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#artist hiring
poldraws · 3 months
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I've been busy with school a lot lately! it's my third year as a Bachelor's in Industrial Design student and it's been getting harder and harder to keep up with school requirements. Hence, it's been a challenge squeezing art on my spare time 😵‍💫
Enough about me, though! Meet Evelara, once a revered warrior of the Ebon Flame, now bound to her cursed weapon known as the Eye of Foresight. This weapon possesses the uncanny ability to predict an enemy's next move. It glows with an ethereal light when danger is imminent, and its gaze can pierce through illusions and deceit. The Eye has a mind of its own, communicating with Evelara through visions and whispers, guiding her strikes with deadly precision. However, over-reliance on its power comes at a cost. The Eye feeds on Evelara's life force, draining her energy each time she taps into its foresight. Prolonged use leaves her feeling weak and disoriented, a state she refers to as a 'foresight hangover'. This side effect often dulls her senses, leading to certain clumsiness outside of combat.
Dms are still open to anyone interested in getting their Original and/or DnD characters illustrated!
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jaskdraws · 1 year
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Emergency Commissions
hello i am a disabled trans artist who needs to pay over 300 bucks for hormones before the end of the month. i have $14 to my name
my sole income is through art commissions, and having gotten no clients for the last few months, suffice to say im pretty desperate for business at this point
I’m running a 15% off sale on ALL commission types through my ko-fi. sketches, regular art, character design, illustration, everything. If you dont want any art and can help out you can also just straight up donate to my ko-fi or paypal, or tip this post.
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DISCOUNT CODE: JASKDRAWS
In-depth commission information can be found on my carrd or on my commissions post, or I have a shop on redbubble and society 6 with prints and stickers.
ko-fi.com/jaskdraws paypal - jaskdraws@gmail
redbubble shop / society6 shop jaskdraws.carrd.co
Please please PLEASE boost this. I will go into debt if I can’t make this payment
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mothmore · 7 months
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something i am utterly obsessed with is the physical copy of dracula that i recently purchased that has , as part of its foreword , some of the original idea notes that bram stoker had about what dracula’s vampiric powers/traits would be.
one of these is that dracula’s likeness cannot be captured in a painting , he always looks like someone else.
which only leads me to imagine a scenario in which the count lines many of his castle hallways with paintings of himself throughout the centuries but none of them look the same and none of them look like him but jonathan can’t help but notice they all somehow look eerily similar.
he brushes it off , assuming they are simply counts of generations past.
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saltmalkin · 11 months
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lantern
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gramnel · 4 months
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is this how it ended??
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erika-xero · 1 year
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Beware, the long post incoming. Pro tips for artists who work on commissions!
DISCLAIMER: I do not have, like, a HUGE online following and can’t be called a popular or viral artist, but I do have some experience and I’ve been working as a freelance artist for more that five years, so I could share a few tips on how to work with clients with my fellow artists. Scroll down for the short summary!
First of all, you always need to have your Terms of Service written down in a document that is accessible for your potential clients. And by terms of service I don’t mean a set of rules like “I don’t draw mecha, anthro and N/S/F/W”. There is much more into it, than you may think when you first start drawing commissions.
You’ll need to understand how copyright law/author’s rights in your country works (for example, US copyright or Russian author’s rights, be sure to check your local resources). There are a bunch of sites where you can actually read some legal documents (. I know it might be boring, but TRUST me, you WILL need this knowledge if you choose this career path.
Russia, for example, is plagued with shops selling anime merchandise. The merchandise is usually printed somewhere in the basement of the shop and the shop owners literally rip off other people’s intellectual property. If the artist ask them to remove their IP from the shop the owners usually try to fool them with lies about how the IP works. They will tell you, that you have to register copyright on every single drawing and if you don’t do it anyone can reproduce and sell your artwork. In reality, copyright law in most countries simply doesn’t work this way. Once you create an original work and fix it, take a photograph, write a song or blog entry, paint an artwork, you already are the author and the owner. Yes, there are certain procedures of copyright registration, which is only a step to enhance the protection, but you become an author the very moment you create a piece of art, and no one have a right to take your creation from you. Knowing your rights is essential.
