.

You’d forgotten just how well you know him.

It was beyond superficial scars and childhood stories. You still remember the exact pulse point that makes him moan out with just a brush of your mouth against it. You can still find that spot above his hips that spasm when your hands grip them, encouraging him to grind down onto you. You know his body, you know his past, you know his mind.

Words are no longer necessary as it finally happens.

Prayers of each other’s name, ignorance in the way this entire moment was becoming too gentle for two fools rekindling. A practiced dance you once only ever dreamt of swaying to with him.

You would have given him everything. You did give him everything. Your youth, your future, your aspirations, your daydreams of a glittering gem on your sacred finger and a list of baby names the two of you had argued over endlessly. All those things still belong to him, even now. Even as this new version of him hovers over you, lips trailing with purpose over your abdomen, making his way down to your core.

You can’t tell if he’s a stranger when he places a hot kiss over the cotton of your underwear. You can’t tell if you ever spent two years away from him as his hands hold down your hips when they buck in response.

“Eddie,” you beg, fingers lacing into his curls just as they had earlier, gripping onto him for dear life. You’re looking down at him between your thighs, refusing to blink on the off chance that he’ll simply vanish when you do, “Please.”

“Please what, Sugar?”

“Touch me,” you gasp out as his fingers toy with the waistband of your underwear, colossus course against soft skin, “Kiss me, fuck me- I just-”

No further explanation is needed. Your wish is his command.

Your panties are tossed to the hardwood floor at the edge of the bed as if they always belonged there. His mouth ravishes you as if this was just a nightly routine between the two of you. As if he didn’t have to second think what pace you might prefer, or when to add the first finger. Or the second. He plays you beautifully, crooking his fingers and nipping at sensitive skins and nerves alike, listening to the way you only seem to remember his name. Like you don’t remember the sound of a dial tone instead of declarations of adoration, like you don’t remember the excuses for him denying you all his attention.

You wish you could just stay in this moment forever. Him, buried between your thighs. All hurt and all stains forgotten when he builds you up to the edge, when he murmurs against your clit about how pretty you look for him right now.

Cheap wine soaking Halloween costumes. Hazy rooms, smokey with youthful desires and incense. Dancing in an apartment filled with boxes not yet unpacked. Whispers of something being real. Late night trips to the gas station and all the pride in your eyes as you heard his song played on public radio for the first time. The terrible waiting, the messy kisses of more teeth than lips. A simple necklace adorned with a simple ring, burning with more promises than either can comprehend, still gathering dust at the bottom of your jewelry box to this day.

Just in case. Just in case he ever came back; just in case you ever returned.

By the time he’s climbing back up your body, you have one foot in the past, cleaving yourself in two as you cling to him like water.

“Look at you,” he whispers when his face is back above yours, lips still slick with you, “You’re fucking beautiful, you know that?”

You swear, for just a moment, his eyes are mirrors. And you can see that dazed look you wear, the face of a woman still trapped by her past. The face of someone who can’t let the dead stay buried. Someone you wouldn’t describe as beautiful, but Eddie would.

You should have left. You should be regretting this. You only pull him closer.

His boxers bunch at his ankles, your fingernails dig into his back. When you feel him press against you, the tip of his dick just barely tapping against your clit, your entire body tenses. This was it. This was the mistake you had taken responsibility for, this was the choice you’d decided was worth damnation. A simple slip up, a quick fall backwards, and you’ll be right back where you started two years ago.

“You still want this?” he sighs into your ear, clearly feeling the way you’d froze up.

Your breath catches for just a second. More memories, more images that cut straight through you. Every careless afternoon, every serene morning. Every haunted night.

“Yeah,” your entire body relaxes, muscle by muscle, “Yeah, I still want this.”

You mean more than just the sex.

The press of your heels into his lower back is all the encouragement he needs to finally push into you. The stretch burns, but it’s welcome all the same. Just an aftereffect of years of emptiness, of failing to ever find something that could make you feel as whole as he does.

The moan he lets out as he’s wrapped in your warmth sends shivers down your spine. You swear, laced in it, there lies a gasp of relief. A sigh of coming home after a long tour, the huff of an exhale just before he crosses the threshold of a front door and has you in his arms again.

You don’t know when the tears started.

But between his thrusts, between all his wanton groans and your own quivers of excitement, your cheeks turn wet.

“Then I say let it burn.”

You can’t tell if it’s sweat or his own tears seeping into your skin as your bodies press together harder, your head thrown back in ecstasy.

“I love you so goddamn much, it hurts. I can’t believe this is real.”

You find your hands tugging on the roots of his curls even harder as you try to tether yourself back to him, but it’s no use.

“When I get back, all I care about is you.”

It all comes crashing down on both of you as his face is buried in the crook of your neck and your thighs squeeze around his hips – all the love that was there, all the love that was lost. All the love that still remains.

“Something for you to always have as a reminder that I’ll come back to you. You’re it for me, sweetheart.”

He’d always warned you this would happen. That one day he’d come back to you. That he’d only ever come back for you.

It doesn’t matter how deep of scratches you leave across his back, or how many hickies he paints your skin with. There will never be enough bloodshed between the two of you to wash away the truth. It’s not a mistake, it’s not something to regret. You wish it was; you wish it were so simple. No, this moment was one thing and one thing only – inevitable.

They always did say that your life would flash before your eyes right before you die.

And flash it does – a lifetime of love that was had and love that will never come back to you – as Eddie brings you both to your graves from the most cursed of little deaths.

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the-witheredroses · 2 days

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Pt. 2

TW: angst/comfort, reader cries a little and is mentioned to have been in therapy

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The silence was agonizing. The air felt drowning and heavy. It didn’t help that no one could look at each other.

Soap and you have migrated to the couch after realizing that the conversation probably should be had while sitting.

How are any of you meant to address any of this?

Each of you knew just enough to fill in the blanks, but how is-

“So…” Johnny broke the silence and your train of thought. “How do you all know each other?”

“Really, Soap? That’s how you want to start this?” Gaz remarked, letting his grievance show.

“Aye! How else ye expect this to go?! How ye think I feel knowin’ ye’ve shagged my lass?”

“Jesus Christ…” you groan as you hide behind your hands.

“Not everyone-“ Simon murmured leaning back in with his arms crossed.

“Simon!” You exclaim, revealing your warmed cheeks to everyone.

“Well with the way ye look at ‘er I would’ve guessed otherwise-“

“Okay- no, that’s it-“ you stand in front of them all, pointing as you addressed each. “You- Simon, are meant to be dead, I went to your funeral. Fucks sake, I visit those graves everytime I drive past them!”

Simon couldn’t stand to defend himself, because he knew that already. He’d seen you talking to his and his family’s graves every now and then when he went to see them himself. It had torn him apart to not reveal he was alive, but he’d convinced himself it was for your sake. Even if that meant you’d shed more tears.

“You pushed me away for months before ultimately saying that you needed to move for work, that you couldn’t be with me anymore-“ your eyes still held the hurt from long ago as you gazed at Kyle.

“It wasn’t a complete lie…” Kyle scratched at his head, his poor attempt to redeem himself falling flat.

“Shut it, Garrick. You-“ your finger landed on Price, “Why didn’t you tell me you were in town? I assume you’ve been back for a while, so why didn’t you say anything?”

John knew he had no excuse, so he didn’t attempt to deny his reasoning. “Though’ ye might’ve been with yer other man…”

A hefty exhale escapes you as you hold back from saying more. You could slap him, because how, after all this time, does he not see himself as enough? Instead, your gaze landed on Johnny.

“And you, Johnny, you didn’t really do anything, but still, this could’ve never happened if you or John just told me who else was on the team.”

“Or told us who ye were dating.” Kyle muttering was directed to Johnny, but it earned side eye from you.

“Moral of the story,” you continued, “all of you have been keeping things from me. And now we’re here… and I don’t know what to do or say…” your voice broke a little from the festering emotions. Everyone was quick to their feet to comfort you, John worming his way to the front.

“Aye, lass, there’s no need to cry. We just need to talk this out.” John’s hands cupped your cheeks as the tears threatened to spill. “Maybe we should take a break, take a breather. Later, we can talk one on one with you and each other.”

You nod as you try to calm yourself, doing the short breathing exercises you learned from therapy.

John placed a soft kiss to your forehead before being pushed aside by Johnny. His arms quickly envelop you and he kisses your temple.

“Common lass, let’s get ye out of here for a bit…” Johnny whispered and pulled you into the bedroom, leaving the other men standing in a circle, stuck their own thoughts…

————

Idk what to call this series so feel free to leave some suggestions!

Also didn’t want to make this series too angsty, but reader is definitely gonna need some one-on-one time with each of the boys…

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celtic-crossbow · 6 hours

Text

Blood Ties Chapter 29

Series Masterlist

Warnings: Slightly graphic depictions of labor and childbirth A/N: Maybe a cliffhanger. Maybe not. You'll have to read to find out! ;) Daryl is definitely ooc in this. I'm sorry, I tried to get as close as I could to how he might react. Also, the saying he uses is one we use in the south that means "how is that relevant?" You'll know it when you read it, lol.

“About 4cm now. Progressing nicely.” Hershel informed, wiping his hands on a cloth that Carol had provided.

Rick and T-Dog were out doing yet another night run in the van. It was also low on fuel but the map showed another town close by. Fuel, gloves, and other necessities were on the list. Glenn was on watch with Daryl for backup if anything happened. It wasn’t an ideal situation but it couldn’t be helped.

Thumper was calling the shots at that point.

Before the men had left, Daryl had confiscated all the blankets except for those that were for Lori and Carl. When Glenn began to complain, one look from the anxiety-driven archer had brought the young man very close to hiding behind Rick. While some blankets were used for your comfort, others were fashioned into a tent-like structure over the bare branches of a decently sized bush. You needed some sense of privacy.

Carol and Lori had dug through the maternity clothes that hadn’t been lost on the road and found a button up dress. It was comfortable and made things much easier than leggings.

After your immediate needs had been met, Daryl then perched himself just beside your shoulder and hadn’t moved since.

“S’the number we’re aimin’ for?” He asked with frustration lacing his tone, making sure the blankets were back over you and tucked tight to keep you warm. He had been muttering to himself how he wished he had made time to read the rest of the books. Daryl was not a man that liked being in the dark on anything. It made him feel helpless, as you had learned over the last several months.

“She needs to be at 10cm and the baby needs to be in the correct position before she can push.” The old man positioned the ear tubes of the stethoscope before pressing it against several spots on your belly. “Heart beat is strong. Everything is looking good.”

You had remained quiet until that moment. “Do I just—I don’t know—lay here?”

“Walking encourages the cervix to dilate and soften. Once you dilate a little further, the contractions will likely be stronger, whether painful or not.” The calmness that man practiced really made you want to strangle him with that stethoscope. “Make sure you don’t go alone, and—”

“She ain’t.” Daryl snapped.

Hershel shot him an admonishing look. “As I was saying, take breaks. Sleep when you can. I’ll check you periodically. You’ll need to keep timing the contractions, son.” Daryl nodded. “Sip small amounts of water, no food. Keep me informed of any changes. And as unpleasant as it may sound, if you feel the pressure and urge as if you may need to have a bowel movement, call for me immediately.”

You, as well as Daryl, reared back, lips curling.

“The fuck that gotta do with the price’a fish?” The archer queried, not so nicely.

“Settle down. The pressure from the baby’s head moving into the birth canal can feel similar to that.” Shaking his head, Hershel shuffled his way out of your tiny tent.

Finally alone, you turned onto your side and scooted your upper body toward Daryl. He stretched out his legs so you could rest on his thigh.

“Get some rest.” His hand wiggled beneath the blanket and rubbed up and down the length of your upper arm, but moved to your belly when another contraction took over. Without prompting, he slid his warm palm around to your lower back and applied the least bit of pressure, rubbing small circles. You buried your face into his thigh to ride it out, but you had to admit the light massaging helped, if only a little.

“You’re supposed to be—” You were panting when you rolled your head to remind him, but found the watch already lifted to eye level, his gaze shifting from it to your stomach.

“Sleep if ya can. I got this.” His brow was furrowed in concentration, your heart swelling and warm. Any worry you had entertained of him running when things got real, just gone in an instant. He was there. He was there.

“I’ll try.” You whispered, the pain finally an afterthought. You felt him slide his hand back to the side of your stomach before you let yourself succumb to exhaustion.

“Sorry, Sunshine. Doc says up, so up ya get.”

You let Daryl take your dead weight and pull you up by a grip beneath your arms, making it as difficult as possible so you might get to stay in your warm little nest. You were still at 4cm. Hershel had said you had to start walking to help labor progress.

“This isn’t fair.” You whined, rubbing your back once you were upright. The pain that accompanied each contraction had lessened but was still ever present. “Can’t you walk and I dilate?”

Daryl snorted. “Don’t think that’s how it works.” He placed a careful hand on the small of your back and kept your pace, slow as it was.

“Okay, then how about if it gets worse, I kick you in the balls and punch you in the kidneys so you can participate properly?” You were only half joking.

“If it gets ya through this, I guess.” The archer shrugged. You regarded him with a skeptical brow arched.

“You’d really let me do that?”

“Hell nah, but s’the thought that counts or some shit like that, right?” He didn’t even try to dodge the smack you aimed at his shoulder.

“You’re hilarious.” You deadpanned, even as you leaned into him while you strolled in circles around the perimeter. The moonlight caught the watch in his right hand, his finger tapping against the casing. Bless him, he was taking his role of supportive partner very seriously. You gasped when the next contraction came, stopping to bend slightly and breathe through it while Daryl secured an arm around you and flipped open the watch.

When it was clear you weren’t falling, he slid his hand to the middle of your back and massaged the length of your spine using gentle pressure from the heel of his palm. He never said much—if anything—during the episodes themselves, but kept you informed of the timing of each one.

“Oh, goddamnit, this one sucks.” You managed through clenched teeth. You swayed slightly when it was over, grasping blindly for the man next to you.

“Thirteen minutes since the last’un. A minute, twelve.” He was slow and careful when turning you back toward camp. “Let’s getcha back to Hershel.”

You shook your head. “One last loop, then we can go back.” Daryl didn’t say anything but you felt him tense. “I’m sure. They’re just getting a little more painful in the stomach, less in the back.”

He still hesitated. “Alright. One more.”

Hershel stepped into your path before you started the second loop, allowing Daryl to fill him in on the last contraction.

“Do one more. Rest. And then again.” The old man ordered curtly.

Once he had vanished back toward the small fire, you mocked his words. “Rest and then again.” Daryl shook his head beside you. “I mean seriously, how much help can walking actually be?”

“Fuuuuuck!” You were digging your fingers into the blankets below you, swatting away Carol’s hand when she tried to dab your face with a piece of cloth. Daryl was sitting beside, wide-eyed and lost, the watch forgotten by his leg. Hershel was between your knees, sporting his medical gloves that had been brought back by Rick and T-Dog.

The archer cleared his throat. “She alright?”

“Do I look alright, Daryl?!” You hissed, making an admirable attempt at breathing the way Carol was instructing. The contraction finally ended and you fell back onto the folded blankets. “I’m sorry.” You found his worried blue eyes easily and fumbled for his hand.

“S’okay.” He whispered, rubbing your knuckles with his thumb.

“She’s at 6cm. We can still time the contractions but I think she may need your attention more than that watch does now.” Hershel reached for the item and placed it in his pocket once Daryl handed it over. “Keep moving but stay closer, no more perimeter walks.”

Daryl nodded, you whimpered.

“I’ll be back soon to check again. If we’re lucky, things will move a little faster now that you’re in active labor.” Hershel left the tent while Carol fixed your dress.

“I know it hurts, but you two will have little Thumper in your arms in just a matter of hours.” She smoothed your hair and tucked it behind your ears. “You’re doing great.”

“I don’t feel like I’m doing great.” You murmured, ducking your head almost bashfully. “I’m really sorry I snapped at you, Daryl. It just—well, it hurts and it’s hard to think.”

“Ain’t mad.” He tried for a half smile but it was weak. “Better than gettin’ kicked in the balls, I reckon.” You laughed and squeezed his hand. “Guess we oughtta getcha up again.”

“I’ll help.” Carol offered. You could see that a refusal was on the tip of Daryl’s tongue but he never voiced it. With Carol under one arm and Daryl under the other, you were pulled upright.

Your body already felt wrung out and sore, and the epic finale hadn’t even begun. Still, you allowed Carol to pass you off to Daryl.

“We movin’ on? Be better to find a house or somethin’.” He looped an arm around your back, following as you shuffled your way around.

Carol shrugged, not touching you but keeping up with your small strides. “Both vehicles have fuel but Hershel isn’t sure we should move her. He thinks the baby will come soon and she needs to be kept in one place.”

You groaned, letting your head fall back in frustration. “She is right here. And if my opinion matters, I’d rather not—” The contraction came on strong, halting you suddenly with your hand fisting into the lower part of Daryl’s vest. The archer stepped around in front of you, rough but gentle hands grasping your wrists to guide your arms to his shoulders.

“Try to breathe. Sometimes humming or even moaning helps, like an outlet.” Carol advised while rubbing your back.

Your head fell forward against Daryl’s chest, a deep but quiet moan muffled against the firm muscle beyond his shirt. His hands had fallen to your hips, his body followed you as you swayed back and forth. The episodes were growing more intense, coming closer together and lasting longer. It wasn’t difficult to surmise that things would be growing more difficult to handle.

“Ain’t nothin’ we can do for ‘er?” Daryl asked quietly above you, each word blowing his warm breath over the top of your head. Carol must have answered in the negative because his fingers flexed against your hips.

The skin of your belly was pulled so tightly that you swore it would tear open, the muscles feeling as if they would pulse right out of the gaping hole your torn flesh would leave.

“Shit.” You whimpered, your voice finding its way back during the last dregs of pain. You almost didn’t register warm hands gliding up and down your sides, a smaller hand on your back. “I don’t want to have the baby here.” You argued weakly. “It’s too open. Things will be too chaotic, too loud.”

“I know, Sunshine, but the doc says—”

“I don’t want to risk Thumper here in the open, Daryl. With—with walkers or people.” With enough strength having returned after the pain, you lifted your head, eyes pleading. “Please.”

The archer was visibly upset. He was just as vulnerable as you were at that moment, torn between what he felt was right and what Hershel said was for the best. His tongue wet his bottom lip before he pulled it in between his teeth, looking to Carol for guidance.

“Could lay down the seats in the van. Use the back.” He suggested. Plenty’a room an’ if we need to move fast—”

“I don’t think that’s unreasonable.” Carol agreed, rubbing your back in a few soft strokes before beginning to move away. “I’ll go talk to Hershel. You two keep walking.”

You watched her go, turning your gaze up to Daryl when he shifted back to your side to urge you along. “Gotta keep movin’.” You groaned, dragging your feet with your head falling back in frustration.

You were in the middle of a contraction, when you heard it. A snarl, a raspy growl much too close. You were already clinging to Daryl and breathing through the pain that was readying your body for Thumper’s arrival, but you’d have to let him go. He had to protect the baby. And to do that, he had to protect you.

But he didn’t move. He was nearly vibrating, rigid beneath your hands on his shoulders. He was just as scared as you were, even more so. He knew he could take the walker but that would mean letting you go. He needed to protect you but he wanted to support you. He had told you he'd never let you fall and you knew he had meant it.

“Go.” Your hands slid from his shoulders, down his chest before they released him completely to clutch your belly.

His boots disappeared from your view of the ground but you couldn’t focus after that. The pain was growing in intensity, immobilizing you with your lips tightly pressed to withhold the cries that vibrated behind your teeth for release. You couldn’t, you just couldn’t make a sound. You’d attract more, endanger everyone. You’d endanger Thumper. Daryl.

There were scuffles. More snarls. Tears were threatening your waterline. Pain was coursing through you like a serpent, slithering around each muscle and tendon and pulling them tight. You felt disappointment and guilt over all the agony when your mouth fell open with a guttural moan, your will to cut off the scream that begged to follow barely holding true.

“D—Daryl.” You cried out. And he was there, hands on your face, your biceps, your belly.

“M’here. M’here. Gotta move, though.” He swept you up with the slightest strained noise. “Gonna getcha to the van. Gonna find somewhere safe for ya.” The pain was fading. You could focus on the dark blood on his face, the dirt and grime.

“Herd?” You whispered.

“Ain’t your fault.” His expression emanated fear and stress. “The hatch.” Someone was with him. The small hands that opened the back of the van and spread out the blankets, those were Carol’s. She sat a pile of smaller blankets and squares of fabric toward the indents on the floor where the seats had been stowed.

“Get as many in the truck as you can! In the cab and the bed!” Rick was calling out at the same time that Hershel climbed into the van. Daryl was careful when he placed you inside, climbing over you before pulling you further in to make room for Hershel and Carol.