Some of your commissioners may try to scam you too, but most of them might simply not be aware of how copyright law works. I literally had people asking me questions whether or not the character I am commissioned to draw becomes MY intellectual property. I literally had to convince the person (who was legit scared, since the commissioned piece was going to be a first image of his character ever created) otherwise. If you have an idea of the character written down or fixed in any other form such as a collage, a sketch, or a concept art -- the character is yours. Artist may have rights to the image they create, but not the character itself. Your potential commissioner must acknowledge that their characters, settings and etc. is still theirs, while your artwork is yours, if your contract doesn’t state otherwise. You can sell the property rights on your artwork to your commissioner if you want, but it is unnecessary for non-commercial commissions. And I strongly advice you to distinguish the non-commercial commissions from commercial ones and set the different pricing for them. Even if you sell ownership of your artwork to your commissioner, you can not sell the authorship. You will always remain an author of your artwork, thus you still have all the author’s rights stated in the legal documents.
Another thing that is absolutely necessary to be stated in your terms of service is information whether (and when) it is possible to get a refund from you. You absolutely have to write it down: no. refunds. for finished. artworks.
You have already invested time and effort to finish an artwork. The job is done and the money is yours. I’ve heard stories of commissioners demanding refund a few months later after the commission was finished and approved by the commissioners, because, quote “I do not want it anymore”. Commissioning an artist doesn’t work this way, artwork is not an item purchased on shein or aliexpress that can be sent back to the seller. It is not a mass production. It is a unique piece of art. Example: My friend once drew a non-commercial commission for a client who tried to use it commercially later on. She contacted him and reminded of the Terms of Service he agreed with, offering him to pay a fee for commercializing the piece instead of taking him to the court or starting a drama. He declined and suddenly demanded a full refund for that commission via Paypal services. My friend contacted the supports and showed them the entire correspondence with that client. She also stated that the invoice he paid included a link to the Terms and Service he had to agree with if he pays that invoid. The money were returned to her.
However, partial refund can be possible at the certain stage of work. For example, the sketch is done, but something goes horribly wrong. Either the client appeared to be a toxic person, or an artist does not have a required skill to finish the job. I suggest you keep the money for the sketch, but refund the rest of the sum. It might be 50/50 like I suggested to my clients before (when I still could work with Paypal), but it really depends on your choise. I suggest not doing a full refund though for many reasons: not only you make yourself vulnerable, but you also might normalize a practice harmful to other artists this way.
The main reason why full refund when the sketch/line-art are done must not be an option is that some clients may commission other artists with lower prices to finish the job. This brings us to the next important point: you absolutely need to forbid your clients from altering, coloring or overpainting your creation or commission other artists to do so. This also protects your artwork from being cropped, changed with Instagram filters or even being edited into a N/S/F/W image. Speaking of which. If you create adult content, you absolutely need to state that to request such a commission, your commissioner must at least be 18/21 years old (depending on your country). And as for the SFW commissions you also have to state that if someone underage commissions an artwork from you it is automatically supposed that they have a parental concern.
There is also a popular way to scam artist via some payment systems, called I-did-not-receive-a-package. Most of the payment systems automatically suppose that you sell goods which have to be physically delivered via postal services. This is why it is important to state (both in the Terms of Service and the payment invoice itself) that what commissioner is about to receive is a digital good.
And the last, but not the least: don’t forget about alterations and changes the commissioner might want to make on the way. Some people do not understand how difficult it may be to make a major change in the artwork when it is almost finished. Always let your commissioners know that all the major changes are only acceptable at early stages: sketch, line-art, basic coloring. Later on, it is only possible to make the minor ones. I prefer to give my commissioner’s this info in private emails along with the WIPs I send, but you can totally state it in your Terms of Service. I do not limit the changes to five or three per commission, but I really do appreciate it when I get all the necessary feedback in time.
To sum this post up, the info essential for your Terms of Service doc is:
- The information on whether or not your commissions are commercial or non-commercial. If they are non-commercial, is there a way to commercialize them? At what cost?