Through your haze of exhaustion, you saw Rick climb in the driver's seat and Maggie beside him. That meant that five others had to somehow fit into the truck.

“Is everyone okay?” You asked, eyes pleading with Daryl for an honest answer.

“Yeah, they’re all good.” He nodded, smoothing a hand over your hair.

The van was moving, though you didn’t realize when it had started. Hershel was between your knees when another contraction came. It felt like only moments had passed since the last one. In the safety of the van, though you couldn’t be bothered to consider that, you bowed forward with a scream. Daryl gingerly worked your fingers loose from the blanket to take your hand.

“She’s at 9cm. This baby is coming soon.” Hershel didn’t move this time, he and Carol began sorting things that you couldn’t see. Panting, you leaned to the side, knowing Daryl would be there. His arm wrapped around your shoulders and squeezed.

“What—” He swallowed audibly. “Tell me what I need to do.”

“Just be with her.” Carol poured some water from a bottle onto a piece of fabric and passed it across you for Daryl to take. “Wipe her face, put it behind her neck.”

The archer’s hand was trembling fiercely when you felt the blessed cool cloth touch your forehead. The moan that left you was not one of pain but utter relief. “Oh, that’s nice.” You breathed. Your skin was on fire, every cell of your being felt twisted and wrong. But that trembling cloth wiping at your face grounded you, centered you around what your body was preparing to do.

You were so close to being a mother.

But that didn’t stop the scream that ripped from your throat when the next contraction tore through you. You sat up, propped on your elbows with your eyes screwed shut. Tears leaked from the corners, the wailing cutting off into wretched sobs when you felt Daryl’s forehead fall against the crown of your head, his mantra of m’sorry m’sorry m’sorry shattering you into a million shards.

You couldn’t tell him it was okay. You couldn’t remind him why you hurt. You couldn’t reassure him that he was the one you wanted and you were more than happy to do this with him. For him. You didn’t have the breath.

“Don’t push, Y/N. Not yet.” Hershel’s tone was even but not cruel, his gloved hands on your knees.

“It fucking burns!” You shrieked, squeezing Daryl’s hand until you were certain you felt the bones shift. The contraction let up, the fiery sensation dulling but ever present.

“What’s happenin’?” Daryl sounded breathless. Terrified. You were still catching your breath when you looked up at him. His tan skin was white as a sheet, no color in his lips. His blue eyes were brighter than you’d ever seen them. From tears or fear, you couldn’t be sure.

“The baby’s in the right position. Y/N, it’ll be time to push soon. It’ll be very important for you to listen to everything I say. Can you do that?” Hershel wasn’t looking at you, between moving around things Carol was handing to him and keeping a constant eye on your progress. Distantly, you wondered why it was Carol at his side and not Maggie. Maybe because you were close with Carol? For your comfort?

“Yeah. Yeah, I can.” You turned your attention back to Daryl when his grip on your hand loosened slightly. He swayed, the pallor of his skin growing more concerning. “Daryl?”

The archer shook his head almost violently. “M’good.”

“Okay, I just—oh, fuck, already!?” You grit your teeth as your stomach tightened, a visible shift beneath the fabric of your dress.

“Maggie, can you climb back here?” Hershel requested calmly. His eldest said nothing but maneuvered her way into the back and on your opposite side. “I fear we may lose Daryl at any moment and Y/N will need support.”

“Ain’t goin’ nowhere.” Daryl snapped but it was a weak effort. He inhaled deeply and began squeezing your hand to keep you from dislocating his fingers.

“Here.” Carol passed him an opened bottle of water. “Drink a few sips. You’re white as a ghost.”

You were barely aware of everything happening around you, shaking almost violently to refrain from bearing down until Hershel told you to do so. It was bordering on excruciating.

“Jesus Christ, it feels like you’re holding a flamethrower to my fucking pussy!”

Hershel sighed while Maggie and Carol chuckled and Daryl snorted out a quiet nice, Y/N.

“It’s just the birth canal stretching to make room for the baby.” The veterinarian explained coolly.

“Just?” You mocked. “Just, he says while it’s my—oh Jesus fuck!” With all the presence of mind you could summon, you managed not to start screaming at Daryl for putting you in that position. You knew that beyond the pain and fear, you wanted Thumper in your arms more than anything in that fucked up world.

“Okay, Y/N,” Hershel patted your bare knees just at the tail end of the contraction to ensure he had your attention. You had fallen back against Maggie while Daryl held the cool cloth against the back of your neck. His hand was vibrating your skull to the point that you nearly asked him to move away. “You’re ready. On the next contraction, you need to push.”

“God, your calm voice makes me want to kick you in the teeth.” You didn’t mean it—mostly. Hershel must have known that because he chuckled. You could feel the next contraction already building when the van lurched to a stop, throwing everyone in it.

“We got a herd in front of us!” Rick called from the front.

“Go ‘round it! Turn ‘round! Just keep ‘em off us!” Daryl yelled as the pain peaked. “Fuck!” He bellowed when your hand began to shake with how hard you squeezed his own.

“Push!” Hershel shouted over the bumps and jerks of the van doing whatever Rick had deemed best. “Good, good!” He began to countdown from ten while you screamed.

You were being torn open. Thumper was going to rip you in half on their way out. Your throat was raw, surely bleeding from your wails. When the old man reached one, you fell back against Maggie but Daryl’s hand was there too.

“Maggie, Daryl, hold behind her knees. Help support her legs. It’ll keep her hips open.” Both moved forward, taking you with them to sit you up a little straighter. Daryl had to release your hand to hold you and your leg. The archer hissed with the pressure against his abused palm. “Perfect. Alright, Y/N. A nice, strong push this time.”

You almost snarled. “Last one wasn’t good enough?”

“Easy, Sunshine.” You felt Daryl's lips against your temple and yearned to keep them there.

“I’m sorry, Hershel.” Once again, the man simply smiled. Lori had told you that childbirth in the movies was often dramatized but so far, you weren’t seeing the truth in that statement. When the contraction reached a crescendo, you leaned forward while Maggie and Daryl held your legs steady. The pain was extraordinary. You almost wished you could see what was happening, but any train of thought was derailed with Hershel’s next words.

“The baby is crowning!”

Gasping, you swallowed hard, glancing at Daryl—who had a front row seat to what was happening—and then back to Hershel. “Crowning?”

“The head will be out soon.”

“All this and we don’t even have the head out?!” You screeched, just as your stomach rippled into a rigid mound and you were pushing again. This pain was different. Thumper was definitely ripping you apart. “Fuck, fuck, fuck! It burns!”

“S’that—” Daryl cleared his throat and swallowed, swaying on the spot. “S’that normal?”

“Perfectly normal.” Hershel glanced up at the archer, back down, and then up again. “Carol.” He needn’t say anything else. The other woman was moving to grab the back of your leg and let Daryl fall against her so he didn’t smack his head on the side of the van.

You were completely unaware, your entire focus centered on the inferno between your legs. There was no way any woman would willingly do this unmedicated. Never in your life had you wanted drugs more than you did in that moment. Thumper. Thumper, Thumper. You chanted internally, even as your vocal chords vibrated harshly with your screams. And just as you thought you would lose consciousness from the pain, it lessened. It hadn’t disappeared but comparatively, you would take that over the prior.

“The head is out!”

Panting, you smiled but then fell into confusion when you saw Carol beside your leg and Daryl slumped against her. “Daryl? Daryl?!” You shifted but Maggie held you still. “Is he okay?”

“He’s fine.” Hershel chuckled.

“Who knew a man that could gut a walker without batting an eye couldn’t watch his baby’s head come out?” Carol smiled but began to act, jerking her shoulder to jar the archer. “Daryl. Daryl, wake up. You don’t want to miss this.” He stirred and started to lean back. “Think you can take a look without losing it again?”

“Shuddup.” He shook his head hard, grunting. His hand was the first thing to move, sliding beneath Carol’s to take hold of your leg. Then he was looking at you. “M’sorry. That was—fuck, m’a pussy.” Maggie was moving your hand and pulling you forward as you watched your partner.

Then your fingers were touching a soft, albeit slimy, head.

You gasped. “Daryl.”

The man gulped, but then sat up on his knees a little. You watched the fear and apprehension melt away into awe, his jaw loosening, eyebrows rising, and eyes beginning to shine. “S’that—”

“That’s Thumper.” You were able to say before Hershel announced your miniscule break was over. He didn’t need to say a word, your body was already letting you know. Daryl’s hold felt stronger now and he was watching with an awestruck intensity that just made your heart want to explode even as you rode out the waves of agony. You were going to be a little family.

Then, out of the blue, you could feel something was different, wrong.

“Her—Hershel—Ow, fuck—” You fingers clawed at Daryl’s chest, his wet eyes going wide with concern. The contraction ended and you were gasping and swallowing convulsively, feeling nauseous regardless of your lack of food. Daryl’s eyes were darting back and forth between you and the old man. “Daryl, something—something’s wrong.” You could tell the baby had not moved an inch during the pushing, but not only that, it felt like they had actually pulled back toward your opening.

“I know.” Hershel’s voice had lost the calm and was taking on an emergent edge. “The baby is stuck.”

Panic flashed over Daryl’s face in the form of anger. “The fuck ya mean stuck?!”

Still trying to catch your breath, sweat dripping into your eyes, you thought for certain Daryl was going to jump across your leg and attack the old man. Thankfully, he remained at your side. Trembling and breath stuttering, but he wasn’t moving.

“Shoulder dystocia. The baby is turned in such a way that the shoulders can’t fit through the pelvis. Carol, I will need your help, please.” You were already on the edge of the next contraction when Hershel nearly barked “Y/N, don’t push.”

“What the fuck’re ya doin’?” Daryl snapped, leaning over your leg to investigate. So many emotions were battling for dominance in his expression that you couldn’t even begin to imagine how he was feeling.

“Daryl, please.” You pleaded, trying your hardest not to sob. For once, you cared nothing about being self-reliant or what the group thought of you and how much you needed Daryl. As you fought through the pain and against your body’s natural insistence to push, you just cried. Daryl kept a hand below your knee, too afraid to move unless Hershel gave the okay, but he leaned as far as he could to hold you without influencing your position.

“S’okay, Sunshine. S’gonna be okay.”

“Y/N, listen to me. I can feel the shoulder.” Now, the veterinarian’s tone was just downright frightening. “Maggie and Daryl are going to pull your legs back on the next contraction. I’m going to apply some pressure above your pubic bone. It’s not going to be pleasant, but if I’m correct, the head should come and then the baby. I need you to push with all you have, do you understand?”

You pressed your cheek further into Daryl’s chest and nodded, hiccuping through ragged, exhausted breaths. When the contraction began to tear through you, Maggie and Daryl reacted immediately, pulling your legs toward your belly while you curled inward with a guttural scream. Hershel pressed into the area just above your pubic bone, the pressure only compounding the whirlwind of pain you were already caught in. And then it was over and you let the two supporters take your weight.

The van rocked again, but was ignored. Hershel looked at Carol gravely and shook his head.

“S’that ‘bout?” Daryl hissed, trying hard for your sake not to lose his cool.

“It didn’t work.” Before Daryl could speak, the old man continued. “We’re going to try one more time. If it doesn’t work, there are a couple of other things we can try but time is of the essence. The baby isn’t getting the oxygen they need like this.”

“Whatever ya gotta do. Just take care’a both’a ‘em.”

Hershel nodded. “Alright, same thing, Y/N. A big, big push for me.”

You shook your head, exhausted. “I can’t.” You whispered, your eyelids heavy as hope attempted to flee and you accepted that once again, the world would take from you. It would take from Daryl. “I’m so tired.” You felt movement beneath your left leg and then Daryl’s hand was grasping your chin, firm but gentle.

“Hey. Cut that shit out.” He wasn’t angry. He was using the same tone you’d heard him use when he had told Thumper to cut you some slack. When he had started communicating with the baby. “Ya’ve gone through hell an’ back for this an’ I ain’t lettin’ ya quit at the goddamn finish line, ya hear me?”

“I’m tired, Daryl.” Your face screwed up in pain as the next contraction began to build.

“Nu uh. Ya ain’t gonna bust into my life an’ fuck up my world six ways from Sunday, make me love ya an’ this kid, an’ then just give up. S’you an’ me an’ Thumper. S’what ya said!”

You blinked at him, slowly starting to sit up.

“I’ve seen ya be a badass before, Sunshine.” Your breaths were coming faster, the contraction nearly on top of you, but you only had eyes for Daryl. “Be a fuckin’ badass now.” His hand left your face and went back to your leg, pulling it toward you at the same time Maggie moved the right one.

You screamed so loud that you were certain the rocks and bumps of the van were due to your wails alone. Something shifted, you felt it and it hurt. You were on fire and aching at the same time. When the contraction ended, you still felt painfully stretched and bruised and uncomfortable. “Did—did it work?” You panted, grasping desperately for Daryl’s shirt.

“The head is out, the shoulders are turned. One more big push, Y/N. Just one more.”

You breathed harshly through your nose, trying to amp yourself up. Maggie and Carol were throwing encouragement your way, but you didn’t hear them. You only felt Dary’s breath against your ear, his stubbled cheek rubbing against your skin.

He whispered, only for you to hear. “I love ya.” Kissing your temple, he moved back to his spot and when you looked at him, exhausted and crying, the corner of his mouth twitched and he nodded.

You could do this.

When the next contraction ripped through you, the world went silent. It was only you and the pain, white hot and all consuming. You were indeed being torn in half but if it meant Thumper would take that first breath, would open those little eyes to see the world—fucked up or not—then you would gladly be wrenched into pieces.

The moment the baby slipped free of you, you felt the emptiness. You still hurt, but the worst of the pain was suddenly absent. Sound and sight came back to you in an onslaught that had you sucking in a breath like your lungs had been starved.

“Is—Hershel, the baby?” You asked, trying to move as Daryl and Maggie lowered your legs. The archer was leaning across your knee. You couldn’t even tell if he was breathing, but his eyes were wide and darting.

“Doc—”

The ferocious first cries of the distraught newborn echoed throughout the van. Maggie had moved behind you to keep you sitting up while Daryl had staggered backward and fallen on his ass against the interior wall, eyes on the little thing that Hershel was looking over intently. Maggie reached over your shoulder and began unbuttoning your dress, whispering in your ear as she moved.

“The baby needs to nurse, bond with you on your skin and it’ll help when you have to push out the placenta, okay?” You blinked at her, concerned. “It’s okay. It’s nothing like what you just went through. One or two small pushes and it’s out.”’ You nodded robotically, watching Hershel maneuver some sort of tape around a slimy cord.

Thumper was not happy. They were probably cold and that thought made your heart ache. Your baby should never be uncomfortable. Daryl was slowly, clumsily making his way toward you, but wasn’t taking his eyes off the baby. When he was sitting beside you, Hershel finally leaned over you and placed the squirming, slippery baby on your chest.

“Congratulations. You have a daughter.”

#murda writes #blood ties #daryl dixon #daryl dixon x reader #the walking dead #daryl dixon fanfiction #daryl dixon fanfic #daryl dixon x y/n #daryl dixon x you #pregnant!reader #daryl x female reader #daryl dixon x female reader #daryl angst #daryl dixon angst #daryl dixon the walking dead #daryl dixon twd

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arcanefox207 · 3 days

Text

The Wolf You Feed (Part 2)

Pairing: Joel Miller x f!reader

Rating: Explicit, 18+ MDNI

Word Count: 5.6k

Part 2 / ? (Ongoing Series) (AO3)

Summary: Set in a fictional New England town, you fall for your handsome, intense and outdoorsy neighbor while renting out your parent's vacant summer home during a brutal winter.

Warnings: No Outbreak, AU but with TLoU characters, Large age gap (Reader is 29. Joel is 50). Pet names but no use of Y/N. Reader is smaller than Joel and has hair he can grab. POV Switching. Series contains Angst and lots of Smut (to avoid chapter specific spoilers you can expect things such as but not limited to Unprotected PiV, Cream Pies, Oral, Masturbation, Dom!Joel, Subby reader, Pining, Infidelity)

A/N: In case you are just jumping in, you can read Part 1 here. Part 2 is more smut heavy! I aim to have Part 3 out much sooner as time allows!

A O 3 | M A S T E R L I S T | N O T I F I C A T I O N S

Comments / Reblogs are so incredibly appreciated and give me the motivation to write 🧡

Without further ado... for your reading pleasure.

It’s late on Saturday morning and you have a pot of coffee brewing while you shower. You stand in the stream of hot water far longer than you need to. Your thoughts shrouded by your evening with Joel Miller. How rough but passionate his touch was. How he made you get on your knees for him. How he tasted and how badly you wanted… needed more of him. Your hands trace over tender spots where he held onto you and you relish the memory.

He tested your obedience and you followed his orders. You hope it turned him on as much as it did you. You liked surrendering yourself to him. Despite his roughness you felt safe with him. You couldn’t explain it yet but you could feel that his burly facade was hiding something softer.

You finally step out onto the cool tile and dry off in front of the mirror. You pat your hair down with your towel and when the steam starts to dissipate you catch how happy you look. An old you that you have not recognized for a long, long time.

You smile to yourself and resolve to put Joel out of your mind for now or nothing would be getting done today.

The coffee helps wake you up enough to plan out your morning. There is a light coating of fresh snow and the sky looks gray and ominous. A big storm is expected to hit overnight so you head into town to pick up some food and provisions. You make a quick stop at Grind when you see Marlene’s car parked in front.

There are a few customers and you are surprised to see Marlene working. By her expression, she wasn’t too pleased to be there.

“Hey!” You greet her as you approach the counter. “You got stuck working today?”

“Yeah, someone called out.” she rolled her eyes. “Don’t feel too bad for me, it’s your turn next.” she jokes. A teenager is busy checking out a customer and another is making a latte. Marlene steps away for a moment to chat with you.

“So…” she prods. “How did it go?” You fail to hide your smile and thoughts of Joel overtake you once again.

“It went… great.”

“When can I meet him?”

You laugh nervously at her question.

“Lets not jump ahead. Right now it’s just something… casual.”

She is skeptical of your reply and stares at you for a moment, trying to will more out of you, but you don’t give in.

“Ok. Whatever you say.” She rolls her eyes again. “I have to get back to work, but you are going to have to tell me sooner or later.” She points at you and furrows her brow.

“Yeah, Yeah.” You joke. “See you Monday!”

You leave the shop and cross the street to the grocery store. The place is mobbed and the shelves wiped out of the most in demand items. You grab a few things and chat with your mom who calls you to check in. Rather, to tell you all about her excursions and gossip about people you have never even met. You don’t mind and just tell her things are going well, you like your job and let her ramble on, not really listening. Mindless chatter in your ears while you shop.

She does catch you off guard when she mentions hearing about the storm and “Joel will plow for us if we ask him to” casually. Your ears perk at the mention of his name but you act cool and collected. You don’t like the way she volunteers his services so nonchalantly. It strikes a nerve in you and reminds you of how she always insinuates you are incapable of being responsible. It makes you feel defensive for Joel, too. Her disregard for his time further illustrating how self centered she is. This was one of the factors that pushed you away for so many years.

“Your father will call him later—”

Absolutely not. You interrupt her sternly mid-sentence.

“Mom. I will take care of it.” The last thing you want is your parents harassing Joel or trying to control you from across the country. This was a string you needed to make clear was not going to be attached to your current living arrangement.

“I have things under control.”

“Oh… ok then.” Her tone is short and then she is off talking about her beach plans again. This goes on for another 10 minutes and by now you are in the checkout line. You say your goodbyes and calculate another week or two before you have to do that all over again.

You hadn’t really considered the snow aftermath but you had a shovel and your car would be good enough to get out of your driveway… probably. You were not going to bother Joel regardless.

The call puts you in a bad mood as you drive home. The spitting snow reminds you of the impending storm. The cheerful start of the day is gone and replaced with a heavy feeling.

You drive past Joel’s house and wonder if he is home and what he is doing. Wonder if you should call him. Wonder why he has not reached out to you either. You don’t want to be that girl. It’s not like you and him are anything. You shouldn’t be expecting anything from him. However, you still feel a faint sting of disappointment. Maybe he had his fun and that was it. Self doubt poisons your mind but you try to swallow it back.

The rest of the day you spend eating junk food and watching movies on Netflix. You fall asleep on the couch early in the night before forcing yourself into bed. The wind and snow has ramped up and your power flickers.

You pull your comforter tightly over you and take one last look at your phone but you already know there is nothing from Joel.

Saturday Night (Joel POV)

Joel sits up in his loft on his worn out couch, strumming his guitar. He takes a sip of his whiskey, neat, and poorly mouths the words to his song.