- The information on author’s and commissioner’s rights;
- The information on whether (and when) refunds are possible;
- The prohibition of coloring, cropping, overpainting and other alterations;
- The information on whether or not you provide the commissioner with some physical goods or with digital goods only;
- Don’t forget about your commissioner’s age! If you work with client who is a minor, a parental consern is required. And no n/s/f/w for underage people!
- You may also want to include that you can refuse to work on the commission without explanation in case you encounter a toxic client or feel like it might be some sort of scam.
- I also strongly suggest you work with prepay, either full or 50% of total sum, it usually scares off the scammers. I take my prepay after me and my client agree on a rough doodle of an overall composition.
- I also include the black list of the themes: everyting offensive imaginable (sexism, homophobia, transfobia, racism, for N/S/F/W artists it also might be some certain fetishes and etc). Keep your reputation clean!
- Ban N/F/T and blacklist the commissioners who turn your artworks into them anywayss, don’t be shy <3
These are the things that are absolutely necessary but are so rarely seen in artists’ Terms of Service that it makes me sad. Some of these tips really helped me to avoid scams and misunderstandings. I really hope it helps you all!
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luminarai · 2 months
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I’ve seen a lot of people wonder if Taigen’s gonna pull a Li Shang from Mulan once he finds out about Mizu’s Secret™️ but I mean. This man’s internal logic is already so damn weird, this might as well happen, y’know??
Bonus:
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sciamano240 · 1 year
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Bunny Maid Lilith from "The Maid I Hired Recently Is Mysterious", another bunny from my latest pack.
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mjulmjul · 10 months
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some color/mood experiments
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blueartistic813 · 1 month
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I actually went and slaved away at this thing for a whole ass month as my own birthday gift. I love him so muchhhh
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guachenim · 3 months
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I HAD TO DRAW IT
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damn-this-pool · 4 months
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🤍Drawing JJK SatoSugu while waiting for oil paint to dry💙
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themetalhiro · 10 months
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Commissions from this week. :] Thank you guys!
If you want one of your own, you can find info HERE
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bengaly · 10 days
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Experimenting with different visual cues to show that a character is not quite fluent in a language yet. Commentary and extras below the cut. (the other language is kalaallisut, a real language spoken in greenland, albeit machine translated and probs not 100% accurate)
1. Blurred bits
I feel like this one isn't very visually pleasing, but it speaks to me more regarding how learning a language feels. You don't quite make out what the words are, and slowly pick up bits from what is being said. This also adds room for uncertainty on the character's POV, the speech bubble wouldn't be theirs, but what you read off it would be their thoughts regarding whats being said. The blur also helps keeping things incomprehensible even if you speak the other language being spoken.
2. Bits in multiple languages
This one adds room for out of the speech bubble commentary. It doesn't make misunderstandings as easy as with the blurred speech, and with an agglutinative language like kalaallisut it might end up being confusing to organise or break the sentence's syntax. It looks cleaner than the blurred bits though, and it still makes the other language incomprehensible (if you dont speak kalaallisut, that is). Colour coding would help indicate whats being understood by the main character and what isnt, and the texts would slowly be fully red across the chapters.
3. Faded colour to indicate not understanding
This makes the reader able to understand everything, and relies on the reader memorising that faded = not understood by the character. Other than that, colour coding would indicate a change of languages.
I like the reader only understanding what the character can understand and I like the types that leave kalaallisut still visible. Though option 3 might be cleaner and easier to manange.
4. Faded colour + blur
This is something I thought after posting it earlier on patreon. Blurring the parts the main character wouldn't understand can be a way for the brain to quickly skip through the missed text, in hopes that at least the first reading will match what the character is understanding.
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Also, for the enjoyment of my 4 greenlandic followers, heres the machine translated kalaallisut version I used for 1 & 2. I had to use a double way translation tool and an annotation tool to be sure the words were somewhat related to what I wanted them to be. I can't really fact check it though, so I hope that whichever way the translator messed up is at least worth a chuckle.
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If you'd like to see more of this kinda stuff, please consider supporting me on patreon
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pre-teen vampire who was turned in the 90s. she sleeps in a custom lisa frank coffin covered in glitter stickers
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captainlordauditor · 2 months
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Conversation last night made me realize I never posted this.
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