He plays a few more riffs but feels distracted and unfocused. All attempts to keep busy have been ineffective today. He spent the afternoon preparing his truck and stacking firewood. Once that work was done he had nothing but free time.

The truth is, you have been on his mind. It was hard not to think about you. He had only explored the tip of the iceberg with you and wanted more. He knew it wasn’t right to pursue you for a magnitude of reasons, but the desire was not waning. He felt things with you that he had not felt in a long time. Feelings he was afraid to give in to.

Joel replaces the guitar in his hands with his phone and hovers your name in the recent contacts. This isn’t the first time today he has almost called you.

What are you doing, stupid. He thinks to himself.

He shuts down the moment of weakness and locks his phone. He knocks back the last of his whiskey and heads downstairs. He turns on his TV to the local news and listens to them fuss over the storm. He knew tomorrow would be a busy one for him with his side hustle as the plow guy many locals depended on. Just another thing to keep him busy.

He goes to take a shower before calling it an early night.

The shower is hot and comforting and in no time his mind is wandering back to you. He thought about your brief evening together and how intriguing you were. How bold you were. How tight you were when he was fingering you and how needy you sounded.

He puts a fist against the shower wall to brace himself and hangs his head low so his shoulders block the bulk of the water. He uses his free hand to wrap around his semi-hard cock. He remembers your playful hold on him and gently strokes himself. It doesn’t take very long to get hard as he relives that moment in his mind. His strokes get harder and faster and he wishes he was fucking into you and not his own hand.

He groans as he comes and watches his spend drip down the shower walls and into the drain. His few moments of bliss quickly fade away. He balls his fist in frustration at his unfulfilling release. He needs more. He needs you.

Your Sunday morning begins with anything but peace and calm. You are startled awake by the grinding sound of heavy metal dragging across pavement. You look outside your bedroom window and see the snow has blanketed everything and there are still a few lingering flurries dancing in the sky. The trees are struggling with bent over branches coated in ice and snow.

Leaving your warm and cozy blanket fortress is the last thing you want to do. You lazily grab a hoodie to pull over your oversized shirt you slept in and your pajama shorts and make your way to the front of the house. The floor is cold on your feet but the air is warm. You cranked the thermostat before bed, making you feel rebellious in the moment but it seemed silly and wasteful now.

You look out the front window that faces the driveway. There you see Joel Miller in his truck, plow attached, barreling towards you and crashing into a snowbank he started building up. He looked so serious and professional backing up his truck with an arm stretched across his seat as he looked over his shoulder. He was so focused he was not aware you were watching him and his scowl at work.

It doesn’t take long before that familiar ache between your legs returns. The longing to let Joel have his way with you. A desire that is getting harder and harder to ignore.

The realization that you look like you just woke up from bed hits and you scramble to the bathroom to run a comb through your hair and brush your teeth. You can hear the drag of the plow continue as you finish up and then rush to the kitchen to put on a pot of coffee. The stove clock reads 7:32am. Way too fucking early for a Sunday morning.

You hear his truck door slam and the sound of crunchy snow under his boots. He is walking with a heavy foot and grabs the shovel leaning by your door.

Joel is shoveling your walkway, weaving a modest path for you to get from your house to your driveway without trudging through the snow. You can hear him grunt as he tosses the heavy snow out of the way. What would have taken you probably an hour takes him just a few minutes.

He plunges the shovel into a snowbank when he reaches the end of the path and leans on it to catch his breath. He looks exhausted and rightfully so. You want to comfort him in whatever way you can. At least offer him some respite to show your appreciation. As much as you hate to admit it, you would have been totally fucked if you had to tackle your driveway with your inadequate self. Joel saves the day, again.

You crack open the front door and call out to Joel, reluctantly interrupting his moment of peace.

“Hey!”

He slowly turns in your direction when he hears your voice. His eyes scrunch as he makes out your figure hanging out the door. He gives a lazy wave of acknowledgment.

“Come inside and warm up? I made coffee.”

He picks up the shovel to return it and makes his way towards you.

“Yeah, ok. Just for a minute” He follows you inside.

Joel closes the door hard behind him and scuffs his boots on the mat to get off any snow. He brushes his hand quickly over the top of his head to knock off any lingering snow and unbuttons his jacket. He empties his pockets and puts his wallet and phone on the end table. He saunters over to you as you hand him a fresh cup of coffee, black.

“Thanks.” He manages a smile. He returns to the living room and groans as he lowers himself to the couch. He recklessly sips his piping hot beverage and seems immune to the searing heat and delighted to have it. He rests his mug on the table and leans back and closes his eyes. His hand comes up to his brow as he pinches his thumb and finger together across his eyes.

You lean against the doorway between the rooms and sip your coffee. You notice how tired and worn he looks. His damp hair is shiny. His heat is melting the last few snowflakes and making him look messy and wet. His jacket is open and disheveled and his flannel undershirt is haphazardly draping on him as he slouches back.

Despite all that he is still as handsome as ever and you like seeing him this way. Vulnerable in this out-of-character state.

“Tired.” He grunts with his eyes closed and it snaps you out of your thoughts. “Been a long morning.”

You take a few steps towards him to close the gap.

“I’m too old for this.” He sneers as he looks at you with lazy, heavy lids.

“You didn’t have to worry about me, you know…” Your voice trails off as you wonder if he was there on his own volition. You can’t help but ask. You need to know.

“Did… did my dad call you?”

“No.” he answers firmly with a suspicion in his tone, almost sounding offended.

“Good. I mean, thank you. That was really nice of you to come over.” You pause and smile at him. You feel guilty, but also have never had someone so capable looking out for you before.

“I was going to shovel it.”

He raises his brow at the ridiculous claim.

“No you weren’t. Wouldn’t have let you if I saw ya out there.”

“Well.. Thank you.”

“S’nothing. I don’t mind… having an excuse to see ya.” His brows raise and wrinkle in the middle. He has a softened expression as he looks into your eyes.

Your heart skips a beat and is heavy in your chest, you wonder if he can hear it beating. Having an excuse to see you. You replay it in your mind. He wants to see you. You feel stupid for getting carried away thinking otherwise.

You put your coffee down next to his and casually walk around to the back of the couch. There is a force compelling you to comfort him. Encourage him to relax. That fluttering feeling in your stomach surges. Joel Miller is exhausted on your couch and isn’t going to be putting up much of a fight if you fuss over him and you want to fuss over him.

You stand behind him and reach your arms down and spread them slowly from his shoulders down to his sides. He lets out a tiny moan as you circle his taut muscles. You pinch and massage them as you go. You lean forward and bring your mouth just behind his ear.

“You don’t need an excuse to see me.” It comes out softly and seductive. You can feel his body tense under your words.

You rake your hands back up to his shoulders and curl your fingers under his open jacket. He halfway cooperates as you tug the jacket off his shoulders and pull it away from him. It's wet and heavy and most of the snow has melted into it by now. You toss it on the back of the couch and return to his shoulders. Your hands massage him and you can feel his muscles tight and knotted under your grasp. His head tilts back into the couch as he lets you tenderly work him.

“Feels good. Really good.” He says in a low, almost inaudible tone. His exhaustion has let his body surrender to you and he isn’t fighting to be in control.

You lean forward again and plant your mouth on his jawline with a sensual kiss. His damp whiskers prickle your cheek as you drag it against him and go to his ear.

“Let me take care of you.”

He makes a deep, throaty sound in response.

His flannel is damp and hot and he looks so uncomfortable and stuffy now that he has been inside a while. You slide one of your hands down to his chest and unbutton his shirt. You are halfway down and he reaches his arm up and curls his fingers behind your neck, pulling you down to his mouth. You can feel the shift in the room, like you woke a sleeping bear.

“Come here.” He uses his free hand to tap his lap and loosens his grip on you.

You walk around to the front of the couch and stand in front of Joel. His legs are spread and he is still lazily slouched back but he motions for you to join him. His half unbuttoned shirt teases you with his thermal undershirt peeking out, still hiding his bare skin. At least you are getting closer.

You step towards him and move to straddle him on the couch. You have a leg on each side and he puts a hand on each hip under your baggy sweatshirt.

His hold is tender but makes you melt when you feel the wingspan his fingers have on you. His thumbs brush over your hip bones and trace down to the soft skin just above the crease of your thigh as he casually dips them along your waistband. His touch sends sparks through your skin.

He lazily stares you down with a narrow gaze over his nose, still resting his head back.

“Keep going.” He closes his eyes as your focus goes back to finish unbuttoning his shirt.

As you get close to his jeans you can feel him hardening and straining against the zipper.

You pop open the button and carefully unzip him. His cock springs loose in his boxer shorts. It teases you behind the cloth barrier and you reach for his waistband so you can grab a hold of him. His fingers dig into your sides and he pushes you back slightly to make you stop. He fights through the laziness and is now fully alert.

“You want my cock?” He grits through his teeth. “Think it’ll fit in your pretty pussy?” He drags one of his hands to your center and grabs you through the fabric. He smirks as he can feel you are wet and damp through your thin sleep shorts. His fingers sneak into the leg hole of your shorts and he teases your clit through your cotton underwear. You clench remembering the stretch from his thick fingers deep inside you just the other night.

“Yes–” your words catch in your throat as he pushes your underwear aside and thumbs over your folds. He barely touches you and opts to tease you instead, deliberately feathering over your swollen clit. You reach down to grab the wrist of his occupied hand and grind into his fingers. Your body craves the friction.

“Fuck me, Joel.”

His eyes darken and with a devilish smirk he takes his hand back and watches as you slide off him to take off your clothes. He looks at your body with a sleazy ferocity. If any other guy looked at you that way you would have slapped him, but not Joel Miller. You want his attention and you like the way it makes you feel when he is eyeing you like a starving wolf.

You pull off your hoodie and shirt and toss them to the piles of clothes building up on the floor. You stand in front of him completely naked. Exposed. Joel brings out a side of you that makes you feel confident and bold. The way he looks at you with intrigue and desire encourages you. You take a brief moment to tease him back and drag your hands over your breasts and one continues down to your cunt.

Joel stirs in his seat. He is so easy to rile up. He pulls off his flannel and kicks off his boots. His thermal long sleeve remains hugging his body in all the right places. He arches forward as his hand grabs his thermal from the back and pulls it off over his head. It makes a prickly, staticy sound as it brushes over his hair. He tosses it to the ground and for the first time you can fully take in his body without so many layers hiding him.

His broad shoulders and chest taper down to a narrowed waist. His body is rugged and defined. For an older man his physique had been well maintained thanks to his lifestyle. His tanned skin and his messy, dark hair with silver streaks sends tingles through you. You have never been so physically drawn into someone before on a level that almost felt primal.

His eyes sweep your body up and down as he drags his thumb along the side of his mouth and rakes his fingers through his scruff on his chin. He bites his lip while he drinks you in.

“Damn, baby.” He curls his thumbs inside the band of his jeans and tugs them down along with his boxers. He kicks them off his legs and reaches towards you, wrapping around the back of your thigh and beckons you to return to him.

“Come ‘ere”

Your eyes gape as you take in his sheer size. It is intimidating but makes you ache with desire.

You are back in his lap straddling him with little coercion needed. You stretch an arm behind you to hold yourself up and the other touches yourself. This position lets him take all of you in; bare, exposed and wanting. Wet and needy for him.

His hand reaches for his throbbing cock. He palms himself with a few labored strokes. He is already beading precome at the tip. You feel a pang of jealousy and wish it was your body wrapped around him. He catches the hungry way you are looking at him. You catch how much he likes it.

“You wanna ride this cock?” He brushes the tip against your opening and you let out a whimper in response and lurch forward. You brace yourself on his forearm and your other hand pushes against his chest to keep yourself upright. His skin is firm as you grip into him. His body hot and radiating like a furnace.

“Haven’t gotten you off my mind since Friday.” He confesses. “Thinking about how tight my cock would fit in you.” He teases you with the tip again. Your whimper grows into a needy moan making him harder. Making him want you that much more.

He crudely spits into his hand and rubs it along his shaft and then he notches it at your entrance. You can feel your body begging to be filled with him and you’ve been wet since you woke up to him in your driveway. You’ve lost count how many times you imagined Joel fucking you. He puts his hands back on your hips with a rough grip and you move your hands to his shoulders as you slowly lower yourself onto him. He helps keep you steady.

“Joel! Fuck–” You moan. His thick cock sears your skin as it stretches you. He is slowly splitting you open inch by inch and you have never felt more full. He lets you control the pace for now, with pained restraint. He searches your eyes to make sure it isn’t too much. He knows he is a lot to take but the slowness is making him go insane.

Joel lets out a grunt as he gets closer to bottoming out inside you. Your walls clench around him and the sweet pain from the stretch subsides as your body adjusts to his size. You slowly ride him up and down until you have him fully sheathed inside you. Your body is so full you don’t even have room to form complete thoughts. You can only focus on his burning hot heat inside you, tearing you open. Every moment before this pales in comparison.

“Fuck. So tight.” he snarls. His grip on you tightens as he pulls your body up and then thrusts into you, hard. He keeps the pace slow but more forceful than you were. He tries to be gentle but you can feel his patience slipping away.

One hand drags to his biceps where sweat is glistening. As he lifts you his muscles flex and contract he makes it seem so effortless to maneuver your smaller frame. Everything about Joel is big and strong and rigid. The epitome of masculinity.

Each thrust up into you makes you dizzy. You can feel yourself on the verge of orgasm, cock drunk and blissed-out. His heavy breathing and hitches in his voice send you over the edge as he pounds up into you. You ride the wave as he fucks you through it. Your arms entangle in each other and your bodies slap together, sweaty and panting. Your incoherent words and moans heighten with each thrust.

He makes you feel alive and pleasured in a way that you have never felt before. It is intoxicating.

As you start to come down from the high you feel him getting close to his own release but he is still reserved and careful with you. Through gritted teeth he tries to keep his pace steady and builds you back up, never quite letting you recover.

“Joel, Don’t… don’t hold back.” You manage to get out of your lips. You stare into him with hooded eyes and can only imagine how fucked out you look. He brings one of his hands up to the side of your face and strokes his thumb tenderly across your cheekbone.

“Ok, baby.”

He leans into you and in a sweeping motion he twists and lays you back into the adjacent couch cushion. It is more of an oversized loveseat and not very ideal. He barely loses contact with your body as he positions himself above you. You can feel his weighty cock press into you and pin you in place as he leans forward, crowding you in the cramped confines of the couch.

His mouth is on yours; rough and messy. He bites at your lip as he pulls away and reigns in his focus. Your legs clamp around his sides and your arms hold onto his neck. Your fingers snake into his hair and you grab hold of him. He slides his hands down your sides so he can hold you close as he resumes fucking into you.

With this leverage, he somehow hits you deeper than before. His cock kisses the deepest parts of you again and again. Your sides bruise as he grips you harder. All his gentle inhibitions have been replaced with raw, unhinged furor.

His pace quickens as you can feel him coming undone inside you. He is in a frenzy fucking you hard and deep and his grunts get louder. The heavy feel of him dragging out of you and shoving back with such force has you crying out his name along with a steady stream of expletives.

You are so close but you beg your body to hold on, you don’t want the feeling to end. You want to live in this moment forever being trapped under Joel and being filled with his cock. You moan out his name as the second orgasm explodes through your body.

“Fuck, baby..” his body quivers as he tries to hold out long enough for you to peak.

He suddenly sits up and groans as he drags completely out of you. You whimper at the loss of him inside you and his wet, leaking cock slaps onto your belly. He strokes himself once with a heavy fist and grunts as hot ropes of cum spurt onto you. You relish being branded in his release. It coats your stomach and drips messily onto your cunt. You revel in the last fleeting moments of your orgasm being shared with Joel’s.

He languidly strokes himself a few more times until he is empty. His chest rises and falls quickly as he breathes shallowly. His muscles weaken as the high from his climax rolls through him.

He leans forward and presses his forehead to yours. The sticky mess spreads between your bellies as his body pushes into you. It's lewd and you love it. You love how filthy Joel makes you feel. All you can smell is sweat and sex and Joel.

He presses a kiss to your forehead and then sits back to catch his breath. Your bodies untangle and he goes back to his original spot on the couch. You stay laying back lazily with a leg draped casually over Joel and the other bent at the knee. You still need a moment for your legs to be in any condition to work properly.

One of his hands rests on your thigh and he grazes it with comforting drags of his fingers. He doesn’t say anything but the gentle contact from him is welcome. The connection you share now is so contrasting to when he was railing you. It is a side of Joel that feels like a privilege granted to you.

The calm is interrupted by a vibration of his phone. Joel reluctantly picks it up to look at the screen and groans with disappointment. He answers it but doesn’t stop rubbing you gently while he conducts his business.

“Fred, I’ll be there in 20.”

You can’t make out the other end entirely but you can detect a man's voice. He doesn’t sound happy.

“Yeah, I’m running behind. Your house is next.” Joel tries to placate him. More chatter and you start to feel bad for holding him up.

You move off of Joel and make your way towards the bathroom to wipe up the mess on your belly and grab your silky bathrobe off the door.

“Ok, Fred. Be there soon.” You hear him hang up and toss his phone down with a grumble. He turns in your direction as he stands up to pull on his jeans.

“I’m sorry, sweetheart. I gotta’ go.” His tone is solemn now. You pop out of the bathroom and catch him using his undershirt to wipe up his mess. It’s gross but you like seeing him being comfortable being a typical, nasty man in your presence. Points for being resourceful.

“I heard. Didn’t mean to hold you up.”

He glares at you and smirks as you make your way back to him.

“Didn’t mind one bit.” He takes a few steps towards you to meet you halfway and kisses you on the top of your head while he wraps his arms around you. He breathes you in with his embrace and it feels so perfect being wrapped up by Joel. A final moment before it all ends and he pushes away from you, reluctantly.

“And s’not a big deal. Snow aint going anywhere.” He says as he puts his flannel on, sans the thermal, and starts to button back up.

His messy hair is mostly dry now and even more unruly with wild curls. You feel that fire inside you building again. It’s insatiable. You don’t want him to go.

He laces up his boots and gathers his things.

“Ok. I’m gonna hop in the shower.”

“Ok, baby.” You exchange a final look and go your separate ways. You feel his eyes on you as you return to the bathroom.

When you go back to the living room he is gone. All that remains is his dirty shirt and an empty coffee cup.

Sunday Night (Joel POV)

After a few more hours of plowing Joel returns home.

He takes a shower just long enough to wash the sweat and stink of exhaust from his body.

He pours himself a whiskey and collapses on the couch to relax.

His body is weary, but his mind is still firing. It has not stopped. He has to face the reality that he is falling for you, whether or not he should be.

He pulls out his phone and stares at it blankly. Hesitating. He scrolls through his contacts until he finds the one that he has been avoiding. He knocks back his drink and sends the text.

Joel: Tess. We need to talk.

Thank you to @magpiepills for beta-ing 🧡

Love to my ladies that mean everything @magpiepills @legendary-pink-dot @youandmeand5bucks @exquisiteserotonin @for-a-longlongtime @sparklefarts38 @pink-whiskey-woman @redhotkitchen 🧡

#joel miller #joel miller fanfiction #joel miller x reader #joel miller smut #the last of us #pedro pascal #pedro pascal x reader #pedro pascal smut #pedro pascal fanfiction #joel miller x f!reader #joel miller x you #the wolf you feed #tlou

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ahellalottafandoms · 3 days

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So...

Buddie is definitely going canon at some point. There's no if about it anymore!!

Why is Oliver doing a Ryan?? Oliver is normally laid back and relaxed, where as Ryan is the giddy one.

Now Ryan's in PR Jail and Oliver has unleashed EVERYTHING!

Buddie wedding in series 10?! Calling Eddie/Ryan attractive, 2x01 was Bucks POV as well, probably more I've missed because it has been interview OVERLOAD... Oh, the COUCH THEORY IS BACK tomorrow in another interview!!

I can't cope! Someone, please, lock him up with Ryan!!

Can you imagine how they'll both be when Buddie does go canon?!?!

#buddie #buddie endgame #oh they know buddie is happening #ryan guzman #oliver stark #ryliver #eddie diaz #evan buckley #eddie x buck #buck x eddie #911abc

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vintagegeekculture · 15 hours

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Marvel's 1992 Darkhold Redeemers

“Darkhold Redeemers” was a comic created in 1992 about a group of supernatural investigators in possession of the Darkhold, an evil book of dark sorcery that has evil pages scattered over the world. In Marvel lore, the Darkhold is the book that created the first vampires. The comic was created by 90s Marvel journeyman Chris Cooper (also known for creating Starfleet Academy, a comic about the adventures of Cadet Nog that tied in to the events of Deep Space 9).

The book is notable for three reasons.

The first is that the premise is shockingly and coincidentally similar to the later Buffy the Vampire Slayer, with occult investigations carried out by a group that is led by a beautiful, tight outfit wearing vampire killer from a lineage of vampire hunters (Victoria Montesi, the Montesi Formula being the way vampires are destroyed in Marvel Comics), and also includes a mouthy scrappy everyman, an occult expert and archeologist who’s knowledge of the supernatural and collection of books leads to the secret of beating the creature of the week, a tough as nails government agent out of his depth when fighting the supernatural, and finally, a tremendously powerful and immortal dark antihero who joins the side of good despite his dark past (Mordred the Mystic is both Willow and Angel together, I suppose).

The second detail is that it was the first Marvel Comic with an openly gay lead character. You might have heard it was Northstar, but this is not true. Chris Cooper is openly gay himself and always fought for inclusion of this nature. Victoria Montesi’s debut predates Northstar coming out of the closet (a comic, incidentally, that Chris Cooper wrote as associate editor on Alpha Flight, so he worked on both).

There are, likewise, many candidates for who the first gay character in Star Trek is, but one of the characters with the strongest claim to this title is Chris Cooper’s Yoshi Mishima in his Starfleet Academy series.

Chris Cooper eventually left Marvel Comics after the 90s. Nothing happened. Most people in a freelance job like comic editing and writing are not Chris Claremont, who are there for decades. Careers in the arts don’t last forever, and they have to come to an end sometime, where you go and get a real job.

But Chris Cooper came up again decades later in the news, was the subject of an incident in 2020 when birdwatching in Central Park (he’d been a member of a birdwatching society at Harvard), where he was threatened by a female jogger, who said she would call the police as he threatened her, when we can see he did no such thing. The incident was known as either “the Central Park Birdwatching Incident” or the “Central Park Karen.”

Looking at the footage now, it’s easy to see why it was national news and viral on the internet. Apart from the obvious racial angle, it is a chilling reminder of how a woman’s vulnerability can become a weapon, and how man’s strength can turn into a vulnerability.

All the while watching the incident, I was like "...the Darkhold Redeemers guy? No, it couldn't be...it's probably a coincidence, Chris Cooper is a very common name." But nope, it really was the Starfleet Academy guy from the 90s.

Chris Cooper received a birdwatching show on National Geographic, and inspired many black people to go into birdwatching, but I could care less about birdwatching. I would like to see what happened next with Darkhold Redeemers and Starfleet Academy, which ended at a cliffhanger with a lot of unresolved plot points.

#darkhold redeemers #90s marvel #starfleet academy

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corrupted-nightshade · 3 days

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List of things that point towards Gojo Satoru & Geto Suguru being kissers of boys with connections to eachother

(If they did kiss though is another story)

Note: the list will be divided into different sections with space in between. So don't go speed scrolling through if you don't want spoilers. :"3

Some of these are less serious, but are still included because all the more content for these two sillies.

--- Last updated: April 26th, 2024 Note: Make sure to check the original post if viewing a reblog version in case Tumblr does not update things under the "read more" like it used to be able to.

Various

572. This number is used frequently as a ship number for the two as "GoGe" the ship name can also be produced as "GoNatsu". Go means 5 and the rest sound similar to 72. These numbers ironically show up accross the series a few times and also in official merch. (Some examples being a clock in season 2 episode 1 stopped at 5 hours 7 minutes 20 seconds or a Gojo teddy bear priced at ¥57,200)

JJK official fanbook

"Q: Please tell us his first impression when he first met Geto. A: Bangs."

"Q: He seems to be aware that he is handsome, but doesn't he want a lover? A: I can't imagine Gojo being faithful to a particular woman."

"Q: Is there anything you are particular about Geto's character design? A: Bangs"

One of Gojo's songs & one of Geto's songs given to them. "Shame on you" by "Avicii" (a break up song) for Gojo and "Come back Home" by "Two door cinema club" for Geto. Stated in volume 3 chapter 24.

The sheer amount of times Geto shows up in MMVs for Gojo and how they display the impact Geto had on Gojo (For example, the latest MMV for volume 26's release)

Their birthday's solar terms tying in with parts. (Geto being "Risshun" beginning of spring & Gojo being "Taisetsu" heavy snow.)

Rings for them that were released on August 8th, which is "Pairing day" in Japan

Jujutsu Kaisen 0

Geto's kesa is specifically a Gojo kesa

Gojo stating in 0 that

"I've always believed... ...Love manifests the most distorted curses." / "This is my personal theory, but there's no curse more twisted than love."

Even after 10 years, Gojo recognized Geto's smell. (The mall scene after Yuta & Toge fought the curse)

Geto renaming someone to "Sato" because

"That's what I've decided, so Sato is better."

This sunset scene

Gojo's veil is black & Geto's veil is white. Gojo's veil causes darkness, Geto's does not. [Peep who reminded me]

The song "This is pure love" not only plays over Yuta & Rika vs Geto, but also plays over Geto & Gojo's conversation

The way that Geto looks at Gojo & says his name, and how Gojo looks at Geto & says his name

Geto's blushing face at Gojo that we were robbed of in the anime

Some of the lines from the JJK 0 light novel lines

"Yet Gojo's bandage-covered eyes kept watching, kept following the shape of Geto's soul."

"But to Gojo Satoru, he was —— '————, ————' '...ha.' When he heard the words Gojo blurted out, Geto couldn't help but laugh. Such embarrassing [...] words. Even why they were students, those words had never been said before. 'You should've at least cursed me a little before the end.' December 24, 2017. The curse called Geto had been well and truly exorcised."

Season 1

JJK Juju stroll

"Q: What kind of person is your type?" Gojo: "[...]The one who seemed nice. With the notable bangs."

yes, i know who he stated but the way he answered was so half arsed as he struggled to come up with an answer as an example of his type. 💀

Season 2

Again, the way they look at each other and say each other's names (There's another picture with Gojo looking at Geto, but I'm missing it right now)

THE HECKIN GOJO & GETO VALENTINES CAKE??

They literally even have a themed honeymoon place???

Geto makes sure Gojo has his favorite soda. :3

Part 1 / volume 8 - 9

The intro for season 2 part 1

"Even after I got to know the smell of you, different from mine"

"In such a color as if it were a silent love"

"I've got a curse word for you stuck in the back of my throat"

The outro for season 2 part 1:

"Even trivial conversations are fine Show me your blushing face once more"

"It only exists here I want to touch you"

The fish in the outro

The flowers in the intro & outro. [Peep who reminded me]

The purple ones (Located on table in the part where older Gojo is sitting in a chair by a window) are possibly Primula/Primrose flowers. They can represent young love, beauty, desire, desperate, and can be a symbol of spring and renewal/new beginnings. etc.

The yellow ones (Located in the part where Gojo & Geto are sitting together with their hands & cans of soda surrounded by the flowers) are possibly osmanthus flowers. They can represent love, passion, happiness, beauty, etc.

[See here , here, here , here , here , here ]

Geto not answering Tsukumo Yuki's question of what kind of woman is his type more than once

When Geto is asked by Haibara if he would like a sweet or savory souvenir, Geto says

"Satoru will probably have some too, so maybe something sweet."

Part 2 / volume 11

This whole image (Geto in the glasses on the left, and Kenjaku's silhouette on Gojo's face on the right)

Season 2 part 2's "Specialz" intro hidden meaning

Despite the following about Geto's state, Geto's body still instinctively reacted to stop Kenjaku from hurting Gojo.

"Q: Fake Geto's arm was moving during the Shibuya Incident, but how much of Geto's consciousness remains in the body? A: Not much. He was moving like how a dragonfly whose neck was torn off can move."

Fun fact: Some owls pair/bond for life (Whether the owl is supposed to be Geto's because Kenjaku is using Geto at the time or it's not Geto's animal because that is Kenjaku is up to you)

Volume 26

The Camilla flowers with snow. Not only do they represent Gojo well with their meaning, including one meaning being unchanging/strong love alongside modest love / beauty for pink, but flowers are given to different dates. The birth flower of February is this flower, said to bloom on the 3rd of this month. Aka Geto's birthday.

Chapter 236

Gojo actively chose to fight on December 24th (a day considered romantic for Japan) which is now the day both Geto and him have died on. Even Kenjaku acknowledges the days significance with

"Ha ha! How romantic. Isn't it gross to make plans with each other on Christmas eve?"

These lines

Both Gojo & Geto's volumes' numbers can have bad meanings in Japan. 4 can mean death & 9 can mean to suffer/agony. (I put this under volume 26's section because of the spoiler)

---

There's likely more, but this is what we could think of right now. XD If you have anything you want to add on, feel free to send it my way because the more help the better & easier this is. (^w^ ) Same for any corrections to the list (as it's just me writing up this post and I may make slip ups)

#jujutsu kaisen #gojo #gojo satoru #geto #geto suguru #goge #satosugu #corrupted nightshade's talks

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acourtofthought · 11 hours

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My husband finally put into words for me something that has been the main problem with this whole Anti Gwynriel because of Gwyn's past narrative.

According to Anti's, it's not ok to ship Gwyn with Az because she's not healed enough and hasn't shown that she's ready for a relationship.

According to Anti's, fanart of Gwynriel in provocative positions are not appropriate because it's disrespectful to Gwyn due to her SA, that she needs to first give verbal consent before we're allowed to imagine what a HEA for Gwynriel might look like.

And at first, it almost feels like a gotcha for them because you question whether you're disrespecting real survivors by saying, "she doesn't need to give consent for us to ship them since it's a book." This statement is true, I don't think readers should be forced to abide by real world morals when it comes to possible paths a characters arc might take, however it makes you pause for a moment to question whether what you're saying is disrespectful to those who have been victims.

But he actually flipped that entire thing on it's head when he said, "if the issue is about consent, then why is only being applied to a SA victim? Shouldn't consent be applied to everyone?"

It was kind of a lightbulb moment for me because those Anti's never vocalize how it's wrong for people to ship Eris & Az, Mor & Emerie, Vassa & Lucien (SA victim), Lucien, Jurian & Vassa, the LoA & Helion (because at this point they are not a consenting pair), Nesta & Eris. There are a bunch of non canon, non consent ships in this series and nobody has an issue with those. Nobody takes up the crusade arguing that it's wrong for people in the fandom to imagine those pairings together or drawing fanart of them in NSFW positions. Most of the time they're celebrated but has Emerie consented to having a sexual relationship with Mor? All she did was call her beautiful and Feyre had done the same in ACOMAF. Why do they never call out fanart of that pairing? Or Neris after Nesta harshly rejected him? Where Eris is currently suffering torture at the hands of Beron and we've got no clue as to his sexual preference. Also, Elain only consented to a fully clothed kiss in the bonus (remember, she grew up with human morals which she still holds fast too, she didn't jump right into bed with Graysen), we have no evidence she wanted more yet there's plenty of NSFW E/riel artwork out there and I'm betting some existed before SF, before she even consented to a kiss.

The only time I've ever heard anyone argue for consent or argue against NSFW art is in relation to Az and Gwyn and the message they're sending is that only female characters who have been SA need to give consent before fans should be shipping them.

That's when the shipping agenda makes itself known because if no other non-canon / non-consenting pairing disturbs them to the point they need to create post after post surrounding how wrong people are for shipping them, then it's clear to see that it's only Gwyn being shipped with Az that they take issue with and when only E/riels make these arguments, it seems highly suspect.

Gwyn's SA is irrelevant in terms of consent because EVERYONE should have consent before engaging in physical acts with others no matter their past. However, Gwyn's SA should not be the weight dragging her character down, the scarlet letter on her chest that means the fandom isn't allowed to give her the same treatment that all other characters receive. Where we're free to imagine and create fanart / fanfiction / headcanons (even the NSFW variety) for any pairing that we desire, regardless of their past or preference, even those who have never expressed romantic interest towards one another, except for Gwyn.

Consent in the actual book will be important but consent having already been given in our imaginations so we can imagine possibilities beyond what is currently written is the right of any reader.

#gwynriel #anti e/riel #gwyneth berdara #pro gwyneth berdara

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insufferableprotagonistpoll · 1 day

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Propaganda why Aang is insufferable:

He has some very bad ideas that the narrative never explores and gets rewarded by the narrative for bad behavior.

Mostly just the way he deals with his crush on Katara and kind of forces it on her. It’s honestly really shitty because she never truly reciprocated his feelings and had plenty of moments where she shows she’s just trying not to hurt his feelings with a straight up rejection, but ends up with him in the end just because that’s what he wanted.

Like we know what it looks like when Katara actually has a crush on someone, she wouldn’t let the situation like the war affect how she feels about demonstrating those feelings when she’s so in touch with them. Like how she was with Jet and Haru. I just wish the writing team did a better job of showing Katara developing feelings for Aang way better than they did lol.

Made a series that was otherwise reasonably tolerable impossible to watch. I hate that all the jokes written for his character target 8-year-olds exclusively. Also his little TV show keeps appearing on my dash no matter how many words I block and I hate it

Propaganda why Gregory is insufferable:

This boy is so poorly written, it hurts. In the gameplay, he just acts annoyed and pissed off the whole time. Then, in the endings, he becomes a whole other character who acts scared and sad, which does not match the previous hours of gameplay AT ALL

But that just annoyed me

What really made me hate him was the GGY and Robot Gregory stuff, because OH NO, Gregory could not just be a normal kid who got into this situation by chance, he has to be a robotic recreation of the Crying Child, despite not acting one bit like CC, or, according to the GGY story in the books, he's responsible for multiple murders and is Afton's/the Mimic's apprentice.

Just let this kid be fucking normal!

(Also, unlike a lot of people, I really enjoy what the Ruin DLC did to his character. And don't try to say that's still the mimic, the mimic recycles dialog from the main game. This Gregory uses completely unique dialog, and unless the mimic was able to form new words in his voice all of a sudden, that's still him. He had to make a tough decision, one life or over hundreds and I can respect that)

Suffers from being made into another one of Matpat's ""is actually a robot theory"". It is annoying as hell, especially if its canon. We do not need robot children theories in a game about possession, child murder and serial killers. Especially not dumb theories about him being a 'recreation' of someone with a completely different personality. It has completely ruined any enjoyment I had in that character because we're just going back to the Afton family again

Someone made a good point about how his personality seems to be reminiscent of a certain trend where a video game protagonist has to be snarky even though it would’ve worked better for the horror atmosphere if he was more scared because it would’ve made the player feel his fear. I recall people being surprised about his personality and expecting him to be more scared, and I assume the developers were just afraid of ppl calling Gregory “whiny”, but it still feels like a missed opportunity

#aang #avatar the last airbender #atla #fnaf gregory #fnaf security breach #five nights at freddy's #insufferable protagonist poll #insufferable protagonist tournament #tournament poll

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writingoddess1125 · 2 days

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Sunset Pirates pt. 2

Old Men Series Masterlist <<<

Previous <<<

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• The Sunset Pirates- A Young band of new generation Pirates that has been bulldozing their way into papers as their bounties grew with each passing month. Racking up Billions in damage as they sailed on and becoming on the World Goverment biggest problem

• Each of these young pirates where carving their own paths right into the already scared side if the Goverment

• They each had their own goals in mind. Wishing to better the past generation. Build past the shadows each of them where born in-

• However it was clear one one thing-

• They still had no real idea what the fuck they were doing...

• While the four of them where incredibly skilled in terms of combat and ship maintenance- they were all now incredibly broke.

• "How the fuck are we gonna get money?! We will be out of food in days" Vi protested as the crew sat on the deck trying to have a meeting of sorts to figure out a game plan.

• They had been sailing aimlessly for the last few days and getting close to running out of needed supplies. All of them feeling a strain on their personal pockets-

• "I know I know- We need ideas. Sure destroying shit is fun but we need to make real money here" Dee expressed rubbing his temple, Alucare looking at the crew and rolled his eyes- However he couldn't disagree with them...

• "We need to obviously steal- its how all pirates make their money most of thw time" Alucare pointed out-

• The crew grimaced at this Alucare included, knowing well that they weren't the type of pirates to raid defenseless people and rip gold from their necks or steal Berri from helpless people.

• "Listen it's one think stealing from a rich person but-" Vi started but Dee waved her off before she could finish that sentence.

• "We know, I don't think any of us want that either" Dee expressed. Sighing as everyone fell silent- That was till Bee chuckled to himself suddently and everyone turned their attention to him.

• Bee being the ever extremist yet the only one that seemed to pitch ideas sat up from his lounged position on a barrel with a wide smile like the devil at the crew.

• "So sounds like- We steal from the World Goverment-"

• Everyone Stared at Bee before the Vi and Alucare erupted in disagreement.

"And please do tell, How and where? You cant just say Steal from the World Goverment" Vi argued and Bee smiled "Easy- I heard when we are that ship that you Alu was imprisoned on-"

"Don't call me that-"

"I heard that they where planning to renovate Marine Base 45 with a new Safe after the summer ends since its faulty- We can just break in and steal it. It's broken anyways"

• Bee pitched as the other two crewmates ripped apart the plan. Dee however quietly thinking and giving a defeated sigh "It's the best idea we have-" He finally said making Vi look at his shocked "Are you fucking serious-"

• "This is a bad idea-" Alucare pointed out

• "Do you have one?" Bee shot back, Making the swordsman scowl at him and Vi huff but fall silent-"

• "Since you two are hell bent on this, then you two have someone to help break into the safe- Neither of us know how to" Alucare pointed out. Making the twins look at each other for a moment.

• Dee clicked his tongue and leaned back- Bee smirking as well.

• "Know just the Duo-"

- This is not what Alucare ment by getting a skilled Theif or in this case thieves. Bee and Dee had just returned from grabbing these skilled 'highly skilled pick pockets' but instead Alucare stared at two cherry nosed brats, his eyebrow starting to twitch.

There was two little girls- clearly not even in the double digits in terms of age, both in little pink-tails and dressed in frilly dresses with pale blue eyes like the older twin duo. It didnt take a wild guess to figure out these where their baby sisters.

Vivian was gushing at the two little girls the second their boarded the ship, Leaning down and poking their little cheeks as she swooned at how adorable they were and gifting them candy. A clear softy for kids-

"You've got to be shitting me- You couldn't find anyone who had hit puberty yet?" Alucare growled at the older twins, Dee rolling his eyes.

"You said we needed thieves and this is what I got- Now do you got any better idea?" Alucare scoffed, gesturing to Vi who was still gushing over the girls who where eating up the attention from the redhead.

"You expect us to break into a secure Marine safe with two toddlers-"

"We are right here you know-" Ari grumbled, glaring up at Alucare who sighed heavily at this.

"I'm aware-" Alucare calmly shot back, Looking to Bee and Dee as he rubbed his temple.

"If I knew I'd be babysitting I'd just have went home-" Alucare mumbled- Ali glaring hard at Alucare as she casted her sister a glance.

"We have to get someone else- I understand love for a siblings skills but this is ridiculous. Im not going to let two infants on a dangerous task like this. Your sisters or not- I doubt they could steal candy from each other" Dee and Bee looked at each other and just shrugged. Alucare ready to tear into them again but being quickly cut off.

"Pretty ring- And lots of money!" Ali said loudly to herself, Holding up Alucare prized Ruby ring in her tiny palm the one that Mihawk had gifted him when he left home and his bag of Berri he kept hidden on his person- The dark haired man blinking in confusion before looking at his hand.

"How did you-" He started before snatching the ring and money from the little girl. Ali giggling at this as Did Ari who was scooped up by Vivian.

"Told you- Best damn thieves you can find" Dee waved off, Already suspiciously touching his own pockets as he was sure his sisters had lifted something from him.

"The infamous Bubbles and Squeak- Now if these two can steal from Sir Crocodile, Mihawk and essentially all of the Pirate Lords undetected including cracking ever safe they can get their little fingers on. I'm sure they can steal from the military-" Bee detailed Excluding themselves from the stolen list. Alucare crossing his arms, looking.. impressed?

"These two did all that?-"

Vi commented with a eyebrow at the little girls as she held Ari who was tucked to her side. Looking to the little girl and chuckling a bit in amusement-

"How long do we have them for?"

"72 Hours, Father has our Mother distracted and lied to her about where the girls are for this" Dee explained with a sigh- Knowing their mother would lose her shit finding out they were taking two 7 year olds out on a pirating adventure.

Alucare adjusted the ring on his finger and nodded- Looking to the two little girls calmly.

"Seems we are setting sail to Marine Base 45-"

○~○~○~○~○~○~○~○~○~○~○~○~○~○~○~○~○~○~○~

Authors Note!

HELLO! So I've been stewing over this project for quite some time and wanted to open the floor up to everyone!

I want to Build the Sunset Pirates into their own Respectable Pirate crew, so Please leave some suggestions on Ideas either of OOC or even Legacy children you think would he great for the crew!

#x reader #one piece #one peice x reader #one peice live action #sunset pirates #one peice #buggy one piece #one piece mihawk #one piece shanks #opla

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